IMC Plan Luxury Escapes - V4 - DRAFT
IMC Plan Luxury Escapes - V4 - DRAFT
MARKETING
COMMUNICATIONS
PLAN
Luxury Escapes
Wen-Chi Yu - s3922264
Vu Hien - s3994564
1
Executive Summary
Luxury Escapes endeavors to target a younger audience of consumers aged 18 to 30 years,
who seek travel experiences and services independent of their parents. Given their lack of
awareness of Luxury Escapes, the brand intends to build a campaign that sheds a positive
light to its overall image and ultimately achieves brand equity. The key marketing and
communication objectives set involve building the prospective consumers’ awareness of
Luxury Escapes and its brand perception of affordable, fun and culture-focused, that will likely
meet the marketing objectives of driving bookings and increasing sales revenue by 15
percent.
The IMC plan dives into the need to establish what Luxury Escapes truly values in travel
experiences that will attend to the travel needs of young individuals. Through thorough
demographic and psychological research, it is confirmed that young individuals hold a high
regard for cultural and memorable travel experiences. They seek travel as a way of learning
and immersion of oneself in different cultural experiences, rather than focusing on the
tangible aspects of travelling, such as accommodation (Ghete 2015). Intrinsically, deeply
understanding the target audience suggests Luxury Escapes must transform their current
perceived brand personality of ‘conservative’ and ‘lacking excitement’ to one that is
acknowledged as fun, exciting and adventurous (Ghete 2015; Business Wire 2019).
Accordingly, Luxury Escapes must redefine their meaning of ‘luxury’ to being rich in culturally
diverse life experiences, rather than focusing on a five-star lifestyle (Ghete 2015).
By understanding the target consumers’ travel needs and attitudes and innovating a new
brand personality of adventurous, the campaign idea was created and rigorously planned.
The campaign, #CulturalCompass, will employ numerous exposure points to reach a
significant volume of the prospective target audience. The manipulation of traditional and new
media channels chosen for Luxury Escapes’ campaign includes the following: television
commercials, billboard advertisements, Facebook, Instagram and YouTube. Furthermore,
alternative yet key IMC activities include Event Sponsorship, Cause-Related Marketing and
Corporate Image Advertising. These channels evidently reach a significant level of
consumers nationally and acquire strong user and exposure rates from young individuals
(Media Exchange n.d.; Zekiri 2019; Healy 2024; Kemp 2024). Thereby, the IMC plan created
will likely guide Luxury Escapes to target its new prospective consumers and ultimately
achieve both its marketing and communication objectives.
Current Situation Analysis
BACKGROUND & RESEARCH
STRENGTHS WEAKNESSES
• Personalized offerings based on • Relatively small commission margins
customer data and preferences. compared to other industries.
• Personalised recommendations,
deals, and travel experiences that
align with each customer's interests
and behaviours.
OPPORTUNITIES THREATS
• Having a physical retail presence. • Competition from established online
travel agencies and emerging
• Expanding into new markets and
players, including Airbnb, Expedia
geographies.
and Bookin.com.
• Further development of end-to-end
• Potential disruptions in the travel
travel planning and booking
industry (e.g. pandemics, economic
capabilities to ensure a seamless
downturns), this has the prospect of
travel experience.
impacting the demand for services.
• Leveraging data and technology for
• Increased demand for metasearch
enhanced personalisation and
sites, threatening OTA growth.
targeting.
Strengths
Personalised Offerings and Innovative Business Model: Luxury Escapes uses customer
data to offer personalised travel deals, enhanced by a flash sales model and a marketplace
platform (Salesforce n.d). Flash sales provide discounted luxury deals while maintaining
margins, while the marketplace broadens offerings beyond hotels, such as expanding the
product range and offering diverse travel experiences (JARRETT - WIT 2023 & A TDM
Podcast 2022).
