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Interiors_Lecture 1-2

The document outlines the differences and overlaps between architectural interiors and interior design, detailing the roles of interior architects and interior designers. It also covers basic principles of design, including balance, rhythm, emphasis, scale, proportion, contrast, and harmony. The content serves as an introduction to the field of architectural interiors and the fundamental concepts that guide design practices.

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yimarosalier.rabino
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2 views

Interiors_Lecture 1-2

The document outlines the differences and overlaps between architectural interiors and interior design, detailing the roles of interior architects and interior designers. It also covers basic principles of design, including balance, rhythm, emphasis, scale, proportion, contrast, and harmony. The content serves as an introduction to the field of architectural interiors and the fundamental concepts that guide design practices.

Uploaded by

yimarosalier.rabino
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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AINTERIS:

Architectural
Interiors
SECTION:
SCHEDULE:
STUDENT INTRODUCTION
Tell us
something Name
about
you. Nickname
Age
Where are you from?
What are your expectations?
About your Prof.
Syllabus
Architectural
Interiors WHAT’S THE
SCOPE OF THE

VS. Interior
INTERIOR
ARCHITECT?

Design
IMAGE SOURCE: https://www.mindler.com/blog/architecture-vs-
interior-design-differences/
ARCHITECTURE
INTERIOR We’re familiar
DESIGN
with what the
architect and
interior designer
do, but where
exactly do they
overlap in terms
ARCHT’L
INTERIORS
of scope?
ARCHITECTURE
• Site plan
• Building footprint
• Exterior elevations
• Ext. materials
• Window & door schedule ARCHITECTURAL
• Building sections INTERIORS
• Roof plan • Floor plans
• Furniture, lighting, power layout
• Interior Elevations
• Floor, wall & ceiling material
selection
INTERIOR DESIGN • Interior door schedule
• Decorating • Interior details
• Loose furniture selection • Built-in cabinet details
& designing
• Drapery & window
coverings
• Textile selection
Interior
Designer
Handles the part of the project that
has to do with how the interior will
look and can also propose layouts.

Deals with up to the smallest detail


such as the quantity, color, and type
of pillows, etc.
Interior
Architect
Deals with the BUILT portion of
the interior (floor, wall, ceiling,
fixed cabinets, etc.) and plans the
layout of the space.
Example: The interior architect
can plan the furniture layout, BUT
the interior design will select the
furniture itself.
The INTERIOR ARCHITECT deals
with anything that is permanent
(e.g., walls, floor, ceiling, etc.) &
may propose a layout.

While the INTERIOR DESIGNER


also deals with anything that is
permanent AND also specifies
loose elements (e.g. furniture,
decorations)
ARCHITECTURAL INTERIOR DESIGN
INTERIORS
involves the detailed planning and design of refers to the science and art of planning,
the indoor / enclosed areas of any specifying, selecting and organizing the
proposed building / structure, including surface finishes and materials including
retrofit, renovation, rehabilitation or furniture, furnishings and fixtures and other
expansion work which shall cover all interior design elements for the purpose of
architectural and utility aspects, including the interior space allocations to suit,
the architectural lay-outing of all building enhance and meet the intended function,
engineering systems found therein. movement and character for which the
interior of the building is designed.
Source: Standards of Professional Practice
Doc 203 Source: RA No. 10350
BASIC
PRINCIPLES OF
DESIGN
BALANCE
Creates a sense of order and
harmony
q Symmetry
§ Reflective
§ Rotational
§ Transitional

q Asymmetry
REFLECTIVE
SYMMETRY
Arrangement of the elements
that are equal to each other
on both sides
ROTATIONAL
SYMMETRY
Refers to objects rotated in a
particular direction around a
central focal point.
TRANSITIONAL
SYMMETRY
Creating the illusion of motion by
repeating the same pattern
multiple times within the same
space.

It’s most commonly seen in tiled


floors, back splashes, and
wallpaper.
ASYMMETRY
Balance by repetition, but there is no
mirroring or exact duplication.

A living room in asymmetrical style


might feature a sofa with an end table
on one end and a floor lamp on the
other.
Rotational & transitional
works well in large
spaces,
but can feel
overwhelming if there is
too much repetition
crammed into a small
area
Reflection symmetry
and asymmetry are
best in tight spaces,
since they often
feature simpler
designs.
RHYTHM
Creating a sense of movement in a composition, leading
the attention of the viewer from one element of design to
another.
RHYTHM BY
RADIATION
Radiation is an element of
rhythm in interior design when
the features in the room are
balanced and repeated around a
center point.
RHYTHM BY
CONTRAST
Blending opposing colors and
shapes to create movement.
RHYTHM BY
TRANSITION
Through the transition,
rhythm leads the eyes
gently and subtly into
an uninterrupted,
continuous flow from
one spot in the room
to the next.
RHYTHM BY
GRADATION
Progression of the elements
from large to small or from
small to large, from light to
dark or vice versa. This
creates a nice rhythm
drawing the eyes up and
down the line of gradation.
RHYTHM BY
REPETITION
Repetition is a principle of
rhythm that is based on
similar patterns, colors,
textures, forms shapes and
similar lines throughout your
interiors. It gives the room a
clear sense of cohesiveness
and stability.
EMPHASIS
CHOOSING A FOCAL POINT AND
USING FORM, COLOR, OR TEXTURE
TO DRAW ATTENTION TO IT.
SCALE
TE ND TO RE F E R TO HOW A N ITE M
R E LATE S TO THE SI Z E O F TH E R O O M O R
TO SO M E THING E L SE – L I K E TH E V I E WE R
PROPORTION
REFERS TO THE SHAPE OF AN ITEM
AND HOW IT RELATES TO OTHER
THINGS IN THE ROOM.
CONTRAST
Contrast refers to the
arrangement of opposite elements
in a piece so as to create visual
interest, excitement and drama.
This can be done in a variety of
ways such as through light vs.
dark colors, rough vs. smooth
textures, large vs. small shapes,
etc.
Contrast using
FORM
You can achieve it through
the combination of more than
one form. For example,
combine a rectangular sofa to
a circle mirror to distribute
and balance the attention
between both of the items.
Contrast using
TEXTURE
The concept of texture refers to
the perception of the way
elements of design feel.

Two textures that contrast


together adds weight to space,
visually. The design components
will be able to draw the eyes in
more quickly.
Contrast using
COLOR
The color wheel is your friendly
guide! Choose opposing colors
to make a striking impact.
HARMONY
Harmony is when things seem to
belong together. Harmonious space
seems to contain everything that works
together perfectly. The end result is
pleasant with everything exactly where
it should be.

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