Marjie-Clemente (module base)
Marjie-Clemente (module base)
In other words, it can measure the actual outcomes of the use of the LIST OF KEY FEATURES IN MATERIALS ADAPTATION
materials and thus provide the data on which reliable decisions about the The following is a list of basic key points to take into account when
use, adaptation or replacement of the materials can be made. Ways of evaluating and adapting courses. However, these can be used simply as a
measuring the post-use effects of materials include: proposal to be developed further and adapted to different classroom
tests of what has been ‘taught’ by the materials; situations.
tests of what the students can do; l examinations; 1. Learner-centeredness and critical awareness development
interviews; There is a large amount of literature on learner-centered
questionnaires; approaches and principles (Nunan, 1988). However, there are very
criterion-referenced evaluations by the users; few language teaching and learning materials which, in my opinion,
post-course diaries; are truly learner-centered, in the sense that their aims are the
post-course ‘shadowing’ of the learners; development of learners’ critical awareness, linguistic empowerment
post-course reports on the learners by employers, subject tutors, etc. and therefore learner autonomy. The materials should put learners at
the center of the learning process and make them input providers
The main problem, of course, is that it takes time and expertise to (hence part of the materials adaption process), whereas teachers
measure post-use effects reliably (especially as, to be really revealing, there should be facilitators and coordinators and should provide a stimulus,
should be measurement of pre-use attitudes and abilities in order to provide a starting point, for language exposure as well as for different
data for post-use comparison). But publishers and ministries do have the approaches to learning. Materials adaptation, therefore, should be
time and can engage the expertise, and teachers can be helped to design, shared between materials developers, teachers and learners.
administer and analyse post-use instruments of measurement. Then we will 2. Flexibility and choice
have much more useful information, not only about the effects of particular Materials should be flexible, in the sense that they should
courses of materials but about the relative effectiveness of different types of provide learners with the possibility of choosing different activities,
materials. Even then, though, we will need to be cautious, as it will be very tasks, projects and approaches, thus of adapting the materials to their
difficult to separate such variables as teacher effectiveness, parental own learning needs. At the same time, however, given the fact that the
support, language exposure outside the classroom, intrinsic motivation, etc. majority of learners are not used to this type of approach to learning,
For a description of the process of post-use evaluation of piloted they should also be exposed to a variety of different activities and
materials see Donovan (1998), for descriptions of how publishers use focus approaches, so that they themselves become more flexible learners,
groups for post-use evaluation of materials see Amrani (2011) and for having experienced different ways of learning. Materials, then,
suggestions of how teachers could do post-use micro-evaluations of should, on the one hand, provide choice but, on the other hand, also
materials see Ellis (1998, 2011). For reports of projects which conducted enable learners to develop a variety of skills and learning styles by
post-use evaluation of materials in many different countries see Tomlinson encouraging them to experience a wide range of tasks and approaches,
and Masuhara (2010). so that they may also become more independent learners. Materials
can, for example, include a choice of tasks ranging from analytical
TEACHER-CENTERED AND LEARNER-CENTERED APPROACH ones (such as those based on grammatical awareness) to more creative
ones (such as those based on creative writing). Learners can be
Adapting materials encouraged to experience them all at one point and then also make
Despite the fact that it seems a relatively under-researched discipline, in choices at a later stage.
many ways adapting materials is an inevitable process as it is always 3. Open-endedness and aesthetic experience
carried out as part of classroom practice. The simple fact of using a piece of If materials allow only one possible right answer, they do not
teaching/learning materials inevitably means adapting it to the particular leave space for interpretation and adaptation, whereas if they are
needs of a specific teaching and learning scenario. In the practice of open-ended they can become more relevant to learners. In many ways
language teaching, this has been accepted for quite a long time now this is related to the concept of Aesthetic Experience, an idea which
(Madsen and Bowen, 1978). originated from the theory of Aesthetic Response as put forward by
Rosenblatt (1995). Aesthetic Response refers to the process of
Teacher-centred Approach reacting spontaneously when reading literary texts, hence it involves
A teacher-centred approach to adaptation Having proposed the interaction between readers, language and texts (Iser, 1978; Hirvela,
importance of materials adaptation as a relevant and useful link between the 1996). Some of the major elements of such type of experiential
reality of the language classroom and SLA research findings, there is response, such as the voice of the narrator and that of the reader, as
obviously a great need to develop such a process further and put it into well as the role of the receiver and the one of the producer of the
practice in a more systematic manner. However, materials adaptation, in the literary input, become overlapping and interchangeable. Aesthetic
great majority of cases, is still left to the teachers’ hands, and it is largely Experience, therefore, typically represents the immediate response to
based simply on their intuition and experience. On the one hand, research language and literature experienced by the receiver and the producer,
has, for decades, stressed the importance of the learner and their role in the as well as their later interpretations and reactions. Literature and
language classroom; many areas of research, have extensively explored and Aesthetic Experience are inevitably part of a subjective process which
described the advantages of learner involvement in programme design, is created every time the text is read or written. Reading and
methodology, materials selection and adaptation, since the 1970s and 1980s interpretation are always different: we have different reactions every
(Nunan, 1988; Clarke, 1989). On the other hand, particularly as far as time we aesthetically experience a poem, a novel, etc. (Saraceni,
adapting courses is concerned, learners are traditionally left with a rather 2010).
