Complete Early Cycladic Sculpture in Context 2nd Edition Marisa Marthari PDF For All Chapters
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Early Cycladic Sculpture in Context 2nd Edition Marisa
Marthari Digital Instant Download
Author(s): Marisa Marthari, Colin Renfrew, Michael J. Boyd
ISBN(s): 9781785701986, 1785701983
Edition: 2
File Details: PDF, 20.82 MB
Year: 2017
Language: english
EARLY CYCLADIC SCULPTURE I N CONTEXT
Early Cycladic Sculpture
in Context
Edited by
Marisa Marthari
Colin Renfrew
Michael J. Boyd
A CIP record for this book is available from the British Library
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical
including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in
writing.
Front cover: Grave XI at Chalandriani, Syros, with detail of figure SM1176. See chapter 20.
Back cover (from left to right): Seated figurine NM10674 from Kouphonisi; Seated figurine NM5468 from Aplomata; Head and torso of figure from
Phiondas, Naxos; Sculpture of the Grotta-Pelos culture; Marble canonical female folded-arm figure of Spedos variety.
Spine: Canonical figure of the Spedos variety.
CONTENTS
10 A fragment of an Early Cycladic figurine from the prehistoric settlement at Plakalona on Seriphos .......................103
Peggy Pantou
11 Sculptures from Akrotiraki, Siphnos and its cemetery........................................................................................................107
Zozi D. Papadopoulou
12 Cycladic figurines in settlements: the case of the major EC II settlement at Skarkos on Ios .......................................119
Marisa Marthari
Appendix: non-invasive examination of marble figurines from Skarkos on Ios, Yannis Maniatis
13 The figurines from the settlement at Dhaskalio ...................................................................................................................165
Colin Renfrew
14 Figurines from Potamia on Epano Kouphonisi (Pandelis Tsavaris property) ..................................................................171
Olga Philaniotou
26 Selected sculptural fragments from the Special Deposit South at Kavos on Keros ........................................................379
Colin Renfrew & Michael J. Boyd
27 Marble and other spools from the excavations at Dhaskalio and the Special Deposit South at Kavos, Keros
(2006–2008), and related Cycladic finds..................................................................................................................................395
Judit Haas-Lebegyev
Index .....................................................................................................................................................................................................503
Colour plates ........................................................................................................................................................................................509
LIST OF CONTRIBUTORS
1.1 The development of Early Cycladic sculptures. 5.14 Clay figurine number 11.
1.2 The Cycladic Islands showing findspots of the ‘name 5.15 Plaka, rock-art representation of portrait of a deity or
pieces’ of different types, varieties and sub-varieties. sacred figure.
1.3 The two folded-arm figures excavated at Dokathismata 5.16 Plaka, pair of hands from the wrist, with ring-idol figurine
on Amorgos. and pebble-type figurine.
2.1 The site of Skarkos on Ios. 5.17 Plaka, rock-art representation of a possible Early Cycladic
2.2 Settlement sites referred to in the text where Early figurine.
Cycladic marble figurines have been found in secure Early 5.18 Plaka, head of the possible Early Cycladic figurine.
Cycladic contexts. 5.19 The development of Cycladic figurines from FN to ECI
2.3 Sites referred to in the text where Early Cycladic figurines period.
have been found in later deposits. 6.1 Early Cycladic cist-grave of type A
3.1 Plan of the excavations at Saliagos. 6.2 EC I cemetery at Akrotiri, Naxos
3.2 Torso of a terracotta figurine. 6.3 EC I cemetery at Plastiras, Paros
3.3 Anthropomorphic pendant of bone. 6.4 The context of grave 3 at Akrotiri, Naxos
3.4 Anthropomorphic pendant of stone. 6.5 The context of grave 21 at Akrotiri, Naxos
3.5 ‘The Fat Lady of Saliagos’. 6.6 The context of grave 9 at Akrotiri, Naxos
3.6 Marble head. 6.7 The context of grave 5 at Akrotiri, Naxos
3.7 Violin figurine of marble. 6.8 The context of grave 20 at Akrotiri, Naxos
3.8 Neck of schematic figurine. 6.9 The context of grave 9 at Plastiras, Paros
3.9 Schematic figurine. 6.10 Grave 3 at Akrotiri, Naxos, during excavation.
3.10 Anthropomorphic pebbles. 6.11 Plastiras, Paros, grave 9, during excavation
4.1 ‘The lady of Ftelia’. 7.1 Schematic figurines from Glypha, Panayia and Pyrgos on
4.2 Figurine fragment of type 1. Paros.
4.3 Figurine head of type 2. 7.2 Schematic figurines from Pyrgos on Paros.
4.4 Figurine head of type 3. 7.3 Schematic figurines from Krasades on Antiparos.
4.5 Figurine fragments of type 4. 7.4 Schematic figurines from Krasades on Antiparos and
4.6 Figurine of type 5. Livadhi on Dhespotiko.
4.7 Figurine of talc. 7.5 Schematic figurines from Livadhi and Zoumbaria on
4.8 Foot fragments of large figurines. Dhespotiko and Akrotiraki on Siphnos.
4.9 Foot fragment. 8.1 The island of Kythnos.
4.10 Foot fragment. 8.2 The grave at Mersinia.
4.11 Figurine fragment. 8.3 Shell figurine from Mersinia.
4.12 Head of a pig. 8.4 Shell figurine from Mersinia.
5.1 Ring idol figurine number 1. 9.1 SF-226.
5.2 Ring-idol figurine number 2. 9.2 SF-227.
5.3 Ring-idol figurine number 3. 9.3 SF-228.
5.4 Ring-idol figurine number 4. 9.4 SF-229.
5.5 Rock art representations of ring-idol motifs, Strofilas. 9.5 SF-230.
5.6 Rock art representations of ring-idol motifs, Strofilas. 9.6 Location of SF-227 beneath the early Period II Lower
5.7 Strophilas, rock-art representations, ring-idol figurine, Western Road.
and ‘frying-pan’ from Naxos. 9.7 Location of SF-226 in late Period II House E room 3.
5.8 Pebble-type figurine number 5. 9.8 Approximate locations of SF-228 – SF-230 beneath the
5.9 Multipartite figurine number 6. floors of late Period III House D.
5.10 Headless ‘violin’ figurine number 7. 10.1 Map of Seriphos.
5.11 Upper torso of ‘violin-like’ figurine number 8. 10.2 Physical setting of Plakalona.
5.12 Figurine head, number 9. 10.3 Excavation trench at Plakalona.
5.13 Figurine head, number 10. 10.4 Ceramic bowl from Plakalona.
LIST OF FIGURES xi
10.5 Ceramic bowl from Plakalona. 13.2 Schematic figurines of marble and shell from Dhaskalio.
10.6 Copper slags and furnace fragments from Plakalona 13.3 Schematic figurines from Dhaskalio.
10.7 Figurine fragment from Plakalona 13.4 Schematic figurines from Dhaskalio.
11.1 Siphnos: Platy Yialos and Lazarou. 14.1 Naxos and the Small Cyclades
11.2 Akrotiraki, graves 1 and 2. 14.2 Pandelis Tsavaris plot and Agios Nikolaos chapel from the
11.3 Pebble figurine. east
11.4 Possible Louros figurine. 14.3 Pandelis Tsavaris plot from the west.
11.5 Head of Apeiranthos figurine. 14.4 The eroded southwest part of the peninsula.
11.6 Folded-arm figurine. 14.5 The southwest sector of Pandelis Tsavaris’ property:
11.7 Detail of figurine. settlement remains.
11.8 Schematic, violin-type figurine. 14.6 Excavation plan of northern sector.
11.9 Schematic, violin-type figurine. 14.7 Hat-shaped vessels in situ.
11.10 Trenches K 5 and I 4. 14.8 ‘Brazier’ from the large deposit.
11.11 Metallurgical finds and talc-ware pottery from Akrotiraki. 14.9 Seated figurine
11.12 Schematic figurine of pebble type. 14.10 Seated figurine
11.13 Head of figurine of Louros type. 14.11 Schematic figurine
11.14 Head of Apeiranthos type figurine. 14.12 Left leg fragment of folded-arm figurine
11.15 Neck of figurine. 14.13 ‘Thighs’ of figurine
11.16 Part of a figurine of undetermined type. 14.14 Headless schematic figurine
11.17 Traces of metal-working at Vouni on Antiparos. 14.15 Figurine of the Spedos variety
11.18 Remains of cist-graves and entrances of metallurgical 14.16 Figurine of the Spedos variety
galleries at Krassades, Antiparos. 14.17 Detail of figurine of the Spedos variety
12.1 Contour plan of Skarkos hill showing the excavated 14.18 Head of folded-arm figurine
settlement. 14.19 Fragment of head of folded-arm figurine
12.2 The northeastern part of Skarkos settlement and the 14.20 Head of folded-arm figurine
Building of the Figurines. 15.1 Plan of the cemetery at Aplomata, Naxos, with graves of
12.3 Finds from Skarkos Phase I. all periods.
12.4 Plan of the Building of the Figurines showing figurine 15.2 Plan of the EC II cemetery at Aplomata, Naxos.
findspots. 15.3 The context of grave 4 at Aplomata, Naxos.
12.5 Sections of the Building of the Figurines showing strati- 15.4 The context of grave 13 at Aplomata, Naxos.
graphy and findspots of figurines. 15.5 The context of grave 19 at Aplomata, Naxos.
12.6 Building of the Figurines, figurines in situ. 15.6 The context of grave 23 at Aplomata, Naxos.
12.7 Pottery from the Building of the Figurines. 15.7 The context of grave 27 at Aplomata, Naxos.
12.8 Marble vessels from the Building of the Figurines. 15.8 Head of folded-arm figurine of Kapsala variety from
12.9 Complete and unfinished marble vases from the settlement Aplomata grave 4.
at Skarkos. 15.9 Folded-arm figurine of Spedos variety from Aplomata
12.10 Obsidian and stone tools. grave 4.
12.11 Spools and stone tool. 15.10 Precanonical figurine from Aplomata grave 13.
12.12 Bone tube, lumps of mineral pigments and oblong pierced 15.11 Folded-arm figurine of Kapsala variety from Aplomata
objects. grave 13.
12.13 Figurines from Skarkos settlement. 15.12 Folded-arm figurine of Kapsala variety from Aplomata
12.14 Schematic figurines with indications of paint, and folded- grave 13.
arm figurines of Chalandriani variety. 15.13 Folded-arm figurine of Spedos variety from Aplomata
12.15 Heads of folded-arm figurines of Chalandriani variety, and grave 13.
schematic figurines of Apeiranthos type, form 1. 15.14 Folded-arm figurine of Spedos variety from Aplomata
12.16 Schematic figurines of Apeiranthos type, form 1. grave 13.
12.17 Schematic figurines of Apeiranthos type, form 2. 15.15 Folded-arm figurine of Spedos variety from Aplomata
12.18 Schematic figurines of Apeiranthos type, form 2. grave 13.
12.19 Schematic figurines of Apeiranthos type, form 2. 15.16 Folded-arm figurine of Spedos variety from Aplomata
12.20 Schematic figurines of Apeiranthos type, form 3. grave 13.
12.21 Schematic figurines of Apeiranthos type, form 4. 15.17 Folded-arm figurine of Spedos variety from Aplomata
12.22 Schematic figurines of Apeiranthos type, form 4. grave 13.
12.23 Schematic figurines of the Apeiranthos type, irregular 15.18 Seated figurine from Aplomata grave 13.
forms. 15.19 Seated figurine from Aplomata Grave 13.
12.24 Schematic figurines of the Apeiranthos type, irregular 15.20 Seated figurine from Aplomata Grave 13.
forms. 15.21 Seated figurine from Aplomata Grave 13.
12.25 Schematic figurines, irregular Apeiranthos type, and other 15.22 Figurine of shell.
forms. 15.23 Figurine of shell.
13.1 Plan of the settlement at Dhaskalio, showing findspots of 15.24 Folded-arm figurine of Spedos variety from Aplomata
schematic figurines. grave 19.
xii LIST OF FIGURES
15.25 Seated marble figurine from Aplomata grave 23. 19.2 Plaquette with a relief figure.
15.26 Folded-arm figurine of Spedos variety from Aplomata 19.3 Head of a figurine of Louros type.
grave 27. 19.4 Folded-arm figurine of Spedos variety.
15.27 Folded-arm figurine of Spedos variety from Aplomata 19.5 Detail of head, showing paint ghosts.
grave 27. 19.6 Folded-arm figurine of Spedos variety.
15.28 Folded-arm figurine of Spedos variety from Aplomata 19.7 Detail of head, showing paint ghost.
grave 27. 19.8 Head of folded-arm figurine of Spedos variety.
