‫ﻓﺘـﺎﺓ ﺍﻟﻌﺼـﺮ‬

‫ﺃﻗﺼﻮﺻﺔ ﻣﺼﺮﻳﺔ‬

‫ﻫﻮ ﺷﺎﺏ ﲨﻴﻞ ﺍﻟﺼﻮﺭﺓ ﻃﺎﻫﺮ ﺍﻟﻨﻔﺲ‪ ،‬ﻓﺎﺿﻞ ﺍﳋﻠﻖ‪ ،‬ﻟﻪ ﺩﻳﻦ ﻭﻣﺮﻭﺀﺓ ﻭﻋﻔﺔ ﻭﺣﻴـﺎﺀ‪،‬‬
‫ﳛﻔﻆ ﺍﻟﻘﺮﺁﻥ ﻭﻳﺴﺘﻠﻬﻤﺔ ﺍﻟﻘﻮﻝ ﻭﺍﻟﻌﻤﻞ‪ ،‬ﻭﻳﻘﻴﻢ ﺍﻟﺼﻼﺓ ﺯﻟﻔﻰ ﻭﺗﻘﻮﻯ‪ ،‬ﻭﻳﺆﺗﻰ ﺍﻟﺰﻛﺎﺓ ﻃﺎﻋـﺔ‬
‫ﻭﺭﲪﺔ ﻭﻳﺼﻮﻡ ﺭﻣﻀﺎﻥ ﺗﺪﻳﻨﺎ ﻭﺗﻄﻬﺮﺍ‪ .‬ﻭﻣﻦ ﻳﻄﻠﻊ ﻋﻠﻰ ﺑﺎﻃﻨﻪ ﳚﺪﻩ ﺻﻮﺭﺓ ﺻﺎﺩﻗﺔ ﻟﻈـﺎﻫﺮﻩ‪.‬‬
‫ﻭﻗﺪ ﻭﻫﺒﻪ ﺍﷲ ﺿﻤﲑﹰﺍ ﳛﺎﺳﺒﻪ ﻋﻠﻰ ﺍﳋﻄﺮﺓ ﺍﳊﺒﻴﺴﺔ ﺣﺴﺎﺑﻪ ﻋﻠﻰ ﺍﻟﻌﻤﻞ ﺍﶈﺴﻮﺱ‪ ،‬ﻭﻳﻀﺮﻡ ﰲ‬
‫ﻧﻔﺴﻪ ﲪﺎﺳﹰﺎ ﻭﺷﻮﻗﹰﺎ ﺇﱃ ﺍﳌﺜﻞ ﺍﻷﻋﻠﻰ‪.‬‬
‫ﻭﻗﺪ ﺗﺴﺄﻟﲏ ﺃﻳﻬﺎ ﺍﻟﻘﺎﺭﺉ‪ :‬ﻫﻞ ﻫﺬﺍ ﺍﻟﺬﻱ ﺗﻌﲎ ﺍﺣﺪ ﺃﺷﺒﺎﻝ ﺍﻹﺳﻼﻡ ﺍﻟﺬﻳﻦ ﺟﺎﻫﺪﻭﺍ ﻣﻊ‬
‫ﺍﻟﻨﱯ ﺍﻷﻣﲔ ؟ ﻓﺄﻗﻮﻝ ﻟﻚ‪ :‬ﻛﻼ‪ ...‬ﻫﻮ ﻣﻦ ﺷﺒﺎﺏ ﺍﻟﻌﺼﺮ ﺍﳊﺎﺿﺮ‪ ،‬ﻭﻗﺪ ﻬﺗﺰ ﺭﺃﺳﻚ ﺑﺎﻃﻤﺌﻨﺎﻥ‬
‫ﺍﻟﺬﻱ ﺍﻫﺘﺪﻯ ﺇﱃ ﺣﻘﻴﻘﺔ ﺍﳌﺴﺄﻟﺔ ﻭﺗﻘﻮﻝ‪ ":‬ﻻ ﺭﻳﺐ ﺃﻧﻪ ﻣﻦ ﺃﺑﻨﺎﺀ ﺍﻟﺮﻳﻒ ﺍﻟﻄﺎﻫﺮ ﺍﻟﺬﻱ ﱂ ﺑﻠﻮﺛﺔ‬
‫ﺣﻴﺎﺓ ﺍﳊﻀﺮ " ﻓﺄﻗﻮﻝ ﻟﻚ‪ :‬ﺃﻧﻪ ﻣﻦ ﺍﳌﻘﻴﻤﲔ ﰲ ﺍﻟﻘﺎﻫﺮﺓ ﻣﻨﺬ ﲦﺎﱏ ﺳﻨﻮﺍﺕ ﻋﻠﻰ ﺍﻗﻞ ﺗﻘﺪﻳﺮ ﻭﺃﻧﻪ‬
‫ﻃﺎﻟﺐ ﺑﻜﻠﻴﺔ ﺍﳊﻘﻮﻕ‪ ،‬ﻭﺃﻧﻪ ﺇﱃ ﻫﺬﺍ ﻭﺫﺍﻙ ﻣﻦ ﺃﺳﺮﺓ ﺻﻌﻴﺪﻳﺔ ﻣﻌﺮﻭﻓﺔ ﻛﺮﳝﺔ ﺍﶈﺘﺪ ﻣﻮﻓـﻮﺭﺓ‬
‫ﺍﻟﺜﺮﺍﺀ ﻋﻈﻴﻤﺔ ﺍﳉﺎﻩ ﻓﻼ ﳝﻨﻌﻪ ﻣﻦ ﺍﻻﺳﺘﻬﺘﺎﺭ ﻟﻮ ﺃﺭﺍﺩﻩ ﻓﻘﺮ ﻭﻻ ﺿﺮﻭﺭﺓ‪ .‬ﻭﻗﺪ ﻳﺄﺧﺬﻙ ﺍﻟﻌﺠـﺐ‬
‫ﻭﺗﺴﺘﺒﺪ ﺑﻚ ﺍﳊﲑﺓ ﻭﻳﺪﺍﺧﻠﻚ ﺑﻌﺾ ﺍﻟﺸﻚ ﰲ ﺃﻧﲏ ﱂ ﺃﺗﻮﺥ ﺍﻟﺪﻗﺔ ﰲ ﻭﺻﻔﻪ ﺃﻭ ﺃﻧﲏ ﺃﻏـﺾ‬
‫ﺍﻟﻄﺮﻑ ﻋﻦ ﺑﻌﺾ ﻧﻘﺎﺋﻀﻪ ﻏﺾ ﻣﻦ ﻳﺰﻛﻰ ﻋﺮﻭﺳﺎ‪ ،‬ﻭﻟﻜﻨﲏ ﺃﺅﻛﺪ ﻟﻚ ﺃﻧﲏ ﱂ ﺃﺟﺎﻭﺯ ﰲ ﻧﻌﺘﻪ‬
‫ﻗﻮﻟﻪ ﺍﳊﻖ ﻭﺃﻧﻪ ﺷﺎﺏ ﻓﺎﺿﻞ ﺣﻘﹰﺎ ﻣﻴﺰﺗﻪ ﺳﺠﺎﻳﺎﻩ ﺍﳉﻤﻴﻠﺔ ﻋﻦ ﲨﻬﺮﺓ ﺃﻣﺜﺎﻟﻪ ﻣﻦ ﺍﻟﺸﺒﺎﻥ ﻓﻬﻮ ﻻ‬
‫ﻳﺸﺮﺏ ﺍﳋﻤﺮ ﻭﻻ ﻳﺮﻗﺺ ﻭﻻ ﻳﺪﺧﻦ ﻭﻻ ﻳﻐﺎﺯﻝ ﺍﻟﻄﺎﻟﺒﺎﺕ ﻭﺍﳌﻌﻠﻤﺎﺕ ﻭﻳﺘﺠﻨﺐ ﺍﳌﻼﻫﻲ ﺣﱴ‬
‫ﺍﻟﱪﺉ ﻣﻨﻬﺎ‪ ،‬ﻓﻠﻢ ﻳﻌﺮﻑ ﻋﻨﻪ ﺃﻧﻪ ﺍﺧﺘﻠﻒ ﻣﺮﺓ ﺇﱃ ﺍﻟﺴﻴﻨﻤﺎ ﻭﻻ ﺩﺧﻞ ﺍﳌﺴﺮﺡ ﺇﻻ ﻣﺮﺓ ﻭﺍﺣـﺪﺓ‬
‫ﻟﻴﺸﺎﻫﺪ ﺭﻭﺍﻳﺔ ﻳﻮﻟﻴﻮﺱ ﻗﻴﺼﺮ ﺍﻟﱵ ﻛﺎﻧﺖ ﻣﻘﺮﺭﺓ ﺣﻴﻨﺬﺍﻙ ﻋﻠﻰ ﻃﻠﺒﺔ ﺍﻟﺒﻜﺎﻟﻮﺭﻳـﺎ‪ ،‬ﻭﻫـﻮ ﰲ‬
‫ﺣﻴﺎﺗﻪ ﺍﻟﻌﺎﻣﺔ ﻭﺍﳋﺎﺻﺔ ﻛﺎﻟﻌﺎﺑﺪ ﺍﻟﻘﺎﻧﺖ ﻻ ﻳﻌﺮﻑ ﻃﺮﻳﻘﹰﺎ ﺳﻮﻯ ﻃﺮﻳﻖ ﺍﳉﺎﻣﻌﺔ ﺃﻭ ﺍﳉﺎﻣﻊ‪ ،‬ﻭﻻ‬
‫ﻳﻄﻤﺌﻦ ﺇﱃ ﻣﻜﺎﻥ ﻏﲑ ﺍﻟﺒﻴﺖ ﻭﺍﳌﻜﺘﺒﺔ ﻭﻗﺪ ﻭﻫﺐ ﺣﻴﺎﺗﻪ ﲨﻴﻌﹰﺎ ﷲ ﻭﺍﻟﻌﻠﻢ‪.‬‬
‫ﻭﻣﺎ ﻛﻨﺖ ﺃﺗﻄﻔﻞ ﻋﻠﻰ ﺣﻴﺎﺗﻪ ﻟﻮ ﺃﻧﻪ ﻗﺪﺭ ﳍﺎ ﺃﻥ ﺗﺴﲑ ﰲ ﳎﺮﺍﻫﺎ ﺍﳌﺄﻟﻮﻑ‪ ...‬ﻷﻧﻪ ﻳـﺼﺢ ﺃﻥ‬
‫ﻳﻘﺎﻝ ﻓﻴﻪ ﻣﺎ ﻗﻴﻞ ﻋﻦ ﺍﻟﻔﻴﻠﺴﻮﻑ ﻛﺎﻧﻂ ﻣﻦ ﺃﻧﻪ ﻻ ﺣﻴﺎﺓ ﻟﻪ‪ .‬ﻭﺣﺴﺒﻚ ﺃﻥ ﺗﻌﺮﻑ ﺗﺎﺭﻳﺦ ﻳـﻮﻡ‬
‫ﻣﻦ ﺃﻳﺎﻡ ﺣﻴﺎﺗﻪ ﺍﳌﻮﺯﻉ ﺑﲔ ﺍﻟﻌﺒﺎﺩﺓ ﻭﺍﻟﺪﺭﺍﺳﺔ ﻟﻜﻲ ﺗﻌﺮﻑ ﺣﻴﺎﺗﻪ ﲨﻴﻌﺎ‪ ...‬ﻭﻟﻜﻦ ﻗﺪﺭ ﳊﻴﺎﺗﻪ‬
‫ﻏﲑ ﻣﺎ ﺃﺭﺍﺩ ﳍﺎ ﻭﻭﻗﻊ ﻟﻪ ﻣﺎ ﱂ ﻳﺪﺭ ﰲ ﺧﻠﺪ ﺃﻧﺴﺎﻥ‪...‬‬
‫ﻛﺎﻥ ﻳﻘﻴﻢ ﻣﻨﺬ ﻫﺒﻮﻃﻪ ﺇﱃ ﺍﻟﻘﺎﻫﺮﺓ ﰲ ﺍﳉﻴﺰﺓ ﰲ ﺑﻴﺖ ﻣﻦ ﺍﻟﺒﻴﻮﺕ ﺍﳌﻌﺪﺓ ﻟﺴﻜﲎ ﺍﻟﻄﻠﺒﺔ‪،‬‬
‫ﻭﻛﺎﻥ ﻳﺴﻜﻦ ﺍﻟﺒﻴﺖ ﺍﺠﻤﻟﺎﻭﺭ ﻟﻪ ﳏﺎﻡ ﺷﺮﻋﻲ ﻣﺘﺰﻣﺖ‪ ،‬ﻓﻠﺒﺜﺖ ﻧﻮﺍﻓﺬ ﺍﳊﺠﺮﺓ ﺍﻟﱵ ﺗﻮﺍﺟﻪ ﺣﺠﺮﺗﻪ‬
‫ﻣﻐﻠﻘﺔ ﻫﺬﻩ ﺍﻷﻋﻮﺍﻡ ﻛﺎﻥ ﻻ ﺣﻴﺎﺓ ﻬﺑﺎ‪ ،‬ﻭﺃﻧﺘﻘﻞ ﺍﶈﺎﻣﻰ ﺃﺧﲑﹰﺍ ﺇﱃ ﻣﺴﻜﻦ ﺟﺪﻳﺪ ﻓﺤﻞ ﻣﻜﺎﻧـﻪ‬
‫ﻣﻮﻇﻒ ﺣﻜﻮﻣﻲ ﻭﺃﺳﺮﺗﻪ ﻭﺩﺑﺖ ﰲ ﺍﻟﺒﻴﺖ ﺣﻴﺎﺓ ﺟﺪﻳﺪﺓ ﻭﻓﺘﺤﺖ ﻧﻮﺍﻓـﺬ ﺍﳊﺠـﺮﺓ ﻋﻠـﻰ‬
‫ﻣﺼﺮﺍﻋﻴﻬﺎ ﻭﲤﺘﻌﺖ ﺑﻌﺪ ﻃﻮﻝ ﺍﳊﺮﻣﺎﻥ ﺑﻨﻮﺭ ﺍﻟﺸﻤﺲ ﻭﻃﻴﺐ ﺍﳍﻮﺍﺀ‪.‬‬
‫ﻭﱂ ﻳﻔﺖ ﺍﻟﺸﺎﺏ ﻣﻼﺣﻈﺔ ﺍﻟﺘﻄﻮﺭ ﺍﳉﺪﻳﺪ ﻭﻟﻜﻨﻪ ﱂ ﻳﻠﻖ ﺇﻟﻴﻪ ﺑﺎﻻ‪ .‬ﻭﺃﻧـﻪ ﻟـﻴﺠﻠﺲ ﺇﱃ‬
‫ﻣﻜﺘﺒﻪ ﺫﺍﺕ ﻳﻮﻡ ﻳﻜﺘﺐ ﺑﻌﺾ ﺍﶈﺎﺿﺮﺍﺕ ﲰﻊ ﺿﺤﻜﺔ ﺭﻗﻴﻘﺔ ﻓﺎﻟﺘﻔﺖ ﺇﱃ ﺍﳊﺠﺮﺓ ﺍﳌﻮﺍﺟﻬﺔ ﻟﻪ‬
‫ﲝﺮﻛﺔ ﻋﻜﺴﻴﺔ ﻓﻠﻤﺤﺖ ﻋﻴﻨﺎﻩ " ﺻﻮﺭﺓ ﺃﻧﺜﻮﻳﺔ " ﰒ ﺭﺩ ﺭﺍﺳﺔ ﺇﱃ ﺍﻷﻭﺭﺍﻕ ﺍﳌﻮﺿـﻮﻋﺔ ﻋﻠـﻰ‬
‫ﻣﻜﺘﺒﻪ ﺑﺴﺮﻋﺔ ﺍﻟﱪﻕ ﻓﻠﻢ ﻳﻌﺮﻑ ﻣﻦ ﺻﺎﺣﺒﺔ ﺍﻟﺼﻮﺭﺓ ﺇﻻ ﺟﻨﺴﻬﺎ ﺃﻣﺎ ﻟﻮﻬﻧﺎ ﻭﺷﻜﻠﻬﺎ ﻓﻠﻢ ﺗﻠﺘﻘﻂ‬
‫ﻣﻨﻬﻤﺎ ﻋﻴﻨﺎﻩ ﺍﻯ ﺍﺛﺮ ﻭﻣﺎ ﻛﺎﻥ ﻳﻨﺒﻐﻲ ﻟﻪ‪ ...‬ﻭﻣﻀﻰ ﻳﻜﺘﺐ ﳏﺎﺿﺮﺍﺗﻪ ﺇﻻ ﺃﻧﻪ ﻛﺎﻥ ﳛﺮﻙ ﻋﻴﻨﻴـﻪ‬
‫– ﻭﺭﺃﺳﻪ ﺛﺎﺑﺖ – ﻧﺎﺣﻴﺔ ﺍﻟﻨﺎﻓﺬﺓ ﻛﻠﻤﺎ ﻣﻀﺖ ﻓﺘﺮﺓ ﻣﻦ ﺍﻟﻮﻗﺖ ﻓﻴﻠﺤﻆ ﺍﻟـﺼﻮﺭﺓ ﺍﻷﻧﺜﻮﻳـﺔ‬
‫ﺍﻟﻐﺎﻣﻀﺔ ﰲ ﻣﻜﺎﻬﻧﺎ ﻣﻦ ﺍﻟﻨﺎﻓﺬﺓ ﻻ ﺗﺮﱘ ﺣﱴ ﺃﺧﺬﻩ ﺍﻟﻌﺠﺐ ﻣﻦ ﻣﻼﺯﻣﺘﻬﺎ ﻟﻮﻗﻔﺘﻬﺎ – ﺍﳋﺎﻟﻴﺔ ﻣﻦ‬
