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Divided Friends 1st Edition William L. Portier Digital
Instant Download
Author(s): William L. Portier
ISBN(s): 9780813221656, 081322165X
Edition: 1
File Details: PDF, 2.48 MB
Year: 2013
Language: english
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DIVIDED
FRIENDS
Copyright © 2013. Catholic University of America Press. All rights reserved.
Divided Friends, Catholic University of America Press, 2013. ProQuest Ebook Central,
THE
CATHOLIC
UNIVERSITY
OF AMERICA
PRESS
Washington, D.C.
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DIVIDED
FRIENDS
Portraits of the Roman
Catholic Modernist Crisis in
the United States
WILLIAM L. PORTIER
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The Catholic University of America Press
All rights reserved
ISBN 978-0-8132-2164-9
The paper used in this publication meets the
minimum requirements of American National
Standards for Information Science—Permanence
of Paper for Printed Library Materials, ANSI
Z39.48-1984.
∞
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To Harry J. McSorley
in friendship and gratitude
for his learned and generous
example and direction
and
in grateful remembrance
of Rev. Lawrence E. Boadt, CSP
(1941–2010)
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We are fairly challenged to
deny that a change of immense
import is coming over the face of
Catholicism; and that, as a great
deal of our old mental furniture
has been thrown aside, so the
things which remain will some
day have to be remodeled.
Joseph M c Sorley, CSP, 1905
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Contents
List of Illustrations xi
Acknowledgements xiii
Introduction xvii
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Illustr ations
Denis O’Connell 64
Courtesy of the Catholic University of America Archives
John R. Slattery 65
Courtesy of the Josephite Archives, Baltimore, Md.
xi
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Acknowledgements
xiii
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Chuck Talar who, since 1999, has organized conference sessions and pub-
lishing projects in the best spirit of Friedrich von Hügel, and to Elizabeth
McKeown who wrote the history of the RCMG (U.S. Catholic Historian
20 [Summer 2002]: 111-31). Since the group last met at Boston in 1999, five
members have died: Ronald R. Burke, Michael J. Kerlin, Gary Lease, James
M. Livingston, and John D. Root. With Fr. Peter Hogan, requiescant in pace
et lux perpetua luceat eis.
With summer research grants, two sabbaticals, and the Henry J. Knott
Professorship, Mount Saint Mary’s College (now University) supported
much of the work in Part 2 of this book. I am grateful to the Mount and
to its Theology Department, long my academic home. This book began to
take its present shape when I moved to the University of Dayton, first as
a distinguished visiting professor in 1999 and then permanently in 2003.
Thank you to Mike Cuneo, who, back in 1999, helped me to cook up the
title and the structure for this book in the Denny’s on Main Street in Day-
ton. Marvin O’Connell’s Critics on Trial (1994) inspired the idea of in-
tertwined biographical portraits. Thank you to all my research assistants
at Dayton: Tim Dillon, Vernon Meyer, Jane Leukart, Justin Menno, Sue
Sack, Nick Mayrand, Adam Sheridan, and especially Tim Gabrielli who
helped me put together the first draft of this book.
In 2001 and 2008 I taught doctoral seminars on the modernist crisis. I
am grateful to my students, especially the 2008 crew, who read this book
in manuscript and offered valuable comments. I am also grateful to Fr. Jack
Lynch at the Paulist Archives; to Michael Connolly from whom I learned
of the Catholic World correspondence, which, at the time I wrote my dis-
Copyright © 2013. Catholic University of America Press. All rights reserved.
sertation, had been presumed lost; to Msgr. Robert Trisco for permission
to consult the John Tracy Ellis Papers; to John Shephard and the staff at the
American Catholic History Research Center and University Archives at
the Catholic University of America; to Gene McAfee and Fran O’Donnell
at the Andover-Harvard Theological Library; and to Joseph Casino and
the staff at the Philadelphia Archdiocesan Historical Research Center.
The Washington-area working group of historians, founded and chris-
tened as “Clio” by Chris Kauffman, read and discussed drafts of early
chapters. Thanks to longtime Clio members Elizabeth McKeown and Bill
Dinges and to Chris Kauffman for a maestro’s mentoring and for our din-
ners at Harryman’s. Long may they continue!
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Thank you to Bob Ayers who generously shared with me his work in the
papers of Franz Xaver Kraus, the pre-publication copies of his translations
of the correspondence of Kraus and Baroness Augusta von Eichthal, as
well as his copies of Eichthal’s correspondence with Denis O’Connell. He
read chapter 6 in draft and provided important corrections. Together we
visited the haunts of O’Connell, Kraus, and Eichthal at Rome. And thank
you to David Schultenover for English copies of Tyrrell’s letters to Henri
Bremond, to Chuck Talar for copies of McSorley’s letters to Lucien Laber-
thonnière, and to Philip Gleason, Patsy McDonald, and Bill Collinge, who
read the entire manuscript and gave me many pages of corrections.
Substantial parts of chapters 9 and 10 appeared in U.S. Catholic His-
torian, and parts of chapter 3 were published in Communio, International
Catholic Review. I am grateful to the editors of these journals for permis-
sion to use material that first appeared in their pages.
Thank you to Mary Ann Spearin whose generosity to the University of
Dayton makes my work possible. I am grateful to President Dan Curran
for his ongoing support and to Paul Benson, dean of arts and sciences, for
his generous support of this book. To my colleagues in the Religious Stud-
ies Department, I am grateful for intellectual companionship and more.