15.29 Fragmentary double figurine from Aplomata grave 27. 19.9 Detail of head, showing paint ghosts.
16.1 Location of Phiondas on Naxos. 19.10 Neck of folded-arm figurine of Spedos variety.
16.2 Naxos Museum. Showcase with the Phiondas figurines. 19.11 Neck and upper torso of folded-arm figurine of Spedos
16.3 Folded-arm figurine of Spedos variety. variety.
16.4 Folded-arm figurine of Spedos variety. 19.12 Detail of neck and torso, showing paint ghosts.
16.5 Folded-arm figurine of Spedos variety. 19.13 Neck and upper torso of a folded-arm figurine of Spedos
16.6 Folded-arm figurine of Spedos variety. variety.
16.7 Comparison of NM166, NM167 and NM170, reclining. 19.14 Detail of neck and torso, showing paint ghosts.
16.8 Folded-arm figurine of Spedos variety. 19.15 Lower torso and thighs of a folded-arm figurine of Spedos
16.9 Folded-arm figurine of Spedos variety. variety.
16.10 Detail of head. 19.16 Lower torso and thighs of a folded-arm figurine of Spedos
16.11 Folded-arm figurine of Spedos variety. variety.
16.12 Striations on the crown of the head and underside of feet. 19.17 Thighs of a folded-arm figurine of Spedos variety.
16.13 Folded-arm figurine of Spedos variety. 19.18 Thighs of a folded-arm figurine of Spedos variety.
16.14 Folded-arm figurine of Spedos variety. 19.19 Thighs and calves of a folded-arm figurine of Spedos
16.15 Folded-arm figurine of Spedos variety. variety.
16.16 Details of NM171. 19.20 Knees and calves of folded-arm figurine of Spedos
16.17 Folded-arm figurine of Kapsala or Spedos variety. variety.
16.18 Details of NM172. 19.21 Calf of a folded-arm figurine of the Spedos variety.
16.19 Kontoleon’s draft of a letter to the Department of 19.22 Calf and foot of a folded-arm figurine of Spedos variety.
Antiquities. 19.23 Thigh and calf of a figurine.
16.20 Naxos Museum catalogue entries for Phiondas material. 19.24 Head and neck of a schematic figurine.
16.21 Clay pyxis with note inside. 19.25 Headless folded-arm figurine of Chalandriani variety.
16.22 Phiondas. The location of the cist grave. 19.26 Epano Kouphonisi, Alonistria Chousouri, rock pit 5.
16.23 Clay pyxis with paper with toponym ‘Phiondas’ written 20.1 Chalandriani cemetery, Western Sector, the Potamia ravine
on it. and the Kastri height.
17.1 EC II cemetery at Aghioi Anargyroi, Naxos 20.2 Chalandriani cemetery, part of recently excavated cluster
17.2 EC II cist-grave of type B with corbelled grave XI.
17.3 EC II cemetery at Avdeli, Naxos 20.3 Chalandriani cemetery, grave XI with the skeleton of the
17.4 EC II grave of type E dead and the grave goods.
17.5 The context of grave 21 at Aghioi Anargyroi, Naxos 20.4 Chalandriani cemetery, plan of grave XI with the skeleton
17.6 The context of grave 1 at Avdeli, Naxos of the dead and grave goods.
18.1 The cemetery from the west 20.5 Folded-arm figurine of Spedos variety from grave 345,
18.2 Schematic figurine from grave 5. Chalandriani.
18.3 Marble shallow bowl, rectangular palette and clay pyxis 20.6 Folded-arm figurine of Chalandriani variety from grave
from grave 5. 447, Chalandriani.
18.4 Schematic figurine. 20.7 Schematic figurine of Apeiranthos type from grave 415,
18.5 Torso of Louros type figurine. Chalandriani.
18.6 Grave 17: stone heap, figurines in situ, spatial relationship 20.8 Schematic figurine of Apeiranthos type from grave 468,
between the figurines, and possible original position of Chalandriani.
figurines in grave 17. 20.9 Schematic figurine of Apeiranthos type from near grave
18.7 Schematic figurine. II at Chalandriani.
18.8 Head of schematic figurine. 20.10 Folded-arm figurine of Spedos variety from Chalandriani
18.9 Schematic figurine, with bead. grave XI.
18.10 Grave 113. Schematic figurine, covered by clay pyxis. 20.11 Folded-arm figurine of Spedos variety from Chalandriani
18.11 Pre-canonical figurine. grave XI.
18.12 Grave 121 with figurine 20.12 Folded-arm figurine of Spedos variety from Chalandriani
18.13 Folded arm figurine. grave XI.
18.14 Head of Louros type figurine. 20.13 Ceramic frying pan from Chalandriani, grave XI.
18.15 Schematic figurine. 20.14 Ceramic footed jar from Chalandriani, grave XI.
18.16 Fragment of schematic figurine. 20.15 Bone pin with a head in the shape of a naturalistic figurine
19.1 Map of the Kouphonisia and the location of the areas from Chalandriani grave VII.
investigated in 1969 and 1970. 20.16 Bowls from Chalandirani cemetery.
LIST OF FIGURES xiii
27.3 Spools of Spondylus gaederopus and of lead from Dhaskalio. 30.14 Schematic figurine with incised arms.
27.4 A selection of stone spools from the Special Deposit South 31.1 Plan of the settlement at Akrotiri, Thera.
at Kavos. 31.2 Akrotiri, Thera. The ‘cenotaph’ area.
27.5 Complete and fragmented spools from the Special Deposit 31.3 Akrotiri, Thera. The cairn of the ‘cenotaph’.
South at Kavos. 31.4 Akrotiri, Thera. Figurines from the settlement area.
27.6 A selection of Spondylus spools from the Special Deposit 31.5 Folded-arm figurine of Spedos variety.
South at Kavos. 31.6 Figurine of Plastiras type.
27.7 Stone spools fragmented by sawing, Special Deposit South. 31.7 Figurine of Plastiras type.
27.8 Plan of the Special Deposit South with findspots of spools. 31.8 Figurine of Plastiras type.
28.1 Plan of the hill of Koukounaries, showing plateaux and 31.9 Figurine of Plastiras type.
terraces. 31.10 Head of figurine of Plastiras Type.
28.2 Plan of the Mycenaean Mansion, where the location of 31.11 Figurine of precanonical type.
figurines 1-4 is indicated. 31.12 Figurine of precanonical type.
28.3 Schematic figurine from the corridor. 31.13 Folded-arm figurine of Kapsala variety.
28.4 Clay figurine head. 31.14 Lower legs of folded-arm figurine of Chalandriani variety.
28.5 Precanonical figurine head. 31.15 Marble collared jar.
28.6 Folded-arm figurine head. 32.1 Map of Naxos
28.7 Folded-arm figurine pelvis and upper legs. 32.2 Mikre Vigla, Naxos: site from the southeast, and remains
28.8 Zoomorphic figurine head. of building on summit.
28.9 FN pendant figurine. 32.3 Mikre Vigla, Naxos: terracotta figurines.
28.10 Map of Trench 13, with indication of different levels and 32.4 Mikre Vigla, Naxos: terracotta figurines.
location of figurine. 32.5 Mikre Vigla, Naxos: terracotta figurines.
28.11 FN female pebble figurine. 32.6 Mikre Vigla, Naxos: terracotta figurines.
28.12 Plan of the Northeastern Building as revealed in 1991. 32.7 Mikre Vigla, Naxos: terracotta figurines.
29.1 Dates of contexts of marble figurines from A. Irini. 33.1 Overview of sampling in the Cyclades
29.2 Distribution of figurine fragments from post-EBA contexts 33.2 Simplified geological map of Keros.
at A. Irini. 33.3 Simplified geological map of Naxos.
29.3 Fragment of a folded-arm figurine of Chalandriani variety. 33.4 Simplified geological map of Ios.
29.4 Torso to knees of folded-arm figurine of Spedos variety. 33.5 Simplified geological map of Syros.
29.5 Folded-arm figurine of Chalandriani variety. 33.6 Simplified geological map of Nikouria.
29.6 Waist to knees of pregnant folded-arm figurine. 33.7 Simplified geological map of Schinousa and Iraklia.
29.7 Torso to knees of folded-arm figurine of Kea sub-variety. 33.8 Simplified geological map of Paros.
29.8 Figurine fragment, possibly Plastiras-type. 33.9 Box plot diagrams of MGS in mm.
29.9 Lower legs of folded-arm figurine. 33.10 Mn2+ vs MGS on a logarithmic scale for figurine fragments
29.10 Leg of folded-arm figurine of Spedos variety. from Keros and for marble outcrops in the Cyclades.
29.11 Head of folded-arm figurine of Chalandriani variety. 33.11 IRMS parameters for figurine fragments from Keros and
29.12 Head of folded-arm figurine. for marble outcrops in the Cyclades.
29.13 Head of folded-arm figurine. 33.12 Summary of provenance for figurine fragments from
29.14 Head of folded-arm figurine. Keros.
29.15 Head of folded-arm figurine. 33.13 Estimated marble provenance for figurine fragments from
29.16 Fragment of schematic figurine. Keros.
29.17 Body of schematic figurine. 33.14 Probable provenance of figurines from Skarkos.
29.18 Fragment of Phylakopi I-type figurine. 34.1 The finished products: figurines 1 and 2.
29.19 Fragment schematic figurine. 34.2 The finished products: figurines 1 and 2.
29.20 Fragment, perhaps of schematic figurine. 34.3 The finished products: figurines 1 and 2.
29.21 Fragment of schematic figurine. 34.4 A selection of emery tools used during the experiment.
29.22 Head of folded-arm figurine. 34.5 Figurine 1: outline, central axis and basic anatomical details.
30.1 Plan of Phylakopi showing findspots of figurines. 34.6 Figurine 1 after shaping by percussion.
30.2 Folded-arm figurine. 34.7 Figurine 2 during the phase of shaping by percussion.
30.3 Torso of a folded-arm figurine of Spedos variety. 34.8 Figurine 1: small marble fragment flaked off at the right
30.4 Head of folded-arm figure of Spedos variety. foot.
30.5 Head and neck of a folded arm figurine of the Chalandriani 34.9 Figurine 1: the original and the new central axes.
variety. 34.10 Figurine 1 during the phase of abrasion.
30.6 Head and neck of ‘pre-canonical’ or Plastiras type figure. 34.11 Figurine 1: the formation of the face.
30.7 Complete schematic figure of shouldered form. 34.12 Figurine 1: incision of the pubic triangle.
30.8 Schematic figurine with a long neck and modest shoulders. 35.1 MN4274.
30.9 Complete schematic figurine. 35.2 MN2234.
30.10 Schematic figurine of Phylakopi I type. 35.3 MN4137.
30.11 Schematic figurine of Phylakopi I type. 35.4 MN5460.
30.12 Schematic figurine of Phylakopi I type. 35.5 MN747.
30.13 Schematic figurine.
LIST OF COLOUR PLATES
1 Sculptures of the Grotta-Pelos culture from Akrotiri and 9 Enthroned figure from Aplomata on Naxos.
Louros (L) on Naxos 10 Top: seated figure from Kouphonisi; bottom: view from
2 Canonical figures of the Kapsala variety from Aplomata above of enthroned figure from Aplomata.
on Naxos. 11 Seated figure from Aplomata on Naxos.
3 Canonical figures of the Spedos variety from Chalandriani 12 Large figure from the Special Deposit North at Kavos,
on Syros and Spedos on Naxos. Keros.
4 Canonical figure of the Dokathismata variety from 13 Top: head and shoulders of the large figure from the
Chalandriani. Special Deposit North, Keros; bottom: head and torso of
5 Canonical figure of the Dokathismata variety from figure from Phiondas, Naxos.
Chalandriani. 14 Figure from Phiondas, Naxos.
6 Canonical figures of the Chalandriani variety from Skarkos 15 Schematic figurines of the Keros-Syros culture from
on Ios (a, b), Kavos on Keros (c, d) and Chalandriani on Skarkos on Ios (top two rows), Chalandriani on Syros (next
Syros (e, f and g). row), and Dhaskalio, Keros (bottom row).
7 Large figure from the Special Deposit South at Kavos, 16 Sculptures in context from (top) Skarkos, Ios; (middle)
Keros. Dhaskalio, Keros; (bottom) Special Deposit South, Keros.
