CorelDRAW-X7-pages-7
CorelDRAW-X7-pages-7
Downsampling color, grayscale, or monochrome bitmap images is effective only when the resolution of the bitmap image is higher
than the resolution specified in the Bitmap downsampling area.
You can embed fonts in a PDF file. Embedding increases the file size but makes a PDF file more portable, since the fonts do not have to
reside on other systems. When you embed base 14 fonts, the fonts are added to your PDF file, thus eliminating font variances on different
systems. The base 14 fonts are resident on all PostScript devices.
You can also convert TrueType fonts to Type 1 fonts, which can increase file size if there are many fonts in a file. When you convert fonts, you
can reduce file size by subsetting fonts if you use only a smaller number of characters (for example, English characters A to E). You can also
include a percentage of fonts used. For example, you can create a subset that contains 50 percent of the fonts. If the number of characters
used in the document exceeds 50 percent, the whole set of characters is embedded. If the number of characters used in the document is less
than 50 percent, only the characters used are embedded.
You can also eliminate font variances on different computers by exporting text as curves. For example, if you are using unusual text
characters, you can export the text as curves. Exporting text as curves increases the complexity of the file and can increase file size. For
general document publication, embed fonts in a document rather than convert text to curves.
Enabling the Embed base 14 fonts check box increases file size, and, therefore, it is not recommended for publishing to the web.
If you create a subset of fonts, some characters from the font may not be present in the file when editing the PDF file in Adobe
Acrobat.
If you want to export to PDF for the purpose of soft-proofing the document, you can apply the document’s color proofing settings. In
addition, you can choose additional soft-proofing options, such as preserving document overprints and overprinting black.
Apply proofing color profile to the PDF In the Color management area, enable the Use color proof
settings option.
Convert all spot colors applied in the document to the chosen color Enable the Convert spot colors to check box.
profile
Embed the color profile in the PDF Enable the Embed color profile check box.
Simulate how overprints appear, which is useful for soft-proofing In the Other color controls area, enable the Preserve document
the document overprints check box.
Enable the overprinting of black In the Other color controls area, enable the Always overprint
black check box.
If you choose the Native option from the Output colors as list box, a maximum of three color spaces are displayed, or embedded, in
the PDF file.
The level of security that is available is also determined by which version of Adobe Reader you use to create the PDF file. The encryption levels
provided by Adobe Reader have increased over time. For example, if you save to Adobe Reader version 6, or lower, it has standard encoding,
version 8 has 128-bit encoding, and version 9 has 256-bit encoding. For more information about choosing a version, see “Optimizing PDF
files” on page 588.
The Permission password is the master password that lets you control whether a file can be printed, edited, or copied. For example, as the
owner of the file, you can protect the integrity of the file’s content by choosing permission settings that prevent editing.
You can also set an Open password that lets you control who can access the file. For example, if your file contains sensitive information,
and you want to limit the users who can view it, you can set an Open password. It is not recommended that you set an Open password
without setting a Permission password, because users would then have unrestricted access to the PDF file — including the ability to set a
new password.
The security options are applied when you save the PDF file. These settings can be viewed when a PDF file is opened in Adobe Acrobat.
To open and edit a secured PDF file, you must enter the Permissions password (or the Open password if no Permission password is set). For
information about opening and importing PDF files, see “Adobe Portable Document Format (PDF)” on page 615.
The Permission password is the master password for the document. It can be used by the file owner to set permissions, or to open
the file if an Open password is set.
Some PDF compatibility options, such as PDF/X-3 and PDF/A-1b, do not let you set PDF file permissions. If you choose such a
compatibility option, all controls on the Security page appear disabled. To change the compatibility, see “To select a compatibility
option” on page 588.
If you set an Open password, it is recommended that you also set a Permission password.
You can optimize the viewing of a PDF document on the web to speed up the loading time of the PDF.
If you added complex fills to the document, you can choose to convert them to bitmaps, which is also known as rasterizing. This may
increase the PDF file size, but it will ensure that the complex fills display correctly.
To preserve layers and layer properties in the published PDF file, you must choose the Acrobat 6.0, Acrobat 8.0, or Acrobat 9.0
option. Note that master layers will not be preserved.
To preserve transparencies in the published PDF file, you must choose the Acrobat 5.0, Acrobat 6.0, Acrobat 8.0, or Acrobat 9.0
option.
You can limit the issues to check during the preflight by clicking the No issues tab, clicking Settings, and, in the Preflight settings dialog
box, disabling the check boxes next to the items that you want the preflight to overlook.
You can save settings by clicking the No issues tab, clicking Settings, and, in the Preflight settings dialog box, clicking the Add
preflight settings button and typing a name in the Save preflight style as box.
Printers’ marks provide information to the print provider about how the work should be printed. You can specify which printers’ marks to
include on the page. The available printers’ marks are as follows:
• Crop marks — represent the size of the paper and appear at the corners of the page. You can add crop marks to use as guides in
trimming the paper. If your output has multiple pages per sheet (for example, two rows by two columns), you can add the crop marks
on the outside edge of the page so that all crop marks are removed after the cropping process, or you can choose to add crop marks
around each row and column. A bleed determines how far an image can extend beyond the crop marks. A bleed requires that the paper
you are printing on is larger than the size of paper you ultimately want, and the image area must extend beyond the edge of the final
paper size.
Don’t use OPI links if you are not sure whether your PDF file is destined for an OPI server.
If you want to include a bleed, enable the Bleed limit check box, and type a bleed amount in the corresponding box.
Usually, a bleed amount of 0.125 to 0.25 inch is sufficient. Any object extending beyond this amount uses space needlessly and may
cause problems when you print multiple pages with bleeds on a single sheet of paper.
CorelDRAW is highly compatible with office productivity applications such as Microsoft Word and WordPerfect Office. You can import and
export files between applications, and you can copy or insert objects from CorelDRAW into office productivity documents.
A file format defines how an application stores information in a file. If you want to use a file created in a different application than the one
you are currently using, you must import that file. Conversely, if you create a file in one application and want to use it in another application,
you must export the file to a different file format.
When you name a file, an application automatically appends a filename extension, usually three characters in length (for example, .cdr,
.bmp, .tif, and .eps). This filename extension helps you and the computer differentiate between files of different formats.
The following list includes all file formats used in this application. Note that not all file format filters are installed by default. If you cannot
export or import a file from the list, you need to update your installation of CorelDRAW Graphics Suite X7. For more information, see “To
modify or repair a CorelDRAW Graphics Suite X7 installation” on page 6.
• “Adobe Illustrator (AI)” (page 594)
• “Adobe Type 1 Font (PFB)” (page 596)
• “Windows Bitmap (BMP)” (page 597)
• “OS/2 Bitmap (BMP)” (page 598)
• “Computer Graphics Metafile (CGM)” (page 598)
• “CorelDRAW (CDR)” (page 599)
• “Corel Presentation Exchange (CMX)” (page 599)
• “Corel PHOTO-PAINT (CPT)” (page 600)
• “Corel Symbol Library (CSL)” (page 600)
• “Cursor Resource (CUR)” (page 600)
• “Microsoft Word (DOC, DOCX, or RTF)” (page 601)
• “Microsoft Publisher (PUB)” (page 602)
• “Corel DESIGNER (DES, DSF, DS4, or DRW)” (page 603)
• “AutoCAD Drawing Database (DWG) and AutoCAD Drawing Interchange Format (DXF)” (page 604)
• “Encapsulated PostScript (EPS)” (page 605)
• “PostScript (PS or PRN)” (page 609)
• “GIF” (page 610)
• “JPEG (JPG)” (page 610)
• “JPEG 2000 (JP2)” (page 611)
• “Kodak Photo CD Image (PCD)” (page 612)
• “PICT (PCT)” (page 613)
• “PaintBrush (PCX)” (page 614)
• “Adobe Portable Document Format (PDF)” (page 615)
• “HPGL Plotter File (PLT)” (page 616)
You can import AI files for use in CorelDRAW or export CorelDRAW files to the AI file format. Before exporting a document as an AI file,
you can preflight your document to find potential problems. Preflighting checks and displays a summary of errors, possible problems, and
suggestions for resolving issues. By default, many AI issues are checked during a preflight, but you can disable the issues that you do not
want to check.
Convert transparent areas to bitmaps In the Transparency area, enable the Preserve appearance and
convert transparent areas to bitmaps option.
Discard transparent areas and preserve curves and text In the Transparency area, enable the Preserve curves and text by
removing transparent effects option.
Convert an outline to an object to create an unfilled closed object In the Options area, enable the Convert outlines to objects check
with the outline’s shape box.
Convert complex outlines to curves In the Options area, enable the Simulate complex filled curves
check box.
Convert spot colors to process colors In the Options area, enable the Convert spot colors to CMYK
check box.
Embed the color profile In the Options area, enable the Embed color profiles check box.
Generate a preview of the document in the Adobe Illustrator File In the Options area, enable the Include preview images check
open dialog box box.
If you enable the Simulate complex filled curves check box, an object that is composed of complex curves, such as a text object that
was converted to curves, may be broken into several objects on export to help minimize the complexity of the object.
If you disable the Include placed images check box and export the file, the exporting process generates one Adobe Illustrator file and
a series of EPS files. The EPS files contain individual objects and images which are linked to the AI file. Always store the EPS files with
the AI file to preserve the link to the AI file.
You can limit the issues to check during the preflight by clicking the Settings button, double-clicking AI Export, and disabling the check
boxes next to the items that you want the preflight to overlook.
You can save settings by clicking the Add preflight settings button and typing a name in the Save preflight style as box.
Importing an AI file
• You can import AI file formats up to and including Adobe Illustrator CS6.
• For files saved in Adobe Illustrator CS or higher with PDF-compatibility, text can be imported as text or curves.
• Objects with gradient fills that were created in CS5 may not appear correctly when imported.
• Corel programs cannot import AI files containing bitmaps linked as EPS files.
