Macbeth_extract_booklet
Macbeth_extract_booklet
BY WILLIAM SHAKESPEARE
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KEY EXTRACTS
How do I use this booklet?
There are a number of ways in which you can use this booklet to help you with your revision
for ‘Macbeth’. One of the best ways to revise is to reread the entire play. Exam extracts can
be taken from anywhere in Shakespeare’s text so rereading it in its entirety would ensure you
are fully prepared. However, if you are struggling, consider the ways in which you could use
this ‘Key Extract’ booklet to help you:
1. Read each extract and complete the activities that follow. Activities have been designed
to help you understand the text as well as Shakespeare’s purpose. You will be asked
some extract specific questions and should aim to complete these in full sentences. You
will also have the opportunity to link the extract to other areas of the play and I have
included some ‘Extra Challenge’ tasks should you wish to have a go.
2. Read through the extracts and highlight what you deem to be the most important
quotations. Aim for a maximum of three quotations. Copy the quotations on to
flashcards and explain why they are important to know. Circle small phrases and
individual words and explain why you think Shakespeare has made certain language
choices. How do these words and phrases help him get his message across to an
audience?
3. Consider the themes in ‘Macbeth’. Create flashcards that detail how each theme is
explored by Shakespeare in his play.
4. Consider the icons used for each theme. Explain verbally to a parent or friend why each
icon has been chosen to represent each theme.
5. Link each of the themes in this booklet to the context of ‘Macbeth’. Explain why it was
necessary for Shakespeare to include these ‘big ideas’ in his play by discussing what was
happening at the time the play was written and how this influenced Shakespeare’s
choices when he was writing.
Themes: Shakespeare’s ‘Big Ideas’ in ‘Macbeth’
Here are a list of the themes and ideas Shakespeare explores in ‘Macbeth’. You will be needing them for
some of the activities in this booklet. If you think any themes are missing, add them in the spaces provided!
Children
Extract 1: Act 1, Scene 1 – The Witches
The following extract has been taken from Act One of ‘Macbeth’. In this extract, the beginning
of the play, we are introduced to the witches.
Thunder and lightning. Enter three Witches.
First Witch
When shall we three meet again
In thunder, lightning, or in rain?
Second Witch
When the hurlyburly's done,
When the battle's lost and won.
Third Witch
That will be ere the set of sun.
First Witch
Where the place?
Second Witch
Upon the heath.
Third Witch
There to meet with Macbeth.
First Witch
I come, Graymalkin!
Second Witch
Paddock calls.
Third Witch
Anon.
ALL
Fair is foul, and foul is fair:
Hover through the fog and filthy air.
Exeunt
Revision Activities for Extract 1
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. How does Shakespeare use the weather to establish an ominous and threatening atmosphere?
2. How does Shakespeare allude to the chaos engulfing Scotland in this scene?
3. ‘Fair is foul, and foul is fair’ is a warning that permeates throughout the rest of the play. Explain what
Shakespeare may be warning his audiences about.
1.
2.
1. How does Shakespeare influence the audience’s perception of Macbeth before they have even met him?
2. What impression do we get of how Macbeth has been fighting based on the description of his sword?
1.
2.
Violence. Discuss.
Extract 3: Act 1, Scene 3 – The Prophecies
The following extract has been taken from Act One of ‘Macbeth’. In this extract, Macbeth meets the witches who give
him three prophecies.
MACBETH
So foul and fair a day I have not seen.
BANQUO
How far is't call'd to Forres? What are these
So wither'd and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? You seem to understand me,
By each at once her chappy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.
MACBETH
Speak, if you can: what are you?
First Witch
All hail, Macbeth! hail to thee, thane of Glamis!
Second Witch
All hail, Macbeth, hail to thee, thane of Cawdor!
Third Witch
All hail, Macbeth, thou shalt be king hereafter!
BANQUO
Good sir, why do you start; and seem to fear
Things that do sound so fair? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal: to me you speak not.
If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate.
First Witch
Hail!
Second Witch
Hail!
Third Witch
Hail!
First Witch
Lesser than Macbeth, and greater.
Second Witch
Not so happy, yet much happier.
Third Witch
Thou shalt get kings, though thou be none:
So all hail, Macbeth and Banquo!
First Witch
Banquo and Macbeth, all hail!
