Authoritarianism and Corporatism in Europe and
Latin America Crossing Borders 1st Edition
         António Costa Pinto download
  https://ebookultra.com/download/authoritarianism-and-corporatism-
   in-europe-and-latin-america-crossing-borders-1st-edition-antonio-
                             costa-pinto/
        Explore and download more ebooks or textbooks
                      at ebookultra.com
    We believe these products will be a great fit for you. Click
          the link to download now, or visit ebookultra.com
                              to discover even more!
Innovation Support in Latin America and Europe Mark
Anderson
https://ebookultra.com/download/innovation-support-in-latin-america-
and-europe-mark-anderson/
Connections after Colonialism Europe and Latin America in
The 1820s 1st Edition Matthew Brown
https://ebookultra.com/download/connections-after-colonialism-europe-
and-latin-america-in-the-1820s-1st-edition-matthew-brown/
The Consolidation of Democracy Comparing Europe and Latin
America 1st Edition Carsten Q. Schneider
https://ebookultra.com/download/the-consolidation-of-democracy-
comparing-europe-and-latin-america-1st-edition-carsten-q-schneider/
Legislative institutions and lawmaking in Latin America
1st Edition Aleman
https://ebookultra.com/download/legislative-institutions-and-
lawmaking-in-latin-america-1st-edition-aleman/
Utopias in Latin America Past and Present Juan Pro
https://ebookultra.com/download/utopias-in-latin-america-past-and-
present-juan-pro/
Borders and Border Regions in Europe Changes Challenges
and Chances 1. Aufl. Edition Arnaud Lechevalier (Editor)
https://ebookultra.com/download/borders-and-border-regions-in-europe-
changes-challenges-and-chances-1-aufl-edition-arnaud-lechevalier-
editor/
Trade and Poverty in Latin America First Edition Paolo
Giordano
https://ebookultra.com/download/trade-and-poverty-in-latin-america-
first-edition-paolo-giordano/
Environmental Issues in Latin America and the Caribbean
1st Edition Aldemaro Romero
https://ebookultra.com/download/environmental-issues-in-latin-america-
and-the-caribbean-1st-edition-aldemaro-romero/
Leftist Governments in Latin America Successes and
Shortcomings 1st Edition Kurt Weyland
https://ebookultra.com/download/leftist-governments-in-latin-america-
successes-and-shortcomings-1st-edition-kurt-weyland/
Authoritarianism and Corporatism in Europe and Latin
America Crossing Borders 1st Edition António Costa
Pinto Digital Instant Download
Author(s): António Costa Pinto, Federico Finchelstein
ISBN(s): 9781351398848, 1138303593
Edition: 1
File Details: PDF, 9.18 MB
Year: 2020
Language: english
Authoritarianism and Corporatism in
Europe and Latin America
What drove the horizontal spread of authoritarianism and corporatism between
Europe and Latin America in the 20th century? What processes of transnational
diffusion were in motion and from where to where? In what type of ‘critical
junctures’ were they adopted and why did corporatism largely transcend the
cultural background of its origins? What was the role of intellectual-politicians in
the process? This book will tackle these issues by adopting a transnational and
comparative research design encompassing a wide range of countries.
António Costa Pinto is Research Professor at the Institute of Social Sciences,
University of Lisbon. His research interests include fascism and authoritar-
ianism, political elites and democratization. He is the author of The Nature of
Fascism Revisited (2012), and he co-edited Rethinking Fascism and Dictator-
ship in Europe (2014) and Corporatism and Fascism. The Corporatist Wave in
Europe (2017).
Federico Finchelstein is Professor of history at the New School for Social
Research, New York. He is the author of several books on fascism, populism,
the Holocaust and Jewish history in Europe and Latin America, including
Transatlantic Fascism (2010), The Ideological Origins of the Dirty War (2014)
and From Fascism to Populism in History (2017).
