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The document discusses the significant influence of Etruscan civilization on early Rome, highlighting their social, religious, and architectural contributions. It explores the origins of the Etruscans, their urban development, and the adoption of their cultural practices by the Romans, particularly in religion and architecture. The essay concludes with the Etruscans' eventual decline and their lasting impact on Roman identity and culture.

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0% found this document useful (0 votes)
20 views7 pages

CL 100 Second Research Paper - Google Docs

The document discusses the significant influence of Etruscan civilization on early Rome, highlighting their social, religious, and architectural contributions. It explores the origins of the Etruscans, their urban development, and the adoption of their cultural practices by the Romans, particularly in religion and architecture. The essay concludes with the Etruscans' eventual decline and their lasting impact on Roman identity and culture.

Uploaded by

fmojo541
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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‭Sarker‬‭1‬

‭CL 100 - Archaeology and Rediscovery of the Classical World‬

‭Instructor Name: Alessandro Sebastiani‬

‭Person ID Number: 50560197‬

‭Student Name: Ahad Sarker‬

‭Chosen Reference System: MLA Format‬

‭The Influence of Etruscan Civilization into Early Rome‬

‭The Etruscan society which dominated central Italy well before Rome, consisted of‬

‭most of the cultural, religious, and architectural features of Roman society. Between the 9th‬

‭and 1st centuries BCE, the Etruscans established a society of social institutions, complex‬

‭religious practices, and high art, which was later taken by Rome and shaped Roman society.‬

‭The Dodecapoli – a network of Etruscan city-states and their role in Mediterranean‬

‭commerce, not to mention their elaborate religious practices such as augury and haruspicy,‬

‭which Rome later adopted. We can see their impact on Rome and the West in the ways we‬

‭understand from the Etruscan settlement patterns, burial rituals, and art. We can also figure‬

‭out the main role of Etruscan culture in the construction of ancient Italy. This essay studies‬

‭how the Etruscans came to be, their history, and why they were so influential across the‬

‭ancient world.‬

‭The evolution of the Etruscan civilization and the beginnings of the Etruscan is a‬

‭very important topic that needs to be studied thoroughly. Historians proposed a wide range of‬

‭explanations such as, whether the Etruscans had come from Asia Minor, were settlers in Italy,‬

‭or were displaced by the Greek Pelasgians. The Greek historian Herodotus argued for a‬

‭hypothesis of migrants from Lydia in Asia Minor, proposing that due to economic hardship,‬

‭some of the residents of Lydia should migrate to new lands, so they eventually settled in Italy‬
‭Sarker‬‭2‬

‭(Nowlin). On the other side, Dionysius of Halicarnassus, another historian who is interested‬

‭in Roman native heritage, suggested that Etruscans were Italian natives and that their culture‬

‭had developed by itself.‬

‭Modern archaeological data argues in favor of a combination of these theories.‬

‭Material culture, language, and genetic data point to the Etruscan's emergence from‬

‭Villanovan culture, an early Iron Age society in Italy. The Villanovans who had lived in the‬

‭area from the 9th century BCE, practiced cremation and burial customs with the same ritual‬

‭that would characterize Etruscan funerary customs. The Etruscan culture was also formed‬

‭through commerce and cultural exchange with local societies, such as Greek colonies, mixing‬

‭Italian neighborhoods with foreign families (‬‭Caccioli,‬‭D. A)‬‭. This study confirms the idea‬

‭that the Etruscans were influenced by other cultures but their civilization was inseparable‬

‭from Italy’s indigenous inhabitants.‬

‭Etruscan civilization started as rural communities and evolved into a network of‬

‭urbanized city-states. This is clearly evident in the transition from the Villanovan era into the‬

‭8th century BCE when Etruscan city-states had been settled. Important cities such as Veii,‬

‭Tarquinia, Vulci, and Cerveteri grew into bigger urban centers with distinctive social‬

‭hierarchies and economies (Waltari, M.). Each city was distinct but connected by a common‬

‭language, culture, and artistic aesthetic that became a larger Etruscan identity.‬

‭The Etruscans set up a confederation of city-states called the Dodecapoli, the League‬

‭of Twelve Cities. This league was a bunch of disorganized city-states that retained‬

‭independence but cooperated on matters of common interest. This included commercial‬

‭activities and common religious beliefs. Each city stood on its own but worked to support‬

