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Monkey's selfie

• In 2011, nature photographer David Slater travelled to Indonesia to

take photographs of the Celebes crested macaques.

EzIP • During his shoot, Slater set up the camera on a tripod, and
deliberately left the remote trigger for the camera accessible to the
Introduction to EzIP © macaque. A female macaque pressed the remote trigger and took
several photographs. Most of these photographs were unusable, but
some were clear photographs of the macaque, which Slater later
distributed as a "monkey's selfie" (Herein called Photo)
• Slater licensed the image to the Caters News Agency, under the
presumption that he held copyright to the photo; The Wikimedia
Commons public the "monkey's selfie“ and The website had similarly
listed the photographs as being in the public domain on the grounds
that they were the creation of an animal, and not a person.
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What are the similarities? Chapter outline

Module 1: Overview
•Concept
•Characteristics
•Evolution
•Copyright law system

Module 2: Protection of Copyright

•Subject Matters
•Author /Owner
12.000 USD 1000 USD •Rights comprised
•Limitations
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3 4

COPYRIGHTS QUYỀN TÁC GIẢ

Copyright Subject Matters
Đối tượng Quyền tác giả

Protected Protection
Subject Matters
Exclusions
Conditions
Đối tượng loại trừ
Đối tượng bảo hộ Điều kiện bảo hộ

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Copyright subject matters Overview

⚫ Every production in the literary, scientific and Copyright means rights of

artistic domain, whatever may be the mode or form organizations, individuals in the
of its expression. (Art 2- BC) work created or owned by them
Mọi sáng tạo trong các lĩnh vực văn học, khoa học và nghệ thuật dưới bất
kỳ hình thức hoặc cách thức thể hiện nào. Literature Means to
Science Works communicate works
⚫ Objects of copyright shall include literary, artistic and Art to the public performances,
scientific works (Art 3.1 – IPL) records
broadcasting progrs
⚫Objects of copyright - related rights include satellite signals encrypted progrs

performances, sound recordings, video recordings; Rights neighboring on copyright"

broadcasting programs; satellite signals carrying means rights of organizations,
encrypted program. individuals in performances of
performing artists, phonograms,
videograms, broadcasting programs,
and encrypted program-carrying
7
satellite signals8.

7 8

Works protected (Art 14)

Sách, ấn phẩm

Photographic Theatrical Painting Cinematographic

Litteratur
Textbook
e
SGK, giáo trình
Văn học Architectural
Music Fixation Computer Progr

Magazine

science Derivative works

Khoa học Tác phẩm phái sinh Folklore Map Lecture / Speech

9 10

9 10

Derivative works Derivative works

Translated work Modified work Transformed work

Adapted work
The derivative work The amending or re-editing a A work formed from a literary
expressed in a language A work that adapts the part of the content, changing work into another form. For
different from the language
content of the original the genre, changing the form example, an adaptation of a
work but has a clear of expression based on part or
in which the original work is literary work into a stage or
creativity in terms of all of the Original Work to
expressed, the creation of a content and ideas to make film script. Original works
create a new work. When
derivative work is achieved it a completely new work, adapting a work, the adaptor can be novels, epics, long
through the use of the different from the original must obtain permission from stories... or they can be
author's language. However, work. Such as rewriting the owner of the original work dramatic (theatrical) works
the translation must be literal into another work and must pay remuneration to
the author or owner of the converted into movie scripts,
and not misrepresent the according to a certain musicals..
original work.
author's intentions. requirement.
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Derivative works Derivative works

Compiled work Annotated work Selected work

The synthesis of A work expressing A work that synthesizes, selects and arranges
information, collection and opinions, commenting, original works (keeping the original content
selection of references to explaining the meaning intact) according to the criteria into a more
rewrite into a new work to better clarify the complete work. Be it a collection of poems, short
with the citation of the content of the original stories, songs, etc.
sources of information work.
referenced. For example:
compiling dictionaries,
textbooks, lectures, books

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13 14

Conditions for protection Characteristics

Not prejudicial to
the copyright in Automatic • Copyright shall subsist automatically without
Originality Fixation original works Tính registration
Tính nguyên gốc Tính định hình Không phương hại
đến QTG của tác tự động • Quyền tác giả tự động phát sinh mà không cần đăng ký
phẩm gốc

