To Eugen d'Albert 1

Chaconne


From Violin Partita No.2 in D minor, BWV 1004
Johann Sebastian Bach
Arrangement: Ferruccio Busoni
BV B 24 (3rd version, 1916)

          
  
Andante maestoso, ma non troppo lento


               
    
                  
     


         
   


     
              

            
4 3

         
5

         
 
7

    
 sempre

   
    
                          
molto energico

        
        


     
          
      
                             
sempre assai marcato


12

  
più     
      


                                       
       
  



   
        3  
       
4

    
       
1

 
ten.

  
16


 
2

                

 subito

            
 
 

   
                                      
2

   
       
19

 


                     
                  


           
dolce

       
    


 una corda


                        elegato    

    
        
molto espress.
23

      
      
       
        
                    
             
     
 



            
       
 
                     
27

  
   
        
  
            
    
       





 molto dolce

     
non arpegg.

   
           


                
   
31

     

 
           
poco espress.

     
quasi 

       
    


  

       

           
           
 
34

     
  
 
    
             


  
              
quasi 

 
           
  poco 

 
             
3

           
    
37

 
         
     


        
 


   




dolce

         
  
                   
      
39 4


2

 
1


2 1 3


1

   
         
dim.

  
      
  
   
  



poco

      
     
Più mosso, ma misurato

       
41

 
  
 
          
   
                            
   
   


  più
  cresc.  
leggiero ma marcato

            
    
43 poco cresc.

    
 
                 
      
         
       2  
  2 


    dim.     

                     
  
più dim.


45

         
   

                            
     
         
   
      2      



dim.

           

4

                  
       
48

    leggiero 
    
                     
                
  


         

            
 
 
             
50

       
   
          
            
     



 
      
 
 

       
       
         
52

       cresc. 
poco cresc. 

                
                    
   



   
        
           
    
          
54

         
 
                   
       
        


  
 
largamente 
       
  
             
                           

56

      
   
          


      
  

    
       
 marcatissimo

    
              
 

        
   3 5 
                     
5

 
      
5

           
con bravura

  
59 1

 
1 2

 
  
     
              
m.d.


             
2

   
   
    


   5
 
 
                      
 
             
    
62 4

 
 
    
                
m.d. m.d.

     
       
       


 staccatissimo  
      
  
non affrettare!

       
     
65


 sempre  


  
  


     
ten. ten.

 




 


          
               
      
  
67

 
           



            
  
 

 333     14 25  3 3 3   
     
                    
69

         
  
  
       
       
             
           
         

 
 3 3 3 
    
6

         
                 
71

        
  
 
    
     
                   
 
  
           marcatiss.


ten.

     
   
Un poco a piacere, ma sempre energico il ritmo

     
 
73


  
  
 
 
pesante

     


        

  
    
   
  



 
    
      

    



ten.

 
 
          
     
74

 
  
  
   
 
10


ten.

  
   
    



    
 
     
   
   



10

       
  
          
   
  
75

             
ten.

    
     
 
  
  


       
         
 7

         
76

   cresc. possible        
         
      



  
      


 
dolce espress.


   
     
77 

    
           
tranquillo

         
       
  
    
   


 

          
             
      
  
79


     
                 
 
 
      
  


              
a tempo Sostenuto

                 
dolente

        
   
82

 

     

molto 

     
    

   

         
8

                    
       
84  sempre

     
 
     
      
        
  



poco

 


   
         
 

  
   

86


  
           
poco

         
poco



    
             
       

 
   



    fermamente non legato      

            
   
         

88

     

               

più cresc.

 
          
più

        
       
     




 
                       
  
       
90
con fuoco animato


               
   
            
 


   



                                   


     
articolato assai

     
92


      
            

      


 
non dim.

 
      

 

tranquillo 9

           
 subito

             
94

             
           
una corda


         
                  
    
96

       
         
    
 


           
                                    
98

              
        
       
sempre 

               

sempre 
    
poco marcato e tenuto


                     
                             
100

 
               
  
 

 

 






  

  

     
     
 
10

         
        
m.d.

    


             
102 ossia:

2

    

            
   4 2
m.s.
distintamente

      
5
2


           
       
 

 


      
           

     


 

 
104 ossia:

  
    2    
     
   
2

 
simile

   
    
   
 
  2      
2 5 4 1


   5     
  4           
   
            
      
106

 crescendo nontroppo    
           
               


        
        

 


    
   



   
108

  
   
           
   
                                      
     

  
  
11

 
più  poco a poco animando il tempo

  
      
sempre non legg.

        

110 2

    
      
      
      


 Pedale ogni quarto

  
          
       

    
112

  
    
  
     






   
 




     
        
poco accell.

           
114

     

    

più cresc.

     
    
  


  
 
   
    

116

    
 
ossia:

            
           
     
  
 
       
   

 
 

 5      
                    
12 poco a poco allargando il tempo

       
          
118
2 5 11 2

   
     
   ten.     
      
     
ten.


 
ten.

marcato

       
  
                                              
120

    
     
         
        


    

più allargando

              
    
m.d.

