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Stamping

The document is a musical score for 'Stamping Dance' from Bartók's Mikrokosmos, Vol. 5, indicating a moderato tempo and various dynamic markings. It includes specific instructions for performance, such as 'pesante' and 'sempre simile', and features changes in tempo throughout the piece. The score is structured with measures and notations for musicians to follow during the performance.

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0% found this document useful (0 votes)
555 views2 pages

Stamping

The document is a musical score for 'Stamping Dance' from Bartók's Mikrokosmos, Vol. 5, indicating a moderato tempo and various dynamic markings. It includes specific instructions for performance, such as 'pesante' and 'sempre simile', and features changes in tempo throughout the piece. The score is structured with measures and notations for musicians to follow during the performance.

Uploaded by

algodoo 2048
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Stamping Dance

No. 128 from Mikrokosmos, Vol. 5


Bartók

 42           
Moderato (q = 112)

 pesante
 2           
     
sempre simile

     
                   
7

           
     


  
       
   
      
     


13

        
         


     
               
19

  
 
              

cresc.


  
     
pochiss. allarg.

       4     
Un poco più mosso (q = 120)
3 2
25

4
  
 
   
   
3   
4    4     
    
2

   
              

31



     
               
 
 
2

             
 
37

     
 
     
   
      

  2
                       43
41 poco a poco ritard.

        
4
 
               
  2
       
3
      
4 4

  (q =92)         
 42                 
46 al Meno mosso

 

      
dim.

 
 2 
4 

  
                                       
accel.
54

       
        
cresc.

          
al Piú mosso (q = 120)

        
59

  
         
           
(cresc.)

 

   
  
         
62

         
             
      
   

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