Routledge Studies in Modern History
For more information about this series, please visit: https://www.routledge.
com/history/series/MODHIST
38 The Institution of International Order
From the League of Nations to the United Nations
Edited by Simon Jackson and Alanna O’Malley
39 The Limits of Westernization
American and East Asian Intellectuals Create Modernity, 1860–1960
Jon Thares Davidann
40 Liberalism in Pre-revolutionary Russia
State, Nation, Empire
Susanna Rabow-Edling
41 Informal Alliance
The Bilderberg Group and Transatlantic Relations during the Cold War,
1952–1968
Thomas W. Gijswijt
42 The Muslim Reception of European Orientalism
Reversing the Gaze
Edited by Susannah Heschel and Umar Ryad
43 Authoritarianism and Corporatism in Europe and Latin America
Crossing Borders
Edited by António Costa Pinto and Federico Finchelstein
44 The Origins of Anti-Authoritarianism
Nina Witoszek
45 Agrarian Reform and Resistance in an Age of Globalisation
The Euro-American World and Beyond, 1780–1914
Edited by Joe Regan and Cathal Smith
Authoritarianism and
Corporatism in Europe and
Latin America
Crossing Borders
Edited by
António Costa Pinto and Federico
Finchelstein
First published 2019
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2019 selection and editorial matter, António Costa Pinto and Federico
Finchelstein; individual chapters, the contributors
The right of António Costa Pinto and Federico Finchelstein to be identified
as the authors of the editorial material, and of the authors for their
individual chapters, has been asserted in accordance with sections 77 and 78
of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without permission in writing
from the publishers.
Trademark notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN: 978-1-138-30359-1 (hbk)
ISBN: 978-0-203-73095-9 (ebk)
Typeset in Times New Roman
by Taylor & Francis Books
Contents
   List of illustrations                                                 vii
   List of contributors                                                 viii
   Preface and acknowledgements                                           xi
1 The worlds of authoritarian corporatism in Europe and Latin
  America                                                                 1
   ANTÓNIO COSTA PINTO AND FEDERICO FINCHELSTEIN
2 Corporatism and Italian Fascism                                        10
   GOFFREDO ADINOLFI
3 Intellectuals in the mirror of fascist corporatism at the turning
  point of the mid-thirties                                              27
   LAURA CERASI
4 Self-fashioning of a conservative revolutionary: Salazar’s integral
  corporatism and the international networks of the 1930s                42
   JOSÉ REIS SANTOS
5 Mihail Manoilescu and the debate and practice of corporatism in
  Romania                                                                65
   CONSTANTIN IORDACHI
6 Corporations against corporatism in Quisling Norway,
  1940–1950s                                                             95
   STEIN UGELVIK LARSEN
7 Authoritarianism and Corporatism in Latin America:
  the first wave                                                         110
   ANTÓNIO COSTA PINTO
vi   Contents
 8 From Rome to Latin America: the transatlantic influence of
   fascist corporatism                                                  143
     MATTEO PASETTI
 9 A travelling intellectual of a travelling theory: Ramiro de Maeztu
   as a transnational agent of corporatism                              159
     VALERIO TORREGGIANI
10 Fascism and corporatism in the thought of Oliveira Vianna: a
   creative appropriation                                               180
     FABIO GENTILE
11 Law and legal networks in the interwar corporatist turn: the case
   of Brazil and Portugal                                               200
     MELISSA TEIXEIRA
12 The appropriation of Manoilescu’s The Century of Corporatism in
   Vargas’s Brazil                                                      218
     ANGELA DE CASTRO GOMES
13 Corporatism, dictatorship and populism in Argentina                  237
     FEDERICO FINCHELSTEIN
14 Nationalist authoritarianism and corporatism in Chile                254
     MARIO SZNAJDER
15 The global circulation of corporatism: concluding remarks            275
     SVEN REICHARDT
     Bibliography                                                       284
     Index                                                              289
Illustrations
Figures
5.1 The Corporatist Organization envisioned by the National
    Corporatist League, 1935                                          75
6.1 Norway’s forthcoming Constitution. Corporate chamber,
    Chamber of business, and Chamber of Culture. The organizations
    of unions, of professions, business and culture (according to
    Georg Halse)                                                     100
Table
5.1 The organization of the Front of National Renaissance,
    January 1940                                                      85
Contributors
Goffredo Adinolfi is a research fellow at the Lisbon University Institute with a
  doctorate in political science from the University of Milan (2005). His
  research interests include political elites, democratization and Italian Fascism.
