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TABLE OF CONTENTS
WCTs Open House
You insite!
Checkout she in
to our Second Open House Fish
ieeeeatee rr VA). Chip Cave
The Medicine Woman
Tike
Fox Chapels Carving Museum 0
Managing Edior Roger Schroeder
shares his
Carving Fitz the Leprechaun ~
This whimsical shelf ster ts sure wo
bring yo the luck of the tis
Readers Survey 0
Answer some questions and you may wn a price
Soft Feather Texturing 3H
Tho Race demoneies the tof carving
Making Wooden Dolls Ee
Creating Iifelike dlls is Michael Langton’s special Sui
Tayering and Blending Feathers 2
aro Hoppe makes paint feathers on widfowl easy
ish Pai
Learn airbrushing tcchmgues from experts
Ed Walicki and Ton Wolf
Cover Feature
3:0 Relief Carving / Whittiing Dixie 74
est "evel porta of Cl War General Rober. Lee
ict Noto shares four unique ters
Carving Wolves
Sneak a peak at Desnce Hains new book
‘Carving Wolves, Foxes & Coyotes” with ai
Make an Adjustable Carver's Vise a7
Buia vse from a
4
trailer teh
Carving Whimsical Birds 8
Regular Columns
Fulitor’s Message
Letters to the Editor
News & Notes 10
24
‘On the Road 36
Advertisers Index 80
Events Calendar 89 Medicine
9 Woman
Classified Section
3-D Relief
CarviPee en!
Editor's
is nearly a century old. He
authenticit
tor Armand LaMontagne,
Corner
There are carvers who push
to its limits...and
perhaps beyond. Wood sculp-
vho
works wood as if it were clay,
his latest life-size sculpture:
a Mohegan medicine woman who
dressed” her in beaded
clothing, carved entirely from a large block of lami-
nated basswood.
Michael Langton’s one-
third-size dolls are impres.
sive for another kind of
authenticity. Langton goes
the limit to outfit his wood
figures with exacting adorn
ments and accessories. The
m will definitely pro-
voke a double take
On a smaller scale, Joel
Hull carves Fitz the
Leprechaun, a sure winner
for those of us who have a
love of the Irish. Frank
Russell returns to write about
feather texturing. Rich Notto
shares chip carving patterns
and unique tools. Ed Walicki
and Tom Wolf make painting
a rainbow trout almost as
easy as turning on a com:
pressor. And Harley
Schmitgen carves a bust of
Confederate General Robert
E, Lee that is only three
quarters of an inch thick
If you think you'll
break from the winter dol-
drums, set aside February 26
and 27 for our second open
house. Demonstrations and
classes will be available, and
the Fox Chapel Museum of
Wood Carving will have its
2 Over 300.
antique and unusual cary
ings-from chip carving to
caricature-will be on display
Before shelvi
6, please take a few minutes
to fill out the reader survey
sand openit
ssile no.
Improvement can only come
with your input: your s
tions and opinions never fall
on deaf ears at our offices,
Thope 1999 is a safe and
productive year for all our
readers,
R
Managing Editor
[email protected]
Schroeder
Wood Carving
TELUSTRATED
WINTER 1999,
Publisher Alan Giagnocavo
Managing Falitr Roger Schroeder
Associate Elitor Ayleen Stellhorn
Faitorial Assistant Naomi C, Hust
Power Carving Editor Frank Russel
mtributins Eto Desiree Hajny
fin Mignone
"Tom Robbins
Heather Bincarowsky
fice Manag Rebecca Miller
Customer Support: Joanna Iezarry
News Stand Circulation Consultan
JM. Cappello Associates, Ine. (61) 525-6
Copvright 1993
boy Fox Chapel Publishing Co, Ine
All Rights Reserved. Printed in USA
Wood Carving tlustrated Magazine is
published fur times 3 ye
ISSN 3816
Subscription rates in US doll
Two years $39.0
Canad:
Foreign
Advertise
Customer service for Subscr
jesse cal toll free 1 885-506
above address.
Wood Carving Mlustrated MagCHAMPION
sett y
a
* Wildfowl, Fish Carving
Painting Competitions
* Over 100 selling exhibitors
° Meet the artists & view
thousands of carvings
* Auction & sale of decorative world
class carvings & art
© Delmarva Birding Weekend
April 24 1999 For rules & information:
410-742-498
Held in conjunction with the War
Championship Wildfowl Carv
petition, the weekend boat
moe treks and expeditions by foo,
as well as a photography
To schedule a tour:
410-742-4998 Eut, 109
Rectan IN ye OSIOE ESO Lee)
FANS OCU POO ee Ue ee ee Le. TIDm LETTERS TO THE EDITOR Reese tn ee
We welcome your comments and suggestions.
Pease contact us by mail at: “Reader's Wit’, Wood Carving Illustrated, 1970 Broad
lL, East Petersburg, PA 17520, or by email o: editors @carvingwotid.com
Praise for Patterns and Format
Having worked in the graphies art field
for 27 years, l appreciate the high quality of
WC [find the patterns of special interest.
With 12 2
jndchildren and
ine great-prand
children, there is always a demand for my
carving efforts. I's diffielt to come up with
appealing projects sometimes. Your patterns
Manitoba
“The
woodcarvers
paradise
Wood carving tools
Over 300 books
for carvers
Full service
walk-in store
We cater to the
woodcarver.
carried:
redom, Nibsburr
Flexcut, Wahil & more
your format into tech
nical journal, With the present balance, you
have it together
‘Chuck Pfleger
Rochester. NY
A Better Offer
Loved the Fall 1998 Issue (my ist seus),
Thave carved loons, hummingbirds, decoys,
and was in the midst of a one-third-scale
arouse! horse, I put it aside in order to
carve Art Shoemaker's Mini Santas and Ivan
Whillock’s Ghost. I'l have carved six each
of the Mini Santa by the time I'm done.
| Dennis O'Neill |
‘Thunder Bay, Ontario
Oneil@baynet net
wood r’
“01>
CA
things, inc.