‭each other in ways that all could enjoy. In these cities, politicians could be found in the hands‬

‭of noble families who controlled substantial resources. These families held a crucial civic and‬

‭religious power and determined the character of each city. The leaders of Etruscan cities,‬
‭Sarker‬‭3‬

‭rather than electing them like Greek city-states, were usually chosen from the higher power‬

‭and elected with a mixture of powers, combining the beliefs and religious roles of the king‬

‭(Turfa, J. M.).‬

‭Agriculture, commerce, and artisanal skills ensured the success of Etruscan society.‬

‭They were renowned for metalwork and pottery production, producing bronze artifacts,‬

‭pottery, and jewelry. These products were much appreciated, not only in Etruscan society but‬

‭also by their neighbors, the Greeks and Phoenicians. Furthermore, Etruscans could also be‬

‭linked to other societies across the Mediterranean by exporting and importing exotic products‬

‭and introducing exotic cultures to influence Etruscan culture. Greek influence, moreover, had‬

‭a lasting impression on Etruscan culture, art, architecture, and practices. These connections‬

‭with other Mediterranean cultures played a crucial role in Etruscan identity, which merged its‬

‭own Italic tradition with elements from Greek, Phoenician, and Mediterranean cultures.‬

‭Religion was at the heart of Etruscan society, and it was a very important factor in‬

‭everyone’s life, from politics to everyday life. Etruscan gods and goddesses populated the‬

‭pantheon, many of them models for Greek gods but also possessing distinct Etruscan traits‬

‭and names. Tin, the leader of the gods, for example, was like the Greek Zeus and Tin’s wife‬

‭Uni was like Hera. Unlike the Greek and Roman gods, Etruscan gods were often seen as both‬

‭kind and unforgiving, who always required‬‭regular‬‭appeasement through ritual and sacrifice.‬

‭The practices‬‭of divination, particularly augury,‬‭and haruspicy were crucial‬‭to the Etruscan‬

‭religion. Such rituals thought to communicate the will of the gods, were a central part of‬

‭decision-making from city planning to war expeditions (‬‭Nowlin, J.‬‭). These divination‬

‭techniques were later adopted by the Romans, who used them in their religion. Haruspices,‬

‭liver diviners, remained central to the Roman religious practices, acknowledging the‬

‭importance of Etruscan rituals in Rome’s spiritual life.‬


‭Sarker‬‭4‬

‭The Etruscan temples, built in the Tuscanic tradition, further show the unique nature‬

‭of the civilization’s worship. Although Greek temples were usually seen as homes for the‬

‭gods, Etruscan temples were meant to be a place of public ritual. These buildings were‬

‭generally nicely decorated with painted terracotta plaques and figures of mythological‬

‭creatures. The temples were seen as religious institutions, reflecting Etruscan crafts and‬

‭devotion to the worship of their gods. Etruscan architectural styles and temple layouts‬

‭inspired Roman temple construction, and many of the early Roman temples, including the‬

‭Temple of Jupiter Optimus Maximus, display Etruscan elements (Turfa, J. M., Gleba, M., &‬

‭Becker, H.).‬

‭Etruscans had very complex beliefs about death and the afterlife, which shows in‬

‭their elaborate burial practices. They built large cemeteries (necropolei) containing a variety‬

‭of graves. These tombs took many forms, from simple pit burials to underfloor chambers.‬

‭The most popular were the tumuli or mound tombs. They were large, dome-shaped tombs‬

‭where entire families were buried, with generations of their kin all buried in the same‬

‭memorial. These monumental mound tombs confirmed the value of family life in Etruscan‬

‭society and expressed the belief that family relationships extended beyond the grave. Another‬

‭impressive tomb was the tholos, an elevated, circle-shaped tomb. The tholos demanded high‬

‭architectural knowledge, demonstrating the Etruscan artistry and respect for the dead. These‬

‭tombs reveal that Etruscans valued a fancy afterlife. They filled these tombs with anything‬

‭that would go with the dead – jewelry, pottery, weapons, and even everyday objects that the‬

‭dead would need in the afterlife. As evidence of their belief in a lavish afterlife, the Etruscans‬

‭embodied their belief in both the dead and the possibility of the next life after the grave‬

‭(Spivey, N. J.).‬

‭Sarcophagi and other funerary artifacts from these tombs reflected Etruscan ideas of‬