  He is the author of Ai Confini del Fascismo: Propaganda e Consenso nel Por-
  togallo Salazarista (1932–1944) ( 2007), and of chapters and articles like
  ‘Political elite and decision-making in Mussolini’s Italy’, in António Costa
  Pinto (ed.), Ruling Elites and Decision-making in Fascist-Era Dictatorships
  (2009), and ‘The institutionalization of propaganda in the fascist era: The
  cases of Germany, Portugal and Italy’, The European Legacy (2012).
Laura Cerasi is Senior Lecturer in contemporary history at Ca’ Foscari Uni-
  versity of Venice. Her research topics are: Fascism, corporatism and national-
  ism; Political cultures and cultural institutions in the 19th and 20th centuries;
  and Labour and counter-democracy in the Italian political thought. Among
  her recent publications are Le libertà del lavoro. Storia, diritto, società (2016,
  ed.); ‘Rethinking Italian corporatism’, in A. Costa Pinto (ed.); Corporatism and
  Fascism. The Corporatist Wave in Europe (2017); and ‘Le metamorfosi del
  lavoro. Culture politiche e semantiche della cittadinanza’, in L. Baldissara, M.
  Battini (eds), Lavoro e cittadinanza. ascesa e declino di un binomio (2017).
António Costa Pinto is Research Professor at the Institute of Social Sciences,
  University of Lisbon. He has been a visiting professor at Stanford Uni-
  versity, Georgetown University, a senior associate member at St Anthony’s
  College, Oxford, and a senior visiting fellow at Princeton University, the
  University of California, Berkeley and New York University. His research
  interests include fascism and authoritarianism, political elites and demo-
  cratization. He is the author of The Blue Shirts: Portuguese Fascism in
  Inter-war Europe (2000) and The Nature of Fascism Revisited (2012), and
  he co-edited Rethinking Fascism and Dictatorship in Europe (2014) and
  Corporatism and Fascism. The Corporatist Wave in Europe (2017).
Angela de Castro Gomes is Professor of modern history at UNIRIO and emer-
  itus research professor at the Getúlio Vargas Foundation, Rio de Janeiro,
  Brazil. She is one of the leading historians of authoritarianism and corporatism
                                                                 Contributors    ix
   in Vargas’ Brazil. Her more influential work is A Invenção do Trabalhismo
   (1988). She has recently edited Historia do Brasil Nação, Vol. 4 – Virado para
   Dentro (2013).
Federico Finchelstein is Professor of history at the New School for Social
  Research, New York. He is the author of several books on fascism, populism,
  the Holocaust and Jewish history in Europe and Latin America, including
  Transatlantic Fascism (2010), The Ideological Origins of the Dirty War (2014)
  and From Fascism to Populism in History (2017).
Fabio Gentile is Professor of social sciences at the Federal University of Ceará,
  Brazil. He has a PhD in politics from the Università degli Studi ‘L’Orientale’ di
  Napoli (2004). His main research interests are in the influence of Italian Fas-
  cism and corporatism in Brazil; he is preparing a study of the Brazilian intel-
  lectual Oliveira Vianna. He recently published La rinascita della destra. Il
  laboratorio politico-sindacale napoletano da Salò ad Achille Lauro (2013) and ‘Il
  Brasile e il modello del corporativismo fascista’, in Passato e Presente (2014).