Revision Activities for Extract 3
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. How is Macbeth linked to the witches from the first thing he says? What does this tell the audience about
him?
1.
2.
DUNCAN
My plenteous joys,
Wanton in fulness, seek to hide themselves
In drops of sorrow. Sons, kinsmen, thanes,
And you whose places are the nearest, know
We will establish our estate upon
Our eldest, Malcolm, whom we name hereafter
The Prince of Cumberland; which honour must
Not unaccompanied invest him only,
But signs of nobleness, like stars, shall shine
On all deservers. From hence to Inverness,
And bind us further to you.
MACBETH
The rest is labour, which is not used for you:
I'll be myself the harbinger and make joyful
The hearing of my wife with your approach;
So humbly take my leave.
DUNCAN
My worthy Cawdor!
MACBETH
[Aside] The Prince of Cumberland! that is a step
On which I must fall down, or else o'erleap,
For in my way it lies. Stars, hide your fires;
Let not light see my black and deep desires:
The eye wink at the hand; yet let that be,
Which the eye fears, when it is done, to see.
Exit
Revision Activities for Extract 4
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. Duncan says ‘signs of nobleness, like stars, shall sign on all deservers.’ What is the significance of light in
this extract?
2. What is ambition?
2.
LADY MACBETH
The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman's breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature's mischief! Come, thick night,
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry 'Hold, hold!'
Enter MACBETH
1. How does Lady Macbeth allude to the fact that Duncan will not survive his visit to the Macbeths’ castle?
2. How does Lady Macbeth praise her husband when he enters? Why does she do this?
3. Why does Lady Macbeth instruct her husband to ‘be the serpent’? What is the significance of serpent
imagery?
1.
2.
MACBETH
We will proceed no further in this business:
He hath honour'd me of late; and I have bought
Golden opinions from all sorts of people,
Which would be worn now in their newest gloss,
Not cast aside so soon.
LADY MACBETH
Was the hope drunk
Wherein you dress'd yourself? hath it slept since?
And wakes it now, to look so green and pale
At what it did so freely? From this time
Such I account thy love. Art thou afeard
To be the same in thine own act and valour
As thou art in desire? Wouldst thou have that
Which thou esteem'st the ornament of life,
And live a coward in thine own esteem,
Letting 'I dare not' wait upon 'I would,'
Like the poor cat i' the adage?
MACBETH
Prithee, peace:
I dare do all that may become a man;
Who dares do more is none.
LADY MACBETH
What beast was't, then,
That made you break this enterprise to me?
When you durst do it, then you were a man;
And, to be more than what you were, you would
Be so much more the man. Nor time nor place
Did then adhere, and yet you would make both:
They have made themselves, and that their fitness now
Does unmake you. I have given suck, and know
How tender 'tis to love the babe that milks me:
I would, while it was smiling in my face,
Have pluck'd my nipple from his boneless gums,
And dash'd the brains out, had I so sworn as you
Have done to this.
MACBETH
If we should fail?
LADY MACBETH
We fail!
But screw your courage to the sticking-place,
And we'll not fail.
Revision Activities for Extract 6
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. Why does Macbeth make the decision that Duncan shall not be murdered?
2. How and why does Lady Macbeth attack Macbeth’s masculinity in this scene?
3. Innocence cannot exist around Lady Macbeth. How do we know this from the extract? Explain your ideas.
1.
2.
Exit Servant
A bell rings
Exit
Revision Activities for Extract 1
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
2. Why is it important that Macbeth realises the dagger he sees isn’t real before he murders Duncan?
2.
LADY MACBETH
A foolish thought, to say a sorry sight.
MACBETH
There's one did laugh in's sleep, and one cried
'Murder!'
That they did wake each other: I stood and heard them:
But they did say their prayers, and address'd them
Again to sleep.
LADY MACBETH
There are two lodged together.
MACBETH
One cried 'God bless us!' and 'Amen' the other;
As they had seen me with these hangman's hands.
Listening their fear, I could not say 'Amen,'
When they did say 'God bless us!'
LADY MACBETH
Consider it not so deeply.
MACBETH
But wherefore could not I pronounce 'Amen'?
I had most need of blessing, and 'Amen'
Stuck in my throat.
LADY MACBETH
These deeds must not be thought
After these ways; so, it will make us mad.
