Liturgy in The Orthodox Church by J. Chryssavgis
Liturgy in The Orthodox Church by J. Chryssavgis
ORTHODOX CHURCH
JOHN CHRYSSAVGIS
I
n the Orthodox Church, devotional forms and gestures have been
meticulously and continuously preserved, without any major change,
for centuries. I have, therefore, every reason to believe that, at least
to some degree, my family shares today the tradition that Byzantines
experienced in churches of Constantinople during the tenth century. The
Byzantines were a deeply liturgical people. And the Orthodox liturgy
continues to be a remembrance of particular acts and persons in the time
of Jesus of Nazareth. Yet, the Orthodox liturgy is a timeless reenactment,
not solely—indeed, not even primarily—of past events, but rather of a
living presence. It is a celebration of the heavenly kingdom, a promise and
a pledge in the here and now.
The strong aroma of antiquity and continuity generated by the ceremo-
nial expression usually impresses western Christians attending the divine
liturgy of the Orthodox. For Orthodoxy typically presents—and is even
frequently so presented by the Orthodox—as a seamless robe, as a totality,
in which every part adheres in the whole in primordial and perfect
harmony. In actual fact, the attachment to tradition does not imply im-
mobility or stagnation. In reality, there has always been growth and
development in Orthodox liturgy. This change is slow, almost impercep-
tible, because it is a natural process, not a programmed reform from above
or even from below. This is why we like to call it a living tradition. To
quote the Roman Catholic liturgist Robert F. Taft: "Of course it results in
any number of loose ends, hard to reconcile practices, customs that
John Chryssavgis is Professor of Theology at Holy Cross School of Theology. His recent
books include Beyond the Shattered Image: Orthodox Perspectives on the Environment
(1999) and Soul Mending: The Art of Spiritual Direction (2000).
412
Liturgy in the Orthodox Church 413
overlap or even contradict one another—but they are loose ends of the
living, rather than the well ordered immobility of the dead."1
The question, of course, is how Orthodox liturgy will be retrieved and
presented, not as merely emotional, but as deeply essential, not as exter-
nally attractive, but as essentially logical and theological. It must be admitted
that Orthodoxy is often successful on the wrong grounds: because it is
exotic, escapist, or sufficiently different. People are attracted—or ultimately
distracted—by the orientalism (the music, the icons, the mysticism).
Orthodox themselves are often enticed by the luggage that they carry
around, by the symbolic explanation of every detail and gesture. Yet,
liturgy is essentially symbolic of only one thing, "the one thing that alone
is necessary" (Luke 10:42). Its ultimate meaning is the entrance into the
kingdom of heaven. And heaven is where Christ is. To quote John
Chrysostom, whose fourth-century liturgy the Orthodox Church celebrates
to this day each Sunday: "What do I care about heaven, when I myself
have become heaven?"
The liturgy is neither primarily ceremonial nor mystical. It is the
celebration of a single mystery, namely, the conviction that "Christ is in
our midst." That is the central focus. The hymns and music translate this
very certainty, mirroring the evolution of this reality expressed in doctrinal
ideas.2 Verse and voice intimately link with theological vision. Unfortu-
nately, today there is less expression of individual emotion and imagina-
tion than in the first millennium. Nevertheless, the element of the "other-
worldliness" is definitely preserved.
Tradition, then, is more than the mere remembrance of certain acts of
Christ and of some of his words. It is understood in terms of living with
Christ and in Christ "through the fellowship of the Holy Spirit." By
analogy, the liturgy is more than a mere remembrance of acts and words
of the Lord. It is the act of the Word; it is the act of self-sacrifice and love.
Nicholas Cabasilas, a fourteenth-century liturgical commentator, notes,
"The rite is not a mere figure or symbol, but a true sacrifice."3
Precisely during the liturgy Christ is transmitted, handed down to us
(trado, paradidò). In fact, what occurs is a mutual handing over: "Thine
own of thine own." Orthodox spirituality would affirm Irenaeus's words
that "our whole life should conform to the Eucharist, and the Eucharist
should confirm our whole life."4 There is, in the context of liturgy, a virtual
identity between Christ and tradition, between Christ as past, present, and
future (compare Rev 4:8), between the One who has already come and
who is yet to come. This constitutes the heart and center of the Christian
faith.
