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Dragonworld by Zhang Xinxin, translated by

Helen Wang
Zhang Xinxin – accompanied by her teenage alter-ego
Zhaishao – investigates the source of an invasion in
Dragonworld, translated by Helen Wang

'Across the road a group of dragons is eating a building, drawn by the tantalizing smell of concrete released
by the cracks in the walls' ... houses among the rubble off the Changshu Road, Shanghai. Photograph: Don
McPhee

Zhang Xinxin, translated by Helen Wang

Sat 14 Apr 2012 09.00 BST

Thirteen year old Zhaishao, whose soft cheeks have yet to witness their first
spot, and who has yet to develop a life he can call his own, keeps all his
assets on his hard drive: pirated movies, music downloads, computer games.
I'm not sure when he took up residence in my brain, but when I'm feeling
low I look at the world through his eyes, and all the problems of the real
world dissolve into dazzling animation. Through his eyes I see his life, in a
Post-Peking-Man town in the Dragon Bone Mountains. It used to be a small
place surrounded by fields, but that was before the farmers downed tools
and moved into the city. Later on, as outsiders arrived looking for work, the
old residents became micro-landlords, and earned their living renting out
the tiniest of spaces. The main industry in the town is construction … well, it
was, until the day the dragons came. Exactly when they arrived, Zhaishao
does not know. He finds it difficult to distinguish between life on-screen and
off-screen. The only thing he knows for certain is that these dragons are not
alien invaders.

Standing on the street, Zhaishao watches as a dragon flies past a window, its
silver scales catching the sun like crystals. Perhaps it has escaped from the
digital world on screen? Then it is gone, and grey sky fills the window again.
He catches a glimpse of another dragon's front leg. The purple scales are not
computer-generated, it is not plastic, and there is an iron chain clamped on
the leg. His eyes follow the chain. It leads to a hand, to a group of his
classmates walking along, each one with a dragon on a lead. A chill creeps
over his shoulder as he feels the sudden shame of falling behind. He looks
down at the street and there is a little dragon perching on his shadow's
shoulder, like a bird. It looks like the dragon he saw before, the little silver
one. He holds out a piece of dark chocolate. The dragon leaves the chocolate
but snaps viciously at his palm, leaving two tiny rows of teethmarks.

As they come to the footbridge, his classmate whips a small hammer out of
his trouser pocket, chips a piece of concrete off the pillar and pops it into the
dragon's mouth. The dragon chomps with relish, spraying crumbs as it eats.
The other dragons rush to snatch the crumbs from the ground, heads down,
tails up, dust flying.

Dragons eating concrete? Is this a dream, wonders Zhaishao. He watches in

amazement as the dragons gnaw on the pillars. A skirmish breaks out.
Zhaishao beckons to the little silver dragon on his shadow. 'Come up!'
Actually, he just wants to show it off to the girl who lives in the apartment
block by the footbridge. She looks at him from her window like a solitary star
in the sky. She's a classmate – was a classmate, until her face went pale and
she stopped coming to school. He's heard she won't last the summer. From
her window high up, he's just another little figure down below, but if he
jumps about with a silver dragon on his shoulder she will see its scales glint.
But this dragon does not want to play: it will not come up, it will not eat
concrete, and when Zhaishao tries to catch it, it flies off. He notices some
colour on its front leg. It seems so familiar.

The dragons are eating away at the footbridge. As the concrete disappears,
all that is left are the steel sinews weaving in and out, up and down, a dense
interlocking spiral structure, like a tower of prehistoric fish bones on the
beach. A dragon leaps up and bangs its head against it, sending a chunk of
concrete crashing down and knocking over a cart full of sand and lime that
had been left underneath. The youngsters scramble away as best they can,
but the dragons keep their heads down and concentrate on the morsels of
concrete. All except Zhaishao's little dragon which grabs hold of his T-shirt,
and hauls him out of the sand. He notices a set of coloured bands on its front
leg, the same ones he has seen on the girl's wrist! Zhaishao races home and
as he runs inside he sees the little silver dragon vanish into the tall block by
the footbridge and a dragon shadow appear in the window high up.

