Download the Full Version of the Ebook with Added Features ebookname.
com
Handbook of Paper and Paperboard Packaging
Technology 2nd Edition Mark J. Kirwan
https://ebookname.com/product/handbook-of-paper-and-
paperboard-packaging-technology-2nd-edition-mark-j-kirwan/
OR CLICK HERE
DOWLOAD NOW
Download more ebook instantly today at https://ebookname.com
Instant digital products (PDF, ePub, MOBI) available
Download now and explore formats that suit you...
Pulp and Paper Chemistry and Technology Vol 4 Paper
Products Physics and Technology 1st Edition Ek Monica
(Ed.)
https://ebookname.com/product/pulp-and-paper-chemistry-and-technology-
vol-4-paper-products-physics-and-technology-1st-edition-ek-monica-ed/
ebookname.com
Area Array Packaging Handbook Manufacturing and Assembly
1st Edition Ken Gilleo
https://ebookname.com/product/area-array-packaging-handbook-
manufacturing-and-assembly-1st-edition-ken-gilleo/
ebookname.com
Handbook of Vanilla Science and Technology 2nd Edition
Daphna Havkin-Frenkel
https://ebookname.com/product/handbook-of-vanilla-science-and-
technology-2nd-edition-daphna-havkin-frenkel/
ebookname.com
Targeted Therapeutics in Melanoma 1st Edition Michael A.
Davies Md
https://ebookname.com/product/targeted-therapeutics-in-melanoma-1st-
edition-michael-a-davies-md/
ebookname.com
The Sage Handbook Of Social Science Methodology 1st
Edition Stephen P. Turner
https://ebookname.com/product/the-sage-handbook-of-social-science-
methodology-1st-edition-stephen-p-turner/
ebookname.com
Design Optimization of Active and Passive Structural
Control Systems 1st Edition Nikos D. Lagaros
https://ebookname.com/product/design-optimization-of-active-and-
passive-structural-control-systems-1st-edition-nikos-d-lagaros/
ebookname.com
This Ain t No Picnic Your Punk Rock Vegan Cookbook Joshua
Ploeg
https://ebookname.com/product/this-ain-t-no-picnic-your-punk-rock-
vegan-cookbook-joshua-ploeg/
ebookname.com
Physics for Scientists and Engineers 9th Edition Raymond
A. Serway
https://ebookname.com/product/physics-for-scientists-and-
engineers-9th-edition-raymond-a-serway/
ebookname.com
Revolutionary America 1763 1815 A Sourcebook 1st Edition
Francis D. Cogliano
https://ebookname.com/product/revolutionary-
america-1763-1815-a-sourcebook-1st-edition-francis-d-cogliano/
ebookname.com
Traffic safety 1st Edition Cohen
https://ebookname.com/product/traffic-safety-1st-edition-cohen/
ebookname.com
Handbook of Paper and Paperboard
Packaging Technology
Handbook of Paper and Paperboard
Packaging Technology
Second Edition
Edited by
Mark J. Kirwan
Paper and Paperboard Specialist,
Fellow of the Packaging Society,
London, UK
A John Wiley & Sons, Ltd., Publication
This edition first published 2013 © 2013 by John Wiley & Sons, Ltd
Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wiley’s global Scientific,
Technical and Medical business with Blackwell Publishing.
Registered Office
John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK
Editorial Offices
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK
2121 State Avenue, Ames, Iowa 50014-8300, USA
For details of our global editorial offices, for customer services and for information about how
to apply for permission to reuse the copyright material in this book please see our website at
www.wiley.com/wiley-blackwell.
The right of the authors to be identified as the authors of this work has been asserted in accordance
with the UK Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted,
in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted
by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.
Designations used by companies to distinguish their products are often claimed as trademarks. All brand names
and product names used in this book are trade names, service marks, trademarks or registered trademarks of their
respective owners. The publisher is not associated with any product or vendor mentioned in this book. This
publication is designed to provide accurate and authoritative information in regard to the subject matter covered.
It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional
advice or other expert assistance is required, the services of a competent professional should be sought.
Library of Congress Cataloging-in-Publication Data
Handbook of paper and paperboard packaging technology / edited by Mark J. Kirwan. – 2nd ed.
p. cm.
Earlier edition has title: Paper and paperboard packaging technology.
Includes bibliographical references and index.
