Grade 5 Term 2 Creative Arts Booklet
Grade 5 Term 2 Creative Arts Booklet
TERMINOLOGY
TERM DEFINITION EXAMPLE
1. Look carefully at letter B below, and answer the questions that follow:
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Resources Needed:
❖ A4 paper
❖ HB pencils, erasers
❖ Coloured pencils or markers
❖ Visual references (photos of African beadwork patterns)
Instructions:
❖ Write your name or a meaningful word in bold, decorative letters.
❖ Use African beadwork patterns to decorate the letters or the background.
❖ Colour the patterns with vibrant colours.
Checklist
Criteria Yes No
Instructions:
❖ Choose one pair of complementary colours (e.g., red-green, blue-orange).
❖ Redraw the design in week 1 activity 2 . Apply these colours to your design to
create emphasis.
Checklist
Checklist Yes No
Introduction
❖ Show examples of collage artworks and ask learners what materials were
used.
❖ Discuss how texture can be added to a design through different types of
materials (e.g., fabric, textured paper, string).
❖ Explain how complementary colours can be used in collage to create
emphasis.
❖ Show examples of complementary colours in collages (e.g., blue and
orange fabric strips, green and red paper pieces).
Instructions:
❖ Step 1: Plan your design by drawing light pencil lines on the paper.
❖ Step 2: Cut out materials such as coloured paper, fabric, or other textured
items (using complementary colours).
❖ Step 3: Layer the materials on the paper to form a pattern or scene.
❖ Step 4: Add emphasis by using more contrasting colours or thicker, more
textured materials in one section of the design.
❖ Step 5: Glue down the materials and let the collage dry.
Checklist
No
Skill/Concept Yes
Create a collage using materials like paper, fabric, or other textures
Activity
❖ Step 1: Choose a small real object to draw (e.g., shoe, bottle, fruit, plant).
❖ Step 2: Do a blind drawing on scrap paper (no peeking!).
❖ Step 3: Then do a contour drawing of the same object on A4 drawing paper.
❖ Step 4: Use line weight to emphasize one part of the drawing (e.g., bold
outline of leaf veins, dark lines on a shoe’s sole).
❖ Step 5: Optional – Add selective colour using pencil or ink for extra
emphasis.
Checklist
Skill/Concept Yes No
Completed a blind drawing from observation
❖ Understand and use art elements like line, shape, and colour in 3D
decoration.
❖ Apply the design principle of emphasis.
❖ Develop spatial awareness in creating wearable art.
❖ Use cutting, pasting, wrapping, tying, and joining techniques with
recyclable materials.
❖ Make your own unique piece of African-inspired body adornment.
Activity:
Construction
Checklist
Task Yes No
I used lines and shapes in my decoration.
I created a clear focal point (emphasis).
My artwork shows good spatial awareness (front, back, sides).
I used cutting, pasting, wrapping, tying or joining techniques.
I used recyclable materials creatively.
I completed my planning sketch.
Week 1
Topic Expected Actual
Visual Literacy 0.2%
Create in 2D 0.8%
Total covered 1%
Week 2
Topic Expected Actual
Visual Literacy 0.2%
Create in 2D 0.8%
Total covered 1%
Week 3
Topic Expected Actual
Visual Literacy 0.2%
Create in 2D 0.8%
Total covered 1%
Week 4- 6
Topic Expected Actual
Visual Literacy 0.4%
Create in 3D 1.6%
Total covered 2%
GRADE :5
MARKS : 40
DURATION : 1 WEEK
EXAMINER :
MODERATOR :
40
Materials Needed:
❖ Drawing paper
❖ Pencils
❖ Markers or coloured pencils
❖ Rulers
❖ Erasers
Instructions:
Creative Lettering:
Step 1:
❖ Choose a word or phrase that is meaningful or interesting.
Step 2:
❖ Sketch the word or phrase in a creative lettering style. Consider different
fonts, sizes, and embellishments.
Step 3:
❖ Refine the sketch, ensuring precision (Accuracy, Exactness, Correctness) and
neatness. Use rulers for straight lines and erasers to clean up any mistakes.
Step 4:
❖ Add colour and details to enhance the aesthetic ( Artistic, Beautiful,
Decorative) appeal of the lettering.
OR
Patternmaking:
Step 1:
❖ Decide on a theme or motif ( Design) for the pattern (e.g., geometric shapes,
nature-inspired designs).
Step 2:
❖ Sketch the basic elements of the pattern. Focus on creating intricate and
detailed designs.
Step 3:
❖ Arrange the elements in a harmonious and visually appealing way. Ensure the
pattern is balanced and consistent.
Evaluation Criteria:
Design and Creativity:
❖ Originality of the lettering and pattern designs.
❖ Aesthetic appeal and visual impact.
Skills and Techniques:
❖ Precision and neatness of the artwork.
❖ Effective use of drawing tools.
TOTAL /40
GRADE :5
MARKS : 40
DURATION : 1 WEEK
EXAMINER :
MODERATOR :
40
PREPARATIONS
Research and Design (Preparation):
❖ Sketch your design in your workbook, ensuring you incorporate cultural motifs
such as geometric patterns and complementary colours.
