VARINA : www.iyuce.com Test 7 READING PASSAGE 3 You should spend about 20 minutes on Questions 27-40, which are based on Reading Passage 3. Music and the emotions Neuroscientist Jonah Lehrer considers the emotional power of music Why does music make us feel? On the one hand, music is a purely abstract art form, devoid of language or explicit ideas. And yet, even though music says little, it stil manages to touch us deeply. When listening to our favourite songs, our body betrays all the symptoms of emotional arousal. The pupils in our eyes dilate, our pulse and blood pressure rise, the electrical conductance of our skin is lowered, and the cerebellum, a brain region associated with bodily movement, becomes strangely active. Blood is even re-directed to the muscles in our legs. In other words, sound stirs us at our biological roots. Areéent paper in Naluk’Neurbstient esegrty team in Montred), Ganada, marks an important step i lin recis lerpinhinys orf tenyplpasurable stimulus’ that is music. Although the study involves plenty of faricy techriology, including functional magnetic resonance Imaging (IMRI) and ligand-based positron emission tomography (PET) scanning, the experiment itself was rather straightforward, After screening 217 individuals who responded to advertisements requesting people who experience ‘chills' to instrumental music, the sclentists narrowed down the subject pool to teh They then asked the subjects to bring in their playlist of favourite songs — virtually every genre was represented, from techno to tango — and played them the music while their brain activity was monitored, Because the scientists were combining methodologies (PET and fMRI), they were able to obtain an impressively exact and detailed portrait of music in the brain, The first thing they discovered is that music triggers the production of dopamine — a chemical with a key role in setting people's moods — by the neurons (nerve cells) in both the dorsal and ventral regions of the brain. As these two regions have long been linked with the experience of pleasure, this finding isn't particularly surprising What is rather more significant is the finding that the dopamine neurons in the caudate — a region of the brain involved in learning stimulus-response associations, and in anticipating food and other ‘reward’ stimuli — were at their most active around 15 seconds before the participants’ favourite moments in the music. The researchers call this the ‘anticipatory phase’ and argue that the purpose of this activity is to help us predict the arrival of our favourite part. The question, of course, is what all these dopamine neurons are up to. Why are they so active in the period preceding the acoustic climax? After all, we typically associate surges of dopamine with pleasure, with the processing of actual rewards. And yet, this cluster of cells is most active when the ‘chills' have yet to arrive, when the melodic pattern is still unresolved 66 FMAMiCts : bbs.iyuce.com nnFARTS D : www.iyuce.com Reading ‘One way to answer the question is to look at the music and not the neurons. While music can often seem (at least to the outsider) like a labyrinth of intricate patterns, it turns out that the most important part of every song or symphony is when the patterns break down, when the sound becomes unpredictable. If the music is too obvious, itis annoyingly boring, like an alarm clock. Numerous studies, after all, have demonstrated that dopamine neurons quickly adapt to predictable rewards. If we know what's going to happen next, then we don't get excited. This is why composers often introduce a key note in the beginning of a song, spend most of the rest of the piece in the studious avoidance of the pattern, and then finally repeat it only at the end. The longer we are denied the pattern we expect, the greater the emotional release when the patter returns, safe and sound. ‘To demonstrate this psychological principle, the musicologist Leonard Meyer, in his classic book Emotion and Meaning in Music (1956), analysed the Sth movement of Beethoven's String Quartet in C-sharp minor, Op. 131. Meyer wanted to show how music is defined by its flirtation with — but not submission to — our expectations of order. Meyer dissected 50 measures (bars) of the masterpiece, showing how Beethoven begins with the clear statement of a rhythmic and harmonic pattern and then, in an ingenious tonal dan fully off ting jt\What Bcathoven does instead is. suggest Variations of tterr ani res in el of inty in his music, making our br 9 fe one’ he s tolgive us. joven saves that chord for the end. According to Meyer, it is the suspenseful tension of music, arising out of our unfulfilled expectations, that is the sourée of the musie’s feeling. While earlier theories of music focused on the way a sound, can-refer‘to'the real world’of images and experiences — its ‘connotative! meaning — Meyer argued that the emotions we find in music come from the unfolding events of the music itself. This ‘embodied meaning’ arises from the patterns the symphony invokes and then ignores. tis this uncertainty that triggers the surge of dopamine in the caudate, as we struggle to figure out what will happen next. We can predict some of the notes, but we can’t predict them all, and that is what keeps us listening, waiting expectantly for our reward, for the pattern to be completed 67 HRAAWGKE : bbs.iyuce.com nnVARIG : www.iyuce.com Test 7 Questions 27-31 Complete the summary below. Choose NO MORE THAN TWO WORDS from the passage for each answer. Write your answers in boxes 27-31 on your answer sheet. The Montreal Study Participants, who were recruited for the study through advertisements, had their brain activity monitored while listening to their favourite music. It was noted that the music stimulated the brain's neurons to release a substance Called 27 0mm HM WO of the parts of the brain which are associated with feeling 28... Researchers also observed that the neurons in the area of the brain called the 29 ..- were particularly active just before the participants’ favourite moments in the musi€ F'the Knowy ag the $F ivity in this part of the brai ocidtgg ith peotaiign of 31. a. sti ich as 68 HMAWielz : bbs.iyuce.comFARTS D : www.iyuce.com Reading Questions 32-36 Choose the correct letter, A, B, C or D. Write the correct letter in boxes 32-36 on your answer sheet. 32. What point does the writer emphasise in the first paragraph? ‘A _ how dramatically our reactions to music can vary B _ how intense our physical responses to music can be Chow little we know about the way that music affects us D how much music can tell us about how our brains operate 33 What view of the Montreal study does the writer express in the second paragraph? A Its aims were innovative. B The approach was too simplistic. C It produced some remarkably precise data. D__The technology used was unnecessarily complex. 34 Whatdoes the wife Yind i ina the; s of eRe" A the timing ofpatticip urd eaponsalip he hd J, B _ theimpact of the music on participants’ emotional state C _ the section of participants’ brains which was activated by the music” D__ the type of music which had the strongest effect on participants’ brains 35 Why does the writer refer to'Meyer's work on miliSic and emotion? A to propose an original theory about the subject B__ to offer support for the findings of the Montreal study torecommend the need for further research into the subject D to present a view which opposes that of the Montreal researchers 36 According to Leonard Meyer, what causes the listener's emotional response to music? A the way that the music evokes pnignant memories in the listener B__ the association of certain musical chords with certain feelings the listener's sympathy with the composer's intentions D the internal structure of the musical composition 69 FMAMiCts : bbs.iyuce.com nnRNS D : www.iyuce.com Test 7 Questions 37-40 Complete each sentence with the correct ending, A-F, below. Write the correct letter, A-F, in boxes 37-40 on your answer sheet. The Montreal researchers discovered that Many studies have demonstrated that Meyer's analysis of Beethoven's music shows that Bess Earlier theories of music suggested that our response to music depends on our initial emotional state. neuron activity decreases if outcomes become predictable. emotive music can bring to mind actual mth and events. experient faith a may music. at mo set te neuron activity increases prior to ke points ina musical piece! emotive Ynu “fit ei a moO 0 > 70 HMAWielz : bbs.iyuce.com nn