Weaknesses
Reliance on partnerships with hospitality providers: Luxury Escapes relies heavily on
partnerships with hotels, resorts, and other hospitality providers to source their exclusive
travel deals (JARRETT - WIT 2023 & A TDM Podcast 2022). Any disruptions or conflicts with
these partners could significantly impact their ability to curate attractive offerings for their
members.
Flash Sale Model Pitfalls: Luxury Escapes heavily relies on inducing the fear of missing out
(FOMO) through time-limited flash sales, offering discounted luxury travel packages. Whilst
effective for rapid growth, this approach poses long-term challenges, like transactional
customer relationships and margin erosion. The CEO's recognition of the need for evolution
beyond deals signals a shift in focus. Continued reliance on this strategy risks hindering
brand loyalty and competitiveness in the travel industry (Samadi 2018).
Opportunities
Expansion into new markets and geographies: Luxury Escapes has seen rapid growth in
Australia and parts of Asia, but there is an opportunity to further expand internationally into
new markets and regions. With a strong brand and innovative flash sale model, they can tap
into the growing demand for luxury travel experiences globally (Salesforce n.d).
Threats
Competition from established online travel agencies: While Luxury Escapes has
disrupted the online travel market, it faces competition from well-established online travel
agencies (OTAs) like Expedia and Booking.com. There is also a threat from new entrants and
startups that may replicate Luxury Escapes' flash sale model or introduce innovative new
offerings (A TDM Podcast 2022).
Changing consumer preferences and travel trends: The rise of social media influencers is
reshaping travel trends, particularly among younger demographics, making influencer
marketing crucial for Luxury Escapes to remain competitive (Johnson 2019). Ignoring
sustainability concerns and failing to promote eco-tourism could alienate environmentally
conscious travellers, impacting brand relevance. Moreover, with travellers increasingly
prioritising experience-driven travel, Luxury Escapes must expand its offerings to include
curated experiences and activities to meet this demand. (The Future Laboratory 2024)
Currently, Luxury Escapes heavily uses social media platforms, including Instagram, where
they predominantly create brand content through Instagram Reels (Instagram 2024). A
YouTube channel, which involves creating visually appealing content on ‘YouTube Shorts’
videos, podcasts and videos of destination spotlights (YouTube n.d.) is also greatly used to
market luxury travel offerings and holiday destinations. Additionally, Luxury Escapes
advertises on TikTok, showcasing luxury travel destinations, and Facebook, where they
promote their online booking service and travel locations through posts. Luxury Escapes also
utilises its own mobile app to promote its brand and product offerings, as well as providing
convenience for consumers (Luxury Escapes 2024).
To better communicate and capture the attention of the younger generation, there must be a
strong focus on social media advertising due to their heavy usage rates (Meltwater 2024).
Additionally, to significantly boost brand awareness and captivate the attention of a new
target audience, Luxury Escapes must advertise through traditional channels with extensive
reach. This includes broadcasting television commercials and billboard advertising, which
have the potential to alter current brand perceptions and build a brand personality of fun,
adventure and culture. Contrary to televisions and billboards, print media channels, including
newspapers, acquired a significantly low value of 3% of young Australians using this type of
media (ACMA 2022). Indeed, this media channel deems ineffective for Luxury Escapes’
interest in targeting 18-30-year-olds.
In final, if Luxury Escapes convey the right brand messaging to effective media channels that
appeal to the younger audience, the campaign will likely increase its customer base and
further drive travel bookings- successfully remaining competitive in a concentrated industry
(Fahey 2023).
Key Strategic Decisions
MARKETING OBJECTIVES
To increase the proportion of customer base aged 18-30 years from 15% to 30% by
the end of the next 6 months.
To maintain current levels of profitability at or above 19% for the next 6 months.
COMMUNICATION OBJECTIVES
To increase brand awareness amongst the target audience to 50% by the end of the
next 6 months.