1 r
Beyond East and West: Problems in Liturgical Understanding (Washington, DC: Pas-
toral Press, 1984), 116. f
2
See Egon Wellesz, A History of Byzantine Music and Hymnography (Oxford: Claren- Í
f
don, 1961).
3
Commentary on the Divine Liturgy (New York: St. Vladimir's Seminary Press, 1997), ¡
81. ι
Λ
Against Heresies IV.5.18, in Patrologiae cursus completos, series graeca (hereafter,
PG), 162 vols., ed. J.-P. Migne (Paris: Migne, 1857-1886), 6:1028.
414 Theology Today
No wonder, then, that liturgy is respected like doctrine, that the lex
orandi (rule of prayer) is so closely connected to the lex credendi (rule of
belief). It is not difficult to appreciate why Byzantines of old and Orthodox
today feel that "truly, till heaven and earth pass away, not an iota, not a dot,
will pass from the law" (Matt 5:18) of liturgy. Like John of Damascus, the
eighth-century champion of icons, wrote about tradition, "We do not change the
everlasting boundaries which our fathers have set, but we keep the tradition,
just as we received it,"5 so Nicholas Cabasilas would say of the liturgy,
"Beyond this it is not possible to go, nor can anything be added to it."6
There are certain doctrines, never formally defined, that are nonetheless
maintained with as much inner conviction by the Orthodox Church as any
explicit dogmatic formulation. St. Basil of Caesarea wrote as early as in
the fourth century, "Some things we have from written teaching, while
others we have received from the apostolic tradition handed down to us in
a mystery; and both these things have the same force for piety."7
Certainly, for the Orthodox, the liturgy belongs to one of those powerful
traditions "handed down to us in a mystery." This is precisely why no one
will so much as blink an eye during the divine liturgy when the deacon—
apparently out of nowhere, but certainly out of apostolic tradition and
5
On the Holy Images 11, 12 (PG 94:1297).
6
On the Life in Christ, IV. 1 (PG 150:584). See the English translation (New York: St.
Vladimir's Seminary Press, 1974), 114.
7
On the Holy Spirit 27, in A Select Library of Nicene and Post-Nicene Fathers of the
Christian Church, series 2, 14 vols., ed. Philip Schaff and Henry Wace (Grand Rapids:
Eerdmans, 1952-1957), 8:41 (author's translation).
Liturgy in the Orthodox Church 415
l
Mystagogical Catechesis 5-6 and On Faith and the Symbol (PG 33:505-24).
Liturgy in the Orthodox Church 417
describes the deacons' ministerial role as simply practical. In the same
century, however, the great Alexandrian thinker Origen develops a theol-
ogy of Christian mystery and symbol. This teaching is developed into a
tradition of rich liturgical interpretation and imitation by Dionysius the
Areopagite in the fifth century, Maximus the Confessor in the seventh,
Germanos of Constantinople in the eighth, Theodore the Studite in the
ninth, Nicholas and Theodore of Andida in the eleventh, Nicholas Cabasi-
las in the fourteenth, and Symeon of Thessalonika in the fifteenth. Simple,
practical gestures assume solemn, profound significance:
It is the deacons who bring out this oblation . . . which they arrange and place
on the awe-inspiring altar, a vision . . . awe-inspiring even to the onlookers.
By means of the symbols we must see Christ, who is now being led out and
going forth to his passion, and who, in another moment, is laid out for us on
the altar And when the offering that is about to be presented is brought
out in the sacred vessels, the patens and chalices, you must think that Christ
the Lord is coming out, led to his passion... by the invisible host of
ministers . . . who were also present when the passion of salvation was being
accomplished. [The deacons] stand around and wave their fans . . . because
the Body lying there is truly Lord by its union with the divine nature. It is
with great fear that it must be laid out, viewed and guarded. These things take
place in complete silence because, although the Liturgy has not yet begun,
still it is fitting to watch the bringing out and depositing of such a great and
wonderful object in recollection and fear and a silent and quiet prayer,
without saying anything.10
The Liturgy as Home
When one enters the liturgy in the Orthodox Church, one is conscious
of entering the familiar surroundings of one's home. There is, then, also a
sense of homeyness and informality. Contemporary Orthodox, just as their
Byzantine forefathers and foremothers used to, behave inside the church
much as they behave outside. There exists, for them, no sharp division
between sacred and secular. There is much movement: people drifting in
and out, lighting candles, venerating icons, even talking. In the fourth
century, John Chrysostom complained, "Here in church, there is great
disturbance and confusion, and it is as bad as a tavern. There is so much
laughing and chattering."11
To the outsider, it would perhaps appear "as bad as a tavern." However,
physicality and materiality are an important part of Orthodox worship. The
bread is always real bread, the wine is bright and red (and it signifies not
just death and sacrifice, but life and joy). Baptism is full immersion, and
confession involves physical contact in the laying on of the hand. There is
bread and oil and boiled wheat. The patristic principle that "what is not
assumed is not healed" is very real here. 12 The liturgy becomes the ground
on which all things meet and make sense, and outside of which all things
are unrecognizable and isolated.