• A work is created and expressed in a given form

Fixation • Tác phẩm được tạo ra và định hình dưới một hình thái vật chất.
(Tính • Copyright protect form of expression, not ideas
• Quyền tác giả bảo vệ hình thức thể hiện của các ý tưởng chứ không phải bản
định hình) thân các ý tưởng

Original works Derivative works • Created directly by authors through their intellectual
Tác phẩm gốc
labour and without copying the works of others
Created directly by authors through their
intellectual labour and without copying
Tác phẩm phái sinh
Originality • Tác phẩm được tạo ra từ sự lao động của tác giả, không sao chép
Created by original works, in other forms
the works of others. Tính • The ideas in the work do not need to be new but the form,
be it literary or artistic, must be an original creation of the
nguyên gốc author.
• Ý tưởng thể hiện trong tác phẩm không cần phải mới song hình
15 16
thức thể hiện phải là sự sáng tạo của riêng tác giả

15 16

Exclusions Author, Ownership of Copyright

• Ideas or concept, Facts or information

• Tin tức thời sự thuần túy
Author Ownership
• Official texts of a legislative, administrative and legal Co-author
nature, and to official translations of such texts
• Văn bản quy phạm pháp luật, VB hành chính, VB khác
• Directly create • Use their time and
thuộc lĩnh vực tư pháp và bản dịch chính thức của VB đó works make a financial
• political speeches and speeches delivered in the • Jointly create investment in or
works use their material
course of legal proceedings and technical
• Diễn văn chính trị hay bài phát biểu facilities to create
works

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Author (co-author) Ownership

Vietnamese individuals Author

have their works protected

Co-author
Author Foreigners have their works Organizations and individuals who
Co-author published in Vietnam
assign tasks to authors or who enter
into contracts with authors
Owners
Directly create Heirs
Foreigners have their works
works created and protected in VN
The authors
Assignees of rights
Foreigners have their works
protected from
international agreements of
which Vietnam is a member The government
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Rights Comprised in Copyright Moral rights

•Protect author’s reputation and Moral 2. Attach their

real names or
work’s integrity rights 1. Give titles to
pseudonyms to
•Bảo vệ danh tín của tác giả và sự toàn vẹn của their works / Đặt
tác phẩm Moral rights tên cho tác phẩm their works
Đứng tên thật
hoặc bút danh

4. Protect the
3. Publish their integrity of their
•Protect economic rights for work Economic works Công bố works Bảo vệ sự
•Bảo vệ quyền khai thác kinh tế đối với tác phẩm
rights tác phẩm toàn vẹn tác
phẩm

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Right to attach real names or pseudonyms to the

Right to title works
works

translated worked Tác phẩm dịch No Applicable Have their real names
Không áp dụng (22.1) Attach their real or pseudonyms
names or acknowledged when
pseudonyms to their their works are
Computer program
works published or used
Chương trình máy tính
Đứng tên thật hoặc bút danh Nêu tên thật hoặc bút danh
Negotiable trên tác phẩm; khi tác phẩm được công bố,
Thỏa thuận (19.1, sử dụng;
22.4)
Cinematographic/ dramatic works
Tác phẩm điện ảnh, sân khấu

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Right to publish works Right to publish works

- Make a work available to the public in a sufficient Publishing works does NOT include
amount of copies to satisfy the reasonable demand
of the public
- Là việc phát hành tác phẩm đến công chúng với số lượng bản sao đủ The
Construction
performance
để đáp ứng nhu cầu hợp lý của công chúng of a dramatic, Public Broadcasting of structures
Exhibition of a
cinematogra- recitation of a of a literary or based on an
plastic work
phic or musical literary work artistic work architectural
work.
work
- Author or copyright holder of work or another
individual or organization authorized by the author
or copyright holder trình diễn đọc tác phát sóng xây dựng
- Do tác giả, chủ sở hữu quyền tác giả thực hiện hoặc cho phép thực tác phẩm phẩm văn tác phẩm trưng bày công trình
hiện sân khấu, học trước văn học, tác phẩm từ tác
điện ảnh, công nghệ tạo hình phẩm kiến
âm nhạc; chúng thuật trúc
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25 26

