100% found this document useful (17 votes)
67 views38 pages

Cornerstones of Cost Management 2nd Edition Hansen Solutions Manualdownload

The document provides information on various editions of the 'Cornerstones of Cost Management' solutions manuals and test banks available for download. It includes exercises and discussion questions related to standard costing, variance analysis, and cost management principles. Additionally, it outlines specific calculations and examples for understanding variances in direct materials and labor costs.

Uploaded by

verekdjuja
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (17 votes)
67 views38 pages

Cornerstones of Cost Management 2nd Edition Hansen Solutions Manualdownload

The document provides information on various editions of the 'Cornerstones of Cost Management' solutions manuals and test banks available for download. It includes exercises and discussion questions related to standard costing, variance analysis, and cost management principles. Additionally, it outlines specific calculations and examples for understanding variances in direct materials and labor costs.

Uploaded by

verekdjuja
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 38

Cornerstones of Cost Management 2nd Edition

Hansen Solutions Manual download

https://testbankfan.com/product/cornerstones-of-cost-
management-2nd-edition-hansen-solutions-manual/

Explore and download more test bank or solution manual


at testbankfan.com
We have selected some products that you may be interested in
Click the link to download now or visit testbankfan.com
for more options!.

Cornerstones of Cost Management 2nd Edition Hansen Test


Bank

https://testbankfan.com/product/cornerstones-of-cost-management-2nd-
edition-hansen-test-bank/

Cornerstones of Cost Management 4th Edition Hansen


Solutions Manual

https://testbankfan.com/product/cornerstones-of-cost-management-4th-
edition-hansen-solutions-manual/

Cornerstones of Cost Management 3rd Edition Hansen


Solutions Manual

https://testbankfan.com/product/cornerstones-of-cost-management-3rd-
edition-hansen-solutions-manual/

Cengage Advantage Books Business Law Text and Cases


Commercial Law for Accountants 1st Edition Miller Test
Bank
https://testbankfan.com/product/cengage-advantage-books-business-law-
text-and-cases-commercial-law-for-accountants-1st-edition-miller-test-
bank/
Nutrition and Diet Therapy 6th Edition Lutz Test Bank

https://testbankfan.com/product/nutrition-and-diet-therapy-6th-
edition-lutz-test-bank/

Principles of Financial Accounting Chapters 1 17 23rd


Edition Wild Solutions Manual

https://testbankfan.com/product/principles-of-financial-accounting-
chapters-1-17-23rd-edition-wild-solutions-manual/

Selling Today Partnering To Create Value 14th Edition


Manning Test Bank

https://testbankfan.com/product/selling-today-partnering-to-create-
value-14th-edition-manning-test-bank/

Solar System 9th Edition Seeds Solutions Manual

https://testbankfan.com/product/solar-system-9th-edition-seeds-
solutions-manual/

Financial Accounting 2nd Edition Kemp Solutions Manual

https://testbankfan.com/product/financial-accounting-2nd-edition-kemp-
solutions-manual/
Contemporary Financial Management 12th Edition Moyer
Solutions Manual

https://testbankfan.com/product/contemporary-financial-
management-12th-edition-moyer-solutions-manual/
CHAPTER 9
STANDARD COSTING:
A FUNCTIONAL-BASED CONTROL APPROACH
DISCUSSION QUESTIONS

