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Victor's Horror at His Creation

In this excerpt from 'Frankenstein,' Victor Frankenstein describes the moment he brings his creature to life, only to be horrified by its appearance and the reality of his creation. His initial excitement turns to disgust and fear, leading him to flee from the creature and spend a restless night filled with nightmares. The passage highlights the themes of ambition, the consequences of playing God, and the emotional turmoil experienced by Victor as he confronts the monstrosity of his own making.

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0% found this document useful (0 votes)
299 views2 pages

Victor's Horror at His Creation

In this excerpt from 'Frankenstein,' Victor Frankenstein describes the moment he brings his creature to life, only to be horrified by its appearance and the reality of his creation. His initial excitement turns to disgust and fear, leading him to flee from the creature and spend a restless night filled with nightmares. The passage highlights the themes of ambition, the consequences of playing God, and the emotional turmoil experienced by Victor as he confronts the monstrosity of his own making.

Uploaded by

alaneortz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Frankenstein: 1818 Text Close Reading 1

Directions: Students will annotate the excerpt using the annotations guidelines. Students will
then answer three questions regarding the text.

CHAPTER IV.

It was on a dreary night of November, that I beheld the accomplishment of my toils. With an
anxiety that almost amounted to agony, I collected the instruments of life around me, that I might
infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the
morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when,
by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it
breathed hard, and a convulsive motion agitated its limbs.
How can I describe my emotions at this catastrophe, or how delineate the wretch whom with
such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had
selected his features as beautiful. Beautiful!—Great God! His yellow skin scarcely covered the
work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a
pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes,
that seemed almost of the same colour as the dun white sockets in which they were set, his
shrivelled complexion, and straight black lips.
The different accidents of life are not so changeable as the feelings of human nature. I had
worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body.
For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded
moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror
and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out
of the room, and continued a long time traversing my bed-chamber, unable to compose my mind
to sleep. At length lassitude succeeded to the tumult I had before endured; and I threw myself on
the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain: I
slept indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom
of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I
imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared
to change, and I thought that I held the corpse of my dead mother in my arms; a shroud
enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started
from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb
became convulsed; when, by the dim and yellow light of the moon, as it forced its way through
the window-shutters, I beheld the wretch—the miserable monster whom I had created. He held
up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws
opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might
have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I
escaped, and rushed down stairs. I took refuge in the court-yard belonging to the house which I
inhabited; where I remained during the rest of the night, walking up and down in the greatest
agitation, listening attentively, catching and fearing each sound as if it were to announce the
approach of the demoniacal corpse to which I had so miserably given life.
Oh! no mortal could support the horror of that countenance. A mummy again endued with
animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was
ugly then; but when those muscles and joints were rendered capable of motion, it became a thing
such as even Dante could not have conceived.
I passed the night wretchedly. Sometimes my pulse beat so quickly and hardly, that I felt the
palpitation of every artery; at others, I nearly sank to the ground through languor and extreme
weakness. Mingled with this horror, I felt the bitterness of disappointment: dreams that had been
my food and pleasant rest for so long a space, were now become a hell to me; and the change
was so rapid, the overthrow so complete!
Morning, dismal and wet, at length dawned, and discovered to my sleepless and aching eyes the
church of Ingolstadt, its white steeple and clock, which indicated the sixth hour. The porter
opened the gates of the court, which had that night been my asylum, and I issued into the streets,
pacing them with quick steps, as if I sought to avoid the wretch whom I feared every turning of
the street would present to my view. I did not dare return to the apartment which I inhabited, but
felt impelled to hurry on, although wetted by the rain, which poured from a black and
comfortless sky.
I continued walking in this manner for some time, endeavouring, by bodily exercise, to ease the
load that weighed upon my mind. I traversed the streets, without any clear conception of where I
was, or what I was doing. My heart palpitated in the sickness of fear; and I hurried on with
irregular steps, not daring to look about me:
Like one who, on a lonely road,
Doth walk in fear and dread,
And, having once turn’d round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.*

*Coleridge’s “Ancient Mariner.”

Students will write a one-paragraph answer for the following questions:

1. What is the main conflict introduced in pages 45-47 of "Frankenstein"? Provide specific
examples from the text to support your answer.

2. How does Victor Frankenstein's emotional state evolve throughout these pages? Provide
specific examples from the text to support your answer.

3. Analyze how Mary Shelley uses descriptive language to create a specific mood in this
section.

Common questions

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The duality of creation and destruction in Victor's feelings post-experiment highlights the fragile line between innovation and chaos. His initial ambition to "infuse life into an inanimate body" shifts instantly to feelings of horror upon success, reflecting how creation can pivot to destruction when its outcomes are unforeseen and perilous . Victor’s literal act of creation begets emotional and social destruction, as he becomes alienated and mentally disturbed, unable to reconcile the reality of his scientific endeavor with its monstrous result . This theme underscores a critical commentary on the reckless pursuit of knowledge without ethical foresight .