        
                


     
     
                      
122

 
  m.g.    
     
   
   
    

     


         



       




   
    


 
ossia:

     
                      
                 
                                   
124

     

     
      
     
     

 
tempo animato 13

    
                 

5

        
4
3 4 3

      
126

     
   poco  


      
ten. 

   


           



poco 


                       
    


 


                          
         
  
128

   
      
    cresc.         
 


          
 poco    

          


 
                     


    


     
           

         
Tempo I

      
130

  
      2 2 
  
        
   
  molto tenuto 5

      
5

         
                    
 


  
           
           
   
134

   
    
      
   
        
        
           
  
  

     
                
14

                
quasi tromboni

   
3

   
137


  
                
3 ten.

     
 dolce

        
         



        
              
                
    
 
141


 
dim.


molto espress.

       
      
m.s.

       
          





       

         
        
            
          
146

   I   

          
molto legato

        
            


  
           
        
 


   
      
             
sostenendo

  
        
sostenuto

        
150

 
   
     
m.d.

       
                 
cresc. 

         
            
 un poco pesante

     
Allegro moderato ma deciso 15

    
         
 


  
   


154



meno 

               


 
 

       


 
                
 poco a piacere                     
   


      
  
 


     
tranquillo

               
legg. staccato

  
157

 
   
      
  





      
 

 
 


 




   
   
       
    
159

       
 
              
    
2


3 3

 






1
2
5

         13 52 3 52 13 52 14 3
         3         1   
     
4

           
4 1 5
162 4 2 1 2

           
        
4

  
2 1 2

  
2 3

  
   






5 1 4
3


16 Le seguenti 16 battute poco a poco sempre

2
  stacc.    
più cresc. ed animando il tempo

       
     
5 5 sempre

   
165 2

      
1

    
    
poco marc.

        
       
   


Ped. ogni battuta

    
poco

      
 
marc.

             
ten.

      
168

    
 
   

 
   
   

       
        
      


         
           
5 4

  
                                
2 1
171


       
          
 
          
  
   

 

     


 
              
        
5 5 4

            
1 2 1 5

                        
2

   
174 3

    
      
2


 
 rinforzando  4   
    42 5 
 

         

          


1 1

 
                  
        
                    
  

 
          
177

 
 marcatissimo     
             
          
     
    
         

  

           
                             
17
poco riten. a tempo misurato

                 
180

 
            

                         
 
 non legato


    





             

      
     
           
183


       

      
  
       




   
 
          
                      
      
non legato

   


 
186


 
         
             
        


    


 
       
    
         
 
   
 
189

  
    
     3         
     





                
        
        






           

            

 
 
192

  
     
           
                   
 tenuto

                
   
  

 
      
       
          
   
18

           
non affrettare!

 
195


    
                       
non legato

  
              
 


 
non arpegg.

        
     

              
                   
199


           
                    
   
               
     
   


 
       
  
  
              
              
202

         
                          
  
1
sempre 

                 
    


   
              
            
con fuoco


205

   

1       
     23   
       
1

   
   martellato   


      
            
            
208

    
         

           

   


                trillo  
riten. 19

    
          
            
211
largamente


a piacere

   
                        
 





                  
 



    
   
214 Più sostenuto

     

         
                   
 espress. 2

         


    




    5

        
    
218 5 3
1 2 1

                             
  
       
più espress. poco cresc

        
  



       
                       
222 dolciss. ten.

     
    



una corda

 
     
    
  
egualmente

   
225


5


        
 

     
20

               
228


3

   
        
     
   
5
2   2 
 
3


         
      
     
        

231

  sempre 
  
           
       
 


           
 
 
languido

  
                              
 
233 5

 
3 2

       

        
  
m.s.

   

 flebile

 una corda 

           
                

                                  




ossia:

                  

   
             
236

               
      
 
  
  
           
 


dolciss.
 21

                                   
simile cresc. sempre

                                                  

239 ossia:

  


           
cresc. poco a poco

                       
             
      

                        

  





                             


                                
                  
martell.

 
241

    
ossia:

   
più cresc.

                                  
più cresc.

               
         
         
marcato

         
           
   
         

               
                 
243 ossia:

                    
         


     

                                
allarg.

                      
                      
 
    
       
22

           
sempre in tempo

             
245

     
       


     

     

          
   
 Più vivo

                 

            3 cresc.
   
      
3

        
    
 e ritenuto

       



        






  





      

      


             
   
247

         

 
             

 marc.

      

  



 










    5 3 
              3 4   
       
      3
249

      
     
       
rinf.

 
         



 3 2
3    

          
    
4 4

     
      
            
2

 
251

  3    
    
      
3

       
rinf.

    
                
      

 
23

       
 
253

            
                      
         
 



  
       
        
Tempo I, largamente maestoso

   
254

 
 1 1
    
      2
       


  


 
1

         


3 2
5 3
5


 
       
sempre più alargando

            
257 pesante

        
   2
4     

       
    
  
  
1

 
  


    

  
      
        
    
       
260

           
   
    
     
     
       
      
 
 