1993 Jim Woodring's Notorious Autojournal
1993 Jim Woodring's Notorious Autojournal
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PRINTED IN U.S.A.
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NUMBER ONE
PRICE: $225-
$3.40 in Canada
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ANTAGRAPHICS BOOKS
NUMBER SIX PRICE $3.50
$4.50 CANADA
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Fantagraphics Books, Inc. « 7563 Lake City Way NE « Seattle, Washington 98115 Special thanks to: Randall Bethune, Big Planet Comics, Black Hook Press of Japan, Nick Capetillo,
Editorial Liaison: Gary Groth « Design Assist: Keeli McCarthy « Production: Paul Baresh Kevin Czapiewski, John DiBello, Juan Manuel Dominguez, Mathieu Doublet, Dan Evans III,
Associate Publisher: Eric Reynolds + Publisher: Gary Groth Thomas Eykemans, Scott Fritsch-Hammes, Coco and Eddie Gorodetsky, Karen Green, Ted Haycraft,
Eduardo Takeo “Lizarkeo” Igarashi, Nevdon Jamgochian, Andy Koopmans, Philip Nel, Vanessa
Palacios, Kurt Sayenga, Anne Lise Rostgaard Schmidt, Christian Schremser, Secret Headquarters,
Jim is copyright © 2014 Jim Woodring. All rights reserved. Published by Fantagraphics Books.
Permission to reproduce for reviews and notices must be obtained from the publisher or the Paul van Dijken, Mungo van Krimpen-Hall, Jason Aaron Wong, and Thomas Zimmermann
author, For a free full-color catalog of comics and cartooning, including other masterpieces by Mr. First Fantagraphics Books edition: August 2014
Woodring, call 1-800-657-1100 or visit Fantagraphics.com. ISBN 978-1-60699-752-9 « Printed in Singapore
741.597 WOODRING
Jim /
—~—— 35000096560486
Table of Contents
Author’s Note 110 Nidrian Gardener
Jim #1 in its entirety 114 Looty
Seafood Platter 11S The Hindu
from Hell Marriage Game
Two Children 121 Quarry Story
Inadvertently Kill 132 This House
an Agent of the Devil
Through an Excess of 133 The Birthday Party
Youthful High Spirits 141 The Reform of the Apple
Da Invisible Hinge 142 The Stairs
37 The Hour of the Kitten 147 Screechy Peachy
41 Niffers 151 Vher Umst Pknipfer?
42 A Walk in the Foothills 152 Trosper
44 Big Red 155 Dive Deep
46 Enough Is Enough 159 Pulque
47 Dreamcorder 162 Echo
48 A Lousy Show 163 A Hometown Tale
49 Particular Mind 171 Obviously Not
62 Jim’s Discipline Camp 177 His Father Was
63 Good Medicine a Great Machine
64 Big Red 181 When The Lobster
65 This Is the Meat Whistles on the Hill
66 Horse Sinister 189 Cheap Work / My Hero
69 At the Old Estate Is a Bastard
75 Dinosaur Cage 190 Jimland Novelties
79 Li’] Rat 192 The Smudge-Pot
80 Jim Book of the Dead 193 Pulque
84 Rolling Cabine 194 Pulque
85 What the Left Hand Did 195 Boyfriend of the Weather
98 Almost Home 199 Jim #1, vol. 2 back cover
99 Let’s Play! 200 Jim #2, vol. 2 cover
105 Powerland
: oe ie pe So ar
,4 aoe Bie in gtome [Pitwere to bebe tomorrow that oaths lover ofallmonsters, devourer of Beneand crusher of
a—
aes _ atomsas we have been led to think of them do not really exist, : anything) witha shell. I could bean angel. I'm not joking. bee =
: : eee )Pie are something else entirely, Iwouldn’t 7 surprise ees ‘In my early years Itused the yellowcrayon wisely andwell.es
Peo ee RG disappointment, or any sort of loss atall. Thats how Iknowl A scrubbed it as deeply and thickly as Icould into the grooves 4
don’t believe in them. pee a eS of 1my Wa It Disney's Bongo record so thatitwould never play Fe _
5 : : : On the other hand, if I were sally able to get to the topS again. Iwas afraid of therecord, afraid of its revenge i ifI age:
[e246 4 4 ofthat winding, narrowing staircase hidden somewhere in itout, afraid Imight accidentally hearitif 1 didn’t render it~
|: . : ae : the circular galleries of the hotel I have visited regularly in “unplayable. What scared me? Ttwas a soft oe of slightly
eae ( . dreams for the past fifty years, and if Iwere ‘to find nothing. hauntingvoices calling, “Bongo-bongo-bongo. ee Salta E
2. ere transcendental at the top of those stairs, I would be shattered. When I was through ruining Walt Disney'sS Bape I put i
; £ : oo oR fact Lmight never recover from sucha shock. I’m not joking. under themattress withw a dozen other non-living things and
> eee I don’t really know what other people do with their lives, got out A Child’s First Record by Frank Luther. The organ —
: 4 ee: but mine has been one long reiteration of‘ ‘How's that again?” _ that played throughout had a friendly confidential tone and —
ee Bee : _ in response to almost everything I have encountered since _ a matter-of-fact humility that I could appreciate, but neveri
Pe tat the days of lion-in-the-hall. I cannot do any math, I cannot —_ emulate. I thought of Frank Luther himself as nothing |but 2
: q : bees learn any geography, I cannot say what distinguishes good _a voice coming from a wall-mounted loudspeaker while the e
_-—— Jiterature from bad. I read very slowly and remember almost _ objects he spoke and sang about er ona ae did their —
4 eee: nothing. I can barely distinguish one human face from Dits, andvanished. he a
Ee Gh another; when I was courting my wife I had to memorize = When Frank Luther introduced thefelectao.sweeper, I :
f : ae what shewas wearing to pick her out of a crowd. I knew saw the same thing every time. It was horizontal and purple, ;
s soo who she was, all right; I just couldn’t remember what she —_ with comical blinking eyes covering its surface. Beyond that Ia
oo : ___ looked like. a couldn't see clearly. Naturally Icalled it The Sweeper. i. ie :
- /. ee Lee a] suppose I have experienced mother love, but I have ie I enjoyed thinking a
about The:Sweeper <and itshumoroous >
ae : xh to knowledge of it. I have good friends but feel it would be - possibilities. What ifi were to bring it
i Peat:
_-———s
to presumptuous to depend on them. 1 don’t trust anybody not and introduce it asmy father? They’rd bi a
disappear. I don’t trust my mind for everyday thinking, but— saainthechaparral
5 Swesperteundingslnga.:
Iam convinced that it has one very great function, which is _
to eventually make me aware of astounding things. It appalls rats ae threatened me.eeisbecpapause be ‘one. heck cn
me that it alludes to these things in the language ofthe show- a fine pal, no doubt about that.The
il wasthat Ialso.
| yf pee
—
es
ee
AyD
elage
e
k The Tit Wooodman
ie Ti ee ofOz, about
ae I One evening in art historyatheareshown.a Ae of slides—
Ee a oe of ancient architecture... . architecture ae and distracted _
ete
: plac , a real
pe ee
alplace a person monld visit,
es
mind barely registered. After thefinal slidethe
t screenn went white, 7
iccessfully dive into the pool iin what — and I became supernaturally « aware that scomething enormous was
IInitiation. In fact I never didlearn thatOz about to happen. The hair on my neck stood up and é the ye of46 ;
5
hands and feet stung in1 anticipation.a2 % CeCe. ;
And then—how vividly I rememberit! saw;a lie bulbo ous,
1 fret death, came See sic went on rubbery-looking froglike creature emerge ffrom the bottom of the
; I that he h didn’ tgive two thoughts to heaven, screen and rest its two-fingered forearms ona wall with a volute.
: wasn't sure why he was frying to ae that ‘One eye opened and extended upward, looking inquisitorially into
the sky, as the red-lipped mouth curved ina i deep frown.
I was so shocked I tipped 3my desk over backward onto the
6 ie) > oO oO me = SF>| = Se= aS - woman sitting behind 1 me, causing an immediate fracas from which
vaeee gq. fag
n + Ye
Ls: a. n
asx
a
oS
= Sy leans that ne is ete the fom . I ran away in a near-panic. From that moment to this one I have
tie decked Princess Ozma, and he accedes to the pondered that frog and drawn it 3don’t know how many hundreds
. Bc ee Thats real ead) You can't make up of times. .
The frog’s appearance opened the ct green gates at the top
Es of the street for me, and I entered the compound. I was glad to be
a8 byeA the grimmest, bie mostlarly among these soda-pop survivalists and their free-and-easy ways.
ychotic. For one thing, there was a fifty-foot One obstacle to my full embrace of this new world was the sad fact
Ye mpletely <amoral. I vomited right on the book. that my drawing skills had always been decidedly subpar. My ninth-
wasan invisible ore calice:a me po- gy-ral,, _ grade art teacher wrote on my report card, “Drawing and painting
1
are not Jim’s forte.” He was right about that; I had no discernible
ewa 1of cuttingae ie afbauen Acaiin the hook talent. What I did have was the determination to express my view of
y, 1 aeee i my ears when The Sweeper came onstage. the world through art. I've been told by people I knew back then that
( n yee
Hane Thad barely graduated from high school, had no they were impressed by my determination that I was a great artist,
te sleducation, training oro prospects, was living at home, had never
a: even though absolutely everythingIdid was worse than poor.
_tak en dru: s,and was out of desperation taking a few classes at the I spent most of my twenties trying to develop the drawing skills
~ sublimely logyES ad College. I would need to make my contribution. I didn’t succeed until I was
“FARLVUR
OF RIM
pie
=. s aes Bs Wea ae ay a *:
eos ee oe oie =
tt
epuitwe nty-six, when Idrew“ ‘Barnyard Trouble i he =
ee Tike much to you, butwhen
x I finished that i to writing re ie Wak this new SS
7 : ind ofecstas
ec:asyot from conte g it. and dew *“Seafood Platter from Hell.” « Ee
2 - that modest but hard-won
h artistic ach vi tw » tha : t this Le
v “— from HELL!” became ys
ee eth ' lloyed bliss [had ever felt. - idbare cliché. ane frog (in)whom I believe
: ;oe Natur: , wanted to start a| publication our years later I hit y) on ut the.rest of the book with —
ot upon then:ime2 andformat ofJim andqput together th ge iS
es AS xeroxed issue,
i w hichis ae as \tir pre igeofbeingthe author of thes :
A : “on
Een ae her i ta. a pi a statusar
that
feo
8.
Bde cS
ee
2
‘Gea. & ae ee ke Ss
ae - thefine ee 4 came out MEwas
woking atananimation
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we = pane
v ae someae Giloe 1Real
Ehe
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ae ay Alex Tothad Alfredo : any ofthe oldon Thereisa ke
hepa teveryear
:
- that makes me cringeevenas
e I admire my nerveless self-confiden
hee an Gane Groth, co-0 ner a. Itplainly neveroccurred to me foran instant that II thi
P ) s and when Gary mentioned 10 Gil that theinner me mightnot b
ae he was.looking f r ann editor fora
: vase a peeeth (a
recommended me.