Sandra Yocum is an all-star department chair; her support made it possible
for me to complete this book. Thank you, Sandy. Thank you to Maria Mor-
row who typed the final version of the manuscript into electronic form.
For almost a decade, Larry Boadt encouraged me and worked with me on
this book—RIP. Thank you to Trevor Lipscombe for his interest in this
work and to the staff and anonymous readers at the Catholic University of
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America Press.
Thank you to Phil for valuable comments on chapter 1, to Thea for
making a special trip to Urbino to check for Slattery letters in Paul Saba-
tier’s papers, and to Thea and Laura for those technological consults. You
all make me happy and proud as a father could be. And finally, thanks to
Bonnie, John R. Slattery’s number-one fan and, despite her intimate famil-
iarity with my every foible, my true love for over forty years.
All remaining errors are solely mine.
William L. Portier
September 8, 2012
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Introduction
great evil.”1
Fergus Kerr uses the responses of Fenton and Ruffini to the draft
of Lumen Gentium to illuminate the reciprocal, mutually co-defining
relationship of neo-Scholasticism and Modernism in the first half of
the twentieth century. “The history of twentieth-century Catholic
theology,” Kerr writes, “is the history of the attempted elimination
of theological modernism, by censorship, sackings and excommuni-
cation—and the resurgence of issues that could not be repressed by
1. History of Vatican II, vol. 3, eds. Giuseppe Alberigo and Joseph Komonchak (Maryk-
noll, N.Y./Leuven: Orbis/Peeters, 2000), 30, citing from Fenton’s Diary, September 24, 1963.
xvii
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such methods.” To Fenton and Ruffini, Chapter I of Lumen Gentium rep-
resented the latest such resurgence. Fenton’s teacher, Reginald Garrigou-
Lagrange, OP, taught at the Angelicum in Rome for fifty-one years, from
1909 to 1960. He found an earlier resurgence of Modernism in the work of
fellow Dominicans, Marie-Dominique Chenu and Yves Congar, and the
Jesuit Henri de Lubac. Garrigou-Lagrange serves as Kerr’s “model Thomist”
during this period.2
George Tyrrell’s friend and literary executor, Maude Petre, would per-
haps have taken some wistful satisfaction at the consternation of Fenton
and Ruffini in 1963. “No one can live within the Church at present,” Petre
wrote just before her death in 1942, “without realizing that ‘Modernism’
has been absorbed as well as condemned.” Petre believed that it brought
about “a larger spirit” and that “much is said which could not have been
said had men like Loisy, Tyrrell, von Hügel not lived and spoken.”3 Going
further than Petre, one contemporary French historian calls the modern-
ist crisis the “intellectual matrix of contemporary Catholicism.”4 But what
does such language mean? What issues define the irrepressible resurgence
of which Kerr speaks? How have the issues raised by the thinkers involved
in the modernist crisis been absorbed as well as condemned, and how is the
modernist crisis our “intellectual matrix”?
In his encyclical of September 8, 1907, Pascendi dominici gregis, Pope
Pius X condemned Modernism as the “synthesis of all heresies.”5 The same
paragraph contains one of the most compelling passages of the encyclical,
speaking of sentiment and action as giving rise to “purely subjective truth.”
Copyright © 2013. Catholic University of America Press. All rights reserved.
xviii Introd u c ti on
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The encyclical pronounces such truth as “of no use to the man who wants
to know above all things whether outside himself there is a God into whose
hands he is one day to fall.” I am definitely one of those men. So was Regi-
nald Garrigou-Lagrange. The main English title of his key work is simply
Reality (1946). After a colon comes the subtitle, A Synthesis of Thomistic
Thought. One might read Garrigou-Lagrange and early twentieth-century
neo-Scholasticism sympathetically as a massive reassertion of objectivity
in the face of the perceived chaos of post-Kantian philosophy with its turn
to the subject and modern politics as represented by the French Revolu-
tion, the revolutions of 1848, and the Great War.
The problem with such an emphasis on unmediated objectivity is cap-
tured in a Scholastic maxim I heard often from my teachers: what is re-
ceived is received in the manner of the one who receives it. Or, to put it in
another way, it is human subjects who know reality and human subjects
who know God. Critical inquiry into the subjective conditions of know-
ing what is true is a big part of the intellectual inheritance of theology af-
ter Kant. And so, one year before Garrigou-Lagrange’s Reality appeared at
Rome, Roger Aubert published his own theological classic at Louvain, La
problème de l’acte de foi (1945).
In 1964, during the Second Vatican Council, in an essay on “The Con-
cept of Truth,” Edward Schillebeeckx referred to “Modernism” as “a failed at-
tempt to grasp the core act of faith,” a failure to overcome neo-Scholasticism’s
emphasis on unmediated objectivity or “conceptualism.”
Nonetheless, the Modernists did discover a real problem—that of the distinction
between truth in itself and truth as a spiritual possession of human beings. . . . The
Copyright © 2013. Catholic University of America Press. All rights reserved.
problem that Modernism was unable to solve—that is, the problem of the rela-
tionship between experience and concept—has continued to be a theological issue
until today.6
What Schillebeeckx wrote almost fifty years ago is still true. Most of the
resurgent issues that cannot be suppressed cluster around his distinction
between truth in itself and truth as a spiritual possession of human beings.