301 1st Street N. Ext.
Nampa, ID 83687
(208) 466-0110
Toll free number for orders!
ht tp://mww.carvingsupplies.com
[email protected]
© aa
In Black and White
The Power Carving Ma
al has been a
‘godsend! Here in Australia we've wrecked a
few exible shaft machines without local
jee and support. WCI is an excellent
teaching
fool. The pictures speak a thousand
words showing graphically how and what is
achieved. Some students are improving so
much with the help of your magazine thet
they can now carve their own favorite pro:
jects
‘What I would like to see is more on
designing and creating original things. Also,
fnclude some black and white photos, patic-
larly for detail in facial expressions and
netsuke. Black and white shows the texture
such clearer as it reveals the light and shad:
‘ow, Many thanks for a good magazine!
M. Onley
Padstow, NSW Australia
Frog Skins, Anyon
Most of the members from our lub here
in south central British Columbia are sub-
seribers to your outstanding publication, We
have a problem we hope your readers can
| help us with, How do you create in wood
the pebbled effect on the skin ofa frog?
Joe Murphy
Celis, BC
murphy @mail.ocis.net
Sealing Basswood
Tn response to Leonard Wollty’s question
in Letters to the Ea
(issue nod), Lree-
‘ommend sealing and staining basswood
using the following steps
1. Wash the carving with warm soap and,
2. Seal the carving with rabbit skin glue
(Available from art and carving supplyPFINGST
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stores, Follow directions om package). Let
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3. Paint the carving wih 3 watercolovvab
nut stain wash, Use Standard Brown
Lockwood water soluble aniline dye (i's |
Jess to 1 cup of water). Then ad smal
amount of gum arabe solution wo increase |
wi
loss a
nsparency and ox gall guid
to improve surface adherence. Watercolors
are mixed in withthe stain and applied in
a wash. Wipe off the exeess when the paint
is dry; this helps create the “highs” and
ows
4. Mix beeswax and turpentine to a paste
‘comsisteney: Wax the earving to set and
protect the stain. Lett dry, then but? i
with a shoe brush toothbrush
Lary Spinak
Nashua, NH
The best results I've ever achieved when
staining basswood is with Minwav® stains
applied with an airbrush
Margaret Cawood
Mealllen, TX
How Basswood Got Its Name
‘The following information isin response
to the question (WCT issue no. 4) of how
Owens
basswood got its name, Geo
Colorado Springs, CO, Rudy Leu
Dies
MO, Larry Spinak of Nashua, NH and
‘Tom Stedner of Trumbull, CT provided
San
20. CA, Ruth Sheeley of Springfield
similar details about the etymology of the
word
Many contributors had heard that bass
wood 138 the wood used for making bass
fishing plugs. I's a good folk tale but aot
‘one that is founded in fact, The name is
taken from the “bast” or soft inner bark
used by Natives in making baskets, lines,
and nets.
Ealitor’s Note: Future issues will have
recies, Included.
will be projects done from the wood with
tips on carving techniques and tools 10
A Teacher's Delight
standing ise
Congrat
tno, 31 The mi
ine just heeps get
better. Its great to see the work of accom.
plished carvers to give you somethin
shoot for, but you just ean't beat the
hands-on articles. WCT has been extreme
ly well received by my students and cus:
Les Barrow
Barrow Carving and Supply
Thunder Bay, Ontario
Better than The Stones?
The magazine store where F regularly
get WCT called yesterday to tell me that
issue mo, § had arrived. Uniortunately 1
Aid not got the messag
until after the store had elosed, As WC is
‘ore desirable than Rolling Stones tickets,
Twas camped out on the doorstep this
morning (sight exaggeration) awit
srival
‘You and your staff have outdone your
selves again. The quality keeps improving
the articles are great, and the variety is
challenging. I was intrigued by the forging
piece as I had assumed that carving
were, lke children, found under cabbage
leaves. Lam also pleased to see the article
by lan Kithy as follow his articles in
American Woodworker with great interest
ook forward to the upcoming survey
Several comments about the frequency of
the articles are appropriate. I would like to
see the magayine produced more frequent:
Iy, say weekly, but realize this is unreal
tic, Bi-monthly Would be nice if the con
tent does not sufer: Actually any reade
who
nplains should le made to com=
Plete all of the projets in the current issue
before he is allowed to receive the next
All the best 10 you and the erew. HookTwo Great Carving Sets in their
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Dealer Inquires Welcome.
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plus $5.75 shipping & handling per orderMm LETTERS TO THE EDITOR eee eu
Pesan
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Exjoy a wack of hands-on insuesons. This vil equip you Io create
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forward 10 many more issues and the chance to try a
Richard Gagnon
[email protected]
Poor M ise
Several readers aske fora source of supply for the
carriage handle shown in issue no. 5's Poor Man's
Vise. Here isthe information from Lynn Diel (emi
‘diel @ coe missouriedu)
Easy Grip Carriage Handle
114 in-20 91048A029 $1.79
516 in-18 91044A939 $1.91
3 in-16 910s4a031 $223
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Phone: (630) 833-0300
You can also ty your local Ace Hardware stores.