Say my work, which at ict pointangsied ae acopiesonjm.
Be Gary looked them over and offered on the spot to publish Jim as
2 eA legitimate |back on the condition i would put some comics in it,
Fantagraphics being acomics publisher. B52 eo. &: : :
iypieced
icheacine
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OF THOSE CB SECTS Moot
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MAY 1982.| \Ty ovary MOL. |NO. 1
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HIS
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> DREAMER,
DES DREAM
SIM tPetar
WNL sDwtiM IN?!
Nee ett
RELATINE
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CONERED TO HAVE te
is Peg ANREL Hat UND
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fe A RESULT
oeI FANUC AS
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say aayLAR,
HIS tion?
es ANSINER, I> “YES”
@VESTION . PLEASE... "TELL SIM"
AT RO. BOX [COTE 3
CALIF. A209. | CARE:
SUMMER ID HERE AND
Stieeete WieSRE | LIN
BECINNING-
HIM *puSteRn”>
5:Sounee. UKE
FOUR, DRUNKEN SAILORS FIGHT.
WHAT CANS | DO 3
MINES ARE OUT AeoorTa A DIME’ Oe ACERTAIN DOLTOR,
ONCE TOLD ME. .
We AN
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Abs,
IN
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Day
REIN
RRO
FABLE/
SYMBOLIC
PART
ONE
THE
OF
ALLEGORICAL
BY ACANDLE'S
s AWAKENED CARL
Noses we T, AND MORRIS!
LIGHT,
AND
Baa egies
LING WAS TOSSING FLAME SHADGAS FROM THE
SEAMSane TG TRAPICOR TO BELOW WAS RINGED IN) GRANGS.
NANCY S@UEAKED AND MORRIS TURNED TO HER. "HOSH THAT
TINY MUG," HE SAID, "AND PUT ON YOUR LIGHTEST WRAP.
THEY'RE GATHERED FROM MILES AROUND IN THE STORY-ROOM, AND
ALTHOUGH THEY ARE A ROUGH LOT | THINK IT WOULD BE INSTRUCTIVE |
yee
Oo
TO ENESDROP,
SS. e
FOR THEY'RE TAKING TURNS TELLING TALES
THE STAIRISAK WAS SECLUDED SO NONE CFE THE TALKERS KNEW
THAT THE CHILDREN INTRUDED. THEY SNEAKED QUIETLY THROUGH
THE HCT RAFTER AIR AND TOOK UP WATCHEUL FOSITIONS BEHIND |
THE ROPE HEAPS AND TEA CRATES, AND LISTENED, NMANCT AND
CARL, INITH MORRIS LISTENING TCO, THE FIREPLACE LIGHT
CRANGE IN REFLECTION ON HIS GLASSES.
THE STORY ROOM WAS CROWDED INITH A CIRCOLAR MCB THAT
ATTENDED WITH RAPT ATTENTION THE SPEAKER IN THE MIDPLE, AN
OLD MAN WITH ALONG GREY BEARD AND EXCITED EYES. THE
MES LISTENING \NERE CF MANY DIFFERENT SOBS AND LOCATIONS,
THERE WERE FARMERS, FUMBERS, TRASHMEN 1 DOCTORS, PRARM-
AASTS 1 SAILORS, SAILORS ,TAILORS , INHALERS ) NAILERS, SCALERS,
PALEONTOLOGISTS, GONERNORS ehigtee tin TEACHERS - AUL SORTS,
RBOUT FOUR HUNDRED THOUSAND INA
OUTSIDE THE NIGHT INAS WILD. THE cs OF THE N\CCN HAD BE-
GUN TO THICKEN BEFORE SUNSET, AND GROWN To THE BUISTER OF
A FAT WOSSCON ,AND THE SKY WAS CLOGGED WITH TANGLED FLUMES
ANNO TINISTED LUMBS, ASD AROMAS OF PEACH AND CHERRY AND ColD
BIR. ENERK GREEN FROG CLUNG INTO THE MUD , AND EACH EMITTED
No PEEPS BoT THE CRICKETS WERE IN A CHIRPING FRENZY. THE
— N RALLED ALL ONER THE SKY, CLINGING FAITHFULLY TO HER
SEARS!" CRIED THE OLD NAN. "BEARS! BEARS” THE CROIND MOT-
TERED KNOWINGLY. "BEARS!" HE CRIED AGAIN; THEN HE CALMED
A gala
A UTTLE AND MOPrPEeD HIS GLISTENING BROW WITH A BAN -
came arn
eeHAD, OS DAiolt=“
RO
COLLAPSE
FPLACE'D SURE: 1 WAS LOADIM' THE EIGHT -GANGE _
WITH BEAR-SHOCT INHEN | HEARD A GEARPLANE CNSERHCAD..." "LU
THE ASSEMBLED STORY MEN RELAXED AND CHUCKLED.
OF THE oe, SAID Wet eet "DID THEM BEARS CEANE MUCH
OF A ASKED A DENTIOT. | ‘
20
“SuoT ZOE BEAR, DROPPINGS; oo BILL ," FELLOWE
TH
3g
tikg
te,ie
if
oe
SS reer eeiaetirenensteneeersers TT
| ReGR
s EEN FORKER PLAYER, PORTFOLIO
eee FING ORIGINAL DRAWINGS , DERICTISG
| VRRICOS VNERSIO iM PLAYING FOKE!
5 a Se.
| m DARK BASEMENT. oe
ROM CRE EPY AND
ele DREAM. 4 20. °° FoR THIS On
AN STATE OF PROFOUND °
INSPIRATION. ZEN PRINCIPLE .VIBRANT WITH
AIGNIFIGANCE. NOT SUS. PRICE #7.50 SURPRISE PACKAGE 4
ONE CORNER OF SIMLAND HAS
BEEN SLOWLY ACOMULATING /
“NID” WALLET AND PAINTINGS)
DRANINGS
FOR HEARS-WECANT TELL
|
THOUGHT FOLLYY~ co - oA
STRUCTED FACSIMILE. ° YOUWHAT YOU'LL GET BUT
OF SLPPOSED NID - WE CAN GUARANTEE THAT IT
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A TRE TALE OF VAST GREY MEN AND THE TIGHT- LIPPED, DESPERATE SEA..-:
TAM TRAPPED IS ATOBE THAT MNES OP AND DoWwN,/THAT RISES NITY THE
| LINE IN A LAND AMONG
WIND AND FALLS WITH THE PASSING OF YOUTH.
A NALLION EMPTY SKEDS, AND THE SoW BUGS AT THE BOTTOMS OF THE
BOARDS PRE AS ALIKE AS PEAS. | LIVE IN A LAND WHERE EVERYTHING
\S BEAYTIFUL AND | CANNOT GET TO MY FEET. | AM UNABLE To STAND
IS THE ANKLE-DEEP TIDE. | AM LosT IN TRE INCH OF SWEET WATER,
AWE REST IS WOCL, RYST, \NooD, PAPER AND TIME - ROT.
/ _ Do You REALIZE \ees
THAT NEITHER OF OS \ Sey
HAS CAUGHT ANYTHING
ALL SUNWERZ
Al
SGA] | Zod | tH
as ale
»~
21
Y | WISH TELL You'D A THAT'S GooD. THAT TIDE
N BOUGHT THIS THING AW, You CAN HANE ‘EM... ena IS TREACHEREUS
BACK IN DECEMCER, SAY! You AIN'T PLANNIN’ 3 . PEOPLE DIE OT
\NHEN | NEEDED. ON TAKIN THIS THING THERE ALL THE TIME; DONT
THE DANN MONEY: OUT ON THE BAY, W WHAT T LL
ARE You Now 2 THEY'RE Doin’. MY STER-
SON DIED OUT |
qs x DEAL a
f,'Wii a Som By |
| CAN PICTURE, IN MY
MWND'S EXE, OCR GOUNNY
THE OLD DVFFER WASN'T SACKS FILLED WITH
KIDDING... THIS CORRENT LARGE BLT TENDER FISHES
Is FIERCE /MY ARMS ARE
CONNULSED INITH FATIGUE 0 -\ BROOGHT
SOME PUTRESCENT
CUICKED - THE
VERY THING THAT
TEMPETS A CRABS.
7
we
SORT OF WEA... |
CHOPPY WONDER (©
ObT KERE THIS WAsn'T
KIND CFA
sTvPiD IDEA...
e Pad °
, Sy
Vy
\'
ZK
Oe aa
Fe || (Z.
22
| DAMNATION! it's HUGE \ 7 THERE (DID You =Pai,
WHATEVER tTiso/ —!
og LAZ7"Z OWN Gop/
PLAY IT!
Don't Lose } .
Yean/Youve A] |] WAT IS \T/?
it/ 6 ALNOST GOT
\T/ HERE IT...
MES...
G
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a
RS
ms g
u NS
% ax % Yy
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fey as p. = 2
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SS =
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24
YAAAAAAAN/
THE THING'S
PALS HANE Come
—fZe——S
YoURE NOT A BAD
MAN... SUST STUPID... THE GALS You
LEGGO, KELV CAUGHT IT LE
HEX, You
CAUGHT A
CoV Bina /
25
Two Children Inadvertently Kill an Agent of the
Devil Through an Excess of Youthful High Spirits
SEN
RETRAIN
—3
SEN aS
TORN FROM THE SEALED ANNALS OF HISTORY- A TRLE stor /
pyisthae F,
Oo 2)
> EEEEYAAAW! Woaea! B16 BLoopY ~
BLOODBAGS!/ M SeRRY, 'MSso 2
SORRVHYHVHBLAHAHAIN HAINRUK..:
GHACK... HACK... NOGGA WOGGA / ay
PLT 'EM BACK IN! PUT EM BACK
IN! \T'S BURSTING COFEN”’ OH
GOV VO! SQ@VEEEEEECH MI" 5
< nai ~ YouR DAMNED MOLTEN GOLD
FACE...STOP iT! CruumP!) Wo!
| IT'S HANGING DOWN! Con'T (5
CALL THE POLICE! PLEASE!
DON'T SHOW ME , Dow'T SHOW
ME! No!Mo! HELP! HELPEME $
TT.)
TTT
iT
TTS
> SNUZZ~
HAW? HWAGGAS
ALRIGHT, ALRIGHT !
(LL BE DOWN IN
A N\INVUTE/
N
Cm ° hi
Z
es
“t\
-
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27
HI! MW LEANIN' NIGHTMARES
CZ) NOT THAT
FOR SAN DIEGO \'W AWARE OF... | ewe
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zeae “4,
B44
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‘= s
zg E
ges
Yo a Set
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28
<4 (|
29
AMAZING...