• Adobe Illustrator graphics are imported into the program as a group of objects. Click Object Ungroup to manipulate objects in the
imported graphic. If you open an AI file instead of importing it, you do not need to ungroup objects.
• Flash movies embedded in AI files are not imported.
• For AI CS4, CS5, and CS6 files, each Artboard is imported as an individual CorelDRAW page. In multi-page documents, objects that are
placed off a page are placed on the first page of the CorelDRAW document.
• Objects filled by using Global Colors (color schemes) appear correctly in CorelDRAW, but the Global Colors are not maintained as color
styles.
• Symbols, objects with patterns, and objects that have 3d extrude or bevel applied are converted as curves.
• Objects that have the Feather or Transparency effect applied are converted using the applicable lens effect in CorelDRAW.
• Objects that have the texture, drop shadow, blur, or brushstroke effect applied are converted as bitmap objects in CorelDRAW.
Exporting an AI file
• During export conversion, objects can become complex, making it difficult to edit them in other drawing programs or in CorelDRAW if
you reimport them. To avoid this problem, save the file to the CorelDRAW (CDR) format before exporting it, and use CorelDRAW for all
editing.
• If you create a file that will be printed in other programs, such as Adobe PageMaker, export it using the Encapsulated PostScript (EPS)
filter, not the Adobe Illustrator (AI) filter. The Encapsulated PostScript filter supports more drawing effects than the Adobe Illustrator filter
does and yields better results overall.
• Most linear and radial fountain fills are preserved. Conical and square fountain fills are exported as a series of filled bands, an effect
similar to that achieved by blending. You can set the number of bands by clicking Tools Options. In the Workspace list of categories,
click Display, and type a number in the Previewfountain steps box. The maximum number of bands supported is 256.
• You can export text as text when you are exporting AI files from versions CS and later.
• When exporting multi-page CorelDRAW files to CS4 or later version, individual pages are exported as Artboards. The Arrange by row
format is used for the layout of the Artboards.
• When exporting multi-page CorelDRAW files to CS4 or later version, objects that are placed off of the page are removed.
• Some OpenType features are not supported by Adobe Illustrator.
Some Type 1 fonts are also available in multiple master format. You can customize design elements of multiple master fonts such as weight,
width, style, and optical size. A multiple master base font is the multiple master font itself, from which you create variations called multiple
master instances. A multiple master base font is composed of a PFM file, a PFB file, and a Multiple Master Metrics (MMM) file. A multiple
master instance is composed of a PFM file and a PostScript Printer Stub (PSS) file.
CorelDRAW imports CGM Version 1, 3, and 4 files and exports version 1, 3, and WebCGM 1.0 profile files.
WebCGM is a binary file format that supports hyperlinks, document navigation, picture structuring and layers, as well as searching on
WebCGM picture contents. It also supports Unicode and web fonts. The WebCGM profile is used widely in web electronic documents.
CorelDRAW (CDR)
CorelDRAW (CDR) files are primarily vector graphic drawings. Vectors define a picture as a list of graphic primitives (rectangles, lines, text,
arcs, and ellipses). Vectors are mapped point by point to the page, so if you reduce or increase the size of a vector graphic, the original
image will not be distorted.
Vector graphics are created and edited in graphics design applications, such as CorelDRAW, but you can also edit vector graphics in image-
editing applications such as Corel PHOTO-PAINT. You can use vector images of various formats in desktop publishing programs.
You can export CorelDRAW layers as objects in the CPT file format.
Corel Symbol Library (CSL) files can be stored locally or on a network, allowing easy deployment and management of symbol collections.
For more information, see “Managing collections and libraries” on page 235.
Because Microsoft Word is a proprietary file format, it’s sometimes difficult to precisely import all aspects of a Microsoft Word file in
CorelDRAW. To successfully import text with fewer inconsistencies, it is recommended that you install the Microsoft Office Compatibility
Pack. If the Microsoft Office Compatibility Pack was not previously installed on your computer, you will be prompted to install it when you
attempt to import text.
Any embedded Windows Metafile Format (WMF) or Enhanced Metafile Format (EMF) graphics are preserved in the imported file. If
the file contains other graphic elements, these are lost during conversion and do not appear in CorelDRAW.
You can place your imported text by dragging a marquee to define a paragraph text box, or by pressing the Spacebar to place the
imported text in the default location.
If you import text and choose not to install the Microsoft Office Compatibility Pack, the Install compatibility pack dialog box will
reappear the next time you import text, unless you enable the Do not ask me this question again check box. You can reactivate
the Install compatibility pack dialog box by clicking Tools Options. In the list of categories, double-clicking Workspace, clicking
Warnings, and enabling the Install Compatibility Pack for DOC and DOCX check box from the Show warnings when list box.
The filename extension for the format you choose is appended to the filename automatically.
Only text in drawings can be exported to the Microsoft Word file formats. Other graphical elements, such as lines, curves, and
rectangles, are lost during conversion and do not display in the file. To export graphics, use a graphic format such as WMF.
AutoCAD Drawing Database (DWG) and AutoCAD Drawing Interchange Format (DXF)
AutoCAD Drawing Database (DWG) files are vector files used as a native format for AutoCAD drawings.
The Drawing Interchange Format (DXF) is a tagged data representation of the information contained in an AutoCAD drawing file. The
Drawing Interchange format is a native file format of AutoCAD. It has become a standard for exchanging CAD drawings and is supported by
many CAD applications. The Drawing Interchange format is vector-based and supports up to 256 colors.
To import an AutoCAD Drawing Database file (DWG) or AutoCAD Drawing Interchange Format (DXF)
1 Click File Import.
2 Locate the folder in which the file is stored.
3 Choose DWG - AutoCAD (*.dwg) or DXF - AutoCAD (*.dxf) from the list box next to the File name box.
4 Click the filename.
5 Click Import.
6 From the 3D projection list box in the Import AutoCAD file dialog box, choose a plane projection of a three-dimensional object as seen
from a given focal point.
7 In the Scaling area, enable one of the following options:
• Automatic — scales the drawing using the scale of the AutoCAD source file
• English (1 unit = 1 inch) — lets you scale the drawing in inches
• Metric (1 unit = 1 mm) — lets you scale the drawing in millimeters
If you want to reduce the number of nodes on the imported object, enable the Auto-reduce nodes check box.
8 Click OK.
If the file is password protected, type the password in the Password box.
If views are specified in your file, they appear automatically in the 3D projection list box.
If your computer is missing a font that is included in a file you are importing, a PANOSE font matching dialog box appears and lets
you substitute the font with a similar font.
To export an AutoCAD Drawing Database file (DWG) or an AutoCAD Drawing Interchange file (DXF)
1 Click File Export.
2 Locate the folder in which you want to save the file.
3 From the Save as type list box, choose one of the following options:
• DWG - AutoCAD
• DXF - AutoCAD
4 Type a filename in the File name list box.
5 Click Export.
6 In the Export to AutoCAD dialog box, choose an AutoCAD version from the Export version list box.
7 Choose a unit of measure from the Export units list box.
8 In the Export text as area, enable one of the following options:
• Curves — lets you export text as curves
• Text — lets you export text as editable characters
EPS files usually contain a preview image (header) that lets you view the file content without the help of a PostScript interpreter. An EPS file
without a preview image is displayed as a gray box in Corel applications.
You can import and export EPS files. You can import an EPS file as a group of editable objects as you would import any other PostScript (PS)
file. You can also bring the file as encapsulated, placing the preview image in the drawing window. The preview image is linked to the file. It
is recommended that you import an EPS file as encapsulated in the following situations:
During the CorelDRAW Graphics Suite X7 installation, you have the option of installing Ghostscript, which is an application that interprets
the PostScript file format. Ghostscript allows you to import PostScript Level 3 files. If you did not install Ghostscript when you first installed
the product, you can do so now.
Some restrictions apply when you modify EPS files imported as editable. For more information, see “PostScript (PS or PRN) technical
notes” on page 609.
If the EPS file contains text converted to curves, the text in the imported file is not editable, even if you choose to import the text as
text.
You can also drag an EPS file from Windows Explorer into the drawing window.
To Do the following
Specify the color mode for exporting to eps In the Color management area, choose an option from the
Output colors as list box:
If you choose the Native option, all objects preserve the color mode
in which they were created, for example RGB, CMYK, Grayscale, or
spot.
Convert spot colors In the Color management area, enable the Convert spot colors to
check box, and select an option from the list box.
Choose a file format for previewing the PostScript image In the Preview image area, choose one of the following options:
• None
• TIFF
• WMF
If you choose the TIFF format, choose a color mode and resolution.
Specify how to export text Enable one of the following options in the Export text as area:
•Curves — lets you export text as curves
•Text — lets you export text as editable characters
Choose a compatibility option From the Compatibility list box, choose a PostScript level that is
supported by the printer or the application with which you will be
printing or displaying the file.
Objects are always output as CMYK. Bitmaps have the option of different color modes.
If you choose the 8-bit TIFF format for previewing images, you can make the background of the bitmap transparent by enabling the
Transparent backgroundcheck box in the Preview image area.
To Do the following
Apply bitmap compression In the Bitmapcompression area, enable the Use JPEG
compression check box. Move the JPEG quality slider to adjust the
quality of the bitmaps.
Apply a trapping option In the Trapping area, enable any of the following options:
•Preserve document overprint settings — maintains current
settings on objects
•Always overprint black — creates a color trap by causing any
objects that contain at least 95 percent black to overprint any
underlying objects
If you want the outlines of all objects on the page to have the same
width, enable the Fixed width check box.
Apply a bounding box In the Bounding box area, enable any of the following options:
•Objects — aligns the bounding box exactly to the objects in the
file
•Page — aligns the bounding box to the page
•Bleed limit — lets you specify how far the bleed extends beyond
the edge of the area to be printed
•Crop marks — lets you use crop marks as alignment aids when
you trim the print output to its final size
•Floating point numbers — lets you use numbers with decimals
Maintain OPI link Enable the Maintain OPI links check box to use low-resolution
images as placeholders for high-resolution images.