1. Standard costs are essentially budgeted an event that will create a direct labor rate
amounts on a per-unit basis. Unit standards variance that is controllable.
serve as inputs in building budgets.
10. Inefficient direct labor, machine downtime,
2. The quantity decision is determining how bored workers, and poor quality direct mate-
much input should be used per unit of out- rials are possible causes of an unfavorable
put. The pricing decision determines how direct labor efficiency variance.
much should be paid for the quantity of input
used. 11. Part of a variable overhead spending vari-
ance can be caused by inefficient use of
3. Historical experience is often a poor choice overhead resources.
for establishing standards because the his-
torical amounts may include more inefficien- 12. The volume variance is caused by the actual
cy than is desired. volume differing from the expected volume
used to compute the predetermined standard
4. Ideal standards are perfection standards,
representing the best possible outcomes. fixed overhead rate. If the actual volume is dif-
Currently attainable standards are standards ferent from the expected volume, then the
that are challenging but allow for inefficiency. company has either lost or earned a contribu-
Currently attainable standards are often tion margin. The volume variance signals this
chosen because many feel they tend to mo- outcome. If the variance is large, then the loss
tivate rather than frustrate. or gain is large since the volume variance un-
derstates the effect.
5. By identifying standards and assessing devi-
ations from the standards, managers can lo- 13. Control limits indicate how large a variance
cate areas where change or corrective must be before it is judged to be material
behavior is needed. and the process is out of control. Current
practice sets the control limits subjectively
6. Managers generally tend to have more control and bases them on past experience, intui-
over the quantity of an input used, rather than tion, and judgment.
the price paid per unit of input.
14. All three approaches break the total overhead
7. The materials price variance is often com- variance into component variances. The four-
puted at the point of purchase rather than is- variance approach divides overhead into fixed
suance because it provides control and variable categories (based on unit-level
information sooner. If the variance is com- behavior). It computes the variable overhead
puted at the point of issuance and a problem spending and efficiency variances and the
is detected, this problem could have been fixed spending and volume variances. The
ongoing for weeks or months (depending on three-variance approach computes the
how long the direct materials were in inven- spending variance (the sum of the fixed and
tory before being used). variable spending variances of the four-
8. Disagree. A direct materials usage variance variance approach) and the variable efficiency
can be caused by factors beyond the control and fixed overhead volume variances (same
of the production manager (e.g., purchase of as those of the four-variance analysis). The
a lower quality of direct materials than nor- two-variance analysis computes a budget var-
mal). iance, which is the sum of the spending vari-
ances and the variable overhead efficiency
9. Disagree. Using higher-priced workers to variances, and a volume variance, which is
perform lower-skilled tasks is an example of

9-1
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
identical to that computed using a four- and yield variances. The mix variance indi-
variance analysis. cates the deviation from the standard mix of
direct materials or direct labor. The yield var-
15. The direct materials usage and direct labor
iance calculates the difference between the
efficiency variances can be broken into mix actual yield and the standard yield.

9-2
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
CORNERSTONE EXERCISES

Cornerstone Exercise 9.1

1. Standard quarts of oil allowed:


SQ = Unit quantity standard × Actual output
= 6.2 × 980
= 6,076 quarts

2. Direct labor hours allowed:


SH = Unit labor standard × Actual output
= (24/60) × 980
= 0.4 × 980
= 392 direct labor hours

3. If 970 oil changes were performed instead of 980, the standard quantities al-
lowed would be lower, since the production of fewer oil changes takes less
oil and fewer direct labor hours. The SQ for oil would be 6,014 quarts (6.2 ×
970), and the SH for direct labor hours would be 388 hours (0.4 × 970).

Cornerstone Exercise 9.2

1. Formulas:
Materials price variance (MPV) = (AP – SP)AQ = ($5.10 – $5.05)6,020
= $0.05 × 6,020 = $301 U
Materials usage variance (MUV) = (AQ – SQ)SP = (6,020 – 6,076)$5.05
= (56 × $5.05) = $282.80 F

2. AQ × AP AQ × SP SQ × SP
= 6,020 × $5.10 = 6,020 × $5.05 = 6,076 × $5.05
= $30,702.00 = $30,401.00 = $30,683.80

MPV MUV
$301 U $282.80 F

9-3
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.2 (Concluded)

3. Total direct materials variance = (AP × AQ) × (SP × SQ) = MPV + MUV
= ($5.10 × 6,020) – ($5.05 × 6,076)
= $30,702.00 – $30,683.80
= $18.20 U
Notice that $18.20 U is also equal to the sum of the MPV and MUV.
(MPV + MUV) = $301.00 U + $282.80 F = $18.20 U

4. If the actual quantity purchased was 6,100 quarts, the materials price vari-
ance would be calculated at the time of purchase.
Materials price variance (MPV) = (AP – SP)AQ = ($5.10 – $5.05)6,100
= $0.05 × 6,100 = $305 U
There would be no impact on the materials usage variance because the actu-
al quantity purchased is not used in that computation; the actual quantity
used in production is part of the materials usage variance.