TH KID HAS ¥ P TWIS BOOK IS
ENERYTHING YOu COULD COOL, THOUGH...
WANT AND HE JUST IT Gate
CHUCKS IT LIKE THAT...
\NHAT ON EARTH COULD
BE SO ATTRACTIVE
ABOUT BEING A
HARE KRISNAS™
7
Yao
=P
|
—F
=H
BRRRRRRRRRRR
| DON'T WANT TOWEL... TRONKS,.. WATCH...
To EVER SEE WHISKEY MONEY... NHAT
THAT AGAIN/ ELSE AM | LIKELY To NEED
AT THE "Y'" 2 GUESS I'M SET...
= 7
ANCTHER GLORIOUSLY \ SvsT WISH THAT It'S MY CorY
BEAUTIFUL DAY /MMMHAH ! \ COULD FORGET Tuar. oF UNDER THE
THAT..... HEY, WHAT'S VOLCANO! HE...
THAT IN THE STREETS HE JUST THREW
\T INTO THE
GUTTER! THE
DIRTY LITTLE
BASTAR
ee:
Wt
WA
pt th PINT...NO,
STARTIN' KKIINNDA
A
EARLY, TODA
AREN Y,
T WE <
ii
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pA
WESC
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IPE
WW Cgade
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1,
LUI
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LE EES Le
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( ;
‘CAN You
AAD AfloeNntTrVRIN Res (2SMeeeREC2ORD F ROAD
DRECT
me TO THE st Saez
Sheer ice
RAGE pa Poles 4 thiOeRgy
lad :
GLoRY DAYS.
in ee
THE MEN'S LOOKER Room
ROUGH
Wits NW FACE
.
F Wet. AND VW an
ATALESE! Nor s
h
) ASS PIG... COUGH ale
... |
31
OK. AT'EM... SIMPLE-MINDED CHILDREN
esa He TARMAC, WNITHOLT A CARE IN THE
\N ee
‘ i A 9°.
4 G CSR
: . /\ | S |
dil ‘ —— Oe =<
YA i ih =
a =
<M. =_ NH T SS
| > ml Un wer
Za
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32
N\ —_ i
| WHAT'S Goin’ ON HERES Sick? HE's DRUWVK/ it & THAT'S BULL! I SAW
SMELLS LIKE A DISTIL- YoU SWILLIN' IT
—
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Wyss» maa
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HEY! WHATTA WE GOT
HERE!2 HUH/S Nick
STACEY!? HEY, NICK
STACEY! HA HA HAS
———
34
——
YOU KNow- THe AMeotee! YEAW, YOU STILL GOT BOTH ARMS -
Qyay THe AMPUTEE! MOTORCYCLE You'RE DOIN' CKAY! HEY, |
ACCIDENT / ERRRRRRT, CRASH | OOGHTA KNOW ABOOT THIS—
AAAAAH! LEG AND ARM! Gon€ / THEY WANTED To TAKE OFF
HEY, SUST KIDDIN'— | KNOW | MY LEFT LEG! BLT AS You
yung You AIN'T HIM..HEH./ asCAN SEE... HA HAHA!
My
WAN
{ol
mi
\)=
y~\\\)i —
Gre
Va ———— eo = ws —
IN
Fa ,
Y GOTTA NAKE HEX, ADIOS!
YouR OWN 2 AU SUS!
LUCK,X ‘KNOW ¢
35
WoW... COULD... HOIN COULD | ie \ NONODER IF
You TALK To THAT WELL... THiS DAY HAS THAT BOOK FRANK
POOR GOY LIKE THAT! S REALLY STARTED OFF GANE ME \NOULD
A_— ON THE \INRONG Foc... L VDRINE ME CRACY
.. | FEEL LIKE A \F | READ IT... <
AAAAH, A GLY LIKE SAD OLD NAN WITH \ BET IT WOULD...
HIM, HE'S ADAPTED! A BOILED OWL IN
HEY, BELIENE ME,
'NV NERY SENSITINE
TO TAIS KIND
OF THING...
HEH /
Ly
eee : ve Va = —
feWELL... LET'S EIND YEA... YEAH... “> | OKAY, LET ME HAVE tT! ;
OUT, SHALL WEI THINK | | SUST PLUNGE RIGHT BEHIND THE EXES:
\ MUST BE DESTINED HEADFIRST INTO OVER THE SLIMY PINK WALL!
TO EX PLORE HELL. NO TUIS NORTEX C'NVON
, NHERE IS (IT! é
SENSE IN POSTPONING EW !S WHAT'S THIS -A
THE INENITABLE ! HEH! WNONAN BEING BOILED IN
BRING ON THE UN - OILS PIFELE! KID STUFF!
BEARABLE INAGE! BRING WHERE'S THAT PICTURE!
ON THE HAUNTED BOOK! KYOU KNOW THE ONE...
. rg WHERE IS IT!?.-.-
= \ | Wreee
ne Wore
ont
D
Ad...
tA RS ee
gl Ved => A
J _
, ars
5 Es
aAbn
SESS
Ne
St. Sy
FSS
WY
BrLewRuears
= ESC
THAT'S ODD... |
CANT FIND IT... IT'S
NOT ACRE ANYMORE...
IAllI
snail
ha
S
if
i
‘ by
—— SS
36
ue \ Soe
me!
HES i Py yey
a
rs
ay 2
BE THERES " SUSAN ASKED THE
"WHEN ARE WE GOING TOTHE
SHADOWY PARENT BEHIND STEERING WHEEL.
KYO KNOW THESE COUNTRY LANES AS WELL AS | Do/'SAID
PARENT'S SLACK JAW. THE CLD PEA- GREEN AR WAS
TEARING. ALONG AT A FRANTIC CLIP, HALE IN ALU THEROTS
AND SHAKING FIT TO COLLAPSE. OLSAD WAS ERSOYV ING-
THE SPEED AND THE ROUGH RIDE, THE CRACKED AMBER.
THE FEEL OF RUSTY
PLASTIC. WINGS CN THE PASH BOARD , AND
SPRINGS DIGGING IsTe HER THE SMELL OF
BACK
40
Preeze time, dream while awake, explore your “model” when you
Raise or Receive
Niffers&
Rush me without obligation. | understand the risk
involved. Keep the free book and goggles.
| enclose a S.A.S.E. for information
NAME
ADDRESS
CITY.
STATE Proof Without Passion
oO
41
awl Mes
Cour WLS
HELLO, BOYS, SAYS THE GIANT NAN 5AN eae
WE spree cece
ONCE
IS THE IND - ALTERING PRESENCE OF Paletahaoinss
INTERNAL CONFIDANT OF THESE PEACE FOL eterna His
VCICE IS RICH AND COMICALLY DEEP ALWAYS, AND TODAY THE
MIDMORNING SONLIGHT GINES THE RELAXED TROUGHS OF
HIS STARTLED NUG A HEALTHY CHEESECAKE -OR -THE-WALL
LOOK. HE (IS ANGEUC. (T 1S A PITY, A TERRIBLE TIT nu THAT
INE ARE TOO YOUNG TO BETTER APPRECIATE THE GLOWING—
EURNIT URE OF HIS CHILD'S MIND, BUT WE CAN TUCK THESE
CONNERSATIONS AWAY IN MCR FOR. CONSIDERATION
WHEN INE, LIKE HINN, ARE FILET
YED |IS THE GREAT COURT CFeT HWOOGHT, THAT SOLID FORN-
\Tv RE GOWNS \MITHOUT AN ECHO, INTHCOOT NOSTALGIA, \WITH-
OUT NITALITY. HE ROAMS THE EARTH IN TOWN, HUGE ID HIS
THICK BROANN SUIT MASESTICALLY CROSS-BUTTONey HIS
ENORMOUS NING TIPS CLATTERING ALONG THE CONCRETE.
Boys, LET 05 GKON UP TO BE LIKE HIM, & SOCRETS TIN
(iy OUR. POCKET CONTAINING: WHATEN ER WE FLEASE.WITH
HIM WE ARE INTHE FOOTHILLS, WE CANS REMEMBER THE MUaIC
HALL, NE S(NG ABOUT ROSES. BOYS, | WAS CVER
AT MY
SETER'S, AND THE LADIES INERE SESNING. I NAS LISTENING
TO THE RADIO. \ DIDN'T WANT TO BE INITH ALLTHOSE CUD
me . YiReD WHAT WAS OD THE RADIOSO NUCH THAT
!
ENEN 2O (NE ARE IS THE FOOTHILLS NOW AND THE EXTERN
FORN ITO RE ISTHIN AND FINELY CRAFTED. Theee Ree A we
HUNDRED DOKES ,ROSES CN DEAD TREES PARTY HORNS
FRUITLESSLY SCOLDING, GLUARTER -NOTE-SHAPED HOLES IN
TIS GUITARS CGOITARSZD---
THE BEAUTIFUL NEIGHEORHOOD IS A DESOLATE PLAIN,
AND INET DUST CLOUDS HANE COME TOC THE HORIZON.
AUCAD, diet REGAINED WS PEDESTRIAN INTELLECT
-ANOD BECAME els AGAIN. THE LANDSCAPE IS STILL
DESOLATE, "MW COLD, IS THE DISTANCE CRYING CNER
THE TART , ne TOWARD HIM, A TISCO-MOLUTKED FEAR
COWS} I'M COLD, BERL IT COMES, IT'S CRYING, ..
42
43
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| MEAN (T! Hisssi/
‘LL RIP You To
SHREDS! GO AWAY!
MA HOMICIDAL
N\AN\AC! ONCE |
START IN1 Don'T
KNOW \INHEN
TO Qvit/
s)t
4 Gpat e Oe
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if antl Wass WP as ii
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WOH... MUST'VE BEEN
HER HEART...\NELL, HA WA HA HAs
DRAT IT ANYWAY!
HY Gob! RAN
Peay MSae A
AN INNOCENT DEAD FOSSUM!
DECEPTION...
\M SURE RED
WNON'T MIND!
Yi;YyY
46
Record Your Own Dreams
Have you ever had the frustrating experience of trying to recall your dreams of the night
before, only to have them evaporate from your mind even as you strive to remember them?
Or do you find that the memories of dreams that you do retain are sketchy and incomplete,
with perhaps the most telling segments omitted? Do you cherish well-remembered dreams,
but find them becoming vague and indistinct with the passing of time? If you are like most
people (and who isn’t?) you probably
answered YES to these questions. You
may even harbor deprecating senti-
ments about the competence of the
Divine Architect. However, we can tell
you in no uncertain terms that if God
had not intended for Man to remember
his dreams He would not have inspired
Halfco Industries to invent the Home
Dreamcorder Deluxe Outfit!
Ze eh
Gig Vi
y;
Z
bcs
Ih,
UUM DRAWING HER INTO A OU, Do You LIKE Hod
/ WELL, IT'S... oH,
COMICS2 DIp You | DON'T KNOW... IT'S
USED TO LIKE TO DIFFERENT FOR ME.