passive role. A parallel point should be drawn here between aesthetic
experience and materials adaptation. Aesthetic Experience
Learner-centered Approach (Rosenblatt, 1994, 1995; Saraceni, 2010) promotes the subjectivity of
A learner-centered approach to adaptation Clarke (1989) texts and their various interpretations. In a similar way, also materials
provides a typical example of a learner-centered approach to adaptation: he for teaching and learning purposes should promote an aesthetic
acknowledges the importance of learner involvement in the adaptation experience, in the sense that they should, not only be based on
process, and he distinguishes what he calls a Negotiated Syllabus, from an right/wrong testing and practice but, rather, they should also focus on
Externally Imposed Syllabus. The former is internally generated, and it is a open-ended tasks and texts. For example, in relation to texts, materials
result of the product of negotiation between teacher and students. The latter should include also those which are open to many different ideas and
is a syllabus imposed by an external body such as the teacher, the institution points of view and encourage a variety of interpretations. Therefore,
or any other administrative authority. There is, however, a fine line between texts and tasks should be included with the main purpose of
the Negotiated Syllabus and the Externally Imposed Syllabus in the sense promoting a subjective response, whether this be in relation to a
that the former turns out, very often, to also be an imposed syllabus for the reading text or to a listening one. If materials present open spaces or
reasons given below. gaps (Eco, 1993, 1995), they can allow learners to form their own
If we write about the learner’s more active role in the adaptation interpretations and ideas and, therefore, to take control of the
process and his/ her negotiation with the teacher, we are assuming that the adaptation process. In this context, the aim of materials moves from
syllabus is the product of cooperation between the teacher and the learners. comprehension testing, which allows only a rather superficial intake
However, generally in this case, the teacher’s input tends to become the of the input, to a deeper understanding and awareness of the language
dominant one, accepted by the learners as the ‘right one’ and the one to exposure, with the emphasis on individual differences.
follow, whereas the learners’ ideas on adapting materials are very often 4. Relevance
perceived to be ‘wrong’ if different from those of the teacher. This still In an attempt to draw a link between the adaptation process and
comes from the traditional, teacher-centered concept of teachers feeding reading, materials left open-ended, as explained above, have the
potential to become relevant to the learners when they fill those gaps
with their ideas, interpretations and discussions. It is only at this level
that materials acquire significance and become potentially beneficial
for the learners. It is, in fact, by virtue of such contributions that
materials can be adapted and developed further. Adaptation is,
therefore, essential in making materials relevant and potentially more
effective for learning development.
5. Universality
Materials should be based on universally appealing topics,
which are culturally provoking in the sense that they are culturally
specific but, at the same time, they are present in all cultures. A rich
source of this type of topics comes from Literature, which typically
involves themes based on life experiences, feelings, relationships.
These are present in all cultures, but they can be looked at from
different angles and experienced in different ways. Universality of
topics provides a stimulus for discussion, and it enables learners to
focus on and gain a better understanding of cultural differences as
well as cultural commonalities (Jiang, 2000)
6. Authentic and non-authentic input
Materials should be based on authentic texts, those texts which
have been written for any purpose other than language teaching. At
the same time, there should also be a combination of authentic and
non-authentic tasks, based on realistic scenarios, in order to expose
the learners to realistic input. In my view a significant role is played
by the use of non-authentic tasks with authentic texts. For example,
tasks which aim at drawing the learners’ attention to certain linguistic
features of the input with activities based on texts selected from
authentic sources, can be beneficial for language awareness
development.
7. Provocative topics and tasks
Materials should include topics and activities that can
potentially provoke a reaction, hence an aesthetic experience (whether
it be positive or negative) that is personal and subjective. These can
make learning more engaging and perhaps also more humanistic.
From my point of view, topics are not to be considered
intrinsically provocative, but the activities associated with them can
potentially make the materials more or less provocative, thus more or
less engaging. In my experience, however, certain topics related to
Personal Life, Family, Parents, Relationships, Emotions, Inner Self
can achieve this aim more effectively, rather than those topics very
often associated with controversy such as Politics, War, Racism,
Drugs, etc.
However, although students generally feel engaged when
exposed to provocative topics, at first a few may show some
resistance to such personal depths. Students in general are used to
traditional ways of being taught; they are not always ready to be
challenged and to step beyond the usual safer topics. In some cases,
they are so used to teacher-centered teaching, that they find it more
reassuring and credible. This, however, further demonstrates their
need to be gradually exposed to different types of input, to enable
them to express their opinions and to further develop their
interpretations and points of view, hence, to develop their flexibility
as learners.