The integrity of work Economic rights

• To protect the
integrity of their
works; and to forbid Display their works to
Modify other persons to Make derivative
modify, edit or distort the public
their works in
whatever form,
causing harm to the
Harm to the honour and REPRODUCE WORKS
honour and reputation of the
Edit reputation
of the
author
• Bảo vệ sự toàn vẹn của tác phẩm,
author không cho người khác sửa chữa, cắt - Distribute or import the original or
xén hoặc xuyên tạc tác phẩm dưới copies of their works
bất kỳ hình thức nào gây phương hại
đến danh dự và uy tín của tác giả.
Communicate their
- To lease the original or copies of
(Art.19.4) works to the public cinematographic works and computer
Distort programs.
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Communicate works to the public Right to reproduce works

• To perform works either directly or through • The right to reproduce works means the exclusive, basic right
phonograms or video recordings or with whatever of copyright holders or their authorized persons.
• Quyền kiểm soát hành vi sao chép là cơ sở pháp lý đối với mọi hình
technical devices accessible by the public. thức khai thác, là quyền cơ bản nhất
• Biểu diễn tác phẩm trực tiếp hoặc gián tiếp thông qua các chương trình ghi âm, ghi hình
hoặc bất kỳ phương tiện kỹ thuật nào mà công chúng có thể tiếp cận được.

• Applied to: • Make copies of works by whatever means or in whatever form,

including permanent or provisional backup of works in
• Copyright holders or their authorized persons
• Do chủ sở hữu quyền tác giả độc quyền thực hiện hoặc cho phép người khác thực hiện
electronic form. (Art.23.2 - Decree No.100/CP)
• Là việc tạo ra bản sao của tác phẩm bằng bất kỳ phương tiện hay hình
• Performance of works is anywhere except in the family thức nào, bao gồm cả việc lưu trữ thường xuyên hoặc tạm thời tác
(ART 23.1 – Decree No.100/CP) phẩm dưới hình thức điện tử (Đ23.2 – NĐ100/CP)
• Không bao gồm việc biểu diễn tác phẩm tại gia đình (Đ23.1 – NĐ100/CP)

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To distribute or import original works or copies thereof To lease original cinematographic works and
computer programs or copies thereof

• The right to distribute original works or copies thereof means • The exclusive right of copyright holders or their authorized
the exclusive right of copyright holders or their authorized persons to lease their works for use within a definite term.
persons in whatever forms or with the assistance of whatever • Do chủ sở hữu QTG độc quyền thực hiện hoặc cho phép người khác thực hiện việc
cho thuê để sử dụng có thời hạn.
technical devices accessible by the public to sell, lease or
otherwise assign their original works or copies thereof. • It shall not apply to computer programs which do not
• Quyền phân phối bản gốc hoặc bản sao tác phẩm là quyền của chủ sở hữu themselves constitute principal objects for lease, such as
quyền tác giả độc quyền thực hiện hoặc cho phép người khác thực hiện computer programs conducive to the normal operation of
bằng bất kỳ hình thức, phương tiện kỹ thuật nào mà công chúng có thể
tiếp cận được để bán, cho thuê hoặc các hình thức chuyển nhượng khác means of transport as well as other machines and technical
bản gốc hoặc bản sao tác phẩm. devices. (Art. 23.5-Decree No.100/CP)
• Không áp dụng quyền cho thuê đối với chương trình máy tính, khi bản thân chương trình đó
• For plastic or photographic works, the distribution of works không phải là đối tượng chủ yếu để cho thuê như chương trình máy tính gắn với việc vận hành
bình thường các loại phương tiện giao thông cũng như các máy móc, thiết bị kỹ thuật khác
also means the public display or exhibition thereof. (Art. 23.3 - (Đ23.5-NĐ100/CP)
Decree No.100/CP)
• Đối với tác phẩm tạo hình, tác phẩm nhiếp ảnh thì quyền phân
phối còn bao gồm cả việc trưng bày, triển lãm trước công chúng.
(Đ23.3 – NĐ100/CP)
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Summary
Copyright
Example :
the use of a popular character from a children's book in
a pornographic film Moral rights Economic rights