Cornerstone Exercise 9.3

1. Formulas:
Labor rate variance (LRV) = (AR – SR)AH = ($14.50 – $14.00)386 = $193 U
Labor efficiency variance (LEV) = (AH – SH)SR = (386 – 392)$14.00
= 6 × $14.00 = $84 F

2. AH × AR AH × SR SH × SR
= 386 × $14.50 = 386 × $14 = 392 × $14
= $5,597 = $5,404 = $5,488

LRV LEV
$193 U $84 F

9-4
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.3 (Concluded)

3. Total direct labor variance = (AR × AH) – (SR × SH) = LRV + LEV
= ($14.50 × 386) – ($14.00 × 392)
= $5,597 – $5,488
= $109 U
Notice that $109 U is also equal to the sum of the LRV and LEV.
(LRV + LEV) = $193 U + $84 F = $109 U

4. If the actual direct labor wage rate was $12.40 in June, the direct labor rate
variance would be:
Labor rate variance (LRV) = (AR – SR)AH = ($12.40 – $14.00)386 = $617.60 F

The direct labor efficiency variance would be unaffected since the actual rate
is not a part of the calculation.

Cornerstone Exercise 9.4

1. Variance for June = $328,000 – $330,500 = $2,500 U


Variance for July = $328,000 – $343,000 = $15,000 U
Variance for August = $328,000 – $346,800 = $18,800 U
Variance for September = $328,000 – $314,000 = $14,000 F
Variance for October = $328,000 – $332,000 = $4,000 U
Variance for November = $328,000 – $323,000 = $5,000 F
July and August should be investigated, as their variances are greater than
$14,500 from standard.

2. 4% of standard cost = 0.04 × $328,000 = $13,120


Under this allowable deviation from standard, September would be investi-
gated, as well as July and August since their variances are greater than
4 percent of standard.

9-5
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.5

1. Cost of Goods Sold ................................. 25,790


Direct Materials Price Variance .......... 13,450
Direct Labor Efficiency Variance........ 12,340

Direct Materials Usage Variance ............. 1,100


Direct Labor Rate Variance ...................... 870
Cost of Goods Sold ............................. 1,970
Adjusted Cost of Goods Sold = $1,500,000 – $1,970 + $25,790
= $1,523,820

2. Immaterial variance account balances are in MUV and LRV. The closing entry
is:
Direct Materials Usage Variance ........ 1,100
Direct Labor Rate Variance................. 870
Cost of Goods Sold ........................ 1,970

Prime Percentage
Costs of Total
Work in Process .................... $165,200 12.32%
Finished Goods ..................... 126,000 9.39
Cost of Goods Sold ............... 1,050,000 78.29
Total .................................... $1,341,200 100.00%

Work in Process (0.1232 × $12,340) ................ 1,520


Finished Goods (0.0939 × $12,340) ................. 1,159
Cost of Goods Sold (0.7829 × $12,340)........... 9,661
Direct Labor Efficiency Variance ............... 12,340.00
Work in Process (0.1232 × $13,450) ................ 1,657
Finished Goods (0.0939 × $13,450) ................. 1,263
Cost of Goods Sold (0.7829 × $13,450)........... 10,530
Direct Materials Price Variance.................. 13,450

Work in Finished Cost of


Process Goods Goods Sold
Unadjusted balance $236,000.00 $180,000.00 $1,500,000.00
Add: MPV 1,657 1,263 10,530
Less: MUV (1,100)
Less: LRV (870)
Add: LEV 1,520 1,159 9,661
Adjusted balance $239,177 $182,422 $1,518,221

9-6
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.6

1. Total variable overhead variance = Actual variable overhead – (Variable over-


head rate × Standard hours for actual production)
= $88,670 – [$3.40 × (0.20 × 131,000)] = $88,670 – $89,080
= $410 F

2. If production had been 129,600 units, fewer direct labor hours would have
been allowed at standard and the flexible budget amount for variable over-
head would be smaller. Thus, the total variable overhead variance would turn
into an unfavorable variance of $542 ($88,670 – $88,128).