8 Enthroned figure from Aplomata on Naxos.
LIST OF TABLES
6.1 Stages of development of Early Cycladic society 7.4 Doumas’ excavations on Naxos.
6.2 Material from grave 3 at Akrotiri, Naxos. Associations of EC I schematic marble
6.3 Material from grave 21 at Akrotiri, Naxos. figurines in graves.
6.4 Material from grave 9 at Akrotiri, Naxos. 7.5 Philaniotou’s excavations on Naxos. Associations of EC
6.5 Material from grave 5 at Akrotiri, Naxos. I schematic marble figurines in graves.
6.6 Material from grave 20 at Akrotiri, Naxos. 9.1 Ayia Irini figurines in EBII contexts: concordance of
6.7 Material from grave 9 at Plastiras, Paros. Items marked publication, inventory, and Chora Museum numbers.
with an asterisk were stolen from the Paros Museum 9.2 Context and date of Ayia Irini figurines SF-226-230.
and have not yet been recovered. 12.1 Schematic figurines of the Apeiranthos type in context.
7.1 Tsountas’ excavations on Paros, Antiparos, Dhespotiko 12.2 Findspots of Skarkos figurines
and Siphnos: associations of EC I schematic marble 15.1 Material from grave 4 at Aplomata.
figurines in graves. 15.2 Material from ‘grave’ 13 at Aplomata.
7.2 Bent’s excavations on Antiparos. 15.3 Material from grave 19 at Aplomata.
Associations of EC I schematic marble 15.4 Material from grave 23 at Aplomata.
figurines in graves. 15.5 Material from grave 27 at Aplomata.
7.3 Stephanos’ excavations on Naxos. 17.1 Material from grave 21 at Aghioi Anargyroi.
Associations of EC I schematic marble 17.2 Material from grave 1 at Avdeli.
figurines in graves. 19.1 Kouphonisia: the Early Cycladic marble figurines.
xvi LIST OF TABLES
20.1 Numbers of figurines found in excavated graves at 30.1 The marble sculptures from Phylakopi: a synopsis.
Chalandriani by excavation. 31.1 Figurines found in the settlement.
21.1 Optical Examination results for the figurines. 31.2 Figurines found at the cenotaph.
25.1 Quantities of stone vessel and marble figurine fragments 34.1 Comparison of size and time of manufacture between
found in 1987. the figurines produced by Oustinoff (1984) and the
25.2 Materials and quantities of stone vessels found in 1987. present experiment.
29.1 Changing designations for the periods of occupation and 34.2 Changes in the size and weight of the figurines during
their pottery at A. Irini. the various phases of work.
29.2 Sub-phases of the local stratigraphic periods at A. Irini. 34.3 Duration of the different phases of work.
29.3 Concordance of A. Irini figurine numbers republished in 34.4 Amount of material removed in each phase of work.
the Keos volumes.
PREFACE
Marisa Marthari, Colin Renfrew and Michael J. Boyd
The sculpture of the Early Bronze Age Cyclades has been Society on 25 and 26 May 2015, will soon follow under the
systematically studied since the time of Christos Tsountas title ‘Early Cycladic Sculpture in Context from beyond the
at the end of the 19th century. But that study has been Cyclades’. Relevant finds from Crete were presented at the
hampered by the circumstance that so many of the symposium ‘Cycladica in Crete: Cycladic and Cycladicizing
subsequent finds come from unauthorised excavations, figurines within their archaeological context’, held in
where the archaeological context was irretrievably lost. Athens on 1–2 October 2015, organised by Nicholas
Largely for that reason there are still many problems Stampolidis and Peggy Sotirakopoulou.
surrounding the chronology, the function and the meaning The editors would like to express their thanks to
of Early Cycladic sculpture. the Secretary General of the Archaeological Society at
This volume sets out to rectify that situation by pub- Athens, Dr Vassileios Petrakos, for making the rooms of
lishing finds which have been recovered in controlled the Society available for the meeting, and to Mrs Dora
excavations in recent years, as well as earlier finds for Vassilikou, member of the Board of the Society, for much
which better documentation can now be provided. Using valued assistance. We also thank the participants for
the material from recent excavation projects, and drawing their valuable contributions. We are very grateful to the
on the papers presented at the symposium held at the Leverhulme Trust and the John Templeton Foundation for
Archaeological Society in Athens from 27–29 May 2014, generous financial assistance for the symposium and its
it is possible now to undertake a fresh overview of the publication. We are grateful also to Doug Faulmann and
entire body of sculpture from the Cycladic islands which to the Institute for Aegean Prehistory for assistance and
has been found in secure archaeological contexts. That is support with the drawing of the sculptures, and to Dieter
the purpose of the present volume. Depnering for photography.
It is hoped that the comparable material from Mainland Note that in general the sculptures are systematically
Greece and the North and East Aegean, presented at a illustrated here at a scale of 1:2.
symposium which we organised at the Archaeological
1
‘Ὅπως δὲ τὰ δύο εἰδώλια τοῦ τάφου 14 ὁμοιάζουσιν ἀλλήλοις καὶ φαίνονται ἔργα τῆς αὐτῆς
χειρός…’. (Tsountas 1898, 195).
‘The two figurines from grave 14 are similar to one another and appear to have been the works
of a single artisan’
Fig. 1.1 The development of the Early Cycladic sculptures, showing principal types and varieties.
4 Colin Renfrew
sculptor – the ‘name piece’ – was at that time located. In two encouraged the ongoing looting of ancient sites with
cases (Kontoleon and Doumas) they were named after the the consequential loss of archaeological context of the
excavator of the ‘name-piece’. This procedure of naming resulting finds. My own work, The Cycladic Spirit (Renfrew
‘Masters’ after collectors (e.g. ‘Schuster Master’, ‘Stafford 1991), published around that time, did also illustrate
Master’) gave rise to considerable debate and to several many unprovenanced pieces, and was criticised for the
objections (Cherry 1992; Morris 1993; Gill & Chippindale same reason (Broodbank 1992; Gill & Chippindale 1993).
1993). These will be addressed briefly below. However, I now agree that such publication tends to legitimise and
in the course of that debate her success in recognising therefore encourage the illicit traffic (see Renfrew 2000).
closely similar pieces and in proposing a more detailed The consequences of this traffic, both the ongoing looting
classification of the sculptures than had hitherto been and the circumstance that many sculptures acquired by
achieved was sometimes overlooked. collectors and museums from that market have been
Here an attempt will be made first to identify and accompanied by forgeries, is inescapable, and raises
isolate the less satisfactory elements of the procedures difficult questions of authenticity, which are addressed
used by Getz-Preziosi (subsequently writing as Getz-Gentle) below.
and then to focus on the positive and fresh new insights The critique on terminology in those early critical
which her work has offered. For while the reliance on papers, however, was sometimes not clearly separated
unprovenanced pieces (lacking any archaeological context) from that on interpretation. To claim that the work of
may not be procedurally sound, and the recognition of the individual sculptors was being recognised was a bold and
‘hands’ of individual sculptors may be open to question, her interesting claim. To name these alleged master-sculptors
recognition that a more detailed systematic classification after individual ‘name pieces’ in private collections,
may be possible than the division into types and varieties designating the name piece (and the sculptor) by the name
established in 1969 is of considerable interest. For while the of the collector seemed particularly questionable on at
more detailed typology which emerges might be dismissed least two grounds, one interpretive, one procedural and
as mere ‘connoisseurship’, underlying it (if it indeed proves ethical. First, were these groups of closely similar figures
viable) there must in reality have been social conditions – really the work of a single sculptor? Secondly, to name these
traditions, workshops – whose elucidation would be of real after private collections was perhaps inappropriate, paying
significance for the understanding of Early Cycladic society. undue respect to rich collectors who by their purchases of
What follows is intended as an introductory review of unprovenanced pieces were fuelling the looting process.
these general problems. It is hoped to use the insights And third, to name these groups (sub-varieties) on the
originally offered by Getz-Preziosi, combined with a basis of ownership rather than place of discovery was to
different (and perhaps more acceptable) system of lose sight of the archaeological context.
classification and nomenclature for closely similar In what follows I shall seek to address these issues. I shall
sculptures, to establish a series of categories (here termed argue that these sub-varieties, or ‘microstyles’ of form as
‘sub-varieties’) at this more detailed level. The hope must be Morris (1993) might conveniently term them, are perhaps
that future work in the field, in Naxos and in other islands, best regarded as the work of ‘traditions’ or ‘workshops’
will give a more direct insight into the customs and social rather than as the work of identifiable individual sculptors.
conditions underlying the production of these sculptures It will be argued that wherever possible they should be
of which these sub-varieties were the direct result. named after the place of discovery of the ‘name piece’.
And I shall argue first that pieces of doubtful provenance
should first be excluded from the discussion, since they
Beyond the ‘connoisseurship’ critique risk introducing considerable confusion to it.
Frederick Stafford. This ‘name piece’ (Getz-Preziosi 1987b, recognised as characteristic of his personal style (e.g. ‘the
230–1, no. 72) was later recognised by her as a forgery. She Elbows Out Painter’).
wrote (Getz-Gentle 2001, 104): ‘It has become necessary Although she does not make explicit reference to the
to delete from this Chalandriani variety sculptor’s list of work of Beazley, this is very much the system followed by
works as many as four complete pieces I had previously Getz-Preziosi (1987a, 69–130 and 155–64) in ‘isolating the
ascribed to him including his name piece because I have individual hand’, offering ‘checklists of figures attributed
come to regard them as forgeries’. She went on to re-name to sixteen sculptors’. These ‘Masters’ are sometimes named
the artist as ‘the Louvre Sculptor’. The Stafford Master fake by her after the excavator (e.g. Doumas; Kontoleon) of a
was first published in 1954; the Louvre piece was acquired characteristic ‘name-piece’ of a stylistically close group of
in 1913. Her new list in 2001 (169–70) of the works of the sculptures. Sometimes they are designated by the name
‘Louvre Sculptor’ contains eight supposedly authentic of the museum (e.g. Metropolitan; Athens; Ashmolean)
pieces, including the Louvre ‘name piece’ acquired in or collector (e.g. Bastis; Steiner) curating the selected
1913. Only two of these, both from Keros, have a published example, designated the ‘name piece’, from the relevant
‘provenance’, being recovered by archaeologists in well- list. Later (Getz-Gentle 2001) she preferred to use the term
published circumstances, further considered below. The ‘Sculptor’ rather than ‘Master’ for the notional maker
Louvre example, in view of its discovery before the First associated with each list of closely similar pieces. The
World War, might also be considered as likely to be genuine. number of named sculptors was then increased to 20.
The other five have no such warranty. Critics (Cherry 1992; Gill & Chippindale) have focussed
This unfortunate episode highlights the risks involved mainly on the attempt by Getz-Gentle to identify the work
in using unprovenanced pieces when undertaking scholarly of the hands of individual masters or sculptors. Here I
work. As discussed further below it seems poor practice agree with them that it is difficult to establish whether,
to designate sculptors or individual pieces after collectors when two pieces are closely similar, this is because they
or museums which have acquired them after 1914 – that have been made by the same sculptor, or because one
is to say in the past century. It underlines the point made worker has closely copied the work of another. That is
by Gill and Chippindale (1993), although I would argue, in why I would prefer the term ‘tradition’ – implying that the
apparent contradiction of their view, that to disregard finds form of one piece has influenced the form of another – or
already documented prior to 1914 risks excluding much ‘workshop’, implying that the makers were in some way
potentially useful and validly usable material. associated. Until excavation gives more information about
the context of production of such sculptures we shall not
know whether there were indeed locations systematically
‘Individuals’ and ‘workshops’ used for the production of such sculptures which might
In the Aegean world much discussion of the work of properly be termed ‘workshops’. But for the moment this
individual artists or craftsmen refers first to the studies does seem a convenient model, carrying with it the notion
by Sir John Beazley culminating his Attic Red-figure Vase that craftspersons were sometimes working in association.
painters (Beazley 1942), Here he used his detailed study of The convenient term ‘microstyle group’ used by Morris
stylistic similarities, influenced, it is said, by the analysis (1993, 54) perhaps offers a more appropriate designation.
of Giovanni Morelli (1893) in his Italian Painters: Critical Within the terminology hitherto used (Renfrew 1969) and
Studies of their Works, to compile lists of Attic vases which he followed here for identifying ‘types’ and ‘varieties’, the
considered to be painted by the same ‘hand’. Here he was designation ‘sub-variety’ may be appropriate, if slightly
assisted by the circumstance that some Attic vase painters cumbersome, for this more closely defined category.