=> Would the author be able to object to such use and Moral right shall be
take effective steps to prevent or stop it? Moral rights shall not
be transferable
transferable
(publish their works
)
Belong to
authors, not
transferable
Exclusive right of Authors,
Copyright holders or their
authorized persons 34
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33 34

Term of protection

Cinematographic works;
Anonymous and pseudonymous
works; Photographic
•The whole life of author and works and works of applied art

Limitations on copyright
Giới hạn quyền tác giả
•50
•Years after his/ the co-
author’s death 75 years calculated from the year
following the year of publication,
or formulation of any unpublished
audio and visual fixation
TIME PLACE EXCLUSIVES EXCEPTIONS

Art7 berns and 34 ipl

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Term of protection Territoriality

Peformances are
formulated
International Differences of
Territoriality

•50
•Years calculated from the year
Records are published/
formulated
Law national law

following the year

Broadcasts are made

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Published works may be used without having to

EXCLUSIONS seek permission or pay royalties or remuneration
• Copy works for scientific
research or teaching purposes;
• Quote from a work in school or
university for lecturing purpose,
not for commercial purposes; •Transcribing a
• Audio-visual recording of a work into braille
performance in order to report or into characters
current events or for teaching
of other
purposes
• Photographing or televising Make one Make a languages for the
Contrary to social
plastic art; or an architectural,
photographic, or applied art copy of derivati blind
ethics and public work displayed at a public place
in order to present images of
the work ve work
order or which
Exceptions harm national
such work

defence and
security
Perform Import

• Importing
• Performing a stage work or other
art work in mass cultural, copies of
communication or mobilization another's work
activities without collecting fees for personal
in any form
use
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Related rights may be exercised without having to

seek permission or pay royalties or remuneration
3- step test

Conflict with Unreasonably

a normal prejudice the
exceptions? exploitation legitimate
interests of the
of the work? author?
•Make one copy of a work for personal scientific research purposes
•Make a copy of a work for teaching purposes
•Make provisional copies of a work by a broadcasting organization for broadcasting Published works (25.1)
purposes
•Reasonable quoting from a work in order to provide information
Art 9.2 Bern Must neither affect the normal use of such works nor
cause prejudice to the rights of the author or
TRIPS: Extend this principle copyright holder, and must provide information being
the author's name and the source and origin of the
(Đ.13) work(25.2)

Not apply to architectural works, plastic

41 42
works and computer programs (25.3)

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Fair use Published works may be used without having to

seek permission but royalties or remuneration
must be paid
A broadcasting organization which Broadcasting without permission,
Nature of the
Purpose and Copyrighted The Effect of the uses a published work to make a but royalties or remuneration.
Character of the Work: Amount and Use on the
Use: Factual work in Substantiality of Market or Value broadcast which is sponsored, NOT cause prejudice to the rights of
the Portion Used: of the
Nonprofit and nature than Copyrighted contains an advertisement or which the author or copyright holder.
educational creative Quality and
expression quantity
Work: collects fees in any form shall not MUST provide information being the
Transformative widespread and
rather than Not apply to would negatively
be required to seek permission but author's name and the source and
verbatim copying standardized affect must pay royalties or remuneration
tests, workbooks origin of the work.
to the copyright holder in
INAPPLICABLE to cinematographic
accordance with regulations of the works.
- Fair use can be applied to many different situations, scenarios, Government.
mediums and formats.
- Purposefully, it is meant to be flexible and applicable to a wide
variety of circumstances. Exclusive right is replaced by
Compulsory Licence?
- All four fair use factors need to be considered and applied when Right to receive royalties or
justifying a fair use claim. remuneration
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43 44

Related rights may be exercised without having to

seek permission or pay royalties or remuneration Infringement of copyrights

Organizations and individuals who exercise NO affect the normal use of 🞆 The rights of an owner of copyright are infringed when one
performances, audio and visual
related rights in the following cases shall not
fixation or broadcasts. of the acts requiring authorization of the owner is done by
be required to seek permission but must pay
NO cause prejudice to the rights of
someone else without his consent
agreed royalties or remuneration to
performers, producers of audio and visual performers, producers of audio
fixation, or to broadcasting organizations
and visual fixation or broadcasting • Xâm phạm quyền: khi một người thực hiện một trong số các
organizations.
In case of no agreement reached, the parties hành vi cần phải xin phép chủ sở hữu quyền mà không có sự
shall comply with the Government đồng ý của chủ sở hữu quyền.
regulations or sue in court according to the
law.
Broadcasting, but no funding, no levy is paid
under the Government regulations. Infringement of copyrights
Exclusive right is replaced by Art.28
Compulsory Licence?
Right to receive royalties or
remuneration 45 46