Cornerstone Exercise 9.7

1. Variable overhead spending variance


= Actual variable overhead – (SVOR × AH)
= $88,670 – ($3.40 × 26,350)
= $920 F

2. Variable overhead efficiency variance = (AH – SH)SVOR


= (26,350 – 26,200)$3.40
= $510 U

3.
Actual Variable Budgeted Variable Applied Variable
Overhead Overhead Overhead
= $88,670 SVOR × AH SVOR × SH
= $3.40 × 26,350 = $3.40 × (0.2 × 131,000)
= $89,590 = $89,080

Spending Efficiency
Variance Variance
$920 F $510 U

4. If 26,100 direct labor hours had been worked in February, the variable
overhead spending variance would be smaller, but still favorable. How-
ever, the variable overhead efficiency variance would be favorable since
26,100 hours is less than the standard direct labor hours allowed for ac-
tual production (0.2 × 131,000 = 26,200 direct labor hours) by 100 hours.

9-7
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.8

1. Fixed overhead spending variance


= Actual fixed overhead – Budgeted fixed overhead
= $68,300 – $65,000 = $3,300 U
2. Volume variance = Budgeted fixed overhead – Applied fixed overhead
= Budgeted fixed overhead – (Fixed overhead rate × SH)
= $65,000 – [$2.50 × (131,000 × 0.2)] = $500 F

3.
Actual Fixed Budgeted Fixed Applied Fixed
Overhead Overhead Overhead
= $68,300 = $65,000 SFOR × SH
= $2.50 × 26,200
= $65,500

Spending Volume
Variance Variance
$3,300 U $500 F

Note: Standard direct labor hours for actual production = 0.2 × 131,000 =
26,200 direct labor hours

4. If 129,600 units had been produced in February, there would have been no
impact on the fixed overhead spending variance (assuming that actual fixed
overhead stayed the same). However, there would have been an unfavorable
volume variance. That volume variance would have been $200 U [$65,000 –
($2.50 × 0.2 × 129,600)].

9-8
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.9

1. SM = Standard mix proportion × Total actual input quantity


SM tomato sauce = 0.325 × 2,000 = 650 pounds
SM cheese = 0.375 × 2,000 = 750 pounds
SM sausage = 0.300 × 2,000 = 600 pounds

2. Direct Material AQ SM AQ – SM SP (AQ – SM)SP


Tomato sauce ... 700 650 50 $1.40 $ 70
Cheese .............. 840 750 90 2.80 252
Sausage ............ 460 600 (140) 2.10 (294)
Mix variance...... $ 28 U

3. Actual mix proportion tomato sauce = 700/2,000 = 0.35, or 35%


Actual mix proportion cheese = 840/2,000 = 0.42, or 42%
Actual mix proportion sausage = 460/2,000 = 0.23, or 23%
The mix variance is unfavorable because a larger percentage of the relatively
more expensive input, cheese, was used.

4. Tomato sauce now accounts for 35 percent (700/2,000) of the total, and
cheese accounts for only 35 percent (700/2,000). The mix variance will be
favorable since relatively more of the cheaper input, tomato sauce, is used,
less of the more expensive cheese is used, and the standard amount of sau-
sage is used.

9-9
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Cornerstone Exercise 9.10

1. SM = Standard mix proportion × Total actual input quantity


SM machine operators = 0.50 × 400 = 200 hours
SM packers = 0.50 × 400 = 200 hours

2. Direct Labor AQ SM AQ – SM SP (AQ – SM)SP


Machine operators 160 200 (40) $16 $ (640)
Packers ................... 240 200 40 12 480
Mix variance ....... $ 160 F

3. Actual mix proportion machine operators = 160/400 = 0.40, or 40%


Actual mix proportion packers = 240/400 = 0.60, or 60%
The mix variance is favorable because a larger percentage of the relatively
less expensive input, packers, was used.

4. Since both types of labor account for 50 percent of total direct labor hours,
and are exactly equal to their standard mix proportion, there would be no di-
rect labor mix variance.

