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Review The Sleepwalkers How Europe Went To War in 1914

Christian Scheinpflug's review of Christopher Clark's book 'The Sleepwalkers: How Europe Went to War in 1914' praises its accessible style and multi-faceted analysis of the origins of World War I. Clark argues against assigning blame to a single nation, emphasizing the complex interplay of individual agency and systemic factors leading to the war. The review highlights the book's relevance to contemporary international relations, despite some criticisms regarding its treatment of modern threats to peace.

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0% found this document useful (0 votes)
96 views3 pages

Review The Sleepwalkers How Europe Went To War in 1914

Christian Scheinpflug's review of Christopher Clark's book 'The Sleepwalkers: How Europe Went to War in 1914' praises its accessible style and multi-faceted analysis of the origins of World War I. Clark argues against assigning blame to a single nation, emphasizing the complex interplay of individual agency and systemic factors leading to the war. The review highlights the book's relevance to contemporary international relations, despite some criticisms regarding its treatment of modern threats to peace.

Uploaded by

Umar rafique
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Review - The Sleepwalkers: How Europe Went to War in 1914

Written by Christian Scheinpflug

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Review - The Sleepwalkers: How Europe Went to War


in 1914
https://www.e-ir.info/2015/11/17/review-the-sleepwalkers-how-europe-went-to-war-in-1914/

CHRISTIAN SCHEINPFLUG, NOV 17 2015

The Sleepwalkers: How Europe Went to War in 1914


By Christopher Clark
New York: HarperCollins, 2013

Christopher Clark’s book on the origins of World War I has rightly already received much praise. His easy-to-read
style makes this complex subject accessible to a broad audience. Even more so, his multi-angle approach does not
seek to single out one culprit and thus is a novel contribution to European, and indeed World history. This is exactly
why students of international politics cannot ignore The Sleepwalkers either.

Clark explicitly did not want to recount the unfolding of “the most complex event of modern times” (introduction) in the
confines of why questions, which fit systemic analysis most widespread in IR scholarship. Rather, The
Sleepwalkers asks how did the war develop; and thus focuses on human agency (ibid). Fortunately, Clark does not
succeed in ignoring systemic process altogether; the passages about the emergence of the bipolar order and inter-
imperialist rivalry beyond the European theatre are particularly useful for International Relations (IR) scholars.

Who is to Blame?

The choice to use the concept of sleepwalking to analyse the run-up to the Great War, Clark explains, was logical
because the actors were “watchful but unseeing, haunted by dreams, yet blind to reality…” (conclusion). Furthermore,
back then the international system with its Empires and countless vassal states was too fissured to base the state
entity at the centre of any analysis (introduction). Individual agency as driver also makes sense because the
personnel in the various foreign ministries knew each other very well – and indulged in mutual antipathy (chapter 2).
Placing the magnifying glass on people precludes a “bad apple” approach that aims to identify the one culprit that
started it all. Clark argues against this approach for it naively assigns blame and take sides (conclusion), yet no state
actually planned this war. Liberal audiences, with their often Manichean and moralistic view of state actors, might
take issue with this argument, especially since Great War commemorations are huge public events in countries such
as Britain and Australia. The central thesis of The Sleepwalkers has the potential to derail the excitement and
expressions of national honour such commemoration events exhibit.

Leaving good morals behind has even more reverberations in Germany, often seen as the one guilty actor. Clark, an
expert on the country (he received knighthood for his service to Anglo-German relations and is married to a German-
born art historian) certainly knows the controversies, debates, and emotions that still surround historical guilt in
Germany. Raising doubts about the Reich’s sole responsibility for both world wars creates some consternation. Clark
shows that in contrast to World War II, when the widespread anti-Semitism and fascism culminated into apocalypse
largely because of Nazism’s popularity, the case of World War I is more complex. Realists therefore will feel instantly
at home with Clark’s book, despite his agency driven approach.

He concedes that German and Austrian “belligerence and imperialist paranoia” certainly fuelled the war, but that at

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Review - The Sleepwalkers: How Europe Went to War in 1914
Written by Christian Scheinpflug

the same time “the Germans were not the only imperialists.” Therefore, “the outbreak of the war was a tragedy, not a
crime” (conclusion). There had been no grand scheme to subdue the world to the rule of a single actor. Perhaps
Germany has been singled out to take the blame because it survived as the only one of the losers.

When I was a pupil, World War I as the pretext to World War II became a subject in Grade 8. Teachers taught as
they had been taught, assigning sole responsibility to Germany. The Reich, the story goes, started the war because
the Austro-Hungarian archduke was assassinated in Serbia. Citizens whether in school or elsewhere have never
been encouraged to challenge this established truth, and have been required to accept World War as a heavy weight
on national identity. This in turn causes ruptures in society today, as more people are not passive receivers of
information anymore, but cultivate a general deep distrust of elite media and hegemonic discourse. The task for
modern German society is not to diminish the Second Reich’s responsibility, but to place its guilt in the more
complicated workings of the international, i.e. European, system at large. The Sleepwalkers convincingly blazes the
path.

Clark divides his argument of the Great War as unintended fallout into three parts—‘Roads to Sarajevo’, ‘One
Continent Divided’, ‘Crisis’—and twelve chapters with numerous sub-chapters. His sources range from ordinary
scientific papers and biographies to diplomatic cables or diary entries. The linguistic diversity of his sources should
cause envy in field of IR. A discipline that purports to study primarily global (historical) events caricatures itself by
allowing itself to be dominated by just one language. At the level of intellectual exchange a lingua franca might be
defensible, but The Sleepwalkers demonstrates how superior scholarship at the research level could come out once
scholars need to get language skills as straight as methodology and the like.