Upcoming Articles
(ur readers may be
peak at what is coy
rested in sneaking &
‘up in WCL The next
two issues will contain special theme sections
Issue mo. 7 Spring 1999 will offer a special
section on Western-style carving,
Inside, you'll read about
A catver's color gallery of Alaskan mammals
Andy Anderson's Wesiem carieatores
The Western art of Williara Churchill
The history of cigar store Indians
Plus many more topies
Issue no. 8 - Fall 1999 will have a special
section on finishing. Included will be tips and.
techniques on p finishing your
cearvings, plus a comprehensive review of
Alrbrushes for Carvers” by Frank Russell
Correction:
in Greg Krocka's anicle “The Power Behind
Wooddearving.” (issue no. 5), the power source for his
‘compressor should read 110 0¢ 220 volts, not ampsBaan Products, Inc.
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News & Notes
a a! page 43 of the Power Carving Manual, Figure 3:16 shows a homemade solution
eee) increasing the shank diameter on 1/16-in. and 3/32-in. carving bits so that they
\vill fit into 1/8-in, collets. The text recommends using Super Glue and brass rod
Jstock. Readers are warmed not to use this method since it can be dangerous,
OT sins
Carving hardwoods, for example. will generate a lot of heat in the bit; the heat may
cause the Super Glue bond to weaken. The resulting slippage in the bit at high speeds
is very dangerous,
Frank Russell, Power Carving Editor, writes, “I have discontinued using that method completely. Now I use
manufactured steel collet inserts, These are made by Foredom Electric and are widely available from carving
suppliers. When carving walnut, for example, I suggest using an aggressive bit such as a flame-shaped 3/32.
in.-shafted Kutzall burr for roughing. Then use a ruby carver, diamond bit, or a fluted steel burr for fine det
and finishing. Also keep in mind that over-exerting any bit will cause burning and other problems.” 1
Competition °98
Competition “98 is an annual retrospec-
tive of the year’s best bird carving
competitions. Published by Wildfowl
Carving Magazine,
the first and only
magazine devoted
to bird carving,
Competition “98
features stunnir ,
color photographs CCA Circus Sale
of the top winning |} Did you ever wish you could buy your own big top circus? The
carvings from the |} opportunity is at hand. In 1996, the Caricature Carvers of America
Ward World designed and carved a miniature two-ring spectacle that sits on a
‘Championship, East Carolina Wildlife four-foot by eight-foot base. Over 120 pieces are in the group project
Arts Festival, Northern Nationa The CCA Circus is being retired from its traveling schedule this year
California Open, and Louisiana and put up for sale.
Wildfowl Festival All pa ed in purchasin is $10,000 - should
contact the Caricature Carvers of Americ, co Bob Travis at 412 Anza Ave,
the circus - the price ta
Over 100 of the best contemporary Davis, CA 95616, 530-758-5692. E-mail:
[email protected],
carvings are highlighted. Available
February 1999. Copying Priv glee es for Patterns
For more information or to order Compe! Not all of our veaders hay ress to free copying. A few ¢
‘98 or Wildfowl Carving c mentioned that somte Lcopy services will no
wildt patienits (ollie te STA mt
Street, Harrisbu
800-233-9015, E-mail:
[email protected]. 3
fc ‘opyvigh
are issuing this
For professional copying agencies: Wood Carving Illustrated
will allow three copies per pattern for any subscriber's person-
al use without written consent of the magazinea , Selling Your Carvings =:ti-
e Required Reading for Would-Be Professionals ss
)
ing carving, >
but were unsure if you have what it takes to work
A ] yY Eyer wonder if you could make a
is with wood full-time and be successful?
O teeny te trai
number of ieent
vite a et -dseipined?
Do you havea vison for yo ac business?
ochre and newsleter
@ Set. goal jor yourself ana your
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Don’t miss it! Wood A Nee Illustrated’s
o
Ld
GRAND OPENING AND
Friday, February 26 and Saturday, February 27th, 1999
12 noon = 8 p.m. 9am.-5pm
You are invited to our 2nd open House and the Grand Opening of
the Carving Museum in our building. We know you will enjoy the opportunity to
The Open House runs for two days. Pai
meet the staff of WCI and to learn from some of the top talent toda’
‘er what your interest, we
Here is what's offered:
Power Carving Demos
with Frank Russell, Power Carving Editor
Woodburning Techniques
with Joan Wolf, Colwood Electronics
Sharpening Demonstrations
by Dave Bennett, Tom Brown, and John Dunkle
(Bring a dull tool along with you!)
Painting Tips for Carvers
with Jo Sonja’s* Paints, Chromas Acrylics,
Fish Carving Tips and
Techniques
with Tom Wolf and Eid Walicki, WCI
contributors
Carving Basswood Eggs
with Laura Putnam Dunkle
who will sign her new book
Carving Whimsical Birds.
e something planned for you!
classes extend into Sunday.
the carving
Flexcut
Flexcut Carving Contest
In our Fal lesue, we announced the
frst internet Garang Contest. Cavers
from across the county have been
submitting photos of ther carvings to
the Flescut website at
woa/falerunccom. A he Open
House, the nas wil display tee
ceanangs for judaing by you, the
carving puble. Come and see some
fe work and cast your vote for the
FOREDOM’
New Product Demo
and Giveaway
Foredom wil be introducing @
brand new line of power carving
stones. Cerameut Blues have
‘many promising features that
you'll want to learn about. Pick
‘out one sample of your favorite
shape ABSOLUTELY FREE! Frank
Russell will also be demonstrating
its use,BEUSTRATE SD
OPEN HOUS
Tours
1.Grand Opening of the Roger Schroeder
Carving Collection. View 300 carvings from
our Managing Editor's personal collection (See
article on Page 30 for a preview).
