Kendriya Vidyalaya No.1, Delhi Cantt.
Syllabus : Half Yearly Examination (2024-25)
Class XII
Painting (049)
Chapter 1. Manuscript Painting Tradition
Manuscript painting involves the illustration of religious and literary texts on materials like
palm leaves and paper. Traditions include Buddhist, Jain, and Hindu manuscripts,
characterized by detailed miniature paintings. Plays a crucial role in preserving and
transmitting religious and cultural knowledge.
Chapter 2. Rajasthani School of Painting
Flourished in the royal courts of Rajasthan during the 16th to 19th centuries. Use of bold
colors, strong lines, and themes centered around heroism, devotion, and romance.
Sub-Schools include Mewar, Bundi, Kishangarh, Marwar, and Bikaner, each with its
unique style.
Chapter 3. Mughal School of Painting
Developed under the patronage of Mughal emperors from the 16th to 18th centuries. A
blend of Persian and Indian styles, focusing on realism, portraiture, and detailed
depictions of court life. Noble patrons like Akbar, Jahangir, and Shah Jahan were key
supporters, contributing to the school's golden age.
Chapter 4. Deccan School of Painting
Originated in the Deccan region, influenced by Persian art and local traditions.Rich color
palettes, ornate designs, and elegant figures, often depicting courtly life and poetic
themes. Sub-Schools include styles from Ahmednagar, Bijapur, Golconda, and
Hyderabad.
Chapter 5. Pahari School of Painting
Developed in the Himalayan hill kingdoms, particularly in Himachal Pradesh and Jammu.
Delicate lines, naturalistic landscapes, and themes drawn from Hindu mythology,
especially Radha-Krishna love stories. Major sub-schools include Basohli, Guler,
Kangra, and Chamba.