(as well as potters) did sometimes sign the vases that they Yet the positive point which arises here, going beyond
had painted. Where he had the evidence of a signature on the choice of an appropriate terminology, has not been
at least one of the vases on his list, Beazley felt he could sufficiently stressed. In most cases the lists offered by
assign all the items on it to the named painter. In other Getz-Preziosi really do group together sculptures which
cases, when no painter’s signature had been observed (e.g. are closely similar. She lists no fewer than 76 pieces
‘the Kleophrades Painter’) he was able to attach a name to which she assigns (Getz-Gentle 2001, 161–6) to ‘the
the group of stylistically similar paintings by naming the Goulandris sculptor’. That the system of nomenclature
potter who had signed (as potter) some vases painted by may not be entirely appropriate is not the main point
the still-anonymous vase painter. Quite often he used the here. More relevant is to ask how many of these mainly-
name of the museum curating a key example, the’ name- unprovenanced pieces can be considered authentic, and
piece’ of that painter’s work (e.g. ‘the Berlin Painter’). And then to consider why some of them are so closely similar.
on occasion the hypothetical painter thereby recognised For it is perfectly possible that some may be modern copies,
was designated by a characteristic and notable feature just as the forgery in the Stafford Collection, noted above,
6 COLIN RENFREW
turned out be to be a copy of a piece acquired by the Louvre in a specific workshop rather than as the handiwork of a
in 1913. It is indeed remarkable, and a depressing indicator single named sculptor. In questioning here the perhaps
of the scale of looting in recent years, that only four out rather romantic ascription of these works to the hands
of 76 in her list of sculptures assigned to the ‘Goulandris of individual named sculptors, one should nonetheless
Sculptor’ come from systematic archaeological excavations. acknowledge the positive insights arising from Getz-
But the circumstance that they do permits us to confirm Preziosi’s perceptive observations on these sub-varieties.
that at least some of these are authentic pieces, and there It is this point which I would seek to stress among the
are arguments for thinking that several more on the list other complexities and complications which may arise in
are genuine. Other lists (e.g. those for ‘the Israel Museum the ensuing discussion.
Sculptor’, or ‘the Rogers Sculptor’) contain no pieces at
all deriving from an archaeological context and no pieces
which were known and published before 1914. For the Classifying the Early Cycladic sculptures:
present these two lists and the sculptures on them must
therefore remain suspect. Some of the other ‘sculptors’ types
designated by Getz-Gentle in the lists of the pieces assigned Fortunately the consideration of context does facilitate the
to them do have individual finds on their list which derive classification of the Early Cycladic marble sculptures. The
from published archaeological contexts (e.g. those of system described here follows the contextual analysis set
‘the Doumas Sculptor’, ‘the Kontoleon Sculptor’). So the out in 1969 (Renfrew 1969), with a single modification: the
sub-varieties or ‘microstyle groups’ recognised by Getz- form there classified as the Kea variety of the folded-arm
Gentle do in favourable cases document groups of pieces figure is here re-designated as the Kea sub-variety of the
some of which are closely similar stylistically, thus posing Chalandriani variety of the folded-arm figure. How that
fascinating questions about production, organisation and fits in will become clearer below.
distribution. These preliminary questions of authenticity During the earlier, Grotta-Pelos, phase (Early Cycladic I)
and of terminology do however remain to be addressed of the Early Cycladic period (Renfrew 1972) several figurine
in each case. forms were in use: the Schematic type (in its various forms:
The risk of constructing imagined life histories for these violin, notch-waisted, shouldered etc.), the Plastiras type
notional individual sculptors or ‘masters’ should be clearly and the Louros type. The terminology for these has been
recognised, and perhaps avoided. For in not a single case widely accepted and is retained here. It should be noted
yet documented archaeologically can the works assigned that the Kampos Group (late in the Grotta-Pelos culture and
to a specific workshop (or if one chooses to follow the regarded sometimes as transitional between Early Cycladic
individualising approach of Getz-Preziosi, to the hand of a I and Early Cycladic II) is better understood following the
specific sculptor) be placed in any chronological sequence excavations on Ano Kouphonisi by Zapheiropoulou (1984).
for which there is stratigraphic or contextual evidence. It The position and chronology of the Keros-Syros culture
is of course not difficult to arrange the sculptures which and of the Kastri Group is now better understood, after
have been classified together and assigned to a specific the publication of the excavations at Ayia Irini (Wilson
sub-variety (or ‘sculptor’) into some kind of notional 1999), Markiani (Marangou et al. 2006) and Dhaskalio
typological evolutionary sequence. Then one may compose (Renfrew et al. 2013). The Dhaskalio stratigraphy may be
an imagined and entirely fictional narrative: interpreted to show the development of the early Keros-
‘As the sculptor gradually sharpened his skills, he seems also Syros culture (Dhaskalio Phase A) to a later phase with
to have increased the size of his figures … At some point the pottery showing elements of the Kastri Group (Dhaskalio
sculptor began to add to the interest of his images by showing phase B). It continued, apparently without break (Renfrew
the arms in relief, separated by a clear space, and by incising et al. 2013; Sotirakopoulou 2016) to yield, in Dhaskalio phase
the fingers’ (Getz-Preziosi 1987b, 232). C, more Kastri group pottery in association with pottery
Such an artistic biography is not warranted by any with relations to that found at the ‘First City’ of Phylakopi
secure chronological argument. in Melos: Phylakopi I (Early Cycladic III) and in Arkesine
In some papers which follow in this volume (Chapters 23 grave G on Amorgos.
and 26) a coherent attempt is undertaken, using sculptures The sculptures associated with contexts of the Keros-
whose authenticity is confirmed by secure archaeological Syros culture were set out by Renfrew (1969), and the
context, to gather evidence for sub-varieties of the kind classification and terminology has been followed by
which Getz-Preziosi has proposed. As already noted, subsequent scholars (Thimme 1976; Thimme & Preziosi
it seems a simpler explanation to explain the internal 1977; Getz-Preziosi 1987a). Thimme usefully referred to
similarities within a sub-variety as arising from production the folded-arm form of this period as the ‘canonical’ form,
1. EARLY CYCLADIC SCULPTURE: ISSUES OF PROVENANCE, TERMINOLOGY AND CLASSIFICATION 7
and this consistent terminology has been followed by later Varieties and sub-varieties: microstyle
scholars. The sculptures of the canonical folded-arm type
fall within the time range of the Keros-Syros culture. None
groups
has been found in any earlier context. It seems likely that
Variety
this type went out of production before the end of the
early bronze age. It is indeed possible that sculptures of The terminology offered in 1969 for the varieties of the
this type may still have been produced in the later, Kastri canonical folded-arm has proved a convenient one. Each
phase of the Keros-Syros culture, Dhaskalio Phase B (note, variety (i.e. Kapsala, Spedos, Dokathismata, Chalandriani
however, that the main Kastri group phase at Dhaskalio is and Koumasa) is named after a findspot (in each case a
Phase C). But the scarcity of finds of such sculptures from cemetery) where an example of the variety with a good
the Early Cycladic settlements – none has been found in archaeological context was first published (Fig. 1.2). These
the settlement at Dhaskalio – and the decline in the use contexts are well documented in the work of Tsountas (1898;
of cemeteries during the time of the Kastri Group, results 1899); Stephanos (1903, 1905; 1906), Papathanasopoulos
in a paucity of well-stratified archaeological contexts for (1962), Xanthoudides (1924) and, more recently, Doumas
the folded-arm form after the earlier phase of the Keros- (1977) respectively. (As noted above, the Kea variety is now
Syros culture with its relatively abundant cemetery finds. regarded as a sub-variety: see further below).
Some further progress is now becoming possible The definitions of the various varieties of the canonical
allowing us better to understand the development and folded-arm figure will not be repeated here. Reference
chronology of the folded-arm sculptures. For example should be made instead to the original descriptions
the sculptures of the Kapsala variety occur in sufficient (Renfrew 1969) which remain valid.
contextual associations in the cemetery at Aplomata in The link between form and place in the nomenclature
Naxos (this volume, Chapter 15) to permit this variety to is in most cases arbitrary. Each of these locations is a well-
be recognised as an early form of the folded-arm figure on established findspot, but that findspot is certainly not to
the basis of secure context rather than just on typological be assumed as the place of manufacture of the sculpture in
grounds, as was already suggested by its occurrence with question. It should be noted that sculptures of the Koumasa
a kandila of the Grotta-Pelos culture in grave 12 at Spedos variety have been found exclusively in Crete.
(Papathanasopoulos 1962, pls 52–3).
The very special group of seated sculptures, including
the flautist and harpist from Keros and an important group
Sub-variety: towards the individual hand, tradition
from Aplomata on Naxos (this volume, Chapter 15) are
closely related to the folded-arm sculptures. So too are
or workshop.
the unusual double figurines. They all belong to the time It is largely due to the careful observations of Pat Getz-
span of the Keros-Syros culture. Gentle that a more detailed classification for these folded-
An important feature of the repertoire of sculptural arm sculptures has been developed beyond that of the
forms during the time of the Keros-Syros culture is basic varieties, established in 1969. While recognising
the production of schematic figurines of the so-called the principal varieties and retaining these for the main
Apeiranthos type, which may be a continuation of the categorical divisions of the canonical folded arm figure,
schematic ‘Brettidolen’ of the Grotta-Pelos culture. she has proposed a whole series of such sub-varieties,
Figurines of Apeiranthos type are known from the mainly within the Spedos, Dokathismata and Chalandriani
Chalandriani cemetery on Syros, at Spedos on Naxos and varieties. These she initially classified using her terminology
at Aplomata (grave XIII). They are also found at Skarkos of ‘Masters’ (e.g. Goulandris Master, Schuster Master,
on Ios (this volume, Chapter 12), all in contexts in the Stafford Master, Dresden Museum Master etc.), where the
Keros-Syros culture, which should be contemporary with master was conceived as the individual sculptor creating
Dhaskalio phase A. They are commonly found in the two all the extant pieces of that category. Later she modified
special deposits at Kavos on Keros, usually in fragmentary the terminology referring to these workers as ‘sculptor’
condition. At the settlement on Dhaskalio they occur in rather than as ‘master’.
Phase B and more abundantly in Phase C (Renfrew 2013b), Here the case will be made that some of these sub-
which suggests that their production continued until late in varieties can indeed be recognised as valid on the
the early bronze age. They perhaps have their counterpart stricter criteria proposed here, using in the first instance
in the schematic figurines of Phylakopi I type, with their sculptures which have been recovered in secure contexts
characteristic arm stumps, found during the Phylakopi I from published archaeological excavations. Sometimes
culture on Melos. the contexts, as at the site of Ayia Irini on Kea or in the
special deposits at Kavos on Keros or indeed at Akrotiri
8 COLIN RENFREW
Fig. 1.2 The Cycladic Islands showing findspots of the ‘name pieces’ of the different types, and of the varieties and sub-varieties of the
canonical folded-arm figure.
on Thera, may not give a narrowly-defined date. Indeed it may be prudent to call them into question at this stage,
at Ayia Irini and perhaps at Akrotiri these are often not so as to prevent the inclusion in the scientific literature
primary contexts of original deposition. But they are of categories which may be tainted by the inclusion of
published from systematically conducted archaeological inauthentic pieces.
excavations, so that their authenticity should not be in It is the case that several other named ‘sculptors’ in
doubt. It is proposed that, in order to establish a tenable the lists published by Getz-Gentle in 2001, following her
sub-variety or microstyle, two or more closely similar earlier work, would currently fail to pass the ‘documented
sculptures should be used to define the taxonomic class authenticity’ test proposed here of containing at least
(sub-variety) in question, where the two sculptures in two examples which derive either from documented
question are documented from authorised and published archaeological excavations or at least are securely
archaeological excavations. For one of the defining pieces documented prior to 1914. Among those of the canonical
a find well-documented before 1914 may be used instead, folded-arm type listed, but currently failing on those
when a second piece from the context of an archaeological criteria might be the works of:
excavation is not available.