9
(Cambridge: Cambridge University Press, 1909), 120.
10
Robert F. Taft, The Great Entrance (Rome: Orientalia Christiana Periodica, 1978), 35.
n
On the First Epistle to the Corinthians XXXVI (PG 61:313).
12
Gregory the Theologian, Epistle I to Cleidonius (PG 37:181).
418 Theology Today
Heaven on Earth
This is the depth of the liturgy, "the final mystery beyond which it is not
possible to go."13 This is the meaning of the liturgy as "heaven on
earth"—as the presence of the angels, the archangels, the kingdom of
heaven, the earth, the people, the whole of creation, and the Creator God
as well. It is far more than the "here and now." It is an all-embracing
drama, a meeting place of the earthly and the heavenly. This is made clear
in the Orthodox liturgy with the two "entrances," when the prayer is
13
Nicholas Cabasilas, The Life in Christ IV.l (PG 150:584).
Liturgy in the Orthodox Church 419
recited, "Make with our entry an entry of your holy angels, celebrating the
liturgy with us."
"In this mystery," the liturgy continues, "we are icons of the cherubim."
Again John Chrysostom affirms, "Those in heaven and those on earth form
a single festival, a shared thanksgiving, one choir."14 Now, to the outsider,
perhaps one of the most striking qualities of Orthodox liturgy is the
opulent ritualism, at least in contrast to the apparent verbalism of other
liturgies. Everything is always sung. Orthodox Christians do not come to
church simply to pray. Nor do they go to church to be alone. Something
is believed to be "happening" there, the kingdom of heaven is present
there. There is an epiphany and a theophany, and the faithful are called to
"join in," invited to participate. Sometimes people wonder whether Or-
thodox are aware of this liturgical depth in their tradition. Yet, how many
of those who join in a cultural or popular dance realize the historical
origins of that dance, or even are aware of its sociological significance.
Such ignorance hardly detracts from the power or profundity of the
experience. Just before each liturgy, Sunday by Sunday, Orthodox Chris-
tians pray, "God, our God, who sent your heavenly bread, the food of the
whole world, to bless us, bless also the offering." For centuries, Christians
have been scandalized that we come together in liturgy to eat, and not just
to see and hear and feel the Word of God.15
The question, however, that needs to be raised in Orthodox circles is how this
"otherworldliness" will spill over and into this world. As a window to heaven,
the liturgy is not responsible for disconnecting the two worlds but for holding
them together in a single reality and order. But what is the Orthodox Church
doing to make the spilt blood and broken body of Christ relevant and life-giving
to a young child starving for bread in Africa, to a young man dying of ADDS in
the United States, or to a young mother suffering in the Balkans? There is no
condition, no tragedy, no experience, no pain left outside of the chalice. So what
are we doing to share the body of Christ, which is "broken, but never di-
vided ... for the life of the world"?
14
Homily Li on Order in the Liturgy (PG 56:97).
15
Cf. Origen of Alexandria (in PG 13:1734). The notion of "hearing" the Word under-
scores the significance of silence in liturgy. Orthodox Christians pray that they "may be
made worthy to hear the Holy Gospel."
420 Theology Today
Jesus Christ and there is nothing better than he. Let all therefore hasten as
to one shrine, that is God, as to one sanctuary, that is Jesus Christ."16
There is a keen sense that not only is everyone present at the liturgy, but
the entire creation is focused on the sacredness of God: "We give thanks
to you also for this ministry which you deign to receive at our hands,
though hosts of archangels and tens of thousands of angels wait on
you . . . singing, exclaiming, crying aloud and saying: Holy, Holy, Holy."