Automatically increase fountain steps Enable the Auto-increase fountain steps check box to
automatically increase the number of steps used to create fountain
fills.
The Use JPEG compression check box remains disabled until you choose a PostScript level that supports this feature.
To install Ghostscript
1 Close any open programs.
2 On the Windows taskbar, click Start Control panel.
3 Click Uninstall a program.
4 Double-click CorelDRAW Graphics Suite X7 from the Uninstall or change a program page.
5 Click Modify.
6 Click the Features tab.
7 Enable the GPL Ghostscript check box.
8 Follow the instructions in the installation wizard.
PostScript files usually have a .ps filename extension, but you can also import PostScript files with a .prn extension. Files with a .prn filename
extension, commonly known as Printer (PRN) files, contain instructions about how a file should be printed. These files let you reprint a
document even if the application in which the document was created is not installed on your computer.
During the CorelDRAW Graphics Suite X7 installation, you have the option of installing Ghostscript, which is an application that interprets
the PostScript file format. Ghostscript assists the file importing process. If you did not install Ghostscript during the installation, see “To
install Ghostscript” on page 608.
You can also import encapsulated PostScript (EPS) files. For more information, see “Encapsulated PostScript (EPS) ” on page 605.
When the PostScript file contains text converted to curves, the text in the imported file is not editable, even if you choose to import
the text as text.
GIF
GIF is a bitmap-based format designed for use on the web. It is highly compressed to minimize file transfer time and supports images
with up to 256 colors. The GIF file format supports a maximum image size of 30,000 × 30,000 pixels and uses LZW compression. For more
information about exporting images to the GIF file format, see “Exporting bitmaps for the web” on page 555.
The GIF format provides the ability to store multiple bitmaps in a file. When the multiple images are displayed in rapid succession, the file is
called an animated GIF file.
For Internet use, you can also save images to the JPEG and PNG formats. If you want to publish an image to the web and are not sure which
format to use, see “Exporting bitmaps for the web” on page 555.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
JPEG (JPG)
JPEG is a standard format developed by the Joint Photographic Experts Group. Through the use of superior compression techniques, this
format allows the transfer of files among a wide variety of platforms. JPEG supports 8-bit grayscale, 24-bit RGB, and 32-bit CMYK color
modes.
The JPEG format is commonly used on the web. For more information about exporting to the JPEG file format, see “Exporting bitmaps for
the web” on page 555.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
Not all web browsers support JPEG 2000 formats. You may require a plug-in to view these files.
When you export the image to a JP2 file, you can choose to view download progression by resolution, quality, and position.
Choose a color mode In the Settings area, choose a color mode from the Color mode
list box.
Embed the color profile In the Advanced area, enable the Embed color profile check box.
Control image quality In the Settings area, choose a quality option from the Quality list
box or type a value.
Set the JPEG 2000 download from low to high resolution so that In the Advanced area, choose Resolution\Quality from the
the size of the entire image increases Progression list box.
Set the JPEG 2000 download from the upper-left corner of the In the Advanced area, choose Resolution\Position from the
image to the lower-right corner Progression list box.
Set the JPEG 2000 download from the upper-left corner of the In the Advanced area, choose Position from the Progression list
image to the lower-right corner box.
Set the JPEG 2000 download progressively by color channel In the Advanced area, choose Channels from the Progression list
box.
Allow JPEG 2000 codestream In the Advanced area, enable the Codestream check box.
This file format is not supported by the 64-bit version of the application.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
You can identify out-of-gamut areas of the image by enabling theShow colors out of gamut check box, which renders the out-of-
gamut pixels in pure red or pure blue.
PICT (PCT)
The Macintosh PICT file format was developed for the Mac OS platform by Apple Computer Inc. It is a native file format of QuickDraw and
can contain both vectors and bitmaps. The Macintosh PICT file format is widely used in Macintosh applications.
PaintBrush (PCX)
The PaintBrush (PCX) file format is a bitmap format originally developed by the ZSoft Corporation for the PC Paintbrush program.
You can open or import a PDF file. When you open a PDF file, it is opened as a CorelDRAW file. When you import a PDF file, the file is
imported as grouped objects and can be placed anywhere within your current document. You can import an entire PDF file, individual pages
from the file, or multiple pages.
Some PDF files are secured by a password. You are prompted to enter a password before you can open and edit a secured PDF file. For
information about PDF security options, see “Setting security options for PDF files” on page 586.
You can save a file in the PDF format. For more information, see “Exporting to PDF” on page 579.
Importing text
The method by which PDF files store information affects how text looks and how easily it can be edited. To help ensure the best results for
your document, you can choose whether to import the text in your file as text or as curves.
When you import text as text, the font and text are preserved, and the text is fully editable as artistic or paragraph text. However, some
effects and formatting may be lost. This option is recommended if you have a PDF file that contains large blocks of text, such as a newsletter,
and you want to reformat the text or add text content.
When you import text as curves, the appearance of the text, including all effects applied to it, are preserved, and each letter is converted to a
curve object. With this option, the text formatting features can no longer be used to edit the text. If you have a PDF file that contains a small
amount of text that does not require editing, or if you do not have the fonts used in the PDF file, you can import the text as curves. For more
information about converting text to curves, see “Finding, editing, and converting text” on page 349.
Importing comments
Some PDF files can contain comments and annotations. These may consist of text, curves, and other drawings or shapes that are added to
the PDF document by a reviewer. If commenting rights have been granted, you have the option of importing the comments with the PDF
file. When comments are imported, they are placed on a separate “Comments” layer in the document. By default, this layer is set as non-
printable.
If the PDF document contains comments written by multiple reviewers, the comments are grouped on the “Comments” layer based on the
author’s name.
If a block of text is imported as separate text objects, you can combine the text objects by selecting them and clicking
Object Combine.
The Portable Network Graphics format is designed to work well in online viewing, such as on the web, and it’s fully streamable with a
progressive display option. Some web browsers do not support all formatting and features. You can export images to the Portable Network
Graphics file format if you want to use transparent backgrounds, image interlacing, image maps, or animation in your webpages.
You can also save images to the GIF and JPEG formats to use on the Internet. If you want to publish an image to the web but are not sure
which format to use, see “Exporting bitmaps for the web” on page 555.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
Resample a graphic while importing For more information, see “To resample a bitmap while importing”
on page 575.
Crop a graphic while importing For more information, see “To crop a bitmap while importing” on
page 575.
SVG files are described in Extensible Markup Language (XML). They are vector graphic images, which can provide superior detail and faster
download times than bitmaps. Compressed SVG files have an .svgz filename extension.
To view SVG files, you need an SVG viewer plug-in such as the Corel SVG viewer.
Unicode support
SVG files support Unicode encoding for text. When exporting an SVG file, you can choose a Unicode encoding method.
You can embed information in an SVG file, or you can create additional files to store some of the information. For example, you can embed
a style sheet in an SVG file, or you can create an external cascading style sheet and link it to the SVG file. By default, JavaScript, such as
JavaScript related to rollovers, is embedded in the exported file, but you can choose to store it as a separate file linked to the SVG file. Also,
you can embed bitmaps, or you can save bitmaps as externally linked files.
Exporting text
You can export text as text or curves. When exporting text as text, you can choose to embed all fonts in a Scalable Vector Graphics file to
have full editing capabilities. You can also embed only the fonts used, and common English or common Roman fonts.
To make your work easier, you can use preset export options, and you can create custom preset export options that you can reuse later.
SVG colors correspond to color keywords. You can use the SVG color palette available in the application to help ensure that colors in the
exported SVG file are defined by color keywords. To ensure that the SVG color names you choose are retained in the SVG exported file, it is
recommended that you disable color correction. For information about color correction, see “Understanding color management” on page
295.
Reference information can be added and retained in an exported Scalable Vector Graphics object. You can add information to an object so
that the information appears in the file’s XML tags. These tags are derived from the data field names, each of which is formatted as general
text, data and time, linear and angular dimensions, or numbers. For example, you can name individual objects in the drawing and add
JavaScript related to rollovers can be saved to a separate file by enabling the Link externally check box in the JavaScript area.
You must embed fonts when you require the display of a specific font that the users may not have installed on their computers.
As the number of fonts or fountain fill steps increases, so does the size of the file.
Objects with mesh fills or drop shadows are exported as bitmaps.
If no single element in a drawing is selected, the content of the entire page is exported.
Rename a data field Click the Open field editor button . Choose the name of the
data field, and type a new name.
Add a data field Click the Open field editor button. Click the Create new field
button, and type the name of the new field.
Change the data field format Click the Open field editor button. Click a field name and then
click the Change button. Enable a field type option.
Fields containing no values are ignored when a file is exported to the Scalable Vector Graphics format.
Before you save a file to the Adobe Flash file format, you can determine whether the file has potential export problems. You can check the
current file and display a summary of errors, possible problems, and a suggestion for resolving the issue.
Prevent a Adobe Flash file from being loaded into the Adobe Flash Enable the File protection from import check box.
editor
Export sounds Enable the Use sound behaviors check box, and choose a value for
the sound compression from the Compression list box.
The more you compress a sound, the smaller the size and the lower the sound quality.
You can save the settings in the Flash export dialog box to a preset by clicking the Add preset button and typing a name in the
Setting name box.
To preview a Adobe Flash file in a browser, you must have the Adobe Flash Player plug-in installed on your computer.
If you want to overlook certain issues, click Settings, and disable the check boxes that correspond to those issues.
The Issues tab heading indicates the number of issues. The icon on the tab heading changes, depending on the severity of the issue
or issues identified.
TARGA (TGA)
The TARGA (TGA) graphics format is used for saving bitmaps. It supports various compression systems and can represent bitmaps ranging
from black-and-white to RGB color. You can import or export TGA files in CorelDRAW.
For more information about importing files, see “Importing files” on page 573.
For information about importing TIFF files, see “To import a file into an active drawing” on page 573.
This file format is not supported by the 64-bit version of CorelDRAW Graphics Suite.
Left to right: three objects correctly combined; five objects correctly combined; five objects incorrectly combined
Visio (VSD)
• VSD is the Visio drawing format. It can contain bitmaps and vectors.