READ THE FUNNIES TO NE, CARTCONING
WHEN You USED IS AN ART FORM.
SPACE ,YoU KN TO BE A BOYZ
/ma|
} I)
THIS 1S REALLY OM... NELL, I'M
EXCELLENT 7] Wy ACTUALLY PRETTY
SERIOUS ABOUT
GR 7]
ill
dy Y
y
49
| HANE TO GO GET
THINGS ARE WORSE
THAN !| THOUGHT... HEY! MY PAPER. ANOTHER ONE
NAYBE IF | CHANGE \S GONE!
INTO NX PASAMAS IT'LL i!
A\\
Baw!
HELP ME RELAX... THAT GIRL MUST
\ WONDER WHEN 2 HANE PICKED OP
THIS CLASS STARTSS MY PAD BY
MISTAKE !
| Nl
be
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[ptt Ch
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a J OO
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| WANT To iLL IT
BEFORE IT BITES some
CHILD... | WANT SOME-
ONE ALONG IN CASE
\ GET BIT IN THE
PROCESS, \'SEE 2
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OH, WELL... AT LEAST IT WAS
OVER QUICKLY. SNAKES ARE
DAMN RARD To KILL, AS 1
HANE NADE such KNOW THROUGH BITTER.
A NSTAKE 2 PERSONAL EXPERIENCE. IT
COULD \NELL HANE TAKEN
<
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——————ry
———" OH DIM, \WNOULD HI! == ( Nour MOTHER AND 1 ARE
— You COME OCNER QE=ZZ_L WING & DIFFERENCE oF
HERE FOR A x = OPINION. WHAT DO rou
MINUTE & THINK OF MR. MONDRIAN]
peices
_S——
——=-
: ‘wii
TA-DAA! You NERE GoInc: SAY, WE'RE GOING COME ON, IT'LL BE FUN!
TO THROW IT OUT, REMEMBERS TO GO OUT DANCING 'LL SHOW You HOW TO
BLT | GOT IT FROM YOU AND TONIGHT- CARE TO NAKE THE SPARKS FLY!
HAD IT FRAMED IN LONDON
AND 1 OVST LONE IT/
OW |NO THANKS.
1 DOW'T LIKE TO
DANCE VERw
NUCH
S4
IT'S GENEROUS oF GCoD... You'RE STILL HERE... WNOULD
MOO TOS OFFER, BUT You... COULD YOU MOVE YOUR CAR
\ ACTLALLY LIKE SO \ CAN GO TO THE STORE? 1
To BE ALONE... NEED TO GET SOME THINGS
? FOR DINNER...
I'LL Go FOR You..-
WHAT DO YOU WANT
‘iN
n
IN
i)
WY:
AY)
\\ E f-
ae N FS.
Wi
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HEY, WHAT'RE YOU DOING!2 HERE... COME ON... OW GoD, WHAT
WHAT ARE YOU, A Dac €/ REST ON A CovVcre... 1s WRON 2
HERE, I'LL FIND ONE WITH EVERY THINGS
AND TAKE YOU TO
IT... FTOST BEA
sent
GN)
DAMNATION, | THINK
ALL THESE ROOMS
BELONG To Some-
CONE ELSE....
wre
th
coh
ES
AREAS
SSS
cS
ss SNR
SSS
SSSSS
SSS
PESSSSSSSSSS
PSS
NY GRANDPARENTS’
BEDROCON! HOW I'VE
/
LONGED FOR THE
j}) / MOMENT. WHEN 1
) / WOULD REDIScCOVUER
///)]
HI THIS PLACE!
eee
ayy!
——_—_——___Yf, £2222
56
Y/Y THE ATMOSPHERE HE SLST A LITTLE NUDGE
THE SENSE RE,
OF PRESENCE
HERE
I'M AL15MOSO
ST ST RONG
AFRAID
DAMYMN AT, WHERE'S
IT... IT BRINGS ME oF
POWER! 2
TO_THE NERY BRINK
OF... OF DOV ...
V
SN
CN
Na ' Wa bsRe
\ (4 i) NWNAWVa
‘
ms
MENS ff
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AY
Wie
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He amnvwantedion
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8
ANY VC
went ue
h FONTS
NNN \}
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XV WARS
57
WHAT ARE You DOING DON'T YOu KNOW HoWW SWEET
Im THERE © Wro SsAID DELICATE THAT THING FREEDOM !
YOU COLLD MonKeYy \S2@ You'Re LUCKY
AROUND WITH THAT2 ONE OF THOSE
SCIENTIST FELLERS
DIDN'T CATCH YOU
in HERE!
58
Seal Rat ween
oO
NY More... |
THE HAN
OF CTHERS...
TO LE Clo
WITH NACHINES
lO GOD, 1 AM
READY To sur-
DON'T ANS ae o
WASTE AN THING...
NO KEEP THEM
RUNNING FREELY.
jessume>|
@olninint
ES),
atiiity
h Nh
a9 i ing \
=e
- : Banss,
\ dig
a
92
\ ‘
'
OSs vhTIN
yoked ONIN
| LACK EVERYTHING
IN) MYSELF, I'M SUST
A BLOATED BLADDER
PULSING: WITH
APPETITES AND
SHALLOW SCHEMES,
NERVOUS INA
ROOM , NO TRE
o A
MAN AT ALL...
ry WHY ARE You CHASING AFTER YOU WILL ALWAYS BE You OBSCURE IT
9 THAT WHICH CAN CNLY BRING ABLE TO WORK: CAN THIS YOURSELF WITH
ONHAPPINESS? SETTLE YouR- BE TAKEN _FROM You DOVBT AND WORRY,
) SELF, ATTACH YOURSELF FIRMLY UNFAIRLY? THIS ABILITY YOU WEAKEN
IS YOUR, PORTIONS THIS
May
TO THAT GREAT SELF WHOSE YOURSELF...
B DREAM THIS WORLD 1S AND PART OF KNOWLEDGE DD)
\
WHO 1S YOUR VERY BEING... HAS BEEN RENEALED
TO YOU ALONE... ian You oBScURE IT Line
NF
Mi a
YOURSELF Wrra
POLVBT AND WORRY,
4 == Yoo WEAKEN
YOURSELF...
MD Weill
MIM
I
————
“wi
jpune
is D
AND WRETCHED
VAN!
You
SHOLLO HAVE
MORE FAITH /
Ue
60
\ THOUGHT WNCT... Do You SEE THAT FooR ALL MY CHERISHED
DH OH, THAT VEDANTA cemrer THING 2 IT CAN NEVER DELUSIONS ARE
BE YOu, THERE IT GOES, WANING. | FEEL
LOOKS AS IF IT'S BEEN BACK To THAT HUGE DEAD LTTERLY BEREFT.
BURGLED. WWOLLD You HOVLSE BY THE SEA... THE
LIKE ME To INVESTIGATE 2 HOLSE YOU THINK
MOU Love. YES, YOU ARE,
CHANGING. ISNT
THAT WHAT YOu
WANTED @
we a4 iN
0 cou Oeh
Aine. om
WOULD SOMEONE
BE SO KINO AS To
LOAN ME SOME
PAPSER=Z
61
Parents! Guardians! Nannies! Grannies!
This respected punishment authority advises:
Geox
P.O.
OlAS1
Jimwoo
41204
cA
GLENMP
10075
BOTTI
Wha
62
GOOD
MEDICINE
LIFT WE OP, PLEASE. LET ME STAND CN THE COUNTER. CPEN
VP THAT MIRROR , PLEASE. NOTICE, GRANDNCTHER, HOW
THE NIDMOCRNING LIGHT PLAYS SCETLY UFOS THE SONP.
WHAT SEDATE LOXURY ITEMS You HANNE! HANE 1 EXER
SEES You NUKE A FALSE STEP 2 NOW - SHOW ME YOUR
DARKEST SECRETS. CPFPED LE THAT MIRROR FOR. ME.
1 WASNT To SEE YouR FILLS. | WAST TO REMEMBER THE
SUCCKING LANGOAGE OF THEIR COLORS. SPILL THEN COT-
WON'T EAT ALY. MY HEAUENS. MY HEAVENS. LET ME SEE
THOSE. AILL THEM COT. 1 ADT THESE COLORS. THIS BLYE,
THIS RED, NY KEANTNS. AND THESE HANE COLORS WITH No
NAME , SCAREY AND WARM. AND THESE ARE FULL OF DAN-
GER. INE SEES THEM COT USDER THE EVLALYWPTUS
TREES \INHERE THE NIRES SING. 1 THIPK CE A SEEP.
ASOD THOSE ARE LIKE THE MIDMORNING SON ID THE
BEYNELLED EDGES CFE THE MIRROR, AND _LIKE THE BLoOop
GEWIND THE TILE NEAR THE BOTTOM CE THAT POOL.
SUC LONE FROM A DOCTOR. AND THESE PILLS ARE ENPTY,
THE MOST FUN AND THE LEAST BEALTIFUL CFALL. 1
REMEMBER WELL HOLS THEY Go FLAT AND VANISHIN
WATER. CH GRANDNOTHER , (OU HAVE SURROUN DED
YOuR SELF INITH SUCH BEAUTY! | DON'T USDERSTAND
YOUR, CONPLICATED HEART, BUT 1 LONE TO SEE LOuR PIUS.
63
| GoT A BABY Ly (| SPENT
POSSUM LAST (RY LAST NicuT
Uy,
SAY, | KNow
WHERE THERE'S
A MOUSE WITH A
BREKEN LEG HIDING
UNDER A BOARD
Vif
Mies
His PONY = WANT To,
| ee eal Athy HO ¥ Sie HIM < 4
ONER THERE... AZ Se ==
. I Anes | MAY DO IT...
NS
Wi
WR
OW
Sy
4San
Fut
B. em ele i wT
SAIN KOSS N)
nee
ALAA
we \
S\
LN
Ny
<
Rae :
ok
64
“THIS 1S THE MEAT
THAT CHANGED ME, DAD!”
E nsnorttlement and crayle! Turn the flow pad of snot my way, dad! Nothing like
this has turned up on the sidewalk before, and I am the one who found it.
A head skinned is a head no more. There’s a thing called a skull; pop it into an acid
bath and watch the brain float free! I’m a little miracle! You should have seen
me—with lightning jabs I struck, the sheath parting, the membrane turning to gum,
the nerve bundles crunching beneath my furious radula.
But when I saw the face, The face was right on I’m telling you, Dad, you And you never will.
I was amazed! the brain! never lived this long.
was like a pirate this morning, drunk and joyous and praying
with my penis out. Nobody took me aside, nobody
called me away. I ate my fill and guess what? It was
only a tiny amount! Now I am sick with light, glory-
poisoned. And I frankly admit it, J will not share this
with anyone. Oh, Dad, aren’t I wonderful?
