GR 9 Term 1 2019 EFAL Content Book
GR 9 Term 1 2019 EFAL Content Book
CONTENT BOOKLET:
TARGETED SUPPORT
ENGLISH FIRST
ADDITIONAL
LANGUAGE
Term 1
A Message from the NECT
Dear Teachers
This learning programme and training is provided by the National Education Collaboration Trust
(NECT) on behalf of the Department of Basic Education (DBE)! We hope that this programme
provides you with additional skills, methodologies and content knowledge that you can use to teach
your learners more effectively.
What is NECT?
In 2012 our government launched the National Development Plan (NDP) as a way to eliminate
poverty and reduce inequality by the year 2030. Improving education is an important goal in the
NDP which states that 90% of learners will pass Maths, Science and languages with at least
50% by 2030. This is a very ambitious goal for the DBE to achieve on its own, so the NECT was
established in 2015 to assist in improving education.
The NECT has successfully brought together groups of people interested in education to work
together to improve education. These groups include the teacher unions, businesses, religious
groups, trusts, foundations and NGOs.
The programme began in 2015 with a small group of schools called the Fresh Start Schools (FSS).
Curriculum learning programmes were developed for Maths, Science and Language teachers in
FSS who received training and support on their implementation. The FSS teachers remain part of
the programme, and we encourage them to mentor and share their experience with other teachers.
The FSS helped the DBE trial the NECT learning programmes so that they could be improved and
used by many more teachers. NECT has already begun this scale-up process in its Universalisation
Programme and in its Provincialisation Programme.
Everyone using the learning programmes comes from one of these groups; but you are now
brought together in the spirit of collaboration that defines the manner in which the NECT works.
Teachers with more experience using the learning programmes will deepen their knowledge and
understanding, while some teachers will be experiencing the learning programmes for the first time.
Let’s work together constructively in the spirit of collaboration so that we can help South Africa
eliminate poverty and improve education!
www.nect.org.za
1. IMPORTANCE OF ROUTINES 4
2. READING REMEDIATION 6
3. READING SKILLS 16
4. TEXT FEATURES 21
5. LANGUAGE STRUCTURES AND CONVENTIONS 27
6. CYCLE 1: WEEKS 1 & 2 32
7. Cycle 1: Reading & Viewing Lesson 1 33
8. Cycle 1: Reading & Viewing Lesson 2 39
9. Cycle 1: Writing Lesson 46
10. CYCLE 2: WEEKS 3 & 4 57
11. Cycle 2: Reading & Viewing Lesson 1 58
12. Cycle 2: Reading & Viewing Lesson 2 64
13. Cycle 2: Writing Lesson 71
14. CYCLE 3: WEEK 5 & 6 82
15. Cycle 3: Reading & Viewing Lesson 1 83
16. Cycle 3: Reading & Viewing Lesson 2 88
17. Cycle 3: Writing Lesson 94
18. CYCLE 4: WEEKS 7 & 8 104
19. Cycle 4: Reading & Viewing Lesson 1 105
20. Cycle 4: Reading and Viewing Lesson 2 111
21. Cycle 4: Writing Lesson 118
22. CYCLE 5: WEEKS 7 & 8 129
23. Cycle 5: Reading & Viewing Lesson 1 130
24. Cycle 5: Reading and Viewing Lesson 2 136
25. Cycle 5: Writing lesson 142
TIMING
CAPS (page 12) indicates that schools should have 4 hours per week for EFAL UNLESS they are
using EFAL as their language of learning and teaching, in which case they should have 5 hours per
week. Two suggested timetables are included below, depending on whether you have 4 or 5 hours per
week of EFAL.
The biggest challenges facing you are time and commitment. You will have to find regular time in
your week to work with learners who experience barriers to reading. You, and the learners involved,
will also have to be committed to this process, as it takes consistent time and effort to remediate
reading.
When considering the issues of time and commitment, think about the value that you will be adding
to the lives of the learners that you help. Reading is integral to all academic learning. Learners will
not progress if they cannot read. You will be changing lives.
CAPS advocates using a balanced approach to teaching reading. This approach encourages
children to learn to read through phonics – by recognising the sounds in words and by sounding
words out, and through whole language – by recognising words as whole pieces of language.
Reading skills are developed by reading a text over with the teacher, by recognising familiar words,
and by working out what other words are.
1. Teach letter and sound recognition – learners must recognise all the letters in the alphabet.
They need to learn both the letter name and the sound the letter makes. They must be able to
read letters quickly and identify the sound they make correctly.
2. Teach phonics – learners must be able to identify and write all the sounds and blends that are
used to make words.
3. Teach word recognition – learners must be able to recognise and read many words by sight,
especially high-frequency words.
4. Teach vocabulary –we must constantly develop learner’s vocabularies. Learners cannot read
and understand words they do not know.
5. Teach fluency –learners must practise their reading skills using reading texts where they use
both their phonic decoding and word recognition skills. They should practice reading the text,
working towards reading at a good pace and without hesitation, in other words, until they can
read fluently.
6. Teach comprehension – we must teach learners strategies to try and understand what they are
reading. Reading without understanding has no purpose.
Consonant Sounds
1 /b/ b, bb big, rubber
2 /d/ d, dd, ed dog, add, filled
3 /f/ f, ph fish, phone
4 /g/ g, gg go, egg
5 /h/ h hot
6 /j/ j, g, ge, dge jet, cage, barge, judge
7 /k/ c, k, ck, ch, cc, que cat, kitten, duck, school, occur,
antique, cheque
8 /l/ l, ll leg, bell
9 /m/ m, mm, mb mad, hammer, lamb
10 /n/ n, nn, kn, gn no, dinner, knee, gnome
11 /p/ p, pp pie, apple
12 /r/ r, rr, wr run, marry, write
13 /s/ s, se, ss, c, ce, sc sun, mouse, dress, city, ice, science
14 /t/ t, tt, ed top, letter, stopped
15 /v/ v, ve vet, give
16 /w/ w wet, win, swim
17 /y/ y, i yes, onion
18 /z/ z, zz, ze, s, se, x zip, fizz, sneeze, laser, is, was,
please, xerox, xylophone
Consonant Diagraphs
19 /th/ (not voiced) th thumb, thin, thing
Table from Masterson, J. Stuart, M. Dixon, M. and Lovejoy, S. (2003) Children’s Printed Word
Database: Economic and Social Research Council funded project, R00023406
HOW DO I TRY TO 1. Give this group of learners their own set of small clearly printed flashcards
REMEDIATE THESE with the high frequency words on them. In addition, give them a set of
DIFFICULTIES WITH blank cards.
LEARNERS WHO 2. At the end of the day, send four or five cards home with the learners,
EXPERIENCE MORE together with the same number of blank cards.
SERIOUS CHALLENGES? 3. Tell the learners to read over the words when they get home.
4. Ask the learners to look at the word on each card and then copy the word
on to a blank card.
5. Once they have done this, tell the learners to shuffle their cards and then
to lay them on a table face up.
6. Learners should then try and match up the teacher’s printed cards with
their own written cards.
7. They must then display these words on a wall somewhere at home, and
they must try to read these words whenever they pass by.
8. Try to speak to the parent or guardian, and involve them in this process.
9. Be patient with the group, and praise them as they recognise new words.
HOW DO I TRY 1. Speak to the group about what you plan to do during the day. Use new
TO REMEDIATE words, ask the group to repeat the new words, ask the group questions,
THESE DIFFICULTIES which require the use of the new word in their answer.
WITH LEARNERS 2. Read different stories to the group – using new vocabulary in context.
WHO EXPERIENCE 3. Tell jokes and stories to the group – using new vocabulary in context.
MORE SERIOUS 4. Try to use a new word more than once, in different contexts.
CHALLENGES? 5. Praise these learners when they manage to use a new word in context.
6. Encourage children to ask the meaning of any new word they hear and
praise them when they do this.
Analysing, evaluating and Analysing a text is the process of knowing the purpose of why the text was
responding to texts written, who the intended audience is, the type of language that has been
used to achieve a purpose
E.g. persuasive, emotive, manipulative language; bias, stereotype. Evaluating
the text by comparing and contrasting it to similar texts.
Comparing and Comparing two pieces of similar writing.
contrasting E.g. reading two poems that both discuss love, perhaps with different
viewpoints. Noticing how the poems are similar and in which ways they are
different.
Clarifying Clarifying is the ability to check that the text has been understood by
answering certain questions, or by asking key questions or by repeating or
summarising the most essential ideas in your own words, rephrasing and
repeating the content.
Context clues The context is important when trying to work out the meaning of specific
words, or the general meaning of the text. The context is the story as a whole,
the sentences that support the main idea, the main ideas of each paragraph,
the setting, and the characters. All of these aspects can be used as clues
when a reader is attempting to work out a portion of the story or even the
meaning of one word.
Critical Language The ability to be aware of the choice of words and why they were selected by
awareness an author is part of critical language awareness. Knowing that the way a text
has been written is just as important as what has been written. The authors
own bias, choice of characters to represent a situation, gender bias, historical
emphasis, all of these aspects determine how a reader learns. Interacting
with a text is about being able to evaluate what the message and subtext or
purpose of the article is.
I think….
This could mean….
Maybe…
Interpreting cartoons Cartoons are often drawn to bring a message. Political cartoons are popular
in newspapers. To interpret the cartoon, ask what message is the artist trying
to bring, who are the characters being drawn and what is the reason? These
are skills of reading a cartoon.
Intensive Reading Intensive Reading involves reading in detail with specific learning aims and
tasks.
Paraphrasing Paraphrasing is retelling a story in your own words, making sure you don’t
change or leave out any important points but keeping only to the main ideas.