By the end of the campaign period (6 months), motivate 30% of the target audience
that the best travel experience doesn’t need to cost a fortune.
POSITIONING
Consumers within the online travel industry are price-sensitive to travel due to the high level
of competitiveness (Fahey 2023). Therefore, Luxury Escapes’ motive to appeal to a younger
audience of 18-30 years of age must reposition themselves as providing services that are
good value for money compared to a higher standard of quality (Brunback and de Guzman
2017). The positioning statement should place more significance on “memorable travel
experiences”, rather than “luxury”, as the prospective target audience prefers immersion of
cultural experiences rather than living a five-star lifestyle (Ghete 2015). This is supported by
McKercher (2023), where the idea of interactions and socialising in new cultures is more
important to the younger generation compared to the older. Intrinsically, by providing a clear
brand positioning statement, Luxury Escapes must clearly identify the target audience and
reiterate its competitive advantage of providing memorable travel experiences at an
affordable price, rather than prioritising a luxurious quality.
CAMPAIGN TARGET AUDIENCE
The primary target audience determined for Luxury Escapes Inc is the ‘Young Adventurer’
who ambitiously hunts for culturally diverse and eco-friendly experiences that are accessible
and affordable. Although their loyalty behaviour is categorised as ‘Other Brands Switchers’
(RMIT Creds, 2024) this segment can yield high benefits for the business with the
implementation of suitable marketing strategies.
Key drivers for youth tourism include their ‘desire for authentic cultural experiences’
(Loncaric, 2019) complimented by their attentiveness to environmental and social issues
(Corbisiero, 2022). Going beyond what the product can offer this segment, it is integral that
Luxury Escapes makes the connection between product attributes to consumer
consequences and furthermore their personal values (Reynolds and Gutman, 1984).
Although this segment is currently unaware of the brand, highlighting the key benefits of
choosing Luxury Escapes to guide them through the often-intimidating process of securing
travel plans is integral in achieving their stipulated marketing objectives.
CAMPAIGN BUDGET
The campaign budget will be determined using the objective-and-task method, which is
known for being the most plausible budgeting method. It focuses on the marketing and
communication objectives set by Luxury Escapes and further assesses the final budget
based on the marketing communications functions. Luxury Escapes informs consumers of
their brand and builds a positive brand image to achieve the marketing and communication
objectives set (Luck et al. 2020).
To determine the campaign budget, the following three factors must be considered: The
Communication Objectives; Competitor’s Advertising Activity; and Funds Available.
Regarding ‘Competitor’s Advertising Activities’, the relationship of ‘share-of-voice’ and ‘share-
of-market’ must be reviewed within the IMC plan (Luck et al. 2020). Luxury Escapes intends
to increase sales by 15%, therefore, an appropriate amount of the $300,000 campaign
expenditure must occur to increase market share value.
BRAND PERSONALITY
Firstly, to raise brand awareness of the prospective market and appeal to their needs, Luxury
Escapes must clearly define what luxury refers to in their service offerings. Although the
perception of luxury is multidimensional (Brunback and de Guzman 2017), individuals within
the same age bracket share similar values and behaviours with regard to travelling
(McKercher 2023). In the minds of young tourists, travel is a way of learning, immersing
oneself in new cultural experiences, meeting new people and enhancing one’s self-
development. Additionally, young travellers are known to be adventurous thrill-seekers
(Ghete 2015). Thus, Luxury Escapes’ brand personality must align with what young
individuals value with travelling and appeal to their adventurous travel needs (Business Wire
2019).
Furthermore, young consumers who are aware of Luxury Escapes currently perceive the
brand as lacking excitement and adventure. This alludes to the notion that the prospective
market acquires differing values for travelling compared to the current audience of 45-65-
year-olds. Thus, within the integrated marketing communications [IMC] plan, Luxury Escapes
must focus on altering its current perception to one that ignites excitement, fun and adventure
(Ghete 2015). Additionally, the IMC plan must remain consistent with Luxury Escapes’
current personality of being “a trusted curator that offers value”. However, the concept of
value must represent the prospective audience’s desires and needs when booking travel.