The application of this rule has the consequence, at (a) ‘The Israel Museum Sculptor’
least at this stage, of invalidating some of the sub-varieties (b) ‘The Bent Sculptor’
or named ‘sculptors’ which have been proposed by Getz- (c) ‘The Copenhagen Sculptor’
Preziosi, as noted below. Some of these sub-varieties may (d) ‘The Karlsruhe/Woodner Sculptor’
yet be supported by further discoveries in the future. But (e) ’The Steiner Sculptor’
1. EARLY CYCLADIC SCULPTURE: ISSUES OF PROVENANCE, TERMINOLOGY AND CLASSIFICATION 9
(f) ’The Rodgers Sculptor’ often regrettably only fragmentary pieces, which may serve
(g) ‘The Bastis Sculptor’ to suggest the reality of some of the groupings (‘sculptors’,
(h) ‘The Berlin Sculptor’ ‘sub-varieties’, ‘microstyles’) which she has made, even if
others are to be called into question. Two such cases will
The lists for the ‘Karlsruhe/Woodner Sculptor’, the be made here, drawing upon properly documented finds
‘Steiner Sculptor’ and the ‘Rodgers Sculptor’ are composed from the Special Deposit North at Kavos on Keros (this
entirely of unprovenanced pieces emerging on the market volume, Chapter 23).
not only after 1914 but in fact after 1950! Further work The first case to be considered, the Kea sub-variety,
may however bring to attention closely similar pieces to was already recognised in 1969 (Renfrew 1969, 18) where
those listed which are not yet published. Relevant examples it was inappropriately termed a variety rather than a sub-
may yet be recognised from the two special deposits on variety. The pieces in question were subsequently assigned
Keros or from pre-1914 museum collections, just as will by Getz-Preziosi (1977; 1987a, 126–30; Getz-Gentle 2001,
be documented below for her ‘Goulandris Sculptor’ and 170) to the ‘Dresden Museum Master’. Here the proposal
the ‘Schuster Sculptor’. is to re-establish the Kea sub-variety on the basis of pieces
A separate objection holds for her list of sculptures from documented excavations, supplemented by pieces
assigned to the ‘Dresden Museum Master’ (Getz-Preziosi known and published prior to 1914. It now seems possible
1977; 1987a, 164; Getz-Gentle 2001, 170). Here, as noted to re-define the Kea sub-variety. It may now be regarded
below in the discussion of the Kea sub-variety (this volume, as a sub-class of the Chalandriani variety of the canonical
Chapter 26) she has grouped together on more general folded-arm figurine. One ‘single arresting feature sets it
stylistic grounds, several pieces – one of them the ‘name- apart’, as noted in 1969 (Renfrew 1969, 18):
piece’, a male figure – which are not very closely similar ‘This is the presence of horizontal rolls of flesh at the waist,
in form. While it may well be argued on such stylistic extending to the pubic triangle. There may be three, four
grounds that these are the works of a single sculptor, they or five parallel rolls. It is possible that these indicated the
certainly do not belong in the same taxonomic category condition of a mother immediately after giving birth’.
or sub-variety.
The danger should be realised that when only one This single, salient trait is not, however, sufficient in
well-contextualised piece exists in the list of a named itself to define the sub-variety, as Getz-Preziosi (1977, 91,
‘sculptor’, it could be argued that the others are recent note 8) rightly observed. There are now, however, two
imitations (forgeries) based upon it, created to deceive examples from Kea to draw upon, and two from the Special
potential purchasers, as with the original name-piece of Deposit South at Kavos. These are discussed in detail below
the ‘Stafford Master’. This might conceivably be the case (Chapter 26).
with the so-called ‘Berlin Master’, the name piece being a Next it is appropriate to turn to a second and notably
recent acquisition of 1978 which might have been recently prolific sub-variety, first recognised and bought to
modelled on the example in the National Museum in attention by Getz-Preziosi (1977, 80; 1987a, 159) as the
Athens (EAM9096: see Getz-Gentle 2001, pl. 88, c and d). ‘Goulandris Master’ on the basis of three pieces in the N.
She has offered observations that ‘should put any doubts P. Goulandris Collection of Early Cycladic Art. It is now
to rest’ (Getz-Gentle 2001, 103), but takes generally what possible to identify and document some pieces of what she
may seem a rather phlegmatic view of the possibility of recognised as the same sub-variety or microstyle (Getz-
forgery and deception (Getz-Gentle 2001, 106). Such could Gentle 2001) from the systematic excavations at Kavos on
conceivably be the case with two works attributed by her Keros. These are curated in the Naxos Museum. They are
to the so-called ‘Ashmolean Sculptor’, one of them a much described in detail elsewhere in this volume (Chapter 23).
admired sculpture in the Goulandris Museum of Cycladic They are sufficient to establish what is here termed the
Art (Doumas 1968, 111 no. 206; Renfrew 1991, pl. 54 and Kavos sub-variety instead of the ‘Goulandris Sculptor’, on
66). The other, likewise a recent acquisition, is in the de the basis of authentic excavated examples.
Menil Collection in Houston, Texas (Getz-Gentle 2001, pl. A third sub-variety, the Akrotiri sub-variety, can now
86, c and d; also Getz-Preziosi 1987a, pl. 42, 3 and 2). Such similarly be established on the basis of examples from the
very closely similar pairs, in such excellent condition, excavations at Akrotiri on Thera and from the excavated
must raise doubts about authenticity which are at present special deposits on Keros. These sculptures correspond to
difficult to allay. some of those identified by Getz-Preziosi (1978a, 162) as
These cautionary points do not, however, detract from the work of the ‘Schuster Master’ or ‘Schuster Sculptor’.
the acuity of Getz-Gentle in perceiving many of the striking We propose that examples of this specific sub-variety or
resemblances between some of these pieces. Indeed in some microstyle which derive from published excavations or
cases it is now possible to document more fully examples, from collections published prior to 1914 should in the
10 COLIN RENFREW
future be assigned to the Akrotiri sub-variety, and that The most long, thin, angular and elegant figurines are of the
the terminology associated with the collector Schuster be Dokathismata variety. All are thin, with rather sinuous lines,
abandoned. It should not be assumed that all the pieces broad and often very angular at the shoulders. The surface
attributed by Getz-Preziosi (1987a, 162) to the ‘Schuster of the figurine is flat, so that details, especially at the pubic
triangle, are shown by incision.
Master’ are authentic. The possibility that some might be
The head is sometimes triangular, with cheeks straight,
recent copies of an authentic prototype (as in the Stafford/
although the chin is usually rounded, not pointed. The head
Louvre case) cannot automatically be excluded. sometimes has a slightly S-shaped edge in profile. The crown
Further sub-varieties will no-doubt emerge as newly- of the head is indicated by a smooth vertical plane, as in the
excavated material comes to light. Already it seems that a Spedos variety. The head and neck are not clearly distinguished
find made on the Special Deposit North at Kavos on Keros at the back.
(Renfrew et al. 2007, fig. 3.8b and fig. 3.14) may offer the The shoulders are wide and pointed, the breasts very flat.
necessary topographic documentation to validate the The arms across the waist, sometimes show a gentle upward
name-piece of Getz-Gentle’s ‘Louvre sculptor’ (Getz-Gentle curve at the middle, and sometimes the belly bulges a little
2001, 169). As she was the first to recognise (Getz-Gentle, in profile. The upper arm is distinguished from the torso by
in lit. and 2001, 170 no. 4) the piece which I found at Kavos an incision, which sometimes cuts right through to separate
the arm. But there is no rounding or modelling.
in 1963 is closely similar to the sculpture donated to the
The waist is not usually narrower than the torso and
Louvre in 1913. It is proposed to designate this microstyle
the thighs, and the buttocks are indicated by a ridge at the
as the Special Depost North sub-variety. The matter will be rear, which appears in profile as a miniscule protrusion.
documented and further addressed when the finds from The waistline is often not delineated by an incision, but the
the Special Deposit North are described in detail (Renfrew, pubic triangle usually is. The leg above and below the knee
Sotirakopoulou & Boyd in prep.). is indicated by a continuous single line, so that the knees are
It is one thing to recognise and set out to define these not shown by any relief. The legs are not flexed. The feet are
microstyles or sub-varieties of the canonical folded-arm on tiptoe, with flat, widening soles.
figure. It is a different, and perhaps more difficult to seek
Certainly when looking at these two name-pieces of the
to explain with confidence the precise circumstances of
Dokathismata variety (Fig. 1.3), both conform rather closely
inspiration and production which gave rise to such close
to the general description of the variety. They are (1) thin,
similarities. When such a class of closely similar entities is
(2) angular, (3) sinuous in profile, (4) broad, (5) flat, (6) with
described, it is always to some extent an arbitrary matter
incised detail, (7) triangular at the head, (8) with straight
to decide which should be included within the group and
cheek, (9) with rounded chin, (10) with a cranial plane, (11)
which excluded. The criteria for inclusion are polythetic
with wide and pointed shoulders, (12) with the upper arm
(see Sokal & Sneath 1963) and can be differently weighted
distinguished from the torso by incision, (13) lacking in
to give different outcomes. The simple, perhaps simplistic
modelling of the arms, (14) with no narrowing to indicate
explanation of attributing all within the class to a single
the waist, (15) with buttocks indicated by a ridge at the rear,
‘hand’ or ‘sculptor’ has been criticised (Cherry 1992). As
(16) with the feet on tiptoe. In addition the treatment of the
noted earlier, to ascribe them to the products of a single
nose is very similar. Not all these traits are independent,
‘workshop’ is an equally arbitrary solution, when no
but there are at least a dozen defining features.
workshops for the production of these sculptures have yet
Yet, although one could well imagine these two pieces,
been located. That such sub-varieties or microstyles can,
which were found together in the same grave, to be the
in favourable cases be recognised and documented does
work of the same sculptor, as Tsountas (1898, 195) himself
however seem a significant contribution to Cycladic studies.
suggested (as noted in the epigraph at the head of this
paper), there are some clear differences in treatment,
A problematic example particularly at and below the waist. Should they be
regarded as belonging to the same sub-variety? It is perhaps
The difficulty of defining sub-varieties or microstyles,
of note that Getz-Preziosi (1987a; Getz-Gentle 2001) has
particularly from incompletely preserved sculptures, is
not proposed a sub-variety or ‘sculptor’ among whose
well illustrated by the two sculptures of the Dokathismata
handiwork they should together be recognised. The larger
variety found in Grave 14 at Dokathismata in Amorgos
piece has well-defined breasts, which the smaller lacks. It
(Tsountas 1898, pl. 10, 1; Fig. 1.3). On inspection they
has also a pubic triangle well-defined by three incised lines,
are similar, although of different size. Their ascription
where the smaller piece has no such incisions. Instead the
to the Dokathismata variety is justified, with relation to
pubic area is shown there by light modelling at the top of
the original definition of the variety (Renfrew 1969, 16)
the legs. Moreover, while the knees are indicated by a light
as follows:
flexion in the larger piece, there is in the smaller piece some
1. EARLY CYCLADIC SCULPTURE: ISSUES OF PROVENANCE, TERMINOLOGY AND CLASSIFICATION 11
on Keros and the Origins of Aegean Ritual Practice: the excavations Stephanos, C., 1908. Ἀνασκαφικαὶ ἐργασίαι ἐν Νάξῳ [Anaskafikai
of 2006–2008, Vol. I: The Settlement at Dhaskalio, eds C. Renfrew, ergasia en Naxo], Praktika tis en Athenais Archaeologikis Etaireias
O. Philaniotou, N. Brodie, G. Gavalas & M.J. Boyd. Cambridge: 63, 114–7.
McDonald Institute for Archaeological Research, 483–90. Stephanos, C., 1909. Ἀνασκαφαὶ ἐν Νάξῳ [Anaskafai en Naxo],
Renfrew, C., C. Doumas, L. Marangou & G. Gavalas (eds), 2007. Praktika tis en Athenais Archaeologikis Etaireias 64, 209–10.
Keros, Dhaskalio Kavos the investigations of 1987–88. Cambridge: Stephanos, C., 1910. Ἀνασκαφικαὶ ἐργασίαι ἐν Νάξῳ [Anaskafikai
McDonald Institute for Archaeological Research. ergasia en Naxo], Praktika tis en Athenais Archaeologikis Etaireias
Renfrew, C., O. Philaniotou, N. Brodie, G. Gavalas & M.J. Boyd 65, 270–3.
(eds), 2013. The Sanctuary on Keros and the Origins of Aegean Tambakopoulos, D. & Y. Maniatis, in prep. Marble artefact studies,
Ritual Practice: the excavations of 2006–2008, Vol. I: The Settlement in The Sanctuary on Keros and the Origins of Aegean Ritual Practice:
at Dhaskalio. Cambridge: McDonald Institute for Archaeological the Excavations of 2006-2008, Vol. III: the Marble Finds from Kavos
Research. and the Archaeology of Ritual, eds. C. Renfrew, O. Philaniotou, N.
Renfrew, C., P. Sotirakopoulou & M.J. Boyd, in prep. Monumentality, Brodie, G. Gavalas & M.J. Boyd. Cambridge: McDonald Institute
Diversity and Fragmentation in Early Cycladic Sculpture: the finds for Archaeological Research.
from the Special Deposit North at Kavos on Keros. Thimme, J. (ed.), 1976. Kunst und Kultur der Kykladeninseln im 3.
Sherratt, S., 2000. Catalogue of Cycladic Antiquities in the Ashmolean Jahrtausend v. Chr. Karlsruhe: Badisches Landesmuseum.
Museum. The Captive Spirit. Oxford: Oxford University Press. Thimme, J. & P. Getz-Preziosi (eds.), 1977. Art and Culture of the
Sokal, R.R. & P.H.A. Sneath, 1963. Principles of Numerical Taxonomy. Cyclades. Karlsruhe: C.F. Müller
San Francisco (CA): Freeman. Tsountas, C., 1898. Κυκλαδικὰ [Kykladika], Archaiologike Ephemeris
Sotirakopoulou, P., 2016. The Sanctuary on Keros and the Origins 37, 137–212.
of Aegean Ritual Practice: the excavations of 2006–2008, Vol. IV: Tsountas, C., 1899. Κυκλαδικὰ ΙΙ [Kykladika II]. Archaiologike
The Pottery from Dhaskalio. Cambridge: McDonald Institute for Ephemeris 38, 73–134.