Personal opinion Based on the knowledge of what an opinion is and that opinions are neither
right nor wrong, learners must be able to make personal judgements.
Developing a personal opinion on a text must always be supported by valid
reasons relating to the text.
Purpose of a text (to The writer has a reason for his or her work. Sometimes it is just to entertain
inform, persuade) the reader, for fun or pleasure. Sometimes it is to share factual information
and sometimes it is to persuade the reader to think about a different way of
life, or to change their opinions on a topic.
Try to work out why the author has written the text. This will also help with
identifying language structures used.
• Keep in mind all the time what you are searching for
• Anticipate what the information you are looking for will look like. If it is who,
or where, it will have a capital letter, if it’s a date, it may be numbers
• Think about the organisation of the text and decide if you have to scan the
whole text, or if you would most likely find the information in the first, middle
or last paragraphs
• Let your eyes run over a few lines of a text at a time
• When you find the information you are looking for, read that section in
detail
Sequence of events The sequence is the order in which the events take place. Often sequencing
key words will be used.
E.g. firstly; then; next; followed by; lastly.
Sometimes the sequence of events can be tracked through the cause and
effect chain. Because one event happened, there was a certain reaction to it.
That then causes another event to happen.
Skim reading Skimming is a way of quickly moving your eyes over a text, with the purpose
of getting the main idea and general overview of the text.
Often it is useful to know a little about the author as it can help the reader to
understand the story better.
Summarise When we summarise we look for only the main ideas in each paragraph.
The supporting sentences that prove the main idea are not important when
summarising.
Visualising To paint a picture in your mind, to imagine the scene, to see the words in
pictures, in your mind as you read. To imagine what the character would look
like, to build an image or picture in your own mind.
Vocabulary development Vocabulary development is adding to the amount of words you know. You
can add to your vocabulary by reading new words and working out ways of
understanding them, including using a dictionary or clues from the text.
Ambiguity Ambiguity is when a sentence, phrase, word or joke can be interpreted in more
than one way, there is more than one way of understanding the statement, or
there is a double meaning, making it funny or confusing. Writers often use it
purposefully so the reader is not entirely sure of which of the double meanings
is true.
E.g. Sarah gave a bath to her dog wearing a pink t-shirt. Was Sarah wearing the
pink t-shirt or the dog?
Authors attitudes and The author will write a story or a play based on his or her own beliefs, or a
intentions message he or she wants to bring to the world. The author will use his or her
own history, childhood experiences or attitudes to bring the message across.
Often it is useful to know a little about the author as it can help the reader to
understand the story better.
Alliteration When reading a text, the audience is the group of people who will be reading
that text, if they are teenagers, boys, girls, the text will be written specifically for
that group.
Audience Alliteration is the repetition of one letter of the alphabet in a sentence. It helps to
create a rhythm or flow, especially in poetry. It can build suspense or humour
E.g. The silent snake slithered slowly over the sand
Mom made marvellous muffins on Monday for Muthusi
Assonance Assonance is the sound created when words that are close to each other in a
sentence have the same vowel sounds.
E.g. The silent snake slithered slowly over the sand
Mom made marvellous muffins on Monday for Muthusi
Background The background can be the historical or geographical setting of the novel. If we
understand the events that happened at a specific time in history, we are able to
understand why the characters behave and think a certain way.
Bias Bias in writing is a writing style that will favour one group, thing, person or point
of view over another.
E.g. using the pronoun he all the time may favour men or boys, giving the idea
that only men or boys are able to do that work.
Characters can be good or bad and the writer often wants the reader to
like or dislike certain characters. It can be useful for learners to make
Characterisation Making the character come alive, making the character seem real,
through details of how the character would dress, talk, walk, think, or act.
Conflict The part of the story when the tension is being explained. Conflict can be
created by an external event, or an internal personal struggle.
There are four major types of conflict:
• Person against person: a problem between two characters
• Person against self: a problem within the character’s own mind
• Person against society: a problem between a character and an
institution like a school or police force or a tradition
• Person against nature: a conflict between a character and a force of
nature like a tornado, hurricane, tsunami
Cliché A cliché is a phrase or opinion that has been overused, and now lacks
any original thought, due to long overuse
Climax The climax is the most important and most exciting part of a play or story.
Dialogue Dialogue is a word for conversation. When we read dialogue in a story,
we are reading what different characters say to each other. We can
identify dialogue by quotation marks and words like: said, asked, or
responded.
Emotive language Language used when a writer wants to convince the reader to believe
something. The writer uses words that make the reader feel strong
emotions.
The use of the pronouns “We, us” makes the reader feel part of
something.
Some adjectives are very strong and make the reader feel an emotion
like excitement, anger, sadness. This is emotive language that the author
has chosen to use for a purpose.
E.g. All a dog needs is love and food. Dog owners must care for their pets in
many ways. Dogs need attention, they like to have a ball thrown for them and
they like to go for walks. Some people give their dogs extra treats to eat like
slices of meat. As long as a dog is fed and loved it will be a happy pet.
The first sentence is the most important; the other sentences show different
ways of loving your pet so they are supporting the main sentence.
Metaphor The metaphor is figurative language most often used in poetry, where one
object is said to be another. This creates a visual image.
E.g. Her lips were red strawberries
His heart was a feather blown by the wind
Milieu The social setting in a script, play or story. The social environment, the
background, setting or context.
E.g. Gregory came from the same upper class milieu as Francis.
Mood The mood of a poem or a story is what emotions the poet or author is trying
to create. There are certain words that can be used to make the reader feel a
certain way.
Narrator The narrator is the person telling the story. There are different kinds of narrators.
These include:
a. A narrator who is a character in the story. This narrator will tell the story
from his or her own point of view. He or she will not know everything that is
going on, or how other characters think and feel.
b. A narrator who is not a character in the story. This narrator reports on events.
Redundancy To repeat a word or phrase too often, or simply in slightly different ways, means
the word is not necessary and is redundant.
Register Register is the type of language which has been used in a text, sometimes the
register is formal, sometimes the register is more informal.
Reported Speech Reported speech is also called Indirect speech. It is when a person is repeating
what was said, without the use of inverted commas.
E.g. “Study hard for your exams!” said the teacher.
The teacher said that we must study hard for our exams.
The word ‘that’ is used and the pronoun changes from ‘your’ to ‘our’. A class
member is reporting on what the teacher said.
Rhetorical question A rhetorical question is a question used by a writer or speaker, but they do
not expect or want an answer. It is simply used to make you think, or attract
attention.
E.g. How can you just sit there and do nothing?
This might be said by someone who is angry at another person, it is an
expression of their anger and does not require an answer.
Setting The setting gives us an idea of the time when the story or drama happens, as
well as where it takes place.
The setting gives us the physical locations. This is where the story or drama
takes place. The country, the community, the actual location – like classroom or
soccer pitch. Setting also included when the story occurs – the time period the
story is set in: modern, future or past time periods.
Simile A simile is a comparison between two objects using the key words as or like. It
shows that something is similar, used to create a clear mental image
E.g. His eyes were like knives; she was as tall as a giraffe
Theme and message The theme of a text helps to carry the message the author wants to convey.
Common themes are love, friendship, courage, death, greed.
Stereotyping is when the author states that a whole group of people think or
behave the same way. Stereotyping is not true. The behaviour might represent
the majority or a large part of the group, but never the whole group.
Visual texts Texts that show something in pictures and diagrams rather than only in words.
E.g. posters; adverts; charts; graphs.
E.g.
Dr. – Doctor
Mr. – Mister
Adj. – adjectives
Sept. – September
Geog. – Geography
Adjectives An adjective describes a noun. It gives us more information about the noun. It
adds details to the writing, helping the reader to visualise or imagine the story.
E.g.
Boy – eats
Boys – eat
We are going to town.
He is going to town.
We – are
He – is
Conjunctions and Contractions are a short way of writing out words in which some letters are left
transition words out and replaced with an apostrophe
Quantities of objects are also determiners. Such as: All, most, some, none,
both, either, neither, few, many, more, less, every, little. These determine how
many, how few objects are being counted.
E.g.
E.g. a bank can be where we keep our money, but a bank can also be the side
of a river.
Homophone A word which sounds the same as another word but is spelt differently and has
a different meaning.
Common nouns are the names of everyday objects, which are all around us.
E.g. table, chair, window, book, pen; tomato; bread; coat.
They are objects you can physically touch, see, smell, taste or hear.
Proper Nouns are the names of people or places. They must always be spelt
with capital letters.
E.g. Timothy; Sipho; Gauteng; Maponya Mall; Western Cape
E.g. Sally and Reba studied Sally and Reba’s work, so that Sally and Reba
could play afterwards. Sally and Reba studied their work so that U could play
afterwards.
Pronouns include he; him; his; she; her; I; me; my; you; us; we; they; them
Punctuation Punctuation is the markings which help us to make sense of sentences.
Punctuation includes full stops, commas, exclamations marks, question marks,
inverted commas, apostrophes and many more.
Reported speech Reported speech is also called Indirect speech. It is when a person is repeating
what was said, without the use of inverted commas.
The teacher said that we must study hard for our exams.
The word ‘that’ is used and the pronoun changes from ‘your’ to ‘our’.
A class member is reporting on what the teacher said.
• A short vowel sound like ‘e’ means the last consonant must be doubled before
adding –ing. Pet – petting
A long vowel sound like ‘ee’ means the last constant stays single before
adding – ing. Meet – meeting
• “i before e except after c”
• When a word ends in a ‘y’ and you want it be a plural, look to see if the letter before
the ‘y’ is a vowel or a consonant. If it is a vowel, you just add ‘s’. If it is a consonant,
you drop the ‘y’ and add –ies.