Whether we are talking about hearing scripture proclaimed, studying scrip-
ture or the history of the church, or liturgical or personal prayer, histori-
6. Edward Schillebeeckx, OP, Revelation and Theology, trans. N. D. Smith (New York: Sheed
and Ward, 1968), 2:13.
I ntro d uc ti o n xix
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cally located human subjectivity is the key condition of our possession of
revealed truth insofar as we can possess it.
In elementary school, I learned from the Baltimore Catechism that
faith is a theological virtue by which we believe all the truths that God has
revealed on the authority of God revealing them who can neither deceive
nor be deceived. Later I learned that this definition of faith was based on
the third chapter of the First Vatican Council’s Dogmatic Constitution on
the Catholic Faith. It would be repeated in the Oath against Modernism,
promulgated by Pope Pius X in 1910. Such a conceptual definition under-
stands faith in terms of unmediated objectivity. As a child, I remember be-
ing troubled by this definition and wondering how I could ever get to this
“authority of God” of which my catechism spoke so easily.
Even the mediation of the church, which the catechism presumed,
must be subjectively appropriated. I take inquiry into the conditions of
the subjective appropriation of what the catechism called the “authority
of God,” whether we conceive those conditions in terms of experience, in-
terpretation, liberation, lived practice, action, life, etc., to be the main
task of twentieth-century Catholic theology from Karl Rahner and Ber-
nard Lonergan to Henri de Lubac and Hans Urs von Balthasar. This is our
unstable and only partially resolved inheritance from the modernist crisis
or, in Fouilloux’s words, the intellectual matrix of contemporary Cathol-
icism.
At the heart of the modernist crisis is the focus on the obvious fact that,
if there is indeed objective truth, it is only subjects who receive it. At stake
are questions about whether and how we can know God. For the authors
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xx Introd u c ti on
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the spatial metaphor “outside myself ” for God’s reality and objectivity in
a heavy-handed way. The primordial condition of human knowing need
not be a subject confronted by an external object. Nor need our status in
relation to God be so conceived. Articulating a line of critique that marks
one of Catholic theology’s chief paths in the twentieth century, Maurice
Blondel called such flat-footed concern for the reality of God and God’s
revelation a form of theological “extrinsicism,” in which the “deposit of
faith” drops as an “aerolith” or “sacred stone” from on high.7
Drawing on St. Augustine and his heirs (as well as post-Kantian phi-
losophy) and appealing to the church’s traditions of contemplative prayer,
Blondel and other thinkers during the modernist crisis probed for larger
than intellectual ways in which to speak of God’s presence and the senses
in which human beings might possess God’s truth. The emphasis on gift
in contemporary theology reaches in the direction of such a post-Kantian
objectivity.
In the tragedy that was the modernist crisis, such legitimate concerns
about how we know and believe in God clashed in what Nicholas Lash,
drawing on Newman, called a “sort of night battle, where each fights for
himself, and friend and foe stand together.” Eschewing a “John Wayne’s Ar-
izona” approach with good guys and bad guys, Lash agreed in pronouncing
it “incontestable” that the modernist crisis was “a resounding catastrophe
for all concerned.”8 The modernist crisis and its long aftermath involved
personal suffering on a grand scale. The crisis had a profound effect that
continues to the present day on the intellectual life of the church, and often
divided friend from friend.
Copyright © 2013. Catholic University of America Press. All rights reserved.
7. Maurice Blondel, The Letter on Apologetics and History and Dogma, ed. and trans. Alexander
Dru and Illtyd Trethowan (Grand Rapids, Mich.: Eerdmans, 1994), 226–31 on “extrinsicism”; 278
on the “deposit of faith” as “aerolith” or “sacred stone.” History and Dogma originally appeared in
1903.
8. Nicholas Lash, “Modernism, Aggiornamento and the Night Battle,” in Bishops and Writers:
Aspects of the Evolution of Modern English Catholicism, ed. Adrian Hastings (Wheathampstead,
Hertfordshire: Anthony Clarke, 1977), 51–53.
I ntro d uc ti o n xxi
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state of biblical studies and theology was so elementary, if not primitive, that
the twin condemnations of Americanism (1899) and Modernism (1907) all
but wiped them out and sealed the fate of Catholic intellectual life in the
United States. Like all received pieces of wisdom, this picture has much to
recommend it. But at a time when the need for inculturated theology has
never been clearer, Catholic theologians in the United States find themselves
without a past and overly dependent on theologies sited in other parts of the
world.
Building on the prior work of such scholars as Margaret M. Reher,
Christopher Kauffman, and Scott Appleby, among others, on the relation-
ship of what are usually called Americanism and Modernism, and of Mi-
chael DeVito on The New York Review, Divided Friends revisits the ques-
tion of the effects of the modernist crisis in the United States. The issue
is reframed in terms of the question of the state of Catholic intellectual
culture in the English language at this time. George Tyrrell, for example,
about whose influence on Lumen Gentium Monsignor Fenton was so con-
cerned in 1963, was, by the late 1890s, well known in the United States.
Between 1899 and 1906, a significant number of his published articles ap-
peared in U.S. journals. By rough analogy with ressourcement (return to the
sources) in France, this study tries to take a long view and look for theologi-
cal paths through the modernist crisis and beyond.
