Flute Theme From

NEW YORK, NEW YORK Music by JOHN KANDER

Words by FRED EBB
Arranged by

                        
ERIK MORALES
Transcription by YOFRAN E. CENTENO

 
Swing!

 
    
                      
 

   
9


6

         
                    


 
   
17


12

          


           
       
25

  
18

   



           
 3

         
33 41

  
30

                         
 
 

     

43

      51                     
           

50

  
div. 

                     
          


       
molto rit.

 
58

              
3 3




         
    
64 Big!


64

 

         
div.    
76

     
  
a tempo

  
accel.


75


Oboe Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

                             
Transcription by YOFRAN E. CENTENO

        
Swing!

 

                                   
9 17

  
8

 

 
        
                         
25

  
18

 


3

                      
33 41

     
31

 


   
         

          
   
 
   
 
    
       
    
43

                      
                
 
51

     
51

         
                             
64

 
molto rit.

  
60 Big!

3


      
3

  a tempo
       
76

            
 
accel.

 
69

   
  
81


Bassoon Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO

          
                          
Swing!


  sim. 

 
                              
9
9 17

 with separation 

             

25

         
21

 

             
33

     

 
 
30

 
play

  
 

  


                    
41

           
 
38

               

                           
51


47

   



  
                                
54
molto rit.
3 3

                                 
64

    
Big!


63


   


                    
      
accel.

       
70
3 3 3

     
            
76 a tempo

          
76



B♭ Clarinet 1 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES
Transcription by YOFRAN E. CENTENO

                                   

       
Swing!

 

                                     
    
9

     

8

            
               
            
17

  
16

 

         
              
  
25 33

  
24

 
 3

          


                   
   
41


37

           51               
     
       

46


                           
 
molto rit.

 
55

     Big!     
3

  
64

                  
  
63

 
              
76

       
 
74 accel. a tempo


B♭ Clarinet 2 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

     
Transcription by YOFRAN E. CENTENO


                               
Swing!

 

  
                                  
7
9

       
     
17

                       
25

   
17

  

  
                            
33


26

3
  


    
            
    
          
41

    
38

                      
           
51

      
48





                         
             
56 molto rit. 3
3

 

               
64 Big!

        
64


      
76


                      
accel.
a tempo

       
75


B♭ Bass Clarinet Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES
Transcription by YOFRAN E. CENTENO


              
Swing!

              
   sim. 
9 17


                       
9


 with separation

    
25

        
        
20

       

            
 33

   
29


play

   






 




  
41

               

38

         

           
51

    
     
 
           
46

 
     


    
    
53

                

 
64

                                   
61 molto rit. Big!
3 3

 



                     
68

         
3 3 3


          
76

       
accel. a tempo

         
74

    

E♭ Alto Saxophone 1 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO


               
9

 
Swing!

 


                



               
17


13

                


               
25

 
20





  
3

     
                    
33

 
29


     
 

    
               
41


38

   
 
                      
      
51

  
50

         


             
64

       
 
58 molto rit. Big!

         
3

 
76

   
     
 

67 accel. a tempo

                  
     
77


E♭ Alto Saxophone 2 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO


               
9

 
Swing!

 




 
                              

17


13

                            
    
25


20

   
3

     


                  
33

  
29

   
   
 

                 
41

  
38

                        
     
51


50

       

64

                     
    
molto rit. Big!

  
58

 
 
3 


76

            
     
 
accel. a tempo

  
67

         
                       
77


B♭ Tenor Saxophone Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

  
Transcription by YOFRAN E. CENTENO

            
       
9


Swing!


 

            
             
11
17

                   
 

    
   
25


22


3

 
                        
33 41


 
31

        
           
  
 

 
      
51

  
42

      


 
     
             
52 molto rit.

     
   
64

            
               
   
Big!


62


    
           
3
76

 
                              
accel. a tempo


70

 
 
           

79


E♭ Baritone Saxophone Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO

 Swing!
   
                              

  sim. 



9 17

     
  
9

     
B. Cl. Play

            
 with separation 


          
          
25

 
22

  

          
 
33

 
 
             
33

 
play

  
  

        
         
41

      
         
41

             

                          
51

    
50




   
64

                                   
molto rit.


Big!


58

   
3 3

        
                 
   
67
3 3 3

      
76

 
                                 
accel. a tempo


73



B♭ Trumpet 1 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

         
Transcription by YOFRAN E. CENTENO

       
                 
Swing! 9 17


   
 

     
    
                 
25

 
18


 


           
                     
top part opt.
30
33

      41 

         
                    
  
39

                             
  
   
51

      
48

    
 
 
 
    
                            
molto rit.


3

 
55

     Big!    
64

                            
  
63

         
76

 
                                         
70 accel. a tempo


3

3 3

                 
   
   
77


B♭ Trumpet 2 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

     
Transcription by YOFRAN E. CENTENO

       
                         
Swing! 9 17

        
  

            

25

    
18

 

   


                    

29
33


         


             
               
41

 
38

 
                

                          
51


47

    


                                      
53

 molto rit. 
3
64

                              
Big!

    
60
3

 
  


                                      
    
67
3 3 3

      
76


                               
     

72 accel. a tempo



  
       

80


F Horn Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO

                           
Swing! 9

  
  


                           
14
17




                             
25


22

  
3

                                
33

    
31







       
                        
41

 
38

   
       

                     
51

        
49

   


                          
molto rit.