45 46

Infringement of copyrights Proof of Infringement

Economic right • Deliberately destroying or de-

activating the technical
- Ownership of a work: The date of formation and
• Appropriating
copyright
solutions expressions
• Deliberately deleting or ▪ Registration
• Impersonating an modifying electronic
author
• Copying a work information in a work ▪ Deposit
• Modifying, editing • Making a derivative work regarding management ▪ Copyright notice (Eg: ©2009 )
or distorting a • Manufacturing, assembling, ▪ Standard identification numbering system (Eg:ISBN for books)
work • Using
transforming, distributing,
• Leasing out a work
• Publishing or
• Duplicating, producing
importing, exporting, selling or
leasing out equipment when
- Infringement : All/ most of the basic elements are similar
distributing a work
of joint authors copies of, distributing, knowing, or having grounds to
without displaying or know, that such equipment
permission communicating a work to may de-activate technical
the public solutions applied by the
• Publishing a work copyright holder to protect
copyright in his or her work.
• Importing, exporting or
Moral right distributing copies of a
work Against copyright
protection

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Copyright registration Copyright protection abroad

International Law Vietnam

Registration • Within 15 working
• Assess whether Application days from the date of The protection shall apply to: • Foreign organizations and
the work has been receipt of a valid individuals shall have their
subject to application, the • Authors who are nationals of one of the
protection. Copyright Office shall countries of the Union, for their works, works protected in Vietnam
• Understand and • Must be in Vietnamese and is grant the Copyright whether published or not; pursuant to an international
signed by the author, Registration
classify objects, treaty on copyright of which
appropriate forms copyrights, related rights Certificate to the • Authors who are not nationals of one of
owners or authorized person, relevant applicant. In the countries of the Union, for their the Socialist Republic of
of registration. case of refusing, the
• Fully contains information works first published in one of those Vietnam is a member.
• Preliminary Copyright Office shall
examine the about the applicant; notify the applicant in countries, or simultaneously in a country (Art.13.2 – IPL)
possibility to information about the author, writing. outside the Union and in a country of
register owner of the copyrights/related the Union.
rights.
• Summary of the main contents (Berne/Trips Convention)
Before of work, performance,
phonogram or broadcasting
registration program. Certificate
Works shall be protected by separate national system of
Copyright Office 49 copyright (National Treatment and Territories)50 50
No.151, Hoang Hoa ThamStreet49

49 50

Copyright case study outline Brochure for MP3 Player case

Case title: arising problem 5W +1H Background

Parties :
Background: Copyright subject matter, legal
status, Right holder (Author, owner), rights - The SEONA company - manufacturer of the MP3
entitled by Author/owner player
Case description: naming revised acts (gọi tên hành vi - Anna - the designer of the MP3 player brochure
xem xét), equivalent to which type of copyrights, of
whom (tương ứng với quyền nào, của ai), if
infringement, which one ? (nếu là hành vi xâm phạm là
The author : Anna
xâm phạm quyền gì, gọi tên (Art 28) The owner : Anna and SEONA
Keypoint: factual and legal arguments Rights entitled :
+ Anna : copyright
+ SEONA : license to use
Result and solution/recommendation
=> Subject matter : Who owns the copyright on the
51 brochure of SEONA MP3 player? 52

51 52

Case description
What is subject matter ?

Who is the author

Alex - SEONA strategist signed a contract with Anna - a freelance
designer for designing the SEONA MP3 player brochure. Anna Who is owner
have finished the design and Anna is paid for the brochure
design.
After receiving the brochure, SEONA reused some informations
contained in the former to post on new website of the company.
Anna threatens to file lawsuit against SEONA for infringing her
copyright over the brochure.