But the book’s main purpose is to tell a related set of compelling sto-
ries about the personal effects of the modernist crisis in the United States,
about how the lives of a handful of the “first modern American Catholics”
dramatize the theological questions sketched in the previous pages more
Copyright © 2013. Catholic University of America Press. All rights reserved.
9. The phrase is from R. Scott Appleby, “Church and Age Unite!”: The Modernist Impulse in
American Catholicism (Notre Dame, Ind.: University of Notre Dame Press, 1992), 3.
xxii Introd u c ti on
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emphasis falls on Slattery. After opening chapters on the Catholic theologi-
cal effervescence in the United States between 1899 and 1907 and on Jo-
seph McSorley’s role as George Tyrrell’s literary agent, part 3 treats in four
chapters the relationship between McSorley and William L. Sullivan. As
with Slattery in part 2, McSorley receives more emphasis in part 3 and in
fact emerges as the book’s central figure.
Copyright © 2013. Catholic University of America Press. All rights reserved.
I ntro d uc ti o n xxiii
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Part 1
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1
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well disposed towards me and some of my views is at present anxious lest he may
be obliged to remove me from my present position and suppress the publication of
the Review.1
Agonized personal decisions put colleagues at odds and set friend against
friend. Censured priests questioned fellow clergy or pious laymen who es-
caped censure. Subsequent historical and autobiographical writing appor-
tioned the inevitable praise and blame.
This is a story about two such pairs of “divided friends.” Taken together,
these four priests represent the first two generations of American Catholics
1. Letter of James F. Driscoll to Charles A. Briggs, New York, December 8, 1907, The Archives
of the Burke Library (Columbia University) at Union Theological Seminary, Briggs Papers, Series 31,
Box 5, Ledger 12. Along with The New York Review, Driscoll’s life and thought will be treated exten-
sively in chapter 8.
2. See Michael J. DeVito, The New York Review (1905–1908) (New York: United States Catholic
Historical Society, 1977). See esp. Chapter 6.
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to feel the full impact of critical historical scholarship with its attendant
philosophical difficulties. Each generation meets in the seminary. Later
they will live and work together in the comradery of priestly culture, but the
modernist crisis divides them. In each set of friends, one leaves the church
and one stays. The two who leave come to see their former companions as
fundamentally dishonest. To scholars trained to look first for ideas, the per-
sonal and ethical dimensions of the modernist crisis may appear forbidding
and elusive. Yet they fuel the drama of the crisis and help to account for its
continuing power. By intertwining two sets of biographical portraits, this
book brings to life the human complexities of the modernist crisis.
Th e C yclo ne 5
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O’Connell took a different path. As anti-modernist rector of The Cath-
olic University of America in Washington, D.C., under Pope Pius X, he
battled biblical scholars as energetically as he had earlier pursued reform.
Recalling their travels together in Europe and what he termed their “com-
mon crisis,” Slattery pronounced O’Connell’s perfect orthodoxy “feigned.”
In 1903 Pope Pius X made O’Connell a bishop. Slattery went on to become
a wealthy attorney. Looking back on the difficult years of 1902 and 1906,
Slattery recalled that, among all his friends, only the Paulist Walter Elliott
had remained loyal.
College at Catholic University. Both were heavily involved with the Paulist
organ, Catholic World, founded by Isaac Hecker in 1865 and edited during
most of the period under discussion by Paulist John J. Burke. Both McSorley
and Sullivan contributed to the short-lived The New York Review. In 1907
the Paulists abruptly removed McSorley as novice master and Sullivan re-
signed his teaching post. Two years later, Sullivan left the Paulists.
Sullivan published an anonymous set of Letters to His Holiness Pope
Pius X by a Modernist (1910), and an autobiographical novel, The Priest,
A Tale of Modernism in New England (1911). A few months before Sulli-
van’s Letters appeared, McSorley published his own indirect response to
Pascendi, The Sacrament of Duty (1909). He carried on his life as a Paulist.
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Sullivan married and became a Unitarian minister. McSorley continued to
write and publish but had broken off contact with Tyrrell who died in July
1909, months before The Sacrament of Duty appeared. Sullivan remained
convinced that “the illustrious McSorley” had abandoned Tyrrell and be-
trayed his own Modernist beliefs. McSorley lived to see the Second Vatican
council. He died on July 3, 1963, a month after the death of another near
casualty of the modernist crisis, Pope John XXIII. McSorley outlived Sul-
livan by almost thirty years.
As the narrative to follow makes clear, Slattery and Sullivan claim a cer-
tain moral superiority over O’Connell and McSorley. But as their stories
unfold, the high ground Slattery and Sullivan have staked out appears in-
creasingly hard to hold. This is especially true in the case of Sullivan’s in-
dictment of McSorley. McSorley is the key character. Despite the ethical
ambivalence of his own life, it does challenge the inevitability of the choices
that Slattery and Sullivan made. McSorley’s emphasis on holiness and his-
tory defined his path through the modernist crisis. It was a path not unlike
that of his slightly younger Italian contemporary, Angelo Roncalli. Both
McSorley and the future Pope John XXIII were young seminary professors
at the time of the crisis. Both felt the sting of ecclesiastical exile and found
a certain safe harbor in church history. Both had spiritual and emotional
constitutions that allowed them to continue moving, however obliquely at
times, toward the unsuspected ways in which their youthful visions would
be fulfilled.