The conversation at the dinner table is steeped in science. The phenomenon

of people turning into dragons can be attributed to the environment,
pollution, global warming and the ozone layer, intones the television in the
background. A mere re-awakening of non-human DNA that has lain dormant
for millions of years, says Zhaishao, repeating the word 'mutation' from a
Hollywood movie. Toxic food, say his parents, without looking up from their
chopsticks. They are more concerned about the roof over their heads and the
floor beneath their feet, about property values, re-financing, the new lease,
the price per square metre ... after each mouthful of rice they start talking
about property again, and Zhaishao hears the painful cry of a wounded
dragon. His thoughts turn to the little dragon girl, and as usual, he puts
down his rice-bowl and chopsticks and returns to his room, to his own little
world.

High up above the footbridge, her window stands out in the dark of night. It
seems even brighter than before. Is it her silver body shining? He looks at the
palm of his hand. If humans are bitten by dragons do they go mad? Like
getting rabies? The two rows of dragon-teeth marks on his hand make a
wonderful pattern. They are bleeding slightly. He smiles to himself. No one
else in the world has a pattern like this on their hand.

Across the road a group of dragons is eating a building, drawn by the

tantalizing smell of concrete released by the cracks in the walls. At least the
block has already been condemned as dangerous – the residents are
calculating the compensation! But young Zhaishao looks serious: concrete is
being eaten, the dragons are invading. By the roadside people are selling
weapons to deal with the dragons. Some have bought steel halters to try and
catch them, but the concrete-eaters have run off in all directions. The
youngsters have bought swords to go chasing after dragons. Zhaishao will
join them, he will be a Dragonslayer too. (It's a disaster movie! A coming of
age movie! But he is the softie of the group. To put it simply, he will never be
able to destroy the little dragon girl he loves.)

On his way out to join the Dragonslayers, Zhaishao sees a pair of dragons
sitting on the living room sofa. When did his parents become dragons? They
had only finished their rice, but now they are moaning with hunger and
pawing pitifully at their bellies: they can't bring themselves to eat their own
home. Zhaishao locks the door as he leaves, and, dragging a small trolley
behind him, heads off to look for some concrete.

Zhaishao looks up at the apartment blocks on either side of the road. He is

shocked by what he sees. It has taken the dragons no time at all to strip the
concrete from these buildings. The walls are just frames, the floors are just
girders. Each building is like a 3D maze, or an iridescent Rubik's Cube. The
shattered shards of fallen glass glister and mirror the transparent maze, and
the random movement of people and dragons in their own little worlds
creates a world of never-ending fractal animation. The reflected world on the
ground is more vivid, more profound, more infinite than the life in the
buildings. Then, one by one, the metal grilles at the windows appear so
prominent, so dominant. Ubiquitous. Ridiculous. With the new openwork
walls, can these metal bars seriously keep anyone – or anything – out?

The entire city feels like a zoo. People walk about in their metal cages, they
shower, make love, watch TV, eat food, slipping seamlessly through the
metal frames from one room to another. The dragons walk about in their
metal cages too, doing exactly the same things. Except they eat differently:
their bodies are so long that they can stand in their own place and eat the
concrete in the next-door apartment. With a stretch of the neck and a twist
of the body, they can scoff the concrete upstairs and downstairs too. There
are so many dragons it is becoming a dragon town.

Zhaishao looks at the teeth marks on his palm. They are bleeding more than
before. Why have his parents turned into dragons, but he has not? He does
not understand. Had he been about to turn into a dragon when the dragon
girl bit him? Is that why he hasn't changed? OMG! SHE'S SOOO AWESOME!

The old streets of the old town re-appear through the tumbledown walls of
the apartment blocks: the black rooftiles, the red lattice walls, the grey
bricklaid floors. It is still a small town after all, thinks Zhaishao. The most
genuine thing in it is probably his own place. As long as his hard-drive is still
there, his life will be fine. Oh, and he'd need his mobile phone. But he
doesn't care about the rest, just as he has stopped caring about fairytales,
and seeing white horses in the clouds.

Her window is immediately over the top of his computer screen. He sits in
front of it all day and all night. His window is only a frame, since the dragons
have eaten the rest, but hers is still intact. A lone guard watching over her
window, Zhaishao drops off to sleep.

Maybe, after moving house for the first time, when he came back to look for
his Toy Story Cowboy, she had also come back to look for her rag-doll. Maybe
in the dark, his hand had touched hers, or by some stroke of magic, her lips
had touched his, so so softly. Maybe the meeting of their souls was written in
the spatial motion of the planets. I don't know, and neither does my little
Zhaishao. All I know, and all he knows, is that whenever he thinks of her, his
heart skips a beat, and that beyond the three-dimensional world of his
computer screen there is a fourth dimension. It doesn't matter where they
first met, or that she has turned into a dragon. None of that matters.