65
i WAS DINING Of CHICKEN
Iss A CAFETERIA . THERE WAS
SOME SORT OF A POLITICAL
Ww \ OSsU0C NS
APPALLING DARKNESS OF SPIRIT Z
66
| HAD NOT EVER BEGUN TO FORMULATE THIS RHETORICAL QUES-
Ton IN MAY MIND WHEN THE ANSWER ) IN DIM AND INCOMPLETE
TO ME. IT WAS A HORSE 5SOMETHING TO
OO A HORSE.ITSELF
WITHREVEALED
FORM, THE WORLD HAD GONE To HELL BECAUSE OF A
HORSE, OR FOR THE SAKE OF SOME HORSE OR ANOTHER.---SOME
HORSE OR HORSE PRINCIPLE , A GAD HORSE OR SOMETHING I™ THE
SHAPE OF A HORSE.
NOT DARE -
FOR I WAS AFRAID OF WHAT
MIGHT ANSWER THE DOOR.
im THIS PITIABLE STATE 1
TURMED DOWN AN ALLEYWAY.
TRE EWPD. TH
COME IM WAS FAR BEHIND
ME.TAE REALIZATIOCR:
PAW NED THAT 1 WAS INA
GAD FosiTicr: TO ESCAPE
WERE 1 BESET BY SUPER- _. AND JUST ASIT DIDI HEARDTHE oP,
IOR STRENGTH AND SPEED... CLO AOP CF A LOPING HORSE //
67
HEADS
Is THE SASMINE -
| SCENTED BREEZE.
Nc
SAW A HORSE SMOKING A
AGARETTG /OR RATHER, ' SAW
ITS SHADCUS..- ANMSD THEN 1
REAUZED THAT IT OSAS™'T A
HORSGAT ALL, BUT THE SHA-
Cow OFA DEAD CROW INA
TREE, CAST VPOM ANS ANCIEMT FUSE BOX IN VOHICH AM ELECTRICAL
COPSNECTION WAS SPUTTERING AND SMOKING. :
68
Ae GRE OLD ESCA | Yd (ATS Mla 7 = 1 = SEG oT : ss
>
=-
ca
ry
* he ONS, :
| Sagi
r
ete Seth;
\) Z
peng NN, .
WfCh
Wil og
VALINE
bi,
Os
Ls.
WAR CZ
a7 Au CZ
y3¢
ae
S=
69
~: DN DOKL S Af Sead Ne: ZINN: BIS ‘
SUST
LMAYCOUC
AND THE FALL asLEEP i
WITH
GREGORY TONIGHT... 7 =F
H
i
CRA
ay As
HN (hn
= :
OH, | KNOW, BUT (T'S OU, SMELL THAT BREEZE /
SUST THAT | CAN'T \GWe Gi
BELIEVE THAT WE pee ~
ACTUALLY HAVE ALL GoD, THAT FEELS Good
THIS FREEDOM ! AND ON MY FACE! IF THESE
\ FEEL SO GooD ! CLOTHES WEREN'T SO
COMFORTABLE I'D TAKE
'EM OFF AND HANNE A
GCOD \WNIND BATH !
LY
LEZ
4 QA.
ME Too, BUT MY CLOTHES FEEL He
TOO NICE... | LOVE MY COAT... Wy
70
- ee
OH, LOOK AT THESE...
THEY'RE SO SACRED...
SO HOLY...
ITS AN ALTAR, ORA
SHRINE, OR SOMETHING /
a
Aft
4
Ky
LON
iy " Ries
|ili, eae
sry
TAK
UH... SHOULD WE... OM... \KNow / LET'S PUT THEM IN
SHOULD WE PUT THAT BIG ROOM WITH
THEM BACK 2 THE LITTLE STAIRCASE
NAW... WHAT WINDING Up/
FoR = NOBODY
OH, TH
Pedrecy
ieeae
Fe
Pea
y J)
G&
23
~~
=
ssES
71
HE MUSTC INK
THc
‘5 HE DOING, weSIN EN T
) ND
BING THAREROUE? wa Bp
DONT CAMB ENISE DOWN
PO RE R 2
AUS
Wa sp NON
b
i, NYTIN wy
sy pyye
WAS, r
NAVIN WK!
ORANG, yp jr
Ko
b
AW
nt
pin
Y0 Nene
Als
LMS
hp Wi PAD
YANN
4i
]
cs<i
A) 1 he wy Nr
TaN 4
ay Nts
4,
Vi aN R i NAN HA
-
fad
To LINE HERE,
own, ‘BOOT
CUse ME
CKGRINATE. PROPERTY.
LT THIS oe
TUIRTY YEARS AGO...
TD | Y aR
~
S
Ls
Ss
EN
atl
FPeate
Naa
Diy
Yip
aS ‘\ !
———_——_
72
Va
FOR SOMETHING @ AA YZ
GH)/s4@
LOY, Y
\ oe
Gy,
y+ G
GYS4
Ge
et Vv. WANN
nh DS UNAINS:CIAS
FWEET! Fweer!/
WAIT VUNT WHEEECCO!/
iy
HEY / HEY, Boy/
ERE, Boy! HERE, BoY ! ome neeey
FWEET! FWEET! THERE'S
1,
we
aD
SOMETHING
MOVING
\e*
yReatys
we
“a
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Paat Was SHEN J Was co
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TO Viscuise
WILE Bur
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NENER TOLO
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TURN MENER Gor CLOSE ANP 1
WASN'T AFRAID OF THEM. SO
JOST STARGD. 1 WAS ACTUAL ME
GLAD To HAVE THEM AROU LY
ND, 1
FEAT THAT I MIGHT WANT
FRIENDS ON HAND HER MT
PARENTS Fin AULy CAME
(ns TO MYRDER ME-
AND
TH A
1 HAD
MY MOTHER PICKED meup
AND TOOK ME tome p
WE To
TRAT TH
BIRTHDAY TomoRROW
S CON
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T TOM HALLOWEEN
pA aes uae om THE DESK.
76
CLOCK LIKE THE
AO CART Aa abel a
WALL: CEN ows oF
Mo MENTs ‘ S ee
eOlS |
HORS BATLCRREED
-
-
THE CEILING v DELICATELY.TH oo
FILLED with MACNEMENT, COLORED SHAPES AND sucer
a
WAS FULL OF A NEL TROPICAL LIGHT. My PALMS irda
Pear
1 HEARD Mr MOTHER'S SMOOTH DRUNKEN acces
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A DINOSAUR! THEY DON'T SKis t AAAV eE
MORE. AMD ou DIDM'T REALLY PRomisg.”
OMLY SILENCE o
His END, as
LED:
vo THER,
HARPLY. “INE SEEN THE WAY
AT HIM WHEN HE EATS.”
ERY WORRIED. CAN 1 Come AND SEE
Dp
"HANE You
DooR TED To
se THEM ne HE RIT CHEN BUT
aA Ee Eee OF CAGES
78
. aS
RT WNP.
S ’ Shee’ QV [i
5, Os
4
IN A NEIGHBORHOOD OF SHAPES, WHERE FRitmp ALL THIS WORLD HAS BEEN LEFT
CALLS LPON FRIEND, NOMEN MEET IN Two's To THEM I8 THE GLORY OF THE
AND THREES To FIGHT WITH TIME, DAYTIME
fo} \N CW BLT IT IS
\F THERE 19 A FIRE IN Ke WOULD BE
ASHAMED To SoA eee iMmea aoe Gennes
THE LI'L RAT HOUSE Touch &
WHAT CAN HE Doz NOTHER'S
SHRIMP LEG
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REACH OF SINCER
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PRINTED HERE INS
ITS ESTIRETY, EX-
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NEXT -To-THE-LAST
PAGE, WHICH IS
BLANK ANYWAY.
Ow (>
80
81
KE You E DEAD ree
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82
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83
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LE GET ARRESTED WHEN | WENT To LIVE BY
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pedits7 _GoOoD Goo! TUMBLED DOWN AN SOME WERE WV
GLA GOT INTo Me! STOCMPH,O VP Lik
LIKe A GIANT AND ROARED
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W, NoT ONTIL
WAS A MAN.
88
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89
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99
Vag \ ABs OH No! & %
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BROCE
ME COWN! DADDY, GOING AIGHER!
ET ME DOWN !! STOP! STOP! dx
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VP THERE!
100
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IS THAT ovr House? \ THINK THERE MIGHT M7
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THERE'S NENER
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APART FROM
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ANENVE. LIKE A DAD. “ SOMEDAY", WEREN'T
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There are some things man was never intended to see. LOOTY, the contemptible mutual brain-looter, helps you see ‘em!
114
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116
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122
| WONDER IF THE
MASTER'S WIFE AND
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AROUND TODAY...
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124
DID YOU ACTUALLY SEND THIS
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TODAY WHEN You WELL WHaTe WELL HE'S
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RECKONED WITH. ae ay SUCCEED... | AFTER LUNCH.
Cie WT BELIENE IN A i"
A NATURAL ORDER.
128
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S's very unchanged.
My god this street is wide! And steep! This
climb'Il winnow ‘em. Only our equals will
penetrate our aerie.
DO N ai you feel
ie alraasinarced.fiarier There it is... no bungalow, but dim. Look, it's
a buck? Whatare we going empty. And it's for sale! | see some of my
A deg arent vee urna ito parents’ old furniture. The innate nobility of
Segara peancar Thare this crap moves me deeply. I'm stirred... | feel
: : sick! That old woman can tell us about the
are plenty of little houses
there. Let's sell this place place, | bet.
oat semen 2 tock! No, darling, that isn't the proper way. You
want to move in. They call it a business but
it's really a little enterprise. You can go right
in. This will be your home.
"TELL ME“
jimwoodring.com
When all these things we have come to love pass by, the world will seem empty and alone. How strange this place will be without my practicing eye. How devoid of charm that residue of foam.
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132
DEAR SUPREME ALTRUIST— THOUGH THE BENEFITS 1 FEEL | HANE DONE
| HOPE YOU ARE INA HANG BEEN INTANGIBLE ENERNTHING THAT
RECEPTIVE MOOD. AND IN FACT | FEEL MAX BE REASONABLY
THANKS VERY MUCH THAT THIS TERRIFYING EXPECTED CF ME
FOR PLACING WITHIN MECHANISM HAS IN THE WAY OF
ME THE BOMB THAT GENERALLY MADE MY SELF-ABNEGATION.
NENER stores Ex- LIFE INTOLERABLE, |
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134
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UNCLE WILBERFORCE and the kids were “Eat candy and dance like crazy and hug each
hanging around by the pigpen, throwing windfall other,” said Pat.
apples at the huge sleeping sow and having a “Well, I certainly won't hug you,’ said Natalie to
philosophical discussion. Pat:
“I wish there weren't any trouble in the world,” “You'd have to,” said Pat. “And you wouldn't
Natalie stated. mind, either.”
“Yeah,” said Pat. “Okay,” said Natalie. “And nobody would look
“Y’mean, like evil and all that?” said Uncle at crime photographs ‘cause there wouldn't be any.”