• You can import all VSD file types, up to VSD 2007.
• Rectangle shapes are imported as rectangle objects.
• Circle and ellipse shapes are imported as ellipse objects.
• Curvygon, pentagon, hexagon, heptagon, octagon, and megagon shapes are imported as polygon objects.
• All other shapes are imported as polycurves.
For more information, see “General notes on importing text files” on page 630.
Any embedded Windows Metafile Format (WMF) or Enhanced Metafile Format (EMF) graphics are preserved in the imported file. If
the file contains other graphic elements, these are lost during conversion and do not appear in CorelDRAW.
You can import RAW camera files directly into CorelDRAW. For more information, see “Working with RAW camera files” on page 515.
Importing a WI file
• Corel programs support the following color depths when you import Wavelet Compressed Bitmap (.wi) files: 256-shade (8-bit) grayscale,
and 24-bit RGB.
Exporting a WI file
• Corel programs support the following color depths when you export to the Wavelet Compressed Bitmap file format: 256 shade (8-bit)
grayscale, 24-bit RGB.
• The Wavelet Compressed Bitmap file format supports Wavelet compression. It also supports a minimum image size of 16 pixels and a
maximum size of 2,048 pixels.
Microsoft Office WMF, PNG. For more information, see “Working with office
productivity applications” in the Help.
To import text from a text-editing application, you can use RTF files, or you can copy the text to the Clipboard and then paste it in
your project.
The following table lists the recommended file formats for exporting to page layout and desktop publishing packages that have graphics
editing capabilities.
AutoCAD DXF
The HPGL or DXF outlines formats are recommended for exporting graphics to be output to devices such as plotters and computer-driven
cutters.
Customizing CorelDRAW......................................................................................................................................................................637
You can customize your application by arranging command bars and commands to suit your needs. Command bars include menus, toolbars,
the property bar, and the status bar.
Help topics are based on the application’s default settings. When you customize command bars, commands, and buttons, the Help topics
associated with them do not reflect your changes.
Saving defaults
Many application settings apply to the active drawing only. These include page layout options, grid and ruler settings, guideline settings,
style options, save options, some tool settings, and web publishing options. Saving the current settings as defaults lets you use the settings
of the active drawing for all new drawings you create. You can also choose to save only specific settings as defaults.
In addition, you can export and import custom workspaces to and from other computers that use the same application. For example, you
can customize a workspace and share it with a group of users.
Before creating a workspace, you can try the workspaces that are included with the application. These workspaces are optimized for a
number of common workflows. For more information, see “Choosing a workspace” on page 70.
To create a workspace
1 Click Tools Options.
2 In the list of categories, click Workspace.
3 Click New.
4 Type the name of the workspace in the Name of new workspace box.
5 From the Base new workspace on list box, choose an existing workspace on which to base the new workspace.
If you want to include a description of the workspace, type a description in the Description of new workspace box.
Custom workspaces are saved as XML files and exported as XML-based Extensible Stylesheet Language Transformations (XSLT) files.
To delete a workspace
1 Click Tools Options.
2 In the list of categories, click Workspace.
3 Choose a workspace from the Workspace list.
4 Click Delete.
To import a workspace
1 Click Tools Options.
2 In the list of categories, click Workspace.
3 Click Import.
4 In the Import workspace dialog box, click Browse.
5 Choose the folder where the file is stored.
6 Double-click the file.
7 Follow the instructions on screen.
To export a workspace
1 Click Tools Options.
2 In the list of categories, click Workspace.
3 Click Export.
4 Enable the check boxes beside the workspace items you want to export.
The workspace items available for export are dockers, toolbars (including the property bar and toolbox), menus, and shortcut keys.
Custom workspaces are exported as XML-based Extensible Stylesheet Language Transformations (XSLT) files. You can use a workspace
saved to the XSLT format when you set up or deploy custom workspaces.
You can print a list of keyboard shortcuts. You can also export a list of keyboard shortcuts to the CSV file format — a comma delimited
format that is easily opened by word processors and spreadsheet applications.
When you change keyboard shortcuts, the changes are saved in a file called an accelerator table. Your application comes with the following
accelerator tables which can be customized to suit your work habits:
• Anchor editing table — contains shortcut keys for anchor editing
• Main table — contains all non-text-related shortcut keys
• Table editing table — contains non-text-related shortcut keys for table editing
• Table text editing table — contains shortcut keys for editing text in tables
• Text editing table — contains all text-related shortcut keys
If the same keyboard shortcut is already assigned to another command, the second assignment overwrites the first. By enabling
the Navigate to conflict on assign check box, you can automatically navigate to the command whose shortcut you reassigned,
prompting you to assign a new shortcut.
You can view all of the existing keyboard shortcuts by clicking View all.
Customizing menus
Corel customization features let you modify the menu bar and the menus it contains. You can change the order of menus and menu
commands; add, remove, and rename menus and menu commands. You can search for a menu command if you do not remember the
menu in which it belongs. You can also reset menus to the default setting.
The customization options apply to the menu bar menus as well as to shortcut menus that you access by right-clicking.
Help topics are based on the application’s default settings. When you customize menus and menu commands, the Help topics associated
with them do not reflect your changes.
If you want to change the order of context menu commands, right-click in the application window to display the context menu, and
drag a menu command to a new position.
An ampersand (&) before a letter in the Caption box indicates a shortcut, also known as a mneumonic accelerator key. Menus are
displayed by pressing Alt + the letter. Commands are invoked by pressing the letter that is underlined when the menu is displayed.
You can reset the name to the default by clicking Restore defaults.
Customizing toolbars
You can customize toolbar position and display. For example, you can move or resize a toolbar, and you can choose to hide or display a
toolbar.
Toolbars can be either docked or floating. Docking a toolbar attaches it to the edge of the application window. Undocking a toolbar pulls it
away from the edge of the application window, so it floats and can be easily moved around.
You can create, delete, and rename custom toolbars. You can customize toolbars by adding, removing, and arranging toolbar items. You
can adjust toolbar appearance by resizing buttons; adjusting the toolbar border; and displaying images, captions, or both. You can also edit
toolbar button images.
When moving, docking, and undocking toolbars, you use the grab area of the toolbar.
Docked and unlocked toolbar Identified by a dotted line at the top or left
edge of the toolbar
Floating toolbar The title bar. If the title is not displayed, the
grab area is identified by a dotted line at
the top or left edge of the toolbar.
If you do not want to move docked toolbars by mistake, you can lock them. Locked toolbars do not have a dotted line along their left edge.
A locked toolbar
To Do the following
Move a toolbar Unlock the toolbar, click the toolbar’s grab area, and drag the
toolbar to a new position.
Dock a toolbar Click the toolbar’s grab area, and drag the toolbar to any edge of
the application window.
Undock a toolbar Unlock the toolbar, click the toolbar’s grab area, and drag the
toolbar away from the edge of the application window.
Resize a floating toolbar Point to the edge of the toolbar and, using the two-directional
arrow, drag the edge of the toolbar.
Hide or display a toolbar Click Tools Customization. In the Customization list of categories,
click Commandbars, and disable or enable the check box next to
the toolbar name.
Reset a toolbar to its default setting Click Tools Customization. In the Customization list of categories,
click Command bars, click a toolbar, and click Reset.
To Do the following
Add a custom toolbar Click Tools Customization. In the Customization list of categories,
click Command bars, click New, and type a name in the
Command bars list. Holding down Alt + Ctrl, drag a tool or
button in the application window to the new toolbar.
Delete a custom toolbar Click Tools Customization. In the Customization list of categories,
click Command bars, click a toolbar, and click Delete.
Rename a custom toolbar Click Tools Customization. In the Customization list of categories,
click Command bars, click a toolbar name twice, and type a new
name.
If you want to remove an item from a toolbar, drag the toolbar item off the toolbar.
If you want to move a toolbar item to another toolbar, drag the toolbar item icon from one toolbar to the other.
You can copy a toolbar item to another toolbar by holding down Ctrl while dragging a toolbar item.
If you want to hide the title when the toolbar is floating, disable the Show title when toolbar is floatingcheck box.
You can reset a built-in toolbar to its default settings by clicking Reset.
When you choose either Small or Medium in the Size list box, you edit the small or medium versions of a particular button image.
You cannot edit the large version of a button image. For information about how to display all buttons as small, medium, or large, see
“To modify toolbar appearance” on page 643.
You can reset toolbar button images to the default settings by clicking Restore defaults.
The Lock toolbars command is enabled when a check mark appears beside it. When you launch the application for the first time, the
toolbars are locked by default.
You can also lock or unlock toolbars by right-clicking a toolbar and clicking Lock toolbars.
When moving, docking, or undocking the property bar, you use the grab area of the property bar, which is the same as the grab area of a
toolbar. For more information about the grab area, see “Customizing toolbars” on page 642.
You can also customize the property bar by adding or removing tools. This lets you customize what appears on the property bar when you
choose various tools. For example, when the Text tool is active, you can have the property bar display additional commands for text-related
tasks such as increasing or decreasing font size, or changing case. You can also reset the property bar to its default settings.
To Do the following
Move the property bar Unlock the property bar, click the property bar’s grab area, and
drag the property bar to a new position.
Undock the property bar Click the property bar’s grab area, and drag the property bar away
from the edge of the application window.
Dock the property bar Click the property bar’s grab area, and drag the property bar to any
edge of the application window.
The new item is displayed on the property bar for the active tool or task. When the property bar content changes, the item is not
displayed. The new item is displayed again when the related tool or task is activated.
You can also customize the property bar by clicking Tools Customization. In the Customization list of categories, click Commands,
choose a command category from the top list box, and then drag a toolbar item from the list to the property bar. If you want to
remove an item from the property bar, drag the toolbar item icon off the property bar.
If you want to remove a toolbar item from the status bar, drag the item off the status bar.
Only toolbar items you have added to the status bar are affected by resizing. The size of the default icons remains unchanged.