See the Caricature Carvers of America’s Carved Circus!
2. Tour the facilities of the Lancaster County See ee ee re aaa
Carving School
Classes
= Contact David Steele, Lancaster County
Carving School (717-581-1501) to reserve your
Biestrecstcry| class. Hurry! Space is limited to 12 students per class.
stancaster Visit our web site: www, carvingworld.com/ school
Farrisburg
Philadeipt ia} Carve a Caricature Fireman
Learn from CCA member and retired
firefighter Peter Ortel
Lancaster Friday 7-9 pm, Saturday & Sunday 9-5pm. Cost: $135.00.
Baitimore, MO
few
View
Bird Carving
rum Maryland and points south
ee eee pec omaues
See ee ee Ward World Champion
er Glenn Ladenberge (1958
es Winner Desert Reign
instructor. An intensive
3-day course in the
techniques of carving
competition birds
Friday - Sunday
9-5 pm.
From Philadelphia ad pins eas:
20 1 mines eu of E Santa Carving with
ems Lae Bt David Sabol
Br a TAS In Bis nit ee rve the Santa and Reindeer
. featured on the cover of WCI's
Ak for AARP or Carvers Open Semeteis
00 Friday 7-9 pm, Saturday & Sunday
9-5 pm. Cost: $135.00.WOOD CARVING ILLUSTRATED = WINTER 1999,
4 AD CARVING AN IRIS
Carving and Painting an
WS with David Sabol
In the Spring/Summer 1998
issue of Wood Carving
Illustrated, professional
woodearver, instructor and
Caricature Carver of America
David Sabol showed off his
skills by carving a daffodil
out of a solid block of wood.
In this issue
David brings
an iris out of
a piece of
About the Iris: freshly cut
white pine.WOOD CARVING ILLUSTRATED WINTER 1999 CARVING AN IRIS
Photocopy at
200%
Tool List
Bench knife
Detail knife
Bent detail knife
No. 8 6mm gouge
No. 8 18mm gouge
No. 97mm gouge
No. 11 3mm veiner
No. 16 3mm V t |
Finishing Materials
Oil paints
Mixwax* natural stain
Sable br
=IRIs
WOOD CARVING ILLUSTRATED + WINTER 1999,+
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carver of highly collectable cowboys.Wood sculptor Armand LaMontagne ca
Is his latest subject “Earth
Mother.” It's a fitting description for Native American Gladys
‘Tantaquidgeon, Medicine woman, anthropologist, social worker, and
recorder of her heritage. she is within two years of having lived in
three different centuries.
Born in 1899, Tantaquidgeon is a member of the tribe immortalized
by 19th century writer James Fenimore Cooper in his book The Last of
the Mohicans. She studi
hropology at the University of
Pennsylvania and worked for the Smithsonian Institution as a collector
ve American artifacts. When she told LaMontagne that she had
once known a sculptor, he was mildly interested. When he learned that
it was Gutzon Borglum, the mastermind behind Mount Rushmore’s
Se
anite faces, he was astounded, Before him, he realized, was a living
link to the world’s largest manmade sculpture, completed when
LaMontagne was just three years old,medicine basket. With head tilted
LaMontagne. whose studio is in slightly skyward, she has the look ¢
North Scituate, Rhode Is
‘omer to sculpting American
nds. To his credit are people
lauded in histor
records: Rhode Is
Williams, General Georg
First Lady Eleanor R
Ruth,
J isno both wisdom and serenity
and basebs
size warriors. One of his best known
sculptures is & kneel
in loincloth and moe
ing a spear. Commis
W.
ned by
basswood. For the sculpture of raft, a mail order company
Boxton Celtics ereat Lary Bind retail chain that supplies tools
his studio a block that
sculptor like L
Tantequidgeon holds a traditionalAlthough he did not
its ritual, Instead, healing
Was associated with quie
Studio in moccasins
and buekskins for this
sculpture, he did thor
ough researeb that
began with a four-hour
photo session with
Tantaguidgeon, With
her home transformed her surroundings as if
temporarily into a stu looking inward, There is,
dio and backdrop sheets a stro
prayer and contemplation,
The finished sculpture has
Tantaquidgeon holding
the basket in both hands
away from her body. Her
eyes, although open
taped over a fireplace
LaMontagne took shots
of her from every angle
and recorded detailed
measurements of her
anatomy, The pho:
tographs were always.
hear at hand as he carved
the glued-up block. More
sense of her
spirit in the sculpture
Carving the
Right Person”
Armed with a chain:
saw, LaMontagne
yund front and sik
material came
Profiles drawn on the
block. Then, using
esate the chainsaw as a giant rasp, he rounded
the anatomy, refining its shape with gou
muge work “adjustments.” and he say
Sculpture has 4 million of them,
The fac
Capturing the Spirit
LaMontagne's challe
s. He calls his
that a typical
‘could not put her into an action
pose,” he says
posi
» the most difficult part of the sculpture,
nor her S#¥S LaMontagne
That is neither befitting her ay
wn with the Mohegans. [
i medicine, and when she
basket
Ie means capturing the personality of
aan individual ata particular moment in life and at the
same time it has 10 make a statement. A portrait in wood
ewan ty must be both accur
Fade Hie Laeees After hundreds of hours of cautious wood removal a
id not include dance as part of _{#ce emerged, oversized at frst but rec
the early stages. Those oversized feat
howed me a medicine
one that is older than she is, the ps
take shape.” Tantaquidg
that Mohe
and flattering to the subject
in medicin,fone chip at a time as he removed wood
He made profile templates and kept
constant tabs on the distances between
fea
curacy? “Ian eye is off by even
1/4 in., [haye done the wron,
LaMont
Magic Tricks
‘Where there is a challenge, t
fun,” LaMontagne says, The cha
came with car
the hands and bas.
ket. He saw them as technical problems
how would he earve the inaccessible
‘cupped hands and the rear of the basket
With So little room to work in because
of their proximity to the chest?