E.g:
• Monkey – monkeys
• Donkey – donkeys
• Country – countries
• Lady – ladies
• City – cities
Verbs Verbs are doing words, they refer to actions that are performed.
WRITING LESSONS
The number of hours that you have for Writing & Presenting in a two-week cycle will depend on the
total number of hours you have for EFAL. If you have 10 hours for EFAL, 3.5 of those hours will be for
Writing & Presenting. If you have 8 hours for EFAL, 2.5 of those will be for Writing & Presenting. If you
have 3.5 hours of Writing & Presenting time then you will allow learners to complete the writing task in
the text book AND follow the process writing lesson. If you have 2.5 hours of Writing & Presenting time
then you will only allow learners to complete the process writing task in the Content Booklet.
1. Teaching the Genre – this is where the genre is introduced to learners and the specific
purpose, features and layout of the genre are explained.
2. Modelling – the teacher models the planning and drafting stages for learners. She shows them
the thinking process she goes through to plan her own text. This gives the learners a clear idea
of what is expected of them and shows them how to go about it.
3. Planning – Next, the teacher allows the learners to use the planning strategy she has modelled
for them and supports them as they plan their own texts. The teacher also introduces the
learners to the topic and often shares some kind of stimulus with them, to encourage creativity.
In this stage, learners will be encouraged to THINK BEFORE THEY WRITE, to WRITE WHAT
THEY KNOW, to ZOOM INTO SMALLER MOMENTS, TO PLAN BEFORE THEY WRITE and to
TURN AND TALK to a partner.
4. Drafting – Once the plan has been developed, learners will use the teacher input and plan to
write a draft of the text. During this stage, the teacher must move around the classroom, holding
MINI CONFERENCES, and supporting learners as they write. Learners will be encouraged to
THINK OF THEIR AUDIENCE, to USE RESOURCES TO WRITE WORDS, and to READ WHAT
THEY WRITE.
5. Editing and Revising – Once learners have put it in a draft, the teacher must ask them to either
SELF EDIT or PEER EDIT the draft. Editing is always done using a checklist provided. In this
stage, learners are encouraged to READ WHAT THEY WRITE and to ADD DETAILS.
6. Rewriting & Presenting – Finally, once the edit and revisions are complete, learners will neatly
rewrite and present their writing. In this stage, learners will be asked to THINK ABOUT THEIR
AUDIENCE and teachers should ENCOURAGE WRITERS.
CYCLE 1
WEEKS
Now is the winter of our discontent.
– William Shakespeare, Richard III 1&2
READING
CYCLE 1: Reading & Viewing Lesson 1
CAPS REQUIREMENTS
TEXT 1 1 HOUR 45 MINUTES
What must be read? Information text – advertisement, poster
Text features to be taught • Character
• Setting
• Milieu
• Message
• Audience
• Headings and captions
• Persuasive text
• Emotive language
• Typography
Reading skills to be taught: • Skimming
• Scanning
• Intensive reading
• Summarising
• Visualising
• Inferring meanings of unfamiliar words
• Make inferences
• Compare, contrast and evaluate
• Context clues
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
1. Tell learners:
• to open their text book to the correct page and to look at the poster / advert
• to see how many different fonts are used (a font is a style of typing – bigger bolder print,
slanted print, smaller print, different shaped letters, larger or smaller)
• to notice where words are placed on a poster or advert
• to notice the colours used on the poster and the design
• to notice any interesting punctuation used in the text
1. The title and pictures on a poster are the main source of information.
2. Read the boldest font, the biggest and most eye catching font.
MAKING INFERENCES
1. Write the following questions on the board and ask the learners to TURN and TALK to a
friend and discuss these questions.
• Who or what is in the foreground? (The front of the picture, the biggest?)
• What is in the background of the picture?
• Do you recognise any landmarks?
• What sorts of buildings or objects are behind the main picture?
• Do these give an idea of the setting – where the events are taking place?
• What types of people are in the poster?
• Are they young or old?
• How are they dressed? In work overalls or in party style clothes?
• What are their facial expressions? Angry or excited?
• Who is this poster trying to attract? (The target audience)
2. Ask each pair of learners to feedback their answer to one of the questions on the board to
the rest of the class.
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
2. Explain that:
3. Remind learners that font is the typing style of the words. Words might be bigger, smaller, and
bolder, in print, cursive, italics, bubble letter format or other styles. The font that is chosen is
part of the message.
4. Tell learners to look out for the language style used, if emotive language is used to persuade
the audience to do something, to buy something, to feel something.
INTENSIVE READING
3. Read the words on the advert/poster with the learners again, then go back and ‘read’ the
pictures. ‘Reading’ an advert/poster means working out why the designer has designed the
poster/advert in this way. E.g. beautiful sunset meant to show peace and tranquility.
4. Show the learners how to annotate (add short notes) a poster/advert, using the diagram
below.
Pretty flowers -
Wide eyes - maybe a gift or a smiling
shows surprise peace offering? mouth shows
happiness
Picture/
cartoon/
advert beautiful
Holding hands - sunset - shows
shows friendship peaceful, happy
scene
beach in the
background -
maybe
on holiday
1. Try to infer the meaning of unfamiliar words by reading them in context. If you are unable
to work out the meaning, then use a dictionary.
2. Turn and talk to a partner and each use the word in a sentence of your own.
PARTNER READING
1. Work with a partner and discuss how many different fonts were used in the poster.
2. Discuss where the words are placed and if that was the best positon – would it have been
a better poster if the words were in the middle, or on the side?
3. Discuss the picture – was it effective, could the poster have had a different picture, if so,
what should it have been?
POST-READING 45 MINUTES
COMPLETE THE POST READING ACTIVITY IN THE TEXTBOOK
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be. Tell learners to
skim through the questions to find any they do not understand.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. With the remaining time, ask learners to close their eyes and visualise the poster in their minds.
8. Thereafter, learners must TURN AND TALK to give a summary of the main message of the poster.
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
3. Does the title introduce any characters, or a setting (when and where)?
4. Ask learners what they think the story is going to be about based on the title.
5. Ask learners to look at the picture. What clues about the story do we get from the
picture?
1. If you have multiple copies of a book for learners to look at, allow them to page through
this as you speak. If not, show them your book while you explain the following to the
learners.
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
1. Select a learner (one who is confident and comfortable reading in front of others) to read the
first paragraph out loud to the class.
2. Stop and ask another learner to paraphrase (to summarise briefly in their own words) what
the story is about so far.
3. Check the glossary for any words in the first paragraph that learners did not understand.
4. If the word is not in the glossary, use context clues to infer as a class what the meaning
might possibly be.
6. List the things the class knows so far, after the first paragraph about the setting and the
characters.
7. Repeat this process for each paragraph. Select a different learner to read each paragraph,
but repeat the process of read – paraphrase – work out unfamiliar words – list information
about character and setting.
INTENSIVE READING:
2. Partners work together and read the whole extract again to each other.
3. Tell the learners that while they are reading they should:
• look out for the main characters and try to notice as much about them as possible
• think about these questions:
4. Draw this table on the board and ask learners to copy it into their work books
5. After reading the text, ask learners to complete this table with information about the three
most important characters from the story.
6. Partners to discuss who is telling the story? Who is the narrator? Is it a character in the story, or a
third unseen person?
7. Explain that a narrator is a voice that tells the story, a voice that explains some of the plot,
the setting, what things look like. This can be one of the characters or an all seeing, all
TE
knowing voice. •M
•I
8. Partners to discuss which character in the story they liked the most and why, and which •E
character they liked the least and why. •B
•U
9. Partners to discuss which character they could identify with and why. •C
10. Ask the learners: R
• Have you ever felt the same way as the character? •s
• What happened to make you feel that way? •i
• Have you had a similar experience to the character’s experience? •m
• What was that experience and how was it similar to the character’s experience? •v
•f
SILENT READING •i
POST-READING 45 MINUTES
COMPLETE THE POST-READING ACTIVITY IN THE TEXTBOOK
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
WRITING
GENRE: Advertisement
CAPS DESCRIPTION OF GENRE: An advertisement catches and keeps the attention of the reader –
ensuring that the operative words stand out. It creates a desire to own the product or use the
service. A good advertisement will make the reader buy or use the products or service. The
following elements must be considered when designing an advertisement:
AUDIENCE: Grade 9s
TEXT FEATURES:
RESOURCES REQUIRED:
1. Personal dictionary
2. Textbooks
WORD BOXES
exciting, bonanza, discount, guarantee, special, market, promotion, prices, sale, lowest,
exclusive, quality, top, best, powerful, superb, robust, delicious, awesome, incredible,
fabulous, exciting, amazing, unbelievable, super, one day only, crazy, fantastic.
TEACHER INPUT
• The kind of language you use when writing an advert will depend on your target market and
what you are advertising
• An advert always has a clear purpose. The purpose of the advert should be clear
• An advert can be written in formal or informal language
• An advert can be funny or serious
• Adverts are usually short and quick to read
• Some adverts include scientific facts
3. If possible, draw this on the board before the learners arrive, if not draw it on the board while you
are talking to the learners.
NEXT SUNDAY
PLEASE BUY CAKE IN SUPPORT OF CHARITIES
SUNDAY, 22 March 2017
10.30 AM
4. Ask the following questions:
5. Ask learners to work in groups of four. Hand out one example of an advert you have brought in to
each group. Write the following questions on the board and ask the learners to discuss and
answer them in their groups. One learner must write down the group’s answers so that each
group can give feedback.
6. Ask each group to show the rest of the class their advert and feed back their answers.
TEACHER INPUT
1. Explain that today we are going to write an advertisement. This will be an advert on a poster.
3. The advertisement will promote a school event. E.g.: a school dance, a soccer match or a market
day, which will take place in the future.