Constantin Iordachi is Professor at the Department of History, Central European
  University, Budapest. He is the editor of the journal East Central Europe and
  member of editorial committee of the journal Fascism: Comparative Fascist
  Studies, and author and co-editor of over fifteen books among which are The
  Biopolitics of the Danube Delta (2014); The Collectivization of Agriculture in
  Communist Eastern Europe (2014); Hungary and Romania Beyond National
  Narratives (2013); Anti-Semitism and the Holocaust in East-Central Europe
  (2012); Comparative Fascist Studies: New Perspectives (2010); Transforming
  Peasants, Property and Power: The Process of Land Collectivization in Roma-
  nia, 1949–1962 (2009); and Charisma, Politics and Violence: The Legion of
  ‘Archangel Michael’ in Inter-War Romania (2004).
Stein U. Larsen is Professor emeritus of comparative politics at the University
   of Bergen, Norway. He has published extensively on fascism, authoritar-
   ianism and democratization. Among other works, he has co-edited Who
   Were the Fascists? The Social Roots of European Fascism (1981), Fascism
   and European Literature (1991); Fascism Outside Europe: The European
   Impulse Against Domestic Conditions in the Diffusion of Global Fascism
   (2001) and Charisma and Fascism in Interwar Europe (2007).
Matteo Pasetti is a research fellow at the University of Bologna. He received his
 doctorate in history from the University of Urbino with a thesis on the roots of
 Italian Fascism and its relationship with the trade unions, which was devel-
 oped into his book Tra Classe e Nazione: Rappresentazioni e Organizzazione
 del Movimento Nazional-Sindacalista, 1918–1922 (2008). More recently he has
 been researching the transnational spread of corporatist cultures and experi-
 ences during the interwar period. He is the editor of Progetti Corporativi tra le
 due Guerre Mondiali (2006) and the author of L’Europa corporativa. Una
 storia transnazionale tra le due guerre mondiali (2016).
x   Contributors
Sven Reichardt is Full Professor of contemporary history at the University of
  Konstanz. His research interests include global fascism, social movements
  and civil societies, the history of war, civil war and terrorism. His publications
  include, Camicie nere, camicie brune (2009); Authentizität und Gemeinschaft.
  Linksalternatives Leben in den siebziger und frühen achtziger Jahren (2nd
  edition, 2014). He is currently working on a book on global fascism.
José Reis Santos is a research fellow at the Institute for Contemporary History
  of the New University of Lisbon and Guest Research Fellow at the Central
  European University. He holds a PhD in Contemporary History from the
  New University of Lisbon, with the thesis Neither Fascism or Nazism? Pro-
  cesses of Diffusion and the Reception of the Estado Novo as a Third Way on
  the Context of Institutional Transitions in the Europe of the New Order. His
  main research interests are comparative fascism studies and electoral beha-
  viour. He recently published Salazar e as Eleições. Um estudo sobre as eleições
  gerais de 1942 (2011), and The Electoral Vulnerability of Social Democratic
  Parties in Europe (with André Krouwel and Matthew Wall, 2013).
Mario Sznajder is the Leon Blum Professor of political science emeritus at the
 Hebrew University of Jerusalem. He is the author of various books and arti-
 cles on the ideology and practice of fascism, human rights and politics,
 democratization in Latin America and anti-Semitism and politics. He pub-
 lished with L. Roniger, The Legacy of Human Rights Violations in the South-
 ern Cone: Argentina, Chile and Uruguay (1999); The Politics of Exile in Latin
 America (2009); and co-edited, Exile, Diaspora, and Return. Changing Cul-
 tural Landscapes in Argentina, Chile, Paraguay, and Uruguay (2018).
Melissa Teixeira is Assistant Professor of history at the University of Pennsyl-
 vania and was previously a prize fellow in history, politics, and economics at
 Harvard University. She holds a PhD from Princeton University and an
 MPhil from the University of Cambridge. Her research interests include
 modern Brazil and Portugal, legal and economic history, and global and
 transnational history. She is currently preparing a book on corporatism,
 tentatively titled South Atlantic Economic Lives: Remaking Capitalism and
 Citizenship in Twentieth-Century Brazil.