Everything that lives cries, "Holy, Holy, Holy, Lord God of Sabaoth.
Heaven and earth are full of divine glory."
Indeed, everything that lives aspires to share in divine holiness and is an
overture to paradise. It is not that the created world escapes to heaven; it
is that the whole world is a part of heaven. The Septuagint translation of
Ps 8:4-6 reads, "You have made us a little less than the angels." I prefer
the Hebrew, which is rendered, "You have created us a little lower than
divine beings" (compare also Ps 82:6: "You are gods... all of you").
There is no feeling of being stifled. In the liturgy, one is not an individual
in an anonymous multitude but an organic part of a mystery.17 There, one
learns to share: to deny oneself, to diminish in humility, to accept, to enjoy,
to endure, to thank (which is the meaning of the term "eucharist"), and to
glorify (which implies doxology). In short, one learns to love, which
means to participate in the inner life of God since the briefest, and the only
biblical, definition of God is that "God is love" (1 John 4:8, 16).
Through the liturgy—through this self-offering and universal offering—
the world is sanctified and transformed. The liturgy (of Basil the Great)
prays, "Lord, in return for things corruptible, grant us things incorrupt-
ible."
The Dimension of Personal Prayer
While liturgy is not identical to prayer, liturgy is nonetheless a part of
prayer. And, while prayer is not identified with liturgy, it cannot be
understood apart from liturgy. Prayer accompanies every aspect and detail
of life, including liturgy, which becomes the context within which the
contour of prayer is revealed. Liturgy, however, is not simply a public or
corporate form of prayer. In the mind of the Orthodox Church, the liturgy
is a gathering for prayer, but it is at the same time much more than that.
Liturgy is work; it is "the work of the people"—the literal meaning of the
Greek term leitourgia. In fact, at least according to the way in which the
Orthodox liturgy has been described above, it is very difficult to pray at all
during the Orthodox liturgy. Indeed, it may even be said that the primary
purpose of liturgy is not to pray.
The purpose of the liturgy is, rather, for the people of God, the com-
munion of the saints, as the body of Christ, to be gathered together in one
16
Letter to the Magnesians VII, in The Apostolic Fathers, vol. 1, The Fathers of the
Church (New York, Catholic University of America Press, 1947) (author's translation).
17
Cf. Archimandrite Vasileios, Hymn of Entry (New York: St. Vladimir's Seminary Press,
1984), 76-7.
424 Theology Today
and the same place. The liturgy is the sacrament where the church
becomes what it is supposed to be. It is the mystery that constitutes the
very essence of the church (compare Matt 16:18). When we gather as
church, we comprise more than the sum of the parts. We become—as
Ignatius of Antioch would describe it—one cup, one place, one mind, one
mouth, one soul, one baptism, one body. In the liturgy, the Orthodox
Christian knows that he or she is never alone, that "one Christian is no
Christian" (Tertullian). In the liturgy, we are in the presence of Christ; it
is the Lord who acts.
While, then, one may pray alone, one can never celebrate the liturgy
alone. For the liturgy is never for the personal piety or spiritual progress
of an individual. The liturgy is learning to bear one another's burdens,
beginning to love another, as we have been loved. The liturgy—by gift and
by grace—is an initiation and an entry into the relationship enjoyed by the
Father, the Son, and the Holy Spirit. It is the prayer of the Word of God
to the Father through the Spirit—a cosmic act of thanksgiving and glori-
fication.
Yet, prayer, of course, accompanies every detail and dimension of our
life. And so, in liturgy, we ask in prayer "for the peace from above" and
for all that is therighteousnessof the heavenly kingdom. We learn to unite
our will and our mind, just as our word and our mouth, our problems and
our priorities, just as our emotions and our passions, with the content and
intent of liturgy: namely, with the unique goal of giving thanks and glory
to the Trinity. In liturgy, through prayer—and especially through the
Lord's Prayer—we seek to submit ourselves to the will of God, so that
God's will may be done "on earth as it is in heaven." Of course, each one
of us attends with different sins and different suffering. But all of us are
called, time and time again in the Orthodox liturgy, to "be attentive" to
what is really happening. And we keep returning; we continue to remain
attentive; we make every effort to recall the mind that tends by nature to
wander away until we are completely transformed, until God is forcefully
"beseeched and invoked and implored to send down the Holy Spirit upon
us and upon the gifts that we have brought, in order to make of these the
body and blood of our Lord and God and Savior Jesus Christ. Amen."