Cornerstone Exercise 9.11

1. Using the standard mix for 16 pizzas:


Yield ratio = 16 pizzas/40 pounds of input = 0.40

2. Standard cost of the yield (SPy) = $85.40/16 pizzas yielded = $5.34 per pizza

3. Standard yield = Yield ratio × Actual amount of inputs


= 0.40 × 2,000 pounds = 800 pizzas

4. Yield variance = (Standard yield – Actual yield)SPy


= (800 – 780)$5.34 = $106.80 U

5. If the 2,000 pounds of direct materials put into process resulted in 825 pizzas,
then the yield variance would be favorable. That is, the actual yield of 825 piz-
zas is greater than the standard yield of 800 pizzas.

9-10
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Visit https://testbankbell.com
now to explore a rich
collection of testbank,
solution manual and enjoy
exciting offers!
EXERCISES

Exercise 9.12

1. Likely coworkers: operating personnel, cost accountants, and engineers. The


operating personnel of each cost center should be involved in setting stand-
ards; they are the primary source for quantity information. The materials
manager has information on material prices, and personnel have information
about wages. The Accounting Department should be involved in standard set-
ting and should provide information about past prices and usage. Finally, in-
dustrial engineers can provide input about absolute efficiency. In setting
price standards for labor and materials, current and future market conditions
and special contractual arrangements need to be considered. Engineering
studies on efficiency and the need for proper motivation are major factors for
quantity standards.

2. The standard prime cost per 10-gallon batch of strawberry jam is as follows:
Strawberries (7.5 qts.a @ $0.80) ............................ $ 6.00
Other ingredients (10 gals. @ $0.45) .................... 4.50
Sorting labor (0.30 hr.b @ $9.00) ........................... 2.70
Processing labor (0.20 hr. @ $9.00)...................... 1.80
Packaging (40 qts.c @ $0.38)................................. 15.20
Total standard cost ........................................... $ 30.20
a
6 quarts × (5/4)
b
6 quarts × 3 minutes per quart
c
4 quarts per gallon × 10 gallons

3. Joe has failed to provide decision support information and recommendations


that are accurate, clear, concise, and timely; avoid apparent conflicts of inter-
est; refrain from engaging in any conduct that would prejudice carrying out
duties ethically; abstain from engaging in or supporting any activity that
might discredit the profession; and communicate information fairly and ob-
jectively.

Exercise 9.13

1. SQ = 8.45 lbs. × 280,000 = 2,366,000 pounds

2. SH = 1.80 hr. × 280,000 = 504,000 hours

9-11
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Exercise 9.14

1. MPV = (AP – SP)AQ


MPV = ($0.21 – $0.20)901,200 = $9,012 U
MUV = (AQ – SQ*)SP
MUV = (901,200 – 900,900)$0.20 = $60 U
*SQ = 143,000 × 6.3 = 900,900 oz.

AP × AQ SP × AQ SP × SQ
= $0.21 × 901,200 = $0.20 × 901,200 = $0.20 × 900,900
= $189,252 = $180,240 = $180,180

Materials Price Materials Usage


Variance Variance
$9,012 U $60 U

2. LRV = (AR – SR)AH


LRV = ($17.30 – $18.00)11,300 = $7,910 F
LEV = (AH – SH*)SR
LEV = (11,300 – 11,440)$18.00 = $2,520 F
*SH = 143,000 × 0.08 = 11,440 hr.

AR × AH SR × AH SR × SH
= $17.30 × 11,300 = $18 × 11,300 = $18 × 11,440
= $195,490 = $203,400 = $205,920

Labor Rate Labor Efficiency


Variance Variance
$7,910 F $2,520 F

3. Materials .................................................... 180,240


Direct Materials Price Variance ............... 9,012
Accounts Payable ................................ 189,252
Work in Process ........................................ 180,180
Direct Materials Usage Variance ............. 60
Materials ............................................... 180,240
Work in Process ........................................ 205,920
Direct Labor Rate Variance................. 7,910
Direct Labor Efficiency Variance........ 2,520
Wages Payable .................................... 195,490
9-12
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Exercise 9.15

1. Fixed overhead analysis:

Actual Fixed Budgeted Fixed Applied Fixed


Overhead Overhead Overhead
= $556,250 = $556,800 SFOR × SH
= $1.16 × (4 × 119,400)
= $554,016

Spending Volume
Variance Variance
$550 F $2,784 U

Note: Fixed overhead rate = $556,800/480,000 = $1.16 per direct labor hour
The spending variance compares what should have been spent with the
amount actually spent. One possible interpretation of the volume variance is
that it is a measure of error in specifying the budgeted output. “We guessed
wrong.” Another possibility is that it signals a gain (loss) from producing and
selling more (less) than expected. If the budgeted output used was practical
capacity, then it also becomes a measure of unused capacity. However, since
the budgeted output is based on expected output and not practical output,
the first two interpretations are more appropriate for this example.