The German Pivot

Clark’s three-part exercise is guided by four questions: 1) why did Russia and France ally against Germany in 1890?;
2) why did Britain support this alliance?; 3) in how far was Germany at fault of its encirclement?; and, 4) how far did
the structural transformation of that alliance system facilitate the events that led to war (Chapter 3)? The key event,
for Clark, is the emergence of the German Empire in 1870. Discussing the upshot of this event, Clark cannot rely on
agency and has to deal with structure. Forming the Second Reich Bismarck also ended the traditional German ‘small-
statism’ (kleinstaaterei). A territorially and politically unified Reich altered balance of power on the continent and gave
rise to the bipolar alliance system that emerged by 1907. The event that sparked the reshuffling was Germany’s cold
blooded takeover of Alsace-Lorraine (ibid). France, still dreaming of Napoleonism suddenly faced a contender who
threatened to gradually chip away territory.

Thus, Paris worked hard to forge the Entente Cordial with Britain and the Franco-Russian Alliance with the Tsarist
Empire. Clark uses two maps that illustrate vividly how France became the magnet that pulled Britain and Russia
deeper into the continent. Russia realised that controlling the Balkans would give it more leverage vis-à-vis the Berlin-
Constantinople axis. Clark further explains that this paved the way for collision with the dominant power in the
Balkans, the other German ally Austria-Hungary. Clark’s dubbing of the Balkans as “chessboard” for Russian and
Austro-Hungarian geopolitics (chapters 1 & 2) captures the situation in comprehensible ways.

Of course, developments were much more complex and also involved Russia testing the boundaries against Britain’s
jewel, the Crown Colony in South Asia, or Germany’s starting of a naval arms race against Britain in order to affirm its
claim to superpower status (chapter 3). While Clark maps these developments out well, at least a slight reference to
the why, i.e. International Relations theory, could have enhanced readers’ understanding of how it happened. In
challenging Britain Germany acted in line with what realists acknowledge: relative, not absolute power counts. This
shortcoming aside, the book’s most intriguing sections are indeed those that venture beyond the European theatre in
order to highlight how aggression elsewhere heightened tension on the continent. For example, the Sino-Japanese
war of 1894-1895 resulted from Russian adventures in northern China. Japan’s subsequent victory led to the
bleeding of China. Russian presence in the region then prompted the European Imperial powers to race to Asia and
scavenge upon the Chinese carcass Japan left. The aggression generated thus fed directly back into intra-European
relations as it produced envy and mistrust between the respective powers. The Sino-Japanese war thus contributed
decisively to mutual perceptions of friend and foe that would explode in 1914 (ibid). Again, a reference to why the

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Review - The Sleepwalkers: How Europe Went to War in 1914
Written by Christian Scheinpflug

imperial powers sought to out-compete each other in the quest for markets and territory would have improved
analysis even further. Still, these sections provide more than enough substance for IR scholars to consider and
incorporate into research on imperialism or territorial expansion.

The Spark in the Powder Keg

The last part of The Sleepwalkers finally takes up the immediate run-up to the war. In chapter seven ‘Murder in
Sarajevo’ and specifically in the sub-chapter called ‘The Assassination’ Clark describes minutely what transpired on
June 28, 1914: the assassination of the Austro-Hungarian archduke Franz Ferdinand. This attack, staged by a
Serbian clandestine sub-state organisation called the ‘Black Hand,’ subsequently cascaded into almost every war
and conflict of the 20th century. Clark admits that it is nearly impossible to recollect exactly why the archduke was
murdered, but evidence is sufficiently clear to support the argument it was meant to damage the despised Habsburg
monarchy that was blocking the way to a Greater Serbia (chapter 1). This sub-chapter contains so much detail and
tension that it resembles a distinct novel-style. Readers easily immerse themselves into the scene and almost are
part of the panic and confusion after the first bomb goes off. However, the real tragedy begins after a celebratory
meeting with the mayor, when the car of the archduke takes a mistaken turn right into shooting range of his assassin
—and into the abyss of the Urkatastrophe (chapter 7). Had the car proceeded as planned the world likely would have
been spared much misery. This episode alone proves Clark a first-rate scholar, as it is hard to imagine a more
engaging yet serious history lesson. IR scholars cannot always deal with such concrete historical events, but they
should take the challenge nonetheless and seek to incorporate their abstract concepts into such lively language.

The Sleepwalkers is prime scholarship. Students of international relations will find plenty substance on alliance
formation and interdependence, the (mis)construction of enemies, and geopolitics. The most intriguing sections are
those that deal with reverberations between seemingly unconnected places, i.e. when Clark actually deals with the
international relations of World War I. The book could have benefited from a more pronounced focus on the
international environment, but this shortcoming does not diminish the value of the book in general. Another criticism
weighs heavier. Clark claims the book is relevant today because as at the beginning of the 20th century, we now face
terrorism, death cults, and sub-state actors that threaten world peace again (introduction). Clark fails to comprehend
the distinct sources of threats to world peace that emanate from today and back then. Specifically, he does not grasp
the role state actors have played in nurturing, financing, and indeed creating the contemporary terrorist
organisations.

Yet more chilling is the ultimate lesson of The Sleepwalkers: Europe’s heads of state of the time were all related to
each other making the war look “like the culmination of a family feud” (chapter 4). But, when not even family ties
could negate the power structure that resulted from the emergence of a unified Germany, what will come after trench
warfare and industrialised genocide if Europe fails and Germany turns economic into military might yet again?

About the author:

Christian Scheinpflug is Lead Editor and Director of the Editorial Board at E-International Relations. He is also
columnist at Chile Today.

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