4. Remind learners that WRITERS WRITE WHAT THEY KNOW so they should write about
something they know about.
6. Say:
a. Today I will write an advertisement about an upcoming school event. I must write about
something that excites me because WRITERS WRITE WHAT THEY KNOW.
b. I must write about one event because WRITERS ZOOM INTO SMALLER MOMENTS.
c. I will write about an upcoming soccer match.
d. I will use a mind map to plan.
Information
(Date, time,
venue of the
event)
Design (Font,
pictures,
layout
8. Show the learners how to plan the advertisement using the mind map . As you tell them each point
below, fill the information in on the mind map on the board. Remind learners they only need to use
words/phrases at this stage. Full sentences are not necessary.
• I must decide what event I am promoting in my advertisement. I will advertise this weekend’s soccer
derby against our arch rivals from another school. We need as much support for our team as
possible.
• The target market must be identified. The target market is made up of people who are supposed to
buy the product or attend the event. I will direct my advertisement at our school community – they
must come and support our school soccer team.
• Then I must include the important information: Where is the event taking place? What time does the
event start and finish? What date does the event take place? Who are we playing against? I will write
‘22 January 2017; kick off 10.30; school soccer field; Dinokeng High School vs. Orlando College; tuck
shop”.
• I must try and appeal to my school community to attend the match. I must use words and sentences
that encourage everyone to attend the derby. I will write ‘Soccer derby; biggest match; need your
support; home ground’.
• I must decide on a design. How will I set my advertisement out? Will I use a picture? How will the
information be placed in advertisement? There is no wrong way of setting up an advertisement as
long as all the information is clear.
9. Fill the information in on the mind map. It may look something like this:
22 Jan
2017, 10:30,
school
soccer field
picture of
soccer ball,
10. After you have planned all the information on your mind map, show learners how to draft the
advertisement on the chalk board. You may want to get a few learners to come up to the board
one at a time and help you fill in some information or draw a picture. Your draft on the board may look
something like this:
THIS WEEKEND
THEY NEED YOUR SUPPORT!
There will also be food and cold drinks available from the tuck-shop.
Last year we lost this match but this time it is
ON HOME GROUND
Make your way to the school soccer field.
PLANNING 30 MINUTES
OUTCOMES:
The learners will plan their adverts on the mind map.
TEACHER INPUT
Information
(Date, time,
venue of the
event)
Design (Font,
pictures,
layout
2. Tell the learners that now, they are going to plan their own advertisements, just like you planned
yours.
3. Tell learners to close their eyes and select a school event that they would like to advertise.
WRITERS THINK BEFORE THEY WRITE.
4. It must be an event that they know about, because WRITERS WRITE WHAT THEY KNOW.
6. Remind learners that they cannot advertise every aspect of an event so they must choose
carefully what works for their particular advertisement, because writers ZOOM INTO SMALLER
MOMENTS.
LEARNER ACTIVITY
DRAFTING 30 MINUTES
OUTCOMES:
The learners will write a first draft of their advertisements.
TEACHER INPUT
1. Tell learners to start working on the first draft of their advertisements, just as you did yours.
4. Tell the learners they must use the key words in their mind maps to write their advertisements.
6. Walk around and help any learners who need support. If some are finding it difficult to get started
they can TURN AND TALK to share their ideas with a partner.
7. Hold MINI CONFERENCES with groups of learners, offering advice, support and
encouragement.
8. If learners need help with the spelling or meaning of a new word, they should bring you their
personal dictionary and you can write it in there.
LEARNER ACTIVITY
1. Learners write their first drafts, using their mind maps to help them.
TEACHER INPUT
1. Tell learners that they will peer-edit their writing because WRITERS PEER-EDIT.
Checklist Yes No
1 Is there a clear heading?
2. Is all the information from the mind map is included in the advert?
3. Is persuasive or emotive language is used?
4. Are different font types and sizes are used?
5. Is there an appropriate image on the advert?
6. Is there is a clear target market?
7. Is the advert is 90 - 100 words long?
8. Is the spelling is correct?
9. Is the punctuation is correct?
LEARNER ACTIVITY
TEACHER INPUT
1. Tell learners to neatly re-write a final copy of their adverts, using the edited draft.
2. Thank the class for all their efforts in developing their writing skills.
3. Display the learners adverts on the wall once they are completed.
LEARNER ACTIVITY
COMPLETED EXAMPLE
THIS WEEKEND
THEY NEED YOUR SUPPORT!
There will also be food and cold drinks available from the tuck-shop.
ON HOME GROUND
Make your way to the school soccer field.
cycle 2
weeks
3 &4
Content Booklet: Targeted Support: Term 1 57
Cycle 2 Reading
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Explain that a short story or drama is often an “Extract from” which means it is a small section
from the play and there are more acts or chapters.
4. Do they give any ideas about where the story will take place? A country, a venue, a city or town?
Ask learners to come up and write their ideas on the board.
5. Does the picture begin to give us information about the characters? Their ages, their jobs, and the
type of people they might be? Ask learners to come up and write their ideas on the board.
1. Skim read to find the names of the characters. Look for the capital letters, as proper nouns such
as names always start with capital letters.
2. Skim read to find out where the action will take place – a school, park, river, and bedroom.
3. Ask learners if the ideas they have written on the board about the characters and setting match
up with what they have learnt from skim reading?
4. Skim read to look for key words that give you clues about the mood.
E.g. words that express excitement or anger. Ask learners to write these words on the board and
guess what the mood of the text might be.
5. Discuss briefly with a partner what you think the theme of the story or play will be.
6. Can you predict if there will be any conflict in this drama or story? If so, what do you think it will
be?
READING 30 MINUTES
INTRODUCE THE TEXT
1. If you are studying a drama or play extract, tell the learners that:
3. Tell the learners to notice how dialogue in a drama or play extract is written.
4. Explain that the script will start with the name of the character who is talking, followed by a
colon.
5. Explain that sometimes in brackets before or after the character speaks there is further
information, such as how that character is feeling, what their body language is, how they are
standing, what they are wearing, these are called stage directions.
• dialogue is written in the form of direct speech, with inverted commas which show the exact
words that come from a character’s mouth
1. Select a few learners to read the script. One for every character and one as the narrator, or
the person to read the stage directions and all additional information.
3. Draw a table on the board. Complete the first line of the table on the board with the learners,
filling in the names of a character and what the script says about them: their facial
expressions, moods, body language and attitudes.
E.g.
Character Expressions Moods Actions (body language) Attitudes
mother frowns grumpy; cross hands on hip; shouts; threatens
4. Remind the learners to use inference. The script might not tell you exactly what kind of person
the character is, but by using clues, you can work it out.
PARTNER READING:
1. Turn and talk to a partner, read the script / dialogue / story to each other again and fill in any
further information in the tables from the board.
SILENT READING
1. If there is time, instruct the learners to read the text to themselves, silently.
POST-READING 45 MINUTES
COMPLETE THE POST-READING ACTIVITY IN THE TEXTBOOK
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Remind learners that they will need to scan the text to find answers to the questions.
5. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
8. Use the remaining time to allow learners to share or read their answers to the class afterwards.
English Today Women and War Poem “We are at War” 34 & 35
Interactive English Responsibility Poem “Democracy” 31
Top Class Chaos in the Classroom Poem “The Tiger Teacher” 20 & 21
Via Afrika English It’s Tough to be me Poem “Fifteen” 21
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Ask the learners what they expect the poem to be about, according to the title?
3. Help the learners brainstorm words they know or associate with that theme. E.g. If the poem is
going to be about nature, brainstorm all the words you can think of about the forces of nature,
and elements of nature.
4. Write these words down on the board as learners call them out.
• What do you think the people in the poem are feeling, based on the facial expressions or body
language in the picture?
• Where do you think this poem is taking place? (the setting)
• What mood do you think is created by the pictures?
1. Ask the learners if they had to write the first two lines of the poem, what would they be?
• Turn to a partner and write two lines each. Explain that they should use the title and pictures
as clues
• Read the first stanza (the first verse - the first group of lines) to see how close their prediction
would be
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
2. Tell learners that rhyming schemes vary. Explain that when working out a rhyming scheme,
you look for the words that rhyme and give them the same letter of the alphabet.
3. Write these two verses on the board and show pupils how to work out the rhyming scheme:
E.g.
Or:
5. Ask learners to call out the words so you can write them on the board. Ask learners to help
you work out the rhyming scheme as shown above, by adding letters of the alphabet to the
words that rhyme, starting with ‘a’.
7. Ask the learners what the effect of a rhyming pattern is or of the poet’s choice to use free
verse.
8. Explain that rhyme is usually used for less serious topics, and creates a rhythm almost like a
musical beat. This makes the mood light-hearted.
2. Ask the learners which words they did not understand and write those words on the board.
• look closely at the word. Is there any part of the word that you recognise? Can you work
out the meaning of the word from this part?
• think about the whole poem and what is happening in the poem. Make a guess as to what
the word could mean
• suggest possible synonyms
• use a dictionary to check if your guess is right
2. Remind the learners that a metaphor is a direct comparison, used to create an image in
poetry.
3. Metaphors link one idea to another, they use imagery to help explain an idea.
4. Place the learners in groups of four. Tell the learners to read the poem together and to
discuss the metaphors they find. Learners must:
5. Ask one person from each group to feedback to the rest of the class.
6. Tell the learners to discuss why punctuation might be different in poems – why the poet might
not use capital letters for each new line.
7. Ask the learners what the message was, or what the purpose of the poem was, what idea or
experience or feeling did the poet want to portray?
POST-READING 45 MINUTES
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
a. Have you, or someone you know, ever had a similar experience to the characters in the
poem?
b. In what ways was it the same?
c. In what ways was it different?
d. Which was your favourite part of the poem? Why?