Valerio Torreggiani is a research fellow at the Institute of Contemporary His-
  tory, Nova University of Lisbon. He received his PhD in History of Europe
  (19th–20th centuries) from the Tuscia University of Viterbo. He has been a
  post-doctorate fellow in Economic History at Roma Tre University and visit-
  ing fellow at the Institute of Social Sciences, University of Lisbon. His main
  research interests are the transnational diffusion of corporatist ideas, with spe-
  cific attention to the British world in the first half of the 20th century. On this
  topic he has authored several articles and essays in international journals and
  volumes as well as the book Stato e culture corporative nel Regno Unito (2018).
Preface and acknowledgements
This book brings together scholars with established international expertise in
corporatism, fascism and authoritarianism in Europe and Latin America and
is the result of an informal working group that meets irregularly at the Insti-
tute of Social Sciences of the University of Lisbon. The group has always
brought together a number of political scientists and historians working in
different countries and areas of expertise and had already published several
books on topic such as charisma, political elites and decision-making pro-
cesses, and theories of fascism.1
   The theme of the diffusion of corporatism in European dictatorships of the
era of fascism was already developed in a previous volume published by
Routledge: António Costa Pinto, ed., Corporatism and Fascism. The Cor-
poratist Wave in Europe (2017). This book should be seen as a companion
volume to that one, since it expands the comparative and transnational study
of corporatism both across and within Europe and Latin America. This book
is also related with a previous project, comparing the European and Latin
American corporatist experiences as well, already published in Portuguese.2
   This volume is the product of some workshops and discussions held in
Lisbon, at the Institute of Social Science, in New York, at the Remarque
Institute of New York University, at the New School for Social Research, and
at the Getúlio Vargas Foundation, in Rio de Janeiro, during which draft
papers were presented, discussed extensively and subsequently revised in the
light of both conceptual guidelines agreed at the workshops and feedback
provided by the editors and by three anonymous reviewers. The editors also
commissioned some chapters, and have worked closely with the contributors
to harness their individual expertise along with maintaining the coherence of
the work.
   We would like also to thank the Institute of Social Sciences of the Uni-
versity of Lisbon for its generous support; and Stewart Lloyd-Jones for
translating and editing some of the texts for publication. António Costa Pinto
is grateful to New York University where he benefited greatly from a
Remarque Fellowship in 2017, and where he completed the research for this
book. Finally, we would like to thank all the authors, for their active support
and encouragement throughout the preparation of this book.
xii   Preface and acknowledgements
Notes
1 Previous publications are A. C. Pinto and A. Kallis, eds, Rethinking Fascism and
  Dictatorship in Europe, London, Palgrave, 2014; A. C. Pinto, ed., Rethinking the
  Nature of Fascism, London, Palgrave, 2011; A. C. Pinto, ed., Ruling Elites and
  Decision-Making in Fascist-Era Dictatorships, New York, SSM-Columbia Uni-
  versity Press, 2009; and A. C. Pinto, R. Eatwell and S. U. Larsen, eds, Charisma
  and Fascism in Interwar Europe, London, Routledge, 2007.
2 A. C. Pinto and F. C. P. Martinho, ed., A Vaga Corporativa. Corporativismo e
  Ditaduras na Europa e na America Latina, Lisbon, Imprensa de Ciências Sociais,
  2016, and, A Onda Corporativa. Corporativismo e Ditaduras na Europa e na Amér-
  ica Latina, Rio de Janeiro, Editora da Fundação Getúlio Vargas, 2016.
