NCSE Movement Breaks in The Classroom Booklet
NCSE Movement Breaks in The Classroom Booklet
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References 27
Appendices 29
The ‘COVID-19 Response Plan for the safe and sustainable reopening of Post Primary Schools’, outlines
that maintaining physical distancing in the school environment is a key control for minimising the
risk of introduction and spread of COVID-19. These new measures mean students will spend a large
portion of the school day in a classroom with reduced opportunities for movement.
This resource provides a guide for teachers on introducing planned movement into classrooms. It
is recognised that schools are under a lot of pressure at this time, and we would like to encourage
teachers to try some of the movement suggestions in this guide and identify what works for
them and their students.
Movement plays an important role in the classroom. Movement underpins the development of
gross and fine motor skills, physical fitness, language and communication, self-esteem, confidence
and learning (Erwin, et al. 2012; Macvier et al., 2019). Incorporating movement into the classroom
can support students to:
The National Educational Psychology Service (NEPS) wellbeing toolkit for post primary schools
recommends school staff empower students by teaching them to identify a range of tools and
strategies that they can use to self-regulate in the classroom. (For full access to these resources
see www.gov.ie/backtoschool). This resource will provide teachers with some tools and strategies
to support self-regulation through introducing planned movement into teaching and learning.
Disclaimer
All movement breaks should be carried out under the close supervision of a
teacher. The teacher is responsible for ensuring that movement breaks are
implemented safely an in line with COVID-19 public health guidelines for
schools.
It is important that the teacher is aware of the student’s ability levels and any
injuries so that movements selected are appropriate and accessible for all. The
teacher is responsible for carrying out an assessment of risk prior to using
movements in the classroom. Where relevant, it is advised to consult with a
student’s medical professional teams prior to engaging in these activities.
(Person)
Participation
in and
performance
Student of the movement
break
Context Movement
Activity
(Environment) (Occupation)
Student Factors
a) Student Year Group. You may need to tailor how you incorporate movement so that it is appealing
to the relevant age group you are working with.
b) Student Energy Levels. Determining student energy levels will allow you to decide if
you need to use energising movements, calming/organising movements or a combination of both.
Consider the visual on Page 4 to help you identify the energy levels within your class.’
Adapted from the Demonstration Project on In-School and Early Years Therapy Support (2019). Movement
break ideas for post-primary schools booklet.
4 Movement Breaks in the Classroom: A Resource for Post-Primary Schools
Movements that are fast, less predictable and have a quick tempo are generally alerting.
Movements that are slow, steady and use muscles for heavy work are generally calming and
organising.
If levels of alertness vary within your class, start with short alerting movements and end on
calming/organising movements to support students to be optimally regulated for the transition
back to learning (Ayres, 1998; Horwood, 2009; Wilbarger, 1995). Examples of alerting movements
and calming/organising movements will be provided in the following sections.
It can take time to tune into the different energy levels of your students. Encourage students to
notice how their body feels, before and after engaging in different movement activities. This can
support students to develop awareness of their energy levels. Students may find it supportive to
use a visual ‘energy meter’, such as the one below, to identify and communicate their energy levels
(Kuypers, 2011; Williams & Shellenberger, 1996).
• Students’ physical abilities (where relevant, it is advisable to consult with students’ medical
and/or therapy teams prior to engaging in any movement activities).
• Students’ communication and learning needs. Clear instructions (verbal and/or written) on
how to complete movements safely help all students understand what they need to do. Some
students may need additional supports. We need to consider the language load of these tasks
and tailor our instructions to ensure all students understand and can follow them (for example
the demands of listening to a set of instructions, processing them and following/responding
can be challenging for students with Speech Language and Communication Needs (SLCN).
Consider how verbal prompting, physical demonstrations and visual supports (images/words/
symbols) can support and reinforce student understanding. Some students may benefit from a
visual outline of the steps of the movement; others may benefit from the support of a Special
Needs Assistant (SNA) to complete the movement.
• Students’ confidence: Some students may be less comfortable or have less confidence, when
engaging in movement. Create a safe environment where the focus is on moving our bodies to
stay alert and not about ‘moving perfectly’. Encourage students to do what they can and what
they are comfortable with.
d) Student Interests
Incorporating student interests into movement breaks can help motivate students and maximise
participation. Consider:
• Using language relevant to student hobbies and interests to describe movement breaks.