  
58
3 3

      
                    
64 Big!

    
64


3 3 3

  
                              
 

76

          
accel. a tempo

        
72

   
         
80


Trombone 1 Theme From
NEW YORK, NEW YORK
Music by JOHN KANDER
Words by FRED EBB
Arranged by

               
ERIK MORALES

     
 
Transcription by YOFRAN E. CENTENO

                     

Swing!

 sim. 

 
  
17
     
     
      

 
9 Hn.

 
9

        25                  
 

 
 
  

   
play


22

 
        
 

                  
               
32
33

41      
 

     
                
               
40

      51                       
           
  
50

        


      
                  
64

  
molto rit.

   
57 Big!


     
3




     
                   
       

65


          
 
      
 
        

 
76

        
    
accel.


71
a tempo

3 3 3

 

           

  
79


Trombone 2 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

                                 
Transcription by YOFRAN E. CENTENO

   
Swing!

 
        


  

 sim.
17

           

9

 
Hn.

 
8

              
 

 
 
     


  
25


21
play


                 
 

              
33


30

         


                 
          
41

 
37

     
                  


     
            
 
 
51

 
46

  
      


          
       
             
    
53

   
                                        

64

   
61 molto rit. Big!

                      
  


   
3

               
       

68

 
3 3 3

         
76

            
accel.


   
a tempo

   
75
Euphonium Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

   
                                 
Transcription by YOFRAN E. CENTENO

  
Swing!

    

       

 sim. 

             
9 17

    
9




   
                
25

   
21

   



      


               



33

 
32

         


          
         
41

   
40

                          
     
51

  
50


 
                         
 64

 
           
molto rit.


58 Big!

  


 
       
3

          
                
  
66

   
    accel.

              

76

         
a tempo


71

  
3 3 3

          


  
79


Tuba Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES


Transcription by YOFRAN E. CENTENO

       
                             
Swing!


  

 
sim.

  
9 17

     
 
9

     
B. Cl. Play

          
 with separation 

  



25

            
   
22


          


           
33

                   
30

     


    
       
41

             
   
38

 
  
              
51


           
46

        
 
                           


  
53

 64
    
    
         
molto rit. Big!

       
61
3 3 3

            
    


               
              
68
3 3 3

   
76

                
accel. a tempo

             
74

      
String Bass Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by


ERIK MORALES

        
                             
 
Transcription by YOFRAN E. CENTENO
Swing!
9


pizz.

      
  

      
sim.

              
17


10

        
                

25

      
22

  


    


           
         
33


31




     


                        
41

    
   
39

   
                                     
  
51

   
48

      


           
                 
molto rit.

    
56
3 3

      
       
       
         
64 Big!

 
64


3

 


     
   
      

accel.

 
71

 
3 3

       
            

3

  
76 a tempo

   
76


Timpani Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES

 
Transcription by YOFRAN E. CENTENO

                
Swing! 9

    

 
  

           
 
17 25

 
 
16




                   
33

         
31

  




                 
41

  
   
39

 
     
               
51

    
48

 

           
64

                      
molto rit. Big!

      
60


3 3


 

    
              
76

           
accel. a tempo

 
68




  dampen


                  
  
77


Marimba Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by
ERIK MORALES
Transcription by YOFRAN E. CENTENO

                          
       
Swing!

                   
 

     
      
9

       
7


 


                      
 
17 25 33

   
14


        


            
                             

41

 
 
35

      
                         
 


  
     
   
42

              
     
        
  
  
 
 
 
 
     
              
51

      
49

            
 64

                           
Big!

 
molto rit.

 
55

    


  
3


3

                        
accel.

 

66

    
                    
                           
76 a tempo



76


Bells Theme From

NEW YORK, NEW YORK Music by JOHN KANDER

Words by FRED EBB
Arranged by

   
ERIK MORALES
Transcription by YOFRAN E. CENTENO

      
 
Swing! 9 17 25

      
  33    


  
        
41 51

 
31

  



64 76

  
a tempo


61
molto rit. Big! accel.
Percussion 1 Theme From
NEW YORK, NEW YORK Music by JOHN KANDER
Words by FRED EBB
Arranged by


ERIK MORALES

 
Transcription by YOFRAN E. CENTENO

                                  
Swing! 9
S.D.

B.D. (muffled)

 

 
  
17

              
             
25


16 cross stick

   33   
   

             
 

                
               
29

 
           
                 


                          
              
41 

  
   
41

 3  3  3 51        
                             
                  
50

          3   3      3
Big!
  64

                                
molto rit.

  

3

                    
58

      
   3            3  3  3
                                 
3 3

 
   
3

        
66

 3 3    3 3  3   3  accel.


    
76

                                        
a tempo

      
72

         
       
            


            
   
78

      
Percussion 2 Theme From
NEW YORK, NEW YORK
Music by JOHN KANDER
Words by FRED EBB
Arranged by

                             
ERIK MORALES
Transcription by YOFRAN E. CENTENO

 
Swing!

 
Closed Hi-Hat

  
 

                       

9


9

          sim.
 sim.

                              
17

 
16

      
 

                            


25


24
Ride Cym.

     
  

                
33

      

32 Cr.
Ride Cym. Ride

 

           
                  
41
41

       
                     
51
51

 

molto rit. 
          
64

                                   
58 Big!

 3 3

         
                     
67

   
3 3  

                      
accel. 76

      
Closed H.H. a tempo


74
choke