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Morales - O Crux, Ave Spes Unica-Def

The document is a musical score for 'O Crux, ave, spes unica' by Cristobal de Morales, composed around 1500-1553. It includes various vocal parts such as Cantus, Alt, Tenor 1, Tenor 2, and Bass, with notations for each part. The piece emphasizes the themes of the cross and hope, typical of Morales' sacred music.
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0% found this document useful (0 votes)
368 views6 pages

Morales - O Crux, Ave Spes Unica-Def

The document is a musical score for 'O Crux, ave, spes unica' by Cristobal de Morales, composed around 1500-1553. It includes various vocal parts such as Cantus, Alt, Tenor 1, Tenor 2, and Bass, with notations for each part. The piece emphasizes the themes of the cross and hope, typical of Morales' sacred music.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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o Crux, ave, spes unica

Cristobal de Morales (c.1500-1553)

      
Cantus  

      
Alt  


Tenor 1          
O Crux,

             
Tenor 2       

 
O Crux, a ve spes u ni -ca, O Crux, a ve

           
Bas

O Crux, a ve spes u ni

     

7


A                  

          
o Crux, a ve spes u ni-ca, spes

  
T1     
a ve spes u ni ca, O Crux, a ve spes u ni

          
T2    

   
spes u ni ca, spes u

 
ni ca

      
B     
ca, O Crux, a ve spes u ni-ca, spes u ni -ca
          
2

 
12

Crux, a ve spes u ni

 
               
 
A

   
u ni-ca, O Crux, a ve spes u ni ca

T1     
ca O Crux, O

           
T2   
O Crux,a ve spes u ni ca, spes u ni

        
B

O Crux, a ve spes

   
       
17


C

ca O Crux, a ve spes u ni


A             
O Crux, a ve spes u ni

      
T1    


Crux, a ve spes u ni ca

             
T2  
ca, a ve spes u ni-ca O Re

         
B  
u ni ea, spes u ni ca
       
3


          
22

ca, O Re-dem pto ris glo ri -a Re dem pto ris

       
        
 
A

ca O Crux, a ve spes u ni ca O


            

T1

 
O Re dem pto ris glo-ri a

            
T2  

dem pto ris glo -ri a O Re-dem pto ris glo

               

B

O Re dem pto ris glo ri a O Re-dem

    
            
28

glo ri a O Re dem pto ris glo ri a:


         
       
A

      
Re dem pto ris glo ri a, O Re-dem -pto ris glo ri a:

T1             
O Re dem pto ris glo ri a, O Re-dem -pto-ris glo ri a:

            
   
T2

ri a O Re dem pto ris glo ri a: au ge

B
           
pto ris glo ri a: au ge
     
4

     
 
33

au ge pi is iu sti ti

 
A           
au ge pi is iu sti ti


T1               

au ge pi is iu sti ti, am, iu

             
T2     
pi -is iu sti ti-am, aw -ge pi -is iu -sti ti am

             
 
B

pi -is iu sti ti-am, iu -sti ti am

 
                 
38

am, au ge pi is iu sti -ti am, iu sti ti am

 
A                
am re is-que do na ve ni

      
T1           
sti ti am, au ge pi is iu sti ti

         
T2  
au ge pi is iu sti ti am

              

B

au ge pi is iu sti ti am
 
5

    
    
43

re is que do

 
A             
am, ve ni am re is que do

           
T1  
am re is que do na

       
T2      
re is que do na ve ni am

    
B
         
re is que do na ve ni am

       
          
48


C

na ve ni am re is-que do na

  
              

A

na ve ni am re is-que do na ve ni

  
T1           
ve ni am re is que do

     
T2           
re is-que do na ve ni am re is -que

            
B 
re is que do na ve ni am re
      
6

    
        
53

C
 
ve ni am, re is que do na ve ni am.

 
      
   
  
A

am re is que do na ve ni am.

     
T1     
na ve ni am.

       
       

T2

do na ve ni am.

         
B      
is que do na ve ni am, ve ni am.

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