The Iconic Dimension
The vision and boundaries of the world are far broader than the limited
space and life of any human being. I may be the center of this vision or
theophany, but I become aware that I am also but a detail of the world.
Indeed, the world ceases to be something that I observe objectively and
becomes something of which I am a part personally and actively. No
longer do I feel as a stranger (whether threatened or threatening) but as a
friend in and of the world. How sadly Christians have misinterpreted the
words of Christ that we are in but not of the world (compare John 17:14,
16). This is, then, the iconic understanding of the world where the "other"
world penetrates and permeates "this" world, and where the eternal infests
and invests the historical. Nothing is profane, nothing whatsoever is
Liturgy in the Orthodox Church 425
CONCLUDING REMARKS
Often in religious circles, secularism is identified as being a major
threat. It appears, however, that secularism has today assumed a form of
"religious dress" that is more useful and even appealing. In western
societies, this "dress" may be our concept of multiculturalismi where
everyone is embraced in their own religious culture and spiritual convic-
tion, and where religion is good for business, health, and politics. It is so
important that we embrace multiculturalism in its positive sense—where
each culture is not interested only in itself and its own, whether primarily
or exclusively, and where one culture does not override or overrun the
others, whether indigenous or immigrant.
What is particularly striking about Orthodox worship—at least from an
external, sociological point of view—is its intimate union with the culture
of the people. Nationalism has in fact been both the bane and the blessing
of Orthodoxy in recent decades. For the autonomy of the local, national
Church does not aim to produce anarchy but continuity of tradition. This
426 Theology Today
does not undermine the catholicity of the Church but serves rather to
underline its universality through the diversity of expression.
It remains to be seen how Orthodox Christians will spread their roots in
this country in the next few decades, and just how they will extend an
invitation to their non-Orthodox sisters and brothers. Will their attitude be
the scriptural "Do not touch me" (John 20:17)? Or, will it be Philip's
"Come and see" (John 1:46)? Just how will they "sing the Lord's song in
a strange land" (Ps 136:1), their old song in a land that has received them
and where they have now set roots?
Yet, there is one lesson that can certainly be learned from Orthodox
Christians, namely, that "Christianity is a liturgical religion." This lesson
comes from the words of the Russian theologian Georges Florovsky
(1893-1979): "The Church is first of all a worshiping community. Worship
comes first, doctrine and discipline second."
ABSTRACT
This article provides insights into the spiritual dimensions of prayer within
the context of the Orthodox Church. The author compares the liturgy of the
Orthodox Church with the liturgical world of the western churches. He
explores the concepts of tradition and doctrine, especially as these have
impacted the history and development of the liturgy. He describes the expe-
rience of heaven on earth, communion, and mission, as well as the notions of
cosmic liturgy and iconic prayer. Finally, the article also brings together in a
creative synthesis the personal and environmental elements of liturgy.
^ s
Copyright and Use:
As an ATLAS user, you may print, download, or send articles for individual use
according to fair use as defined by U.S. and international copyright law and as
otherwise authorized under your respective ATLAS subscriber agreement.
No content may be copied or emailed to multiple sites or publicly posted without the
copyright holder(s)' express written permission. Any use, decompiling,
reproduction, or distribution of this journal in excess of fair use provisions may be a
violation of copyright law.
This journal is made available to you through the ATLAS collection with permission
from the copyright holder(s). The copyright holder for an entire issue of a journal
typically is the journal owner, who also may own the copyright in each article. However,
for certain articles, the author of the article may maintain the copyright in the article.
Please contact the copyright holder(s) to request permission to use an article or specific
work for any use not covered by the fair use provisions of the copyright laws or covered
by your respective ATLAS subscriber agreement. For information regarding the
copyright holder(s), please refer to the copyright information in the journal, if available,
or contact ATLA to request contact information for the copyright holder(s).
About ATLAS:
The design and final form of this electronic document is the property of the American
Theological Library Association.