100%(1)100% found this document useful (1 vote) 649 views11 pagesDame Fanny Waterman and Marion Harewood Were Joint ... 'Faber Music Limited. Reproduced From Piano Lessons Book One
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teal 3
tomate
tnautboried
sage What shall we do with
the drunken sailor?
Arranged by David A.T.Onae
Trad.
Merrily J = ¢.138
3
i
on
1
Z 8
This song, here arranged for solo plano, originated as a see shanty ~ a song for solo andl chorus, sung by sellors while carrying out their daily
duties aboard sailing ships.
‘The first verse and refrain are as follows:
Solo What shall we do with the drunken sailor, Chorus Hooray and up she rises,
‘What shall we do with the drunken sallor, Hooray nd up shes,
‘What shall we do with the drunken sailor Hooray and up she rises
Early in the morning? arly In the morning.
(©2022 by The Associated Board ofthe Royal Schools of Musle
AB 4046 A Waltz that's a Little Melancholy
No. 10 from Short Impressions for Very Young Piano Players, Vol. 1
Ruth Schonthal
(1924-2006)
144) 3
ich has been popular
ce for couples in triple time, whi
i legato and'mp. The accompaniment sin the right
origin. A waltz a dan
Ruth Schonthal was an American composer and plants of German orig
rere he sheer nna dence nels nel ba, ees
hand and shouldbe played staccato and pp.
(Fro Verg Kasel (Germany, wore furore-veragde
AB 4046 Secret Footpath
Naomi Yandell
(bom 1961)
Flowing 4 = c.92
Naomi Yandel studied musi at York University, UK She now teaches eallo and music theory In Camb isoneed ny
Nilting about Secret Footpath, Naomi says: When I wrote this piece, I was thinking about the times
footpath in the woods. It was enchantin
(92022 by The Associated Board ofthe Royal Schools of Musle
AB 4046 Oct
hod
ergs
Sart
The Waltz of the Toads
from Tio on Tour
Kerstin Strecke
(bom 1961)
Clumsily [J = c.144] 3
sin the right hand help 0
‘the right hand) are typical
Kerstin Strecke is i
in Streck isa German piano teacher who works In Frankfurt. In ‘The Walz of the Toads, the semitone chord
‘eat the‘clums
ofthe walt
(©2015 by Bretkopta Hartel, Wiesbaden
$y effect that the composer is looking for. The repeated chords on the second and third beats (herein
AB 4046 Haunted House
7
= . ——
= SS] Sr
———
Peeper mel oan aia eps ht ef a Be
edt 0 The ron show yn emo ony a mart oases =
(te asant rt rl ae 0
Jinx
from Men ite Monsters
Diane Hy
‘99
Up to no good J= 92 moltorit, a
>—$— ~»—$$— a,
age Hida macnn rn congo hs an ota an Rance pce ft 2 and
‘erie a ft t= someon ng ed ick hese bao es e set
inept han edb dose nr eet han eae
cere ce ”
Beth hands up one ocave @ Little Playmates ao
Allegretto (= 6138)
eee eee
ra Coa wa ch lit compan me sche th on an og let wih php ue
‘mat eb waach senate cea nee we
Shinn en rh yh ea an BAe
Te ce art tate Patterns
No. 10 from Kinder Keverschale
Heinich Wehia
Arran by Behr oes
oie
U=e120)
pre cael etre te ates ane ee oe eam a
ne "5, dene ger pec ebay Te of ins Swans and Ducks
Fanny Waterman 202020)
tnd Marin Haren 2620)
‘Andante (J 6.138)
a
mr nn tn et it de tet mn Pa on Ty sn
rcp en ng eo ae hn a ei ad ema nae
“ne am gry ov ei an sy a poe ear oe gona
‘ohio “ Reorad
Sin Pe pr pan ee Oct
hod
ergs
Sart
The Waltz of the Toads
from Tio on Tour
Kerstin Strecke
(bom 1961)
Clumsily [J = c.144] 3
sin the right hand help 0
‘the right hand) are typical
Kerstin Strecke is i
in Streck isa German piano teacher who works In Frankfurt. In ‘The Walz of the Toads, the semitone chord
‘eat the‘clums
ofthe walt
(©2015 by Bretkopta Hartel, Wiesbaden
$y effect that the composer is looking for. The repeated chords on the second and third beats (herein
AB 4046