LaMontag
mirror. U
performed his magic with a
cone taped to the body.
literally carved in reverse while ju
his pros
ess by the reflection, In r
spect, he wishes he had used a reflective
metal plate instead of fragile glass in
such a tight spot, But even a broken
‘mirror brought no bad luck to the sculp
tor as he completed the figure
Bone Replacement
LaMontagne was not satisfied when he su
cessfully carved the hands and basket. “Thad
put some of her bones back in place,” he quips,
Befor
his fit. That it docs not break is remarkable con
sidering that LaMont
built lke a foothal inebacker—which he
explains, he pounds on the basket with
col
What LaMontagne means by bones are thread.
d
ed steel rods, These he inserts with
powerful drill into the arms and I
tures. Ifa statue should be given a strenuou
bump, of even dropped. damage will be minimal
At worst, an amputation will be avoided altogeth
er. It was no small challenge inserting a threadec
rod into one fragile and thin arm of
Tantaquidgeon, Starting from the front of the bas.
ket, he drilled a hole that extended thr
\wrist, the arm and finally out the back of the arn
near the elbow, It was bombs
‘Montagne, but a single
eWOOD CARVING ILLUSTRATED « WINTER 1908 NATIVE
LaMontagne points out with satisfaction that he did ulpture of on
not undercut or hollow the inside of the skirt. Instead, he WN ay at th
icitt@albos We expliing/ Tasting psch'e'mctasirs in Sun casin C
are outstanding because of the attractive beadwork. I LaMontagne to sculpt another Native American’? H
Wanted something to help light those shoes. If [had hol- won't say actly is in the
Jowed the wood, I would have created shadow and dark- mountain of chips will soon fall in my studio.”
ness, Instead, I left the underside of the skirt flat and announce
painted it white to reflect
is a case where less is more
conto the moccasins. This
An 18-in.-tall pedestal seemed to be the right height rt
for the medicine woman, LaMo says. It puts:
Tantaquidgeon eyeball (© eyeball with most adults.
Dignity comes with some added height,” he explains
That's why thrones are usually placed well above the
‘common people.
LaMoni
ne also points out that a base to a sculpture
s to a painting: “It should be neutral and
3 is painted a dull flat
neutral color.” What ma
ft prominent marks 0
the surfaces of the pedestal. “Indians did not have
paper. When they scooped out a canoe or shape
pole with adzes, they did not sand away those tool
marks,” Tantaguidgeon would appreciate the detail
The portrait in wood of Gladys
Tantaquidgeon can be viewed
at the Mohegan Sun,
Mohegan Sun Boulevard,
Uncasville, CT 06382 /
1-888-226-7711.
For more on the work of
Armand LaMontagne see
Issue no. 3, Spring/Summer
1998 of Wood Carving
Mlustrated.{WOOD CARVING ILLUSTRATED * WINTER 1999
FROM BONE HUNTING TO
Collecting
co codcarvings :
THE STORY BEHIND A MUSEUM
BY ROGER SCHROEDER
Ais a geung bey, Ud lof
dreamed ef
tise things: digging up dinesaut
bones and hunting for buried
Q Z,
treasure. U attempted her eghen
D grees uy, but instead seme-
thing just as satisfying: U cent in
search of poodearvings.es 2HudEeeC
Kilt of a bagpiper, obviously in se
in, And birdearver Paul Dok
ippreciate caricatures, but if I fin
hunted for any particular carvings. 1
J a well-carved animal, I
carved box or a chip-carved plate that Like, L will buy it
‘without hesitation,
with
have few carvings by famous carvers, and fewer that are
signed. I do own an unfinished peregrine falcon by World
Champion wildfowl carver John Scheeler, but there is a
‘minimum of definition on the piece, and he called it a dud.
ut a doubt, Carl Olof Tyrag was a great carver. But
Most of my carvings are American, Canadian, or European.
Canadian carvings are plentiful. Ihave miniatures under 2
inches in height and others that are 10 inches tall, Most are
ly identifiable as Canadian: th
are the ones that have
the right hand in the pants pocket or apron pocket. The
carvings that [rarely come aeross are relief work. have
few of them in my collection
The number of pieces grows and the available space is
diminishing accordingly. Shelves and walls are elotted with
them: and even window ledges are display stations. When a
t stacked on top of a chip-carved box and a
caricature was placed inside a carved bow, I decided it wasSe)
ZemuczRr aiROAD WOOD CARVING ILLUSTRATED « WINTER 1999
Haye you seen a one-of-a-kind carving in someone's back yard?
Carved panels adorni tor home? A mailbox seulpted to look
like a cartoon characte feature is looking for the unusual, the
humorous, the double-take carving that you might pass by in a car
and wish you'd stopped for. And if you did back up to take a closer
ook with camera in hand, send us a
photo ~ slides are better — and a brief summary of your find. If we
publish your photo and description, we'll send you a one-y
scription to Wood Carving Mustrated or a free renewal. Be sure to
include your name, address, telephone number and a self-addressed,
welope so we ean return your photo.
sub-
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PATTERNS alk
‘Art of Chip Carving ‘Woodcarving Classic Carving Patterns Carousel Animal Carving Friendship.