MACBETH
Methought I heard a voice cry 'Sleep no more!
Macbeth does murder sleep', the innocent sleep,
Sleep that knits up the ravell'd sleeve of care,
The death of each day's life, sore labour's bath,
Balm of hurt minds, great nature's second course,
Chief nourisher in life's feast,-
Revision Activities for Extract 2
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. ‘Amen’ is a holy word used to end a prayer. Why is Macbeth so concerned that he cannot say this word?
2. What does ‘Macbeth does murder sleep’ actually mean? How will he suffer now he has murdered Duncan?
3. How does Lady Macbeth try and gain control of the situation in this extract?
1.
2.
‘Macbeth cannot redeem himself now he has committed regicide. His fate is sealed.’ To what extent do you agree?
Extract 3: Act 2, Scene 2 – After the murder (Part 2)
The following extract has been taken from Act Two of ‘Macbeth’. In this extract, Macbeth and
Lady Macbeth deal with the immediate repercussions of Duncan’s murder.
LADY MACBETH
Infirm of purpose!
Give me the daggers: the sleeping and the dead
Are but as pictures: 'tis the eye of childhood
That fears a painted devil. If he do bleed,
I'll gild the faces of the grooms withal;
For it must seem their guilt.
MACBETH
Whence is that knocking?
How is't with me, when every noise appals me?
What hands are here? ha! they pluck out mine eyes.
Will all great Neptune's ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas in incarnadine,
Making the green one red.
LADY MACBETH
My hands are of your colour; but I shame
To wear a heart so white.
Knocking within
I hear a knocking
At the south entry: retire we to our chamber;
A little water clears us of this deed:
How easy is it, then! Your constancy
Hath left you unattended.
Knocking within
Knocking within
1. Why is the repeated sound of knocking symbolic of Macbeth’s fate catching up with him?
2. Lady Macbeth believes ‘a little water’ will clear them of the deed. Why is she wrong?
3. Macbeth says ‘To know my deed, 'twere best not know myself.’ How is Macbeth beginning to lose sight of
who he really is?
1.
2.
Discuss the significance of the motif of hands in Acts One and Two.
Extract 4: Act 2, Scene 3 – The Porter
The following extract has been taken from Act Two of ‘Macbeth’. In this extract, Macbeth’s
drunken porter enters to answer the knocking at the gates.
Knocking within. Enter a Porter
Porter
Here's a knocking indeed! If a
man were porter of hell-gate, he should have
old turning the key.
Knocking within
Knock,
knock, knock! Who's there, i' the name of
Beelzebub? Here's a farmer, that hanged
himself on the expectation of plenty: come in
time; have napkins enow about you; here
you'll sweat for't.
Knocking within
Knock,
knock! Who's there, in the other devil's
name? Faith, here's an equivocator, that could
swear in both the scales against either scale;
who committed treason enough for God's sake,
yet could not equivocate to heaven: O, come
in, equivocator.
Knocking within
Knock,
knock, knock! Who's there? Faith, here's an
English tailor come hither, for stealing out of
a French hose: come in, tailor; here you may
roast your goose.
Knocking within
Knock,
knock; never at quiet! What are you? But
this place is too cold for hell. I'll devil-porter
it no further: I had thought to have let in
some of all professions that go the primrose
way to the everlasting bonfire.
Knocking within
1. The Porter, through his drunken ramblings, pretends to be the porter of the gates of Hell. Why is this
significant?
2. Consider the crimes committed by the imaginary sinners. What are they and how is Macbeth guilty of all
the same crimes?
3. The Porter is saying the path to ‘hell-gate’ is well trodden. What is he saying about human criminality and
how can this be seen as a warning to the audience?
1.
2.
‘Alcohol is inextricably linked with the failure of characters in Shakespeare’s ‘Macbeth’’. Discuss.
Extract 5: Act 2, Scene 3 – Discovery
The following extract has been taken from Act Two of ‘Macbeth’. In this extract, Macduff has
discovered that Duncan has been murdered.
LADY MACBETH MACDUFF
What's the business, Your royal father 's murder'd.
That such a hideous trumpet calls to parley MALCOLM
The sleepers of the house? speak, speak! O, by whom?