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Th e C yclo ne 7
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of Leo’s Aeterni Patris would counter the turn to the subject in modern phi-
losophy. In his contributions to Catholic social teaching, especially Rerum
Novarum (1891), Leo began to articulate an alternative social and political
order in traditional terms of goods and ends. From a contemporary vantage
point, it is well to keep in mind that Aeterni Patris and Rerum Novarum
were written by the same Pope as part of the same overarching project.
Since the sixteenth century, emerging nation-states in Europe had been
marginalizing the church as a social and political agent. This process of dif-
ferentiation eventually produced many undeniable goods. But it was not
the unambiguous good that a dominant Enlightenment narrative of uni-
versal emancipation from the power of an oppressive church taught us to
expect. Expansion of the states’ powers led to an increasingly sharp disjunc-
tion between the public and the private, thus confining “religion” to the
private sphere. Because of our historical distance from this conflict, Ameri-
cans often find it difficult to appreciate what was at stake.
At issue was the modern political ideal of liberty as expressed, for ex-
ample, in freedom of religion and freedom of inquiry. In his many writings,
Pope Leo XIII reflected on the nature of true liberty in church and state
and its relation to the authority of the church in teaching revealed truth.
Testem Benevolentiae, his 1899 censure that put an end to controversies over
“Americanism” in France and the United States, warned specifically against
introducing a certain liberty into the church in imitation of contemporary
secular civil societies.
Pope Leo’s Thomist revival was part of a larger cultural resistance to
developments that, in the name of liberty, quarantined the church and
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its truth to the private sphere. But it too was deeply ambivalent. The Ro-
man question, involving the ultimate fate of Rome and the Papal States in
a united Italy, was not resolved until the Vatican’s concordat with Musso-
lini in 1929. Between 1870 and 1929, the Roman question dominated Vati-
can policy and functioned as the primary lens through which the Vatican
viewed theological issues. In addition, the Thomist revival, itself a modern
phenomenon, too often succumbed to the rationalist excess that it opposed
in modern philosophy.
However, this ambivalence should not blind contemporaries to the fact
that devotion to the pope and the accompanying centralization of church
life on Rome that we have come to call ultramontanism, however alien it
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may appear to later Catholic sensibilities, was a popular religious movement
and part of a transnational protest against the dominance of the church
by modern European states. The enormous circulation of Louis Veuillot’s
rabidly pro-papal newspaper L’Univers testifies to this popularity. Widely
embraced by lower clergy and people, ultramontanism involved more than
a displaced hierarchy’s will to power. Something of a sacramental church’s
incarnational role in ordinary life was at stake in its gradual banishment
from the newly created public sphere. Anti-clerical political rulers were
not the only ones who literally “secularized” church property and money
during this long struggle. Catholic kings and princes were also responsible.
This cultural conflict not only set the church’s face against modern liberal
states but also divided Catholics among themselves.
After 1907 the anti-modernist strategy that many church leaders ad-
opted to deal with this issue is often called “integralism.” They sought to
enlist coercive civil power in the service of religious truth. With a century’s
hindsight, this integralism and its anti-modernist repression appear as the
death throes of a doomed order. Integralists tried to establish out of time
an artificial likeness of a situation that was once culturally normative in Eu-
rope, that is, the church’s legally inscribed public role in pre-modern Euro-
pean social and political life. Within fifty years of the anti-modernist cam-
paign, the church in 1965 solemnly repudiated integralism and coercion in
the service of the truth. Modern states, cynics will say, dragged the church
kicking and screaming to this belated embrace of the emancipative ideal.
From the breach of Rome’s Porta Pia by the Piedmontese army in 1870
and the pope’s subsequent self-imposed status as “prisoner of the Vatican”
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Th e C yclo ne 9
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freedom of inquiry rather than substantively in terms of the pursuit of the
true and the good. The church could not on principle accept the former
terms without qualification. The arguments leading up to the Declaration
on Religious Liberty at Vatican II recapitulate this struggle. Learning how
to promote the pursuit of the true and the good without recourse to co-
ercion or intimidation would be difficult. The fate of those denounced as
Modernists in the years after 1907 is a chilling reminder of how difficult a
lesson it was. The fact that no one had used the term Modernist to describe
themselves before 1907 meant that after Pascendi, anyone was fair game.
Just as Catholic princes and kings were among those who helped to
de-publicize the church and differentiate European social and political life
from religious life, so there were always Catholics who greeted these new
developments more in joy and hope than in fear. They did not think that
moving in the direction of voluntary church participation was necessarily
antiincarnational, though it could be. They tended to see it instead as an
opportunity for the spiritual renewal of the church. They dared to hope
that the church’s survival and flourishing did not depend necessarily on an
unseemly modern attempt to resuscitate Christendom. They found cause
for hope in the United States. They were struck by the contrast between
the relative health of Catholicism in the United States and its beleaguered
state in Europe. The United States constitutionally barred the church from
the legal status sought by Vatican policy in Europe. As the Americanist epi-
sode in France in the late 1890s made clear, the experience of Catholics in
the United States suggested to some Europeans that the church might de-
rive spiritual benefit from a new “freedom” from the state.
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primarily in its political form. However strange and unfortunate that strug-
gle may now appear to contemporary heirs of liberal Catholics, they would
be hard put to deny that, apart from the church’s resistance to the absolute
pretensions of modern states, there would be no Catholic social teaching.
The modernist crisis and the larger cultural struggle that framed it are hard
to translate directly into contemporary categories.