ISBN 978-0-470-67066-8 (hardback : alk. paper) – ISBN 978-1-118-47091-6 (epdf/ebook) –
ISBN 978-1-118-47089-3 (emobi) – ISBN 978-1-118-47092-3 (epub) – ISBN 978-1-118-47093-0 (obook)
1. Paper containers. 2. Paperboard. 3. Packaging. I. Kirwan, Mark J.
TS198.3.P3P37 2013
658.7′85–dc23
2012024778
A catalogue record for this book is available from the British Library.
Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be
available in electronic books.
Front cover illustration courtesy of Smurfit Kappa Group plc.
Cover design by Meaden Creative
Set in 10/12pt Times by SPi Publisher Services, Pondicherry, India
1 2013
Contents
Contributors xv
Preface xvii
Acknowledgements xix
1 Paper and paperboard – raw materials, processing and properties 1
Daven Chamberlain and Mark J. Kirwan
1.1 Introduction – quantities, pack types and uses 1
1.2 Choice of raw materials and manufacture of paper and paperboard 6
1.2.1 Introduction to raw materials and processing 6
1.2.2 Sources of fibre 7
1.2.3 Fibre separation from wood (pulping) 8
1.2.4 Whitening (bleaching) 10
1.2.5 Recovered fibre 10
1.2.6 Other raw materials 11
1.2.7 Processing of fibre at the paper mill 12
1.2.8 Manufacture on the paper or paperboard machine 13
1.2.9 Finishing 19
1.3 Packaging papers and paperboards 20
1.3.1 Introduction 20
1.3.2 Tissues 20
1.3.3 Greaseproof 20
1.3.4 Glassine 21
1.3.5 Vegetable parchment 21
1.3.6 Label paper 21
1.3.7 Bag papers 21
1.3.8 Sack kraft 22
1.3.9 Impregnated papers 22
1.3.10 Laminating papers 22
1.3.11 Solid bleached board (SBB) 22
1.3.12 Solid unbleached board (SUB) 23
1.3.13 Folding boxboard (FBB) 23
1.3.14 White-lined chipboard (WLC) 24
1.4 Packaging requirements 25
1.5 Technical requirements of paper and paperboard for packaging 26
1.5.1 Requirements of appearance and performance 26
1.5.2 Appearance properties 26
1.5.3 Performance properties 34
1.6 Specifications and quality standards 48
1.7 Conversion factors for substance (basis weight)
and thickness measurements 48
References 49
vi Contents
2 Environmental and resource management issues 51
Daven Chamberlain and Mark J. Kirwan
2.1 Introduction 51
2.2 Sustainable development 53
2.3 Forestry 54
2.4 Environmental impact of manufacture and use of paper
and paperboard 61
2.4.1 Issues giving rise to environmental concern 61
2.4.2 Energy 62
2.4.3 Water 66
2.4.4 Chemicals 67
2.4.5 Transport 68
2.4.6 Manufacturing emissions to air, water and solid waste 68
2.5 Used packaging in the environment 73
2.5.1 Introduction 73
2.5.2 Waste minimisation 74
2.5.3 Waste management options 74
2.6 Life cycle assessment 79
2.7 Carbon footprint 81
2.7.1 Carbon sequestration in forests 81
2.7.2 Carbon stored in forest products 82
2.7.3 Greenhouse gas emissions from forest product
manufacturing facilities 82
2.7.4 Greenhouse gas emissions associated with producing fibre 83
2.7.5 Greenhouse gas emissions associated with producing
other raw materials/fuels 83
2.7.6 Greenhouse gas emissions associated with purchased electricity,
steam and heat, and hot and cold water 83
2.7.7 Transport-related greenhouse gas emissions 83
2.7.8 Emissions associated with product use 83
2.7.9 Emissions associated with product end of life 83
2.7.10 Avoided emissions and offsets 83
2.8 Conclusion 84
References 86
3 Paper-based flexible packaging 91
Jonathan Fowle and Mark J. Kirwan
3.1 Introduction 91
3.2 Packaging needs which are met by paper-based flexible packaging 94
3.2.1 Printing 94
3.2.2 Provision of a sealing system 95
3.2.3 Provision of barrier properties 95
3.3 Manufacture of paper-based flexible packaging 99
3.3.1 Printing and varnishing 99
3.3.2 Coating 100
3.3.3 Lamination 105
Contents vii
3.4 Medical packaging 109
3.4.1 Introduction to paper-based medical flexible packaging 109
3.4.2 Sealing systems 112
3.4.3 Typical paper-based medical packaging structures 113
3.5 Packaging machinery used with paper-based flexible packaging 114