1      The worlds of authoritarian corporatism
       in Europe and Latin America
       António Costa Pinto and Federico Finchelstein
In 1952, President Laureano Gómez tried (and failed) to reorganize political
representation in Colombia along authoritarian corporatist lines and this
attempt might be the end of the first wave of corporatism associated with the
era of fascism in Europe and Latin America. A Catholic corporatist with
Francoist sympathies and authoritarian tendencies, and leader of the Colom-
bian Conservative Party, Gómez hoped to bring about a constitutional reform
that would have transformed him into the president of an authoritarian,
paternalist and more confessional state with an executive that was increas-
ingly independent of the legislature and with a corporatist senate.1 This failed
experiment marked the end of a time of authoritarian institutional reform
inspired by corporatism, which was one of the most powerful authoritarian
models of social and political representation to emerge during the first half of
the 20th century.2 But corporatism was not entirely gone. After 1945, this
authoritarian corporatism would be highly influential in the development of
the new populism, especially in Latin America when populists first reached in
power.3 If Gómez had failed, leaders like Juan Domingo Perón in Argentina
will not forget the interwar legacy of corporatism.4
   Corporatism left an indelible mark on the first decades of the 20th cen-
tury – during the interwar period particularly – both as a set of institutions
created by the forced integration of organized interests (mainly independent
unions) into the state and as an organic-statist type of political representation,
alternative (and more rarely complementary) to liberal democracy.5 Variants
of corporatism had inspired conservative, radical-right and fascist parties, not
to mention the Roman Catholic Church and the ‘third way’ favoured by some
sections of the technocratic and even by left-wing elites.6 Democracies and
hybrid regimes, from Ireland, to Weimar Germany, Brazil or France, were
also to create corporatist institutions, but corporatism stimulated the political
crafting of dictatorships, from Benito Mussolini’s Italy through Primo de
Rivera in Spain and the Austria of Engelbert Dollfuss, to Getúlio Vargas’s
‘New State’ or the brief dictatorship of José Felix Uriburu in Argentina.
Some of these dictatorships, especially Italian Fascism in the 1930s made
corporatism a universal alternative to economic liberalism.7 As one of the
most cited theoreticians of corporatism, Mihail Manoilescu, noted, ‘of all the
2   António Costa Pinto & Federico Finchelstein
political and social creations of our century – which for the historian began in
1918 – there are two that have in a definitive way enriched humanity’s patri-
mony … corporatism and the single party’.8 Manoilescu dedicated a study to
each of these political institutions without knowing in 1936 that some aspects
of the former would be long-lasting and that the latter would become one of
the most durable political instruments of dictatorships.9
   This book deals with the diffusion of corporatism in Europe and Latin
America, and especially as a set of authoritarian institutions that spread
across the interwar period. Powerful transatlantic processes of institutional
transfers and ideological and political diffusion were a hallmark of interwar
dictatorships and corporatism was at the forefront of this process of cross-
national diffusion of authoritarian institutions, both as a new form of orga-
nized interest co-optation by the state and of an authoritarian type of poli-
tical representation that was an alternative to parliamentary democracy.10
The book represents the first attempt to analyse the transnational processes of
intellectual and political diffusion of corporatism in both sides of the Atlantic
and of its processes of institutionalization in Europe and Latin America.11
Social and political corporatism during the first wave of democratization
Corporatism was a modern take on past forms of organization with the aim
of disputing emerging forms of liberal democracy across the Atlantic and
beyond. The model was the medieval corporations but the enemy were the
political forms that emerged out of the ideals of the enlightenment. Also
corporatism was a key dimension of what historian Zeev Sternhell has pow-
erfully described as the anti-enligthtenement12
   Corporatism as an ideology and as a form of organized interest representa-
tion was first promoted strongly by the Roman Catholic Church, from the late-
19th through to the mid-20th century, as a third way of social and economic
organization in opposition to both socialism and liberal capitalism.13 Pope Pius
XI assumed that as a result of the Great Depression liberal capitalism and its
associated political system was in decline and that new forms of economic and
social organization were now needed.14 The powerful intellectual and political
presence of corporatism in the political culture of Catholic elites both in
Europe and Latin America paved the way for other more secular influences.