‭the afterlife. Many sarcophagi showed couples in bed, an artifact that shows the value of‬
‭Sarker‬‭5‬

‭family even when they die. There are paintings on the walls of some tombs of scenes from‬

‭the hereafter, where people travel through Hades or are welcomed by demons, such as‬

‭Charun, who looks like the Greek Charon who carried souls to hell. These types of images‬

‭suggest that the Etruscans viewed death as a continuation of the mortal world, in which the‬

‭dead would‬‭maintain their social roles and relationships‬‭even in the afterlife.‬‭Romans later‬

‭adopted these afterlife views, mixing Etruscan burial practices with their own (‬‭Magnan, O.‬‭).‬

‭It was the Etruscans themselves who also published sacred books like‬‭The‬

‭Acheruntici‬‭, which set out their ideas of the afterlife‬‭and the path of the soul. These writings‬

‭provided a structure for Etruscan rituals of death and burial, teaching the living how to‬

‭respect the dead and make sure they will go to heaven in peace. These works inspired Roman‬

‭funerary practices, as demonstrated in Roman rituals designed to honor their dead ancestors‬

‭and care for them in the afterlife.‬

‭The Etruscan empire started to collapse in the 5th century BCE, as the Roman‬

‭Republic began to expand across the Italian peninsula. Eventually, over a number of‬

‭centuries, the Romans gradually conquered Etruscan provinces and integrated them into the‬

‭Roman Republic through military conquests and political alliances. The Etruscan city of Veii‬

‭was a major center of trade, and after a long and difficult period, it was surrendered to Rome‬

‭in 396 BCE. Other Etruscan cities, including Tarquinia and Vulci, lost their right to the‬

‭Roman empire.‬

‭Although the Etruscans were removed from their power and rights, their civilization‬

‭left a very big impact on shaping Roman society. Many aspects of Roman culture, both‬

‭religious and architectural, were directly shaped by Etruscan customs. Romans, for example,‬

‭took up some Etruscan religious practices, including augury, a way of divining the will of the‬

‭gods through bird flight, and haruspicy, the divination of the guts of killed animals. These‬

‭rituals became a part of the official religious life of the Roman state. The Etruscan‬
‭Sarker‬‭6‬

‭architecture had an important influence on early Roman development. The significance of‬

‭Etruscans’ influence is Rome’s Temple of Jupiter Optimus Maximus, which embraced‬

‭characteristics of Etruscan design. This mixture of Etruscan and Roman styles in both‬

‭religion and architecture helped to lay the basis for Roman cultural identity. Etruscan‬

‭influence was felt long even after the rise of Rome. During the Renaissance, Tuscan scholars‬

‭and artists, looked back at Etruscan history and culture with renewed interest.‬
‭Sarker‬‭7‬

‭Works Cited‬

‭Caccioli, D. A. (2009).‬‭The Villanovan, Etruscan,‬‭and Hellenistic collections in the Detroit‬

‭Institute of Arts‬‭. Brill.‬

‭Izzo, H. (2019).‬‭Tuscan and Etruscan : The problem‬‭of linguistic substratum influence in‬

‭central Italy‬‭. University of Toronto Press,.‬‭https://doi.org/10.3138/9781487599867‬

‭Magnan, O. (2009). The Meaning of the Afterlife in the Etruscan Tomb Paintings of‬

‭Tarquinia.‬‭Ultimate Reality and Meaning‬‭,‬‭32‬‭(2-3–4),‬‭157–170.‬

‭https://doi.org/10.3138/uram.32.2-3-4.157‬

‭Nowlin, J. (2021).‬‭Etruscan orientalization‬‭. Brill.‬

‭Spivey, N. J. (1997).‬‭Etruscan art‬‭. Thames and Hudson.‬

‭Turfa, J. M., Gleba, M., & Becker, H. (2009).‬‭Votives,‬‭places, and rituals in Etruscan‬

‭religion : studies in honor of Jean MacIntosh Turfa‬‭(1st ed.). Brill.‬

‭Turfa, J. M. (2013).‬‭The Etruscan world‬‭(1st ed.).‬‭Routledge.‬

‭https://doi.org/10.4324/9780203526965‬

‭Waltari, M. (2016).‬‭The Etruscan‬‭. Pickle Partners‬‭Publishing.‬

‭Final word count - 1771‬

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