3.6 Paper-based cap liners (wads) and diaphragms 118
3.6.1 Pulpboard disc 119
3.6.2 Induction-sealed disc 119
3.7 Tea and coffee packaging 119
3.8 Sealing tapes 121
3.9 Paper cushioning 121
References 123
Websites 123
4 Paper labels 125
Michael Fairley
4.1 Introduction 125
4.2 Types of labels 128
4.2.1 Glue-applied paper labels 128
4.2.2 Pressure-sensitive labels 130
4.2.3 In-mould labels 133
4.2.4 Plastic shrink-sleeve labels 134
4.2.5 Stretch-sleeve labels 135
4.2.6 Wrap-around film labels 135
4.2.7 Other labelling techniques 136
4.3 Label adhesives 136
4.3.1 Adhesive types 137
4.3.2 Label adhesive performance 138
4.4 Factors in the selection of labels 139
4.5 Nature and function of labels 140
4.5.1 Primary labels 140
4.5.2 Secondary labels 141
4.5.3 Logistics labels 141
4.5.4 Special application or purpose labels 142
4.5.5 Smart, smart-active and smart-intelligent labels 142
4.5.6 Functional labels 144
4.5.7 Recent developments 144
4.6 Label printing and production 145
4.6.1 Letterpress printing 146
4.6.2 Flexography 148
4.6.3 Lithography 149
4.6.4 Gravure 150
4.6.5 Screen process 151
4.6.6 Hot-foil blocking/stamping process 152
4.6.7 Variable information printing (VIP),
electronically originated 153
4.6.8 Digital printing 155
viii Contents
4.7 Print finishing techniques 156
4.7.1 Lacquering 156
4.7.2 Bronzing 156
4.7.3 Embossing 156
4.8 Label finishing 156
4.8.1 Introduction 156
4.8.2 Straight cutting 157
4.8.3 Die-cutting 157
4.8.4 Handling and storage 159
4.9 Label application, labelling and overprinting 159
4.9.1 Introduction 159
4.9.2 Glue-applied label applicators 160
4.9.3 Self-adhesive label applicators 160
4.9.4 Shrink-sleeve label applicators 161
4.9.5 Stretch-sleeve label applicators 162
4.9.6 In-mould label applicators 162
4.9.7 Modular label applicators 163
4.10 Label legislation, regulations and standards 163
4.10.1 Acts of Parliament 163
4.10.2 EC regulations and directives 163
4.10.3 Standards 164
4.11 Specifications, quality control and testing 164
4.11.1 Introduction 164
4.11.2 Testing methods for self-adhesive labels 165
4.11.3 Testing methods for wet-glue labels 165
4.12 Waste and environmental issues 167
Websites 168
5 Paper bags 169
Smith Anderson Group Ltd, Fife, UK, and Welton Bibby &
Baron Ltd, Radstock, Somerset, UK
5.1 Introduction 169
5.1.1 Paper bags and the environment 170
5.2 Types of paper bags and their uses 170
5.2.1 Types of paper bag 170
5.2.2 Flat and satchel 170
5.2.3 Strip window bags 172
5.2.4 Self-opening satchel bags (SOS bags) 172
5.2.5 SOS carrier bags with or without handles 174
5.3 Types of paper used 175
5.3.1 Kraft paper – the basic grades 175
5.3.2 Grease-resistant and greaseproof papers 176
5.3.3 Vacuum dust bag papers 176
5.3.4 Paper for medical use and
sterilisation bags 176
5.3.5 Wet-strength kraft 176
5.3.6 Recycled kraft 176
5.3.7 Coated papers 176
Contents ix
5.3.8 Laminations 177
5.3.9 Speciality papers 177
5.3.10 Weights of paper 177
5.4 Principles of manufacture 177
5.4.1 Glue-seal bags 177
5.4.2 Heat-seal bags 178
5.4.3 Printing on bag-making machines 178
5.4.4 Additional processes on bag-making machines 178
5.4.5 Additional operations after bag making 179
5.5 Performance testing 179
5.5.1 Paper 179
5.5.2 Paper bags 179
5.6 Printing methods and inks 180
5.6.1 Printing methods 180
5.6.2 Inks 181
5.7 Conclusion 181
5.7.1 Development of the paper bag industry 181
5.7.2 The future 181
Reference 182
Websites 182
6 Composite cans 183
Catherine Romaine Henderson
6.1 Introduction 183
6.2 Composite can (container) 185
6.2.1 Definition 185
6.2.2 Manufacturing methods 185
6.3 Historical background 187
6.4 Early applications 189
6.5 Applications today by market segmentation 189
6.6 Designs available 190
6.6.1 Shape 190
6.6.2 Size 190
6.6.3 Consumer preferences 190
6.6.4 Clubstore/institutional 190
6.6.5 Other features 191
6.6.6 Opening/closing systems 191
6.7 Materials and methods of construction 194
6.7.1 The liner 195