Archaeological Research. Wilson, D.E., 1999. Keos IX. Ayia Irini Periods I–III. The Neolithic and
Stephanos, C., 1903. Ἀνασκαφαὶ Νάξου [Anaskafai Naxou], Praktika Early Bronze Ages Settlements. Part I. The Pottery and Small Finds.
tis en Athenais Archaeologikis Etaireias 58, 52–7. Mainz: Philipp von Zabern.
Stephanos, C., 1904. Ἀνασκαφαὶ ἐν Νάξῳ [Anaskafai en Naxo], Xanthoudides, S.A., 1924. The Vaulted Tombs of the Mesara. London:
Praktika tis en Athenais Archaeologikis Etaireias 59, 57–61. Hodder & Stoughton.
Stéphanos, C., 1905. Les tombeaux prémycéniens de Naxos, in Zapheiropoulou, P., 1984. The chronology of the Kampos group,
Comptes rendus du Congrès International d’Archéologie. Athens: in The Prehistoric Cyclades. Contributions to a workshop on Cycladic
“Hestia” C. Meissner & N. Kargadouris, 216–25. chronology, eds J.A. MacGillivray & R.L.N. Barber. Edinburgh:
Stephanos, K., 1906. Ἀνασκαφαὶ ἐν Νάξῳ [Anaskaphai en Naxo], Department of Classical Archaeology, 31–40.
Praktika tis en Athenais Archaeologikis Etaireias 61, 86–9.
2
Towards publication and a new sometimes include forgeries (Craxton & Warren 2004); and
approach 3) they treat figurines exclusively as works of art.
Works of this nature were heavily criticised during the
It was a February afternoon in 2009, in the prehistoric first half of the 1990s, as they were seen to create hype
antiquities room of the Archaeological Museum of Naxos, about the art of the Early Cycladic world, thus pushing,
when I first talked with Colin Renfrew about the publication indirectly, collectors and museums either to enrich their
of all the Early Cycladic figurines found in excavations. Early Cycladic collections or to create new ones (Marangou
Our conversation took place among the cases in which 1990, 137; Broodbank 1992; Cherry 1992, 140–4; Gill &
the antiquities from Keros, and all the large figurines Chippindale 1993; Chippindale & Gill 1995; Renfrew 1993;
from Aplomata, Phiondas, and other sites are exhibited. 2000). Now that the number of Early Cycladic figurines in
Renfrew, as the excavator of Keros, where a large number context has grown through recent excavations, we have
of marble figurine fragments and vases have been recently been given a fantastic opportunity to face this problem
found, wanted to look for comparanda in the excavated not just with criticism but with action.
material. The author, as the then Ephor of the Ephorate The symposium and volume Early Cycladic Sculpture
of Antiquities for the Cyclades but also the excavator of in Context constitute a broad, holistic treatment of Early
Skarkos, wished to see all the excavated material published. Cycladic figurines, and it is the exact opposite of those
Thus we joined forces and after a long collaboration our earlier publications as: 1) it focuses on figurines found
efforts materialised in the form of a symposium entitled in excavations, which are presented by the excavators
Early Cycladic Sculpture in Context, held at the Athens themselves; and 2) it treats the figurines as archaeological
Archaeological Society on 27–29 May 2014. The results of objects, as carriers of multiple levels of information for
this symposium are presented here. their period. Even those figurines which come from police
The current volume aims to publish a very important seizures, or donations to public museums are not included,
class of material, partly unknown to scholarship. At the even though they are genuine and we know the islands, or
same time it constitutes a break from the usual way of in some cases the sites, where they were found. The only
treating and publishing Early Cycladic sculptures. Up exception here is the sculptures from Phiondas. Based on
until now the usual way of publishing Early Cycladic information given in the catalogue of the Museum of Naxos,
figurines and vases is either in the form of monographs they were earlier mistakenly thought to have originated
or temporary exhibition catalogues (e.g. Τhimme 1976; from Kontoleon’s excavations. However, after a thorough
Getz-Preziosi 1987; Getz-Gentle 1996; 2001), which all share archival research carried out for the presentation at this
the following characteristics: 1) they focus on figurines conference, there is no longer any doubt that in reality
and marble vessels that come mostly or exclusively from these antiquities were donated to Kontoleon, who later
illicit excavations, and thus are lacking context; 2) they visited the site (Legaki, this volume, Chapter 16).
14 MARISA MARTHARI
site, emblematic for the prehistoric Cyclades, was extensively National Archaeological Museum at Athens. Moreover marble
looted in the past (Sotirakopoulou 2005; Galanakis 2013), figurines were for the first time used not just to promote Early
despite the heroic efforts of the archaeologists of the Cycladic art but to inform visitors about various aspects of
Ephorate of Antiquities for the Cyclades in the 1960s – a daily life in the Cyclades during the Early Cycladic period. For
time when research on remote islands like Keros was still example, two seated figurines from grave XIII at the cemetery
very difficult (Doumas 1964; Zapheiropoulou 1968; 2007, of Aplomata were used in the section ‘Dwelling-Furniture’ in
29–30). Systematic research has consisted of three projects, order to highlight the basic pieces of furniture of an Early
which have greatly increased our knowledge of a Cycladic Cycladic household, such as the stool and the throne. In
island which is so important, but at the same time full of addition a seated harpist figurine from grave 40 at Afentika
negative connotations for archaeology (Renfrew et al. 2007a; was exhibited in the section ‘Music-Dance’ in order to shed
2007b; Renfrew et al. forthcoming). This research has helped more light on the way Cycladic musicians would have used
us better to understand the nature of the so-called ‘Special the harp.
Deposits’ at Kavos, as the ‘Special Deposit South’ was found As far as museum catalogues are concerned, the catalogue
undisturbed and was systematically excavated. of the prehistoric Cycladic antiquities of the Ashmolean
Since the 1970s much has been done for the protection Museum at Oxford (Sherratt 2000) paved a new way. The
and promotion of Early Cycladic antiquities. I shall refer Ashmolean holds a significant number of Early Cycladic
briefly and selectively only to certain individual issues as objects, including numerous marble figurines and vases. In
this theme would require a special and extensive discussion this monumental work Susan Sherratt used the museum
which is not the purpose of this introduction. archives, offering detailed information about the way
First the strengthening of international law for the these antiquities were obtained. So that catalogue not
protection of cultural property has had good results for the only contributed greatly to the field of archaeology and
protection of Early Cycladic figurines and Early Cycladic museum ethics but also offered vital information on the
artefacts generally - among the antiquities most intensely antiquities’ provenance. Although Sherratt’s work has yet
traded illegally. The important international or European to be followed, it demonstrated a new way for museum and
legal texts with legal authority in Greece are three: collection catalogues to treat material which does not come
from excavations.
1) the 1970 UNESCO Convention on the Means of In the area of the Cyclades itself, on the island of Ios,
Prohibiting and Preventing the Illicit Import, Export a plan to display the Early Cycladic world through the
and Transfer of Ownership of Cultural Property (in enhancement of the site at Skarkos (Fig. 2.1) and through
Greece Law 1103/1980); a fresh museum organization to exhibit its movable finds,
2) the EC Directive (93/7) on the Return of Cultural focusing on new perceptions for the protection of cultural
Objects Unlawfully Removed from the Territory heritage, has been implemented by the author on behalf of
of a Member-state (in Greece Presidential Decree the Ephorate of Antiquities for the Cyclades. Ios is one of those
133/1998); and Cycladic islands whose Early Cycladic cemeteries have been
3) the 1995 Unidroit Convention on the International extensively looted. The most ‘famous’ looter operating on Ios
Return of Stolen or Illegally Exported Cultural and the nearby islands was the self-taught marble sculptor
Objects (in Greece Law 3348/2005). Angelos Batsalis (also known as ‘Angelos o Niotis’, ‘the man
from Ios’, in the islands around Ios), who also produced
Furthermore the Greek legal framework was modernized, fake figurines (Marthari 2001). As has already been shown,
helping to protect antiquities on Greek territory including the seated harpist figurine exhibited at the Metropolitan
Early Cycladic ones, primarily via the new law On the Museum in New York (Τhimme & Getz-Preziosi 1977, 495:
Protection of Antiquities and Cultural Heritage in General (Law no. 493, pls 253a–b) is one of Batsalis’ forgeries (Craxton &
3028/2002), which replaced the previous law On Antiquities Warren 2004). However the systematic excavation at Skarkos
(Law 5351/1932; Pantos 2008; Vrellis 2008). since the end of the 1980s, which brought to light a large and
In the context of temporary exhibitions, of special note well-preserved settlement of the Early Cycladic period, not
was Cycladic Culture: Naxos in the 3rd Millennium BC, organised only provided us with more information about Ios during the
in 1990 in the Nicholas P. Goulandris Foundation – Museum Early Bronze Age but also helped in the better understanding
of Cycladic Art (Marangou 1990). That exhibition was of Early Cycladic culture in general.
different from most of the temporary exhibitions of the The plan to promote Early Cycladic Ios began with the
time. The exhibits were objects which came mostly from establishment of a museum, which opened to the public
excavations and were kept in four public museums: the Naxos in 1999. The permanent exhibition about the Early Bronze
Archaeological Museum, the Apeiranthos Archaeological Age in general and Early Cycladic Skarkos in particular, in
Museum, the Melos Archaeological Museum, and the the museum’s main room, helps to highlight the complexity
16 MARISA MARTHARI
of Early Cycladic society, as evidenced by recent research. figurines. On one level, recent developments in research
The marble figurines found at the settlement of Skarkos are presented, while older finds are re-examined based
constitute one of the exhibition’s thematic sections, the other on new data. At a second level, the volume promotes
sections being those relating to the settlement’s architecture, the protection of Early Cycladic antiquities, as it shows
ceramics, agricultural economy and diet, lithics and obsidian that these antiquities can have a voice only when their
industry, communication networks and social structure archaeological context is known.
(Marthari 1999; 2001). Colin Renfrew, in his introductory study ‘Early Cycladic
Local museums are, in a way, an extension of archae- Sculpture in Context: issues of provenance, terminology and
ological sites. In the latter one can see the architectural classification’, refines further the classification of Cycladic
remains, while at the museums one can see the movable figurines, which he himself created in his seminal paper
artefacts. This is the only way to get as full a picture (Renfrew 1969), by introducing, in addition to types and
as possible of a world that no longer exists. The plan varieties, further sub-varieties or microstyles instead of
to highlight Early Cycladic Ios was completed with the ‘masters’ or ‘sculptors’ (Renfrew, Chapter 1).
opening of the Skarkos site to the public in 2009 (Μarthari The first section, ‘Origins: The Neolithic settlements’,
2009a). Although the Cyclades have been researched since examines the Cycladic figurines of the Late and Final Neolithic
the second half of the 19th century, Skarkos is the first (the precursors of the Early Cycladic ones) which come both
organised Early Cycladic site to be open to the public. The from the old excavations at Saliagos (Renfrew, Chapter 3) as
project for the presentation and enhancement of the Skarkos well as from the more recent excavations at the settlements
site was awarded the 2008 European Union Prize for Cultural of Ftelia (Sampson & Mastroyiannopoulou, Chapter 4) and
Heritage, the Europa Nostra Top Prize for Conservation Strofilas (Televantou, Chapter 5). The wide variety of figurine
(Neale, Braamhorst & Quaedvlieg-Mihailović 2008, 22–4; types from Strofilias, in particular, indicates that many of
Europa Nostra 2008). the main characteristics of almost all of the basic types of
EC I figurines are to be found in those of the Final Neolithic
in the Cyclades.
Two sections, the second and the fourth, are allocated to
Early Cycladic sculpture in context Early Cycladic cemeteries. In the second section, ‘The early
All aspects of modern Cycladic archaeology are reflected phase’, all the figurines found in EC I cemeteries on Naxos,
in this volume through the examination of Early Cycladic Paros, Antiparos, Dhespotiko, Ano Kouphonisi and Siphnos
2. EARLY CYCLADIC SCULPTURES AS ARCHAEOLOGICAL OBJECTS 17
Figure 2.2 Settlement sites referred to in the text where Early Cycladic marble figurines have been found in secure Early Cycladic contexts.
Figure 2.3 Sites referred to in the text where Early Cycladic figurines have been found in later deposits.