Wilberforce. He spat. “Or work,” said Pat. “Nobody would work.”
“Yeah,” said Natalie. “Why has there got to be Uncle Wilberforce groaned and bent over;
such bad things? It seems like the world is all set up but then he straightened up and said, “Sounds like
to run great, but there’s like a bad spirit goin’ around everyone would just hang around and feel good all
that ruins everything.” the livelong day.”
“Yeah,” said Pat. “That’s it,” said Pat. “No uncomfortable chairs,
“Well now you just bind ‘er up lest the curds no mold on the bread, no pencil erasers that leave
run out a minute here,” said Uncle Wilberforce with marks.”
a warm chuckle. “S’posin’ y’could snap your fingers “No loud, unexpected noises,” said Natalie.
an’ make th’ bad go away. Where would you start?” “No boredom.”
“No atom bombs,” said Pat. “And no sleep,’ put in Pat.
“No crazy murderers that rip peoples guts out,’ “And no daydreams,” said Natalie.
said Natalie. “And no distracting thoughts,’ said Pat. “No
“Then what?” said Uncle Wilberforce. sudden deep breaths.”
“No disease, no hunger, no wars,’ said Pat. “No feelings like itchy nose,” said Natalie.
“No animals get killed,” said Natalie. “No body, even,” said Pat, falling down.
“No bad-tasting food, and no electric shocks,” “Just bliss, bliss, bliss,’ mooed Natalie. “Sounds
said Pat. like heaven, all right,” said Uncle Wilberforce with a
“Then what?” said Uncle Wilberforce. chuckle.
The kids had to stop and think for a few “Sounds like the undifferentiated absolute,”
moments. Then Pat said, “No bad dreams. No said Pat.
scary stories.” “Now ain't that what I just said?” asked Uncle
“No rashes. No spankings and no throwing up.” Wilberforce, and they all three laughed and laughed.
“No big dead frogs that stink like rotten pork Suddenly Natalie broke her and Pat’s unspoken
chops,” blurted out Pat. agreement and deliberately hit the old sow right
“And what would folks do in this new and in the face, causing her to squeal and half rise; but
improved world o’ yourn?” asked Uncle Wilberforce instead of taking Natalie to task, Pat exclaimed,
with a nasty rasping cough. “Wow, you really nailed the old bitch!”
“Go to the beach! No drowning or sunburn,’
said Natalie. THE END
141
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144
WHAT WAS 1 ISN'T ENERYONE
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146
Once upon a time I lived on a farm. I had a little sweetheart, a neighborhood girl who I saw every
day. She was eight, a half year younger than me. We had an understanding. We loved each other as
we loved life: unreservedly, without questioning, full of joy, blissfully, gratefully.
I enjoyed her company more than I have enjoyed Her father was an absolutely horrid man who
anything since. She was another world to me; she nevertheless managed to be widely liked and
and the regular world stood side by side and made respected in our community. He was rich, and his
two worlds. I loved them both. big farm was very beautiful. He raised and sold
thousands of animals for food and other purposes.
147
He never seemed to fulfill his obligations as an It was difficult for me to contend with the fact that
adult in a world where children were living. He my darling was this monster's little girl. The carpet
had his interests, to judge by his bookshelf, and in their house was so thick and dense you couldn't
he had his passions, to judge by his laughter, but he hear yourself walk. I imagined them moving
just never lit up innocently at all. around in it silently at night.
She and I had a great love of the natural world, During the school year I saw less of her. She went
and we had some little pets. We kept them at my to a private religious school. I went to the public
house because her father didn’t approve of keeping schoolhouse down the road, where I hated the
animals for pets. One spring I gave her a rabbit ideas they were teaching me. I didn’t try to not
which she named “Screechy Peachy” because it learn them, but I felt bad about letting myself be
screamed one time when it was stung by a bee. taught such things.
In the afternoons I played with my little sweetheart. She and I saw things, beautiful things and puzzling
We were constantly pestered by her little brother things and things that we dared each other to go
who was very much unlike her and who in fact nearer. It made us like countrymen in a foreign
promised to grow up to be just like her father. land. We saw things in the dark. As far as we could
tell, no one else we knew did.
One day her cousin, newly orphaned, came to live Then he too was killed, only a week after he
with her family. Sympathy and moral support was arrived. An old stepladder he had been standing on
lavished upon him, of course. He was handsome collapsed, and he broke his neck and drowned in
and had beautiful morose city manners, and he too a puddle.
saw those things my little sweetheart and I saw.
149
“That's life,” said my little sweetheart’s father, and I prayed and prayed that I might never have to see
I saw that for him life was like a stubblefield where the world in such hideous terms, and that as I lived
men like himself could put machines to work for and grew older I would see, as I always had, out the
money and amusement and to confer a kind of door I had come in through.
honor, and that for him these treacherous machines
were “life.”
I remember the first thing I learned in school that I Since then, of course, I’ve lost the ability to tell
thought was good for me to know: “The stars shine what’s good for me to learn and what isn’t. I still
during the day though we cannot see them!” From communicate with my little sweetheart, though
that moment on I relaxed my guard and believed I not very often. She’s done all right for herself, I
would learn more good things in school. guess.
1S0
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156
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187
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189
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176
Now THERE CAME A TIME WH EN | FOUND MYSELF IN AN ALLEY
AY NIGHT, ANO THE BEAUTY oF THE SCENE MIGHT HAVE WAY
BEEN EXPECTED
TO INFLAME THE SOUL CF SOM E VERY VERY DEPRINED PERSON, BLT
\T WAS NOT SO FULL OF ALL EYWANY DELIGHTS AS To ENTICE THE
CASVAL STROLLER.
Coe
= ie
aS
De
THERE WAS A LONG FENCE AND THERE WERE BOXES ANDO TRASH
THAT BORE THE MANY CANS AND WORN CRACKS AND
SCRAPES AND CLACKS THAT DEPRESSIONS IN THE PORRIDOGE-LIKE
MARK THE FIELD OF SCIENCE ASPHALT STREET AND SOME PUDDLES.
(| FEEL ALITTLE DRUNK. MA ;
\ PLEASE BE Excused? WALK ABOUT.
ANO MAY THE Bey,
\ UNK! wHy, You'RE
\\ Eller coonenr
GOSsW, REALLY,
THEN, EVERY
ROOM HERE
iS Mine!
Le.
1 SPENT THAT ENENING ANO IN FACT IT WHILE | WAS
AND THAT NIGHT IN DID NOT END,
CRYING, ANO THE BOT | LEFT IT.
NIGAT WAS VERY LONG,
ABNORMALLY LONG ADORNED IN THE
THE HOUSE 1S FORM oF A MAN
=
h PLANING WITH oR WOMAN.
H BAD RIP TIDE ME... STUPID
ON THESE ,
STAIRS... ‘Ss
WHOOoF / Briss
178
AMARRIAGE OF ANDO | AGREED, AT THEN THE ANGEL
HEAVEN AND PEACE, AND HALF IN QVIETLY SAID Some
EARTH papwnicn LOVE WITH THIS DARK WORDS THAT |
NOTHING OF ME. ANGEL THAT WoR- DID NOT AT FIRST HEAR
SMIPPED AT MY Cee TO UNDERS AND.
rr
IANO THEN | REALIZED AND AT THAT AT THE VERN
THAT THE ANGEL WAS MOMENT | SAW MOMENT WHEN
PROPOSING, SOMETHING THAT THE ANGEL \ SHOULD HANE
| VERY BIG, ANDO THAT UNADORNED WAS
IT HAD LULURED ME INTO AN UNHOLY
NOT gal ar ahs THIS MONSTER.
BEFORE :
E—RAABB | SANING MYSELF
3 1 HAD A VISION
WHICH CHANGED
ENERN THING.
179
ne
?CIA
SS
c =>
eas
ATS)
LIKE THE WHIRLPOOL, THE (Lona PAUSE) AS INTOXICATION IS
LIVING BEING IS A THE PREMATURE ENTZOCY-
SIGNIFICANT ANOMALY ANO HAVING LINED, MENT _OF DEATH, THE
INTHE FABRIC OF THE WE LIVE FOREVER. SOUL EXPERIENCES
CREATION, AN ORGANIZED ENTROPY DOES A FORETASTE OF THE
CONCENTRATION OF NOT EXIST FOR US. BLISS CF TRANSMIGRA-
COSMIC FORCES. WHY eae SLEEP,
DO WE LINE?
SIM WoctRing-
180
SLUG PEEPS OVER THE WINDOWSILL
=
.ONE: atine
NE SOFT FALL NIGHT, ISTHE HOURS, WAITING UPTHTAPPILY FoR
SOIL OF THE FLOWSCRBED POETIC IMSPIRATION To COME
BELOW sushh'S SECOND - To KER. DULL, DULL LINES AND
STORY B WINDow, HACKNEYED PHRASES TORTURED
A MELLUSK WAS HATCHING- HER BY SUGGESTING THEM —
FROM tTs EGG. IT WAS A SELVES OVER AND ONER AGAW,
GARDE SLUG, THE SOLE sor- WHILG THE GREAT SHAPE SRE
NINOR OF A BURIED NEST DRENCHED FELT RESPIRING I WER DEPTHS
BY A STRAY SPLASH CF BRIKE FLUID, RENAINED INFORIATINGL' RID-
IT HAD SCT ESCAPED POISOMING DEP. SHE CLOSED HER EYES
EXSTIRELY; THE WHIRING CF ITs NEW AND T ba Mae aps ee shad
TWO -TUBE SET WAS SCORCHED AND TOUCH TIE © ite
GREPY. IT EMERGED EROM THE VEARMING ,BUT To No AVAIL,
ferseo LOAM RAGING AND RASP-
LUS GING AT THE Moos AND
SNR PING ITS INTINITESIMAL
SOARED LAG WORMED WORSE
LAKE
In A BUcHET CE MERCURY.
RADULA IW A& SUSTAINED PAROKKN SUPDPEMLY OHE FELT THE POEM
OF DETHYLENE GUTCOL TOXxiICcosis, Mout. DEEP IS THE BOwSLS oF
SUSAN, MEANWHILE, HAD BEEN HER ESS
COMCICUSN SHE
SITTING VP IN BED L6ITH HER. SEMSED THAT IT BRAD SLIPPED
MOTE BOOK Of HER KEES FoR ITS RHVUSK APD THAT IT WAS
181
THE SLUG INVYCDLATELY BEGAN
To AocenmD THE HALE-DEAD
GRASS PLANT AMONG THE VERY
ROOTS OF WHICH IT HAD GES-
TATED. A BUNDING ARC-LIGHT
BOVE THE MERRY THRONE UNCOP-
CERNED. BET WHEY ITS PRO-
CRESS WAS SUDDEML* THWART-
ED BY OCPEKFPECTEXDL" REACH-
IiNe THE TERIOCRATIPSG TIP
FLESH NAVE WORD. ees THE GRASS BLADE,
| (CT FELL INTO A LASHING
RAGE .IT OSMAPPED AND
CHOPPED AND GNASHED
REPO WET AND FLUNG
ITSELE ABOUT.