6.7.2 The paperboard body 196
6.7.3 Labels 197
6.7.4 Nitrogen flushing 197
6.8 Printing and labelling options 197
6.8.1 Introduction 197
6.8.2 Flexographic 197
6.8.3 Rotogravure 198
6.8.4 Lithography (litho/offset) printing 199
6.8.5 Labelling options 199
x Contents
6.9 Environment and waste management issues 200
6.9.1 Introduction 200
6.9.2 Local recycling considerations 200
6.10 Future trends in design and application 200
6.10.1 Introduction 200
6.10.2 Increase barrier performance of
paper-bottom canisters 201
6.10.3 Totally repulpable can 201
6.10.4 Non-paper-backed liner 201
6.10.5 Film label 201
6.10.6 Killer paper 201
6.11 Glossary of composite can-related terms 201
References 203
Websites 203
7 Fibre drums 205
Fibrestar Drums Ltd., Cheshire, UK
7.1 Introduction 205
7.2 Raw material 207
7.3 Production 208
7.3.1 Sidewall 208
7.3.2 Drum base 210
7.3.3 Lid 210
7.4 Performance 212
7.5 Decoration, stacking and handling 214
7.6 Waste management 215
7.7 Summary of the advantages of fibre drums 215
7.8 Specifications and standards 216
References 216
Websites 216
8 Multiwall paper sacks 217
Mondi Industrial Bags, Vienna, Austria
8.1 Introduction 217
8.2 Sack designs 218
8.2.1 Types of sacks 218
8.2.2 Valve design 223
8.2.3 Sewn closures 225
8.3 Sack materials 226
8.3.1 Sack body material 226
8.3.2 Ancillary materials 230
8.4 Testing and test methods 232
8.4.1 Sack materials 232
8.4.2 Sack testing 235
8.5 Weighing, filling and closing systems 237
8.5.1 Open mouth sacks 238
8.5.2 Valve sacks 241
Contents xi
8.5.3 Sack identification 245
8.5.4 Sack flattening and shaping 247
8.5.5 Baling systems 247
8.6 Standards and manufacturing tolerances 248
8.6.1 Standards 248
8.6.2 Manufacturing tolerances 248
8.7 Environmental position 250
References 251
Useful contacts 251
Websites 251
9 Rigid boxes 253
Michael Jukes
9.1 Overview 253
9.2 Rigid box styles (design freedom) 254
9.3 Markets for rigid boxes 256
9.4 Materials 256
9.4.1 Board and paper 256
9.4.2 Adhesives 257
9.4.3 Print 257
9.5 Design principles 257
9.6 Material preparation 258
9.7 Construction 259
9.7.1 Four-drawer box 261
9.8 Conclusion 263
References 263
Websites 263
10 Folding cartons 265
Mark J. Kirwan
10.1 Introduction 265
10.2 Paperboard used to make folding cartons 267
10.3 Carton design 268
10.3.1 Surface design 268
10.3.2 Structural design 269
10.4 Manufacture of folding cartons 277
10.4.1 Printing 277
10.4.2 Cutting and creasing 280
10.4.3 Creasing and folding 287
10.4.4 Embossing 292
10.4.5 Hot-foil stamping 293
10.4.6 Gluing 294
10.4.7 Specialist conversion operations 295
10.5 Packaging operation 296
10.5.1 Speed and efficiency 296
10.5.2 Side seam-glued cartons 297
10.5.3 Erection of flat carton blanks 298
xii Contents
10.5.4 Carton storage 300
10.5.5 Runnability and packaging line efficiency 300
10.6 Distribution and storage 303
10.7 Point of sale, dispensing, etc. 306
10.8 Consumer use 307
10.9 Conclusion 311
References 311
Suggested further reading 312
Websites 312
11 Corrugated fibreboard packaging 313
Arnoud Dekker
11.1 Introduction 313
11.1.1 Overview 313
11.1.2 Structure of corrugated fibreboard 313
11.1.3 Types of corrugated fibreboard packaging 315
11.1.4 History of corrugated fibreboard 317
11.2 Functions 318
11.2.1 Overview functions 318
11.2.2 Corrugated fibreboard packaging production 318
11.2.3 Packing lines 319
11.2.4 Palletisation and logistic chain 319
11.2.5 Communication 320
11.2.6 Retail-ready 320
11.2.7 Product safety 320
11.2.8 Recycling and sustainability 321
11.3 Board properties and test methods 321
11.3.1 Overview of board properties and test methods 321
11.3.2 Box tests 323
11.3.3 Pallet tests 324
11.3.4 Predictions 324
11.4 Manufacturing 326
11.4.1 Overview 326
11.4.2 Paper production 326
11.4.3 Corrugated board production 328
11.4.4 Corrugated fibreboard converting 330
11.4.5 Corrugated fibreboard printing 333
11.4.6 Customer packing lines 335