Including a ‘challenge’ or ‘game’ element.
• Involving students in the design and selection of movement ideas.
• Providing students with roles (e.g. time keeper, rep counter, demonstrator, etc.).
• Provide students with a choice (e.g. would X or Y be more helpful for you to do?)
Contextual Factors
a) How much space is available for students to complete the movements?
b) Students need to be able to participate in movements safely and in line with your schools’
COVID-19 regulations.
c) How much time do you have available to complete the movement break? Short movement
breaks, even just 2-3 minutes, can be beneficial in supporting students to maintain focus and
attention in the classroom.
d) Do you need any resources to do the movement? A wall, desk, chair, timer?
e) It is important to select movements you as the teacher feel safe and comfortable to engage in.
You may like to incorporate movements you have experience of doing and have an interest in.
Decide on the number of repetitions and the amount of time you want to allocate to each
exercise in your movement sequence. As per the Return to School Guidance for Practical Subjects
in Post-Primary Schools and Centres for Education, it is important to be mindful that with more
vigorous exercise the area of spread of respiratory droplets is greater. It is therefore important to
consider the amount of time spent doing a movement, repetitions completed and the sequence of
movements. Movement breaks don’t have to be lengthy. Short regular bursts of movement can be
effective for regulating energy.
If levels of alertness vary within your class, it can be helpful to start with short alerting
movements and end on a calming/organising movement to support students to be optimally
regulated for the transition back to learning. Observe your students’ responses to movement and
seek student feedback to identify how different movements impact your class groups’ energy levels.
This section outlines different movement activities that can be completed in a seated or standing
position in any classroom.
Chair Aerobics
Ask students to pull their chairs out from their desk and sit up straight. Talk students through the
following movements, modelling the movement to support understanding.
i) Straight Leg Raisers: Keep your ankles together and extend your legs to a 180-degree angle
(until they are straight). Then lower back down. Continue for 20 repetitions.
ii) Squats: Sit up straight, put your hands behind your ears, feet flat on the floor and lean your
weight on your heels. Try keep your back straight but not rigid. Looking straight ahead can help.
On a slow count of 1-5, stand up, then lower back down again to another slow count of 1-5.
Continue for 5 repetitions.
iii) Tummy Crunchers: Sit with your weight towards the front of the seat and your arms behind
you, holding on to the back of the seat. Then bring both knees up together towards the chest.
iv) Punching Arms: This can be done seated or standing. Using two hands punch the air in front of
you for 1-3 minutes at any speed. It is important to ensure there is enough clear space in front
of students. If standing, keep knees slightly bent and centre the core to maintain balance.
x 20 x 20
i) Swimming: Move your arms as if doing the front or back crawl and kick your legs in front of
you with toes pointed.
ii) Cycling: Hold on to the seat of your chair and pedal your legs as if riding a bike.
Swimming Cycling
Jumping Jacks or Half Jacks: Stand with your feet hip width apart and arms by your side. Jump by
moving your legs to the side and stretching your arms out like a star fish. Jump back into starting
position (legs centred and arms by your side). Another option is to complete the exercise without
the arms which is called a half jack.
Squat Hold: Stand with feet hip width apart and lower into a squat position by bending your knees.
Keeping your spine straight, chest lifted and your knees behind your toes. Hold this position for
30 - 60 seconds. It can be helpful to have your arms out in front of your chest for balance.
Squat Jump: Ask students to first lower into a squat position. Then from there, jump straight up
and swing your arms overhead. Return to squat. Repeat for 30 seconds.
900
Quarter Turn Squat Jumps: Ask students to first lower into a squat position. From there, using
your arms and legs to jump up and turn 90 degrees to the left. Land softly with your knees bent and
return to the squat position. Repeat and continue to turn 90 degrees until you face the front again.
Criss Cross Crunches: Stand with feet hip width apart and hands behind your head. Twist your
body by, bringing your left elbow down and across the body. Raise the right knee up and across to
meet the left elbow. Repeat with the right elbow and knee for 15-20 repetitions.
Hops / Air Skip: Hop on one leg and switch sides or complete two legged jumps pretending you
have a skipping rope.
900
Wall Push Up: Stand facing a clear wall, arm’s length from the wall. Extend your arms out to
measure the correct distance. Place both hands against the wall. Slowly lower your chest towards
the wall bending your elbows to a 90 degree angle. Pause once the upper arms form a 90 degree
angle. Push yourself back up to the starting position. Repeat 5 times.