To add a filter
1 Click Tools Options.
2 In the list of categories, double-click Global, and double-click Filters.
3 Double-click a type of filter in the Available file types list.
4 Click a filter.
5 Click Add.
To remove a filter
1 Click Tools Options.
2 In the list of categories, double-click Global, and click Filters.
3 Click a filter in the List of active filters.
4 Click Remove.
You can reset the List of active filters to the default setting by clicking Reset.
Associating a file type with an application adds the application to the list of recommended programs for opening this file type. To
open a file of an associated file type in CorelDRAW while browsing in Windows, you also need to make CorelDRAW the default
program. To do this, click the Start button on the Windows taskbar, and then click Default programs. Next, click Associate a
You can use macros to speed up repetitive tasks, combine multiple or complex actions, or make an option more easily accessible. You create
macros by using the built-in features for Visual Basic for Applications (VBA) or Visual Studio Tools for Applications (VSTA).
Using a macro is similar to using the speed-dialing feature on a phone. On many phones, you can set a frequently dialed number to a speed-
dial button; then, the next time you need to dial that number, you can save time by pressing its speed-dial button. Similarly, a macro lets you
set the actions that you want to repeat; then, the next time that you need to repeat those actions, you can save time by playing that macro.
You don’t need any programming experience to use macros — in fact, the basic tools for working with macros are available within the
main application window. However, if you want to have more control over your macros, you can use the following built-in programming
environments:
• Microsoft Visual Studio Tools for Applications (VSTA) — the successor to VBA, and an excellent choice for developers and other
programming experts. VSTA provides the tools and features that you need to create the most advanced macro projects.
• Microsoft Visual Basic for Applications (VBA) — a subset of the Microsoft Visual Basic (VB) programming environment, and an excellent
choice for beginners. You can use VBA to create basic macros for personal use, but you can also use it to create more advanced macro
projects.
For detailed information on the differences between VBA and VSTA, please see the CorelDRAW Macros Help file (draw_om.chm,
which is located in the Data folder for the installed software).
The macro features for VBA and VSTA are installed with the software by default, but you can manually install these features if necessary. You
can specify options for the VBA feature.
If you install Microsoft Visual Studio after installing CorelDRAW Graphics Suite, you must re-install the VSTA macro features by
modifying your CorelDRAW Graphics Suite installation. For more information, see “To manually install the macro features” on page
651.
The macro features provide several tools for working with macros in the main application window:
• Macros toolbar — provides easy access to common macro functions
• Macro Manager docker — provides easy access to all available macro projects for VBA, and to basic functions for working with those
projects
• Macro Editor (formerly the Visual Basic Editor) — provides advanced functions for creating VBA-based macro projects
• VSTA Editor — provides advanced functions for creating VSTA-based macro projects. The VSTA Editor is accessible only if you have
Microsoft Visual Studio 2012 or later installed.
Creating macros
Macros are stored in modules (also called “code modules”), which are stored in macro projects. The Macro Manager docker lets you view
and manage all of the macro projects, modules, and macros that are available to you.
You can use the Macro Manager docker to create macro projects in the form of Global Macro Storage (GMS) files or Corel VSTA Projects
(CGSaddon). Using such files is an excellent way to bundle the components of your macro project for sharing with others. You can use the
Macro Manager docker to open (or “load”) the macro projects that you create, as well as the macro projects that install with the software
or that are otherwise made available to you. You can also use the Macro Manager docker to rename macro projects, as well as to copy and
close (or “unload”) GMS-based and VSTA macro projects.
When you create a document, a macro project for that document is automatically added to the Macro Manager docker. Although
you can store macros within the macro project for a document — for example, to create an all-in-one template — it is recommended
that you instead use GMS files to store your macro projects.
Each macro project contains at least one module. You can use the Macro Manager docker to add a module to a VBA-based macro project,
or to open existing modules for editing. You can also use the Macro Manager docker to rename or delete VBA modules.
Finally, you can use the Macro Manager docker to create macros within the available modules. You don’t need any programming experience
to create macros; however, if you have programming experience and want to edit VBA macros, you can do so by using the Macro Editor. You
can also use the Macro Manager docker to rename and delete VBA macros.
CorelDRAW includes sample macros, which supply additional functionality, demonstrate automation in the software, and provide
sample code. For information on these sample macros, please see the CorelDRAW Macros Help file (draw_om.chm, which is located
in the Data folder for the installed software).
Recording macros
You can record macros and save them for later use.
You can also record temporary macros for actions that you need to repeat only a few times. A temporary macro is accessible until a new
temporary macro is recorded.
Before recording a macro, make sure that you know exactly which actions you want to record and the order in which you want
to record them. When you start recording, the macro recorder captures every change that you make in a drawing. For example, if
you create a shape, resize the shape, and then change its color, the macro records all the changes. When you are done making the
changes, you must stop recording the macro.
Playing macros
You can perform the actions that are associated with a macro by playing that macro.
CorelDRAW provides additional resources that contain helpful information about macros. These additional resources, which are located in
the Data folder for the installed software, are described in the following table.
Macros Help file Provides detailed information about the features and functions for
creating macro projects in CorelDRAW
draw_om.chm
Macro Programming Guide Provides an instructional approach to creating macro projects for
CorelDRAW
Object Model Diagram Provides a hierarchical representation of the features and functions
that can be automated in CorelDRAW
The Macros Help file includes documentation on every feature and function that can be automated in the application. (Collectively, these
features and functions are called an “object model.”) You can easily access the Macros Help file from within the Macro Editor.
For more detailed information about VBA and its programming environment, please consult the Microsoft Visual Basic Help from the
Help menu in the Macro Editor.
For more detailed information about VSTA and its programming environment, please consult the Help menu in the VSTA Editor.
The macro features for VBA and VSTA are installed with the software by default.
To Do the following
Display the VSTA Editor Click Tools Macros VSTA Editor. (VSTA must be installed on your
computer.)
Rename a macro project Right-click the project in the list, and then click Rename.
Copy a GMS-based macro project Right-click the project in the list, click Copy to, and then choose the
target location for the copied project.
Display or hide all modules in the list Click the Simple mode button .
Rename a module in a macro project Right-click the module in the list, and then click Rename.
Close (or “unload”) a GMS-based macro project Right-click the macro project in the list, and then click Unload
macro project.
To create a macro
• In the Macro Manager docker, do one of the following:
• Click the container you want, click New, and then click New macro.
• Right-click the desired container module, and then click New macro.
You cannot record a macro if all available macro projects are locked.
Not all actions can be recorded — some because of their complexity (although many such actions can be manually coded in the
Macro Editor). When an action cannot be recorded, a comment is placed in the macro code (“The recording of this
command is not supported.”), but the recording process continues until you stop it. You can view any comments in the code
by opening the macro in the Macro Editor.
By default, macros are recorded in the GlobalMacros project so that they can be accessed from other documents. However, you can
change the default macro project for recordings by right-clicking another project in the Macro Manager docker, and then clicking
Set as recording project. You cannot specify a locked macro project.
You can cancel recording a macro, and discard any commands recorded thus far, by clicking Tools Macros Cancel recording.
You can also record, pause, and stop recording a macro by using the Macros toolbar or the Macro Manager docker
(Tools Macros Macro Manager).
Save the actions in the Undo list as a VBA macro Click Edit Undo manager, perform the actions that you want to
record, and then click the Save list to a VBA macro button in
the Undo manager docker.
The macro is temporarily saved to the default recording project. When the current session is ended, the macro is deleted from that
project.
You cannot record a temporary macro if all available macro projects are locked.
You can also pause and stop recording a temporary macro by using the Macros toolbar or the Macro Manager docker
(Tools Macros Macro Manager).
To play a macro
• Do any of the following:
• Click Tools Macros Run macro, or click the Run macro button on the Macros toolbar. From the Macros in list box, choose the
project or file in which the macro is stored. From the Macro name list, choose the macro. Click Run.
• In the Macro Manager docker, double-click the macro in the list.
• In the Macro Manager docker, click the macro in the list, and then click the Run button .
• In the Macro Manager docker, right-click the macro in the list, and then click Run.
If you have created multiple temporary macros, you must specify which macro project contains the one that you want to run. Right-
click the project in the Macro Manager docker, and then click Set as recording project.
To access the Macros Help file from within the Macro Editor
1 While in Microsoft Visual Basic for Applications, press F2 to display the Object Browser.
The Object Browser displays all the features and functions that can be automated in the Macro Editor.
2 Choose VGCore from the Library list box.
The Object Browser is updated to display only the features and functions of CorelDRAW that can be automated in the Macro Editor.
Collectively, these features and functions are called an “object model.”
3 Do one of the following:
• Display the home page for the Macros Help file by pressing F1. You can browse the object-model documentation for the application
by accessing the “Object Model Reference” section of the Help file.
• Display the Help topic for a specific item in the Object Browser by clicking that item and pressing F1.
You can also display a Help topic for any item in the Code window of the Macro Editor by clicking that item and pressing F1.
Glossary............................................................................................................................................................................................... 663
Reference | 657
658 | CorelDRAW X7 User Guide
CorelDRAW for Adobe Illustrator users
Adobe Illustrator and CorelDRAW have many similarities, which makes it easy to move from one graphics application to the other. Although
they share most basic drawing and design capabilities, Adobe Illustrator and CorelDRAW are distinguished by some differences in both
terminology and tools. Understanding these differences lets you make a quick transition to CorelDRAW.
Comparing terminology
The terms and concepts in Adobe Illustrator and CorelDRAW differ for some features. Adobe Illustrator terms are listed below with their
CorelDRAW equivalents.
Actions/Scripts Macros/Scripts
Artwork Drawing
Guides Guidelines
Panels Dockers
Path Curve
Stroke Outline
Comparing tools
The following table lists Adobe Illustrator tools and the corresponding CorelDRAW tools. Many of the tools create the same result but
operate slightly differently.
Add Anchor Point tool Shape tool . See “To add or delete a node” on page 139.
Area Type tool Text tool . See “To add paragraph text” on page 343.
