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3.7 Christian Bale

Christian Bale reflects on his experiences in filmmaking, particularly enjoying the adventurous and dangerous aspects of working on smaller indie films compared to blockbusters. He emphasizes his passion for embodying different characters and the emotional connection he seeks in scripts, influenced by his unconventional upbringing. Bale also shares his initial reluctance towards acting after a young start in the industry, ultimately finding fulfillment in the creative process.
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0% found this document useful (0 votes)
379 views4 pages

3.7 Christian Bale

Christian Bale reflects on his experiences in filmmaking, particularly enjoying the adventurous and dangerous aspects of working on smaller indie films compared to blockbusters. He emphasizes his passion for embodying different characters and the emotional connection he seeks in scripts, influenced by his unconventional upbringing. Bale also shares his initial reluctance towards acting after a young start in the industry, ultimately finding fulfillment in the creative process.
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Source: http://the-talks.

com/interview/christian-bale

SHORT PROFILE
Name: Christian Charles Philip Bale
DOB: 30 January 1974
Place of Birth: Haverfordwest, Pembrokeshire, Wales
Occupation: Actor

Mr. Bale, what is the most fun you’ve ever had making a movie?

I can’t help but immediately think of various experiences with Werner


Herzog on Rescue Dawn. With us, Werner included, doing things that
everyone was looking at saying, “But guys, you’re going to die! What are
you doing? You’re going to really catch a wild snake and maybe get
bitten by it!” Those are great times. These crazy helicopter pilots in
Thailand taking off the tops of trees as we were flying so low over the
jungle; those times were great for me. I just enjoy them monumentally.

Is it the danger that appeals to you?

I like when you can make it a little bit more extreme. Often I have found
that movies are actually disappointingly sterile environments. The more
you get away from the studio lot, the better. The further away from the
location you get the more you stop making the movie as an answer to
other movies. You don’t think of it in a comparison, you’re just doing your
own thing, you’re on your own adventure, you’re on your own mission.
That’s when I really feel like you start getting into some good, nice,
dangerous situations. Whether they are dangerous in terms of where
you’re going mentally or physically - I do enjoy that. I’d get bored if I
didn’t have the prospect of knowing that I’ll get to work with people in
the future who are like-minded and who really want to push it.
Do you like doing smaller indie films more than blockbusters
because of that?

With the bigger movies you have hesitation because there are many more
people involved in what will eventually come out on the screen. With a
smaller movie you have less people being nervous about investments, so
less people are trying to steer the movie in a certain way. I feel that with
the bigger movies you have to generally sit back and assess it more. You
have to try and work out what point you will able to achieve.

In a smaller role I imagine you have to build the character and put
more of yourself into it too.

Right and you don’t have all this nonsense of people calling you a movie
star and stuff like that. I don’t feel like that at all. People started offering
me these roles that are thought of as “movie star” roles, but I try to make
a character out of it. I never felt myself to be that and I never really had
any desire to be that.

You’re definitely a movie star though…

I am not in it because I like being the center of attention. In fact I can’t


stand it, unless I am acting - then I can do anything, I don’t care. But as
myself, I like to be very low key in my life. I’ve always really admired
actors, but I don’t know the history of movies very well and I am not
really a movie buff in the slightest. So I do just consider the bigger roles
to be other acting jobs and then I am very surprised when people say,
“Oh, you are a movie star now.” I really don’t think I’m cut from that
cloth.

“My father’s motto was: being boring is


a sin. It doesn’t matter if you mess up;
at least you’re trying something
different.”
What makes you do the big movies then?

I like the emotion. That’s what I do. When I first read a script and decide
that there’s something in it that I can try, I like to remember that feeling
– and that’s not about hanging out on the set and socializing. I can do
that in my own time. I very much enjoy trying to put myself in other
people’s shoes.

When did that start for you?


Growing up I moved around a great deal. With seeing different people, I
kind of tried to fit in very quickly into certain different towns and
environments. I’ve just always had a real enjoyment of putting myself
into other people’s shoes. I do that all the time. Right now I’m imagining
what it would be like to be a journalist. I just can’t stop doing that
constantly. So it’s that fascination that keeps me moving forward and
interested.

Your mother was a dancer and your father was a pilot. Do you
think their professions have had an influence on your career?

I think I’ll have to sit in a therapist’s chair for that answer. I know
certainly with my father he had a very creative approach to life. He was
not conventional at all and that set me up very nicely for this. I tend not
to be surprised by the crazy characters you get involved with in this
career. His motto was: being boring is a sin. It doesn’t matter if you mess
up; at least you’re trying something different. He was always like that; he
was a very big inspiration to me.

Steven Spielberg cast you in the lead role in his movie Empire of
the Sun when you were only 13. How much did that influence your
decision to become an actor?

He reversed that. He made me think, “I don’t ever want to do this again.”


Not him personally, I had a wonderful time with him. But the experience
of doing it at that age is not something I’d recommend it for anybody.
You’re a teenager. You should be completely anonymous. I think it’s not
really great for kids to go into such an adult profession at such a young
age. It doesn’t matter how much you look at it as enjoyment, you’ll end
up with responsibilities that you ideally shouldn’t have at that age. So
that experience actually made me kind of think I did not want to be an
actor. I didn’t really fully come back around until quite a few years later.
I sort of dabbled, I did parts here and there but my heart wasn’t really in
it for quite a long time after that.

So what made you finally decide to become an actor whole-


hearted?

It’s the rollercoaster ride of doing something creative: when it goes well
and you enjoy the process then it’s a high and you just want to keep on
doing it. Then the alternative is when it’s just not satisfying at all and
you’re just not working well with all the people that you’re with – that
just makes you want to finish it and go find something else to do.

Is directing something that you would be interested in doing?

Directors tell me I should direct because the questions I am asking are


the questions that they are asking rather than the questions that they
expect to come from an actor. I do get that a lot. But there’s a great
difference between being able to stand there and make suggestions when
it ultimately doesn’t stop at you versus when it does. I think my issue
with directing would probably be that I am kind of a loner. I like being
responsible for myself.

Which is basically the opposite of directing…

Yeah, I am not sure how long I could last having to answer to so many
different people. One director described to me that whenever he makes a
movie it’s like he is holding the end of a paint brush, the brush is two
blocks long, the camera’s are down there and he’s got every member of
the crew and actors and everybody else pushing it in their own way and
he is trying to get it back the way it’s supposed to. I don’t know if I would
like doing that job. I like just being in charge of what I am doing and
that’s it.

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