11.4.7 Good manufacturing practice 335
11.5 Corrugated fibreboard and sustainability 335
11.5.1 Sustainable sourcing of raw materials 336
11.5.2 Sustainable production 337
11.5.3 Sustainable packaging design 337
11.5.4 Sustainable supply chain 338
References 338
Websites 338
Suggested further reading 339
Contents xiii
12 Solid board packaging 341
Mark J. Kirwan
12.1 Overview 341
12.2 Pack design 342
12.3 Applications 345
12.3.1 Horticultural produce 345
12.3.2 Meat and poultry 346
12.3.3 Fish 346
12.3.4 Beer (glass bottles and cans) 346
12.3.5 Dairy products 346
12.3.6 Footwear 346
12.3.7 Laundry 346
12.3.8 Engineering 346
12.3.9 Export packaging 347
12.3.10 Luxury packaging 347
12.3.11 Slip sheets 347
12.3.12 Partitions (divisions, fitments and pads) 348
12.3.13 Recycling boxes 350
12.3.14 Bag-in-box liquid containers 350
12.3.15 Shelf-ready packaging 350
12.4 Materials 350
12.5 Water and water-vapour resistance 350
12.6 Printing and conversion 351
12.6.1 Printing 351
12.6.2 Cutting and creasing 352
12.7 Packaging operation 352
12.8 Waste management 352
12.9 Good manufacturing practice 352
Reference 352
Websites 352
13 Paperboard-based liquid packaging 353
Mark J. Kirwan
13.1 Introduction 353
13.2 Packaging materials 357
13.2.1 Paperboard 357
13.2.2 Barriers and heat-sealing layers 358
13.3 Printing and converting 360
13.3.1 Reel-to-reel converting for reel-fed form, fill,
seal packaging 360
13.3.2 Reel-to-sheet converting for supplying printed carton
blanks for packing 361
13.3.3 Sheet-fed for bag-in-box 361
13.4 Carton designs 361
13.4.1 Gable top 362
13.4.2 Pyramid shape 362
13.4.3 Brick shape 363
xiv Contents
13.4.4 Pouch 364
13.4.5 Wedge 364
13.4.6 Multifaceted design 365
13.4.7 Bottle shapes 365
13.4.8 Round cross section 365
13.4.9 Bottom profile for gable top carton 367
13.4.10 Bag-in-box 368
13.5 Opening, reclosure and tamper evidence 369
13.6 Aseptic processing 374
13.7 Post-packaging sterilisation 375
13.8 Transit packaging 376
13.9 Applications for paperboard-based liquid packaging 378
13.10 Environmental issues 378
13.10.1 Resource reduction 379
13.10.2 Life-cycle assessment 379
13.10.3 Recovery and recycling 381
13.11 Systems approach 382
References 382
Suggested further reading 383
Websites 383
14 Moulded pulp packaging 385
Cullen Packaging Ltd, Glasgow, UK
14.1 Introduction 385
14.2 Applications 385
14.3 Raw materials 388
14.4 Production 389
14.5 Product drying 391
14.6 Printing/decoration 392
14.7 Conclusion 392
Website 392
Appendix: Checklist for a packaging development brief 393
Reference 398
Further reading 398
Index 399
Contributors
Smith Anderson Group Fibrestar Drums Ltd
Anderson Group Ltd Cheshire, UK
Fife, UK
Jonathan Fowle
Welton Bibby & Baron Ltd Innovati Partners, Shepton Mallet,
Radstock, Somerset, UK Somerset, UK
Cullen Packaging Ltd Catherine Romaine Henderson
Glasgow, UK Integrated Communication Consultants
Greer, SC, USA
Daven Chamberlain
Editor Michael Jukes
Paper Technology London Fancy Box Company
Bury, Lancashire, UK Kent, UK
Arnoud Dekker Mark J. Kirwan
InnoTools Manager Paper and Paperboard Specialist
Smurfit Kappa Development Centre Fellow of the Packaging Society
Hoogeveen, The Netherlands London, UK
Michael Fairley Mondi Industrial Bags
Labels & Labelling Consultancy Vienna, Austria
Hertfordshire, UK
Preface
This book discusses all the main types of packaging based on paper and paperboard. It
considers the raw materials and manufacture of paper and paperboard, and the basic proper-
ties and features on which packaging made from these materials depends for its appearance
and performance. The manufacture of 12 of the main types of paper- and paperboard-based
packaging is described, together with their end-use applications and the packaging machin-
ery involved. The importance of pack design is stressed, including how these materials offer
packaging designers opportunities for imaginative and innovative design solutions.