The most spirited of liberal openings to the age came at the close of the
nineteenth century. The ferment of history and evolution planted itself in
the midst of modern neo-Thomism’s systemic clarity. In the twentieth cen-
tury, this ferment began to bubble and grow. In France and Italy, Germany
and England, and even in the United States, Catholic thinkers appropri-
ated more “scientific” approaches to history. Resulting developmental
forms of thought strained against the confines of neo-Thomist categories.
New emphasis on the subjective conditions of knowing and believing truth
made neo-Scholastic notions of the church and even of revelation itself ap-
pear, to use Maurice Blondel’s term, extrinsicist, or imposed on the human
condition from without.
Hoping to correct for the exaggerated objectivity of revived Thomism,
George Tyrrell and Friedrich von Hügel (along with many others) turned
within, to the subjective mediations of theological truth, to what the pre-
Pascendi Blondel might have called a way of “immanence.” More ambigu-
ously, William James’s Gifford Lectures of 1901–02 called it “religious
experience.” This subjective turn fit well with Isaac Hecker’s apologetic em-
phasis on God’s revelation as responding to the questions of our souls and
the aspirations of our nature. To Americans in the Hecker tradition such
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as McSorley and Sullivan, the Paulist founder’s strong sense of the Holy
Spirit’s indwelling in the soul resonated with this new sense of immanence
in apologetics and spirituality.
In England and the United States, where people spoke Charles Dar-
win’s native tongue, there loomed behind all of this the specter of a form-
less maelstrom of material forces in which there could be no souls to
question and no Holy Spirit to dwell within them. Even before Pascendi,
Slattery’s spirit had dissolved into a vaguely scientific soup of blind histori-
cal and biological forces. His autobiography ends with strange reflections
on “ether.” Sullivan’s emphasis on “personality” and conscience reflect his
struggle to keep force from engulfing will.
Th e C yclo ne 11
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When he condemned Modernism in 1907 and mandated vigilance
committees and the Oath against Modernism, Pius X slammed shut this
particular opening to the age. Or at least this is how the story is most often
told. McSorley’s long life suggests alternative paths that preserved, adapted,
and transformed something of the intellectual and spiritual openings that
Catholics such as he experienced during the 1890s and especially between
1899 and 1907.
Pope Pius X excommunicated from the church the French biblical
scholar, Alfred Loisy, and the Jesuit apologist, George Tyrrell. As priests,
their lives were forcibly, even violently, changed. As laymen, Baron Fried-
rich von Hügel in England and Maurice Blondel in France were not con-
demned. Some would say they “escaped” explicit censure, though they sure-
ly deserved it. A sense of the heroic inevitability of the fates of Loisy and
Tyrrell pervades certain quarters of scholarship on the modernist crisis. In-
nuendo surrounds Blondel and Hügel. Why did they not bravely embrace
the fate of their clerical friends?
In justifying their own choices, Slattery and Sullivan try to pull their
readers in a similar direction, a direction that has a certain contemporary
resonance. Loisy and Tyrrell represent the typical fate of the honest Catho-
lic intellectual in the face of ecclesiastical repression, whereas O’Connell
and McSorely represent the pious frauds who cave in to the Vatican. The
feigned orthodoxy of Slattery’s O’Connell fits this familiar story. But un-
less we take Sullivan’s word that McSorley betrayed himself and his friends,
McSorley’s story must be forced anachronistically into this contemporary
narrative. Like Blondel, Hügel, and others who had participated in the par-
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ticular liberal opening to the age that led to the modernist crisis, McSorley
carried on his work in the church using the categories of history and inte-
riority. Like those of Blondel and Hügel, McSorley’s long life suggests that
contemporary scholars have sometimes ignored a longer view in favor of a
close-up on the years of the modernist crisis.
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closer to those of the nineteenth century. A signature focus of our genera-
tion has been on the subjective conditions of believing, the subjective and
historical mediations of religious truth. Thinkers of the modernist crisis were
among the first Catholics to raise such questions regarding the subjective and
historical mediations of theological truth.
However, this book does not come directly at these issues in the manner
of a systematic theology. Rather, it is thematically a work of history, made up
of two sets of intertwined biographical portraits based on traditional histor-
ical sources. In Part II, unpublished sources include the Denis J. O’Connell
Papers in the Archives of the Diocese of Richmond (on microfilm at the
University of Notre Dame) and the John R. Slattery Papers at the Josephite
Archives in Baltimore. Most important for Part II is the Biographie de
J. R. Slattery from the papers of Albert Houtin at the Bibliothèque Natio-
nale in Paris. Indispensable for Part III are the William L. Sullivan Papers
at the Andover-Harvard Theological Library at Harvard Divinity School,
especially Sullivan’s letters to Estelle Throckmorton, his future wife. Joseph
McSorley had most of his papers destroyed, though a small but useful col-
lection remains at the Paulist Archives in Washington, D.C. Fragments of
McSorley’s correspondence can be assembled from the Herman Heuser
Papers at the Philadelphia Archdiocesan Historical Research Center, the
Daniel E. Hudson Papers at the University of Notre Dame, the papers of
Lucien Laberthonière at the Bibliothèque Nationale, the John J. Burke Pa-
pers and Catholic World correspondence at the Paulist Archives, the John
Tracy Ellis Papers at Catholic University, and various collections at Notre
Dame assembled by Thomas T. McAvoy, CSC.