‫ﺍﳊﻴﺎﺀ – ﻭﺍﺷﺘﺪ ﺑﻪ ﺍﻟﻌﺠﺐ ﻓﺮﻓﻊ ﺭﺃﺳﻪ ﻭﺭﺃﻯ ﻓﺘﺎﺓ ﺗﻄﺎﻟﻊ ﰲ ﻛﺘﺎﺏ ﻭﻛﺄﻬﻧﺎ ﺃﺣﺴﺖ ﲝﺮﻛﺘـﻪ‬
‫ﻓﻬﻤﺖ ﻳﺮﻓﻊ ﺭﺃﺳﻬﺎ ﻭﻟﻜﻨﻪ ﺭﺩ ﺭﺃﺳﻪ ﺇﱃ ﻣﻮﺿﻌﻪ ﺍﻷﻭﻝ ﺑﺴﺮﻋﺔ ﻭﻗﺪ ﺍﻫﺘﺎﺟﻪ ﺍﳊﻴﺎﺀ ﻭﺍﻟﻐﻀﺐ‬
‫ﻭﳘﺲ ﻟﻨﻔﺴﻪ‪ " :‬ﻋﺴﻰ ﺃﻻ ﺗﻜﻮﻥ ﺭﺃﺗﲏ " ﻭﺑﺎﺕ ﻟﻴﻠﺘﻪ ﻏﲑ ﺭﺍﺽ ﻋﻦ ﻧﻔﺴﻪ ﻷﻧﻪ ﺻﺮﻑ ﺛﻮﺍﱏ‬
‫ﻣﻦ ﻭﻗﺘﻪ ﺍﻟﺜﻤﲔ ﰲ ﻏﲑ ﻣﺎ ﻳﺮﺿﻰ ﺍﷲ‪...‬‬
‫ﻭﰲ ﺻﺒﺎﺡ ﺍﻟﻴﻮﻡ ﺍﻟﺘﺎﱄ ﻭﻛﺎﻥ ﻳﺮﺗﺪﻯ ﻣﻼﺑﺴﻪ ﻻﺣﺖ ﻣﻨﻪ ﺍﻟﺘﻔﺎﺗﺔ – ﻻ ﻳﺪﺭﻯ ﻛﻴﻒ –‬
‫ﺇﱃ ﻧﺎﻓﺬﺓ ﺟﺎﺭﺗﻪ ﻓﺮﺁﻫﺎ ﺗﻄﻞ ﻣﻨﻬﺎ ﰲ ﻣﻌﻄﻒ ﺍﳌﺪﺭﺳﺔ ﺍﻷﺯﺭﻕ ﺍﳉﻤﻴﻞ ﻭﻋﻠﻰ ﺭﺃﺳـﻬﺎ ﻗﺒﻌـﺔ‬
‫ﺻﻐﲑﺓ ﺃﻧﻴﻘﺔ ﻓﺎﻟﺘﻘﺖ ﻋﻴﻨﺎﳘﺎ ﻗﺴﺮﹰﺍ ﻭﺳﺤﺐ ﻋﻴﻨﻴﻪ ‪ -‬ﻛﺎﻟﻌﺎﺩﺓ – ﺑﺴﺮﻋﺔ ﻓﻠﻢ ﻳﺪﺭﻙ ﺣـﺴﻦ‬
‫ﻫﺎﺗﲔ ﺍﻟﻌﻴﻨﲔ ﻭﻟﻜﻨﻪ – ﻭﺍﺃﺳﻔﺎﻩ – ﺃﺣﺲ ﻳﻬﻤﺎ‪ .‬ﻭﻏﺎﺩﺭ ﺍﻟﺒﻴﺖ ﺳﺎﺧﻄﹰﺎ ﻏﺎﺿـﺒﹰﺎ ﻳﻔﻜـﺮ ﰲ‬
‫ﻭﺳﻴﻠﺔ ﻳﻘﻄﻊ ﻬﺑﺎ ﺩﺍﺑﺮ ﻫﺬﺍ ﺍﻟﺸﺮ ﺍﳌﺒﺎﻏﺖ‪ ...‬ﻭﻟﻜﻦ ﻛﻴﻒ‪ ...‬ﺃﻧﻪ ﻻ ﻳـﺴﺘﻄﻴﻊ ﺃﻥ ﻳﻨﺘﻘـﻞ ﺇﱃ‬
‫ﺣﺠﺮﺓ ﺃﺧﺮﻯ ﻓﺎﻥ ﲨﻴﻊ ﺣﺠﺮﺍﺕ ﺍﻟﺒﻴﺖ ﻣﺄﻫﻮﻟﺔ ﺑﺎﻟﻄﻠﺒﺔ‪ ...‬ﻭﻻ ﻳﺴﺘﻄﻴﻊ ﺃﻥ ﻳﻐﻠـﻖ ﻧﺎﻓـﺬﺓ‬
‫ﺣﺠﺮﺗﻪ ﺩﻭﺍﻣﹰﺎ ﻓﻬﺬﺍ ﻓﻮﻕ ﻣﺎ ﳛﺘﻤﻞ‪ ...‬ﻭﺟﻌﻞ ﻳﻔﻜﺮ ﰲ ﺃﻣﺮ ﺍﻟﻔﺘﺎﺓ ﺳﺎﺧﻄﹰﺎ ﻏﺎﺿـﺒﹰﺎ ﻻﻋﻨـﺎ‬
‫ﻭﻟﻜﻨﻬﺎ ﻋﻠﻰ ﻛﻞ ﺣﺎﻝ ﺍﺳﺘﻄﺎﻋﺖ ﺃﻥ ﺗﻔﺮﺽ ﻧﻔﺴﻬﺎ ﻋﻠﻰ ﺗﻔﻜﲑﻩ ﺳﺤﺎﺑﺔ ﻳﻮﻣﻪ‪...‬‬
‫ﻭﻟﺪﻯ ﻋﻮﺩﺗﻪ ﺇﱃ ﻣﻜﺘﺒﻪ ﻋﺼﺮﹰﺍ ﺷﻌﺮ ﲟﺠﻴﺌﻬﺎ ﺇﱃ ﺍﻟﻨﺎﻓﺬﺓ ﻛﻤﺎ ﻓﻌﻠﺖ ﺑﺎﻷﻣﺲ ﻭﻟﻜﻨـﻪ‬
‫ﺃﻗﺴﻢ ﺃﻻ ﻳﻌﲑﻫﺎ ﺍﻯ ﺍﻧﺘﺒﺎﻩ ﻭﺃﻻ ﳛﻨﺚ ﺑﻘﺴﻤﻪ ﻣﻬﻤﺎ ﻛﺎﻧﺖ ﺍﻟﻈﺮﻭﻑ ﻭﺍﻷﺣﻮﺍﻝ ﺇﻻ ﺃﻥ ﺟﻬﺪﹰﺍ‬
‫ﻛﺒﲑﹰﺍ ﳑﺎ ﻛﺎﻥ ﻳﺼﺮﻓﻪ ﰲ ﺍﻟﻘﺮﺍﺀﺓ ﺑﺬﻟﻪ ﰲ ﺗﺮﻛﻴﺰ ﺍﻻﻧﺘﺒﺎﻩ ﻭﲡﻨﺐ ﺍﶈﺬﻭﺭ‪...‬‬
‫ﻭﺑﺎﻟﺮﻏﻢ ﻣﻦ ﺫﺍﻙ ﺍﺠﻤﻟﻬﻮﺩ ﺍﳉﺒﺎﺭ ﻓﻘﺪ ﻃﺮﻕ ﺃﺫﻧﻴﻪ ﺻﻮﻬﺗﺎ ﻭﻫﻲ ﺗﺘﻜﻠﻢ ﺑـﺼﻮﺕ ﺭﺧـﻴﻢ‬
‫ﳚﻌﻞ ﻣﻦ ﺃﺗﻔﻪ ﺍﻷﺣﺎﺩﻳﺚ ﺃﳊﺎﻧﺎ ﺭﺷﻴﻘﺔ ﻭﱂ ﻳﻔﻘﻪ ﳌﺎ ﺗﻘﻮﻝ ﻣﻌﲎ ﻭﻟﻜﻦ ﱂ ﺗﻐﺐ ﻋﻨﻪ ﺣـﻼﻭﺓ‬
‫ﺍﻟﺼﻮﺕ‪ ...‬ﺗﺮﻯ ﻣﻦ ﲢﺎﺩﺙ‪ ...‬ﻭﻟﻜﻦ ﻣﺎﻟﻪ ﻫﻮ ﻭﻣﻦ ﲢﺎﺩﺛﻪ‪ ...‬ﻓﻠﺘﺤـﺪﺙ ﻣـﻦ ﺗـﺸﺎﺀ ﺃﻭ‬
‫ﻓﻠﺘﺤﺪﺙ ﻧﻔﺴﻬﺎ ﻛﺎﺠﻤﻟﺎﻧﲔ‪ ...‬ﺍﳌﻬﻢ ﺃﻥ ﻳﺼﻢ ﺃﺫﻧﻴﻪ ﻋﻦ ﺻﻮﻬﺗﺎ ﺍﳋﺒﻴﺚ‪ ...‬ﻳﺎ ﻟﻠﺸﻴﻄﺎﻧﺔ‪ ...‬ﺃﻬﻧﺎ‬
‫ﻻ ﺗﻘﻨﻊ ﻬﺑﺬﺍ ﺍﳊﺪﻳﺚ ﻓﺘﻀﺤﻚ ﺿﺤﻜﺘﻬﺎ ﺍﻟﺮﻗﻴﻘﺔ ﺍﻟﻄﺮﺑﺔ ﺍﳌﻐﺮﻳﺔ ﻭﺗﺎﷲ ﺃﻬﻧﺎ ﻟﺘﻀﺤﻚ ﻻ ﺑﺪﺍﻓﻊ‬
‫ﺍﻟﺴﺮﻭﺭ ﺃﻭ ﺍﻟﻄﺮﺏ ﻭﻟﻜﻦ ﺇﻳﻘﺎﻇﹰﺎ ﻟﻠﻌﻮﺍﻃﻒ ﻭﺍﻟﺸﻬﻮﺍﺕ‪ ...‬ﻓﻜﻴﻒ ﺍﻟﺴﺒﻴﻞ ﺇﱃ ﺗﻔﻬﻢ ﺍﻟﺮﻭﻣﺎﱐ‬
‫ﻭﺍﻟﺸﺮﻳﻌﺔ ﻭﺳﻂ ﻫﺬﻩ ﺍﻹﺫﺍﻋﺔ ﺍﳉﻨﻮﻧﻴﺔ ﺍﳌﻀﻄﺮﻣﺔ ؟‪.‬‬
‫ﻭﻣﻀﺖ ﺃﻳﺎﻡ ﻛﺜﲑﺓ ﻭﺃﺳﺎﺑﻴﻊ ﻭﻫﻲ ﻻ ﺗﻜﻒ ﻋﻦ ﺃﺣﺎﺩﻳﺜﻬﺎ ﺍﻟﺮﻗﻴﻘﺔ ﻭﺿﺤﻜﺎﻬﺗﺎ ﺍﳌـﺜﲑﺓ‬
‫ﻭﻫﻮ ﺟﺎﻣﺪ ﻛﺎﳉﺒﺎﺭ ﺻﺎﺭﻡ ﻛﺎﻟﺼﺨﺮ ﳚﺎﻫﺪ ﻧﻔﺴﻪ ﳎﺎﻫﺪﺓ ﻋﻨﻴﻔﺔ ﻭﻳﻜﺒﺖ ﻋﻮﺍﻃﻔﻪ ﻛﺒﺘـﹰﺎ ﻻ‬
‫ﻫﻮﺍﺩﺓ ﻓﻴﻪ ﻭﻟﻜﻦ ﺍﻟﻔﺘﺎﺓ ﱂ ﺗﺴﺘﺴﻠﻢ ﻟﻠﻘﻨﻮﻁ ﺑﻞ ﳉﺄﺕ ﺇﱃ ﻃﺮﻳﻘﺔ ﺷﻴﻄﺎﻧﻴﺔ ﻓﺄﺗﺖ ﺑﻄﻔﻞ ﺻﻐﲑ‬
‫ﻭﲪﻠﺘﻪ ﺑﻴﺖ ﻳﺪﻳﻬﺎ ﻭﻣﻀﺖ ﺗﺪﺍﻋﺒﻪ ﻭﺗﻼﻋﺒﻪ ﻭﺗﻘﺒﻠﻪ ﻗﺒﻼﺕ ﺣﺎﺭﺓ ﻳﺮﻥ ﺻـﺪﺍﻫﺎ ﰲ ﺣﺠﺮﺗـﻪ‬
‫ﻭﺗﻘﻮﻝ ﻟﻪ ﺑﺼﻮﺕ ﻣﺴﻤﻮﻉ " ﻳﺎ ﺣﺒﻴﱯ‪ ...‬ﻗﺒﻠﲏ‪ ...‬ﺍﻋﻄﲏ ﺷﻔﺘﻴﻚ ﺍﻟﻌـﺬﺑﺘﲔ‪ ...‬ﻣﺎﻟـﻚ ﻻ‬
‫ﺗﻨﻈﺮ ﺇﱃ‪ ...‬ﺃﻧﻈﺮ ﺇﱃ ﺣﺒﻴﺒﺘﻚ‪ ...‬ﺃﻻ ﲢﺒﲏ‪ ...‬ﺃﻻ ﻳﺮﻭﻗﻚ ﻭﺟﻬﻲ‪ ...‬ﺃﻧﻈﺮ ﺇﱃ ﻳﺎ ﺣﺒﻴﱯ‪"...‬‬
‫ﻓﻜﺎﻥ ﻳﺼﻐﻰ ﺇﱃ ﻣﻨﺎﺟﺎﻬﺗﺎ ﺑﻘﻠﺐ ﻣﺮﲡﻒ ﻛﺠﻨﺎﺡ ﻃﲑ ﺫﺑﻴﺢ ﻭﺍﻟﺪﻡ ﻳﺘﺼﺎﻋﺪ ﺇﱃ ﺭﺃﺳـﻪ‬
‫ﻓﻴﺨﻀﺐ ﻭﺟﻬﻪ ﻭﻳﻨﺒﺾ ﺑﻘﻮﺓ ﰲ ﺃﺫﻧﻴﻪ ﻭﻳﺴﺘﺴﻠﻢ ﺇﱃ ﺍﻹﺻﻐﺎﺀ ﺍﺳﺘﺴﻼﻡ ﺍﺠﻤﻟﺎﻫﺪ ﺍﻟﻴﺎﺋﺲ ﺃﺿﻨﺎﻩ‬
‫ﺍﳉﻬﺎﺩ ﻭﺍﻟﻌﺰﻡ‪ ،‬ﻭﻻ ﻳﻠﺒﺚ ﺃﻥ ﺗﺘﺠﻠﻰ ﰲ ﻋﻴﻨﻴﻪ ﻧﻈﺮﺓ ﺣﺰﻥ ﻋﻤﻴﻖ ﻭﻳﻬﺘﻒ ﻣﻦ ﺍﻋﻤـﺎﻕ ﻗﻠﺒـﻪ‬
‫ﺍﳌﻌﺬﺏ‪ ":‬ﺭﺑﺎﻩ‪ ...‬ﺍﻏﻔﺮ ﱄ ﺫﻧﱯ ﻭﻫﺒﲏ ﻣﻦ ﻟﺪﻧﻚ ﻗﻮﺓ "‪ ...‬ﻭﻟﻜﻨﻬﺎ ﻛﺎﻧﺖ ﺗﺰﺩﺍﺩ ﺟﺮﺃﺓ ﻋﻠﻰ‬
‫ﻣﺮﻭﺭ ﺍﻷﻳﺎﻡ ﺣﱴ ﻛﺎﻥ ﻳﺼﻠﻰ ﻋﺼﺮ ﻳﻮﻡ ﻓﻮﻗﻔﺖ ﺧﻠﻒ ﺍﻟﻨﺎﻓﺬﺓ ﺗﺪﱘ ﺍﻟﻨﻈـﺮ ﺇﻟﻴـﻪ ﻭﺗﻘـﻮﻝ‬
‫ﺿﺎﺣﻜﺔ‪ " :‬ﺇﺩﻉ ﱄ " ﻭﺗﻘﻮﻝ ﺃﻳﻀﹰﺎ‪ " :‬ﺍﷲ ﻳﻬﺪﻳﻚ ﻭﻳﻔﺘﺢ ﻋﻠﻴﻚ " ﻓﻠﻤﺎ ﺃﻥ ﺭﺃﺗﻪ ﻳﺮﻛﻊ ﻟﻴﺨﺘﻢ‬
‫ﺍﻟﺼﻼﺓ ﺃﺧﺬﺕ ﺗﻘﺮﺃ ﺍﻟﺘﺤﻴﺎﺕ ﻣﻌﻪ ﻛﻠﻤﺔ ﻛﻠﻤﺔ‪ ...‬ﻓﺎﺿﻄﺮﺏ ﻭﺍﺳﺘﺤﻴﺎ‪ ...‬ﺭﺑﺎﻩ‪ ...‬ﻟﻘﺪ ﺟﻨﺢ‬