Bloat tool Envelope tool . See “To apply an envelope” on page 156.
Convert Anchor Point tool Shape tool . See “To shape a curve object by using cusp,
smooth, or symmetrical nodes” on page 141.
Delete Anchor Point tool Shape tool . See “To add or delete a node” on page 139.
Direct Selection tool Shape tool . See “To select a node” on page 137.
Drop Shadow tool Drop shadow tool . See “To add a drop shadow” on page 330.
Gradient tool Interactive fill tool . See “Applying fountain fills” on page 266.
Line Segment tool Freehand tool . See “To draw a curve by using the 3-point
curve tool ” on page 102.
Live Paint Bucket tool Smart fill tool . See “To apply a fill to an enclosed area” on
page 278.
Measure tool Dimension tool . See “Drawing connector and callout lines” on
page 115.
Mesh tool Mesh fill tool . See “To apply a mesh to an object” on page
276.
Paintbrush tool Artistic media tool . See “To draw a calligraphic line ” on page
104.
Pan tool Pan tool . See “To pan in the drawing window” on page 40.
Path Type tool Text tool . See “To fit text to a path” on page 355.
Pathfinder effects Object Shaping commands. See “Trimming objects ” on page 161
and “Welding and intersecting objects” on page 164.
Pencil tool Freehand tool . See “To draw a line by using the Freehand tool”
on page 98.
Pucker tool Envelope tool . See “To apply an envelope” on page 156.
Reflect tool Mirror buttons. See “To mirror an object” on page 212.
Reshape tool Shape tool . See “To stretch, scale, rotate, or skew nodes” on
page 142.
Rotate tool Pick tool . See “To rotate an object” on page 211.
Rounded Rectangle tool Rectangle tool . See “To draw a rectangle or square with
rounded, scalloped, or chamfered corners” on page 125.
Save For Microsoft Office command File Export for Office command
Scale tool Pick tool . See “Sizing and scaling objects” on page 210.
Scissors tool Knife tool . See “To split an object” on page 159.
Selection tool Pick tool . See “To select objects” on page 177.
Shear tool Pick tool . See “Skewing and stretching objects” on page 144.
Star tool Star and Complex star tools. See “To draw a star” on page
128.
Symbol Sprayer tool Sprayer tool . See “To spray a pattern” on page 114.
Twirl tool Distort tool . See “To distort an object” on page 153.
Type tool Text tool . See “To add paragraph text ” on page 343 and “To
add artistic text” on page 341.
Vertical Type tool Paragraph formatting docker. See “To choose a text orientation for
Asian text” on page 385.
Warp tool Smudge tool . See “To smudge an object” on page 147.
Wrinkle tool Roughen tool . See “To roughen an object” on page 149.
ABCDEFGHIJKLMNOPQRSTUVWZ
A
accelerator table
A file that contains a list of shortcut keys. Different tables are active depending on the task that you are performing.
add-in
A separate module that extends the functionality of an application.
alignment guides
Temporary guidelines that help align objects as you create, resize, or move them in relation to other nearby objects.
anchor point
The point that remains stationary when you stretch, scale, mirror, or skew an object. Anchor points correspond to the eight handles that
appear when an object is selected, as well as the center of a selection box marked by an X.
animation file
A file that supports moving images; for example, animated GIF and QuickTime (MOV).
anti-aliasing
A method of smoothing curved and diagonal edges in images. Intermediate pixels along edges are filled to smooth the transition between
the edges and the surrounding area.
arrow keys
Direction keys that move or “nudge” selected objects in small increments. You can also use arrow keys to position the cursor when you type
or edit text on-screen or in a dialog box.
artistic text
A type of text created with the Text tool. Use artistic text to add short lines of text, such as titles, or to apply graphic effects, such as
fitting text to a path, creating extrusions and blends, and creating all other special effects. An artistic text object can contain up to 32,000
characters.
aspect ratio
The ratio of the width of an image to its height (expressed mathematically as x:y). For example, the aspect ratio of an image that is 640 x
480 pixels is 4:3.
Glossary | 663
B
base color
The color of the object that appears under a transparency. The base color and the color of the transparency combine in various ways
depending on the merge mode you apply to the transparency.
baseline
An invisible line upon which text characters sit.
baseline grid
A series of evenly spaced horizontal lines that follow the pattern of a ruled notebook and help align text and objects.
baseline shift
The process of moving text characters above or below the baseline.
Bézier line
A straight or curved line made up of segments connected by nodes. Each node has control handles that allow the shape of the line to be
modified.
bit depth
The number of binary bits that define the shade or color of each pixel in a bitmap. For example, a pixel in a black-and-white image has a
depth of 1 bit, because it can only be black or white. The number of color values that a given bit depth can produce is equal to 2 to the
power of the bit depth. For example, a bit depth of 1 can produce two color values (2 1=2), and a bit depth of 2 can produce 4 color values
(2 2 = 4).
Bit depth ranges between 1 and 64 bits per pixel (bpp) and determines the color depth of an image.
bitmap
An image composed of grids of pixels or dots.
See also vector graphic.
black point
A brightness value that is considered black in a bitmap image. In Corel PHOTO-PAINT, you can set the black point to improve the contrast of
an image. For example, in a histogram of an image, with a brightness scale of 0 (dark) to 255 (light), if you set the black point at 5, all pixels
with a value greater than 5 are converted to black.
black-and-white color mode
A 1-bit color mode that stores images as two solid colors — black and white — with no gradations. This color mode is useful for line art and
simple graphics. To create a black-and-white photo effect, you can use the grayscale color mode.
See also grayscale.
bleed
The part of the printed image that extends beyond the edge of the page. The bleed ensures that the final image goes right to the edge of
the paper after binding and trimming.
blend
An effect created by transforming one object into another through a progression of shapes and colors.
bookmark
An indicator for marking an address on the Internet.
bounding box
The invisible box indicated by the eight selection handles surrounding a selected object.
C
calligraphic angle
The angle that controls the orientation of a pen to the drawing surface, like the slant of the nib on a calligraphy pen. A line drawn at the
calligraphic angle has little or no thickness, but widens as its angle gets farther from the calligraphic angle.
cascading style sheet (CSS)
An extension to HTML that allows styles such as color, font, and size to be specified for parts of a hypertext document. Style information can
be shared by multiple HTML files.
See also HTML.
center of rotation
The point around which an object rotates.
CGI script
An external application that is executed by an HTTP server in response to an action you perform in a web browser, such as clicking a link,
image, or another interactive element of a webpage.
character
A letter, number, punctuation mark, or other symbol.
child color
A color style created as a shade of another color style. For most of the available color models and palettes, child colors share the same hue as
the parent, but have different saturation and brightness levels.
See also parent color.
choke
In commercial printing, a form of trapping created by extending the background object into the foreground object.
clipart
Ready-made images that can be imported into Corel applications and edited if required.
Clipboard
An area that is used to temporarily store cut or copied information. The information is stored until new information is cut or copied to the
Clipboard, replacing the old.
clone
A copy of an object or an area of an image that is linked to a master object or image area. Most changes made to the master are
automatically applied to its clones.
See also symbol.
closed object
An object defined by a path whose start point and end point are connected.
closed path
A path whose start point and end point are connected.
color cast
A color tint that often occurs in photos as a result of lighting conditions or other factors. For example, taking a photo indoors in dim
incandescent light can result in a yellow color cast, and taking a photo outdoors in bright sunlight can result in a blue color cast.
Glossary | 665
color depth
The maximum number of colors an image can contain. Color depth is determined by the bit depth of an image and the displaying monitor.
For example, an 8-bit image can contain up to 256 colors, while a 24-bit image can contain roughly up to 16 million colors. A GIF image is
an example of an 8-bit image; a JPEG image is an example of a 24-bit image.
CMY
A color mode made up of cyan (C), magenta (M), and yellow (Y). This mode is used in the three-color printing process.
CMYK
A color mode made up of cyan (C), magenta (M), yellow (Y), and black (K). CMYK printing produces true blacks and a wide tonal range. In
the CMYK color mode, color values are expressed as percentages; therefore, a value of 100 for an ink means that the ink is applied at full
saturation.
code page
A code page is a table in the DOS or Windows operating system that defines which ASCII or ANSI character set is used for displaying text.
Different character sets are used for different languages.
color channel
An 8-bit grayscale version of an image. Each channel represents one level of color in the image; for example, RGB has three color channels,
while CMYK has four. When all the channels are printed together, they produce the entire range of colors in the image.
See also RGB and CMYK.
color gamut
The range of colors that can be reproduced or perceived by any device. For example, a monitor displays a different color gamut than a
printer, making it necessary to manage colors from original images to final output.
color mode
A system that defines the number and kind of colors that make up an image. Black-and-white, grayscale, RGB, CMYK, and paletted are
examples of color modes.
color model
A simple color chart that defines the range of colors displayed in a color mode. RGB (red, green, blue), CMY (cyan, magenta, yellow), CMYK
(cyan, magenta, yellow, black), HSB (hue, saturation, brightness), HLS (hue, lightness, saturation), and CIE L*a*b (Lab) are examples of color
models.
color palette
A collection of solid colors from which you can choose colors for fills and outlines.
color profile
A description of the color-handling capabilities and characteristics of a device.
color separation
In commercial printing, the process of splitting colors in a composite image to produce a number of separate grayscale images, one for each
primary color in the original image. In the case of a CMYK image, four separations (one for cyan, magenta, yellow, and black) must be made.
color space
In electronic color management, a virtual representation of a device or the color gamut of a color model. The boundaries and contours of a
device’s color space are mapped by color management software.
See also color gamut.
color swatch
A solid-colored patch in a color palette.
color trapping
A printing term used to describe a method of overlapping colors to compensate for misaligned color separations (misregistration). This
method avoids white slivers that appear between adjoining colors on a white page.
Glossary | 667
D
desktop
The area in a drawing where you can experiment and create objects for future use. This area is outside the borders of the drawing page. You
can drag objects from the desktop area to the drawing page when you decide to use them.