Barton + $17.00 Tech. & Design Irish + $23.00 Carving Cane
Davis + $26.00 Elis +18.00 Wolfe + $12.00
Woodcarving Videos:
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Turing and Carving Tools (Kingshott) $23.00INDIAN Bust
Roughout
010-516 + $13.95
(3"'x4"x6")
designed & carved
by Ivan Rossiter
HAm Hock
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055-572 + $19.95
(4°x4"xI 1")
designed & carved by Phil Bishop
Call, write or fax for a nice 50 page catalog,
at $3.95, refundable on first order. OUgnOuE
Other supplies and teaching aids 001-560 * $26.95
also available in catalog. (4"x10"6")
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COT eer“ee a FITZ THE LEPRECHAUN W000 CARVING ILLUSTRATED « WINTER 1980
Fitz the Leprechsun—
FOLK ART TAKES A SEAT Po
Photogray
> Roger SchroederWOOD CARVING ILLUSTRATED + WINTER 1908
‘onthe
figure where
ight is needed for
2 County Industrial
0. Box 1686,
rate the ea
tool (available
Wan
feom Waeren Cutlery
Corporation, 2203 Rt. 9
G.PO, Bo
Rhinebeck,
914-876-7817)
Using any short but rigid
measuring tool, in this
‘ase ty square, 1 mark
where the
roughly Vi
brit line
FITZ THE LEPRECHAUN
conjunction with takinz
a
<
es
°
w
c
aWood CARVING ILLUSTAATED « wivTER 1800, Fitz THE Lepnechaun FAR| FITZ THE LEPRECHAUN
With the linoleum cuter
Toute the shamrock
on the hat
Talso use the linoleum
utter to outline the shoe
buckles and straps
outline the buckles
vith the detail i
For cleaning up and
alm
ble from Charles
WOOD CARVING ILLUSTRATED * WINTER 1999
With the detail knife, 1
‘outline the hat band
the detail k
‘carve up to the cu
with the Hinolenr cut
Next Lut
take out chips. This
the inside ofthe huckle
Painting Instruct
[stain the wo
xen speed up the drying with a hair dryer. I prefer C
able from Ceramcoat-, Delta Technical C Ine
Place, Whittier CA 90601 / 800-423-4135) a paint that c
ounce bottles and has some unusual names Tor colors,
and breeches use Hunter Gree
ashes of Medium Flesh
‘Oxide
Medium Flesh and Tomato Spice
jgewood Blue, and Black forthe rises,
cettna is Antique White or the bellows and Brown Iron Oxide
for the straps
The socks are Hunter Green and Antique White
The shin cuffs are Antique White
The shoes and hat band are a mix of Burnt Umber and Ultra Blue to make
rm black
shamrock and buckles are 14 Kt Gold
Tse Watco® satin wax fora finish that preserves the carving and gives
the surface a hand-rubbed luster
atered down acrylics. They dry quickly and I can
umcoat (aval
PellissierHe's made from quality
Kiln-dried basswood.
He stands 4°x5°x12".
And he’s designed &
carved by Stu Martin,
whose woodcarving
Best of all, Stu
can show you how to
carve him, because
he’s teaching a class
near you!
For seminar information, call toll-free:
(800) 766-6127
Over 100 roughouts and videos!
Patterns from top names: Desiree Hajny
+ Dean Troutman - Bob Travis « Dave Johnson
And original carving patterns by Stu Marti
Martin’s Woodcarvin
Godd
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19836 Amity Court rd, KS 67052
Ph. (316) 794-2678
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Categories
Wildfowl - Fish - Mammals - Hunting Decoys
Interpretive Sculpture
Seminars + Auctions - and more
Show Contacts:
Kent Duff + (507) 289-2435
Brian Grott - (612) 295-2684AO OCU Rao
Please fill out and send in hy April 30,1999, and you'l be automatically entered into our prize drawing.
$250 gift certificate to the Lancaster County Carving School OR
Te winner selects rom on6 0 the Sliowtee ese 240K flerible shaft carving machine and accesveries (a $280 value)
tn the interest of improving our magazin, we ask every reader of Wood Carving llustrated to complete and return the survey fous. Answer
will be heptin strictest confidence and wll not be used for any purpose ther that mprve the magazine Pease cre the appropate lee
1. Thave been carving: a.underayear b.I-3 years ¢ 4-10 years d. 10+ years
2. I carve with: a. handtools (knives and chisels) b. power carving machines _c. both
3. Lam a member of a carving club. ayes b.no
4. Select three favorite subjects you would like to see covered in WCI (three only):
a. decoys {fish decoys k. chip carvings
b caricatures g realistic birds I. carousel horses
chainsaw carvings _h canes m.realistic humans
d. relief carvings i Santas 1. realistic mammals
fish i. Christmas omaments 0. stylized and abstract,
5.1 prefer to finish my carvings with: a. oils b, watercolors cacrylics d.wax e. stains f other
6. | would rate myself as: a. beginner b novice ¢ intermediate d advanced e expert
7. 1 teach carving to others. a. yes _b. no
CTT Sc)
8.1 consider Wood Carving Illustrated to be: a. excellent b good satisfactory d. poorly done
9. WCI should come out more frequently. a yes b.no
10. I would be willing to pay $30 per year in order to receive 6 issues per year. a yes b.no
11. WCI should contain a more b. fewer c. same number of patterns in each issue
12. WCI should contain a more b. fewer c. same number of step-by-step articles in each issue.
13. WCI should contain a. more b. fewer c.same number of carver interviews in each issue.
14. WCI should contain a more b. fewer c. same number of show reports and museum articles in each issue.
15. WCI should contain a more b. less c same amount of information on carving tools, resources and
supplies in each issue.