18 MARISA MARTHARI
are re-examined, with an emphasis on their excavation The fifth section, ‘The sanctuary (the special deposits) at
context (Doumas, Chapter 6; Rambach, Chapter 7). At the Kavos, Keros’, examines the figurines found at Kavos during
same time, a figurine of that period is presented here for excavations and field surveys since the 1960s. Amongst them
the very first time; it is from a grave at the site of Mersinia is a large intact figurine found by Zapheiropoulou and Tsakos
on Kythnos (Papangelopoulou, Chapter 8). in 1967 near a grave with two marble footed jars, next to
The fourth section, ‘The Early Cycladic II cemeteries’, re- the ‘Special Deposit North’ (Zapheiropoulou, Chapter 22),
examines figurines from mainly EC II tombs in cemeteries on fragments of large figurines excavated by Doumas in 1963
Naxos, Ano Kouphonisi and Syros excavated and presented in and by Zapheiropoulou and Tsakos in 1967 in the ‘Special
the past, with an emphasis on their excavation connections Deposit North’ (Sotirakopoulou, Renfrew & Boyd, Chapter 23),
(Doumas, Chapter 17; Gavalas, Chapter 19; Marthari, Chapter fragments of small figurines found in the same deposit in 1987
20). Assemblages, and not just individual finds, from the (Renfrew, Chapter 24), and fragments of large figurines which
rich cemetery of Aplomata are presented for the first time came to light during the recent excavation of the ‘Special
(Doumas & Lambrinoudakis, Chapter 15). Moreover the old Deposit South’ (Renfrew & Boyd, Chapter 26). Moreover
finds of Klon Stefanos from the cemetery of Chalandriani are two chapters treat artefacts related to the figurines, such as
examined for the first time as a whole. His finds from the the stone vessels from the ‘Special Deposit North’ (Gavalas,
cemeteries of Naxos are only briefly mentioned, as these have Chapter 25) and the marble and other spools from both Kavos
been published by Papathanasopoulos (1962; Papazoglou, and Dhaskalio (Haas-Lebegyev, Chapter 27). Thus for the first
Chapter 21). Also, figurines recently found in well-known time we have a complete picture of the most important finds
cemeteries are published, including those from Chalandriani found at Kavos-Keros, which was a site of special importance
(Marthari, Chapter 20), Tsikniades on Naxos (where also to the Early Cycladic world.
EC I figurines have been found: Philaniotou, Chapter 18), The sixth section, ‘Sites with Early Cycladic sculptures
and Potamia at Ano Koufonisi (Philaniotou, Chapter 14). in later deposits’ (Fig. 2.3) is dedicated to the numerous
This fresh and almost complete examination of the finds Early Cycladic figurines found in later (Middle Cycladic
from cemeteries helps us towards a better understanding to Mycenaean) layers in sites such as Ayia Irini on Kea
of the Cycladic figurines as funerary offerings. In addition, (Hershenson & Overbeck, Chapter 29), Phylakopi on Melos
the impressive figurines from the cemetery of Phiondas, (Renfrew & Boyd, Chapter 30), Akrotiri on Thera (Doumas,
both published and unpublished, are examined and all the Chapter 31), Mikre Vigla on Naxos (Barber, Chapter 32) and
details regarding their delivery to the Museum of Naxos are Koukounaries on Paros (Katsarou & Schilardi, Chapter 28).
described (Legaki, Chapter 16). The reasons behind the presence of such figurines in later
The third section ‘The Early Cycladic II and III settle- layers, which according to excavation data must have been
ments’ presents the figurines found in settlements (Fig. numerous and diverse, are sought.
2.2), in secure early and late EBA ΙΙ contexts (and EC III in The seventh and last section, ‘Material, technique and
the case of Dhaskalio). The extensive excavations at the manufacture’, includes a study of the main material used
early EBA II settlement at Skarkos (Skarkos II: Marthari, (marble), which came from several islands (Tambakopoulos
Chapter 12) and the relatively extensive excavations of later & Maniatis, Chapter 33) as well as a study of the painted
deposits at the settlement of Dhaskalio (Renfrew, Chapter decoration of the figurines (Birtacha, Chapter 35). It is
13) provide us for the first time with a very good picture important to note that these studies focus on figurines
of settlement figurines, as 52 examples came to light in that come from known excavated sites, so the reliability
the former and 13 in the latter, with the vast majority of their results cannot be disputed. There is also a chapter
belonging to the schematic Apeiranthos type. The few on manufacturing techniques, based on experimental
examples of both folded-arm and schematic figurines which archaeology, which expresses fresh ideas highlighting the
were found in Early Cycladic contexts at Ayia Irini on Kea role of emery in the production of figurines (Papadatos &
(Wilson, Chapter 9), Plakalona on Seriphos (Pantou, Chapter Venieris, Chapter 34).
10), Akrotiraki on Siphnos (Papadopoulou, Chapter 11), Early Cycladic Sculpture in Context thus attempts, using
Potamia on Ano Kouphonisi (where a cemetery was also recent excavation data, to bring us, in the 3rd millennium
found; Philaniotou, Chapter 14), as well as at Phylakopi on AD, as close as possible to a deep level of knowledge of the
Melos (Renfrew & Boyd, Chapter 30, in the sixth section) Early Cycladic world of the 3rd millennium BC and its most
complete the picture. characteristic artefacts, the marble figurines.
2. EARLY CYCLADIC SCULPTURES AS ARCHAEOLOGICAL OBJECTS 19
Marthari, M., 2002. Ο Χρήστος Τσούντας και η Σύρος: από την Pantos, P., 2008. Δυνατότητες και διαδικασίες διεκδίκησης
ανασκαφή στη Χαλανδριανή έως την έκθεση των ευρημάτων κατά το εθνικό, κοινοτικό και διεθνές δίκαιο [Dynatotites
στην Ερμούπολη [O Christos Tsountas kai i Syros: apo tin kai diadikasies diekdikisis kata to ethniko, koinotiko kai
anaskafi sti Chalandriani eos tin ekthesi ton evrimaton stin diethnes dikaio], in Η προστασία των πολιτιστικών αγαθών από
Ermoupoli], in 1898–1998. Εκατό χρόνια από τις έρευνες του την παράνομη διακίνηση και η διεκδίκησή τους [I prostasia ton
Χρήστου Τσούντα στη Σύρο, Διαλέξεις στο Πνευματικό Κέντρο politistikon agathon apo tin paranomi diakinisi kai I diekdikisi tous],
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Exploring the Variety of Random
Documents with Different Content
population in the Italian quarter of the North End of Boston was said
to be nearly 1.40 persons per room.[201] In the Italian quarter of
Philadelphia investigators found 30 Italian families, numbering 123
persons, living in 34 rooms. In some of the Italian tenements in this
city, lamps were kept burning all day in some of the rooms, where
day could scarcely be distinguished from night.[202] The Jews at this
time were only a little less densely crowded than the Italians. In 1891
nearly one fourth of the whole number of Jews living in two of the
precincts of the North End of Boston were living with an average of
more than two persons to a room and were found to be very
uncleanly in the care of their homes. Among the Irish an average of
1.24 persons per room was found in Boston in 1891. On the whole
they kept their tenements cleaner than did the Jews or Italians.[203]
Since the beginning of the twentieth century, interest in the slum
population of our cities has centered itself about the Slavic and other
races of southeastern Europe, even more than about the Italians and
Jews. About one sixth of the entire population of Buffalo, or 80,000
individuals, is Polish. Of these, about 4000 families, representing
20,000 persons, own their homes. They are said to be thrifty, clean,
willing, and neglected. Nearly all the Poles live in small one and two
story wooden cottages. Good tenement work thirty years ago avoided
the serious structural conditions which prevail in most cities. The
principal evil now in the Polish section is room-overcrowding. The
two-story cottages hold six or more families, while the older one-
story cottage was built for four families, though the owner is likely to
occupy two of the rear apartments. There are 15,000 of these
cottages, all subject to the tenement law. A Pole was recently made
health commissioner, and gave promise of being the best incumbent
of that office that Buffalo has ever had. That there is plenty of work
for him to do may be judged from the description of some of the
conditions which prevail.
“Counting little bedrooms, living rooms, and kitchens (and they
are pretty nearly indistinguishable), Mr. Daniels tells us that half the
Polish families in Buffalo, or 40,000 people, average two occupants
to a room. There are beds under beds (trundle beds, by the way, were
once quite respectable), and mattresses piled high on one bed during
the day will cover all the floors at night. Lodgers in addition to the
family are in some sections almost the rule rather than the exception.
Under such conditions privacy of living, privacy of sleeping, privacy
of dressing, privacy of toilet, privacy for study, are all impossible,
especially in the winter season; and those who have nerves, which
are not confined to the rich in spite of an impression to the contrary,
are led near to insanity. Brothers and sisters sleep together far
beyond the age of safety. It begins so, and parents do not realize how
fast children grow, or how dangerous it all is.”[204]
Even in Buffalo, the congestion problem is not limited to the Poles.
The author just quoted describes the Italians as tending to establish
residences in old hotels, warehouses, and abandoned homesteads,
and says, “As late as 1906 we found Italians living in large rooms,
subdivided by head-high partitions of rope and calico, with a
separate family in each division.”
In Milwaukee there are three foci of the tenement evil, the Italian
quarter, the Polish quarter, and the Jewish quarter. While there are
not the large tenement houses that prevail in larger cities, there are
the same evil conditions in the small cottages of the laboring class.
The following paragraphs give a vivid picture of some of the
conditions in each of these three sections.
In the Italian district, “Entering one of these dwellings we had to
duck our heads to escape a shower bath from leaking pipes above the
door. Incidentally, we had to dodge a crowd of the canine family
which did not seem to be particularly pleased with our visit. The
rooms were dark. Something, which I supposed was food or intended
for food, was bubbling on a little stove. A friendly goat was playing
with the baby on the floor, and the pigeons cooed cheerily near by.
Through the door of the kitchen we got the odor of the stable. The
horses had the best room. In the middle room, which was absolutely
dark, on a bed of indescribable filth, lay an aged woman, groaning
with pain from what I judged to be ulcerated teeth, but which for
aught she knew might have been a more malignant disease. In this
single dwelling, which is not unlike many we saw, there lived
together in ignorant misery one man, two women, ten children, six
dogs, two goats, five pigeons, two horses, and other animal life which
escaped our hurried observation.”
“In the Ghetto, in one building, live seventy-one people,
representing seventeen families. The toilets in the yard freeze in
winter and are clogged in summer. The overcrowding here is fearful
and the filth defies description. Within the same block are crowded a
number of tenements three and four stories high with basement
dwellings. One of these is used as a Jewish synagogue. Above and
beneath and to the rear this building is crowded with tenement
dwellers. The stairways are rickety, the rooms filthy, and all are
overcrowded. The toilets for the whole population are in the cellar
adjoining some of the dwelling rooms, reached by a short stairway.
At the time of our visit the floors of this toilet, both inside and
outside, were covered with human excrement and refuse to a depth
of eight to twelve inches. Into this den of horrors all the population,
male and female, had to go.”
A typical dwelling of the Polish working people is thus described.
“There is an entrance, perhaps under the steps, which leads to the
apartments below. In this semibasement in the front lives a family.
There are perhaps two rooms, sometimes only one. In the rear of this
same basement lives another family. Above, on the first floor, lives
another family, likewise in two or three small rooms; and in the rear
is another. Thus four or more families live in one small cottage—and,
often, in true tenement style, they ‘take in’ boarders.... Here,
together, live men, women, children, dogs, pigeons, and goats in
regular tenement and slum conditions.”[205]
Such instances as these, which might be multiplied almost
indefinitely, are individual manifestations of conditions which are
represented en masse by the figures of the Immigration Commission.
It is apparent that slum conditions exist, fully developed, in other
places than the great cities, and in other types of building than the
regulation tenement. As will be seen later, they may be found in
communities which do not come under the head of cities at all. The
slum is a condition, not a place, and will crop up in the most
unexpected places, whenever vigilance is relaxed. The slum can never
be eradicated by erecting model dwellings, however well planned,
nor by any other superficial method alone. The foundation of the
slum rests in the social and economic relations of society, and can be
effectually attacked only through them.
In the foregoing quotations, frequent reference is made to the
filthy condition in which the dwellings of the foreign-born are kept.
It is the current idea among a large class of people that extreme
uncleanliness characterizes the great majority of immigrant homes.
Unfortunately there is all too large a basis of truth for this
impression. Yet there is undoubtedly much exaggeration on this
point in the popular mind. The Immigration Commission found that
out of every 100 homes investigated in its study of city conditions, 45
were kept in good condition, and 84 in either good or fair condition,
though the foreign-born were inferior in this respect to the native-
born. In many cases the filthy appearance of the streets in the
tenement districts is due to negligence on the part of city authorities,
rather than to indifference on the part of the householders. “In
frequent cases the streets are dirty, while the homes are clean.”[206]
Not only is it an error to suppose that all immigrants are filthy, but it
is also untrue that all immigrants who are filthy are so from choice.