DeviceN
A type of color space and device color model. This color space is multi-component, allowing color to be defined by other than the standard
set of three (RGB) and four (CMYK) color components.
diacritical mark
An accent mark above, below, or through a written character; for example, the acute (é) and cedilla (ç) accents.
dimension line
A line that displays the size of objects or the distance or angle between objects.
dithering
A process used to simulate a greater number of colors when only a limited number of colors are available.
document grid
A series of evenly spaced horizontal and vertical lines that are used to help draw and arrange objects.
document navigator
The area at the bottom-left of the application window that contains controls for moving between pages and adding pages. The document
navigator also displays the page number of the active page and the total number of pages in a drawing.
dpi (dots per inch)
A measure of a printer’s resolution in dots per inch. Typical desktop laser printers print at 600 dpi. Imagesetters print at 1270 or 2540 dpi.
Printers with higher dpi capabilities produce smoother and cleaner output. The term dpi is also used to measure scanning resolution and to
indicate bitmap resolution.
drawing
A document you create in CorelDRAW.
drawing page
The portion of a drawing window enclosed by a rectangle with a shadow effect.
drawing window
The portion of the application window on which you can create, add, and edit objects.
drop shadow
A three-dimensional shadow effect that gives objects a realistic appearance.
duotone
An image in the duotone color mode is an 8-bit grayscale image that has been enhanced with one to four additional colors.
dynamic guides
Temporary guidelines that appear from the following snap points in objects — center, node, quadrant, and text baseline.
E
embedding
The process of placing an object created in one application into a document created in a different application. Embedded objects are
included entirely in the current document; they are not linked to their source files.
encoding
Determines the character set of text, letting you correctly display text in the appropriate language.
F
feathering
The level of sharpness along the edges of a drop shadow.
fill
A color, bitmap, fountain, or pattern applied to an area of an image.
filter
An application that translates digital information from one form to another.
floating object
A bitmap with no background. Floating objects are also referred to as photo objects or cutout images.
font
A set of characters with a single style (such as italic), weight (such as bold), and size (such as 10 point) for a typeface such as Times New
Roman.
fountain fill
A smooth progression of two or more colors applied to an area of an image that follow a linear, radial, conical, or square path. Two-color
fountain fills have a direct progression from one color to another, while custom fills may have a progression of many colors.
fountain step
The shades of color that make up the appearance of a fountain fill. The more steps in a fill, the smoother the transition from the beginning
color to the end color.
freehand marquee select
To marquee select objects or nodes while dragging the Shape tool and controlling the shape of the marquee box enclosure as if you were
drawing a freehand line.
See also marquee select.
FTP (File Transfer Protocol)
A method of moving files between two computers. Many Internet sites have established repositories of material that can be accessed by
using FTP.
G
GIF
A graphic file format designed to use a minimum of disk space and be easily exchanged between computers. This format is commonly used
to publish images of 256 or fewer colors to the Internet.
glyph
Diamond-shaped handles that can be dragged to alter the form of a shape.
Glossary | 669
glyph (typographic)
A typographic glyph corresponds to a single character of a typeface.
grab area
The area of a command bar that can be dragged. Dragging the grab area moves the bar, while dragging any other area of the bar has no
effect. The location of the grab area depends on the operating system you are using, the orientation of the bar, and whether the bar is
docked or undocked. Command bars with grab areas include toolbars, the toolbox, and the property bar.
grayscale
A color mode that displays images by using 256 shades of gray. Each color is defined as a value between 0 and 255, where 0 is darkest
(black) and 255 is lightest (white). Grayscale images, especially photos, are commonly referred to as “black and white.”
greeking
A method of representing text by using either words that have no meaning or a series of straight lines.
grid
A series of evenly spaced horizontal and vertical lines that are used to help draw and arrange objects.
See also document grid.
group
A set of objects that behave as one unit. Operations you perform on a group apply equally to each of its objects.
guideline
A horizontal, vertical, or slanted line that can be placed anywhere in the drawing window to aid in object placement.
gutter
The space between columns of text, also called the alley. In printing, the white space formed by the inside margins of two facing pages.
H
halftone
An image that has been converted from a continuous tone image to a series of dots of various sizes to represent different tones.
handles
A set of eight black squares that appear at the corners and sides of an object when the object is selected. By dragging individual handles,
you can scale, resize, or mirror the object. If you click a selected object, the shape of the handles changes to arrows so that you can rotate
and skew the object.
highlight, shadow, and midtone
Terms used to describe the brightness of pixels in a bitmap image. Brightness values range from 0 (dark) to 255 (light). Pixels in the first
third of the range are considered shadows, pixels in the middle third of the range are considered midtones, and pixels in the last third of
the range are considered highlights. You can lighten or darken specific areas in images by adjusting the highlights, shadows, or midtones. A
histogram is an excellent tool for viewing and evaluating the highlights, shadows, and midtones of images.
histogram
A histogram consists of a horizontal bar chart that plots the brightness values of the pixels in your bitmap image on a scale from 0 (dark) to
255 (light). The left part of the histogram represents the shadows of an image, the middle part represents the midtones, and the right part
represents the highlights. The height of the spikes indicates the number of pixels at each brightness level. For example, a large number of
pixels in the shadows (the left side of the histogram) indicates the presence of image detail in the dark areas of the image.
hotspot
The area of an object that you can click to jump to the address specified by a URL.
hotspotting
The process of adding data to objects or groups of objects so that they respond to events, such as pointing or clicking. For example, you can
assign a URL to an object, making it a hyperlink to an external website.
I
icon
A pictorial representation of a tool, object, file, or other application item.
image map
A graphic in an HTML document that contains clickable areas that link to locations on the World Wide Web, to other HTML documents, or
to graphics.
image resolution
The number of pixels per inch in a bitmap measured in ppi (pixels per inch) or dpi (dots per inch). Low resolutions can result in a grainy
appearance of the bitmap; high resolutions can produce smoother images but result in larger file sizes.
imagesetter
A high-resolution device that creates film or film-based paper output used in the production of plates for printing presses.
insert
To import and place a photo image, clipart object, or sound file into a drawing.
intensity
Intensity is a measure of the brightness of the light pixels in a bitmap compared with the darker midtones and dark pixels. An increase in
intensity increases the vividness of whites while maintaining true darks.
interlacing
In GIF images, a method that lets you display a web-based image on the screen at a low, blocky resolution. As the image data loads, the
image quality improves.
intersection
The point at which one line crosses another.
J
JavaScript
A scripting language used on the web to add interactive functions to HTML pages.
JPEG
A format for photographic images that offers compression with some loss of image quality. Because of their compression (up to 20 to 1)
and small file size, JPEG images are widely used in Internet publishing.
Glossary | 671
JPEG 2000
An improved version of the JPEG file format that features better compression and allows you to attach image information and assign a
different compression rate to an image area.
justify
To modify the spacing between characters and words so that the edges on the left, right, or both margins of a block of text are even.
K
kerning
The space between characters, and the adjustment of that space. Often, kerning is used to place two characters closer together than usual,
for example WA, AW, TA, or VA. Kerning increases readability and makes letters appear balanced and proportional, especially at larger font
sizes.
knockout
A printing term that refers to an area where underlying colors have been removed so that only the top color prints. For example, if you print
a small circle on a large circle, the area under the small circle is not printed. This ensures that the color used for the small circle remains true
instead of overlapping and mixing with the color used for the large circle.
L
Lab
A color model that contains a luminance (or lightness) component (L) and two chromatic components: “a” (green to red) and “b” (blue to
yellow).
layer
A transparent plane on which you can place objects in a drawing.
leader tabs
A row of characters placed between text objects to help the reader follow a line across white space. Leader tabs are often used in place of
tab stops, especially before text that is flush right such as in a list or table of contents.
leading
The spacing between lines of text. Leading is important for both readability and appearance.
linking
The process of placing an object created in one application into a document created in a different application. A linked object remains
connected with its source file. If you want to change a linked object in a file, you have to modify the source file.
library
A collection of symbol definitions that are included in a CorelDRAW (CDR) file. To share a library between drawings, you can export it to the
Corel Symbol Library (CSL) file format.
ligature
A character consisting of two or more letters joined together.
lightness
The level of brightness that is shared between a transparency and the object to which it is applied. For example, if a transparency is applied
to an object whose color appears bright, the transparency color takes on a comparable brightness. The same is true for a transparency that is
applied to an object whose color appears dark — the transparency takes on a comparable darkness.
lossless
A kind of file compression that maintains the quality of an image that has been compressed and decompressed.
lossy
A kind of file compression that results in noticeable degradation of image quality.
M
marquee select
To select objects or nodes by dragging the Pick tool or Shape tool diagonally and enclosing objects in a marquee box with a dotted outline.
master object
An object that has been cloned. Most changes you make to the master object are automatically applied to the clone.
master layer
A layer on a master page whose objects appear on every page of a multipage drawing. A master page can have more than one master layer.
master page
A virtual page that contains global objects, guidelines, and grid settings that apply to all pages in your document.
mesh fill
A type of fill that lets you add patches of color to the inside of a selected object.
metadata
Information about objects. Examples of metadata are names, comments, and cost assigned to objects.
micro nudge
To move an object in small increments.
See also nudge and super nudge.
midpoint
The point of a Bézier line that divides it into two parts of equal length.
miter limit
A value that determines when two lines that meet at a sharp angle switch from a pointed (mitered) joint to a squared-off (beveled) joint.
moiré pattern
The visual effect of radiating curves created by superimposing two regular patterns. For example, a moiré pattern can result from
overlapping two halftone screens of different angles, dot spacing, and dot size. Moiré patterns are the undesirable result of rescreening an
image with a different halftone screen or with the same halftone screen on an angle different from the original.
multiple select
To select multiple objects by using the Pick tool, or multiple nodes by using the Shape tool.
N
nested group
A group of two or more groups that behaves as one object.
nested PowerClip objects
Containers that hold other containers to form complex PowerClip objects.
nodes
The square points at each end of a line or curve segment. You can change the shape of a line or curve by dragging one or more of its nodes.
noise
In bitmap editing, random pixels on the surface of a bitmap, resembling static on a television screen.
