Scribd
Upload
2K views7 pages

FUTURE CINEMA :: The Cinematic Imaginary After Film - Unmovie - MIT Press ZKM 2002

UNMOVIE (WALL-IMAGE) participatory user-generated hypercinema installation by Philip Pocock, Gregor Stehle, Axel Heide, 01 as well as Arctic Circle, Øtherlands, HUMBOT in Future Cinema book MIT Press edited by Jeffrey Shaw and PeterWeibel for the ZKM Karlsruhe exhibition Future Cinema 2002-3, traveling to the Kiasma Museum of Contemporary Art, Helsinki and the ICC Intercultural Center Tokyo, Japan, 2003. For the Kiasma Helsinki version of Future Cinema, Philip Pocock and Gregor Stehle created the installation UNMOVIE :: KIASMA EXTENSION PROPOSAL 2003. For the ICC Tokyo show, the pair created UNMOVIE :: TWO TOURISTS, 2003.

Uploaded by

Philip Pocock
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
2K views7 pages

FUTURE CINEMA :: The Cinematic Imaginary After Film - Unmovie - MIT Press ZKM 2002

UNMOVIE (WALL-IMAGE) participatory user-generated hypercinema installation by Philip Pocock, Gregor Stehle, Axel Heide, 01 as well as Arctic Circle, Øtherlands, HUMBOT in Future Cinema book MIT Press edited by Jeffrey Shaw and PeterWeibel for the ZKM Karlsruhe exhibition Future Cinema 2002-3, traveling to the Kiasma Museum of Contemporary Art, Helsinki and the ICC Intercultural Center Tokyo, Japan, 2003. For the Kiasma Helsinki version of Future Cinema, Philip Pocock and Gregor Stehle created the installation UNMOVIE :: KIASMA EXTENSION PROPOSAL 2003. For the ICC Tokyo show, the pair created UNMOVIE :: TWO TOURISTS, 2003.

Uploaded by

Philip Pocock
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
You are on page 1/ 7
Axel Heide, OnesandZeros, Philip Pocock, Gregor Stehle Unmovie /+ caf begin [Unmove, empty} */ ‘ef _init_[solf darkness} try perspective of time Woe may sneak af beaioninge in cinema ay lenger LUnmavie begrsin dense darkress. Notas 8 cinema house but crystaliznd ae a tine-image” abject. 8 oan-like fountain bubbling blackness in ZKM'e Cav eroue Future Cinema space jet-dlackeligrapher's ink evaporating in aglass aquarium wel ar punpedin Lureathing irrational op- and aonsigns out at exactly ane secend per second via webcam Unrmave's Bubte theapian Stage, an ‘any-space-whatever"2 updated to"any-ofperspace-whatever or “actor-medums"s software language"bots"algorithnicallyhyperscrint ing no beginning o end cyberanthrologicaltravels ‘slong a revarending Stream oF "code-mages* flow ingfrom the growing Unneviedatabase of “ound” Net videos and thei Unmmavie-authored descriptors (e:econd hidden scrint) Unmavie starts alresdy tecoina Hamist's “Time is out of joint” remark releas- Ingtimafromits chronies sersory-mator role inci fm Unmovie's tin Frame, ionicalys enumerates 4 seovnceopct.pi0 rather than denomnates screen space, animating yeni “nco-screene"7 out of time ina game of afterife"e forcinama try wallenscreen ene may speak of beginnings in creme once agai Unmone bogie wth the Wall 2M built Unmovie a standard, nolow, whitewashed, partition museum wp- ‘code-image cgplay presentirg the logo-. op and Ssonsign goings-on on beth the Unrovie Stage and ‘Stream, as wal asallreadymade devices carrying the {aa wand from its interactors, @PC, en Ethernet hub, speakers andvaraguelypower and transmission cables, through which Unmave data comes ana goes, hhangingby handmade hooks of glass and bronze The ‘rednd ton aceon Unmovie Wallscreens its entire virzual and actual 560 01 NETWORKED 561

You might also like