WRITING
GENRE: A letter of appreciation
CAPS DESCRIPTION OF GENRE: : An informal letter is used to express an emotion or idea to people who
are close to the writer, such as family or friends. The range of writing should span from ordinary
letters to immediate family and friends or to informal letters to the press.
AUDIENCE: Grade 9s
TEXT FEATURES:
1. Format:
a. address
b. Date
c. Dear…
d. Introduction, body, conclusion
2. Semi-formal language
RESOURCES REQUIRED:
1. Personal dictionary
2. Textbooks
WORD BOXES
Gratitude, grateful, thanks, appreciate, interview, terrified, joyful, scared, worried, relieved,
serious, skills, hire, happy, outcome, thank you, writing, helped, writing, helping, support,
encouragement, family, nervous, feeling, wonderful, experience,
TEACHER INPUT
3. Say:
6. Say:
PO Box 2778
Dobsonville
1865
23 August 2017
Dear Jabu
Introduction
Paragraph 1
Paragraph 2
Conclusion
TEACHER INPUT
Senders address
Date
Dear
Introduction
Conclusion
Yours sincerely
Full name
3. Working with the learners, fill in the format details of the letter.
PO Box 345
Ivory Park
1689
12 September 2017
Introduction
Conclusion
Regards
Lerato
7. Have the learners copy the planning grid into their work books WITHOUT ANY OF THE DETAILS
WRITTEN ON IT. They will use this grid when they do their planning.
8. Tell learners:
Let’s pretend we are writing to my aunt to say thank you for the help she gave me when writing
my CV.
9. Ask the learners for ideas on how the letter could be started. Write the ideas on the board.
10. Using the ideas, write an opening paragraph with the learners.
“ I am writing to thank you so much for the help you gave me in writing my CV last month. I know
you did not have much time to spare but you helped me anyway.”
PLANNING 30 MINUTES
OUTCOMES:
The learners will plan the layout of their letters using the planning grid.
The learners will plan the content of their letters.
TEACHER INPUT
1. Tell learners:
2. Tell learners to close their eyes and think of when someone helped them, because WRITERS
THINK BEFORE THEY WRITE.
3. Remind learners that the purpose for the letter should be something personal, an experience
that they actually have had, because WRITERS WRITE WHAT THEY KNOW.
E.g.
7. Read the completed example to the learners, pointing out the introduction, body (with main
and supporting ideas) and conclusion, so that they know what is expected of them.
LEARNER ACTIVITY
1. Allow learners time to plan. Remind learners that in their plan they do not need full sentences,
just ideas of what will go in each paragraph.
DRAFTING 30 MINUTES
OUTCOMES:
The learners will write a first draft of their letters.
TEACHER INPUT
1. Tell learners they are going to write the first draft of their letters of appreciation based on their
plans.
CRITERIA
LEARNER ACTIVITY
1. Learners must now write a first draft of their emails based on the criteria.
TEACHER INPUT
1. Tell learners that they will self-edit their letters because WRITERS SELF-EDIT.
Checklist Yes No
1 Is the writer’s address on the right?
2. Is the date under the writer’s address?
3. Is the letter addressed to someone?
4. Is there a clear introduction explaining reason for letter?
5. Are there two middle paragraphs?
6. Is there a clear conclusion giving thanks?
7. Is the language used, suitable?
8. Does the letter end with a name?
9. Is the punctuation accurate?
10. Is the spelling accurate?
11. Is the letter 140-160 words long?
LEARNER ACTIVITY
1. Learners must now check their own letters against the checklist and make the necessary
corrections.
TEACHER INPUT
1. Tell learners to neatly re-write a final copy of their letters, using the edited draft.
2. Thank the class for all their efforts in developing their writing skills.
3. Ask learners to hand in their final drafts, once they have read them to the class.
LEARNER ACTIVITY
COMPLETED EXAMPLE
31 Long Avenue
Kings Way
5089
23 March 2016
Dear Aunt Jabu,
I am writing to say thank you for helping me with my CV the other day. I know you went out of your way to
come all the way here but I want you to know it is greatly appreciated.
I sent my CV out to all the schools in the area. I even sent it to some schools that are quite far away,
because I wanted a job so badly I was willing to travel if necessary.
I have good news! A headmaster from a local school called me and scheduled an interview. I went and it was
very scary. I think I did well though because I got the job!
Thank you again Auntie. Without you I would not have been able to do this. If you ever need my help please
let me know, I owe you one! Send my love to your family.
Regards,
James
Word count: 150
Cycle 3
Weeks
5&6
What’s in a name? A rose by any name would smell as sweet.
– William Shakespeare, Romeo & Juliet
READING
Cycle 3: Reading & Viewing Lesson 1
TEXT 1 1 HOUR 45 MINUTES
What text must be read? Information text: Contract text
Features of text to be taught: • Font types and sizes
• Jargon
• Purpose of a text (to inform, persuade)
• Register - formal
• Audience
Reading skills to be taught: • Skimming
• Scanning
• Vocabulary development
• Purpose of a text (to inform, persuade)
• Intensive Reading
• Dictionary skills
• Critical Language awareness
• Clarifying
• Analysing, evaluating and responding to texts
• Infer meaning
Platinum Contract Wise Basic Rules; read a written contract 30, 31 & 34
“Purchase a scooter”
Spot On Business as usual Reading a contract “Deed of Sale” 28 & 29
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Read other subheadings, any headings which are in bold typography or italics.
3. Ask the learners what type of information they think is going to be important in a contract?
Write the learners ideas on the board.
4. Ask the learners to think of situations where a legal contract would be necessary, e.g.
lease, job contract, buying a car, etc. Ask learners to come and write their own ideas on
the board.
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES, EXAMINE LANGUAGE USE
1. Tell the learners to skim read and write key words on the board that are important in a
contract
2. Discuss these words as a class in the context of a legal contract. Ask the learners to suggest
what they might mean, in a legal document.
3. Tell the learners to write these words down in their personal dictionaries with definitions of what
the words mean.
E.g. purchaser; seller; contract; consumer; binding; terms and conditions; witness; obliged;
warranty; guarantee; fine print; interest; loan; parties; valid; instalment
1. Put the learners into pairs and tell them to pretend one partner is a buyer (purchaser) and the
other is the legal advisor. Read the contract to each other, swapping roles so that each
partner has a chance to read.
2. Read the contract again, imagining that you are the actual purchaser – replacing your name
with the name in the contract, your own birthdate, and your signature.
3. Imagine or visualise purchasing the product. Read the contract again. Think about each
clause (statement / point) Make sure you understand it. Ask a partner to explain if you do not.
4. Tell the learners to work with a partner and find the following information in the text, write these
answers in your books:
POST-READING 45 MINUTES
COMPLETE THE POST-READING ACTIVITY IN THE TEXTBOOK
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class
afterwards.
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Ask the learners what they think of immediately when they hear that title.
4. Create an association of ideas with the title of the poem. Any association a learner has with
that title helps create a frame of reference.
• Does the picture give more information about the type of people the poem is describing?
• Does the picture give an idea of the time period – modern or old fashioned?
• Does the picture give any clues about the setting, or where the events will take place?
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
1. Ask a learner to read the vocabulary glossary box
2. Ask the learners to predict what is going to happen in the poem, based on the heading,
pictures and words in the glossary box.
3. Ask the learners what the mood of the poem might be.
4. Tell learners to listen for of the words that create the mood, ask the learners to come and
write these words on the board.
READ THE TEXT.
1. Read the poem aloud to the learners.
2. Read only the first stanza aloud again.
3. Ask a learner to repeat in their own words what the first stanza was about.
4. Tell the learners to find words in the first stanza that draw on any of the five senses.
5. List these words in a table on the board. Ask learners to copy this table in their books.
6. Follow the same pattern with each stanza of the poem. Read the stanza. Ask a learner to
repeat what the stanza was about. Find the words that appeal to any of the 5 senses, write
them on the board and learners to copy in their books.
8. Remind the learners that proverbs are short well known sayings that have wise advice for life.
E.g. A fool and his money are soon parted. This means that if you are not careful with money,
you will lose it.
9. An idiom is a phrase or sentence which has a figurative meaning. The meaning is not the
same as the actual words.
E.g. “she has deep pockets” does not mean her actual pockets are deep, but it is a way of
saying that she is rich.
10. Ask learners to come up to the board and write the proverb or idiom on the board. Ask
learners what they think the meaning of the idiom or proverb is?
11. Ask the learners if they have had a similar experience in their lives as the person in the
poem experienced.
12. Ask if they have ever had a similar feeling to the speaker in the poem.
13. Let the learners share their experiences, explaining how it is similar to the experiences of
the speaker in the poem.
PARTNER READING:
1. Tell the learners to turn to a partner. Each partner takes a turn to read the poem aloud to each
other.
POST-READING 45 MINUTES
READING THE COMPREHENSION QUESTIONS
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
WRITING
GENRE: Report
CAPS DESCRIPTION OF GENRE: Reports are very formal documents, and work best when what is
examined is very real and important to the learners. They give exact feedback of a situation.
AUDIENCE: Grade 9s
TEXT FEATURES:
1. Format
2. Tone
3. Present tense
4. Third person
5. Facts
RESOURCES REQUIRED:
1. Personal dictionary
2. Textbooks
WORD BOXES
exact, responsible, decide, decision, manage, conclude, action, do, future, improve, fix, repair,
buy, plumber, tiles, contractor, builder, plan, pay, budget, paint, grout, plaster, measure, wood,
glue, sandpaper, neglect, money, new.