‫ﻓﻜﺮﻩ ﺇﻟﻴﻬﺎ ﻭﻫﻮ ﺑﲔ ﻳﺪﻱ ﺍﷲ‪ .‬ﺃﻧﻔﺘﻞ ﻣﻦ ﺍﻟﺼﻼﺓ ﺣﺰﻳﻨﺎ ﻛﺌﻴﺒﹰﺎ ﻭﺍﺭﲤﻰ ﻋﻠﻰ ﻣﻘﻌﺪﻩ ﻭﺟﻌﻞ ﻳﺘﻠﻮ‬
‫ﺍﻵﻳﺔ ﺍﻟﻜﺮﳝﺔ‪ " :‬ﻓﺈﺫﺍ ﻗﺮﺃﺕ ﺍﻟﻘﺮﺁﻥ ﻓﺎﺳﺘﻌﺬ ﺑﺎﷲ ﻣﻦ ﺍﻟﺸﻴﻄﺎﻥ ﺍﻟﺮﺟﻴﻢ ﺃﻧﻪ ﻟﻴﺲ ﻟﻪ ﺳﻠﻄﺎﻥ ﻋﻠﻰ‬
‫ﺍﻟﺬﻳﻦ ﺁﻣﻨﻮﺍ ﻭﻋﻠﻰ ﺭﻬﺑﻢ ﻳﺘﻮﻛﻠﻮﻥ " ﻭﻛﺎﻥ ﺍﻵﻳﺔ ﺍﻟﺸﺮﻳﻔﺔ ﺃﻣﺪﺗﻪ ﺑﻘﻮﺓ ﻏﺮﻳﺒﺔ ﻓﺄﻧﺘﻔﺾ ﻗﺎﺋﻤـﹰﺎ‬
‫ﺑﻌﺰﻡ ﻛﺎﳊﺪﻳﺪ ﻭﺳﺎﺭ ﺇﱃ ﺍﻟﻨﺎﻓﺬﺓ ﻭﰲ ﻋﻈﻤﺔ ﺃﻥ ﻳﻐﻠﻘﻬﺎ ﺑﺸﺪﺓ ﻭﻋﻨﻒ‪ ...‬ﻭﻗﺮﺃﺕ ﺍﻟﻔﺘﺎﺓ ﻋﺰﻣﻪ‬
‫ﰲ ﺗﻘﻄﻴﺒﺔ ﺟﺒﻴﻨﻪ ﻓﻬﺘﻔﺖ ﺑﻪ ﺑﺪﻻﻝ ﲨﻴﻞ " ﺇﺧﺺ ﻳﺎ ﻗﺪﺭﻱ‪" ...‬‬
‫ﻭﺃﳔﻠﻊ ﻗﻠﺒﻪ ﰲ ﺻﺪﺭﻩ ﻭﺭﻓﻊ ﺑﺼﺮﻩ ﺇﻟﻴﻬﺎ ﻭﻫﻮ ﻻ ﻳﺪﺭﻯ ﻓﺎﻣﺘﻸﺕ ﻋﻴﻨﺎﻩ ﻣـﻦ ﻭﺟﻬﻬـﺎ‬
‫ﺍﻷﲰﺮ ﺍﻟﺒﺪﺭﻯ ﻭﻫﻮ ﰲ ﻏﻴﺒﻮﺑﺔ ﺍﻟﺪﻫﺸﺔ ﻭﺍﻟﺬﻫﻮﻝ‪ ...‬ﻭﺣﻔﻠﺖ ﻳﺪﺍﻩ ﻣﻦ ﻣﺲ ﺍﻟﻨﺎﻓﺬﺓ ﻓﻌﺎﺩ ﺇﱃ‬
‫ﻣﻜﺎﻧﻪ ﻛﻤﻦ ﻳﺴﲑ ﰲ ﺣﻠﻢ‪ ...‬ﻛﻴﻒ ﻋﺮﻓﺖ ﺍﲰﻪ ؟‪ ....‬ﻛﻴﻒ ؟ ﻭﳌﺎﺫﺍ ﻧﺎﺩﺗﻪ ﺑﻪ ؟ ‪ ....‬ﻣـﺎ‬
‫ﺃﲨﻞ ﺻﻮﻬﺗﺎ!‪ ....‬ﻭﻣﺎ ﺃﲨﻞ ﺍﲰﻪ ﰲ ﺻﻮﻬﺗﺎ!‪ ..‬ﺃﻧﻪ ﱂ ﻳﻨﺎﺩ ﻫﺬﺍ ﺍﻟﻨﺪﺍﺀ ﻣﻦ ﻗﺒﻞ‪ ....‬ﻭﻣﺎ ﻫـﻮ‬
‫ﺑﺎﻟﻨﺪﺍﺀ ﺃﻥ ﻫﻮ ﺇﻻ ﻏﻨﺎﺀ ﲨﻴﻞ‪ ....‬ﻟﻘﺪ ﻏﲎ ﺑﺎﲰﻪ ﻛﻤﺎ ﻳﻐﲎ ﺑﺄﲰـﺎﺀ ﻣـﺸﺎﻫﲑ ﺍﻟﻌـﺸﺎﻕ ﰲ‬
‫ﺍﻟﺮﻭﺍﻳﺎﺕ ﺍﻟﻐﻨﺎﺋﻴﺔ ﺍﳋﺎﻟﺪﺓ‪....‬ﻭﻟﻘﺪ ﲰﺎ ﺍﲰﻪ ﻋﻠﻰ ﺃﺟﻨﺤﺔ ﺫﻟﻚ ﺍﻟﺼﻮﺕ ﺍﻟﻌﺬﺏ ﺇﱃ ﻃﺒﻘـﺎﺕ‬
‫ﺍﻟﻔﻀﺎﺀ ﺍﻟﻌﺎﻟﻴﺔ ﻳﻨﺎﻓﺲ ﳏﺎﺳﻦ ﺍﻟﻄﺒﻴﻌﺔ ﺣﺴﻨﻬﺎ ﻭﲨﺎﳍﺎ‪ ..‬ﻟﻘﺪ ﺃﺗﻰ ﺫﻟﻚ ﺍﻟﻨﺪﺍﺀ ﻋﻠﻰ ﺍﻟﺒﻘﻴﺔ ﺍﻟﺒﺎﻗﻴﺔ‬
‫ﻣﻦ ﻋﺰﻣﻪ ﻓﺘﺨﺎﺫﻝ ﻭﺗﻀﻌﻀﻊ ﻭﱂ ﻳﻐﻦ ﻋﻨﻪ ﻋﺰﻣﻪ ﻭﻻ ﺇﳝﺎﻧﻪ ﻓﺘﻴﻼ‪ ....‬ﻭﻃﺎﻝ ﻟﻴﻠﻪ ﻭﻟﻜﻨﻪ ﱂ ﻳﻨﻢ‬
‫ﻛﺒﺸﺎﺭ‪ .‬ﻭﻃﺮﺡ ﻋﻠﻰ ﻧﻔﺴﻪ ﻫﺬﺍ ﺍﻟﺴﺆﺍﻝ ﺃﻛﺜﺮ ﻣﻦ ﻣﺮﺓ))ﻫﻞ ﺍﳊﺐ ﻓﻀﻴﻠﺔ(( ؟ ﺃﻥ ﻣﺎ ﻳﺴﻤﻮﻧﻪ‬
‫ﺣﺒﹰﺎ ﻭﻣﺎ ﻫﻮ ﺇﻻ ﻋﺒﺚ ﻭﻗﺒﻞ ﻭﻭﻋﻮﺩ ﻛﺎﺫﺑﺔ‪ ،‬ﺭﺯﻳﻠﺔ ﻣﻨﻜﺮﺓ؛ ﺃﻣﺎ ﺗﻠﻚ ﺍﳉﺎﺫﺑﻴﺔ ﺍﻟﻨﻔـﺴﻴﺔ ﺍﻟـﱵ‬
‫ﻳﻬﺘﺪﻱ ﻬﺑﺎ ﺍﻹﻧﺴﺎﻥ ﺇﱃ ﺷﺮﻳﻜﺘﻪ ﰲ ﺍﳊﻴﺎﺓ ﻓﻬﻲ ﺍﳊﺐ ﻭﻫﻲ ﺍﻟﻔﻀﻴﻠﺔ‪ ،‬ﻭﻟﻘﺪ ﺃﺣـﺐ ﺍﻟـﻨﱯ‬
‫ﺍﻟﻜﺮﱘ ﺍﻟﺴﻴﺪﺓ ﺧﺪﳚﺔ‪ ،‬ﰒ ﺃﺣﺐ ﻣﺮﺓ ﺃﺧﺮﻯ ﺍﻟﺴﻴﺪﺓ ﻋﺎﺋﺸﺔ ﺃﻡ ﺍﳌﺆﻣﻨﲔ‪ ،‬ﻭﻣـﺎ ﻛـﺎﻥ ﰲ‬
‫ﺍﳊﺎﻟﺘﲔ ﺇﻻ ﻛﺎﻣﻞ ﺍﳋﻠﻖ ﻛﻤﺎ ﻭﺻﻔﻪ ﺍﷲ ﺗﻌﺎﱃ‪ ....‬ﻓﻤﺎ ﺍﳊﺐ ﺑﺎﻟﺮﺫﻳﻠﺔ ﺍﻟﱵ ﲣﺸﻰ ﻣﻘﺎﺭﻓﺘﻬﺎ‪،‬‬
‫ﻭﻣﺎ ﻋﻠﻴﻪ ﻣﻦ ﺑﺎﺱ ﰲ ﺃﻥ ﳛﺐ ﺟﺎﺭﺗﻪ ﺍﻟﱵ ﺃﺟﱪﺗﻪ ﻋﻠﻰ ﺣﺒﻬﺎ‪ ....‬ﻭﻫﻜﺬﺍ ﺟﻌﻞ ﻳﻬﻮﻥ ﻭﻗـﻊ‬
‫ﺍﳌﺼﺎﺏ ﻋﻠﻰ ﻧﻔﺴﻪ ﻭﻳﱪﺭﻩ ﺃﻣﺎﻡ ﺿﻤﲑﻩ ﻟﻴﻄﻤﺌﻦ ﻧﻔﺴﻪ ﺍﳌﺬﻋﻮﺭﺓ ﺍﳌﺘﻬﺎﻟﻜﺔ‪....‬ﻭﰲ ﺍﻟﺼﺒﺎﺡ ﻗﺎﻡ‬
‫ﻣﻦ ﻧﻮﻣﻪ ﻧﺸﻴﻄﹰﺎ ﻣﺒﺘﻬﺠﹰﺎ ﺑﺮﻏﻢ ﺗﻘﻠﺒﻪ ﻭﺗﺴﻬﻴﺪﻩ ﻭﺍﺭﺗﺪﻯ ﺛﻴﺎﺑﻪ ﺑﻌﻨﺎﻳﺔ ﱂ ﻳﻠﻖ ﺇﻟﻴﻬﺎ ﺑﺎﻻ ﻣﻦ ﻗﺒﻞ‪،‬‬
‫ﻭﻛﺎﻥ ﳜﺘﻠﺲ ﻣﻦ ﺍﻟﻨﺎﻓﺬﺓ ﻧﻈﺮﺍﺕ ﻳﺒﻌﺜﻬﺎ ﺍﻟﺮﺟﺎﺀ ﻭﻳﺮﺩﻫﺎ ﺍﻟﻨﻬﻴﺐ‪ ،‬ﻭﻟﻜﻨﻪ ﺍﻟﻔﺎﻫﺎ ﺧﺎﻟﻴـﺔ‪ ،‬ﻭﱂ‬
‫ﻳﺒﻖ ﺷﻲﺀ ﻳﻌﻮﻗﻪ ﻋﻦ ﺍﻟﺬﻫﺎﺏ ﺇﱃ ﺍﻟﻜﻠﻴﺔ ﻭﻟﻜﻦ ﻛﱪ ﻋﻠﻴﻪ ﺃﻥ ﻳﺬﻫﺐ ﻗﺒﻞ ﺃﻥ ﻳﺘﺰﻭﺩ ﺑﻨﻈﺮﺓ ﻣﻦ‬
‫ﻭﺟﻬﻬﺎ ﺍﻷﲰﺮ ﺍﳉﻤﻴﻞ‪....‬ﻭﻟﻜﻦ ﺍﻟﻨﺎﻓﺬﺓ ﻇﻠﺖ ﺧﺎﻟﻴﺔ ﻛﺎﻟﻔﻢ ﺍﻟﻔﺎﺭﻍ ﺍﻟﺬﻱ ﻏـﺎﺏ ﻋﻨـﻪ ﺩﺭﻩ‬
‫ﺍﻟﻨﻀﻴﺪ‪....‬ﻭﱂ ﻳﺮ ﺑﺪﹰﺍ ﻣﻦ ﺍﻟﺬﻫﺎﺏ ﻓﺬﻫﺐ ﻛﺌﻴﺒﹰﺎ ﳏﺴﻮﺭﹰﺍ ﻭﺭﺟﻊ ﻣﺘﻠﻬﻔﹰﺎ ﺟﺰﻭﻋﹰﺎ‪ ،‬ﻭﺃﻧﺘﻈﺮ ﻋﻠﻰ‬
‫ﺣﺮﻗﻪ ﻭﺷﻮﻕ‪ ،‬ﻭﻟﻜﻦ ﱂ ﻳﺮ ﳍﺎ ﺃﺛﺮﹰﺍ ﻭﻻ ﲰﻊ ﺻﻮﺗﹰﺎ ﻓﺬﻫﺐ ﻭﺟﺎﺀ‪ ،‬ﻭﺟﺎﺀ ﻭﺫﻫﺐ ﻭﻗﺎﻡ ﻭﻗﻌﺪ‪،‬‬
‫ﻭﻗﻌﺪ ﻭﻗﺎﻡ‪ ،‬ﻭﺟﻌﻞ ﻳﻘﻠﺐ ﰲ ﺃﻭﺭﺍﻗﻪ ﻭﻛﺘﺒﻪ ﺑﺪﻭﻥ ﻭﻋﻰ‪ ،‬ﻭﺩﻟﻒ ﺇﱃ ﻧﺎﻓﺬﺓ ﺣﺠﺮﺗﻪ ﻭﺍﺳـﺘﻨﺪ‬
‫ﺇﻟﻴﻬﺎ ﻭﺃﻧﺘﻈﺮ ﻭﺃﻧﺘﻈﺮ‪ ....‬ﰒ ﺃﻧﺘﻈﺮ ﺣﱴ ﺿﺎﻕ ﺑﻪ ﺍﻟﺼﺪﺭ ﻭﻛﺘﻤﺖ ﺍﻷﻧﻔﺎﺱ ﻭﺣـﱴ ﻭﺩ ﻟـﻮ‬
‫ﻳﺼﺮﺥ ﺑﺄﻋﻠﻰ ﺻﻮﺗﻪ ﺃﻭ ﻳﺴﲑ ﺷﻮﻃﹰﺎ ﻛﺒﲑﹰﺍ ﺑﻐﲑ ﻫﺪﻯ‪ ،‬ﻭﻣﻀﻰ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﻏﲑ ﳏﺴﻮﺏ ﻣـﻦ‬
‫ﺍﻟﻌﻤﺮ ﻓﻼ ﺫﻭﻕ ﻟﻠﻄﻌﺎﻡ ﰲ ﻓﻤﻪ‪ ،‬ﻭﻻ ﻣﻌﲎ ﻟﻠﺮﻭﻣﺎﱏ ﰲ ﻋﻘﻠﻪ‪ ،‬ﻭﻻ ﺍﺛﺮ ﻟﻠﺼﻼﺓ ﰲ ﻗﻠﺒﻪ‪....‬ﻭﻻ‬
‫ﺳﺒﻴﻞ ﻟﻠﻨﻮﻡ ﺇﱃ ﺟﻔﻨﻴﻪ‪......‬ﻟﻘﺪ ﻣﺎﺕ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﺍﻷﻏﱪ‪.....‬ﻭﻣﺎﺕ ﺍﻟﻌﻔﺎﻑ ﰲ ﻗﻠﺒﻪ ﺍﻟﺒﻜﺮ‪.‬‬
‫ﻭﰲ ﺻﺒﺎﺡ ﺍﻟﻴﻮﻡ ﺍﻟﺜﺎﱏ‪....‬ﻭﻛﺎﻥ ﺍﳉﻤﻌﺔ ‪ -‬ﺭﺁﻫﺎ ﻛﻤﺎ ﻛﺎﻥ ﻳﺮﺍﻫﺎ‪ -‬ﻓﻬﺒﻄـﺖ ﻋﻠـﻰ ﻗﻠﺒـﻪ‬