While the standards of decency and cleanliness of many of our
immigrant races are undoubtedly much below those of the natives,
there are many alien families who would gladly live in a different
manner, did not the very conditions of their existence seem to thrust
this one upon them, or the hardship and sordidness of their daily life
quench whatever native ambition for better things they might
originally have had.
In the foregoing paragraphs mention has been made of the
boarder as a characteristic feature of life in the tenements. He is, in
fact, a characteristic feature of the family life of the newer immigrant
wherever found. Since so large a proportion of the modern
immigrants are single men, or men unaccompanied by their wives
(see p. 191), there is an enormous demand for accommodations for
male immigrants who have no homes of their own. This demand is
met in two main ways. The most natural, and perhaps the least
objectionable, of the two, where there are a certain number of
immigrant families of the specified race already in this country, is for
a family which has a small apartment to take in one or more boarders
or lodgers of their own nationality. In this way they are able to add to
their meager income, and thereby to increase the amount of their
monthly savings, or perhaps to help pay off the mortgage on the
house if they happen to be the owners. The motive is not always a
financial one, however, but occasionally the desire to furnish a home
for some newcomer from the native land, with whom they are
acquainted, or in whom they are interested for some other reason.
[207]
The second way of solving the problem is for a number of men to
band themselves together, hire an apartment of some sort, and carry
on coöperative housekeeping in one way or another. A description of
these households will be given later (p. 247).
The keeping of boarders or lodgers[208] is a very widespread
practice among our recently immigrating families.
Among the households studied by the Immigration Commission in
its investigation of cities, 13 per cent of the native-born white
households kept boarders, and 27.2 per cent of the foreign-born. The
following foreign-born nationalities had high percentages, as shown
by the figures: Russian Hebrews, 32.1 per cent; north Italians, 42.9
per cent; Slovaks, 41 per cent; Magyars, 47.3 per cent; Lithuanians,
70.3 per cent. A similar showing is made by the figures given in the
report of the Immigration Commission on Immigrants in
Manufacturing and Mining (abstract quoted). The percentage of
households keeping boarders, as shown in that report, is as follows:
Race (foreign-born)—
Norwegian 3.8
Bohemian and Moravian 8.8
Croatian 59.5
South Italian 33.5
Magyar 53.6
Polish 48.4
Roumanian 77.9
Servian 92.8
209. Rept. Imm. Com., Imms. in Mfg. and Min., Abs., p. 147.
The average number of boarders per household, based on the
number of households keeping boarders, was as follows:
Nativity Number
Native-born white of native father 1.68
Native-born of foreign father 1.52
Foreign-born 3.53
Race (foreign-born)—
Bulgarian 8.29
Croatian 6.39
Roumanian 12.23
Servian 7.25
223. Compiled from Rept. Imm. Com., Imms. in Mfg. and Min., Abs.
226. Rept. Imm. Com., Imms. in Mfg. and Min., Abs. p. 91.
There is a marked difference between races in this respect. The
lowest figures among the foreign-born were: Albanian, $8.07; Greek,
$8.41; Portuguese, $8.10; Syrian, $8.12; Turkish, $7.65. Some of the
foreign-born rank well above the natives, as, for instance:
Norwegian, $15.28; Scotch, $15.24; Scotch-Irish, $15.13; Swedish,
$15.36; Welsh, $22.02.
The average yearly earnings (approximate) of male employees 18
years of age or over were as follows:
229. Rept. Imm. Com., Imms. in Mfg. and Min., Abs., p. 139.
Thus there is a smaller proportion of families among the native-
born of foreign fathers who rely upon other members of the family
than the husband for part of the family income than of the native-
born of native father. It appears that the explanation of the
peculiarity which has been noticed must be either that only the more
prosperous of the native-born of foreign parentage are heads of
families, or that those families of this class which do receive income
from other sources than the husband receive a much greater total
amount than among the native-born of native father, so as to raise
the average. The former explanation seems the more probable, for
while 67.3 per cent of the male native-born white employees of native
fathers, 20 years of age or over, were married, only 56.5 per cent of
the native-born of foreign fathers of the same age were married.
Native-born employees of foreign parentage who are old enough to
be the heads of families are predominantly representatives of the old
immigration, and hence stand high on the wage scale. The very small
percentage of families among the foreign-born which derive their
entire income from the husband indicates the extent to which the
children of this class contribute to the family support, and also the
extent to which boarders are taken.
Figures from other sources corroborate, in general, the showing
made in the foregoing tables, with some differences in detail. The
Immigration Commission in one of its other reports, namely that on
Immigrants in Cities, gives the average approximate yearly earnings
of over 10,000 male wage workers 18 years of age or over as follows:
native-born white of native father, $595; native-born of foreign
father, $526; foreign-born, $385.[230] These figures are less,
throughout, than those presented in the foregoing tables, and seem
to indicate that the average of wages in cities is less than in the
general run of organized industries throughout the country. It is
probable that a census of city workers would include many in
insignificant industries, and in occupations which could hardly be
classed as industries, where the wage scale is low.
The earnings of agricultural laborers on the farms of western New
York range from $1.25 to $1.75 per day of ten hours. South Italian
families of four or five members, engaged in this kind of work,
average from $350 to $450 for the season, extending from April to
November. Poles, working as general farm laborers the year round,
earn from $18 to $20 per month.[231] Among the anthracite coal
miners of Pennsylvania, the average yearly wage of the contract
miners, who make up about twenty-five per cent of persons
employed about the mines, is estimated at about $600 per year,
while “adults in other classes of mine workers, who form over sixty
per cent of the labor force, do not receive an annual average wage of
$450.”[232] In the extensive array of wage figures given by Mr.
Streightoff, distinction is not made between natives and immigrants,
but the general showing harmonizes so well with what has already
been given as to obviate the necessity of going into this question in
further detail.[233] We are justified in setting down the average
earnings of wage-working adult male immigrants as from $350 to
$650 per year, and the average annual income of immigrant families
at from $500 to $900.
The figures given for individual immigrant incomes have been
confined to male workers, for the reasons that they are
representative, and are of primary importance in determining the
status of the immigrant family in this country. The wages of female
workers range on the average from 30 to 40 per cent below those of
males. Full comparisons are given in the volume of the Immigration
Commission Report on Immigrants in Manufacturing and Mining.
The next question which arises is, to what degree are these
incomes, of individuals and families, adequate to furnish proper
support to an average family of five persons? This problem involves
the determination of the minimum amount on which a family can
live in decency under existing conditions in America. Numerous
efforts have been made to solve this question. The estimate of the
Bureau of Statistics of Massachusetts is $754.[234] The Charity
Organization Society of Buffalo regards $634 a year as the “lowest
tolerable budget which will allow the bare decencies of life for a
family of five.”[235] A special committee of the New York State
Conference of Charities and Corrections in 1907 made the following
estimates as to the income necessary for a family of five persons in
New York City.
“$600–$700 is wholly inadequate to maintain a proper standard
of living, and no self-respecting family should be asked or expected
to live on such an income.”
“With an income of between $700–$800 a family can barely
support itself, provided it is subject to no extraordinary expenditures
by reason of sickness, death, or other untoward circumstances. Such
a family can live without charitable assistance through exceptional
management and in the absence of emergencies.”
“$825 is sufficient for the average family of five individuals,
comprising the father, mother, and three children under 14 years of
age to maintain a fairly proper standard of living in the Borough of
Manhattan.”
Mr. Streightoff summarizes the evidence in the following words:
“It is, then, conservative to set $650 as the extreme low limit of the
Living Wage in cities of the North, East, and West. Probably $600 is
high enough for the cities of the South. At this wage there can be no
saving, and a minimum of pleasure.”[236]
The close correspondence of these various estimates gives them a
high degree of credibility. If we fix these standards in mind, and then
look back over the wage scales given on the foregoing pages, we are
struck with the utter inadequacy of the annual incomes of the
foreign-born to meet even these minimum requirements of decency.
It is obvious that an enormous number of immigrant families, if
dependent solely on the earnings of the head of the family, would fall
far below any of these standards, and that many of them, even when
adding to their resources by the labors of wife and children, and the
contributions of boarders, cannot possibly bring the total income up
to the minimum limit. Even the average income in many occupations
is far below this minimum, and it must be considered that while an
average indicates that there are some above, there must also be many
below, the line. What must be the condition of those below! The
average family income of the foreign-born studied in the
Immigration Commission’s investigation of the manufacturing and
mining industries was $704. Mr. Frederic Almy states that 96 per
cent of the Poles under investigation in Buffalo earn less by $110
than the $634 per year which was set as the “lowest tolerable
budget.”[237]
A vast amount of information covering a number of miscellaneous
aspects of human life, which fall under the general head of the
standard of living, is furnished by the Immigration Commission, in
its report on the manufacturing and mining industries. Some of the
most important of these facts are summarized in the following tables.
First, as to the situation of young children in the homes of
immigrants.
PER CENT OF CHILDREN 6 AND UNDER 16 YEARS OF AGE[238]
Male Female
At At At At At At
Home School Work Home School Work
Native-born white of
native father 5.4 90.9 3.6 6.9 90.5 2.6
Native-born of foreign
father 10.2 83.9 5.9 12.6 83.5 3.9
Foreign-born 13.2 77.0 9.9 19.1 73.6 7.3
238. Rept. Imm. Com., Imms. in Mfg. and Min., Abs., pp. 194–195.
Among the following races the following per cent of foreign-born
male children of the specified age were at work: German, 13.9; south
Italian, 13.3; Lithuanian, 14.3; Portuguese, 15.7; Ruthenian, 14.6;
Scotch, 19.0; Syrian, 22.6.
The following table, showing the per cent of literacy of the
employees studied in these industries, is based on information for
500,329 employees, and hence has a remarkable trustworthiness:
LITERACY OF EMPLOYEES IN MINING AND MANUFACTURING[239]
NATIVITY MALES FEMALES
Per Cent who Per Cent who
Read Read and Write Read Read and Write
Native-born white of native father 98.2 97.9 98.8 98.4
Native-born of foreign father 99.0 98.7 99.0 98.8
Foreign-born 85.6 83.6 90.8 89.2
240. Rept. Imm. Com., Imms. in Mfg. and Min., Abs., p. 198.
It is thus apparent how large a proportion of our foreign-born
laborers have not even taken the first essential step toward
assimilation. This evil is, of course, practically overcome in the
second generation. Almost all of the native-born persons of foreign
fathers, six years of age or over, speak English, though some races
show from 6 to 8 per cent who do not.
The percentage who can speak English naturally increases with the
length of residence in the United States, until a percentage of 83.1 is
reached for all foreign-born employees who have been in the United
States ten years or more. But even in this group a very low
percentage is found among the Cuban and Spanish cigar makers, of
whom almost three fifths are unable to speak the English language.
The age of the immigrant at the time of arriving in the United
States has a great deal to do with the ability to speak English. The
percentage of those who were under fourteen when they arrived who
can speak English is nearly twice as large as that of those who were
fourteen or over. The reasons for this are the greater adaptability of
the younger immigrants, and their greater opportunities of going to
school. The relatively poor showing of the females is probably due to
their greater segregation, which prevents them from coming in touch
with Americans or older immigrants of other races.
One of the special reports of the Immigration Commission deals
with the children of immigrants in schools and brings out some very
significant facts. Practically all of the information was secured in
December, 1908. Naturally this investigation involved a study of the
children of native-born fathers also. A general investigation was
made in the public schools of thirty cities, including the first twenty
cities in point of population, as shown by the census of 1900, with
the exception of Washington, D.C., Louisville, Ky., and Jersey City,
N.J. An investigation was also carried on in regard to parochial
schools in twenty-four cities, and an investigation of the students in
seventy-seven institutions of higher learning. In addition to this
general investigation, an intensive investigation was made in twelve
cities, including seven cities not in the previous list, making a total of
thirty-seven cities in which public schools were studied. The total
number of public school pupils for whom information was secured
was 1,815,217. Thus the investigation was a very inclusive one, and
the results may be taken as representative of educational conditions
in the cities of the entire country.
Of the total number of public school children studied in the thirty-
seven cities, 766,727 were of native-born fathers, and 1,048,490 of
foreign-born fathers. The children of native-born white fathers
constituted 39.5 per cent of the total, while among the children of
foreign-born fathers there were the following percentages of the total
number: Hebrews, 17.6; Germans, 11.6; Italians (north and south),
6.4; total, native-born father, 42.2 per cent; total, foreign-born
father, 57.8 per cent.
The different cities show a marked difference in the proportion of
children who come from foreign-born fathers, as the following table
will show:
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