TEACHER INPUT
2. Say:
a. A report is a piece of writing that tells the exact facts about something.
b. The writer (we can call the writer the reporter) collects information about the topic of the report
and presents only the facts.
c. The reporter will collect all the information.
d. The reporter will write the facts they find in formal or semi-formal language.
e. The reporter will write in the third person.
f. When we say something is written in the third person, we mean that when the writer writes,
they refer to things and people indirectly and use pronouns like: he, she, it and they.
g. The reporter does not write from his or her own point of view.
h. Reports are also usually written in the present tense because it is what the reporter is seeing in
the present time.
i. The report will answer the following questions:
What?
How?
Where?
When?
Why?
This is a report on the condition of the Dinokeng Community Centre as observed by Ayanda
Lesedi on 2 August 2016.
The Community Centre was built in 1995 using money from local government. It is run by
volunteers from the community and gets a small amount of funding from the lottery.
The centre needs a new roof and a number of windows are broken. The toilet doors are broken.
The taps leak.
• a date
• the name of the reporter
• when
• what
• where
• why
• how
TEACHER INPUT
2. Tell learners that we will use present tense unless we are writing a historical report in which case
past tense will be used.
3. Remind learners that when we write longer pieces of writing, we divide the writing into paragraphs.
Title
Introduction (What report is about, who wrote report and date)
Middle paragraphs (The who, what, where, when, why and how)
Conclusion (Summary of facts)
Recommendation (What has been decided)
5. Say:
• Today I will write a report about something important to me. I must write about my own life
because WRITERS WRITE WHAT THEY KNOW.
• I must write about one thing because WRITERS ZOOM INTO SMALLER MOMENTS.
• I should include only the facts and not my opinion on the matter.
• Let me think about what I want to write because WRITERS THINK BEFORE THEY WRITE.
• I must use my OWN ideas because writing is about putting my ideas into words.
• I will write about when Sizwe and Bongani were fighting about selling chickens at the community
centre. The problem was that both men wanted to make some money but there was only space
for one person to sell. A report needed to be written so that the elders could make a decision
about the problem after looking at the facts.
8. The report needs a title and an opening paragraph to start with. The opening paragraph should
say what the report is about, who wrote the report and a date.
This is a report on the selling of chickens at the Community Centre written by Thando
Mbeki on 24 January 2017.
10. Ask learners to put the problem that the report is looking at into words.
This is a report on the selling of chickens at the Community Centre written by Thando
Mbeki on 24 January 2017.
Sizwe and Bongani are fighting about who will sell chickens at the community centre.
Both men want to make some extra money. There is only space for one person to sell
chickens at the community centre.
12. Continue asking learners for ideas to complete the report. Your final report might look
something like this:
This is a report on the selling of chickens at the Community Centre written by Thando
Mbeki on 24 January 2017.
when what
who
Sizwe and Bongani are fighting about who will sell chickens at the community centre.
Both men want to make some extra money. There is only space for one person to sell
chickens at the community centre. why
Sizwe has managed to breed some chickens and will supply chickens every day. Bongani
does not own any chickens and buys them from a supplier. The supplier does not always
have stock.
Sizwe feels that he can guarantee the quality of the chickens. Bongani cannot do this
because he buys the chickens from someone else.
how
The elder of the community is the one who decides who is allowed to sell chickens.
The elder has decided that Sizwe will be allowed to sell chickens at the community centre.
He feels that it is important to have chickens available every day for the community.
PLANNING 30 MINUTES
OUTCOMES:
The learners will complete a plan for their reports.
TEACHER INPUT
1. Tell learners that they are now going to plan to finish Ayanda’s report which is written on the
chalkboard. Remind learners that they read the start of this report but it was not complete.
WHO
WHAT
WHERE
WHEN
WHY
HOW
3. Show learners that the “WHO” and the “WHAT” have already been covered. However, more facts
need to be added. Learners also need to fill in:
4. If learners need help with the meaning or spelling of a new word, they should bring you their
personal dictionary and you can write it in there.
LEARNER ACTIVITY
2. Learns write in point form the answers to ‘Why’, ‘How’, ‘When’ and ‘Who’
DRAFTING 30 MINUTES
OUTCOMES:
The learners will write a first draft of their report.
TEACHER INPUT
1. Tell learners they are going to write the first draft of their report based on their planning.
CRITERIA
LEARNER ACTIVITY
1. Learners must now write a first draft of their report based on the criteria.
TEACHER INPUT
1. Tell learners that they will self-edit their writing because WRITERS SELF-EDIT.
Checklist Yes No
1 Is there a clear title?
2. Does the opening paragraph say what the report is about
3. Does the opening paragraph say who wrote the report?
4. Does the opening paragraph have the date of the report?
5. Is the report written in factual language?
6. Is the report written in formal or semi-formal language?
7. Is the report written in the third person?
8. Is the report written in the present tense?
9. Is the punctuation accurate?
10. Is the spelling accurate?
11. Is it 140-160 words long?
LEARNER ACTIVITY
TEACHER INPUT
1. Tell learners to neatly re-write a final copy of their reports, using the edited draft.
2. Thank the class for all their efforts in developing their writing skills.
LEARNER ACTIVITY
COMPLETED EXAMPLE
4
weeks
7&8
A man can die but once.
– William Shakespeare, Henry IV
Oxford Successful English What happened next? Short Story “Take me to the River” 68, 69 &
70
Platinum Weather Descriptive Writing “A sizzling day” 47
Spot On Journeys into the Unknown Extract from “Solomon’s story” 42 & 43
Top Class Lessons from Birds Extract from “The tale of Ngcede” 50 & 51
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Ask the learners if the title gives any clues about setting (time and place) and characters.
3. Look at the pictures. Do they give any more information about what the story might be
about?
4. Do the expressions on the faces give clues about the mood of the story?
5. Does the background of the picture give clues about where the story takes place?
a. Can you see anything in this picture which would help you to decide where this story
takes place?
b. Do you have any idea of the age or gender of any of the characters in the story, based
on the picture?
c. Can you determine the mood of the story, based only on the picture? Look at the facial
expressions of the person in the picture.
7. Ask the learners to write down all the words that are in different typography. (The words are
either in bolder, darker print, or in a different font like italics)
9. Discuss as a class the meanings of those words, using dictionaries, and ideas from the
class.
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
2. Tell the learners that a conversation between two or more people in a story is called
dialogue. This dialogue is written as either direct or indirect speech. Remind the learners
of the function and style of direct and indirect speech.
3. Direct speech is used when a character is talking. The exact words spoken by the character
are put in inverted commas. It is useful to the reader because you could imagine each
character to have a different voice, different tone of voice, different manner of speaking. The
character’s words help paint a picture about who they are and how they think.
“To disagree with a fact is like spitting in the wind,” replied Thomas. “It will not change the
facts.”
“I won’t listen to you no matter how much proof you think you have.” Sarah stubbornly
stated.
4. Indirect speech is used when a narrator or third person is reporting on what was said.
Indirect or reported speech does not use inverted commas and the pronoun changes from
the first person (I, me, we) to the third person (she, he, they) .
E.g. (write these sentences opposite the direct speech sentences on the board)
Thomas replied that for her to disagree with him was like spitting in the wind, it would not
change the facts.
Sarah stubbornly stated that she would not listen to Thomas no matter how much proof he
had.
5. Ask learners to work in pairs and to compare the direct and indirect speech and discus the
differences.
2. When the story has been read once through, remind learners that when they notice the
direct speech, with inverted commas, their voice must change, they must try to sound like
the person who is speaking, whether it is an older man, or younger girl.
3. Tell the learners to turn to a partner and read the story through twice, each partner having a
turn to read the story, focusing on reading the direct speech parts as the character in the
story would sound.
6. Tell the learners to notice that the part of the text that was read in their own normal voice
was the part the narrator would be telling. The ‘in-between parts’ where the story is being
explained, or the events are being described, this is usually the part the narrator is telling.
1. Ask a learner to retell in his or her own the plot of the story (what the whole story was
about).
3. Ask learners to identify the type of conflict in the story. Explain that there are different types
of conflict:
4. Ask the learners to comment on who their favourite character was, and why.
5. Who was their least favourite character and why. Explain what that character did or said that
made them unlikable.
6. Ask the learners if they would have handled the situation differently if they were one of the
characters in the story, and if so, how?
1. Write the following questions on the board. Ask learners to work with a partner to answer
the following questions:
2. Ask a few of the learners to feedback their answers to the rest of the class.
3. Ask learners to each find 2 facts in the text and 2 opinions. How are they different?
4. Ask learners to each find 3 new words in the text and discuss their meaning with a partner.
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
Oxford Successful English What happened next? Poem “Matilda who told lies” 61
Via Afrika English A place called Home Poem “Inside my Zulu Hut” 47
LESSON OUTLINE
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Tell the learners to suggest any words that come to mind based on the title of the poem.
4. Based on the words written on the board, ask learners what they think the mood of the
poem will be?
6. Ask the learners what feelings the pictures evoke (stir up) in the reader. Write these words on
the board as well. Do the feeling words match with the words already on the board. Does the
picture help tell us the mood of the poem?
7. Tell the learners to look at the glossary or word box and read the meaning of unfamiliar
words.
8. Ask the learners to work with a partner and try to write the first stanza of the poem based
on the title and pictures.
READING 30 MINUTE
INTRODUCE THE TEXT AND TEXT FEATURES
• Poets use special language called figurative language to make their writing interesting. They
use words to create
pictures or images in the reader’s mind, this is called imagery
• Similes compare two things to each other using ‘like’ or ‘as’. Similes are indirect comparisons
• Metaphors say that one thing is another thing. Metaphors are direct comparisons
• Personification gives a non-living object life like qualities
1. Read the poem aloud to the class. Tell learners to close their eyes and visualise what is
happening as you read.