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Th e C yclo ne 13
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a more plausibly global future might lie in returning with new awareness to
interrupted and unfinished indigenous beginnings from the period of the
modernist crisis and that long and unredeemed time that stretches between
the condemnation of Modernism in 1907 to the end of the Second Vatican
Council in 1965. McSorley’s life lights the way.
Under the heading of the “modernist crisis,” the years between 1893 and
1910 have been subjected to intense scrutiny by scholars. The necessities of
scholarship require such focus on brief periods of time. But because such
focus can distract scholars from a longer view, this tendency can also be
unduly distorting. To correct for such distortion, this book will employ
two strategies. First, it approaches the modernist crisis through two sets of
intertwined biographical portraits. The lives of their subjects continue on
after the modernist crisis and help to illustrate it as a key part of a larger
story of Catholic theology in the twentieth century. For Slattery, Sullivan,
and even for O’Connell, the story ended with Pius X. And so it does for
many contemporary scholars. For some it is tempting to take the moralist
bait offered by Slattery and Sullivan and agree that those who remain in the
church are hopelessly compromised. But for McSorley, as for many of the
rest of us, the story continues.
Second, this book will treat the modernist crisis itself as part of a longer
story. In the chronicle of Catholicism’s protracted and ambivalent struggle
with liberal secular states, the modernist crisis emerges as one in a continu-
ing series of Catholic openings to the age. But it is the pivotal opening that
gives shape to twentieth-century Catholic theology. The stories of Slattery,
O’Connell, Sullivan, and especially McSorley, will help to clarify how this
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is so.
In the United States, but also in France, where the Americanist contro-
versy raged, and in Italy, where Americanism was condemned, the strategy
of locating the modernist crisis in a larger story means positioning it with
respect to the Americanism episodes of the 1890s. The title of Thomas T.
McAvoy’s still standard 1957 study of Americanism calls it The Great Crisis
in American Catholic History. In the United States, a long-dominant his-
toriographical tradition has insisted on separating this earlier American
Catholic crisis from the broader modernist crisis. This dominant trend
can be called “phantom heresy historiography.” Chapter 2’s preliminary
account of the “phantom heresy” tradition in historiography introduces a
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major presupposition of this work, namely, that the questions and concerns
of the Americanists are continuous with and, to a significant degree, ingre-
dients in the modernist crisis.
Social and political considerations did more than the real theological is-
sues at stake to drive the modernist crisis and help account for the special
vehemence of anti-modernism. As the following intertwined sets of biogra-
phies will show, modern political understandings of freedom were central to
both the Americanist and modernist crises. The connections between free-
dom in politics and freedom in intellectual life, as between the American-
ist and modernist crises, were clear to the Roman authorities who opposed
theological Modernism. Better than later American scholars who lived in a
long tradition of constitutional separation of church and state, they under-
stood that modern political freedoms tend to undermine not only traditional
social and political authorities but religious authorities as well. Slattery and
Albert Houtin were correct to connect Americanism and Modernism. Pierre
Colin’s identification of the key issue at stake in the modernist crisis holds
for the Americanist crisis as well, namely, “how to conceive the presence and
exercise of a spiritual power in a pluralist society.”3
3. Pierre Colin, L’Audace et le soupçon: La crise moderniste dans la catholicisme français, 1893–1914
(Paris: Desclée de Brouwer, 1997), 269.
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Th e C yclo ne 15
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2
16
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symbolist theology. Rightly concerned with the objective reality of God’s
revelation and especially with the person of Christ as divine, Pascendi is
adamant that these realities cannot be approached immanently or through
“sentiment” in the manner of modern philosophy but rather only through
the objective categories of what it calls “Scholastic philosophy.” If the in-
tellectual elements of faith are only symbols, then God can no longer be
distinguished from human consciousness or sentiment.3
Immanentist philosophy sunders science from faith, history from theol-
ogy, state from church.4 Modernist history and criticism are “saturated” with
this agnostic, subjectivist philosophy. They present a “double Christ,” distin-
guishing the “real Christ” from “the one of faith, who never really existed.”
Modernist exegesis proceeds from “a philosophy borrowed from the nega-
tion of God, and a criterion which consists of themselves.” Such “Agnostic,
immanentist, evolutionist criticism” is a “boundless effrontery, . . . a pestilence
in the air which penetrates everywhere and spreads the contagion.”5
In the first book of the Confessions, St. Augustine had addressed to
God his rightly well-known dictum: “You have made us for yourself and
our hearts are restless until they rest in you.” This Augustinian apologetic
of the restless heart, key to such works as Isaac Hecker’s Questions of the
Soul (1855) and Aspirations of Nature (1857), had been at the literary center
of French religious sensibility at least since the time of Pascal in the sev-
enteenth century.6 During the modernist crisis, the chief representative of
this tradition of interiority or way of immanence was Maurice Blondel.
How the genuinely pious Blondel must have shuddered when he first
read Pascendi’s warning against “Catholics who, while rejecting immanence
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W h o A r e th e M o d ernists ? 17
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cation and even triumph of Maurice Blondel. But in 1907 such an interior
approach to God or way of immanence appeared to be authoritatively re-
jected by Pope Pius X.
Necessity required, the encyclical insisted, dwelling at such length on
the Modernist system because it “does not consist in scattered and discon-
nected theories but in a perfectly organized body, all the parts of which are
solidly joined so that it is not possible to admit one without admitting all.”