Glossary | 673
nonprinting characters
Items that appear on the screen but do not print. They include the rulers, guidelines, table gridlines, hidden text, and formatting symbols,
such as spaces, hard returns, tabs, and indents.
nudge
To move an object in increments.
See also micro nudge and super nudge.
O
object (CorelDRAW)
A generic term for any item you create or place in a drawing. Objects include lines, shapes, graphics, and text.
one-point perspective
An effect created by lengthening or shortening one side of an object to create the impression that the object is receding from view in one
direction.
opacity
The quality of an object that makes it difficult to see through. If an object is 100 percent opaque, you cannot see through it. Opacity levels
under 100 percent increase the transparency of objects.
See also transparency.
open object
An object defined by a path whose start point and end point are not connected.
origin
The point in the drawing window at which the rulers intersect.
output resolution
The number of dots per inch (dpi) that an output device, such as an imagesetter or laser printer, produces.
outline
The line that defines the shape of an object.
overexposure
Excessive light in an image that gives it a washed-out appearance.
See also exposure.
overprinting
Overprinting is achieved by printing one color over another. Depending on the colors you choose, the overprinted colors mix to create a new
color, or the top color covers the bottom color. Overprinting a dark color on a light color is often used to avoid registration problems that
occur when color separations are not precisely aligned.
See also color trapping, choke, and spread.
P
paletted color mode
An 8-bit color mode that displays images of up to 256 colors. You can convert a complex image to the paletted color mode to reduce file
size and to achieve more precise control of the colors used throughout the conversion process.
pan(CorelDRAW)
To move the drawing page around in the drawing window. Panning changes the page view in the same way that scrolling moves the
drawing up, down, to the left, or to the right in the drawing window. When working at high magnification levels where not all of the
drawing is displayed, you can quickly pan to see parts of the drawing that were previously hidden.
Glossary | 675
progressive
In JPEG images, a method of having the image appear on screen in its entirety, at a low, blocky resolution. As the image data loads, the
image quality progressively improves.
Q
QuickCorrect™
A feature that automatically displays the fully worded form for abbreviations or the correct form for errors as you type. You can use
QuickCorrect to capitalize words or to correct common spelling and typographic errors automatically; for example, QuickCorrect can replace
“asap” with “as soon as possible” and “hte” with “the.”
R
radius
As applied to the Dust & Scratch filter, sets the number of pixels surrounding the damaged area that are used to apply the filter.
range sensitivity
A paletted color mode option that lets you specify a focus color for the paletted conversion. You can adjust the color and specify its
importance to guide converting.
rasterized image
An image that has been rendered into pixels. When you convert vector graphic files to bitmap files, you create rasterized images.
render
To capture a two-dimensional image from a three-dimensional model.
resample
To change the resolution and dimensions of a bitmap. Upsampling increases the size of the image; downsampling decreases the size of
the image. Resampling with fixed resolution lets you maintain the resolution of the image by adding or subtracting pixels while varying the
image size. Resampling with variable resolution keeps the number of pixels unchanged while changing the image size, resulting in lower or
higher resolution than that of the original image.
resolution
The amount of detail that an image file contains, or that an input, output, or display device is capable of producing. Resolution is measured
in dpi (dots per inch) or ppi (pixels per inch). Low resolutions can result in a grainy appearance; high resolutions can produce higher quality
images but result in larger file sizes.
rich text
Rich text supports text formatting, such as bold, italics, and underlining, as well as different fonts, font sizes, and colored text. Rich text
documents can also include page formatting options, such as custom page margins, line spacing, and tab widths.
RGB
A color mode in which the three colors of light (red, green, and blue) are combined in varying intensities to produce all other colors. A value
between 0 and 255 is assigned to each channel of red, green, and blue. Monitors, scanners, and the human eye use RGB to produce or
detect color.
rollover
An interactive object or group of objects that changes its appearance when you click or point to it.
round-tripping
The conversion of a document saved in one file format, such as Portable Document Format (PDF), to another format, such as Corel
DESIGNER (DES) and then back again.
rotate
To reposition and reorient an object by turning it around its center of rotation.
S
saturation
The purity or vividness of a color, expressed as the absence of white. A color that has 100 percent saturation contains no white. A color with
0 percent saturation is a shade of gray.
scale
To change an object’s horizontal and vertical dimensions proportionally by a specified percentage. For example, scaling a rectangle that is 1
inch high and 2 inches wide by 150 percent results in a rectangle that is 1.5 inches high and 3 inches wide. The aspect ratio of 1:2 (height
to width) is maintained.
segment
The line or curve between nodes in a curve object.
selection box
An invisible rectangle with eight visible handles that appears around any object you select using the Pick tool.
shape recognition
The ability to recognize and convert hand-drawn shapes into perfect forms. To take advantage of shape recognition, you must use the Smart
drawing tool. For example, you can draw four pen strokes to sketch a rectangle, and the application will convert your hand-drawn lines into
a perfect rectangle.
simple wireframe view
An outline view of a drawing that hides fills, extrusions, contours, and intermediate blend shapes. Bitmaps are displayed in monochrome.
See also wireframe view.
size
To change an object’s horizontal and vertical dimensions proportionally by changing one of the dimensions. For example, a rectangle with a
height of 1 inch and a width of 2 inches can be sized by changing the value of the height to 1.5 inches. A width of 3 inches automatically
results from the new height value. The aspect ratio of 1:2 (height to width) is maintained.
skew
To slant an object vertically, horizontally, or both.
snap
To force an object that is being drawn or moved to align automatically to a point on the grid, a guideline, or another object.
source object
The object you use to perform a shaping action on another object, such as welding, trimming, or intersecting. The source object receives the
fill and outline attributes of the target object.
See also target object.
splash screen
The screen that appears when CorelDRAW starts. It monitors the progress of the startup process and provides information about copyright
and registration.
split blend
A single blend that is broken into two or more components to create a compound blend. The object where the blend is split becomes the
end object for one component of the blend and start object for the other.
spot color
In commercial printing, a solid ink color that prints individually, one plate per spot color.
Glossary | 677
spread
In commercial printing, a type of trap that is created by extending the foreground object into the background object.
style
A set of attributes that controls the appearance of a specific type of object. There are three style types: graphic styles, text styles (artistic and
paragraph), and color styles.
stylus
A pen device, used in conjunction with a pen tablet, that allows you to draw paint strokes. A pressure-sensitive stylus allows you to vary your
strokes with subtle changes in pressure.
subpaths (CorelDRAW)
Subpaths are the basic curves and shapes from which a single curve object is constructed.
subscript
Text characters that are positioned below the baseline of the other characters in a line of text.
subtractive color model
A color model, such as CMYK, that creates color by subtracting wavelengths of light reflected from an object. For example, a colored ink
appears blue if it absorbs all colors except blue.
super nudge
To move an object in large increments by pressing Shift and an Arrow key. The super nudge value is multiplied by the nudge value to obtain
the distance by which the object is moved.
See also nudge and micro nudge.
superscript
Text characters that are positioned above the baseline of the other characters in a line of text.
swap disk
Hard drive space used by applications to artificially increase the amount of memory available in your computer.
swatch
One of a series of solid-colored patches used as a sample when selecting color. A printed booklet of swatches is called a swatchbook. Swatch
also refers to the colors contained in the color palette.
symbol
A reusable object or group of objects. A symbol is defined once and can be referenced many times in a drawing.
symbol instance
An occurrence of a symbol in a drawing. A symbol instance automatically inherits any changes made to the symbol. You can also apply
unique properties to each instance, including size, position, and uniform transparency.
T
tangent
A straight line that touches a curve or an ellipse at a point, but does not cross the curve or ellipse at that point.
target object
The object you perform a shaping action on, such as welding, trimming, or intersecting with another object. The target object retains its fill
and outline attributes while copying these attributes to the source objects used to perform the action.
See also source object.
Glossary | 679
TrueType fonts
A font specification developed by Apple. TrueType fonts print the way they appear on the screen and can be resized to any height.
TWAIN
By using the TWAIN driver supplied by the manufacturer of the imaging hardware, Corel graphics applications can acquire images directly
from a digital camera or scanner.
two-point perspective
An effect created by lengthening or shortening two sides of an object to create the impression that the object is receding from view in two
directions.
U
underexposure
Insufficient light in an image.
See also exposure.
uniform fill
A type of fill used to apply one solid color to your image.
See also fill.
Unicode
A character encoding standard that defines character sets for all written languages in the world by using a 16-bit code set and more than
65, 000 characters. Unicode lets you handle text effectively regardless of the language of the text, your operating system, or the application
you are using.
URL (Uniform Resource Locator)
A unique address that defines where a webpage is located on the Internet.
V
vanishing point
A marker that appears when you select an extrusion or an object to which perspective has been added. With an extrusion, the vanishing
point marker indicates the depth (parallel extrusion) or the point at which the extruded surfaces would meet if extended (perspective
extrusion). In both cases, the vanishing point is indicated by an X.
vector graphic
An image generated from mathematical descriptions that determine the position, length, and direction in which lines are drawn. Vector
graphics are created as collections of lines rather than as patterns of individual dots or pixels.
See also bitmap.
vector object
A specific object within a drawing that is created as a collection of lines rather than as patterns of individual dots or pixels. Vector objects are
generated from mathematical descriptions that determine the position, length, and direction in which lines are drawn.
W
watermark
A small amount of random noise added to the luminance component of the image pixels which carries information about the image. This
information survives normal editing, printing, and scanning.
weld
To combine two objects into a single curve object with a single outline. A source object is welded to a target object to create a new object
that takes on the fill and outline attributes of the target object.
white point
The measurement of white on a color monitor that influences how highlights and contrast appear.
Z
zoom
To reduce or magnify the view of a drawing. You can zoom in to see details or zoom out for a broader view.
ZIP
A lossless file compression technique that results in smaller file size and faster processing time.
Glossary | 681