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Keypoint : factual and legal Solution and result

arguments
Solution :
- As the author of the brochure, Anna has the
copyright on it and not the company, even if the SEONA has to persuade Anna at some points :
company paid for it + SEONA will compensate for having infringed Anna’s
=> Problem : Use the images from the brochure for copyright
commercial purpose on SEONA’s website without + SEONA want to amplify some articles in the contract
Anna’s permission other than those specified in the for the brochure using along with their payment for
contract it.
=> SEONA has infringed Anna’s copyright. SEONA has Result :
the license to use the brochure only for the purpose for + Anna agrees to assign her copyright to SEONA and
which the contract has commissioned (for the MP3 waive the exercise of her moral rights on it
player advertisement) + SEONA shall pay for the above consent of Anna for
55 new agreement 56

55 56

Recommendations

Be aware that :
- The use of any works in which someone else owns
copyright requires that owner’s prior consent,
except some situations promulgate by law.
- The best way to avoid infringement is by obtaining QUYỀN LIÊN QUAN RELATED RIGHTS
express written permission of the copyright owner
before you use or exploit the work

57 58

57 58

Related rights subject matters Conditions for protection of related rights

Performanc
Live performance, Phonograms/ video recording, Broadcasted performance es of
Performanc
foreigners
, es Broadcasti
in Vietnam
Not cause prejudice to the copyright Performances of
Vietnamese or
formulated ng
persons on audio organizatio
Peformances Broadcasted performance
according
Phonograms/ video recordings and visual n
to fixation
internaltion
al law

Originality
Not cause prejudice to the
Created directly by performers, copyright of original works
without copying

Protected
Protected
Protected Phonograms/
Performance Broadcasted
video
performance
recording
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Related rights subject matters Ownership of related rights

Producers of Nhà xuất bản,

Performer Owners audio and visual ghi âm, ghi hình
Phonograms or Broadcasted fixation hoặc
Live performance
video recording performance

Use their time and

Actors and Use their time and
make a financial
actresses, singers, make a financial Broadcasting
investment in or
instrumentalists, investment in or organizations shall
use their material
dancers and other use their material be the owners of
and technical
persons who and technical their broadcasts
facilities to
perform literary facilities to give a
Producers of produce audio
and artistic works performance
and visual fixation
audio and Broadcasting
Performer Owner
visual organization
fixation

Moral rights Economic rights

61
62

61 62

Moral rights of performers Economic rights of performers

Directly or Exclusive
To formulate a indirectly right, or to
Protect the integrity of the live reproduce a
authorize
imagery of the performance
Have the name performance on which has been others to
performance, and to audio and visual exercise
acknowledged when formulated on
prevent others from fixation;
performing, when audio and visual
modifying, editing or
distributing audio and visual fixation
distorting the work in any
fixation or when
way prejudicial to the
broadcasting performances Distribute to the
honour and reputation of Broadcast or to
the performer public an Pay
communicate to original
the public in remuneratio
performance n to the
other ways an
unformulated
and copies performer
performance thereof

63 64

63 64

Economic rights of producers of audio and visual

fixation
economic rights of broadcasting organizations
Exclusive right to exercise or
to authorize others to
exercise Formulate
Broadcast or re- [into a fixed
broadcast their
broadcasts form] their
Distribute to the
Directly or public their broadcasts;
indirectly copy original audio and
their audio and visual fixation and Exclusive right to exercise or
visual fixation copies thereof to authorize others to
exercise
Be entitled to
material
benefits when Distribute
the broadcasts their Reproduce
are recorded + formulated
distributed to broadcasts
broadcasts
the public. to the public
65 66

65 66

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Summary Term of protection

Performances Audio/ Visual Broadcasts

Fixation Peformances are
formulated
Performers

Owner

•50
50 years calculated from the year following the
year of formulation of a performance; publication;
formulation of any unpublished audio and visual Records are published/
fixation; or making a broadcast. formulated
•Years calculated from the year
following the year

67 Broadcasts are made

Moral rights Economic rights
68

67 68

Related rights may be exercised without having to

seek permission or pay royalties or remuneration Published works may be used without having to
seek permission but royalties or remuneration must
be paid
A broadcasting organization which Broadcasting without permission,
uses a published work to make a but royalties or remuneration.
broadcast which is sponsored, NOT cause prejudice to the rights of
contains an advertisement or which the author or copyright holder.
collects fees in any form shall not MUST provide information being the
be required to seek permission but author's name and the source and
•Make one copy of a work for personal scientific research purposes must pay royalties or remuneration origin of the work.
•Make a copy of a work for teaching purposes to the copyright holder in
•Make provisional copies of a work by a broadcasting organization for broadcasting purposes INAPPLICABLE to cinematographic
•Reasonable quoting from a work in order to provide information
accordance with regulations of the works.
Government.