Oe —
We)
5240R
a
a
16. If purchased new, the tools in my shop are probably worth:
,$100 or less b. $100-$500. c. $500-$1000 d, $1000-$2500 e. $2500+
17. | own the following tools:
a. Flexible shaft power tool f Whetstones _k. Router
b Air power carver @ Scroll saw | Planer
fe Recinroentine peereaver Ry Drill press neCanie cen ote Td
d. Carving knives i, Bandsaw 1m. Airbrush ag
€. Sharpening wheel/grinder i. Table saw © Dust Collector ern]
18. In the next 12 months | plan to purchase: ae!
a, Flexible shaft power tool f. Whetstones k Router
b. Air power carver @ Scroll saw I Planer
€ Reciprocating power carver _h. Drill press m, Carving bench
d. Carving knives i, Bandsaw 1 Airbrush
e Sharpening wheel/grinder _, Table saw ©. Dust Collector
19. In the past 12 months I completed
a. 1-3 carving projects b. 4-8 carving projects ¢. 9-15 carving projects d. 16+ carving projects
20. On average | spend the following hours a week carving:
a.2hours orless b. 3-Shours c.6-I0hours d. 10+ hours
21. Lattend a carving club, show or exhibit:
a. 13timesayear b. 4-6timesa year c.7-I0timesa year d. Il-I5timesa year e. 16+ times a year
22. Icarve asa: a. hobby b. profession
23.1am a male b female
24, My age isa. 30 years or under b. 31-80 years c.41 -50 years d.51-60 years e. 61+ years
Name:
Address:
city: State:
Zip Code: ‘Country:
Please return to: WC! Survey, 1970 Broad Street, East Petersburg, PA 17520. One entry per reader. Photocopies accepted.
Drawin Rm eeRY Ele ed ea Ty eR Eon eed a
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IDCARVING SUPPLIES
Call Today For Your Free 1999 Catalog ¢ 1-800-452-2783A small selection of rotary bits and a
bristle brush ae all you need to shape
and texture soft feathers. Not shown is
4 pointed diamond bit
Flame-shaped ruby carver
‘apered steel burr
LSS
Ball-shaped stone
Tapered cylinder stone
Inverted cone-shaped stone
1-in-diameter
bristle rotary
brush
Frank runs Stonegate Studic
arving school in Cambridge.
Vermont
Not all feathers have a hard look. The
contour feathers have a soft appearance
and are found on a bird within a variety
of feather group locations: the head.
neck, bib, nape, cape, breast belly
flanks, back, and upper and lower tail
coverts. Depending on location and
species, these same feathers can appear
extremely soft and fluffy with many
indentations and separations, or they
can look firm and tight
In the step-by-step sequence, I create
soft appearance by defining different
feathers within the group using indenta-
tion and separation. This effect works
st
well on a bird that stands, sits, of lies
rest. On a bird in action or one that is
frightened, however, these same feath
cers are pulled closer together to give a
harder, smoother appearance
Watch any bird ata feeder out in the
n, then observe the same bird within
the canopy of the forest where it feels
safe. It doesn’t appear to be the same
bird, Its feathers at the feeder are very
tight and drawn together owing to fright
within the cover of the forest, it feels
safer and more relaxed and it allows its
contour feathers to relax away from the
body. Observe a wild duck at rest on a
pond, then notice what happens when
that bird is alerted. It will appear larger
or smaller depending on its activity
location and mental state
The shaping and texturing technique
shown works for any of the softer
appearing contour feathers. Here's a
rule of thumb that should be helpful
make shallower cuts and shapes for a
smoother, harder appearance and deeper
ccuts and shapes for a softer appearance
Frank Russell's next texturing feature will be Shaping and
Texturing Hard Feathers. These feathers, used to sustain flight,
‘and scapulars.
include primaries, secondaries, the alula, rectices or tail
‘feathers, and often include other feathers such as terials
" For information on taking carving classes arranged by Frank
Russell, contact him at Stonegate Studios, Box 2140,
Cambridge, Vermont 05444/ 802-849-6692, or visit his web
‘she at: wine woadcarvenet“hi
Texturing Suggestions
+ Texture atthe highest speed your micro-motor machine will gener
ate 35,00) 0 45,10 rpm is best, The higher he rpm the smoother
the cat Flesible shat
Js will entail sufice a 16,000 1 20,000.
pm depending on the manufacturer. You may Fel somewhat
restricted in movement by being tethered (0 the exible shaft; it may
take bit longer to accomplish the finish you wants andthe slower
pm can gi work with the tool instead
sins it and make sure to clean the textured areas well with a
ary brush these machines wil suffice, A les
ble shaft tot isthe workhorse of power carving, and I don't mean to
‘trough cut, However if yo
efuzzing pad or a
criticize it. Unt I Found the faster micro-motor too! do finish
detail carving and texturing, I used a flexible shaft ool forall phases
‘of carving. I managed o do well not only in competition but also
with commission work
+ Practice on a scrap picce of wood until you achieve the
‘want forthe bird and type of fea
e carving
+ Surround yourself with reference materials such as study sins, pho:
artis renditions of feathers that appeal to you. Whenever
1 pluck representa nd actually glue
them inside a folder so that, at glance, ¥ean determine the size
shape and direction of a particular feather within a group. I don’t pall
feathers from live birds but from road and svindow bills. od taxi-
dermy mounts, and recovering bieds that have molted or dropped
feathers,
+ From a bind
+ Always use a strong lil
that wil cast a shadow acros the cuts you
late making. The shadow allows you not ony to menitor your
progress and make corrections as necessary, but italso allows you to
‘more accurately register the next stroke
+ Position yourself in a comfortahle and relaxed pesition, Make sure
that the piece is paced at an angle tat will allow freedown of move
‘ment to prevent hand. fnges, or att cramping. Do whatever i takes
fort a8 You texture, Although texturing will help you
achieve amazing and lflike resulls on your earvin
‘often than not be rather tedious chore. My favorite position isa
plush adjustable office chai, a padded block on the bench that allows
‘me to place and wil the bird 0 suit hand confor and oldies but
goodies on the radio just loud enough to make the outdoor tees sway.