MACDUFF LENNOX
O gentle lady, Those of his chamber, as it seem'd, had done 't:
'Tis not for you to hear what I can speak: Their hands and faces were an badged with blood;
The repetition, in a woman's ear, So were their daggers, which unwiped we found
Would murder as it fell. Upon their pillows:
They stared, and were distracted; no man's life
Enter BANQUO Was to be trusted with them.
O Banquo, Banquo, MACBETH
Our royal master 's murder'd! O, yet I do repent me of my fury,
That I did kill them.
LADY MACBETH
Woe, alas!
MACDUFF
What, in our house?
Wherefore did you so?
BANQUO
MACBETH
Too cruel any where.
Who can be wise, amazed, temperate and furious,
Dear Duff, I prithee, contradict thyself,
Loyal and neutral, in a moment? No man:
And say it is not so.
The expedition my violent love
Outrun the pauser, reason. Here lay Duncan,
Re-enter MACBETH and LENNOX, with ROSS
His silver skin laced with his golden blood;
And his gash'd stabs look'd like a breach in nature
MACBETH
For ruin's wasteful entrance: there, the murderers,
Had I but died an hour before this chance,
Steep'd in the colours of their trade, their daggers
I had lived a blessed time; for, from this instant,
Unmannerly breech'd with gore: who could refrain,
There 's nothing serious in mortality:
That had a heart to love, and in that heart
All is but toys: renown and grace is dead;
Courage to make 's love known?
The wine of life is drawn, and the mere lees
Is left this vault to brag of. LADY MACBETH
Help me hence, ho!
Enter MALCOLM and DONALBAIN MACDUFF
Look to the lady.
DONALBAIN
What is amiss?
MACBETH
You are, and do not know't:
The spring, the head, the fountain of your blood
Is stopp'd; the very source of it is stopp'd.
Revision Activities for Extract 5
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
2. Macbeth kills Duncan’s guards. What is the reason he gives the others for doing this? What is the actual
reason?
3. Do you think the others are convinced by Macbeth’s story? Explain your ideas.
1.
2.
1. What are the unnatural things that have been happening since Duncan’s death?
2. Why are these things happening? Consider contemporary beliefs around hierarchy in your answer.
3. Do you think these events actually happened or do you think Ross is teasing the old man? Explain your
ideas.
1.
2.
Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and
Attendants
MACBETH
Here's our chief guest.
LADY MACBETH
If he had been forgotten,
It had been as a gap in our great feast,
And all-thing unbecoming.
MACBETH
To-night we hold a solemn supper sir,
And I'll request your presence.
BANQUO
Let your highness
Command upon me; to the which my duties
Are with a most indissoluble tie
For ever knit.
MACBETH
Ride you this afternoon?
BANQUO
Ay, my good lord.
MACBETH
We should have else desired your good advice,
Which still hath been both grave and prosperous,
In this day's council; but we'll take to-morrow.
Is't far you ride?
BANQUO
As far, my lord, as will fill up the time
'Twixt this and supper: go not my horse the better,
I must become a borrower of the night
For a dark hour or twain.
MACBETH
Fail not our feast.
Revision Activities for Extract 1
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. How does Banquo link Macbeth to the witches in his opening lines?
2. How can we tell Macbeth’s status has elevated through the language he uses?
1.
2.
‘Although they do not appear physically in every scene, the witches are always present’. To what extent do you
agree?
Extract 2: Act 3, Scene 1 – Macbeth’s Fear
The following extract has been taken from Act Three of ‘Macbeth’. In this extract, Macbeth is
fearful of Banquo and the fact he has been hailed as ‘father to a line of kings.’
MACBETH
Bring them before us.
Exit Attendant
To be thus is nothing;
But to be safely thus.--Our fears in Banquo
Stick deep; and in his royalty of nature
Reigns that which would be fear'd: 'tis much he dares;
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valour
To act in safety. There is none but he
Whose being I do fear: and, under him,
My Genius is rebuked; as, it is said,
Mark Antony's was by Caesar. He chid the sisters
When first they put the name of king upon me,
And bade them speak to him: then prophet-like
They hail'd him father to a line of kings:
Upon my head they placed a fruitless crown,
And put a barren sceptre in my gripe,
Thence to be wrench'd with an unlineal hand,
No son of mine succeeding. If 't be so,
For Banquo's issue have I filed my mind;
For them the gracious Duncan have I murder'd;
Put rancours in the vessel of my peace
Only for them; and mine eternal jewel
Given to the common enemy of man,
To make them kings, the seed of Banquo kings!