‫ﻃﻤﺄﻧﻴﻨﺔ ﺳﻌﻴﺪﺓ‪ ،‬ﻭﻓﺮﺡ ﻓﺮﺡ ﺫﻟﻚ ﺍﻹﻧﺴﺎﻥ ﺍﻟﺬﻱ ﺭﺩ ﺇﻟﻴﻪ ﻧﻮﺭ ﺍﻹﺑﺼﺎﺭ ﺑﻌﺪ ﻇـﻼﻡ ﺍﻟﻌﻤـﻰ‬
‫ﻭﺭﻓﻊ ﻧﻈﺮﻩ ﺇﻟﻴﻬﺎ ﺑﻌﺪ ﺗﺮﺩﺩ ﻭﺍﺳﺘﺤﻴﺎﺀ‪ ،‬ﻭﻟﻜﻨﻪ ﺃﺣﺲ ﲞﻴﺒﺔ ﻷﻧﻪ ﺭﺁﻫﺎ ﺗﻨﻈﺮ ﰲ ﻛﺘـﺎﺏ ﺑـﲔ‬
‫ﻳﺪﻳﻬﺎ ﻏﲑ ﻣﻠﺘﻔﺘﺔ ﺇﻟﻴﻪ ﻓﺄﺩﺍﻡ ﺇﻟﻴﻬﺎ ﺍﻟﻨﻈﺮ ﻭﻟﻜﻦ ﱂ ﻳﺒﺪ ﻣﻨﻬﺎ ﻣﺎ ﻳﺸﻌﺮ ﺑﺄﻬﻧﺎ ﺃﺣﺴﺖ ﺑﻮﺟـﻮﺩﻩ‪،‬‬
‫ﻓﺎﻗﺘﺮﺏ ﻣﻦ ﺍﻟﻨﺎﻓﺬﺓ ﻭﺳﻌﻞ ﺳﻌﺎﻻ ﺧﻔﻴﻔﹰﺎ ﻓﻨﻈﺮﺕ ﺇﻟﻴﻪ ﻧﻈﺮﺓ ﻏﺮﻳﺒﺔ ﻻ ﺣﻴﺎﺓ ﻓﻴﻬﺎ ﻛﺄﻬﻧﺎ ﺗـﺮﺍﻩ‬
‫ﻷﻭﻝ ﻣﺮﺓ ﰒ ﻋﺎﺩﺕ ﺇﱃ ﺍﻟﻨﻈﺮ ﰲ ﻛﺘﺎﻬﺑﺎ‪.‬ﻳﺎﻟﻠﺸﻴﻄﺎﻧﻪ ﻣﺎﺫﺍ ﺣﺪﺙ ؟ ﺃﻫﻲ ﻫﻲ ﺑﺬﺍﻬﺗﺎ ﺃﻡ ﻫـﺬﻩ‬
‫ﺃﺧﺮﻯ ﺗﺸﺒﻬﻬﺎ؟ ﻣﺎﳍﺎ ﻫﻜﺬﺍ ﺟﺎﻣﺪﺓ ﻭﻣﺎ ﺍﻟﺪﺍﻋﻲ ﺇﱃ ﻫﺬﺍ ﺍﻟﻔﺘﻮﺭ؟ﻭﻓﻴﻢ ﻛﺎﻧﺖ ﺍﺫﺍ ﻣﻄﺎﺭﺩﻬﺗﺎ ﻟﻪ‬
‫ﻭﺇﳊﺎﺣﻬﺎ ﻋﻠﻴﻪ ﻭﺗﻐﻨﻴﻬﺎ ﺑﺎﲰﻪ ؟ ﺃﺗﻨﺎﺳﺖ ﻫﺬﺍ ﻛﻠﻪ ﺑﲔ ﻳﻮﻡ ﻭﻟﻴﻠﺔ ﻓﺤﻞ ﺍﻟﺰﻫﺪ ﻣﻜﺎﻥ ﺍﻟﺮﻏﺒـﺔ‬
‫ﻭﺍﳉﻔﺎﺀ ﻣﻜﺎﻥ ﺍﳌﻮﺩﺓ؟ﻭﺭﺁﻫﺎ ﺗﻐﻠﻖ ﺍﻟﻜﺘﺎﺏ ﻭﲤﺪ ﻳﺪﻳﻬﺎ ﺇﱃ ﻣﺼﺮﺍﻋﻲ ﺍﻟﻨﺎﻓﺬﺓ ﺗﺮﻳـﺪ ﺇﻏﻼﻗﻬـﺎ‬
‫ﻓﻨﺴﻰ ﻧﻔﺴﻪ ﻭﺣﻴﺎﺀﻩ ﻭﺭﻓﻊ ﻳﺪﻳﻪ ﺇﻟﻴﻬﺎ ﺑﺘﻀﺮﻉ ﻭﻗﺎﻝ ‪)):‬ﻛﻼ‪ ((....‬ﻓﺘﻮﻗﻔﺖ ﻭﻧﻈـﺮﺕ ﺇﻟﻴـﻪ‬
‫ﻧﻈﺮﺓ ﺷﺪﻳﺪﺓ ﺇﱃ ﺣﲔ‪....‬ﰒ ﱂ ﺗﺘﻤﺎﻟﻚ ﻧﻔﺴﻬﺎ ﻓﺎﻧﻔﺠﺮﺕ ﺿﺎﺣﻜﺔ ﺿﺤﻜﹰﺎ ﻣﻜﺘﻮﻣﹰﺎ ﻇـﺎﻓﺮﹰﺍ‬
‫ﻭﲡﻠﺖ ﰲ ﻋﻴﻨﻴﻬﺎ ﻧﻈﺮﺓ ﺍﺠﻤﻟﻮﻥ ﻭﺍﻟﻌﺒﺚ‪....‬ﻓﻴﺎﻟﻠﺸﻴﻄﺎﻧﺔ‪ .‬ﻭﱂ ﺗﻀﻊ ﻭﻗﺘﻬﺎ ﺳﺪﻯ‪ ،‬ﻓﺄﺷـﺎﺭﺕ‬
‫ﺑﻴﺪﻫﺎ ﺇﱃ ﻧﻔﺴﻬﺎ ﻭﺍﻟﻴﻪ ﰒ ﺇﱃ ﺍﻟﺸﺎﺭﻉ‪ ،‬ﻓﺎﺿﻄﺮﺏ ﻭﲢﲑ ﻭﺃﺷﺎﺭ ﺇﱃ ﺍﻟﺸﺎﺭﻉ ﻣﺴﺘﻔﻬﻤﺎ ﻣﻨﻜﺮﹰﺍ‬
‫ﻓﻬﺰﺕ ﻣﻨﻜﺒﻴﻬﺎ ﺑﺒﺴﺎﻃﺔ ﻭﺍﺣﻨﺖ ﺭﺃﺳﻬﺎ ﻛﺄﻬﻧﺎ ﺗﻘﻮﻝ ))ﻭﱂ ﻻ ؟(( ﻓﺎﺯﺩﺍﺩ ﺣﲑﺓ ﻷﻧﻪ ﻳﺮﻯ ﺃﻥ‬
‫))ﺍﻟﺮﻧﺪﻯ ﻓﻮ(( ﺑﺎﺏ ﻣﻦ ﺃﺑﻮﺍﺏ ﺍﳊﺐ ﺍﶈﺮﻡ ﻻ ﺍﳊﺐ ﺍﻟﻔﺎﺿﻞ ﻓﻮﻗﻒ ﻣﺘﺮﺩﺩﹰﺍ ﻻ ﻳﺄﺗﻰ ﺣﺮﺍﻛﹰﺎ‬
‫ﻭﻟﻜﻨﻬﺎ ﻫﺰﺕ ﻳﺪﻫﺎ ﻫﺰﺓ ﻋﺼﺒﻴﺔ ﺗﺴﺘﺤﺜﻪ‪.‬ﻓﺄﺳﺮﻉ ﺇﱃ ﺑﺪﻟﺘﻪ ﻭﺍﺭﺗﺪﺍﻫﺎ ﻭﻭﺿﻊ ﺍﻟﻄﺮﺑﻮﺵ ﻋﻠـﻰ‬
‫ﺭﺃﺳﻪ ﺑﻌﻨﺎﻳﺔ ﻓﺎﺋﻘﺔ ﻭﻫﺒﻂ ﺍﻟﺴﻠﻢ ﺇﱃ ﺍﻟﻄﺮﻳﻖ ﻻ ﻳﻠﻮﻯ ﻋﻠﻰ ﺷﻲﺀ‪ ،‬ﻓﺮﺁﻫﺎ ﺗﺴﲑ ﻋﻠﻰ ﺑﻌﺪ ﺃﻣﺘﺎﺭ‬
‫ﻣﻨﻪ ﻓﺘﺒﻌﻬﺎ ﻛﺎﻟﻜﻠﺐ ﺍﻷﻣﲔ‪ ،‬ﺣﱴ ﺑﻠﻐﺎ ﻣﻴﺪﺍﻥ ﺍﳉﻴﺰﺓ ﻭﺍﳓﺮﻓﺖ ﺇﱃ ﺍﻟﻴﺴﺎﺭ ﰲ ﻃﺮﻳﻖ ﺍﻷﻫـﺮﺍﻡ‬
‫ﻭﻫﻮ ﰲ ﺃﺛﺮﻫﺎ ﻳﺘﻠﻔﺖ ﺑﲔ ﺍﳊﲔ ﻭﺍﳊﲔ ﳝﻨﻪ ﻭﻳﺴﺮﻩ‪....‬ﻭﺃﻧﺘﻬﺖ ﺍﱃ ﳏﻄﺔ ﺍﻟﺘـﺮﺍﻡ ﻭﻭﻗﻔـﺖ‪،‬‬
‫ﻓﻮﻗﻒ ﻋﻠﻰ ﺑﻌﺪ ﻣﻨﻬﺎ ﻗﺮﻳﺐ ﻣﻀﻄﺮﺑﹰﺎ ﺣﺎﺋﺮﹰﺍ ﳏﻤﺮ ﺍﻟﻮﺟﻪ ‪ -‬ﻓﺎﻟﺘﻔﺘﺖ ﺇﻟﻴﻪ ﻭﺍﺑﺘﺴﻤﺖ ﺍﺑﺘﺴﺎﻣﺔ‬
‫ﻣﺸﺠﻌﺔ ﻓﺎﺑﺘﺴﻢ ﺍﺑﺘﺴﺎﻣﺔ ﺫﺍﻫﻠﺔ ﻭﱂ ﻳﺪﺭ ﻣﺎﺫﺍ ﻳﺼﻨﻊ‪ ،‬ﻓﻠﻢ ﺗﺮ ﺑﺪﹰﺍ ﻣﻦ ﺃﻥ ﺗﺘﻘﺪﻡ ﺇﻟﻴﻪ ﻭﲤﺪ ﺇﻟﻴـﻪ‬
‫ﻳﺪﻫﺎ ﻭﺗﻘﻮﻝ ﺑﺮﻗﺔ )ﺑﻮﳒﻮﺭ(( ﻓﻤﺪ ﺇﻟﻴﻬﺎ ﻳﺪﻩ ﻛﺎﳋﺎﺋﻒ ﻭﺭﺩ ﻋﻠﻴﻬﺎ ﻭﻫﻮ ﻻ ﻳﺪﺭﻯ ﻣﺎ ﻳﻘـﻮﻝ‬
‫))ﺑﻮﳒﻮﺭ ﻣﺴﻴﻮ(( ﻭﻫﻢ ﺑﺎﻻﻟﺘﻔﺎﺕ ﻓﻴﻤﺎ ﺣﻮﻟﻪ ﻭﻟﻜﻨﻬﺎ ﳘﺴﺖ ﰲ ﺃﺫﻧﻪ ﺿﺎﺣﻜﺔ " ﺍﻟﺜﺒـﺎﺕ "‬
‫ﻭﺟﺎﺀ ﺍﻟﺘﺮﺍﻡ ﺭﻗﻢ ‪ 14‬ﻓﺼﻌﺪﺕ ﺇﻟﻴﻪ ﻭﺻﻌﺪ ﺧﻠﻔﻬﺎ ﻭﺍﻧﺘﺒﺬﺍ ﻣﻘﻌﺪﹰﺍ ﻣﻨﻔﺮﺩﹰﺍ ﻭﺫﻫـﺐ ﻬﺑﻤـﺎ ﰲ‬
‫ﻃﺮﻳﻖ ﺍﻷﻫﺮﺍﻡ – ﻭﰲ ﺃﺛﻨﺎﺀ ﺍﻟﻄﺮﻳﻖ ﻻﺣﻈﺖ ﺍﺭﺗﺒﺎﻛﻪ ﻓﺴﺄﻟﺘﻪ ﺑﺮﻗﺔ‪....‬‬
‫ﻓﻘﺎﻝ ﺑﺼﻮﺕ ﺿﻌﻴﻒ‬ ‫‪ -‬ﻣﺎﻟﻚ ؟‬
‫‪ -‬ﻻ ﺷﻲﺀ ﻣﻄﻠﻘﺎ‪ ....‬ﺇﱃ ﺃﻳﻦ ﳓﻦ ﺫﺍﻫﺒﺎﻥ ؟‬
‫‪ -‬ﺳﺘﻌﻠﻢ ﺑﻌﺪ ﺣﲔ‬
‫‪ -‬ﻭﻣﺎﺫﺍ ﻋﺴﻰ ﺃﻥ ﻳﻘﻮﻟﻮﺍ ﰲ ﺍﻟﺒﻴﺖ ؟‬
‫‪ -‬ﻓﺄﺭﺗﻪ ﻛﺘﺎﺏ ﺍﻟﻄﺒﻴﻌﺔ ﻟﻠﻤﺪﺍﺭﺱ ﺍﻟﺜﺎﻧﻮﻳﺔ ﺍﻟﺬﻱ ﻛﺎﻥ ﺑﻴﺪﻫﺎ ﻭﻗﺎﻟﺖ ﺿﺎﺣﻜﺔ‪:‬‬
‫‪ -‬ﻳﻘﻮﻟﻮﻥ ﺃﱏ ﺃﺫﺍﻛﺮ ﻋﻨﺪ ﺇﺣﺪﻯ ﺯﻣﻴﻼﰐ‬
‫‪ -‬ﻓﻀﺤﻚ ﻗﺪﺭﻱ ﻭﻗﺪ ﺃﺣﺲ ﺑﺄﻧﻪ ﻳﻨﺒﻐﻲ ﺃﻥ ﻳﻘﻮﻝ ﺷﻴﺌﺎ ﻟﻴﺜﺒﺖ ﻭﺟﻮﺩﻩ ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ ﻓﺴﺄﳍﺎ‪:‬‬
‫‪ -‬ﻛﻴﻒ ﻋﺮﻓﺖ ﺃﲰﻰ ؟‬
‫‪ -‬ﻫﺬﺍ ﺃﻣﺮ ﺑﺴﻴﻂ‪ ....‬ﲰﻌﺖ ﺷﺨﺼﹰﺎ ﻳﻨﺎﺩﻳﻚ ﻣﺎﺫﺍ ﻳﻘﻮﻝ ﺑﻌﺪ ﺫﻟﻚ ؟ ﺃﻧﻪ ﻻ ﳚﺪ ﻣﺎ ﻳﻘﻮﻟﻪ !‬
‫ﻭﻗﺪ ﺳﺄﻟﺘﻪ ﻫﻲ ﺑﺘﺪﻟﻞ ‪:‬‬
‫‪ -‬ﻛﻼ‪.‬ﺭﻑ ﺃﲰﻰ ؟‪....‬‬
‫‪ -‬ﻛﻼ ‪....‬‬
‫‪.-‬ﻡ ﱂ ﺗﺴﺄﻟﲏ ﻋﻨﻪ ؟‪..‬‬
‫‪!! .... -‬‬
‫‪ -‬ﺍﲰﻲ ﻟﻮﻟﻮ‬
‫‪ -‬ﺍﺳﻢ ﲨﻴﻞ‬
‫‪ -‬ﺣﻘﹰﺎ ؟‬
‫‪ -‬ﺟﺪﹰﺍ‬
‫‪ -‬ﻣﺮﺳﻰ‬
‫‪ -‬ﻭﻟﻜﻦ ﻫﻞ ﻫﻮ ﺍﺳﻢ ﻋﺮﰊ ؟‬
‫‪ -‬ﻧﻌﻢ‬
 ‫‪ -‬ﻭﻟﻜﲏ ﱂ ﺍﲰﻊ ﺑﻪ ﻣﻦ ﻗﺒﻞ‬
‫‪ -‬ﻓﻀﺤﻜﺖ ﺩﻫﺸﺔ ﻭﻗﺎﻟﺖ‪:‬‬
‫‪ -‬ﻟﻮﻟﻮ ﺗﺪﻟﻴﻞ ﻟﻴﻠﻰ‬