Therefore, as IMC adheres to delivering consistent brand messages that are relevant to the
target audience’s functional and symbolic needs (Luck et al. 2020), Luxury Escapes must
consistently communicate their passion for excitement and adventure.
With reference to the Brand Personality Framework, five dimensions are determined to
understand the overall personality of a brand (Paul 2022). As young individuals’ attitudes
toward travelling are referred to as an ‘escape of [their] reality’ (Ghete 2015: 690), Luxury
Escapes must create this portrayal in the minds of the prospective target audience. Thus, it is
suggested the brand builds their personality around the dimension of Excitement, which
creates the idea that brands under this category are courageous and free-spirited (Paul
2022).
Overall, Luxury Escapes’ tone of voice within their communications must remain focused on
creating memorable, cultural experiences and facilitating meeting new people globally
(Lončarić et al. 2019). Further, it is important to leverage the idea of ‘luxury’ within the brand’s
perception and communications, to appeal to both customer bases. Although the notion of
‘luxury travel’ differs in meaning for both cohorts (Brunback and de Guzman 2017), the
campaign will define ‘luxury’ as rich in culturally diverse life experiences and building these
journeys as a way of learning and self-development (Ghete 2015).
Assumptions
The IMC plan has been carefully crafted to ensure resilience and flexibility in the face of
various potential challenges. It is predicated upon assumptions that hinge upon substantial
buy-in and support from Luxury Escapes. These assumptions encompass the stability of the
travel and luxury experiences market, consistent spending and strategies from competitors,
the absence of significant changes in digital regulations, a positive reception from the target
demographic, favourable economic conditions, the lack of unforeseen obstacles in entering
the desired market segments, minimal fluctuations in securing desired advertising slots and
media placements, and a positive impact from selected influencers.
Creative Strategy
CREATIVE IDEA & DETAILED EXPLANATION
Through extensive research of the key drivers of tourism for our target audience, we have
created a creative campaign that redefines ‘luxury’ and works to build extensive brand
awareness. Leveraging young adults' desire for new and exciting cultural experiences will be
the touchpoint for all media channels under this creative idea to achieve the marketing and
communication objectives. Showcasing imagery from various adventures around the world in
a format that mimics ‘The Portal’ (Flatiron Nomad, 2024) in New York City and Dublin, will
aim to spark curiosity within this audience segment. As proclaimed in Rossiter and Bellman’s
(2005) remote conveyor theory, users will seek to satisfy their curiosity by attempting to
identify the key benefit claim (KBC). The KBC is implicitly represented as we shift the focus
from making a booking to evoking a strong feeling of adventure and excitement amongst
consumers interacting with the advertising materials. Symbolic, or experiential, strategy
(RMIT creds, 2024) is used here to develop a strong and unique brand image that positions
Luxury Escapes as a strong market player amongst this highly competitive market.
The campaign is centered around the use of the hashtag #culturalcompass to function as
both the primary motif within this strategy and as added user-generated content for social
media channels (Rajamma et al. 2020). In this way, the brand will guide users through the
often-tedious research task of the travel industry by providing them with authentic cultural
experiences that are both affordable yet rich in adventure. The hedonic appeal (RMIT creds,
2024) of this campaign will satisfy consumers pleasure seeking needs whilst prompting them
to engage with Luxury Escapes.
MOCK-UPS
Traditional Media: Billboards
1
Figure 2: TV Ad Storyboard
New Media: YouTube
Figure 3: YouTube Storyboard
New Media: Meta Social Media Platforms - Instagram and Facebook
1
Media Strategy
JUSTIFICATION OF MEDIA
Traditional Media: Billboard
The communication objective of increasing brand awareness among the new prospective
audience by 30% in the next six months highlights the need for a channel with high reach.