Wall Sit: Stand tall against a wall with your head and back touching the wall. Stand with your feet
shoulder-width apart and a few inches away from the wall. Rest both arms at your sides. Bend
the knees and lower into a squat position until your thighs are parallel to the floor and hold the
position for 20-30 seconds. Return to starting position by straightening your knees and standing
tall again. Repeat once more.
Lunges 1 Lunges 2
Lunges: Stand with feet hip width apart and place hands on your hips. Step forward with your
left leg and slowly lower the right knee towards the ground until the front knee is bent at least 90
degrees. Keep the rear knee just off the floor. Keep the torso upright and look forward. Pause and
hold, then push off the front foot to return to the standing. Alternate with right and left leg one at
a time. Repeat to complete a lunge on each leg 5 times.
This section contains three different types of calming/organising movements Muscle Work
Movements, Yoga Movements and Breathing/Relaxation Movements.
Toe Raisers
Have the students take out a textbook or school bag and use them to do the following exercises:
• Bicep Curls: Hold the book in one hand and bend at the elbow to raise the book towards your
shoulder.
• Triceps Push Backs: Hold the book in one hand and lean forward over the desk with the other
hand holding the desk. Hold the arm up with the book parallel to the body, bend the elbow to
90°and raise and lower the book extending backward up to shoulder level.
900
Twists 1 Twists 2
Overhead Lifts
Breathing can help students attune to their bodily sensations, feelings and stress levels. It can help
calm and regulate students. In yoga, movements are guided by the breath and checking into the
breath before and after a sequence is recommended.
The following are examples of gentle upper body yoga movements which can be easily adapted
and completed in a seated or a standing position. Teachers can read aloud the sample scripts,
respecting the pauses, and demonstrating the movements to support students to participate
(Stephens, 2010).
Breathing: In a seated position, place both feet flat on the ground, feet and body facing
forward, (pause) straighten your back and spine, sitting upright in your chair. Slowly take a
deep breath in and out. Place one hand on your chest and the other hand on your stomach or
lower rib cage, (pause) slowly take a breath in through your nose (pause), feel your belly and
rib cage rise with each inhale and notice how your chest falls with each exhale. Sitting tall,
spend a few moments here.
Shoulder Stretch: Sit up nice and tall, take a deep breath in…and a slow long exhale. Now
drop the hands onto the knees. Roll shoulders forward and backwards in circular motions.
On an inhale squeeze shoulders up to the ears, hold (pause) and on an exhale slowly release.
Repeat this a number of times, noticing how the neck and shoulders feel.
Inhale Exhale
Inhale Exhale
Sunshine Arms: Inhale straighten arms by your side and sweep both arms up over head to touch. Exhale
and gently bring both your arms back to your side (pause) and repeat. Gently inhaling and exhaling as
you move.
Hand Press: Gently press both hands and fingers together in prayer position across your chest. Pushing
both hands against each other and hold here for three breaths. Slowly inhaling and exhaling as you push.
Release the pressure on the hands for a breath and push again.
Eagle Arms: Bend your elbows, (pause) cross your left elbow over the right elbow. Press the back
of your hands together, (pause) or wrap your left hand around your right hand and press your
palms together. Move your elbows up and keep your fingers active. Lengthen your spine, broaden
through the collarbones. (Do the same on the other side of the body) Hold here for a few breaths
and gently release. Repeat with the left arm underneath.
Forward Fold: Slowly move forward from your hips (pause), folding forward until your stomach
is resting on your legs (pause) and your hands are touching the floor or ankles. Look at the ground.
Inhaling and exhaling here. Inhale and gently come back up to seated and release.
Standing/Mountain Pose
Rocket/Side Twist
Mindful Breathing & Body Scan (adapted from Williams & Penman, 2011)
Gently come back to your breath, inhale and slowly exhale. You may like to close your
eyes and put one hand on your chest (pause) and your other hand on your stomach
(pause). Notice how your chest rises with each inhale and falls with each exhale. You may
like to imagine your breath like the river of an ocean flowing in and flowing out. Try to
stay focused on your breathing for the next few moments. Bring your attention to your
body on your chair. Then feel the weight of your body on your chair. Make sure that your
back is straight and that you are comfortable. Take a few deep breaths. While you are
breathing relax your shoulders, (pause) your hands, your stomach muscles, (pause) the
muscles in your face, let go off all the tightness in your body. Now bring your attention
back to your breath. Notice how your breath feels against your mask, (pause) is it warm
or cold? Filling your lungs and back out through your nose, (pause) notice your stomach
and chest rise and fall each time you breathe. Now bring your attention to this process,
(pause) focus on the feeling of the breath, the inhalation and exhalation. You may notice
your mind wandering, if so, that is ok, (pause) that is what minds do. Try and bring your
attention back into the room and focus on your breathing. Take some time here to check
in how your body feels now. Slowly come back into the room and open your eyes.