‫‪ -‬ﺁﻩ‪....‬‬
‫‪ -‬ﻓﻘﺎﻟﺖ ﻟﻪ ﻭﻣﺎ ﺗﺰﺩﺍﺩ ﺇﻻ ﺩﻫﺸﺔ‪:‬‬
‫‪ -‬ﺃﻧﺖ ﺳﺎﺫﺝ ﺟﺪﹰﺍ ﻳﺎ ﻗﺪﺭﻱ‬
‫ﻣﺎ ﺃﺣﻠﻰ ﺍﲰﻪ ﰲ ﻓﻤﻬﺎ ! ﻭﻣﺎ ﺃﺣﻼﻫﺎ ﻫﻲ ! ﻭﻣﺎ ﺃﺣﻠﻰ ﺍﻟﺪﻧﻴﺎ ﰲ ﻭﺟﻮﺩﻫﺎ‬
‫ﻭﺳﻜﺘﺖ ﻋﻦ ﺍﻟﻜﻼﻡ ﺣﻴﻨﺎ ﻓﺴﻜﺖ ﻃﺒﻌﹰﺎ ﻭﻛﺎﻧﺖ ﺗﺪﱘ ﺍﻟﻨﻈﺮ ﺇﱃ ﻭﺟﻬﻪ ﻻ ﲢﻮﻝ ﻋﻴﻨﻴﻬﺎ‬
‫ﻋﻨﻪ ؟ ﻓﺄﻟﻘﻰ ﻋﻠﻴﻬﺎ ﻧﻈﺮﺓ ﻋﻠﻰ ﻋﺠﻞ ﺃﺑﺼﺮ ﻬﺑﺎ ﺣﺴﻨﻬﺎ ﺍﻟﻔﺎﺗﻦ ﻭﺃﻧﺎﻗﺔ ﻣﻠﺒﺴﻬﺎ ﺍﻟﺒﺎﻟﻐﺔ ﻭﱂ ﻳﻌـﺪ‬
‫ﳛﺘﻤﻞ ﻧﻈﺮﻬﺗﺎ ﺍﻟﻔﺎﺣﺼﺔ ﻓﻌﻄﻒ ﺭﺃﺳﻪ ﺇﱃ ﻧﺎﻓﺬﺓ ﺍﻟﺘﺮﺍﻡ ﻭﺃﺭﺳﻞ ﺑﻨﺎﻇﺮﻳﻪ ﺇﱃ ﺍﳊﻘﻮﻝ ﺍﳌﺘﺮﺍﻣﻴـﺔ‬
‫ﳝﻴﻞ ﻧﺒﺘﻬﺎ ﺍﻷﺧﻀﺮ ﺍﻟﻘﺼﲑ ﻣﻊ ﺭﻳﺢ ﻧﻮﻓﻤﱪ ﺍﳋﻔﻴﻔﺔ ﺍﻟﺒﺎﺭﺩﺓ ﻭﻗﻠﺐ ﻭﺟﻬﻪ ﰲ ﺍﻟﺴﻤﺎﺀ ﻛﺄﻧـﻪ‬
‫ﻳﺸﺎﻫﺪ ﺯﺭﻗﺘﻬﺎ ﺍﻟﺒﺎﻫﺘﺔ ﺍﻟﱵ ﺍﻧﺘﺸﺮﺕ ﻋﻠﻴﻬﺎ ﺍﻟﻜﺜﺒﺎﻥ ﻣﻦ ﺍﻟﺴﺤﺎﺏ ﺑﻌـﻀﻬﺎ ﺍﺑـﻴﺾ ﻣﺘـﻮﻫﺞ‬
‫ﻛﺎﻟﻘﻄﻦ ﺍﳌﻨﺪﻭﻑ ﻭﺍﻟﺒﻌﺾ ﻣﻈﻠﻢ ﺩﺍﻛﻦ ﻛﺎﻟﺪﺧﺎﻥ‪ .‬ﻭﺍﳊﻖ ﺃﻧﻪ ﻣﺎ ﻛﺎﻥ ﻳﺮﻯ ﺇﻻ ﺍﻟﺼﻮﺭﺓ ﺍﻟﱵ‬
‫ﺍﻧﺘﺰﻋﺘﻬﺎ ﻋﻴﻨﺎﻩ ﻣﻦ ﻭﺟﻬﻬﺎ ﺍﻷﲰﺮ ﺍﳉﻤﻴﻞ ﻭﺍﺣﺘﻔﻈﺖ ﻬﺑﺎ ﻣﺘﺸﺒﺜﺔ ﺟﺸﻌﺔ‪.‬‬
‫ﰒ ﺣﻮﻝ ﺭﺃﺳﻪ ﺇﻟﻴﻬﺎ ﻓﻮﺟﺪﻫﺎ ﻣﺎ ﺗﺰﺍﻝ ﺗﺮﻧﻮ ﺇﻟﻴﻪ ﺑﻌﻴﻨﻴﻬﺎ ﺍﻟﻌﺴﻠﻴﺘﲔ ﺍﳉـﺬﺍﺑﺘﲔ‪ . ....‬ﺭﺑـﺎﻩ !‬
‫ﻭﺃﺛﺎﺭﺕ ﺍﳊﺪﻳﺚ ﻣﺮﺓ ﺃﺧﺮﻯ ﻓﺴﺄﻟﺘﻪ‪:‬‬
‫‪ -‬ﺃﺭﻯ ﺃﻧﻚ ﻃﺎﻟﺐ‪ ....‬ﺃﻟﻴﺲ ﻛﺬﻟﻚ ؟‬
‫‪ -‬ﻧﻌﻢ‬
‫‪ -‬ﺑﺄﻱ ﻛﻠﻴﺔ ؟‬
‫‪ -‬ﺍﳊﻘﻮﻕ‬
‫‪ -‬ﺁﻩ‪ ....‬ﻭﰲ ﺍﻯ ﺳﻨﺔ ؟‬
‫‪ -‬ﺍﻟﺴﻨﺔ ﺍﻟﻨﻬﺎﺋﻴﺔ‬
‫ﻓﺒﺪﺍ ﻋﻠﻰ ﻭﺟﻬﻬﺎ ﺍﻻﺭﺗﻴﺎﺡ ﻭﻋﺎﺩﺕ ﺇﱃ ﺍﻟﺼﻤﺖ ﻭﻛﺎﻧﺖ ﺗﻨﻈﺮ ﺇﱃ ﺍﻟﻄﺮﻳﻖ ﻛﻞ ﺩﻗﻴﻘﺔ‬
‫ﻭﺃﺧﺮﻯ ﻭﻛﺄﳕﺎ ﺃﺻﺎﺑﺖ ﻫﺪﻓﻬﺎ ﻓﻘﺎﻣﺖ ﻭﺍﻗﻔﺔ ﻭﻫﻲ ﺗﻘﻮﻝ ﻟﻪ‪ ":‬ﻫﻠﻢ " ﻭﱂ ﻳﻜﻦ ﺍﻟﺘﺮﺍﻡ ﻗﺪ ﺑﻠﻎ‬
‫ﻬﻧﺎﻳﺔ ﻣﺮﺣﻠﺘﻪ ﺇﱃ ﺍﻷﻫﺮﺍﻡ ﻓﻌﺠﺐ ﻗﺪﺭﻱ ﻭﻟﻜﻨﻪ ﺗﺒﻌﻬﺎ ﻣﺴﺘﺴﻠﻤﹰﺎ ﺇﱃ ﻣﻘﻬﻰ ﻗﺮﻳﺐ ﻣﻦ ﺍﶈﻄﺔ‬
‫ﻭﺍﺟﺘﺎﺯﺕ ﺑﻪ ﺍﳌﻜﺎﻥ ﺇﱃ ﺣﺪﻳﻘﺔ ﺧﻠﻔﻴﺔ ﺻﻐﲑﺓ ﺍﳌﺴﺎﺣﺔ ﺃﻧﻴﻘﺔ ﺍﻟﺘﻨﺴﻴﻖ ﳜﻴﻢ ﻋﻠﻴﻬـﺎ ﺳـﻜﻮﻥ‬
‫ﺷﺎﻣﻞ ﻭﻫﺪﻭﺀ ﻋﻤﻴﻖ ﻭﻳﻮﺣﻰ ﺟﻮﻫﺎ ﺑﺎﳋﻴﺎﻝ ﻭﺍﳊﺐ ﻓﺎﲣﺬﺍ ﻣﻜﺎﻬﻧﻤﺎ ﲢﺖ ﻇﻞ ﺷﺠﺮﺓ ﻭﺍﺭﻓﺔ‬
‫ﻭﱂ ﻳﻜﻦ ﺑﺎﳊﺪﻳﻘﺔ ﺳﻮﻯ ﺯﻭﺟﲔ ﻣﺜﻠﻬﻤﺎ ﰲ ﺍﳉﺎﻧﺐ ﺍﳌﻘﺎﺑﻞ ﳍﻤﺎ ﻭﺟﺎﺀ ﺍﻟﻨﺎﺩﻝ ﻳﺴﻌﻰ ﻓﻄﻠﺒﺖ‬
‫ﻟﻴﻠﻰ ﺑﺪﻭﻥ ﺍﺳﺘﺌﺬﺍﻧﻪ‬
‫" ﺷﻮﺑﲔ ﺑﲑﺓ “ ﺩﻫﺶ ﻟﻠﻄﻠﺐ ﻭﺍﻣﺘﻸ ﻗﻠﺒﻪ ﺭﻋﺒﺎ‪ ....‬ﻛﻴﻒ ﻳﺸﺮﺏ ﲬﺮﹰﺍ ﳏﺮﻣﺔ ؟ ﻭﻫﻢ‬
‫ﺑﺎﻻﺣﺘﺠﺎﺝ ﻭﻟﻜﻨﻪ ﱂ ﳚﺴﺮ ﻋﻠﻴﻪ ﻓﺴﻜﺖ ﻭﻫﻮ ﻛﻈﻴﻢ‪ ....‬ﻭﻛﺎﻥ ﻣﺒﻠﺒﻞ ﺍﻟﻔﻜﺮ ﻳﺴﺄﻝ ﻧﻔﺴﻪ‪:‬‬
‫ﻛﻴﻒ ﻋﺮﻓﺖ ﻫﺬﺍ ﺍﳌﻘﻬﻰ ﺍﳌﻨﻌﺰﻝ ﺍﻟﺒﻌﻴﺪ ؟ ﻭﻣﱴ ﻋﺮﻓﺘﻪ ؟ ﻣﻦ ﺍﻟﺬﻱ ﺻﺤﺒﻬﺎ ﺇﻟﻴﻪ ﺃﻭﻝ ﻣـﺮﺓ ؟‬
‫ﻓﺄﻧﻪ ﻣﻦ ﺍﳌﺴﺘﺤﻴﻞ ﺃﻥ ﻳﻜﻮﻥ ﳎﻴﺌﻬﺎ ﺍﻟﻴﻮﻡ ﺇﻟﻴﻪ ﻷﻭﻝ ﻣﺮﺓ‪ ....‬ﺑﺎﳍﺎ ﻣﻦ ﻓﺘﺎﺓ ﻏﺮﻳﺒﺔ ﺍﻷﻃﻮﺍﺭ‪....‬‬
‫ﻼ ﻋﻠﻰ ﺭﺟﻞ ﻭﺳﺎﻗﻬﺎ ﺑﺎﺩﻳﺔ‬ ‫ﻏﺎﻳﺔ ﰲ ﺍﳉﺴﺎﺭﺓ ﻭﺍﳉﺮﺃﺓ‪ ....‬ﺃﻧﻈﺮ ﺇﻟﻴﻬﺎ ﻛﻴﻒ ﲡﻠﺲ ﻭﺍﺿﻌﺔ ﺭﺟ ﹰ‬
‫ﺣﱴ ﺍﻟﺮﻛﺒﺔ‪ ....‬ﻭﺃﻧﻈﺮ ﻛﻴﻒ ﺗﻔﺘﺢ ﻣﻘﺪﻡ ﻣﻌﻄﻔﻬﺎ ﻋﻦ ﺻﺪﺭ ﻧﺎﻫﺪ ﻓﻴﻠﻮﺡ ﺛﺪﻳﺎﻫﺎ ﻣـﻦ ﻭﺭﺍﺀ‬
‫ﺳﺘﺎﺭ ﺍﻟﻔﺴﺘﺎﻥ ﻟﺮﻗﻴﻖ ﻛﺘﻔﺎﺣﺘﲔ ﺃﻥ ﺃﻭﺍﻥ ﺟﻨﻴﻬﻤﺎ‪....‬‬
‫ﻭﺃﻧﺘﺒﻪ ﻣﻦ ﺃﻓﻜﺎﺭﻩ ﺇﻟﻴﻬﺎ ﻭﻫﻲ ﺗﻘﻮﻝ‪:‬‬
‫‪ -‬ﺃﻧﺖ ﻻ ﺗﻜﺎﺩ ﺗﱪﺡ ﺣﺠﺮﺗﻚ ﺇﻻ ﺣﲔ ﺗﺬﻫﺐ ﺇﱃ ﺍﻟﻜﻠﻴﺔ‪ ....‬ﻭﻓﻴﻤﺎ ﻋﺪﺍ ﺫﻟﻚ ﻓﺄﻧﺖ‬
‫ﻻ ﺗﻔﺎﺭﻕ ﻣﻜﺘﺒﻚ ﻋﻠﻰ ﺍﻹﻃﻼﻕ‪ ....‬ﻟﻘﺪ ﻋﺠﺒﺖ ﻟﺸﺄﻧﻚ ﻭﻗﻠﺖ ﻟﻨﻔﺴﻲ‪ :‬ﻳﺎ ﻟﻪ ﻣﻦ ﺷـﺎﺏ‬
‫ﻟﻴﺲ ﻛﺎﻟﺸﺒﺎﻥ‪ ....‬ﰒ ﺭﺃﻳﺘﻚ ﻻ ﺗﺒﺎﱃ ﰊ‪ ....‬ﻓﺄﻗﺴﻤﺖ‬
‫ﻭﻛﺎﻥ ﺍﻟﺒﺎﻗﻲ ﻣﻔﻬﻮﻣﹰﺎ ﻓﻠﻢ ﺗﻜﻤﻞ ﺣﺪﻳﺜﻬﺎ ﻭﺿﺤﻜﺖ ﺿﺤﻜﺔ ﺍﻟﻈﺎﻓﺮ ﰒ ﻋﺎﺩﺕ ﺗﻘﻮﻝ‪:‬‬
‫‪ -‬ﻻ ﺗﻈﻦ ﺃﻥ ﺇﺻﺮﺍﺭﻱ – ﺍﻟﺬﻱ ﻻ ﺷﻚ ﺃﺩﻫﺸﻚ – ﻛﺎﻥ ﳏﺾ ﻋﻨـﺎﺩ ﺃﻭ ﺭﻏﺒـﺔ ﰲ‬
‫ﺍﻟﻔﻮﺯ ﻓﺎﳊﻖ ﺃﻥ ﻭﺟﻬﻚ ﺍﳉﻤﻴﻞ ﺍﺛﺮ ﰲ ﻧﻔﺴﻲ ﺗﺄﺛﲑﹰﺍ ﻋﻤﻴﻘﹰﺎ ﻣﻦ ﺃﻭﻝ ﻧﻈﺮﺓ‪.‬‬
‫ﻓﻐﻠﺒﻪ ﺍﳊﻴﺎﺀ ﻭﺧﻀﺐ ﺍﻻﲪﺮﺍﺭ ﻭﺟﻬﻪ ﻭﺗﺼﺒﺐ ﺍﻟﻌﺮﻕ ﻣﻦ ﺟﺒﻴﻨﻪ ﻭﻗﺎﻝ ﻟﻨﻔﺴﻪ‪ :‬ﻭﻳﻼﻩ !‬
‫ﻣﻦ ﻣﻨﺎ ﺍﻟﺸﺎﺏ ﻭﻣﻦ ﻣﻨﺎ ﺍﻟﻔﺘﺎﺓ ؟ ﺃﻣﺎ ﻫﻲ ﻓﺴﺄﻟﺘﻪ‪:‬‬
‫‪ -‬ﳌﺎﺫﺍ ﺟﻔﻮﺗﲏ ﻃﻮﻳﻼ‪ ..‬ﺃﻟﻴﺲ ﻗﻠﺒﻚ ﺧﺎﻟﻴﹰﺎ ؟‬
‫ﻭﺣﻀﺮﻩ ﺟﻮﺍﺏ ﻇﻦ ﺃﻧﻪ ﻏﺎﻳﺔ ﰲ ﺍﳉﺮﺃﺓ ﻭﺁﻳﺔ ﰲ ﺍﻟﻐﺰﻝ ﻓﺘﺮﺩﺩ ﻋﻦ ﻗﻮﻟﻪ ﻫﻨﻴﻬﺔ ﻭﻟﻜﻨﻪ ﺫﻛﺮ‬
‫ﻛﻼﻣﻬﺎ ﺍﳉﺴﻮﺭ ﻓﺠﻤﻊ ﺃﻃﺮﺍﻑ ﺷﺠﺎﻋﺘﻪ ﻭﻗﺎﻝ‪:‬‬
‫‪ -‬ﻛﺎﻥ ﻗﻠﱯ ﺧﺎﻟﻴﹰﺎ‬