Intrinsically, billboards are a strategic channel due to their tactical geographic location, where
there are high foot-traffic levels of the proposed target audience (Zekiri 2019). Additionally,
Luxury Escapes’ billboard advertisements allow for total control over its marketing
communications (Luck et al. 2020), as well as other key strategic benefits, proving to drive
sales (Shanmugathas 2018). This compliments Luxury Escapes’ marketing objective of
driving bookings and increasing sales revenue by 15%.
Billboards allow brands to draw the target consumers’ specific attention to their key brand
messages, where there is no time limitation for exposure (Shanmugathas 2018). As this
channel permits brands to have total control over their marketing communications (Luck et al.
2020), as well as other various strategic benefits, billboards have proven to drive sales
(Shanmugathas 2018).
The proposed target segment predominantly lives in Australia’s major cities due to migrating
for career and education purposes (ABS 2022). Intrinsically, Australians located in cities are
more likely to be exposed to billboard advertising compared to regional residents (59% and
40%, respectively). Further, almost 76% of Australians aged 14 years and above are
exposed to a form of billboard advertisement on an average week (Roy Morgan 2019).
Additionally, television provides greater flexibility for creativity through numerous cues, such
as sound, imagery, colour and motion, compared to other channels, like radio (Bruce et al.
2020). Further to high levels of creativity, Luxury Escapes can visualise their personality
through a television commercial, showcasing their competitive advantage and draw
consumers to book through their website (Direct Media 2024). Finally, by providing a visual of
Luxury Escapes’ logo and website, consumers create an emotional bond to the brand’s
identity through captivating marketing communications (Cheinman 2024).
The data collected by Healy (2024) affirms Facebook’s and Instagram’s superiority in social
media platforms, totaling a significant 78.2% and 69.9% of Australian users, respectively (see
graph #). Despite TikTok’s accelerated growth in recent years (SMPerth 2024), Facebook
and Instagram remain to accrue the largest audiences (Healy 2024). Evidently, to captivate
and sway consumers aged between 18-30-years, whilst upholding loyalty from its current
customer base, Luxury Escapes must choose social media platforms with the highest
engagement and concentration levels.
Furthermore, Luxury Escapes’ prospective target segment remains the largest cohort to
engage with advertisements on Facebook and Instagram, see figure 7 (Healy 2024). This
allows Luxury Escapes’ advertising campaign to expose a greater level of its target audience
and strategically captivate and influence them to perceive the brand as adventurous and
affordable.
Figure 8: Breakdown of YouTube users by age & gender in Australia 2022 (Hughes 2023).
MEDIA OBJECTIVES
Given the mentioned media channels compliment the usage rates of Luxury Escapes’
prospective target audience (Luck et al. 2020), the following media objectives are:
Traditional Media:
To achieve 50% brand recognition among people aged 18-30 years by weekly
exposure within three-month intervals of #CultureCompass.
To assure 30% of the target audience that Luxury Escapes values travel as building
cultural experiences worldwide, in the next six months.
New Media:
To reach 50% of the target audience on social media and engage with
#CulturalCompass through a continuous schedule of weekly campaign advertisements
and user-generated content.
The media objectives focus on the recency principle, alluding to the fact that the first
exposure is foremost and weekly reach is paramount compared to high frequency rates.
Further, the effective rating points will guide Luxury Escapes’ media objectives to ensure the
#CulturalCompass campaign is reaching and influencing a sufficient volume of the target
audience. This will ensure Luxury Escapes’ media objectives can be met within the campaign
(Luck et al. 2020).