2. Variable overhead analysis:

Actual Variable Budgeted Variable Applied Variable


Overhead Overhead Overhead
= $230,600 SVOR × AH SVOR × SH
= $0.48 × 478,000 = $0.48 × (4 × 119,400)
= $229,440 = $229,248

Spending Efficiency
Variance Variance
$1,160 U $192 U

Note: Variable overhead rate = ($787,200 – $556,800)/480,000 = $0.48 per di-


rect labor hour.

9-13
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Exercise 9.15 (Concluded)

The variable overhead spending variance can occur because of changes


in the prices of the individual items that make up variable overhead. In this
sense, it is similar to the direct materials and direct labor price variances.
However, the variable overhead cost and rate can also be affected by ineffi-
cient use of variable overhead inputs. Thus, even if the prices of the individu-
al items remained the same, waste or inefficiency could cause a spending
variance.
The variable overhead efficiency variance is perfectly correlated with the di-
rect labor efficiency variance. The cause of any variance is a difference be-
tween actual and standard direct labor hours. This reflects the underlying
assumption of functional-based overhead control (within a typical standard
costing system): all overhead costs are assumed to be driven by direct labor
hours, a unit-level driver.

Exercise 9.16

1. Two-variance analysis:

Actual Overhead Budgeted Overhead Applied Overhead


= $786,850 (SVOR × SH) + (SFOR + SVOR) × SH
Budgeted Fixed = $1.64 × (4 × 119,400)
Overhead = $786,048 = $783,264

Budget Volume
Variance Variance
$802 U $2,784 U

Note: Overhead rate = $787,200/480,000 = $1.64 per direct labor hour (sum of
the variable and fixed overhead rates)

9-14
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Exercise 9.16 (Concluded)

2. Three-variance analysis (BFOH = Budgeted fixed overhead; OH = Overhead):

Actual OH BFOH + (SVOR × AH) BFOH + (SVOR × SH) (SFOH + SVOR) × SH


= $786,850 = $786,240 = $786,048 = $783,264

Spending Efficiency Volume


Variance Variance Variance
$610 U $192 U $2,784 U

3. Two-variance: The volume variance is the same. The budgeted variance is the
sum of the fixed and variable spending variances and the efficiency variance.
Three-variance: The volume and the efficiency variances are the same. The
spending variance is the sum of the fixed and variable overhead spending
variances.

Exercise 9.17

1. Yield ratio = 720/800 = 0.90

2. SPy = $324,005.20/720 = $450.01

3. Direct materials yield variance = (Standard yield – Actual yield)SPy


= (900 – 880)$450.01 = $9,000.20 U
Note: Standard yield = 0.90 × 1,000

4. Direct Material AQ SM AQ – SM SP (AQ – SM)SP


Solvent mix ....................... 945 950 (5) $ 5.27 $ (26.35)
Aromatic compounds ....... 55 50 5 8,000.00 40,000.00
Direct material mix variance ........................................................... $ 39,973.65 U