Authors have been drawn from major manufacturers of paper- and paperboard-based
packaging in the UK, the Netherlands, Austria and the USA, and companies over a much
wider area have helped with information and illustrations. The editor has wide experience in
industry having spent his career in technical roles in the manufacture, printing, conversion
and use of paper, paperboard and packaging.
Packaging represents the largest usage of paper and paperboard and therefore both influ-
ences and is influenced by the worldwide paper industry. Paper is based mainly on cellulose
fibres derived from wood, which in turn is obtained from forestry. The paper industry is a
major user of energy and other resources. The industry is therefore in the forefront of current
environmental debates. This book discusses these issues and indicates how the industry
stands in relation to the current requirement to be environmentally sound and the need to be
sustainable in the long term. Other related issues discussed are packaging reduction, life-
cycle analysis and assessment, and the options for waste management.
The book is directed at those joining companies which manufacture packaging grades of
paper and paperboard, companies involved in the design, printing and production of packag-
ing and companies which manufacture inks, coatings, adhesives and packaging machinery.
It will be essential reading for students of packaging technology in the design and use of
paper- and paperboard-based packaging as well as those working in the associated media.
The ‘packaging chain’ mainly comprises:
● Those responsible for sourcing and manufacturing packaging raw materials.
● Printers and manufacturers of packaging, including manufacturers of inks, adhesives,
coatings of all kinds and the equipment required for printing and conversion.
● Packers of goods, for example within the food industry, including manufacturers of pack-
aging machinery and those involved in distribution.
● The retail sector, supermarkets, high street shops, etc., together with the service sector,
hospitals, catering, education, etc.
The packaging chain creates a large number of supplier/customer interfaces, both between
and within companies, which require knowledge and understanding. The papermaker needs
to understand the requirements of printing, conversion and use. Equally, those involved in
printing conversion and use need to understand the technology and logistics of papermaking
together with the packaging needs of their customers and society. Whatever your position
Discovering Diverse Content Through
Random Scribd Documents
*** END OF THE PROJECT GUTENBERG EBOOK THE VIRTUES
OF COMMON WATER ***
Updated editions will replace the previous one—the old editions
will be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States copyright
in these works, so the Foundation (and you!) can copy and
distribute it in the United States without permission and without
paying copyright royalties. Special rules, set forth in the General
Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the
free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree to
abide by all the terms of this agreement, you must cease using
and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only
be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project
Gutenberg™ works in compliance with the terms of this
agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms
of this agreement by keeping this work in the same format with
its attached full Project Gutenberg™ License when you share it
without charge with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project
Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it
away or re-use it under the terms of the Project Gutenberg
License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country where
you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or
providing access to or distributing Project Gutenberg™
electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite
these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,”
such as, but not limited to, incomplete, inaccurate or corrupt
data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other
medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES -
Except for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU
AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE,
STRICT LIABILITY, BREACH OF WARRANTY OR BREACH
OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER
THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF
THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If
you discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person or
entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS
OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.
Section 2. Information about the Mission of
Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status by
the Internal Revenue Service. The Foundation’s EIN or federal
tax identification number is 64-6221541. Contributions to the
Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.
The Foundation’s business office is located at 809 North 1500
West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws
regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states
where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot
make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.
Please check the Project Gutenberg web pages for current
donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About Project
Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.
Project Gutenberg™ eBooks are often created from several
printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade
Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.
Let us accompany you on the journey of exploring knowledge and
personal growth!
ebookname.com