AGED SEN- | SLSAP EXPERIENCED
ABILITIES FOUND MOST . & SPASM CE RAE GER
SCOTHING APD AMEL— SO POWTREUL THAT
lORATING 5 BUT EVEDP AS SHE WELFPED. A RED
THE LITTLE SELLY LEA- WANE OF WRATH AND
THER DRIED IP THE FIR NIGHT'S SNARLING DELVE - LORTH ING WASHED
RIR AND WAS RE-MOIsTERED BY OSTR WER . SHE ABRLPTLY ABAN-
Fk GLUIER SAP, THE CHEMICALLY DOPED HER EFFORT TO ADDUCT
BRAISED RECEIVER SEIZED A THE POEM, DER COMAUING HER -
FLAT FROM THE WELKIN SELE FOR HER WEAK WILL
SCAUWED IT OM THE SHRINE AND ASD LACK OF PRTASTIC ABIL-
LOLLAPSED IS SPARKS. A RED ITT. SRE FLENG BOOK AND PEN
Clie Trlr
MOET ONDE Aorien TO THE FLOR , BOMPED OUT THE
BY GUT AND FLOPPED INTO GED,
OF FLAMING BALL BEFRRINGS AR CVRSOING,
CD OP. UPWARD, UPWARD, THE , HAVING FOUR ICUSL'T
PWARD. IT WAS GOD, TRE VOID AND FOUND IT
4 STIPY, INSTINCT, LOVE, DUTY, WAPTING, TRAIMPED ITS FEL BLE
FAITH, ATW. IT WAS SUSAN. EYES COTY THE MOONLIT EXPANSE
182
OF THE HOUSE: CLEARLY THE HIGH- TVRELY JETTISONED ITS MECONIOM
WAY
WER ToD REANEN. : WiTHeooT Eu AND THE LITTLE CREATURE FELT THE
NEED FOR SUSTENANCE. WHAT
WAY BACK WAST ITS Joy, THEN, WHEN IT
BLADE, a CAME UPON THE DESSICATED RE-
NAINS OF A HUGE SERUSALEM
CRICKET)TH
C0GED INT
BEGAN To HARANGUE tT
MERCILESSLY, 1T WHEEZED LIke Bo
A GRAMPUS THROUGH SUPPLY REPLENISHED
ITS DROOLING sPiRA- Bae AND SsTONACH FULL.
CYOLES+, IT SAWED Con- | IT NARDE THE DiFFicow
VULSIVELY AT ITS OWN 7 NG FROM THE
NECK witITH ITs RE— FOUNDATION To THE
NMAINING JUMPLEG, LOWERNOST STRIP OF
IT SAVAGELY GROUN SIDING BEFORE THE Dis-
ITS DASHBOARD INTO INTERESTED EYES CF
THE DIRT. ALL DORING F DOZENS OF SPIDERS
| THis PERFORMANCE _ THAT LINED IS THE GAP
THE SLUG KEPT ITSHEAD © THE WOODEN SIDE oF
COMSERVATIVELT Lous- & THE HOUSE WAS COAT-
ERED AND _ITS EXESIN, | ED VOCTH AN UNEVEN
WAITING FOR THE CRic- | LAWYER OF OsSIFIED
KET TO LET IT PASS. CLESD IN WHICH BIL—
FINALLY AFTER A | LIONS OF DIRT AND
PROLONGUYED DsPLAY CARBON PARTICLES HAD
OF ITS WIDE -CPEN and TRA GREAT
SERIOUSLY DAIMGED
MOUTHPARTS , THE TOR- |
TURED CRICKET STAG
GERED OFF. a
THE LITTLE SLUG TRA- FERENTLY - COLORED
LAYERS OF PAINT, DE -
BRIS WAS EVERYWHERE .
DATION WALL , NG J DECOMPOSING STRANDS
OUT SUCH SLIME AS THE OF SPIDERWESB MoTH
TOXIC SOIL DENANDED, ALONG DUST, GLOBULES OF BU
THE WAY tT SUBMITTED TO THE MAL FAT FROM BAR
FRENZICD BRItF EMBRACE cF SPORES AND POLLEN
AM EARWIG AND STVGBED A FLAKES, SPATTERS o¢
CRRELESS EME OM A RUSTED IUM PHOSPHATE
STRAND OF CHOKE CABLE. PRIED PADDIES
THE FOUNDATION WAS WET
BT HORRIBLYT ROUGH AND PiT-
THE SLU] GRATEFULL'T
WAS
THE EDGE CF THE CHASM WHERE SHE COOLD HEAR NERY FAUT
SCREAMS CF TERROR. CHE REDISCOVERED THE AMUSEMEAT
ROOMS, RIGHT OUT OF AM CLD NAGAZING AS USVAL LIITH
THEIR CVERSIZED LAMPS AND DANIOH GASY CHAIRS FROM
THE EARLY DAYS CE HI-Fi. WHAT LISTENING SHE MUST
KANE HAD THERE CR WOULD, CR WOULD NOT. INSTINCT
DID NOT LEAD HER WRONG SHE CAME UPON THE LONG
THOUGHT LOST CONTROL Room , PRECIOUS AND BEAUTIFOL
AS A SOLARIOM BUT ODDLY DIFFERENT THAN SHE REMEM-
BERED IT To BE. THE Rovs OF TURNTABLES WAS THERE,
Fit TO PLAN THE CHoICEsT RECORDS (Nh THE HOUSE coL-
LECTION , BOT INSTERD OF THE LISTERING LOUNGE THE
ROOM LOOKED OVT INTC THE MIDDLE OCF RER BEloucD
FAMILIAR OLD QUARRY, REALLY THE SttOS PIECE OF THE
ESTATE AND THE DEAREST GEM OF HER HEART..-OR AT
186
Be mtn Cin Gee Oe DESe eC Corie
HER. @VARRY, WAS CBVICUSLY STAT IlONARYS It ates
cokevs a OR
189
dinlard Novelties
FINGERPRINT DECALS JIM DREAM- “OF ie
WAS | THERES SCRUTINY BELIES
The ENIDENCE. THESE MESSY
MONTH CLUB*
COME ON ,TOUGH GLY, AND I'LL
SHOWN see WHAT LIFE 2.Reticr
OR REFRICT OR,
ALSO ANAILABLE IN LUMINOUS
Y WHAT THE HELL ‘WY SHE GETS
Flt
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WHITE ,PERFECT FOR THE bSELESS TODAY...
NURSERY CEILING,
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ONEIRIC EPISODES THAT WSIUL
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GOCD GOD, | CAN'T BELIENE I'M_
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At
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SAPPY. THE MACHINE SHOP, THE
caelspomce 4 py Tut DRAFT- ACRON (INS, dapat \t's
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MEAN HERE!
IT'S ‘i WERE,ano it's
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BooK CONTAINS TERSiWACES, 4 20. ee ELENEN
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190
dimlayd Moveltics
IN THE SPIRIT OF
FORTUNE -TELLING NESS
SELF
1 AM oeeeaiNG
S-
ty \
STINKBUG
“STINKERCO !
STINKERCO TELL
ME ENERY THING
YOU KNOW), ' Now
FREE
THIS FANORITE
ESCAPED CONVICT
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CRACLE IS AN h
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PRI cS ISCLUDES EARPLUGS For AND THE HARDER.
THE SIMULATION OF YKOOUTHEUL LOWS
IGNORANCE DURING RITVAL., FASTER
THIS MISERABLE
BR OO cn cy CON WILL sab ON
PAGE 325
ONE OF THE VERY WORST
NIGHTNARES AS MY ENTIRE LIFE
NOT RECON
BOT TEMINGLY
H2COercn
Book , I2PP.
2, [Zo) OIMLAND POSTCARDS
HEY, HERE'S SOMETHING YOU CAN
ACTUALLY USE! WEREN'T EXPECT—
ING THAT, WERE YoU 2 THESE
SIA PORTRAITS GLORIOUS POSTCARDS BEAR THE
BY NAIL Mest POTENT INAGES FROM
PAST ISSVES OF ILM - INAGES
SUST SEND ME A PHOTOGRAPH THAT RECIPIENTS WILL PONDER
OF YOUVRSELE, A KAND-WRITTEN ERUITLESSLY FOR YEARS TO COME,
AYTOBIOGRAPHICAL PA eH WELL - PRINTED IN BLACK AND
ioe A UST OF YouR FANORITE WHITE ON COATED CARD SToce
RDS ALONG WT A Se EACH CARD HAS A SENSELESS
RODRESSED STAMPED LEGAL - LITTLE EKPLANATION ON THE
SIZE ENNELOPE AND | WILL ADDRESS SIDE. PACKAGED IN A
SEND BY RETURN POST AN SOUNENIR-ATYPE FOLD -LP PACKET.
INTERPRETING DRAINING OF
{YOUR CONDITIONED SOVL.
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r= Ther=Sinucdge=Pot
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ad
~ -——-_ or
Dear Jim, graphic tic that makes me draw benevolent or I don’t know if you’re gonna know the
mysterious forces as a sort of transparent cat answer to this: it’s in regards to Johnny Eck.
1 had a most horrific nightmare last night
with a long hollow tongue. I heard a horrible rumor about his death. I
that I thought I would pass on to you: had always known that he lived in
Someone placed a book in my hands. The Eli Bishop, NYC NY Philadelphia, I'd always wanted to go knock
cover photograph showed a rather ordinary,
Those “spindle objects” are disembodied, on his door and make him talk to me until
if slightly intense-looking 30-ish man, the wee hours cuz Jesus, talk about having
conditioned souls, Eli, and cats like yours are
shoulders on up. He looked like an English
murder on ’em. an amazing life. Talk about having skin like
middle-management business man—sandy
that. (Like What? —J.W.) I heard some thug
hair, decent features, slightly thin in the broke into his apt, stole everything, basically
Would you please send me your autograph?
face. tortured Johnny and as a result the next day
This ghastly volume then proceeded, Would it be possible to draw me one of your
characters? I have long been an admirer of yours. Mr. Eck killed himself.
page by page, to photographically document
his self-mutilation. Each left-hand page lam retired and on a limited income and this Zak Sally, Oakland CA
showed the actual process, and each facing would mean so much to me. If you are as nice as
page showed the “new” look after the you seem I know I shall receive it. The feel of a carpet tack jabbed deeply
operations had healed. He started by Emil Dern, Syracuse NY into my heel; the smell of snow thawing ina
chemically removing all his hair—face and handknit woolen mitten (and the taste of
scalp. Then he began in earnest. As I flipped I feel obliged to tell you whose DNA this is. furry meltwater); raving, mad Uncle Bill;
through the pages I observed, in this order: There was a frog in the department who was incense, Latin, and nuns, nuns, nuns.
