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There Are Other Ways Jorge Rivera-Herrans-Piano

The document appears to be a musical score or sheet music titled 'There Are Other Ways' by Mr. Jorge-Porgey. It contains various musical notations and symbols, indicating tempo and instrumentation, likely for piano and guitar. The structure suggests a composition with multiple sections, possibly for performance or practice.

Uploaded by

Robert Kispe
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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100% found this document useful (1 vote)
947 views5 pages

There Are Other Ways Jorge Rivera-Herrans-Piano

The document appears to be a musical score or sheet music titled 'There Are Other Ways' by Mr. Jorge-Porgey. It contains various musical notations and symbols, indicating tempo and instrumentation, likely for piano and guitar. The structure suggests a composition with multiple sections, possibly for performance or practice.

Uploaded by

Robert Kispe
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Piano There Are Other Ways


Mr Jorgey-Porgey

 = 125       
        

 
    
       
      
 
     




         
5

      
          
     
 
  
   


      
      
   
9

 
      
 
  
    
    
  


          
   
12

                           
   


      
       
  
 


16


      
        
       



     
 
     

19

 
      



 

2

       
23

     
           
         



      
 
    

27

    
              



           


   
                      

Gitara + piano


31


                 
 
       


    
        
    
   
35


     
          
      


   
      
   
40

       
 
               
              
   
  


      
   
 

      
44

      
    
             
        


 
3

                      


      
48

  
3

   
                


          



       
53


 
              
    
dim.

 



    

   
58

 
   




   


    



  
               
      
62

    
                      



   
 


   
          
          
66

    
             
         




               
 


 
 
   
         
72

                     cresc.
     
    

4


 
 
   
TECHNOOOOO

   

F- B♭-7


78

 
    
  
            
           
(cresc.)


  
                             
82 E♭ A♭ D- F- G7

  
       
  
             
     
  


   F-
   
    
        
86 C C

         
       
 
        


      A♭Δ7    
 
 
89 B♭7 E♭Δ7 D-

 
      



              

93 G7 C7 C- D- G7

     
         
  
        
    

        


C- C-
       
F- G- A♭ B♭

 
98

 
       
   
 
   
   
   
                       
cresc.

 


    
5


104


    
 

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