toattainco
Tay out low lines to indicate the direction you sesh the
feathers curve or bend, If tow lines are placed inthe
location ofthe quill and curved im the desired feather
Uirection. they can be used as guides throughout the shap
ing and texturing procedures
VAN
‘areas within the group where feathers lay side by side
and make good feather indentations and furrows, Mark the
‘proposed depressions heavily with pencil so that they stand
‘out If their location and appearance suits you, proceed to the
next step. If no, erase and relocate them,
ve
Lay out feathers of desired shapes and sizes. Don't be
said to vary feather sizes within a traet. Bitds ate typ:
break
for stress loss. Als, feathers, aren different sates o
cally in a state of flax when experienci
Cut indentations and separations with a lame-shaped ruby
carver held ata fairly high angle and drag it out ofthe fur
row or depression along the lower edge ofeach feather.MowuntTAIN
HERITAGE
CRAFTERS
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imal fe
0. Box 3485
Estes Park, Colorado 80517
ipitwrstongspeak comvhighwayearvers
Attention
Visie our website for a complete listing
avww.carvers.net/millerstudybills.hem
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Finish the job right.
with Waterfowl Study Bills
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® First and only study bill to include head and eyes.
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JENNINGS DECOY CO. |
Over 500 Northern
Grown Basswood Cutouts
genninteRITTER CARVERS, INC. |
Compete Line
\ Carving Supplies and Tools
MENDENHALL
Woodcarving
Wondering how to cut your
handwork time in half and
turn your hobby into
a profitable venture?
DUPLICARVE IT!
‘You supply the original and
we'll do the rough-outs!
Large or small quantities
Competitive prices
High-qua
Deal dircetly with the
owner/operator
work
Minimum order: eight pieces
Call or write
669-C Hartman St
P.O. Box 103:
Laneaster, PA 17605
Phone/Fax 717-393-069:
n Road
The high speed reciprocating action oft
est woods:
freetioating act
+ Laminated blades vibrate at
5,400 to 10,000 vibrations par minute
+ So easy to use, you can carve
all daylong!
e cutter head carves through the
th just simple hand direction. For safety, Automach’s
1 keeps the blades motionless until pressed against wood
=-Systems include five profiles
of laminated blades.
CAPE FORGE
Traditional Hand. Forged Edged Toots
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Tell them you saw
itin Wood Carving
Illustrated.
Hand forged carving knives all $29.95
*Carving knives
"Detailers * Drawknives
* Bent Blades“ Chisels,
“Interchangeable Mini tools
*Firmers ° Custom work
Send $1.00 for complete catalog to:
Cape Forge PO Box 987
Burlington, VT 05402 (602) 244-7010
22nd Annual
0. D.C. C.A.
Decoy Show
Westlake, Ohio - March 20, 21, 1999
Show Hours: 9 a.m. to 4 p.m. - Admission $5
Westleke Holiday inn - 1100 Crocker Road Interstate 90 at Exit 166
Waterfow! Decoy Exhibits - Over 125 Dealers in Antique Decoys,
Wildlife Art Originals and Prints, Carving and Art Supplies
Green Wing Teal Painting Seminar by George Kruth
Painting and Carving Demo's by George Kruth & Willie MacDonald
‘Auctions at 4 & 6 p.m. on Saturday
‘Over $10,000 in prizes and awards given in 12 contests including
Wildfowl Carving Magazine “Peoples Choice Award”
$1000 purchase award in Hunting Decoy Contest
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|For more information please contact:
Richard & Carole Kmetz
9016 Munich Drive
Parma, OB 44130 (440) 885-0311Aiea RE
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Pim @©@ FES Sion AL
De / “ canpae
af /‘VEaqal =
of Michael Langton
By Kathleen Ryan, P
International timed wooden dollmak
Michael Langton has produced life-like c 1
traits for nearly two decades. His innovative, tech
1s Photo by Richand HayesReet erAe Se
As for tools Langton says he uses anything
and everything necessary to get the job done
do not exercise a purist attitude toward my tech:
nigues. To me, the finished piece is more impor
tant than how | arrived at it. The one thing I do
insist on is sharp tools, I have learned to respect
all of the tools I use in woodearving because if 1
them for an instant they will bite me
uung child Langton excelled in ai
Growing up as one of seven children, he learned
that t0 get attention
ferent or better than your sibli
that was art. Ir
school he was labeled naturally gifted and by
cighth grade he was teachi
ee es
awards for his paintings and art-re
‘admits, however, “I never really took art ver:
‘ously because it alway's came so easily to m
When in o
Langton’s attention was furniture design. Stud:
were required 10 de a pie J
niture from seratch. His first step hi
ignited a passion for wood. “I 1
the material, the shop, the to ole in
le process of maki i
One summer, whi He, Lan
struck by an automob hi
dent. He remembers,
hospital I kept thinking abou
smieh [had taken my abilit Sol
this deal. as people oft ent
I said ‘If you g me with c
> develop m "