MEDIA SCHEDULE
Social Media Content Calendar
CAUSE-RELATED MARKETING
Luxury Escapes should cooperate with Greenpeace Australia Pacific to advocate for
sustainable tourism and environmental awareness among young consumers. By aligning with
Greenpeace, Luxury Escapes can bolster its brand image and credibility as a sustainable
travel company, appealing to the values of ethically minded consumers (Hunt 2024). This
collaboration grants Luxury Escapes access to Greenpeace's extensive network of
environmentally conscious supporters, particularly affluent individuals seeking eco-friendly
travel experiences. Emphasising sustainable tourism allows Luxury Escapes to stand out in
the competitive online travel bookings market and attract environmentally conscious
consumers. Through exclusive eco-tourism packages, Luxury Escapes can generate revenue
and cultivate long-term loyalty among satisfied customers who prioritise sustainability
(Greenpeace n.d.). By leveraging Greenpeace's credibility and tapping into the growing
demand for sustainable travel among young consumers (Corbisiero et al. 2022), Luxury
Escapes can gain an enhanced brand reputation, access to a valuable target market,
differentiation from competitors, and increased revenue from customer loyalty.
CORPORATE IMAGE ADVERTISING
Luxury Escapes should employ Corporate Image Advertising through partnering with World
Vision- potentially captivating the attention of young adults. World Vision is an International
non-government organisation that hopes to give children an opportunity to have a better
quality of life. Their services include providing humanitarian assistance, food support and
access to clean and safe drinking water (World Vision n.d.). By partnering with World Vision,
the younger generation may perceive Luxury Escapes as a compassionate and authentic
company that seeks to promote good humanitarian practices. Therefore, Luxury Escapes’
brand reputation and overall awareness will likely enhance, enticing younger consumers to
choose to book with them. Indeed, employing additional IMC activities will likely satisfy the
marketing and communication objectives set by Luxury Escapes for its six-month campaign
and ultimately enhance its brand equity in the future.
Evaluation & Control
EVALUATION AND TRACKING TECHNIQUES
Real-Time Monitoring campaign monitoring is not just essential, it's immediate. This allows
for real-time changes to be made, results to be optimised, return-on-investment to be
assessed, and valuable data to be gathered for future campaigns. The metrics to be
monitored and the methods used are designed for instant feedback and adjustment (Luck et
al. 2020).
Brand Awareness
Metrics: 20% increase in brand awareness by the end of the campaign.
Example: If 40% of the target audience recognises the brand before the campaign, the goal
is to reach 60%.
Methods:
Online surveys: Using Google Surveys and email surveys to registered customers
before and after the campaign to measure the change in brand awareness.
Brand monitoring: Monitoring of brand mentions on social media and other online
platforms using Brandwatch.
Methods:
Social media analysis tools: Hootsuite monitors Facebook, Instagram, and YouTube
engagement.
Web Traffic
Metrics: The number of unique visitors increased by 25%, and the bounce rate reduced by
10%.
Example: If the current web traffic is 10,000 unique visitors per month with a bounce rate of
50%, the goal is to reach 12,500 unique visitors and reduce the bounce rate to 45%.
Methods:
Google Analytics: Monitoring web traffic, analysis of user behaviour, average time on
site and bounce rate.
Sales
Metrics: There was a 15% increase in sales during the campaign compared to last year.
Example: If current sales are 50,000 units, the goal is to reach 57,500 units.
Methods:
Analysis of sales reports: Comparison of sales data before and after the campaign.
CRM: Using Salesforce to track and analyse sales and customer behaviour.
Conversion Rate
Metrics: Increase the conversion rate of leads into customers by 20%.
Example: If the current conversion rate is 5%, the goal is to reach 6%.
Methods:
Landing page analysis: Monitoring landing page conversions via Google Analytics and
A/B testing.
Monitoring Plan
Frequency:
Key Role: The data analysis team plays a crucial role in this monitoring plan. They are
responsible for collecting and reporting results, using automated dashboards and
reports to provide regular updates. Their work is instrumental in ensuring the success
of the campaign.