9-15
© 2013 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly
accessible website, in whole or in part.
Other documents randomly have
different content
RECENTLY PUBLISHED.
ILLUSTRATED TABLEAUX FOR AMATEURS. A new series of
Tableaux Vivants, by Martha C. Weld. In this series each
description is accompanied with a full-page illustration of the
scene to be represented.
PART I.—MISCELLANEOUS TABLEAUX.—Contains General
Introduction, 12 Tableaux and 14 Illustrations. Price, 25
Cents.
PART II.—MISCELLANEOUS TABLEAUX.—Contains Introduction, 12
Tableaux and 12 illustrations. Price, 25 Cents.
SAVED FROM THE WRECK. A drama in three acts. Eight male,
three female characters. Time, two hours and a half. Price, 15
Cents.
BETWEEN TWO FIRES. A comedy-drama in three acts. Eight male,
three female characters. Time, two hours and a half. Price, 15
Cents.
BY FORCE OF IMPULSE. A drama in five acts. Nine male, three
female characters. Time, two hours and a half. Price, 15
Cents.
A LESSON IN ELEGANCE. A comedy in one act. Four female
characters. Time, thirty minutes. Price, 15 Cents.
WANTED, A CONFIDENTIAL CLERK. A farce in one act. Six male
characters. Time, thirty minutes. Price, 15 Cents.
SECOND SIGHT. A farcical comedy in one act. Four male, one
female character. Time, one hour. Price, 15 Cents.
THE TRIPLE WEDDING. A drama in three acts. Four male, four
female characters. Time, one hour and a quarter. Price, 15
cents.
☞ Any of the above will be sent by mail, postpaid, to any address,
on receipt of the annexed prices.☜

HAROLD ROORBACH, Publisher, 9 Murray St., New


York.
HELMER'S
ACTOR'S MAKE-UP BOOK.
A Practical and Systematic Guide to the Art of Making up for the
Stage.

PRICE, 25 CENTS.
With exhaustive treatment on the Use of Theatrical Wigs and Beards, The
Make-up and its requisite materials, the different features and their
management, Typical Character Masks, etc. With Special Hints to Ladies.
Designed for the use of Actors and Amateurs, and for both Ladies and
Gentlemen. Copiously Illustrated.

CONTENTS.
I. Theatrical Wigs.—The Style and Form of Theatrical Wigs and
Beards. The Color and Shading of Theatrical Wigs and Beards.
Directions for Measuring the Head. To put on a Wig properly.
II. Theatrical Beards.—How to fashion a Beard out of crêpé hair. How
to make Beards of Wool. The growth of Beard simulated.
III. The Make-up.—A successful Character Mask, and how to make it.
Perspiration during performance, how removed.
IV. The Make-up Box.—Grease Paints. Grease paints in sticks; Flesh
Cream; Face Powder; How to use face powder as a liquid cream;
The various shades of face powder. Water Cosmétique. Nose Putty.
Court Plaster. Cocoa Butter. Crêpé Hair and Prepared Wool.
Grenadine. Dorin's Rouge. "Old Man's" Rouge. "Juvenile" Rouge.
Spirit Gum. Email Noir. Bear's Grease. Eyebrow Pencils. Artist's
Stomps. Powder Puffs. Hares' Feet. Camels'-hair Brushes.
V. The Features and their Treatment.—The Eyes: blindness. The Eyelids.
The Eyebrows: How to paint out an eyebrow or moustache; How to
paste on eyebrows; How to regulate bushy eyebrows. The
Eyelashes: To alter the appearance of the eyes. The Ears. The Nose:
A Roman nose; How to use the nose putty; A pug nose; An African
nose; a large nose apparently reduced in size. The Mouth and Lips:
a juvenile mouth; an old mouth; a sensuous mouth; a satirical
mouth; a one-sided mouth; a merry mouth; A sullen mouth. The
Teeth. The Neck, Arms, Hands and Fingernails: Fingernails
lengthened. Wrinkles: Friendliness and Sullenness indicated by
wrinkles. Shading. A Starving character. A Cut in the Face. A Thin
Face Made Fleshy.
VI. Typical Character Masks.—The Make-up for Youth: Dimpled
cheeks. Manhood. Middle Age. Making up as a Drunkard: One
method; another method. Old Age. Negroes. Moors. Chinese. King
Lear. Shylock. Macbeth. Richelieu. Statuary. Clowns.
VII. Special Hints to Ladies.—The Make-up. Theatrical Wigs and Hair
Goods.

Sent by mail, postpaid, to any address, on receipt of the price.

HAROLD ROORBACH, Publisher,


9 Murray Street, New York.
*** END OF THE PROJECT GUTENBERG EBOOK APRIL FOOLS: A
FARCE IN ONE ACT FOR THREE MALE CHARACTERS ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for


the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,


the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.

More than just a book-buying platform, we strive to be a bridge


connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.

Join us on a journey of knowledge exploration, passion nurturing, and


personal growth every day!

testbankfan.com

You might also like