Rather than so, come fate into the list.
And champion me to the utterance! Who's there!
Revision Activities for Extract 2
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. What about Banquo’s nature and the way he carries himself, threatens Macbeth?
2. Why does Macbeth describe his crown as ‘fruitless’ and his sceptre as ‘barren’?
3. What does Macbeth say has happened to his mind and what is the significance of this?
1.
2.
1. Macbeth says his mind is full of scorpions. What does this metaphor mean?
2. What does Shakespeare’s use of dark, natural imagery suggest to audiences about what is happening to
him?
3. Macbeth refuses to tell Lady Macbeth his exact plans. What is happening to their relationship?
1.
2.
MACBETH
Here had we now our country's honour roof'd,
Were the graced person of our Banquo present;
Who may I rather challenge for unkindness
Than pity for mischance!
ROSS
His absence, sir,
Lays blame upon his promise. Please't your highness
To grace us with your royal company.
MACBETH
The table's full.
LENNOX
Here is a place reserved, sir.
MACBETH
Where?
LENNOX
Here, my good lord. What is't that moves your highness?
MACBETH
Which of you have done this?
Lords
What, my good lord?
MACBETH
Thou canst not say I did it: never shake
Thy gory locks at me.
ROSS
Gentlemen, rise: his highness is not well.
Revision Activities for Extract 4
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. Towards the end of this extract, the lengths of the lines are short. What does this tell you about the pace of
the scene?
2. How do you think Macbeth would deliver the line, ‘Which of you have done this?’
3. What can audiences infer about the appearance of Banquo’s ghost based on Macbeth’s words?
1.
2.
Guilt. Discuss.
Extract 5: Act 3, Scene 4 – Banquo’s Ghost (Part 2)
The following extract has been taken from Act Three of ‘Macbeth’. In this extract, Macbeth,
having sent murderers to kill Banquo, is haunted by Banquo’s ghost.
LADY MACBETH
Sit, worthy friends: my lord is often thus,
And hath been from his youth: pray you, keep seat;
The fit is momentary; upon a thought
He will again be well: if much you note him,
You shall offend him and extend his passion:
Feed, and regard him not. Are you a man?
MACBETH
Ay, and a bold one, that dare look on that
Which might appal the devil.
LADY MACBETH
O proper stuff!
This is the very painting of your fear:
This is the air-drawn dagger which, you said,
Led you to Duncan. O, these flaws and starts,
Impostors to true fear, would well become
A woman's story at a winter's fire,
Authorized by her grandam. Shame itself!
Why do you make such faces? When all's done,
You look but on a stool.
MACBETH
Prithee, see there! behold! look! lo!
how say you?
Why, what care I? If thou canst nod, speak too.
If charnel-houses and our graves must send
Those that we bury back, our monuments
Shall be the maws of kites.
LADY MACBETH
What, quite unmann'd in folly?
MACBETH
If I stand here, I saw him.
LADY MACBETH
Fie, for shame!
Revision Activities for Extract 5
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. What does Lady Macbeth mean when she asks, ‘Are you a man?’
2. Is Lady Macbeth trying to calm her husband throughout this extract or is she more frustrated by his
actions? Does she feel anything else? Explain your ideas.
3. Macbeth says the appearance of Banquo’s ghost would ‘appal the devil’. What does this tell us about the
ghost’s appearance and the level of sin Macbeth is steeped in?
1.
2.
1. What other forms does Macbeth beg Banquo’s ghost to take? Why does he do this?
2. How does Lady Macbeth try and gain control of the situation?
3. Why is Macbeth’s outburst in front of the other lords dangerous? How will it affect his kingship?
1.
2.
Second Apparition
Macbeth! Macbeth! Macbeth!
MACBETH
Had I three ears, I'ld hear thee.
Second Apparition
Be bloody, bold, and resolute; laugh to scorn
The power of man, for none of woman born
Shall harm Macbeth.
Descends
Revision Activities for Extract 1
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
3. The witches command Macbeth to listen to the apparitions and not to speak to them. Why do you think
this is?
1.
2.