• Completing a simple stretch (e.g. overhead stretch, arm stretch) holding the position for a
specified number of seconds/breaths.
• Carrying out an ‘energy check in’. Support students to identify their levels of energy/alertness
following completion of the movement break, paying attention to how they feel, sound and
look.
• Set 30/60 seconds on the clock and have students tune into their bodies and count how many
breaths they take within that time period. Alternatively students may find their pulse and
record how many beats counted in the allocated time.
• Take a two minute breather, just relax for two minutes and do nothing but listen to calming
sounds or music.
Stand Up: Ask students to stand up at different times during the class. For example stand when
answering a question, when reading out loud, when they are finished a piece of work, when they
would like to ask a question. The act of standing expands more energy, increases the blood flow,
oxygen uptake and muscular fitness.
Revision Quiz: Ask all students to stand at their individual desks. Half the class call out answers
to quiz questions as quickly as they can. While they are answering the questions, the other half of
the class have to complete a movement activity such as hold a squat, do air skips or chair push
ups. Time how long it takes them to answer all questions correctly. Then have the class swap over.
• Ask for student input on what they would like to do for movement breaks. Conduct a Class
Vote and let them choose between a few exercises.
• Create a class Movement Wheel using an online platform such as Wheel Decide.
• Create a Lucky Dip where one student chooses at random a movement from a selection of
alerting activities and calming activities.
• Use the template in Appendix B to create a Movement Dice with your own chosen movement
activities. Why not create an alerting dice and a calming dice to have to hand for every class.
Students may also like to design their own movement dice with their preferred movements
included.
• Have a student lead a movement break doing any activities of the class’s choosing. Be creative
and have everyone in the class get involved.
• Incorporate appropriate music that appeals to the students to encourage movement. Choose
a song with repetitive lyrics whenever the class hears a certain lyric, they have to complete a
certain movement. For example, every time the lyric ‘happy’ is heard in the song ‘Happy’ by
Pharrell Williams the students have to do a quarter turn squat jump.
• Use a visual countdown timer on the board to motivate the students to keep moving for the
agreed amount of time.
Inhale
x 20
Toe Raisers Straight Leg Raisers Overhead Lifts Chair Swimming Chair
Keep it
Keep it Factual
Simple
Keep it Fresh
and Fun
Keep it Simple
• When introducing movement to your classroom, start with one or two simple movements.
Gradually expand to other movements as you and your class become comfortable with
physical activity being part of the classroom routine.
Keep it Factual
• It is important to inform students why physical activity throughout the day is necessary (it
gets the blood flowing to the brain so they can think better and will feel more alert).
• Provide students with clear expectations and instructions for movement to optimise
success in the classroom. This can help students to feel more relaxed and prepared.
• Cahill, S. M., Egan, B. E., & Seber, J. (2020). Activity- and occupation-based interventions to
support mental health, positive behavior, and social participation for children and youth: A
systematic review. American Journal of Occupational Therapy, 74, 7402180020. https://doi.
org/10.5014/ajot.2020.038687
• Demonstration Project on In-School and Early Years Therapy Support (2019). Movement
break ideas for post-primary schools booklet. Government of Ireland.
• Department of Education and Skills (2020). Return to School Guidance for Practical Subjects
in Post-Primary Schools and Centres for Education – Downloaded from: https://www.gov.ie/
en/publication/7acad-reopening-our-post-primary-schools/
• Department of Education and Skills (2020). COVID-19 Response Plan for the safe and
sustainable reopening of Post Primary Schools’, Downloaded from: https://www.gov.ie/en/
publication/7acad-reopening-our-post-primary-schools/
• Davis, Eshelman, & McKay (2008). Progressive Muscle Relaxation: The Relaxation and Stress
Reduction Workbook. New Harbinger Publications.