‫‪ -‬ﻭﺍﻵﻥ ؟‬
‫ﺃﻑ ﳍﺎ‪ ،‬ﺃﻻ ﺗﻜﻔﻴﻬﺎ ﺍﻹﺷﺎﺭﺓ ؟ ﻭﻣﺎﺫﺍ ﻳﺴﺘﻄﻴﻊ ﺃﻥ ﻳﻘﻮﻝ ﺯﻳﺎﺩﺓ ﻋﻠﻰ ﻣﺎ ﻗﺎﻝ ؟ ﻭﻟﻜﻨﻬﺎ ﺧﻔﻔﺖ‬
‫ﻣﻦ ﺣﲑﺗﻪ ﻓﻘﺎﻟﺖ‪:‬‬
‫‪ -‬ﻭﻗﺒﻞ ﺫﻟﻚ ﺍﱂ ﲢﺐ ﺃﺑﺪﹰﺍ ؟‬
‫‪ -‬ﺃﻧﺎ‪ ....‬؟ ﺃﺑﺪﹰﺍ‬
‫‪ -‬ﺃﺷﺒﺎﺏ ﻭﲨﺎﻝ ﻭﺟﻔﺎﻑ ؟‬
‫‪ -‬ﻭﱂ ﻻ ؟‬
‫‪ -‬ﻭﻟﻜﻦ ﻣﺎ ﻗﻴﻤﺔ ﺍﳊﻴﺎﺓ ﺑﻐﲑ ﺍﳊﺐ ؟؟؟‬
‫‪ -‬ﻗﻴﻤﺘﻬﺎ ﺑﻐﲑ ﺍﳊﺐ ﺃﻬﻧﺎ ﺣﻴﺎﺓ ﻓﺤﺴﺐ‬
‫‪ -‬ﻫﺬﻳﺎﻥ ﻣﺎ ﺗﻘﻮﻝ‪ ....‬ﻓﺎﻟﺰﻣﻦ ﺍﻟﺬﻱ ﻻ ﳜﻔﻖ ﻗﻠﱯ ﻓﻴﻪ ﺑﺎﳊﺐ ﻻ ﺃﻋﺪﻩ ﻣﻦ ﺣﻴﺎﰐ‬
‫‪ -‬ﻳﺎ ﺳﻼﻡ !‬
‫‪ -‬ﺃﻧﺖ ﺇﻣﺎ ﺳﺎﺫﺝ ﻏﺮﻳﺮ ﺃﻭ ﻣﺎﻛﺮ ﺩﺍﻫﻴﺔ‬
‫‪ -‬ﻻ ﺷﺄﻥ ﱄ ﺑﺎﳌﻜﺮ ﻭﺍﻟﺪﻫﺎﺀ‪ ....‬ﻭﻟﻜﻦ ﻫﻞ ﺃﺣﺒﺒﺖ ﻛﺜﲑﹰﺍ ؟‬
‫‪ -‬ﻃﺎﳌﺎ ﺍﲝﺚ ﻋﻦ ﺍﳊﺐ‪ ....‬ﺃﱏ ﺃﺣﺐ ﺍﳊﺐ‪ ....‬ﻭﻟﺌﻦ ﺿﻠﻠﺘﻪ ﰲ ﺍﻟﻮﺍﻗﻊ ﻓﻤﺎ ﺃﺿﻠﻪ ﰲ‬
‫ﺍﳋﻴﺎﻝ ﻓﺄﱏ ﺍﺧﻠﻖ ﺣﺒﻴﱯ ﺧﻠﻘﹰﺎ ﻭﺃﻧﺎﺟﻴﻪ ﺑﺎﻟﺸﻌﺮ‪ ....‬ﺃﻻ ﺗﻌﻠﻢ ﺃﱏ ﺷﺎﻋﺮﺓ ؟ ﰒ ﺃﺗﻐﲎ ﺑـﺸﻌﺮﻱ‬
‫ﻷﱐ ﻣﻮﺳﻴﻘﻴﺔ ﺃﻳﻀﹰﺎ‪....‬‬
‫‪ -‬ﺷﻌﺮ ﻭﻣﻮﺳﻴﻘﻰ‪....‬‬
‫‪ -‬ﻧﻌﻢ‪ ....‬ﻭﻟﻜﲏ ﺃﺣﺐ ﺍﻟﻔﻦ ﻟﻠﺤﺐ ﻻ ﻟﻠﻔﻦ‪ ....‬ﻭﻛﻢ ﺃﲤﲎ ﻟﻮ ﻳﺘﺤﻘﻖ ﺧﻴﺎﱄ ﻳﻮﻣـﹰﺎ‬
‫ﻭﺗﺘﻔﺘﺢ ﺣﻴﺎﰐ ﲢﺖ ﺷﻌﺎﻉ ﺍﳊﺐ ﺃﻥ ﻗﻠﱯ ﳛﺪﺛﲏ ﺑﺄﱐ ﺑﺖ ﻋﻠﻰ ﺧﻔﻘﺔ ﻗﻠﺐ ﻣﻦ ﺍﻣﻨﻴﱴ‬
‫ﻓﻌﺎﻭﺩﻩ ﺍﳊﻴﺎﺀ ﺍﻟﺸﺪﻳﺪ ﻭﺍﺳﺘﻮﱃ ﻋﻠﻴﻪ ﺍﻻﺭﺗﺒﺎﻙ ﻭﺟﻌﻞ ﻳﻨﻈﺮ ﺇﱃ ﻏﻄﺎﺀ ﺍﳌﻨـﻀﺪﺓ ﻛﺄﳕـﺎ‬
‫ﻳﺸﺎﻫﺪ ﺍﻟﺼﻮﺭ ﺍﳌﻄﺮﺯ ﻬﺑﺎ ﻓﻜﺮﺕ ﺗﺪﺍﻋﺒﻪ ﻭﺗﻘﻮﻝ ﻭﻫﻲ ﺗﺘﻨﻬﺪ‬
‫‪ -‬ﻬﺑﺬﺍ ﺣﺪﺛﲏ ﻗﻠﱯ ﻭﺃﺭﺟﻮ ﺇﻻ ﻳﻜﺬﺑﲏ‪ ....‬ﻭﻟﺬﻟﻚ ﺟﺪﺩﺕ ﰲ ﻃﻼﺑﻚ ﻟﺘﻄﻤﺌﻦ ﻧﻔﺴﻲ‬
‫‪ -‬ﻓﺎﺑﺘﺴﻢ ﻭﻗﺎﻝ‪:‬‬
‫‪ -‬ﺍﺫﺍ ﻓﺄﻧﺎ ﲢﺖ ﺍﻟﺘﺠﺮﺑﺔ ؟‬
‫‪ -‬ﻫﻮ ﻣﺎ ﺗﻘﻮﻝ‪ ....‬ﺃﻻ ﺗﻘﺮﱐ ﻋﻠﻰ ﻣﺎ ﻓﻌﻠﺖ ؟‬
‫‪ -‬ﺃﻣﺎ ﺃﻧﺎ ﻓﺄﱏ ﻣﻘﺘﻨﻌﺔ ﺑﺄﱐ ﻣﺎ ﺗﻨﻜﺒﺖ ﺟﺎﺩﺓ ﺍﻟﺼﻮﺍﺏ ﻓﻬﺬﺍ ﻫﻮ ﺍﻟﺴﺒﻴﻞ ﺍﻟﻮﺣﻴـﺪ ﺇﱃ "‬
‫ﺍﳊﻴﺎﺓ ﺍﻟﺰﻭﺟﻴﺔ " ﺍﻟﺴﻌﻴﺪﺓ‪! ....‬‬
‫ﻭﺣﲑﺗﻪ ﺗﻠﻚ ﺍﳉﺴﺎﺭﺓ ﺍﻟﱵ ﱂ ﻳﺴﻤﻊ ﲟﺜﻠﻬﺎ ﻣﻦ ﻗﺒﻞ ﻭﻋﺠﺐ ﻛﻴﻒ ﺃﻬﻧﺎ ﲣﻠﺺ ﺇﱃ ﻏﺮﺿﻬﺎ‬
‫ﻏﲑ ﻣﻜﺘﺮﺛﺔ ﻟﻠﺤﻴﺎﺀ ﺃﻭ ﺍﻟﺘﺮﺩﺩ ﻛﺎﻟﺴﻬﻢ ﺍﻟﺬﻱ ﻳﻨﻔﺬ ﺇﱃ ﺍﻟﻘﻠﺐ ﻣﻦ ﺧﻠﻞ ﺍﻟﺪﺭﻉ ﺍﳌـﺘﲔ ﻭﺭﺃﻯ‬
‫ﺃﻻ ﳚﻌﻞ ﻟﻠﺨﺠﻞ ﺳﻠﻄﺎﻧﺎ ﻋﻠﻰ ﻧﻔﺴﻪ ﺧﺸﻴﺔ ﺃﻥ ﺗﻘﺘﺤﻤﻪ ﻋﻴﻨﺎﻫﺎ ﻭﺃﺭﺍﺩ ﺃﻥ ﳜﻮﺽ ﺍﳌﻮﺿـﻮﻉ‬
‫ﲜﺮﺃﺓ ﲤﺎﺛﻞ ﺟﺮﺃﻬﺗﺎ ﻓﻘﺎﻝ‪:‬‬
‫‪ -‬ﺻﺪﻗﺖ ﻳﺎ ﻟﻴﻠﻰ‪....‬‬
‫ﻭﻟﻜﻦ ﺳﺮﻋﺎﻥ ﻣﺎ ﻏﺎﻟﺒﻪ ﺍﻟﺘﺮﺩﺩ ﻓﻐﻠﺒﻪ ﻭﱂ ﻳﺰﺩ ﻋﻠﻰ ﻗﻮﳍﺎ ﺣﺮﻓﹰﺎ ﻭﺷﺎﻫﺪﺕ ﺣﲑﺗﻪ ﻓﻘﺎﻟﺖ‪:‬‬
‫" ﺃﺭﺍﻙ ﲢﺠﻢ ﻋﻦ ﺍﻟﻜﻼﻡ ﻋﻠﻰ ﺃﻥ ﻫﺬﺍ ﻫﲔ ﻋﻠﻰ ﻭﻛﻢ ﻣﻦ ﺷﺎﺏ ﳚﻴﺪ ﺗﺰﻭﻳﻖ ﺍﻷﺣﺎﺩﻳﺚ‬
‫ﻭﻗﻠﺒﻪ ﻣﻦ ﺍﻹﺧﻼﺹ ﺧﺎﻝ‪ ....‬ﺃﻧﺎ ﺍﲝﺚ ﻋﻦ ﺍﻟﻘﻠﺐ ﺍﻟﺬﻱ ﳜﻠﺺ ﱄ‪" ....‬‬
‫ﻗﺎﻟﺖ ﺫﻟﻚ ﻭﻭﺿﻌﺖ ﻳﺪﻫﺎ ﻋﻠﻰ ﻳﺪﻩ ﻓﺄﻧﺘﻔﺾ ﺍﻧﺘﻔﺎﺿﺔ ﺳﺮﺕ ﺇﱃ ﺟﺴﻤﻬﺎ ﻭﺑﻠﻊ ﺭﻳﻘـﻪ‬
‫ﻣﺮﺗﲔ ﻭﻗﺎﻝ ﲝﺮﺍﺭﺓ ﻭﻭﺟﺪ‪:‬‬
‫" ﻗﺪ ﻳﻌﺰ ﻋﻠﻰ ﺍﻟﻜﻼﻡ ﻳﺎ ﻟﻴﻠﻰ ﻭﻟﻜﲏ ﳐﻠﺺ‪ ..‬ﺍﻯ ﻧﻌﻢ ﺃﻧﺎ ﳐﻠﺺ ﻭﺻﺎﺩﻕ ﻭﻟﺴﺖ ﻛﺄﺣﺪ‬
‫ﻣﻦ ﺍﻟﺸﺒﺎﻥ ﺍﻟﺬﻳﻦ ﺗﻌﻨﲔ‪ ..‬ﺃﻧﺎ ﻻ ﺃﺧﺎﺩﻉ ﻓﺘﺎﺓ ﻭﺍﻣﻜﺮ ﻬﺑﺎ ﻛﻲ ﺃﺣﻈﻰ ﻣﻨﻬﺎ ﺑﻘﺒﻠﺔ ﰒ ﺍﻓﺮ ﻫﺎﺭﺑﺎ‪..‬‬
‫"‬
‫ﻓﻀﺤﻜﺖ ﻭﻗﺎﻟﺖ ﻭﻫﻲ ﺗﺸﲑ ﺑﻴﺪﻫﺎ " ﺃﻧﻈﺮ “ ﻓﻨﻈﺮ ﺇﱃ ﻣﺎ ﺗﺸﲑ ﺇﻟﻴﻪ ﻓﺮﺃﻯ ﺍﻟـﺰﻭﺟﲔ‬
‫ﺍﳉﺎﻟﺴﲔ ﲡﺎﻫﻬﻤﺎ ﻳﺘﻌﺎﻧﻘﺎﻥ ﻓﺒﺪﺍ ﻋﻠﻰ ﻭﺟﻬﻪ ﺍﻟﻐﻀﺐ ﻭﻗﺎﻝ‪:‬‬
‫‪ -‬ﻫﺬﺍ ﺷﺎﺏ ﻋﺎﺑﺚ ﳑﻦ ﺗﻌﻨﲔ‬
‫‪ -‬ﻣﺎ ﺍﻟﺬﻱ ﺟﻌﻠﻚ ﺗﺴﺎﺭﻉ ﺇﱃ ﻫﺬﺍ ﺍﳊﻜﻢ ؟‬
‫‪ -‬ﺃﻻ ﺗﺮﻳﻨﻪ ﻳﻘﺒﻞ ﻓﺘﺎﺗﻪ ؟‬
‫‪ -‬ﻭﱂ ﻻ ﻳﻘﺒﻠﻬﺎ ﺍﺫﺍ ﻛﺎﻥ ﳛﺒﻬﺎ ؟‬
‫‪ -‬ﻓﻘﺎﻝ ﺑﺸﻲﺀ ﻣﻦ ﺍﳊﺪﺓ‪:‬‬
‫‪ -‬ﺍﳊﺐ ﺍﻟﻄﺎﻫﺮ ﻳﺘﺮﻓﻊ ﻋﻦ ﻫﺬﺍ ﺍﻟﻌﺒﺚ‬
‫‪ -‬ﻓﻘﺎﻟﺖ ﺑﺪﻻﻝ ﻭﻣﺎ ﺗﺰﺍﻝ ﻳﺪﻫﺎ ﻋﻠﻰ ﻳﺪﻩ‪:‬‬
‫‪ -‬ﻫﻨﺎ ﻟﻚ ﻗﺒﻼﺕ ﻃﺎﻫﺮﺓ ﺑﺮﻳﺌﺔ‬
 ‫‪ -‬ﻭﻣﺎ ﺍﻟﻔﺮﻕ ﺑﲔ ﺍﻟﻘﺒﻠﺔ ﺍﻟﱪﻳﺌﺔ ﻭﻏﲑ ﺍﻟﱪﻳﺌﺔ ؟‬
‫‪ -‬ﻓﺄﺩﻧﺖ ﻭﺟﻬﻬﺎ ﻣﻦ ﻭﺟﻬﻪ ﻭﳘﺴﺖ ﻗﺎﺋﻠﺔ‪:‬‬
‫‪ -‬ﺍﻟﻘﺒﻠﺔ ﺍﻟﱪﻳﺌﺔ ﺗﻨﺎﻝ ﺑﻐﲑ ﻓﻀﻮﻝ ﺃﻋﲎ ﺑﻼ ﺿﻢ ﻭﻻ ﻋﻨﺎﻕ‬
‫ﻭﺭﺃﻯ ﻓﻤﻬﺎ ﺩﺍﻧﻴﹰﺎ ﻛﺄﻧﻪ ﻳﻘﻮﻝ ﻟﻪ " ﻗﺒﻠﲏ " ﻓﻤﺮﺕ ﺑﻪ ﳊﻈﺔ ﺭﻫﻴﺒﺔ‪ ..‬ﻭﻧﻈﺮ ﺇﻟﻴﻬﺎ ﰲ ﺣﻴـﺎﺀ‬
‫ﻭﺍﺭﺗﺒﺎﻙ ﻻ ﻳﺪﺭﻯ ﻛﻴﻒ ﻳﻨﺎﻝ ﻫﺬﻩ ﺍﻟﻘﺒﻠﺔ ﺍﻟﱪﻳﺌﺔ ﻭﻛﺎﻥ ﻛﻠﻤﺎ ﻣﺮﺕ ﺛﺎﻧﻴﺔ ﺍﺯﺩﺍﺩ ﺇﺣﺠﺎﻣﹰﺎ ﺣﱴ‬