When Zhaishao wakes up, something has changed. There are dragons eating
the steel structures! A second generation of dragons that eats concrete and
steel! The people inside the metal structures have turned into dragons, and
they are eating too. They are all eating at the same time, and as they eat the
buildings diminish. The steel structure of the entire town is gradually
disappearing. It is like a movie playing backwards: the buildings grow back
into the ground, the mish-mash of roads re-appears, the cars crawling in
traffic come to a standstill. The wheels and bolts have been eaten. The
engines have been eaten …

Zhaishao starts to drift amid the dereliction, the urban landscape morphing
into a metaphysical metropolis. As apartment blocks disappear, computer
screens and TVs begin to proliferate, and mobile phones twinkle like stars in
the sky, except they are twinkling on earth, flickering, glimmering, buzzing,
humming. The people still on two legs go in and out of their temporary
shells, the rich in their tall wooden towers, the ordinary folk in straw huts
and the migrant workers under plastic sheeting. Some climb into the broken
shells of cars, with black rubber tyres, rows of seats, a steering wheel, a
board here and there, just like the make-believe games they played as
children …

Outside, the world has gone quiet, except for the sound of rushing water. It
is the sound of fountains, of sand sliding down dunes. The dragons have
digested the concrete and excreted sand. The tall concrete buildings have
been replaced by dunes of white sand. The greenery is still there, although
there have never been many trees in this small town. There are little gardens
in the streets, pots of flowers on balconies, seductive little oases in the
desert – no need for a mirage.

As the human population diminishes, the number of dragons increases. But

the first generation dragons are now dying of hunger. The wind whittles
away at their bodies till their bones fall higgledy-piggledy to the ground, the
larger bones stacking up like giant bricks making a white dragon bone wall.

Zhaishao watches as two new humans-turned-dragons emerge, one from a

wooden building and one from a straw hut, look back at their shells and eat
them. He understands immediately: a third generation of dragons is
appearing.

The third-generation dragons can eat everything: plastic, glass, wood,

rubbish. The town is covered in the stuff, but before long everything has
been cleaned up, even the last bits of greenery.

The Dragonslayers have vowed to trace the dragons back to their source – the
first human-turned-dragon, the Mutant Dragon. The final act will be an
execution, elimination of the mutation. In Zhaishao's palm the bite marks
ooze blood. His stigmata. His call of duty.

Zhaishao has his suspicions. All the buildings in town have been eaten. The
building opposite has also been pulverised, yet that window is still there,
floating in the air. It is like an illusion, yet so real, and from time to time she
appears there. The humans-turned-dragons must share his suspicion for a
crowd has gathered beneath the window. There is yelling and shouting.
Without stopping to get dressed, Zhaishao leaps into action. He must go to
her rescue.

Yes, she is the Mutant Dragon, but how did she become the first one? I am
trying to work this out. Perhaps she really was sick, with an incurable
disease, and had been lying in bed by the window. Turning her head on the
pillow, she could see the back of his computer through the window. At night-
time, when all the lights in the building had gone out, she could see this
single dark square with coloured lights shimmering around the edges, like a
rectangular eclipse. The girl stared and wondered how she could go to see
what it was. Her father was into bionics, and used the flat as a workshop in
which to seek for the elixir of immortality, that lost ancestral art. The girl
simply wanted to know what was behind the lights. She dreamed of putting
her feet on the ground, of getting out of bed, walking into the sunshine, and
across the footbridge. She drank the potion her father had made, turned into
a dragon, and floated in the air by her window. Damn the legend of Chang Er
drinking the elixir of immortality and flying to the moon! How did I get
caught up in this stuff? Do I really have to explain how the girl became the
first dragon? Does it matter if she was the first? Does it matter what she
dreams? What matters is that she is at the heart of his troubled mind.

Zhaishao has already endured the full range of impossibilities: through

burning flames, across sheets of ice, past bolts of thunder, but he still has to
get through the crowd of dragons. They come up to him and bite at his body,
ripping and tearing at his skin with their sharp teeth. They eat his T-shirt, his
pants, his slippers. He runs naked towards the little dragon girl's window.
When he sees her, he reaches up to her. She stretches out her leg with the
coloured bands. Their fingertips touch. As the dragon claw turns into a hand,
a wild outbreak of laughter explodes behind him. He looks round and sees
the Dragonslayers brandishing their swords at the dragon girl.