• Drew, S. & Atter, L. (2009). Fidget Busters: Brain Breaks and Energisers for the Classroom.
LDA: Hyde, United Kingdom.
• Erwin , H., Fedewa, A., Beighle, A. & Ahn, S. (2012) A Quantitative Review of Physical
Activity, Health, and Learning Outcomes Associated With Classroom-Based Physical
Activity Interventions, Journal of Applied School Psychology, 28:1, 14-36, DOI:
10.1080/15377903.2012.643755
• Horwood, J. (2009). Sensory Circuits: A Sensory Motor Skills Programme for Children. LDA:
Hyde, United Kingdom.
• Hoza, B., Smith, A.L., Shoulberg, E.K., Linnea, K., Dorsch, T.E., Blazo, J.A., Alerding, C.M. &
Mccabe, G.P. (2015). A randomized trial examining the effects of aerobic physical activity on
attention-deficit/hyperactivity disorder symptoms in young children. Journal of abnormal
child psychology, 43, 655–667.
• Law, M., B. Cooper, S. Strong, D. Stewart, P. Rigby, and L. Letts. (1996). “The Person-
Environment– Occupation Model: A Trans-Active Approach to Occupational Performance.”
Canadian Journal of Occupational Therapy 63(1), 9–23.
• MacCobb, S., Fitzgerald, B. & Lanigan O’Keeffe, C. (2014). The alert program for self
management of behaviour in second level schools: results of phase 1 of a pilot study.
Emotional and Behavioural Difficulties, 19(4), 410-425
• National Education Psychology Service (2020) NEPS advice and resources during COVID-19
https://www.education.ie/en/The-Department/Announcements/new-relaxation-
techniques.pdf
• Shanker, S. (2013). Calm, Alert and Learning. Classroom strategies for self regulation. Pearson
Canada Inc.: Toronto.
• Stephens, M., (2010). Teaching Yoga Essential Foundations and Techniques. North Atlantic
Books Berkeley, California.
• Wilbarger, P. (1995). The sensory diet: Activity programs based upon sensory processing
theory. Sensory Integration Special Interest Section Quarterly, 18(2), 1-4.
• Williams, M.,& Penman, D., (2011). Mindfulness a practical guide finding peace in a frantic
world. Piakus.
• Williams, M. S. & Shellenberger, S. (1996).”How does your engine run?”™ A leader’s guide
to the alert program® for self-regulation. Albuquerque, NM: Therapy Works, Inc.
Focus on your breathing: Begin by becoming aware of your breathing. Take a deep breath in and
hold and then slowly exhale. Close your eyes if you are comfortable doing so. Take another deep
breath in, hold it and slowly breathe out, letting go of the tension. Continue to do this slow breathing
for another three breaths.
Bring awareness to your feet and toes, breathing in deeply and slowly releasing. Curl your
toes down and tense the muscles in the soles of your feet and release the muscles in your
feet as you exhale (repeat x2). Now bring your awareness to the back of your lower legs,
tighten these muscles and hold and let the muscles go limp as you exhale. Feel your muscles
relax. Now tense the front of the thighs, hold for a moment and release (repeat x2). Now,
gradually tighten muscles in your lower back, hold this for a few seconds and release and
repeat. Feel the tension leaving your muscles, relaxing more and more. Gradually tighten
all the muscles in your legs from your feet to your lower back and hold, gently release and
notice your body feeling more relaxed (repeat x 2).
Now bring your awareness to your stomach and tighten these muscles. Release your breath
and let go on an exhale, repeat. Now focus on your back, draw in a nice deep breath and
then tighten these muscles and release your breath and letting go of any tension. Bring
awareness to your shoulder muscles and your neck. Slowly draw in a nice deep breath
and bring your shoulders up to your ears and squeeze these muscles firmly and slowly
release and repeat. Let go of all the tension in your arms and hands, tighten the muscles in
your arms and hands and slowly release. Notice how relaxing it is to release that tension.
Now, tighten the muscles in your face, squeeze your eyes closed, breathing in and out and
then relax all your facial muscles, feel your face softening (repeat). Bring awareness to the
muscles in your jaw, open your mouth as wide as you can and exhale and allow your mouth
to gently close (repeat). Now, let your mouth relax and let the breath float out, listen to the
sound of your breathing and notice how your body feels now. Noticing if your body feels
relaxed and calm. Gently come back to the classroom.
Stephens, (2010).
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