. The scarification of his eyeballs. very ill (this is true). [I don’t doubt it. —J.W.] Patrick Collins, Carpinteria CA
. The cutting-off of his ears. They tried to save it with antibiotics and other
. The cutting-off of his nose. procedures which I will not describe. (But Beveled, opulence, wizened, creamy,
. The cutting-off of his lips. ultimately) we anesthetized it, pithed it and then jewel, kit, duderanch, phlegm, icicle,
. The extension of his mouth to his ears. I relieved it of its spleen and liver. This is why
. The pulling-out of this teeth with pliers. verbena.
this DNA I've sent you is filthy... Chill the
. The cutting-out of his tongue. ethanol in the freezer... add the NaOAc and then MaryAnne Loverme, Brooklyn NY
. The sewing-shut of his remaining ear- the EtOH to one of the DNA tubes, cap it and
cavities. mix by inverting the tube a bunch of times. At the risk of compromising my very last
. The sewing-shut of his nose. shred of dignity, 1 must tell you that
. The sewing-shut of his mouth. Susan Bassham, Portland OR
interview with you (The Comics Journal
. The further removal of all exterior flesh #164) was so deeply moving, so intelligent
and cartilage of his nose. Glad to see the fork back in the road! JIM 2.1
and tender and funny I burst into tears half
. The gouging-out of his eyes. mighty big on the delicious—keep ’em comin’ way through it.
. The sewing-shut of his eyelids. hot and distinguished.
. The removal of his arms and shoulders. Karen Brown, Sausalito CA
Mark Janicko, Pittsburgh PA
(He must have needed assistance for these Me too! Ms. Brown is the creator of City of
last two) The MANHOG story (in JIM 2.1) did not Love, the syndicated treat for wide-open
The back-cover photograph featured this benefit from the addition of text. To me, part of readers.
man having completed his project. It is the the thing that makes the Frank stories work so
single most horrifying image I have ever well is the sort of silent foreign film feel they Your new issue has sparked me to finally
seen in my life. It jolted me awake with generate... I know that it’s only my opinion, but send off a note to you. I’ve been following
overpowering revulsion. I can’t get this if it was me doing it, I'd bag the words. your work since Jim 1 and I became a bigger
series of pictures out of my mind! fan each time you put something out. I
Seth Deitch, Cambridge PA certainly am not going to describe why I like
Paul Woodring, Los Osos CA
I tend to agree with you, Dr. Fis — I mean, your work so much. I’m very drawn to the
We love Frank and walk around the Seth. The reason those words were there in the first mysterious, slightly frightening world you've
apartment with our front teeth protruding in place is that I originally drew the story for a created. I think your sense of design is
his honor. magazine, with differently proportioned pages, so it entirely original and a joy to look at. I must
was short. Ijust put the words in to fill up the say tho —I could barely look at that
Brian & Elizabeth Carroll, empty space. Rex Edhlund called the Frank stories sequence where the man-hog is cutting the
Little Falls NJ “illiterature,” and I hate to have that word not skin off his leg.
apply.
I showed Frank to an artist friend of Seth, Toronto Canada
mine and he was so inspired that he began I particularly enjoyed the text that Everyone knows that Seth’s Palookaville is
work on his own minicomic, The Adventures accompanied the MANHOG story. one ofthe great achievements of the profession,
of Silt. so I won't belabor the point. But girls, how do
Chris Hope, Richmond VA
Arik Oversmith, Lauderdale MN you like my new trophy letter?
Wow! What an experience I’ve just had reading
Only your mother was happier to see the Asa friend once said: “My spiritual well
the MANHOG story in JIM 2.1! First I read the
first issue of JIM Vol 2 hit the stands! 1 is empty; let’s go get drunk.”
pictures and ignored the words. Then I read it
howled! I drooled! I did the tail-wagging over reading the words and trying to ignore the Eric Schaller, Madison WI
dance my dog taught me! pictures. The cumulative effect was that feeling
Brett Lisk, Toronto Canada of enigmatic wonder and strangeness that is so
familiar after I read The Book ofJim whenever |
Please tell me a bit about the angels or do my laundry.
- whatever those spindle objects that turn up Derek Mutch, San Francisco
so often are. Particularly I had trouble
tracing the path of the little knobbly thing in
Frank in the River. Unparticularly 1wonder We dislike the idea of running words under
how that shape came about. I ask because
the Frank story. We dislike it very much. 5736 17th Ave NE
I've been afflicted for years by a sort of Sam & Chuck Wagner, Seattle Seattle WA 98105
192
OH, |SUPPOSE... HOW MANY Do WE
HAVE HERE2 Hi, MARYBETH! WE
> AC
“(SHE'STYADYLLINYGr, , &
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CAN WE :
HAVE BAGEL
vsew meae
193
GRANDMA, CAN GRANDMA, THIS 1S OUR
YOU HEAR ME@ FRIEND PULQUE
HELLO...EXCUSE ME
\F | OON'T GET VP
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lot to the sidewalk and pretended to be just arriving at “Why don’t you go now?” said my grandmother.
her door. My grandmother looked old, tough, tired and I went down to the living room and was surprised to
displeased to see me. “Come in,” she said grimly. “You've find a crowd of strangers. In the center of the group was
come at an awkward time.’ She led me to the kitchen a girl about my age sitting in a chair. She was very wispy
where my cousin was kneeling on the floor. He had a and demure. People were attending her. I went over too,
mink on its back and he was cutting it up with a pair of and I heard her tell the crowd, “I like to be sad, it makes
tin snips. The animal was still alive and it rolled its eyes me feel deep.’
beseechingly. I noticed that it had a human mouth. I said, “I like to be sad too!” Heads turned; I saw the
“Kill it,” said my grandmother. He roared “NO!” ina expression of distrust and distaste on their faces. I knew
long wounded howl. “Kill it,” she said again. He sullenly that expression well; it meant to me that the person who
cut off its head. The mink’s human lips mouthed a prayer bore it was stupid. Now, though, [had said the right thing.
as it died. For a long time after that nobody moved or I felt good; I knew that what they found so attractive in
said anything. Then I asked my cousin, “Do you want to this winsome girl was what they found so awful in me.
go outside and play?” There was no purpose in trying to bring them around;
“He can't,’ said my grandmother quickly. “He has to though I knew Icould make them worship me Ipreferred
finish a few projects left undone by your grandfather.’ their uneasy dislike. That is why I never tried to make
“They both looked at me and Ifelt extremely uneasy. myself agreeable.
I said, “But grandfather was an inventor! How can he The girl watched me come forward. She regarded me
(meaning my cousin) continue his work?” with stoney-eyed contempt. “She’s stupid too,” I thought.
My grandmother broke into a terrifying smile. “Your “Only Iam smart.’ When I was near her I said, “Sadness is
grandfather was a walking corpse,” she said. She pointed good, but what I really love is death.’ She nodded slowly.
at my cousin, who now hada dapper little moustache. “He “I mean the kind of death where one comes alive in the
is the one who will set everything aright. He is the one middle of it,” I said.
who will resolve the unfinished business of humanity.” “I don't know about that,” she said, “I don’t really
My cousin smirked and gave his tin snips a salutory clip. believe in death.” “Oh, it’s real,” I said. “It comes in the
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afternoon, like a nap. When one dies the whole world “What you said was true,” she said. “I found out
relaxes. And when one comes alive again the whole right after you left, when an uncle murdered me.” “In
world rejoices.” “And then what?” she asked. the biblical sense?” I asked. “No,” she said with a smile,
I said, “And then comes the brief and tinal death, “thank God.” It was a wonderful moment. Her skin
and the world is stunned. No one can comprehend it. opened and her skeleton tumbled out. It lay on the grass,
The sun shines like a chunk of pastrami, left unattended pink, shiny and gasping. I picked it up and slid it into the
in a hot skillet. The waters swarm with insanity in the pond. The gasping stopped; a relaxed smile played across
form of protozoa. The edges of the model curl and go flat the skull. Her skin had already turned to black foam. I’d
and crumble away. All the depth of mankind becomes lost the girl. Icouldn't even see her in the pond any more.
a poor idea, badly expressed, and one sees that nothing I left the house and walked home.
could ever come of it.’ When I got there the car was back in the driveway
That sums it up nicely, I thought. I waited to see and the house was full of children I didn’t know. “Where’s
how the girl would respond. To my disappointment my mother?” I asked them one after another. The only
she sneered at me. “You don’t impress me,’ she said, “I answer I got was, “Go away!” I soon found that despite
used to be just like you, but I was a child then. I haven't the constant unfriendly rebuffs I enjoyed walking among
had thoughts like yours since I was eight.’ The attending strangers and asking what was going on. It made me feel
crowd chuckled nastily. “Fine, I’ll go,” I said. like a king, or a scientist.
Fuming mad, I strode away from that chamber, out Finally someone said, “Go tell Mrs. Woodring
of the house and into the garden. “This is where I'd rather there's a weird kid who’s come here and he’s ruining the
be anyway,” I thought. To my extreme delight there was party.’ A child ran off to do that. I ran after the child.
a small pond in the garden, and it was full of croaking “Quit following me!” said the child. “Shut up!” I said.
frogs. I sat down on the leaves and watched them. After a “Shut up and take me to Mrs. Woodring!”
while I heard footsteps approaching. I knew who it was; At the end of a hallway which tilted upward was a
it was that girl. She sat down on the bench and stared at tall, narrow door. My guide hesitated, then knocked. The
me intently. voice of my mother called out, “Come in!” We went in.
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She was sitting on a pile of dirt that had been covered second,’ I said. “Get back in there now!” she screamed. I
with an ermine cloak. did and she shut the lid. I fell asleep.
“Nice accommodations, Mrs. Woodring,” said my When I awoke I opened the lid. I saw the blue sky. A
guide. My mom laughed. “Royalty,” she said. “Generous delicious aroma was in the air. I sat up in the box and saw
but devoid of common sense.” I was in a park. All the kids I'd seen earlier were playing
“This kid,” said my guide, “doesn’t seem to belong there. There was an earthly perfection to their rompage.
here. He won't play, he just wanders around asking for All were clean and lovingly dressed; all were running and
his mother.’ “I’m his mother,” she said in a voice that was skipping and otherwise playing with great gusto. They
so sad I felt my eyes water in pity. “Oh,” said my guide. looked like the final flowering of humanity.
My mother told me to take a nap. She indicated an My mother looked like a goddess. She was dressed
ornate wooden box the size of a child’s coffin. I climbed in white, her face and figure looked young and healthy,
in and arranged my hands on my chest. It occurred to me she wore a crown of flowers. She noticed me sitting up
that I ought to have a lily; that would be a good joke. I in my box and whistled for attention. When all eyes
climbed out to get one. “Oh, where are you going now?” were upon her she pointed at me and said, “He is risen!”
asked my mom in exasperation. “To get something,” I Everyone, including me, laughed.
said. “No,” she said, “get back in there.” “It'll just take a
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