2. Ask the class what the mood of the poem was. Sad or happy, exciting or upsetting?
3. Ask the learners to summarise in their own words what the whole poem was about.
6. Ask learners what they think each of these words mean. Fill this information in on the table
on the board. Their answers may look something like this:
7. Ask learners to come up to the board and write an example of each of these. The table on
the board may look something like this:
8. Tell the learners to copy this table into their work books, but to add an extra column titled
‘examples from the poem’.
9. Ask the learners to find examples from the poem of personification, similes and metaphors,
and to add these to the table.
10. Draw the following table on the board and tell the learners to copy it into their work books:
11. Ask the learners to fill in the examples of similes, metaphors and personification they
found in the poem. Work through the first example with the learners and ask them to
complete the table in their work books with the examples from the poem.
12. Ask the learners to work in pairs and discuss whether or not they think the comparisons
are effective.
PARTNER READING:
1. Tell the learners to turn to a partner and each take a turn to read the poem aloud to each
other.
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
WRITING
GENRE: Reflective Essay
CAPS DESCRIPTION OF GENRE: Reflective essays present the writer’s views, ideas, thoughts and feelings
on a topic, usually something they feel something they feel strongly about. It needs to be personal
rather than subjective; it needs a careful structure, but does not need to present a clear conclusion.
Nor does it have to present a balanced discussion, although it might. It can be witty or serious
AUDIENCE: Grade 9s
PURPOSE: To express thoughts and feelings on something/ an event that has already happened.
TEXT FEATURES:
2. Use of adjectives.
RESOURCES REQUIRED:
1. Personal dictionary
2. Textbooks
WORD BOXES
remember, anxious, alone, confused, worried, angry, panic, needless, disappointed, avoided,
terrifying, lonely, reflect, think, scared, happy, laughter, wonder, surprise, fantastic, awesome,
nervous, terrified, lonely, crazy, incredible, memory, joy.
TEACHER INPUT
2. Ask the learners if they can you think of some words that are used to express emotion?
4. Some of the words they come up with may be: happy, sad, angry, scared, nervous, worried,
ashamed, irritated.
5. Say:
a. When we write reflective essays, we should write them using words that describe clearly what
we are thinking. Remember, we call these describing words “adjectives”.
THE TEST
7. Say:
THE TEST
9. Now ask the learners for ideas by asking the following questions. Fill in keywords on the mind
map.
10. When you have finished, it may look something like this:
THE TEST
TEACHER INPUT
2. Say:
4. Say:
5. Ask the learners for some examples on how to finish the reflective sentences. (Write them on the
chalkboard)
7. Read the following example of a reflective essay out loud to the learners twice:
Unnecessary stress
Last year I had to study for an English Literature exam. I had not read the novel so I tried to cram
as much as possible for the test the night before. It was not enough.
I sat in the exam venue and felt my panic rise. I could not answer the questions. The words on the
paper seemed so foreign, as if the examiners were out to get me. The silence was terrifying, the
only sounds were the furious scribbles of the other students, telling me I was the lone member of
the unprepared.
I thought of the disappointed look on my mother’s face when she found out my failure. I thought
of failure and it made me feel sick. I wanted to scream into the silence. I wanted to ask for help,
the person next to me or a teacher who passed, try and explain how something had gone wrong. I
wanted to cry.
I should have been better prepared. When I think of that exam I realise that the stress could have
been avoided, and the time studying, even though it would have been difficult work, would have not
been as horrible as not having studied was.
I learned two very important lessons from that experience. The first is that being prepared is much
better than being unprepared. The second lesson is that failure does not last forever, and just
because I failed one exam, does not mean I will fail them all.
8. Ask learners what feelings the writer was feeling, write these on the board.
PLANNING 30 MINUTES
OUTCOMES:
The learners will plan the content of their reflective essays using a mind map.
TEACHER INPUT
1. Remind learners that WRITERS PLAN BEFORE THEY WRITE and WRITERS ZOOM IN TO
SMALLER MOMENTS.
3. Say:
4. Draw the following mind map on the chalkboard and have the learners copy it into their work books:
TOPIC
reflect
5. Tell learners:
a. Use the mind map and the thinking activity we did to write down some key words for your
reflective essay.
6. If learners need help with the spelling or meaning of a new word, they should bring you their
personal dictionaries and you can write it in there.
LEARNER ACTIVITY
DRAFTING 30 MINUTES
OUTCOME
The learners will write a first draft of their reflective essays.
TEACHER INPUT
1. Tell learners they are going to write the first draft of their reflective essays based on their mind
maps.
CRITERIA
LEARNER ACTIVITY
1. Learners must now write a first draft of their essays based on the criteria.
TEACHER INPUT
1. Tell learners that they will peer-edit their descriptive essays because WRITERS PEER-EDIT.
Checklist Yes No
1 Does the essay have a title?
2. Are the writer’s feelings clear?
3. Is the essay is written in the past tense
4. Is there an introductory paragraph?
5. Is there a concluding paragraph?
6. Is the essay written from the writer’s point of view?
7. Has the writer used adjectives?
8. Is the punctuation accurate?
9. Is the spelling accurate?
10. Is the essay 210-250 words/4 - 8 paragraphs long?
LEARNER ACTIVITY
1. Tell learners to TURN AND TALK to their partners about any corrections that need to be made.
TEACHER INPUT
1. Tell learners to neatly re-write a final copy of their essays, using the edited draft.
2. Thank the class for all their efforts in developing their writing skills.
3. Ask learners to hand in their final drafts, once they have read them to the class.
LEARNER ACTIVITY
COMPLETED EXAMPLE
Unnecessary stress
Last year I had to study for an English Literature exam. I had not read the
novel so I tried to cram as much as possible for the test the night before.
It was not enough.
I sat in the exam venue and felt my panic rise. I could not answer the
questions. The words on the paper seemed so foreign, as if the examiners
were out to get me. The silence was terrifying, the only sounds were the
furious scribbles of the other students, telling me I was the lone member of
the unprepared.
I thought of the disappointed look on my mother’s face when she found out
my failure. I thought of failure and it made me feel sick. I wanted to scream
into the silence. I wanted to ask for help, the person next to me or a
teacher who passed, try and explain how something had gone wrong. I wanted
to cry.
I should have been better prepared. When I think of that exam I realise
that the stress could have been avoided, and the time studying, even though
it would have been difficult work, would have not been as horrible as not
having studied was.
I learned two very important lessons from that experience. The first is that
being prepared is much better than being unprepared. The second lesson is
that failure does not last forever, and just because I failed one exam, does
not mean I will fail them all.
Word Count: 250
RUBRIC
Areas of
Not yet competent Competent Exceeds competence
assessment
FORMAT:
Two or more of the Two of the The writing has a
a heading
required format required format heading, a clear
an introduction 0-3 4-6 7-10
requirements are requirements are introduction and a
a conclusion
missing. present. clear conclusion.
The writer’s The writer’s
feelings are not feelings are
The writer’s feelings
clear. It is not somewhat clear.
are clear. It is written
written from the It is written from
LANGUAGE from the writer’s point
writer’s point of 0-3 the writer’s point 4-6 7-10
of view. Adjectives are
view. There is no of view. Some
used. It is written in
use of adjectives. adjectives are
the past tense.
It is not written in used. It is written in
the past tense. the past tense.
There are a lot of
There are some
punctuation and There are very few
punctuation and
spelling mistakes. punctuation and
WRITING 0-3 spelling mistakes. 4-6 7-10
It is longer or spelling mistakes. It is
It is 210-250 words
shorter than 210- 210-250 words long.
long.
250 words.
Teacher’s comments:
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Cycle
5
weeks
9 & 10
Whoever loved that loved not at first sight?
– William Shakespeare, As You Like It
English Today Protect Our Plants Magazine report “An Avenue of Coral” & 71 & 72
“Knowledge from the past”
Rules Drama “Coach” 71 & 72
Interactive English Conflict Resolution Magazine Article “What is conflict resolution?” 68, 69 & 70
Oxford Successful English What’s up in the News Newspaper Report “Vietnamese cancer cure” 83 & 84
Top Class Tools from Ancient Times Newspaper Report “Deadly Poison” 60
Via Afrika English Shall we Dance? Newspaper Report “Dancing out of the Ghetto” 57
LESSON OUTLINE
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Explain to the learners that a news report headline must be very powerful to make sure that
the newspaper is bought.
3. Tell the learners that the title of a news report will often use strong verbs or emotive
language.
5. Ask the learners to tell you which words in the headline they just read were powerful or
emotive - write these words on the board..
6. A news report title or headline will use many techniques like alliteration or famous names to
attract attention. Write the following example on the board and discuss why they are
effective:
8. Ask the learners to tell you what technique was used to make the headline in the
Newspaper article they are reading grab their attention?
10. Tell the learners that the picture is very important as it is a powerful way to communicate
the main point of the whole news article.
11. The picture is a form of evidence or proof of fact in a news article. Ask the learners why
they think the picture they have just looked was chosen for this article?
12. Ask the learners to predict, from the title and the picture, what they think the news article
is going to be about.
13. Ask the learners to skim read the article, and notice any words which are printed in
different typography (bolder, darker print, italics, lighter print)
14. Ask the learners why these particular words are printed in different typography?
1. Ask the learners to skim read for any words they don’t recognise or don’t know the
meaning of.
3. Read the line above and below, and try to work out the meaning of those words based on
the context of the article.
READING 30 MINUTES
INTRODUCE THE TEXT AND TEXT FEATURES
1. Tell learners that newspaper articles answer ‘who?’, ‘what?’, ‘where?’, ‘when?’, ‘why?’ and
‘how?’ questions.