'She's the one!'

Zhaishao moves to protect her.

'Don't kill her! She's my girl!'

'Wake up!' they shout, thrusting their swords towards him. 'She's not real!
She's an illusion! She's living in your head, you've got to get rid of her, root
out this madness, then everything can go back to how it was!'

Swords slice through the air. The little dragon girl leaps into the air. There is
nowhere to land. As the swords slash, my Zhaishao's heart begins to pound.
He leaps up to block the swords. He sees them slice at my shoulder, my leg,
my waist. And at that moment the Dragonslayers change. They roar furiously
as they turn into dragons. Their swords fall from their claws. They look up in
amazement, mouths gaping, as though drinking in the air in which the
dragon girl is floating. His friends have become the fourth generation of
dragons.

If the third generation dragons are indiscriminate omnivores of all material

things, I wonder what the fourth generation dragons will eat?

Perhaps they will feed on the nonmaterial assets of the twenty-first century:
on visual images, and intangible things that are conceived in the brain. This
is something I had never imagined. Yes, I am tired of being surrounded by
material things. Yes, I find the overconsumption in this world ridiculous. I
think of myself as a materialist turned minimalist. So why shouldn't it be the
same with conceptual stuff? Why, when there is so much of it around, do
people still feed the need to go on producing more and more? Each brain is a
hive buzzing with activity: there is an astronomical number of synapses, a
Big Bang every nano-second. In the infinitely interlinking universe of my
mind, I have had the craziest of thoughts. I have tried to banish them, to
throw them out, to refuse any space to mental waste. How many times have I
had to pluck from the wastebasket something spectacular that I could not be
bothered with before? I CANNOT – I WILL NOT – make the conscious
decision to eliminate creativity, because I have to live. Keeping the creative
juices flowing in my brain is fundamental to my quality of life.
If the fourth generation dragons can survive on things that exist in cloud
storage and 3G, I can live with that. But I will not let them take my Zhaishao,
or his little dragon girl. He faces this crisis with eyes wide open, his heart
beating wildly, his body constricted by something he cannot name. Then, all
of a sudden, she flaps her dragon wings and flies up to the window. She looks
back. I leap up, grab hold, and off we fly. I float in the lightness of air, and roll
like a cloud over town. The mad wind pulls at every hair on my head, its cold
breath stinging my scalp, ringing in my ears. I cling on for my life, and peer
down at what is left of the town below. The earth is vast and the sky is huge.
We have taken so much from the earth, but the dragons have devoured all
the material things we humans have made. There is nothing left for them to
eat.

Three generations of dragons are dying. The harsh wind dries their bones,
piling them up into dragon-bone walls. I see the Dragonslayers tie
themselves together, like a dragon-plane, running together to take off, to
escape. But the sand is too deep and their dragon-plane sinks. They try
again, and sink again. They cannot survive for much longer. Eventually, they
will perish too, and their bones will join those of Zhaishao's parents. They're
just another brick in the wall.

I feel myself falling. My dragon girl's wings are shrinking. We crash into the
walls of the dragon corpse maze. The dragon bones are sharp and densely
packed. They stab me like knives and arrows. My dragon girl flaps her ever-
diminishing wings as she struggles to fly. But it is no good. Tears roll down
my face, and drops of rain – her tears – fall on my head. She grows smaller
and smaller, until she is a shadow over my head.

My foot lands on a sharp cone, which jabs into the sole of my foot. I walk
along the long dragon-bone wall, a white meandering wall in the surging
black waves of the sea. Like a sand-dune, the wall shifts as the black waves
crash against it. The sun shines fiercely on the sand, the myriad dots of light
like a fixed-frame sea spray.

Dazed, I search for yesterday, the long blur of yesterday. There, on the hard,
white dragon bone islands stands my Zhaishao. The black waves surge
around him. Eyes wide open, a solitary boy, a naked exile in a desolate
world.

· Dragonworld first appeared in Chinese in Shanghai Literature 10, 2011

· Listen to the first part of Zhang Xinxin reading Dragonworld in Chinese
· Listen to the second part of Zhang Xinxin reading Dragonworld in Chinese

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