Numbered Articulation System
A useful perspective changer and extremes identifier.
These do not represent all possible articulations! Only enough of a start to expand how our mind
views the possible alterations we can make.
Exercise: Practice any piece of music and apply a “numbered articulation” to the entire
exercise. Works particularly well with the basic Arban’s articulation exercises. An example might
be Arban’s #37, with a “Number 4” articulation throughout.
1 2 3 4 5 6 7 8 9
Towards soft and long Towards hard and short
To the upside:
Number 5 - “The Standard note” - Maybe 75% note 25% space, “D” articulation
Number 6 - “The Orchestral staccato” - 60/40 note/space, “D” articulation
Number 7 - “The Commercial staccato” - 40/60 note/space, firm “D” articulation
Number 8 - “The Secco staccato” - 20/80 note/space, “T” articulation
Number 9 - “A Percussive Articulation” - 5/95 note/space, “T” articulation
To the downside:
Number 5 - (same as above)
Number 4 - “Melodic Separation” - 85/15 note/space, “D” articulation
Number 3 - “Portato” - 90/10 note/space, “D” articulation
Number 2 - “Tenuto Slur” - 95/5 note/space, very soft “D” articulation
Number 1 - “Near-Glissando” - 99/1 note/space, “L” articulation