‘This scene only goes to show how powerless Macbeth actually is’. To what extent do you agree?
Extract 2: Act 4, Scene 1 – The Eight Kings
The following extract has been taken from Act Four of ‘Macbeth’. In this extract, Macbeth is
presented with an apparition of his greatest fear, that of Banquo’s lineage.
First Witch
Show!
Second Witch
Show!
Third Witch
Show!
ALL
Show his eyes, and grieve his heart;
Come like shadows, so depart!
A show of Eight Kings, the last with a glass in his hand; GHOST OF BANQUO following
MACBETH
Thou art too like the spirit of Banquo: down!
Thy crown does sear mine eye-balls. And thy hair,
Thou other gold-bound brow, is like the first.
A third is like the former. Filthy hags!
Why do you show me this? A fourth! Start, eyes!
What, will the line stretch out to the crack of doom?
Another yet! A seventh! I'll see no more:
And yet the eighth appears, who bears a glass
Which shows me many more; and some I see
That two-fold balls and treble scepters carry:
Horrible sight! Now, I see, 'tis true;
For the blood-bolter'd Banquo smiles upon me,
And points at them for his.
Apparitions vanish
Revision Activities for Extract 2
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. What does Macbeth say about the appearance of these kings? Who do they look like and what does their
appearance do to Macbeth?
1.
2.
Exit
LADY MACDUFF
Whither should I fly?
I have done no harm. But I remember now
I am in this earthly world; where to do harm
Is often laudable, to do good sometime
Accounted dangerous folly: why then, alas,
Do I put up that womanly defence,
To say I have done no harm?
Enter Murderers
Stabbing him
Dies
Revision Activities for Extract 3
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. Lady Macduff says ‘to do harm is often laudable’ under Macbeth’s reign. What does she mean and where
do we see an example of this in the play?
2. How does Lady Macduff shun the idea of putting up a ‘womanly defence’? What does she do instead of
protesting her innocence that she has done nothing wrong?
3. Consider the end of the extract. How does Young Macduff become a man who is willing to protect his
family in his father’s absence?
1.
2.
3. How does Malcolm allude to the idea of ‘fair is foul, and foul is fair’?
1.
2.
‘Macduff is clearly an ally. Malcolm is wrong to see him as a threat.’ To what extent do you agree?
Extract 5: Act 4, Scene 3 – Tyranny vs Kingship
The following extract has been taken from Act Four of ‘Macbeth’. In this extract, Malcolm is
tricking Macduff into thinking he would be a worse king than Macbeth.
MALCOLM
It is myself I mean: in whom I know
All the particulars of vice so grafted
That, when they shall be open'd, black Macbeth
Will seem as pure as snow, and the poor state
Esteem him as a lamb, being compared
With my confineless harms.
MACDUFF
Not in the legions
Of horrid hell can come a devil more damn'd
In evils to top Macbeth.
MALCOLM
I grant him bloody,
Luxurious, avaricious, false, deceitful,
Sudden, malicious, smacking of every sin
That has a name: but there's no bottom, none,
In my voluptuousness: your wives, your daughters,
Your matrons and your maids, could not fill up
The cistern of my lust, and my desire
All continent impediments would o'erbear
That did oppose my will: better Macbeth
Than such an one to reign.
MALCOLM
But I have none: the king-becoming graces,
As justice, verity, temperance, stableness,
Bounty, perseverance, mercy, lowliness,
Devotion, patience, courage, fortitude,
I have no relish of them, but abound
In the division of each several crime,
Acting it many ways. Nay, had I power, I should
Pour the sweet milk of concord into hell,
Uproar the universal peace, confound
All unity on earth.
MACDUFF
O Scotland, Scotland!
MALCOLM
If such a one be fit to govern, speak:
I am as I have spoken.
Revision Activities for Extract 5
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
2. Which of the tyrannical qualities listed by Malcolm is Macbeth seemingly innocent of?
3. What, according to Malcolm, are the qualities a good king should possess?
1.
2.
1. How does Malcolm expect Macduff to react to news of his family’s murder?
3. This is the first time we see genuine emotion connected to a death. Why does Shakespeare include this
moment in the play?
1.
2.
1. Which events from the play does Lady Macbeth recall in her mutterings?
2. In this scene, Lady Macbeth calls for light. How is this different to what she has called for before? Why the
change?