   Corporatism became a powerful ideological and institutional device against
liberal democracy during the first half of the 20th century, but the neo-cor-
poratist practices of some Dictatorships and democracies during its second
half – both in Europe and Latin America and the different traditions of the use
of the concept within the social sciences in the 1970s and 1980s – demands a
conceptual clarification of the phenomenon being studied in this book. This
includes disentangling social from political corporatism:15
    Social corporatism ‘can be defined as a system of interest representation
    in which the constituent units are organized into a limited number of
Random documents with unrelated
 content Scribd suggests to you:
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project
Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:
      This eBook is for the use of anyone anywhere in
      the United States and most other parts of the
      world at no cost and with almost no restrictions
      whatsoever. You may copy it, give it away or re-
      use it under the terms of the Project Gutenberg
      License included with this eBook or online at
      www.gutenberg.org. If you are not located in the
      United States, you will have to check the laws of
      the country where you are located before using
      this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.
 1.E.4. Do not unlink or detach or remove the full Project
 Gutenberg™ License terms from this work, or any files
 containing a part of this work or any other work associated with
 Project Gutenberg™.
 1.E.5. Do not copy, display, perform, distribute or redistribute
 this electronic work, or any part of this electronic work, without
 prominently displaying the sentence set forth in paragraph 1.E.1
 with active links or immediate access to the full terms of the
 Project Gutenberg™ License.
 1.E.6. You may convert to and distribute this work in any binary,
 compressed, marked up, nonproprietary or proprietary form,
 including any word processing or hypertext form. However, if
 you provide access to or distribute copies of a Project
 Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
 other format used in the official version posted on the official
 Project Gutenberg™ website (www.gutenberg.org), you must,
 at no additional cost, fee or expense to the user, provide a copy,
 a means of exporting a copy, or a means of obtaining a copy
 upon request, of the work in its original “Plain Vanilla ASCII” or
 other form. Any alternate format must include the full Project
 Gutenberg™ License as specified in paragraph 1.E.1.
 1.E.7. Do not charge a fee for access to, viewing, displaying,
 performing, copying or distributing any Project Gutenberg™
 works unless you comply with paragraph 1.E.8 or 1.E.9.
 1.E.8. You may charge a reasonable fee for copies of or
 providing access to or distributing Project Gutenberg™
 electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive
 from the use of Project Gutenberg™ works calculated using the
 method you already use to calculate your applicable taxes. The
 fee is owed to the owner of the Project Gutenberg™ trademark,
 but he has agreed to donate royalties under this paragraph to
 the Project Gutenberg Literary Archive Foundation. Royalty
 payments must be paid within 60 days following each date on
 which you prepare (or are legally required to prepare) your
 periodic tax returns. Royalty payments should be clearly marked
 as such and sent to the Project Gutenberg Literary Archive
 Foundation at the address specified in Section 4, “Information
 about donations to the Project Gutenberg Literary Archive
 Foundation.”
• You provide a full refund of any money paid by a user who
 notifies you in writing (or by e-mail) within 30 days of receipt
 that s/he does not agree to the terms of the full Project
 Gutenberg™ License. You must require such a user to return or
 destroy all copies of the works possessed in a physical medium
 and discontinue all use of and all access to other copies of
 Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
 any money paid for a work or a replacement copy, if a defect in
 the electronic work is discovered and reported to you within 90
 days of receipt of the work.
• You comply with all other terms of this agreement for free
 distribution of Project Gutenberg™ works.
 1.E.9. If you wish to charge a fee or distribute a Project
 Gutenberg™ electronic work or group of works on different
 terms than are set forth in this agreement, you must obtain
 permission in writing from the Project Gutenberg Literary
 Archive Foundation, the manager of the Project Gutenberg™
 trademark. Contact the Foundation as set forth in Section 3
 below.
 1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.
 Section 2. Information about the Mission
 of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.
 Section 3. Information about the Project
 Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.
The Foundation’s business office is located at 809 North 1500
West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
 Section 4. Information about Donations to
 the Project Gutenberg Literary Archive
 Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws
regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states
where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot
make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.
Please check the Project Gutenberg web pages for current
donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.
 Section 5. General Information About
 Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.
Project Gutenberg™ eBooks are often created from several
printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade
Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.
Let us accompany you on the journey of exploring knowledge and
personal growth!
                        ebookultra.com