‫ﲰﻊ ﻣﻌﹰﺎ ﻭﻗﻊ ﺃﻗﺪﺍﻡ ﻓﺘﺮﺍﺟﻌﺖ ﺍﻟﻔﺘﺎﺓ ﻭﻗﺪ ﺍﺣﺘﻘﻦ ﺍﻟﺪﻡ ﺑﻮﺟﻬﻬﺎ ﻭﺗﻨﻬﺪ ﻫﻮ ﺍﺭﺗﻴﺎﺣـﹰﺎ ﻭﺟـﺎﺀ‬
‫ﺍﻟﻨﺎﺩﻝ ﺑﺎﳉﻌﺔ ﰒ ﺍﺧﺘﻔﻲ ﺛﺎﻧﻴﺔ ﻭﺭﻓﻌﺖ ﺍﻟﺸﻮﺏ ﻭﻫﻲ ﺗﻘﻮﻝ " ﺻﺤﺘﻚ " ﻓﺎﺭﺗـﺪ ﺳـﺮﻳﻌﹰﺎ ﺇﱃ‬
‫ﺣﺎﻟﺔ ﺍﻻﺭﺗﺒﺎﻙ ﻭﺍﳊﻴﺎﺀ ﻭﻟﻜﻦ ﺗﺮﺩﺩﻩ ﻫﺬﻩ ﺍﳌﺮﺓ ﱂ ﻳﻈﻞ ﻷﻧﻪ ﺃﺷﻔﻖ ﻣﻦ ﺃﻥ ﳚﺮﺡ ﺷﻌﻮﺭﻫﺎ ﻣﺮﺓ‬
‫ﺃﺧﺮﻯ ﻓﺮﻓﻊ " ﺍﻟﺸﻮﺏ " ﻭﲡﺮﻉ ﺭﺷﻔﺔ ﰒ ﺭﺩﻩ ﻭﻗﺪ ﺑﺪﺍ ﻋﻠﻰ ﻭﺟﻬﻪ ﺍﻻﴰﺌﺰﺍﺯ ؟ ﻓﺴﺄﻟﺘﻪ‪:‬‬
‫‪ -‬ﺃﻻ ﺗﻌﺠﺒﻚ ؟ ﻓﻘﺎﻝ‪:‬‬
‫‪ -‬ﺃﻬﻧﺎ ﻣﺮﺓ ﻛﺮﻳﻬﺔ‬
‫‪ -‬ﺍﱂ ﺗﺬﻗﻬﺎ ﻣﻦ ﻗﺒﻞ ؟‬
‫‪ -‬ﺃﺑﺪﹰﺍ !‬
‫‪ -‬ﺣﻘﹰﺎ ﺃﻧﻚ ﺷﺎﺏ ﻋﺠﻴﺐ ! ﻟﺴﺖ ﻛﺄﺣﺪ ﻣﻦ ﺷﺒﺎﺏ ﺍﻟﻌﺼﺮ‬
‫‪ -‬ﻭﻫﻞ ﺗﺪﻋﲔ ﺍﻟﻌﻠﻢ ﻬﺑﺆﻻﺀ ﺍﻟﺸﺒﺎﻥ ؟‬
‫‪ -‬ﺃﻡ ﺃﻣﺮﻫﻢ ﻣﺸﻬﻮﺭ‬
‫ﻭﺻﻤﺖ ﻳﻔﻜﺮ ﻣﻠﻴﹰﺎ ﻓﺴﺎﻭﺭﺗﻪ ﺑﻌﺾ ﺍﻟﺸﻜﻮﻙ ﻭﺗﻴﻘﻈﺖ ﺑﻪ ﺻﻌﻴﺪﻳﻪ ﻓﺴﺄﳍﺎ‪:‬‬
‫‪ -‬ﺍﱂ ﺗﻌﺮﰲ ﺃﺣﺪﹰﺍ ﻣﻨﻬﻢ ؟‬
‫ﻓﺒﺎﻏﺘﻬﺎ ﺍﻟﺴﺆﺍﻝ ﻭﻟﻜﻨﻬﺎ ﻛﺎﻧﺖ ﺗﺆﻣﻦ ﺑﺄﻧﻪ ﻻ ﳝﻜﻦ ﺃﻥ ﲣﻔﻲ ﺣﻘﻴﻘﺘﻬﺎ ﺇﱃ ﺍﻷﺑﺪ ﻓﻘﺎﻟـﺖ‬
‫ﺑﺈﺧﻼﺹ " ﺍﺿﻎ ﺇﱃ ﻳﺎ ﻗﺪﺭﻱ‪ ....‬ﺃﻧﺎ ﻻ ﺃﺣﺐ ﺃﻥ ﻧﺒﺪﺃ ﺣﻴﺎﺗﻨﺎ ﻣﻌﹰﺎ ﺑﺎﻟﻜﺬﺏ ﻭﺍﻟﺮﻳـﺎﺀ ﻭﻣـﺎ‬
‫ﺩﻣﺖ ﺗﺮﻳﺪ ﺃﻥ ﺗﻌﻠﻢ ﻓﺎﻋﻠﻢ ﺃﱏ ﻋﺮﻓﺖ ﺷﺒﺎﻧﺎ ﻛﺜﲑﻳﻦ‪" ..‬‬
‫ﻓﺎﻛﻔﻬﺮ ﻭﺟﻬﻪ ﻭﺃﻇﻠﻤﺖ ﻋﻴﻨﺎﻩ ﻭﺳﺄﳍﺎ ﺑﺼﻮﺕ ﻓﺎﺗﺮ‪:‬‬
‫‪ -‬ﻭﻛﻴﻒ ﺣﺪﺙ ﺫﻟﻚ ؟‬
‫‪ -‬ﻛﻤﺎ ﳛﺪﺙ ﻋﺎﺩﺓ‪ ،‬ﺍﺫ ﻟﻴﺲ ﺍﻟﺘﻌﺎﺭﻑ ﻣﻦ ﺍﻟﺼﻌﻮﺑﺔ ﺑﺎﳌﻜﺎﻥ ﺍﻟﺬﻱ ﺗﺮﺍﻩ ﻭﻛﻨﺖ ﺍﺫﻫﺐ‬
‫ﺇﱃ ﺍﻟﻠﻘﺎﺀ ﺗﻐﺮﺭ ﰊ ﺁﻣﺎﻝ ﻗﻠﱯ ﰲ ﺍﳊﺐ ﻓﺄﻟﻘﻰ ﺧﺪﺍﻋﹰﺎ ﻭﺭﻳﺎﺀ ﻭﻭﻋﻮﺩﹰﺍ ﻛﺎﺫﺑﺔ ﻓﺄﺭﺟﻊ ﺃﺗﻌﺜـﺮ ﰲ‬
‫ﺃﺫﻳﺎﻝ ﺍﳋﻴﺒﺔ ﻭﺍﻟﻘﻨﻮﻁ‪.‬‬
‫ﻓﺎﺯﺩﺍﺩ ﺍﻛﻔﻬﺮﺍﺭ ﻭﺟﻬﻪ ﻭﺗﺼﻠﺒﺖ ﻋﻀﻼﺗﻪ ﻭﺳﺎﻭﺭﺗﻪ ﺍﻟﺸﻜﻮﻙ ﻓﺴﺄﳍﺎ‪:‬‬
‫‪ -‬ﺃﱂ ﻳﻨﻞ ﻭﺍﺣﺪ ﻣﻨﻬﻢ ﻗﺒﻠﺔ ﺑﺮﻳﺌﺔ ؟‬
‫‪ -‬ﳌﺎﺫﺍ ﺗﻨﺒﺶ ﺍﳌﺎﺿﻲ ؟‬
‫‪ -‬ﻛﻴﻒ ﻻ ؟ ﻣﺎ ﺍﳊﺎﺿﺮ ﻭﻣﺎ ﺍﳌﺴﺘﻘﺒﻞ ﺇﻻ ﺍﻣﺘﺪﺍﺩ ﻟﻠﻤﺎﺿﻲ‬
‫‪ -‬ﻛﻨﺖ ﺍﲝﺚ ﻋﻦ ﺿﺎﻟﺔ ﻗﻠﱯ ﺍﳌﻨﺸﻮﺩﺓ‬
‫‪ -‬ﱂ ﱂ ﺗﻨﺘﻈﺮﻳﻬﺎ ﺣﱴ ﺗﺄﺗﻴﻚ ﻫﻲ ﺩﻭﻥ ﺗﻠﻮﺙ ؟‬
‫‪ -‬ﺗﻠﻮﺙ ؟ ﻣﺎﺫﺍ ﺗﺴﺘﻄﻴﻊ ﺃﻥ ﺗﻨﺎﻝ ﻗﺒﻠﺔ ﻣﻦ ﻃﻬﺎﺭﺓ ﻗﻠﱯ ﻭﻧﻔﺴﻲ ؟ ﻻ ﺗﻜﻦ ﻛﺎﳉﺎﻣـﺪﻳﻦ‬
‫ﺍﻟﺬﻳﻦ ﻳﻨﻈﺮﻭﻥ ﺇﻟﻴﻨﺎ ﻧﻈﺮﺓ ﺍﳉﺸﻊ ﻭﺍﻷﻧﺎﻧﻴﺔ ﻓﻴﻮﺩ ﺍﻟﻮﺍﺣﺪ ﻣﻨﻬﻢ ﻟﻮ ﻳﻠﻬﻮ ﻭﻳﻌﺒﺚ ﻛﻴﻒ ﻳـﺸﺎﺀ‬
‫ﻋﻠﻰ ﺃﻥ ﺗﻨﻈﺮﻩ ﻋﺮﻭﺳﻪ ﺧﻠﻒ ﺍﻟﺴﺘﺎﺋﺮ ﻻ ﲤﺴﻬﺎ ﻳﺪ ﻛﺄﻬﻧﺎ ﻟﺆﻟﺆﺓ ﰲ ﻗﻮﻗﻌﺔ‪ ..‬ﻳﻨﺒﻐﻲ ﺃﻥ ﳓﻈـﻰ‬
‫ﺑﻘﺴﻄﻨﺎ ﻣﻦ ﺍﳊﺮﻳﺔ‪ ،‬ﻭﺍﳊﺮﻳﺔ ﻣﻌﲎ ﺳﺎﻡ‪.‬ﻭﻻ ﺗﻈﻦ ﺃﱏ ﲪﻘﺎﺀ‪ ،‬ﳜﻴﻞ ﺇﱃ ﺍﳉﺎﻫﻞ ﺃﻥ ﺍﳊﺮﻳﺔ ﻫﻲ‬
‫ﺍﻻﺳﺘﻬﺘﺎﺭ‪ ،‬ﻛﻼ‪ ،‬ﻫﻲ ﻋﻨﺪﻱ ﺍﳋﻼﺹ ﺍﻹﳍﻲ ﻟﻠﻌﻘﻞ ﻭﺍﻟﺸﻌﻮﺭ ﻛﻲ ﺃﺭﻯ ﺑﻌﻘﻠﻲ ﻭﺍﺷﻌﺮ ﺑﻘﻠﱯ‪،‬‬
‫ﻓﺈﺫﺍ ﺃﺣﺒﺒﺖ ﻓﺄﱏ ﺃﻫﺐ ﻗﻠﱯ ﻋﻦ ﺣﺐ ﺻﺎﺩﻕ ﻻ ﻋﻦ ﺍﺿﻄﺮﺍﺭ ﺃﻭ ﺗﺴﻠﻴﻢ ﺃﻭ ﻳﺄﺱ‪.‬ﻛـﻢ ﻣـﻦ‬
‫ﻓﺘﻴﺎﺕ ﳚﺪﻥ ﺃﻧﻔﺴﻬﻦ ﰲ ﺑﻴﻮﺕ ﺭﺟﺎﻝ ﻻ ﻳﺪﺭﻳﻦ ﻛﻴﻒ ﺫﻫﱭ ﺇﻟﻴﻬﺎ ﻓﲑﻭﺿﻦ ﺃﻧﻔﺴﻬﻦ ﻋﻠـﻰ‬
‫ﺍﻟﺮﺿﺎ ﺗﺮﻭﻳﺾ ﺍﻷﺳﲑ ﻧﻔﺴﻪ ﻋﻠﻰ ﺍﻟﺬﻝ ﻭﻳﻌﻴﺶ ﺣﻴﺎﺓ ﻬﺑﻴﻤﻴﺔ ﺗﺘﺤﻜﻢ ﻓﻴﻬﺎ ﺿﺮﻭﺭﺍﺕ ﺍﳊﻴـﺎﺓ‬
‫ﻭﺣﺎﺟﺎﺕ ﺍﳉﺴﺪ‪ ....‬ﻛﻼ‪ ،‬ﻟﻴﺲ ﻫﺬﺍ ﺍﻟﺰﻭﺍﺝ ﺍﻟﺬﻱ ﺃﺭﻳﺪ‪ ..‬ﺃﻧﺎ ﺃﺭﻳﺪ ﺯﻭﺍﺟـﹰﺎ ﺗﻠـﺘﺤﻢ ﻓﻴـﻪ‬
‫ﺍﻟﺮﻭﺣﺎﻥ ﺍﻟﺘﺤﺎﻡ ﺍﳉﺴﻤﲔ‪ ..‬ﻓﻴﻜﻮﻥ ﺍﲢﺎﺩﻫﺎ ﺧﲑﹰﺍ ﻋﺘﺎﺩﹰﺍ ﻟﺪﻭﺍﻡ ﺍﻟﻌﺸﺮﺓ ﺍﻟﺸﺮﻳﻔﺔ ﺍﻟﺴﺎﻣﻴﺔ‪..‬‬
‫‪ -‬ﻻ ﺃﻧﻜﺮ ﻣﺎ ﰲ ﻛﻼﻣﻚ ﻣﻦ ﺍﻟﻮﺟﺎﻫﺔ ﻭﺍﳊﻖ ﻭﻟﻜﻦ ﺍﻟﺴﺒﻴﻞ ﺍﻟﺬﻱ ﺗﻨﺘﻬﺠﲔ ﻻ ﻳـﺴﻠﻢ‬
‫ﺭﻭﺍﺩﻩ ﻣﻦ ﺭﺫﺍﺫ ﻳﻠﻮﺙ ﺍﻟﺴﻤﻌﺔ‪.‬‬
‫‪ -‬ﻟﻴﺲ ﺫﻟﻚ ﻟﻌﻴﺐ ﻓﻴﻪ ﻭﻟﻜﻦ ﻷﻧﻨﺎ ﱂ ﻧﻌﺘﺪ ﻋﻠﻴﻪ‪ ..‬ﻓﻼ ﲡﻌﻞ ﳍﻤﺲ ﺍﻟﻨﺎﺱ ﻓـﻮﻕ ﻣـﺎ‬
‫ﻳﺴﺘﺤﻖ ﻣﻦ ﺍﻻﻋﺘﺒﺎﺭ ﻭﺍﺫﻛﺮ ﺃﻥ ﻣﺜﻠﻲ ﺍﺫﺍ ﻭﻫﺒﺖ ﻗﻠﺒﻬﺎ ﻓﺈﳕﺎ ﻬﺗﺒﻪ ﻋﻦ ﺣﺐ ﻳﺼﻤﺪ ﻟﻠﻌﻮﺍﺻـﻒ‬
‫ﻓﻬﻲ ﺁﻣﻦ ﻋﻠﻰ ﺍﳊﻴﺎﺓ ﺍﻟﺰﻭﺟﻴﺔ ﳑﻦ ﺗﺴﻤﻮﻬﻧﺎ " ﻓﺘﺎﺓ ﺍﻟﺒﻴﺖ " ﺃﻭ " ﺍﻟﻐﺮﻳﺮﺓ ﺍﻟﱵ ﻻ ﺗﻌﺮﻑ ﻣـﻦ‬
‫ﺍﻟﺪﻧﻴﺎ ﺷﻴﺌﺎ “‪..‬‬
‫ﻭﺑﺪﺍ ﻋﻠﻰ ﻭﺟﻬﻪ ﺍﻻﺭﺗﺒﺎﻙ ﻭﺍﻻﻧﻘﺒﺎﺽ ﻓﺘﻮﻻﻫﺎ ﺍﳋﻮﻑ ﻭﺍﻟﻘﻠﻖ ﻭﻗﺎﻟـﺖ ﺑـﺸﻲﺀ ﻣـﻦ‬
‫ﺍﻻﻧﻔﻌﺎﻝ‪:‬‬
‫‪ -‬ﻣﺎﺫﺍ ﻳﻬﻢ ﺍﳌﺎﺿﻲ ﺃﻭ ﻛﻼﻡ ﺍﻟﻨﺎﺱ ﺍﺫﺍ ﻭﺟﺪﺗﲏ ﻣﻨﺬ ﺍﻟﺴﺎﻋﺔ ﻃﺎﻫﺮﺓ ﳐﻠﺼﺔ ﺣﺒﺎﻟﺴﻌﺎﺩﺓ‪.‬‬
‫ﻻ ﺗﺼﻎ ﺇﱃ ﻭﺳﻮﺳﺔ ﻧﻔﺴﻚ ﻭﻛﻦ ﻣﺜﻠﻲ ﺟﺴﻮﺭﹰﺍ ﻭﺍﻗﺘﺤﻢ ﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﺴﺨﻴﻔﺔ ﻟﺘﻔﻮﺯ ﺑﺎﻟﺴﻌﺎﺩﺓ‪..‬‬