3. Lady Macbeth describes her hand as ‘little’ and yet her hands have caused so much damage. How is Lady
Macbeth presented as vulnerable here?
2.
Enter a Servant
1. What does the term ‘hubris’ mean and how is Macbeth demonstrating it here?
3. What evidence is there in this extract that Macbeth’s arrogance is making him erratic?
1.
2.
What plays a greater role in Macbeth’s downfall? His hubris or his ambition?
Extract 3: Act 5, Scene 5 – ‘Tomorrow and tomorrow and tomorrow’
The following extract has been taken from Act Five of ‘Macbeth’. In this extract, Macbeth is
preparing for Malcolm and Macduff’s siege when he hears a cry.
MACBETH
Hang out our banners on the outward walls;
The cry is still 'They come:' our castle's strength
Will laugh a siege to scorn: here let them lie
Till famine and the ague eat them up:
Were they not forced with those that should be ours,
We might have met them dareful, beard to beard,
And beat them backward home.
Exit
MACBETH
I have almost forgot the taste of fears;
The time has been, my senses would have cool'd
To hear a night-shriek; and my fell of hair
Would at a dismal treatise rouse and stir
As life were in't: I have supp'd full with horrors;
Direness, familiar to my slaughterous thoughts
Cannot once start me.
Re-enter SEYTON
1. Macbeth says there would have been a time when a cry like the one he has heard would have startled him.
This one, however, does not. What has happened to Macbeth over the course of the play to make this the
case?
3. Macbeth compares life to a ‘poor player’, meaning an actor who is soon forgotten. Where in the play have
we seen Macbeth adopt the role of a ‘poor player’?
1.
2.
Enter MACDUFF
MACDUFF
Turn, hell-hound, turn!
MACBETH
Of all men else I have avoided thee:
But get thee back; my soul is too much charged
With blood of thine already.
MACDUFF
I have no words:
My voice is in my sword: thou bloodier villain
Than terms can give thee out!
They fight
MACBETH
Thou losest labour:
As easy mayst thou the intrenchant air
With thy keen sword impress as make me bleed:
Let fall thy blade on vulnerable crests;
I bear a charmed life, which must not yield,
To one of woman born.
MACDUFF
Despair thy charm;
And let the angel whom thou still hast served
Tell thee, Macduff was from his mother's womb
Untimely ripp'd.
MACBETH
Accursed be that tongue that tells me so,
For it hath cow'd my better part of man!
And be these juggling fiends no more believed,
That palter with us in a double sense;
That keep the word of promise to our ear,
And break it to our hope. I'll not fight with thee.
MACDUFF
Then yield thee, coward,
And live to be the show and gaze o' the time:
We'll have thee, as our rarer monsters are,
Painted on a pole, and underwrit,
'Here may you see the tyrant.'
Revision Activities for Extract 4
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1.
2.
MACDUFF
Hail, king! for so thou art: behold, where stands
The usurper's cursed head: the time is free:
I see thee compass'd with thy kingdom's pearl,
That speak my salutation in their minds;
Whose voices I desire aloud with mine:
Hail, King of Scotland!
ALL
Hail, King of Scotland!
Flourish
MALCOLM
We shall not spend a large expense of time
Before we reckon with your several loves,
And make us even with you. My thanes and kinsmen,
Henceforth be earls, the first that ever Scotland
In such an honour named. What's more to do,
Which would be planted newly with the time,
As calling home our exiled friends abroad
That fled the snares of watchful tyranny;
Producing forth the cruel ministers
Of this dead butcher and his fiend-like queen,
Who, as 'tis thought, by self and violent hands
Took off her life; this, and what needful else
That calls upon us, by the grace of Grace,
We will perform in measure, time and place:
So, thanks to all at once and to each one,
Whom we invite to see us crown'd at Scone.
Flourish. Exeunt
Revision Activities for Extract 5
Summary Writer’s purpose
In full sentences, briefly explain what is happening in this Pick three analytical verbs. Complete the following
extract. sentence three times, each time using a different
analytical verb. Can’t see the analytical verb you want to
use? Add it in!
1. Macbeth is beheaded. Considering the Captain’s report in Act 1, scene 2, why is this a befitting way for him
to die?
1.
2.