Thus Pascendi defined Modernism as the “synthesis of all heresies” because
its agnosticism led to the dissolution not just of Catholicism but of all re-
ligion into a muddle of experiences which can no longer be distinguished
from the reality of God.9
The cause of Modernism, according to the encyclical, is “perversion of
mind” due to curiosity and pride. Pride “sits in Modernism as in its own
house.” In their “amazing effrontery,” Modernists gain disciples by criticiz-
ing Scholastic philosophy, the Magisterium, and the authority of the Fa-
thers and tradition. Pascendi takes particular note of Modernist “hatred of
Scholasticism.” There is “no surer sign that a man is on the way to Modern-
ism than when he begins to show his dislike for this system.” Modernist
professors are said to teach from their “chairs of pestilence.”10
Chief among the remedies proposed by the encyclical is the study of
Scholastic philosophy. Pascendi warns theologians “who exalt positive the-
ology in such a way as to seem to despise the Scholastic” that they will be
identified as having Modernist tendencies.11 Paras. 48 through 56 outline a
series of “practical applications” for counteracting Modernism. The choice
of seminary rectors is crucial. Rectors cannot “be too watchful or too con-
Copyright © 2013. Catholic University of America Press. All rights reserved.
stant” in their choice of professors.” Candidates for orders are not to take
university courses that could be taken at their Catholic institutes. Pascendi
devotes three paragraphs to the need for “vigilance over publications.” The
Pope urges bishops to drive “pernicious books” out of their dioceses. But
hindering the reading of such books is not enough—bishops must also pre-
vent them from being printed. To this end, the role of censors is spelled
out in detail. Pascendi warns against gatherings of priests and prescribes the
establishment of diocesan vigilance committees or “councils of vigilance”
to identify Modernists. The encyclical mandates “triennial reports” from
9. Ibid., para. 39. 10. Ibid., paras. 40, 42, and 43.
11. Ibid., paras. 45 and 46.
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bishops on their implementation of its practical applications.12 It is not at
all clear that “councils of vigilance” and “triennial reports” were universally
implemented. Such, in any case, was the introduction of the term Modern-
ism into the lexicon of Catholic theology.
W h o A r e th e M o d ernists ? 19
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including future popes, became a potential suspect. Vieban’s question thus
anticipated interrogations by Pascendi’s “Councils of Vigilance.” It also ar-
ticulated the predicament of future historians. By the time they arrived on
the scene to study something called Modernism, they found that, because
of the novelty of the term, the question “Who Are the Modernists?” was
already a contested one.15
“The creator of Modernism is Pius X,” George Tyrrell wrote in 1909.16
Tyrrell’s posthumously published Christianity at the Cross-Roads (1909)
opens with a sentence defining Modernists: “The hope of a synthesis be-
tween the essentials of Christianity and the assured results of criticism is
very widespread nowadays and those who share it are commonly called
Modernists or Liberals.” But Thomas M. Loome has shown that Tyrrell did
not use the term Modernist of himself until after Pascendi had introduced
it. Before that he referred to himself as a Liberal Catholic.17 A century later,
Tyrrell’s dictum that Pius X created Modernism represents a near-consen-
sus among historians.
At the present time, the vast majority of historians of the modernist
crisis would hold that, as the kind of self-conscious system emphasized by
the encyclical, Modernism is largely a fiction, the creation of Pascendi. As
Alfred Leslie Lilley put it in 1908:
This supposed modernist system is but a perverse figment of the imagination of the
clever and inveterately scholastic theologian to whom Pius X entrusted the draft-
15. Anthony Vieban, SS, “Who Are the Modernists of the Encyclical?” Ecclesiastical Review 38
(May 1908): 489–507. Canadians had the same problem identifying the modernists of the encycli-
cal. See Katherine Murtha, “Modernism and English-Speaking Canadian Catholics: A Study of the
Copyright © 2013. Catholic University of America Press. All rights reserved.
Catholic Press in the Toronto Area at the Turn of the Century” (master’s thesis, University of St. Mi-
chael’s College, 1985), 73. In the newspapers Murtha studied, the term Modernism was not introduced
until October 1907. In addition to Loisy, Tyrrell, and Romolo Murri, two Americans are mentioned:
Edward Hanna, in connection with his article on “Absolution” in the Catholic Encyclopedia for the
suggestion that the Church was not conscious of the power of absolution from the beginning, and
Denis O’Connell.
16. Thomas Michael Loome cites this from Tyrrell’s Foreword to the 1909 German edition of
Through Scylla and Charybdis. See Liberal Catholicism, Reform Catholicism, Modernism: A Contribu-
tion to a New Orientation in Modernist Research (Mainz: Mathias-Grünwald-Verlag, 1979), 48n141.
17. See Loome’s discussion in Liberal Catholicism, Reform Catholicism, and Modernism, 28–58,
esp. 40, where he treats the first appearance of the term in Tyrrell’s correspondence. The Tyrrell quo-
tation is from Christianity at the Cross-Roads (London: Longmans, Green and Co., 1910), xv. Tyrrell
goes on to say: “By a Modernist, I mean a churchman of any sort, who believes in the possibility of a
synthesis between the essential truth of his religion and the essential truth of modernity” (5). From
his analysis of Tyrrell’s usage of the terms Liberal and Modernist, Loome takes the fundamental in-
sight for his proposed reorientation in Modernist research.
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