Exclusive right is replaced by

Compulsory Licence?
Right to receive royalties or
remuneration
69 70

69 70

Related rights may be exercised without having Infringement of related rights

to seek permission or pay royalties or
remuneration
Organizations and individuals who exercise NO affect the normal use of • Deliberately deleting or
related rights in the following cases shall not performances, audio and visual modifying electronic
Economic right information regarding
be required to seek permission but must pay fixation or broadcasts.
management of rights
agreed royalties or remuneration to • Appropriating • Deliberately destroying or
NO cause prejudice to the rights of
performers, producers of audio and visual • Impersonating de-activating the technical
performers, producers of audio
fixation, or to broadcasting organizations • Modifying, • Copying or reciting solutions
and visual fixation or broadcasting
editing or • Publishing, distributing or • Manufacturing, assembling,
In case of no agreement reached, the parties organizations. importing for public distribution transforming, distributing,
distorting
shall comply with the Government regulations performances, copies of a fixed importing, exporting,
• Publishing, performance or audio and visual
or sue in court according to the law. producing and selling or leasing out
fixation knowing, or having equipment knowing, or
Broadcasting, but no funding, no levy is paid distributing grounds to know, that electronic having grounds to know,
under the Government regulations. without information regarding that such equipment helps
permission management of rights has been
deleted or modified without
to illegally decode satellite
permission signals carrying coded
• Deliberately receiving or relaying
programmes.
satellite signals carrying coded
Exclusive right is replaced by Moral right programmes without permission
Compulsory Licence? from the legal distributor.
Right to receive royalties or Anti self-
remuneration protection
71 72

71 72

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Copyright and related rights management Transfer of Copyright and Related Rights

Individual Collective • Licensing of copyright and related rights means

management Management the grant of permission by the copyright holder or
related right holder for another organization or
• Monitor/ detect • Collective individual to use for a definite term one, several
Infringement or all of the rights stipulated in articles 19,3, 20,
• Prevent, handle Management
infringements 29.3, 30 and 31 of this Law.
• Self mine (Art.47.1 IPL)
applications in
manufacturing and
business
• Transfer rights
• Capital
contribution

73 74

73 74

Contracts for Transfer of Copyright and Related

Transfer of Copyright and Related Rights Rights
a) Full names and
Transfer addresses of the
licensor and the
licensee.
Assignment Licensing b) Grounds for the licence.
Chuyển nhượng quyền Chuyển giao quyền sử dụng c) Scope of the licence.
d) Price and method of
payment
Transfer a Transfer a Exclusive e) Rights and obligations
part of / part of /
of the parties.
the whole the whole
f) Liability for contractual
ownership ownership Non Exclusive
breach.
• Form: http://www.cov.gov.vn/cbqen/index.php?option=com_content&view=article&id=701:form-of-
contract-for-assignment-or-use-of-copyright-related-rights&catid=61:th-tc-ng-ky
75 76

75 76

Collective management Collective management organizations

Manage

Authors authorize CMOs Conduct

Organize a negotiations for
conciliation if a licensing
dispute arises. CMOs
• Collective Management Organizations (CMOs)
means a non-profit making organization established pursuant
to an agreement between authors, copyright holders or Protect the Collect and
related right holders and operating pursuant to the law on legitimate rights distribute royalties
and interests and remuneration
protection of copyright and related rights.
77 78

77 78

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Activity Process IpMatrix: Wrap up (15 mn)

Important

• Write down an issue or a

5-
question related to
4- Copyright, classify it by
3- the importance and
2- difficulty to be enforced
1-
Facile Difficult
5 4 3 2 1 1 2 3 4 5

1-
2-
3-
4-
79 5- 80
Ít quan trọng

79 80

Thank you for the kind attention !

Q&A

Email: [email protected]
Tel: 0912211178
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