Victor's oscillation between wanting to forget and the compulsion to remember reflects an intense internal struggle with guilt and accountability. Despite his attempts to "seek a few moments of forgetfulness," the narrative depicts him continually disturbed by "the wildest dreams," indicating an inability to escape the psychological torment of his actions . His restless wandering through the night, "not daring to look about," signifies an ever-present dread and acknowledgment of the reality he wishes to escape, thus embodying the complex interplay between his conscience and denial .

Victor's initial sense of accomplishment, quickly overshadowed by despair, underscores the unintended consequences of unchecked scientific ambition. The transition from "infinite pains and care" to create life to experiencing "breathless horror and disgust" at his success illustrates the futile nature of his obsessive pursuit devoid of foresight . This shift highlights the novel's critique of the Enlightenment's faith in reason and progress, portraying how ambition without ethical boundaries can lead to destructive outcomes and personal ruin . Shelley's narrative thus cautions against the hubris inherent in attempting to transcend natural limits without responsibility.

Shelley's allusion to Coleridge's "Ancient Mariner" amplifies the sense of dread by drawing parallels between Victor's plight and that of the Mariner, who similarly suffers from overwhelming guilt and fear. The quoted lines depict perpetual fear and the inescapability of one's actions, heightening the psychological burden felt by Victor as he realizes the monstrous consequences of his act . This allusion deepens the horror and moral implications in the narrative, aligning Victor with legendary tales of torment where the natural order is disrupted, enhancing the tone of doom and regret through literary connection .

Frankenstein's description of the creature features a stark juxtaposition between beauty and horror, underscoring societal superficiality in judging external appearances. The creature's features are paradoxically described as beautiful, with "lustrous black" hair and "pearly" teeth, yet they form "a more horrid contrast" against its "shrivelled complexion" and "watery eyes" . This contrast reveals societal tendencies to equate physical appearance with moral worth, as Frankenstein's immediate horror upon beholding the creature's grotesque appearance leads to his proprietary rejection. This critique reflects the broader theme of superficial judgments based on appearance instead of intrinsic humanity .

Shelley employs gothic elements, such as grotesque imagery and an oppressive atmosphere, to intensify the mood of horror and revulsion. The creature's appearance, described with "yellow skin scarcely covered the work of muscles and arteries beneath," and "livid" teeth in stark contrast with his "watery eyes," creates a visceral sense of unease . The setting—"a dreary night of November" and "the rain pattered dismally against the panes"—further adds to the oppressive atmosphere, heightening the tension and anxiety inherent in the scene, which reflects the thematic concerns of transgressed natural boundaries and the consequences of unchecked ambition .

Frankenstein's initial reaction to his creation reveals deep moral and psychological conflict. Despite his anticipation and hard work, upon animating the creature, he is overwhelmed by horror and disgust: "the beauty of the dream vanished, and breathless horror and disgust filled my heart" . This reflects a failure to foresee the consequences of his actions, suggesting an arrogance and recklessness in his pursuit of scientific advancement. His immediate revulsion and subsequent abandonment of the creature signify internal turmoil and shame, revealing his unpreparedness for parenthood and responsibility for his creation .

Victor's inability to confront his creation suggests a profound moral cowardice and failure to accept responsibility. His immediate abandonment is indicative of an escapism born from fear and revulsion at the tangible manifestation of his hubris . Victor's evasion highlights a critical flaw in his character: an intellectual arrogance unaccompanied by emotional and moral fortitude. This reflects a deeper critique of scientific pursuit devoid of ethical considerations, as Victor is portrayed as ill-equipped to deal with the consequences of his actions .

Victor's dream immediately after witnessing the creature's animation is laden with symbolism revealing subconscious fears and guilt. He dreams of Elizabeth, whose transformation into his "dead mother" symbolizes the death of his innocent ambitions and the association of his creation with mortality . The vivid imagery of "grave-worms crawling" suggests his deep-seated fear of death and corruption, while the dream's progression from beauty to horror mirrors the real-life transition of his scientific dream into a nightmare, reflecting an inner acknowledgment of overstepping moral and natural boundaries .

Victor's isolation, vividly depicted in his reaction post-creation, underscores a broader theme of alienation present throughout the novel. His withdrawal from society and inability to integrate the creature into human life highlight his severance from humanity, a consequence of his obsessive ambition . Avoiding contact and fleeing from the creature illustrates his self-imposed exile due to shame and fear. This isolation reflects broader themes of the novel regarding the potential fallout from unchecked scientific pursuit, where characters, both creator and creation, suffer the ramifications of being cut off from communal bonds and love .

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