24 RICERCARI PER I PRELUDI DI M.

PONCE
(2024)
per Chitarra

ALFREDO FRANCO
Agitato

   
  
        
 


   
  
     
3

  
      

        
        
 
6

    

      
  
XII


   
       
9

      
  


  
     
11

      
  

 
Chetamente

    
 
14

  
 
 

 
16

     
    

 
   
            
18

     
      

 
                 
       
21

            
    



     

24

  
    

    

26

        

 

 
      
28

    
 

 Grazioso

    
      
30

    
  


32
 
B
   
         
 l.v.    

 
   
       
34

     
     



   
       
36

 
  


    
      
38

 
      


 
       
 
40

    C
 
    
 l.v.

  
     
42

 
  
  
Inquieto
             
44

       
    

strappato Bartok

  
   
         
47

          
   accel.
  

accel.
 
         
                
50

  
          


   
Corale

     
54

      
   




     
        
56

 
       



          
C

  
59

   4  
   
  molto scuro
 Cullante
  
     
           
62

       
   
 
 ipnotico e ben misurato 


   
   

    
    
66

l.v.



     
   


    

68

        
XII

  
    
          
70

      
   
 


  
      
D


74 0

 
   
  
  

l.v.
F


     
    
76

    
  




  
 
        
78

 

  
 
palpitante  
  E 0                              
80


 

 
 
 
                                
81


 

 
 
 
                                ◬
|
82


 


  
 
83

 




  più 
metallico e ruvido

 
    
84

 






  

 
 
 
                                
85


 
  

 
 
 
                                ◬
  
86

 | 
 
  

  
Tranquillo

           
 
VII

     
87 B

   
 


   
    
     
90

     
            



          
(glissare legg.)

    
93

         
     
E
(glissare legg.) F


  
C

       
96

     0  0
 E
 E
l.v. l.v.

    VII

         
  
99

        
    
 

Adagissimo

       
B

               
D C


102
0

    
0

  
 l.v. 
 ipnotico e ben misurato 

      
                                   
105

      

  

                        
108

          
      

scomparendo al nulla senza rallentare
       C    C  D 
Chetamente

     
112 E

  0      
0
 
 F

D
         
C

  0   
114 E 0

 
E

     
  E
 metallico (campana)

     
C

    
B

            
116

 
D

 0
   
  

  
       
         
C

  
118


D C
0

  

  
      



     C   

Lento
 
B

        
120

  
B

   


     
        
123

     
     
    
 


       

  
      
126

               
   
ten. accel.


  
Liberamente

           
          
129

            
  


 D   
  0 
   
          
       0      
133

   
0

 
      
 
 dolce
Meccanico

                
136

            
     
 l.v. sempre

   
          
138

       
     

                
            
140

       
   D
 

  
             

                  
               
143

   
 
dolce metallico e ruvido

 
 
145         
                
   

  
Grottesco
         
     
 
 
148

   

       
 

 
        
          
   
 
 
        
150

          


          

cantando falsamente

        
                  
153

  
      
     
   scuro
 
 goffo
E


rit.

 
  
B

          
       

       
156

        

 
      
 E 
Fugace

   
B B

       
E E

      
159

                    
0 0

   
 sussurrando l.v. sempre

                       
    
161

  



                   
          
162

                      
    
    

 Chetamente

  
               
164

  
 E C
F

    
B

      
C

  
166

       
           0   0    
 F
F

 
           
       
169

         
    


   
       
     
  
      
171

   
  
     
 

    

                    
174

     
   



B

        0                         
177

           
E  

     
     
179

        
     

 Sospeso

 
     
        
D


180

      
     
 l.v.

Liberamente

       
           
182

    
 l.v. sempre   



          
184

         
  

          
          
186

      
  
   
rit.

   
           
188

         
   

a tempo

         
     
190

   
   


          
     
192


   
 
 
Liberamente

         
             
194

     
     

 

    
           
         
197 E

    
   

Sospeso
    
  
           
200


 
   

ruvido

           
    
                             
202


accel.

◬ 


                 
204

         
     
 
a tempo
rit.

                        
        
3 3 3
207


0        
  
F

  
 
m.d. m.d.

      
    
     
210 3

   ↑     ↑          
   

(volendo ritornello)
   
BC

  
Maniacale

   
       
B

   
213

 
 l.v. XII D


B

  C     
 
B

         
215

    
0

     

F
m.s.


F DE

   
D

 
 
B

  C           
     
217

      
 0 0       C
sfiorare le corde al III capotasto
per creare un suono sordo ed approssimativo
gliss. F

    
Scorrevole

     ↑              
219

    
 

   
                         
C

        
222

 
  

E


Finale
◬
   
    
226

       
  
  l.v.