1. Content Analysis:
Checking Tone and Style: Check if the tone of posts is in line with the brand and if
the content is relevant to the target audience. For example, if the tone is too formal, it
could be adapted to a more every day and engaging style.
Quality of Images and Videos: Ensure that images and videos are high-quality and
engaging. For instance, use high-resolution photos and dynamic videos.
Relevance of Content: Analyse whether posts deal with topics of interest to the target
audience. For example, if the audience is interested in practical advice, post valuable
and applicable content.
2. A/B Testing:
Elements to Test: Test different titles, images, call-to-actions and publication times.
Implementation: Create and publish two versions of each post to see which gets
more engagement. For example, test an informative headline against a provocative
one.
Targeting: Use advanced targeting to reach a more expansive but specific audience
—for example, target users with particular interests that match the post's content.
4. Audience Interaction:
Questions and Surveys: Post questions and surveys to stimulate participation and
gather direct feedback. For example, ask users which content they want to see more
of.
New Topics: Introduce new relevant topics that meet the needs and interests of the
target audience. For example, publish relevant and up-to-date content if the audience
is interested in current trends.
Post Format: Experiment with different post formats, such as stories, live videos, and
infographics. If live videos get more interactions, increase their frequency.
Monitoring: Use social media analysis tools to assess whether the changes improve
engagement. Provide weekly updates to the project team to ensure corrective actions
are working.
References
ABS (Australia Bureau of Statistics) (2022) Education and work, Australia, ABS, Canberra,
accessed 17 May 2024, https://www.abs.gov.au/statistics/people/education/education-and-
work-australia/latest-release
Bruce N-I, Becker M and Reinartz W (2020) ‘Communicating brands in television advertising’,
Journal of Marketing Research, 57(2), doi: 10.1177/0022243719892576.
Business Wire (2019) Generation Z takes flight: young travellers say spontaneity, thrill-
seeking and sustainability more important than luxury hotels and airplane comfort, Business
Wire website, accessed 2 May 2024.
https://www.businesswire.com/news/home/20190924005207/en/Generation-Takes-Flight-
Youngest-Travelers-Spontaneity-Thrill-Seeking
Cheinman I (2024) The central role of visual design in branding, Substance151 website,
accessed 20 May 2024. https://substance151.com/visual-design-in-branding/#:~:text=In
%20branding%2C%20visual%20design%20is,influence%20purchases%2C%20decisions
%20and%20actions
Direct Media (2024) 7 advantages of television advertising, Direct Media website, accessed
20 May 2024. https://tec-direct.com/7-advantages-of-television-advertising/
Fahey J (2023) Online Travel Bookings in Australia, report number OD4163, accessed 2 May
2024, IBISWorld database.
Ghete AM (2015) ‘The importance of youth tourism’, Annals of Faculty Of Economics, 1(2):
688-694, accessed 2 May 2024. http://anale.steconomiceuoradea.ro/volume/2015/n2/082.pdf
Healy J (2024) 2024 social media statistics for Australia, Meltwater website, accessed 10
May 2024. https://www.meltwater.com/en/blog/social-media-statistics-australia
Hughes C (2023) Breakdown of YouTube users by age and gender in Australia in 2022,
Statista website, accessed 19 May 2024.
https://www.statista.com/statistics/1373431/australia-breakdown-of-youtube-users-by-age-
and-gender/#:~:text=Breakdown%20of%20YouTube%20users%20by%20age%20and
%20gender%20in%20Australia%202022&text=In%20Australia%20in%202022%2C
%2016.98,aged%20between%2018%20and%2034
Kemp S (2024) Digital 2024: Australia, Kepios website, accessed 19 May 2024.
https://datareportal.com/reports/digital-2024-australia
Lončarić D, Dlačić J and Pisnik A (2019) ‘Attracting young travellers to a tourist destination:
exploring millennials’ dreams’, Tourism in Southern and Eastern Europe, 5: 405-417,
doi:10.20867/tosee.05.54.