2. Tell the learners to skim read the article, looking only for ‘who?’ and ‘where?’.
3. These will start with capital letters, as they are proper nouns. Ask learners to tell you the
‘who?’ and ‘where?’ answers and write these on the board.
4. Ask the learners to work with a partner and scan the article for the main facts.
Working together they must:
• Find the information that tells the reader who, where, what, when, and why.
• Find names and dates, and places where the events happened.
• Read slogans or descriptions underneath the picture, this often tells the reader where or
what happened.
1. Tell the learners to listen for the tone and register of the article (formal or informal language.)
2. Tell the learners to listen for facts which can be proven, or interviews and opinions
which are the thoughts, likes or dislikes of people.
4. Read the first paragraph only and ask the learners the following:
• Paraphrase or summarise in your own words what the first paragraph is about
• Name the most important people, places or dates
• Identify unfamiliar words and use the context clues to work out the meaning of those words
• Which parts of the paragraph are factual and can be proven by numbers, witnesses, or
research
• Which quotes are opinions and which are facts
• Was the tone formal or informal?
• Was any jargon used? (words which are technical and only used by a group of people who
work in a specific industry)
MAKING INFERENCES
3. What message can we take away after reading this news report?
1. Tell learners to find at least 3 emotive words in the news report. Write learners suggestions on
the chalkboard.
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
English Today Protect our Plants Poem “And Suddenly Everything is” 77
Top Class Tools from Ancient Times Poem “The arrow in the song” 62
LESSON OUTLINE
PRE-READING 30 MINUTES
INTRODUCE THE TEXT
2. Ask the learners what they think of immediately when they hear that title.
4. Create an association of ideas with the title of the poem. Any association a learner has with
that title helps create a frame of reference.
5. Ask the learners if the title contains any figures of speech, imagery or emotive language.
Write examples of these on the board.
6. Ask the learners how these help to set the mood of the poem.
9. Ask the learners what information the pictures give us about the the setting or characters in
the poem.
10. Ask the learners to work with a partner and try to write their own first stanza based on the
information they have from the title of the poem and the picture.
READING 30 MINUTE
INTRODUCE THE TEXT AND TEXT FEATURES
2. Tell the learners to listen to the rhythm or beat of the poem as you are reading it.
1. Tell the learners work out the possible meaning of the words they do not understand by
listening to the context – to listen to the whole line, and the whole stanza.
2. Tell the learners to use a dictionary to find out the meaning of unfamiliar words if they are still
not sure.
E.g. rhyming couplets follow a rhyme pattern of aa; bb; cc; dd.
This is where two lines rhyme, then the following two rhyme, following that pattern throughout
the poem. (sky, fly; lift, swift; page, stage)
FIGURATIVE LANGUAGE
2. Ask learners what they think each of these words mean. Fill this information in on the table
on the board. Their answers may look something like this:
3. Ask learners to come up to the board and write an example of each of these. The table on
the board may look something like this:
sea shore
4. Tell the learners to copy this table into their work books, but to add an extra column titled
‘examples from the poem’.
SILENT READING
1. If there is enough time, tell the learners to read the poem quietly to themselves.
1. Tell the learners they are going to complete the post reading comprehension in the text book.
3. Take note of the mark allocation and explain how detailed the answers must be.
4. Explain any questions learners do not understand. Allow class members to suggest possible
answers.
7. Use the remaining time to allow learners to share or read their answers to the class afterwards.
WRITING
GENRE: Interview
AUDIENCE: Grade 9s
PURPOSE: Interviews help us to find out more information about a person. They may also help us to
identify if someone is suitable for a particular position.
TEXT FEATURES:
1. Format
2. Tone
4. Colon
5. Present tense
RESOURCES REQUIRED:
1. Personal dictionary
2. Textbooks
WORD BOXES
entrepreneur; turnover; achievement; business; future; manage; excited; discovered; invented;
shaped; made; built; founded; design; created; supply; adapt; network, created, plan, inspired,
failure, developed, discovered, patented, employer, investment
TEACHER INPUT
3. Remind learners that the best interviews come from focusing on one topic that takes place
between the people speaking, because WRITERS ZOOM INTO SMALLER MOMENTS.
This is a colon
6. Tell the learners that the speakers’ names are written on the left of the page followed by a colon.
8. Tell the learners that this is an interview between Zindzi and Paulus.
9. Write the Interview on the board so that the learners can see how to set it out. It will look like this:
11. Write these words on the board so the learners can become familiar with them.
Zindzi: Thank you for taking some time off from your busy schedule to answer a few questions
about your life!
Paulus: It’s my pleasure.
• The interviewer and interviewee’s names are written on the left of the page.
• The name is followed by a colon (:).
• Use a new line for each speaker.
• Skip a line between speakers.
• Because of the interview is of a personal nature, the first person (I, my) is usually used.
• Ask questions that will have the interviewee answer in more than one word.
• Questions are often linked to the previous answer.
Body of Interview:
Interviewer: Thank guest
16. Tell the learners that they are going to pretend to be TV talk show hosts.
17. Say:
TEACHER INPUT
Who?
What?
When?
Where?
Why?
How?
Which?
In your opinion...?
3. Say:
4. Write the learners’ ideas on the board. You may end up with some of these ideas:
• When did you know that you wanted to become a soccer coach?
• Who is your greatest role model and why?
• Where did you go to school?
• What do you think are the biggest challenges the youth of today will face?
• In your opinion, should children be made to play sport at school?
5. Once you have got some question ideas, have the learners break into pairs and role-play a
question-answer session with some of these questions. Once they have done some role play,
ask learners to write down the first four lines of their interviews. Explain that when writing their
interviews, they need to note down word for word what was said.
E.g
Mpilo: Thank you for joining me today
Luthando: My pleasure, thank you for inviting me.
Mpilo: When did you know you wanted to become a soccer coach?
Luthando: After retiring from international matches, I felt I still had a lot to give, and wanted to be
involved in developing young players.
6. If time allows, have one or two pairs demonstrate their interviews to the class.
PLANNING 30 MINUTES
OUTCOMES:
The learners will complete a plan for their interviews.
TEACHER INPUT
2. Say:
Interviewee
4. Tell the learners to draw the mind map into their books.
5. Tell the learners to write the name of the person they are interviewing in the middle and then some
question ideas and key word ideas for answers.
When
10 school
Inspiration?
teacher
People sounds
Still to do
Cook
Bungee jump Interviewee
Orlando towers Plans
Go overseas
Favourite
memories
Concert in
KZN
7. Tell learners that if they need help with the spelling or meaning of a new word, they should
bring you their personal dictionary and you can write it in there.
LEARNER ACTIVITY
1. Let the learners copy the mind map from the chalkboard, and complete it by writing in ideas
and key words.
3. Ask learners to indicate THUMBS UP, THUMBS DOWN. Are they happy with each other’s plans
or not? Help those who have thumbs down.
DRAFTING 30 MINUTES
OUTCOME
The learners will write a first draft of an interview.
TEACHER INPUT
1. Tell learners to start working on their first draft of their interviews, just as you did yours.
CRITERIA
5. Walk around and help any learners who need support. If some are finding it difficult to get
started they can TURN AND TALK to share their ideas with a partner.
6. Hold MINI CONFERENCES with groups of learners offering advice, encouragement and
support.
LEARNER ACTIVITY
1. Learners write their first drafts, using their mind maps to assist them.
EXTENSION
Learners who need extension can be encouraged to revise their interview questions.
TEACHER INPUT
Checklist yes no
1. Are the characters’ names written on the left of the page?
2. Has a colon been used after each name?
3. Has a line been skipped between the interviewer and interviewee?
4. Are the questions and responses interesting and do they make sense?
5. Are there at least 5 questions and answers?
6. Is the spelling accurate?
7. Is the punctuation correct?
LEARNER ACTIVITY
2. After about 10 minutes they must swop with a partner and PEER EDIT each other’s work
TEACHER INPUT
1. Tell the learners to neatly re-write a copy of their interviews, using the edited draft.
2. Thank the learners for all their efforts in developing their writing skills.
3. Tell learners that they should act out the interviews in pairs.
LEARNER ACTIVITY
COMPLETED EXAMPLE
Mbali: Good morning Tebogo. Thank you for talking to me about your
business. Many of your peers are eager to find out about your success.
Tebogo: Hello. I am always excited to share with others.
Mbali: Please tell us a bit about your business?
Tebogo: I sell sweets to my friends after we play soccer because the tuck
shop is closed after school.
Mbali: How do you manage your time?
Tebogo: I study hard on weekends so that I have more time during the week
for my business.
Mbali: What future plans do you have for the business?
Tebogo: I want to open my own spaza shop one day.
Mbali: What are the best and worst moments for you?
Tebogo: The worst was when my friend stole sweets from my bag and the
best was when I could help my mom buy some groceries.
Mbali: What advice can you give to others who also want to run a business?
Tebogo: Work hard and never ever give up, no matter how difficult.
Word count: 159
RUBRIC
Areas of assessment Not yet competent Competent Exceeds competence
FORMAT:
The interviewee
is introduced.
Each name is
written on the left. Three or more of At least four of the
The lnterviewer/ the required format required format
0-3 4-6 The format is correct. 7-10
interviewee names requirements are requirements are
are followed by a missing or incorrect. present.
colon. Each time the
interview speaks it is
written on a new line
LANGUAGE
The interview is The interview is
Language is written
not written in the mostly in the present The interview is
in the present
present tense. tense. Formal/semi- written in the present
tense. Formal/
Formal/semi- formal language is tense. Formal/semi-
semi-formal
formal language 0-3 mostly used. The 4-6 formal language is 7-10
language is used.
is not used. The questions are quite used. The questions
The questions are
questions are not interesting and are interesting and
interesting and
interesting and do generally make do make sense
make sense.
not make sense sense.
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