‫‪ -‬ﻫﻞ ﺗﺒﻴﻌﲏ ﺑﺜﻤﻦ ﲞﺲ ؟‬
‫‪ -‬ﻭﻛﺎﻥ ﻣﺴﺘﻐﺮﻗﹰﺎ ﰲ ﺗﻔﻜﲑﻩ ﻓﻠﻢ ﻳﻨﺘﺒﻪ ﺇﱃ ﺳﺆﺍﳍﺎ ﺍﻟﻀﺎﺭﻉ ﻓﺎﺷﺘﺪ ﺍﻧﻔﻌﺎﳍﺎ ﻭﺳﺄﻟﺘﻪ‪:‬‬
‫‪ -‬ﻫﻞ ﺗﺒﻴﻌﲏ ﻳﺎ ﻗﺪﺭﻱ ﺑﺜﻤﻦ ﲞﺲ ؟‬
‫‪ -‬ﻓﻬﺰ ﺭﺃﺳﻪ ﻭﻫﻮ ﻳﺪﺭﻯ ﻭﻗﺎﻝ ﳍﺎ‪:‬‬
‫‪ -‬ﻛﻼ‪ ..‬ﻣﺎ ﻓﻜﺮﺕ ﰲ ﻫﺬﺍ ﻗﻂ‬
‫‪ -‬ﺇﺫﺍ ﻓﻬﻞ ﺃﻃﻤﺌﻦ ﺇﻟﻴﻚ ؟‬
‫‪ -‬ﻛﻞ ﺍﻻﻃﻤﺌﻨﺎﻥ‬
‫‪ -‬ﻭﻫﻞ ﺃﻋﺰﻯ ﻧﻔﺴﻲ ﻋﻦ ﻃﻮﻝ ﻋﺬﺍﰊ ﺑﺄﻥ ﺗﻌﱯ ﱂ ﻳﻀﻊ ﻫﺒﺎﺀ ﻭﺃﱏ ﻭﺟـﺪﺕ ﺃﺧـﲑﹰﺍ‬
‫ﺿﺎﻟﱵ ﺍﳌﻨﺸﻮﺩﺓ ؟‬
‫‪ -‬ﺃﺭﺟﻮ ﺃﻥ ﺃﻛﻮﻥ ﻛﺬﻟﻚ‬
‫‪ -‬ﻭﺃﻧﻚ ﻟﻜﺬﻟﻚ ﻭﻫﺎ ﻫﻮ ﺫﺍ ﻗﻠﱯ ﺩﻟﻴﻠﻲ ﻳﺒﺚ ﰲ ﻧﻔﺴﻲ ﺍﻟﻄﻤﺄﻧﻴﻨﺔ ﻭﺍﻻﺳﺘﺴﻼﻡ ﲟـﺎ ﱂ‬
‫ﺍﻋﻬﺪﻩ ﻓﻴﻪ ﻣﻦ ﻗﺒﻞ‪ ..‬ﻛﻢ ﺃﻧﺎ ﻓﺮﺣﺔ ﻳﺎ ﻗﺪﺭﻱ‪ ..‬ﺃﻧﻚ ﱂ ﺗﻘﻞ ﱄ ﺍﺣﺒﻚ ﻭﱂ ﺍﻗﻠﻬﺎ ﻟﻚ ﻭﻟﻜـﻦ‬
‫ﻛﻸﻧﺎ ﻳﻌﺘﺮﻑ ﺣﺎﻟﻪ ﺑﺎﳊﺐ ﻭﺑﺄﻧﻨﺎ ﺗﻌﺎﻫﺪﻧﺎ ﻋﻠﻴﻪ ﺇﱃ ﺍﻷﺑﺪ ﺃﻟﻴﺲ ﻛﺬﻟﻚ ؟‬
‫‪ -‬ﻧﻌﻢ‪ ..‬ﻧﻌﻢ‪..‬‬
‫‪ -‬ﺃﻭﺍﻩ ﻳﺎ ﻗﺪﺭﻱ‪ ..‬ﻛﻢ ﺃﻧﺎ ﻓﺮﺣﺔ‪ ..‬ﻭﻛﻢ ﺃﺟﺪ ﺭﻏﺒﺔ ﻣﻠﺤﺔ ﰲ ﺍﻟﻐﻨﺎﺀ‪ ..‬ﻣﺎﺫﺍ ﲢـﺐ ﺃﻥ‬
‫ﺃﲰﻌﻚ ﺩﻭﺭﺍ؟ ﻟﻌﺒﺪ ﺍﻟﻮﻫﺎﺏ ؟‬
‫ﻓﻬﺰ ﺭﺃﺳﻪ ﺑﻔﺘﻮﺭ ﻓﻘﺎﻟﺖ ﺿﺎﺣﻜﺔ‪:‬‬
‫‪ -‬ﺃﻧﻚ ﻛﻐﺎﻟﺒﻴﺔ ﺍﻟﺮﺟﺎﻝ ﲢﺒﻮﻥ ﺃﻡ ﻛﻠﺜﻮﻡ‬
‫ﻭﻻ ﻫﺬﻩ ﻓﻘﺎﻟﺖ ﺑﺪﻫﺸﺔ‪:‬‬
‫‪ -‬ﺃﻻ ﲢﺐ ﺍﻟﻐﻨﺎﺀ ؟‬
‫‪ -‬ﺃﺣﺐ ﺃﻥ ﺍﲰﻊ ﺻﺎﱀ ﻋﺒﺪ ﺍﳊﻲ‬
 ‫‪ -‬ﺇﻳﻪ !‬
‫ﻓﻘﻠﻖ ﻹﻧﻜﺎﺭﻫﺎ ﻭﺳﺄﳍﺎ‪:‬‬
‫‪ -‬ﻫﻞ ﺗﻌﺪﻳﻦ ﻫﺬﺍ ﺗﻨﺎﻓﺮﹰﺍ ﺑﲔ ﺭﻭﺣﻴﻨﺎ ؟‬
‫ﻓﻘﺎﻟﺖ ﻬﺗﺪﻯﺀ ﺭﻭﻋﻪ‪:‬‬
‫‪ -‬ﻛﻼ ﻳﺎ ﻋﺰﻳﺰﻱ ﺃﻥ ﻣﺎﻣﺎ ﻭﺑﺎﺑﺎ ﰲ ﺷﻘﺎﻕ ﺩﺍﺋﻢ ﺑﺴﺒﺐ ﻋﺒﺪ ﺍﻟﻮﻫﺎﺏ ﻭﺃﻡ ﻛﻠﺜﻮﻡ ﻭﻟﻜﻨـﻬﻤﺎ‬
‫ﺯﻭﺟﺎﻥ ﺳﻌﻴﺪﺍﻥ‪ ..‬ﺃﱏ ﺁﺳﻔﺔ ﻷﱐ ﻻ ﺍﺣﻔﻆ ﺍﺩﻭﺍﺭ ﺻﺎﱀ ﻋﺒﺪ ﺍﳊﻲ ﻭﻟﻜﲏ ﺳـﺄﻏﲎ ﻟـﻚ "‬
‫ﺍﻓﺮﺡ ﻳﺎ ﻗﻠﱯ‪ “ ..‬ﻭﻏﻨﺖ ﺑﺼﻮﺕ ﻋﺬﺏ ﺃﻃﺮﺑﻪ ﻭﺃﺳﻜﺮﻩ ﻭﻣﺎ ﺯﺍﻟﺖ ﺗﺮﺍﻭﺡ ﺑـﲔ ﺍﳊـﺪﻳﺚ‬
‫ﻭﺍﻟﻐﻨﺎﺀ ﻭﳘﺎ ﰲ ﺩﻧﻴﺎ ﻻ ﺗﻌﺮﻑ ﺍﻟﺰﻣﺎﻥ ﻭﺍﳌﻜﺎﻥ ﺣﱴ ﺣﺎﻧﺖ ﺍﻟﻌﻮﺩﺓ ﻓﻌﺎﺩﺍ ﻭﺍﻓﺘﺮﻗﹰﺎ ﻋﻠﻰ ﻣﻮﻋـﺪ‬
‫ﺟﺪﻳﺪ‪....‬‬
‫ﻭﺣﲔ ﺧﻼ ﺇﱃ ﻧﻔﺴﻪ ﺻﺎﺡ‪ :‬ﺭﺑﺎﻩ ﺍﻯ ﻓﺘﺎﺓ ! ﻟﻘﺪ ﺑﺪﺃﺗﻪ ﺑﺎﳌﻐﺎﺯﻟﺔ‪ ..‬ﻭﺩﻋﺘﻪ ﺻـﺮﺍﺣﺔ ﺇﱃ‬
‫ﺗﻘﺒﻴﻞ ﻓﻤﻬﺎ‪ ..‬ﻭﺫﻛﺮﺕ ﺍﳊﺐ ﻭﺍﻟﺰﻭﺍﺝ ﻭﺻﺎﺭﺣﺘﻪ ﲟﺎﺿﻴﻬﺎ ﺍﳊﺎﻓﻞ ﻭﻋﺎﺩﺕ ﻭﻫﻲ ﺗﻌﺪ ﻧﻔﺴﻬﺎ‬
‫ﻣﺮﺗﺒﻄﺔ ﻣﻌﻪ ﲟﻴﺜﺎﻕ ﺃﺑﺪﻯ !! ﺃﻧﺘﻬﻲ ﺍﻷﻣﺮ ﻓﺄﺣﺐ ﻭﺧﻄﺐ ﻭﻋﺎﻫﺪ ﺑﺎﻟﺮﻏﻢ ﻣﻦ ﺃﻧﻪ ﱂ ﻳﻨﻄـﻖ‬
‫ﲜﻤﻠﺔ ﻭﺍﺣﺪﺓ ﻣﻔﻴﺪﺓ ! ﻓﺄﻱ ﻓﺘﺎﺓ ﻫﻲ ؟!‬
‫ﻫﺬﻩ ﻭﺍﺣﺪﺓ ﺃﻣﺎ ﺍﻷﺧﺮﻯ ﻓﻬﻲ ﺍﺑﻨﺔ ﻋﻤﻪ ﺍﳊﺎﺝ ﺇﲰﺎﻋﻴﻞ ﺣﺎﻓﻆ ﺗﺎﺟﺮ ﺍﻟﻘﻤﺢ ﺍﻟﺸﻬﲑ ﲜﺮﺟﺎ‬
‫ﺍﻟﱵ ﻳﻌﺪ ﺯﻭﺍﺟﻪ ﻣﻨﻬﺎ – ﻟﺪﻯ ﻭﺍﻟﺪﻳﻪ ﻋﻠﻰ ﺍﻷﻗﻞ – ﺃﻣﺮﹰﺍ ﻣﻔﺮﻭﻏﹰﺎ ﻣﻨﻪ ﻋﻠﻰ ﺍﻟﻄﺮﻳﻘﺔ ﺍﻟﺼﻌﻴﺪﻳﺔ‬
‫ﺍﳊﻖ ﺃﻥ ﻟﻴﻠﻰ ﳏﺖ ﻣﻦ ﻗﻠﺒﻪ ﻛﻞ ﺍﺛﺮ ﻻﺑﻨﺔ ﻋﻤﻪ ﻭﺃﻣﺜﺎﳍﺎ ﻭﻟﻜﻦ ﻧﻔﺴﻪ ﱂ ﺗﻄﻤﺌﻦ ﺇﻟﻴﻬﺎ ﻭﱂ ﻳﻜﻦ‬
‫ﻗﺪﺭﻱ ﻣﻐﻠﻖ ﺍﻟﻘﻠﺐ ﻭﻻ ﻣﺘﻌﺼﺒﹰﺎ ﺑﻞ ﻛﺎﻥ ﺫﻛﻴﺎ ﺣﺎﺩ ﺍﻟﺬﻛﺎﺀ ﻻ ﲢﺠﺐ ﺍﻟﺘﻘﺎﻟﻴﺪ ﻧﻮﺭ ﺍﳊﻖ ﻋﻦ‬
‫ﻋﻴﻨﻴﻪ ﻓﻘﺪﺭ ﻣﺎ ﻟﻠﻔﺘﺎﺓ ﻣﻦ ﺍﻟﺬﻛﺎﺀ ﻭﺍﻟﻠﺒﺎﻗﺔ ﻭﺍﻟﺮﺷﺎﻗﺔ ﻭﺃﻋﺠﺐ ﺑﺮﻭﺣﻬﺎ ﺍﳊﺴﺎﺳﺔ ﺍﻟﱵ ﺗﻠﱮ ﻧﺪﺍﺀ‬
‫ﺍﻟﺸﻌﺮ ﻭﺍﳌﻮﺳﻴﻘﻰ ﻭﺍﻟﻐﻨﺎﺀ ﻭﻟﻜﻦ ﱂ ﻳﺸﺮﺏ ﻗﻠﺒﻪ ﺍﻻﻃﻤﺌﻨﺎﻥ ﻓﻜﺎﻥ ﻛﻤﻦ ﻳﻌﺠﺐ ﺑﺪﻳﻦ ﻏﲑ ﺩﻳﻨﻪ‬
‫ﺩﻭﻥ ﺃﻥ ﺗﻮﺍﺗﻴﻪ ﺍﻟﺸﺠﺎﻋﺔ ﻋﻠﻰ ﺍﻟﺪﺧﻮﻝ ﰲ ﺍﻟﺪﻳﻦ ﺍﳉﺪﻳﺪ‪....‬‬
‫ﻭﺟﻌﻞ ﻳﻘﻮﻝ ﻟﻨﻔﺴﻪ‪ :‬ﻣﺎﺫﺍ ﻳﻜﻮﻥ ﺣﺎﱄ ﻟﻮ ﺗﺰﻭﺟﺘﻬﺎ ﻭﺭﺁﻧﺎ ﻭﺍﺣﺪ ﻣﻦ ﺃﺻﺪﻗﺎﺋﻬﺎ ﺍﻟﻘـﺪﻣﺎﺀ‬
‫ﻓﻤﺎﻝ ﻋﻠﻰ ﺻﺎﺣﺒﻪ ﻭﻗﺎﻝ ﺳﺎﺧﺮﹰﺍ " ﺃﺗﺮﻯ ﻫﺬﻩ ﺍﳌﺮﺃﺓ ﺍﻟﱵ ﺗﺴﲑ ﺇﱃ ﺟﺎﻧﺐ ﺯﻭﺟﻬﺎ‪ ..‬؟ ﻛﺎﻧﺖ‬
‫ﻭﻛﺎﻧﺖ ﻭﻛﻨﺖ ﻭﻛﻨﺖ‪" ..‬‬
‫ﻭﻟﻜﻨﻪ ﻋﻠﻰ ﺗﺮﺩﺩﻩ ﻭﺧﻮﻓﻪ ﱂ ﻳﻜﺎﺑﺮ ﰲ ﺍﳊﻖ ﻓﺎﻋﺘﺮﻑ ﻓﻴﻤﺎ ﺑﻴﻨﻪ ﻭﺑﲔ ﻧﻔﺴﻪ ﺑﺄﻧﻪ ﳛﺒﻬﺎ ﺣﺒﹰﺎ ﱂ‬
‫ﳛﺒﻪ ﺃﺣﺪﹰﺍ ﻭﺃﻧﻪ ﻳﻬﻴﻢ ﻬﺑﺎ ﻫﻴﻤﺎﻧﺎ‪..‬‬
‫ﺃﻧﻪ ﰲ ﻗﻠﺒﻪ ﳊﺒﹰﺎ ﻗﻮﻳﹰﺎ ﻳﺮﻭﺿﻪ ﻋﻠﻰ ﺍﻟﱰﻭﻝ ﻋﻠﻰ ﺣﻜﻢ ﺯﻣﺎﻧﻪ‪ ،‬ﻭﺃﻥ ﰲ ﻧﻔﺴﻪ ﻟﺘﺮﺍﺛﹰﺎ ﻣﻦ ﺍﻟﺘﻘﺎﻟﻴﺪ‬
‫ﺍﻟﻐﺎﴰﺔ ﻳﺼﺪﻩ ﻋﻦ ﻓﻠﺴﻔﺔ ﺍﻟﻌﺼﺮ ﺍﳊﺪﻳﺚ ﻭﻫﻮ ﺑﻴﻨﻬﻤﺎ ﻣﻮﺯﻉ ﻻ ﻳﺪﺭﻯ ﺃﻳﻦ ﺍﳌـﺴﺘﻘﺮ ﻭﻋﺒﺜـﹰﺎ‬
‫ﺣﺎﻭﻝ ﺃﻥ ﳜﻠﺺ ﻣﻦ ﺷﻜﻮﻛﻪ ﻭﻫﻮﺍﺟﺴﻪ ﻭﻣﺎ ﺯﺍﻝ ﻳﻘﺪﺭ ﻭﻳﻘﺪﺭ ﺩﻭﻥ ﺃﻥ ﻳﻬﺘﺪﻱ ﺇﱃ ﺭﺃﻯ ﺃﻭ‬
‫ﻳﻘﺮ ﻋﻠﻰ ﻋﺰﻡ‪....‬‬