Luck E, Barker N and Sassenberg A-M (2020) Integrated marketing communications, edn 6,
Cengage Learning, Melbourne, Australia.
Luxury Escapes (2024) Your next escape at the touch of a button, Luxury Escapes website,
accessed 21 May 2024. https://luxuryescapes.com/au/new-app.p1
Media Exchange (n.d.) TV advertising, Media Exchange website, accessed 15 May 2024.
https://www.mediaexchange.com.au/tv-advertising-australia#:~:text=The%20average
%20Australian%20watches%202,the%20population%20daily%20every%20month
New Path Digital (2023) Top 13 benefits of YouTube advertising, New Path website,
accessed 19 May 2024. https://newpathdigital.com/the-top-10-benefits-of-youtube-
advertising/
Paul M (2022) Brand personality: definition, examples, and how to define yours, The
Branding Journal website, accessed 2 May 2024.
https://www.thebrandingjournal.com/2022/08/brand-personality/
Rajamma RK, Paswan A and Spears N (2020) ‘User-generated content (UGC)
misclassification and its effects’, Journal of Consumer Marketing, 37(2), doi: 10.1108/JCM-
08-2018-2819.
RDA Research (n.d) geoSmart segments, RDA Research website, accessed 11 March 2024.
https://www.geotribes.com/geosmart
RDA Research (n.d) geoTribes segments, RDA Research website, accessed 10 March 2024.
https://www.geotribes.com/segments
Roy Morgan (2019) A majority of Australians now see digital outdoor advertising each week,
Roy Morgan website, accessed 18 May 2024. https://www.roymorgan.com/findings/a-
majority-of-australians-now-see-digital-outdoor-advertising-each-week
Roy Morgan (2023) Value Segments, Roy Morgan website, accessed 11 March 2024.
https://www.roymorgan.com/products-and-tools/values-segments
SMPerth (2024) TikTok statistics for 2024, Social Media Perth website, accessed 19 May
2024. https://www.smperth.com/resources/tiktok/tiktok-statistics/
Social Research Centre (2021) 2021 media content consumption survey- key results, The
Social Research website, accessed 15 May 2024.
https://www.infrastructure.gov.au/sites/default/files/documents/2021-media-content-
consumption-survey-social-research-centre-presentation.pdf
Song B-L, Liew C-Y, Sia J-Y and Gopal K (2021) ‘Electronic word-of-mouth in travel social
networking sites and young consumers’ purchase intentions: an extended information
adoption model’, Young Consumers, 22(4): 521-538, doi: 10.1108/YC-03-2021-1288.
Statista (2020) Number of people who attended an AFL match in Australia in 2020, by age
group (in 1,000s), Statista website, accessed 22 May 2024.
https://www.statista.com/statistics/1299100/australia-number-of-afl-match-attendees-by-age-
group/
World Vision (n.d) About Us, World Vision website, accessed 24 May 2024.
https://www.worldvision.com.au/our-work/about-us#:~:text=World%20Vision%20Australia
%20was%20established,suffering%20and%20improve%20their%20lives
Zekiri J (2019) ‘The impact of billboard advertising on consumer buying behaviour’, Ecoforum
Journal, 8(2), accessed 16 May 2024,
http://www.ecoforumjournal.ro/index.php/eco/article/view/983
Zollo L, Filieri R, Rialti R and Yoon S (2020) ‘Unpacking the relationship between social
media marketing and brand equity: the mediating role of consumers’ benefits and
experience’, Journal of Business Research, 117: 256-267, doi:
10.1016/j.jbusres.2020.05.001.
Appendix
APPENDIX A - SEGMENTATION TABLE
Young Adventurer
Segmentation
Sub Variables
Variables
purchase
User status Light – new (Other Brand Switchers, OBS)
Key
Symbol
* GeoTribes ‘Twixters’
^ GeoTribes ‘Independants’