❖ Decorate the adornment using techniques like cutting, wrapping, tying, and
pasting.
❖ Focus on applying art elements (line, shape, and colour) and design principles
(emphasis, balance, and spatial awareness).
❖ Write a reflection paragraph about your design choices, materials used, and
the cultural relevance of your piece.
Needs
Excellent Good Satisfactory
Criteria Improvement
5 4 3
1-2 marks
Detailed
Adequate Minimal or no
research with
research and a Limited research;
Research and strong cultural
creative but research and a unclear or
Planning insights and a
less detailed basic sketch. incomplete
highly creative
sketch. sketch.
sketch.
Following Clearly applied Instructions Applied with Limited or
instructions with confidence followed some care and incorrectly
and process and impact attention applied
Poor or
Materials are Materials are
Basic use of inappropriate
used creatively used
materials with use of
Use of Materials and effectively appropriately
limited effort or materials;
to enhance the but lack
innovation. messy
design. creativity.
construction.
Use of design Clearly applied Good Applied with Limited or
principle with confidence application of some care and incorrectly
(emphasis/focal and impact design principle attention applied
point)
Spatial Clearly applied Good Applied with Limited or
awareness with confidence application some care and incorrectly
and impact attention applied
Art Elements: Exceptional use Basic use of art Limited or no
Good use of art
lines, shape & of line, shape, elements; more understanding
elements
texture texture effort needed. of art elements.
Outstanding Fair use of
Good use of Poor used of
Complementary use of complementary
complementary complementary
colours complementary colours but
colours colours
colours needs attention
Outstanding Good use of Fairly use of Poor use of
Skills and
use of skills and skills and skills and skills and
techniques
techniques techniques. techniques techniques
TOTAL / 40
Song: “Shosholoza”
Lyrics
Shosholoza (Shosholoza)
Ku Lezontaba
Stimela Siphum'e South Africa x2
Wen' Uyabaleka (Wen' Uyabaleka)
Ku Lezontaba
Stimela Siphum'e South Africa x2
Then repeat***
Activity:
o Start by clapping the rhythm to the learners.
o Sing the song slowly and encourage the class to repeat it.
o Increase speed as they become more comfortable with it.
o Use a simple hand gesture or clap to help learners stay in time with the rhythm.
Canon Singing:
❖ Introduce a simple South African song in a round (canon) to help learners practice
harmonizing and listening to each other.
❖ Use “Siyahamba ekukhanyeni kwenkosi”/ “We are marching in the light”
Lyrics:
We are marching in the light of God x4
Call-and-Response:
❖ Use the call-and-response technique to encourage learners to listen carefully and
repeat what they hear.
❖ Use “Umakoti ungowethu” where the leader sings a phrase and the group repeats
or responds/ “Hamba Ndlovu” a traditional call-and-response song from South
Africa.
Lyrics:
• Leader (call): Hamba, hamba Ndlovu
• Learners (response): Hamba, hamba Ndlovu
(Translation: Go, go elephant)
Umakot'ungowethu (Siyavuma)
Ungowethu ngempela (Siyavuma)
Uzosiwashela asiphekele (Siyavuma)
Isiwelele siwelele siyavuma
Then repeat***
Activity:
o Start by singing the call and response have the learners respond.
o Increase the speed and volume as learners become comfortable with the song.
o Add hand gestures or body movements to make the activity more engaging. For
example, when you say “Hamba,” learners can take a step forward.
Lesson’s Objectives:
❖ Develop and perform simple melodic and rhythmic phrases using voice and/or
found/made instruments.
❖ Apply repetition, call and response, and contrast in their musical phrases.
❖ Identify and name notes on the treble clef stave (lines: E-G-B-D-F, spaces: F-A-C-
E).
❖ Recognize the differences in pitch based on a note’s position on the stave.
❖ Perform simple rhythmic and melodic patterns using basic musical notation.
Materials:
Introduction to Improvisation
Notating Rhythms
❖ Show learners how rhythms are written using quarter notes (♩), eighth notes (♪), and
rests (𝄽).
❖ Learner’s clap and say the rhythm while following notation
Checklist
Criteria: Yes No
Did the learner participate in;
Warm up activity
Singing warm up
Listening Activity
❖ Both originate from South African townships and are influenced by house
music.
❖ Kwaito emerged in the 1990s, while Amapiano is a more recent genre
(2010s).
❖ They have different tempos, beats, and moods, making them engaging for
discussion.
Danceable, street-smart,
Mood/Feel Relaxed, jazzy, vibey
bold
Note: This pairing will help learners identify similarities and differences in beat,
mood, and instrumentation while appreciating modern South African music.
Guided Questions:
❖ What did you notice about the instruments in each piece?
❖ How did the two pieces make you feel?
❖ Was one piece faster or slower?
❖ Which genre do you prefer, and why?
Warm up 0.2%
Total covered 1%
Warm-Up
❖ Teacher calls out: “Move only your…” (shoulders, hips, knees, head, arms).
❖ Use counts of 4 and 8 (e.g. 4 head rolls, 8 shoulder isolations).
❖ Introduce rhythmic isolations: learners isolate to a slow beat, then fast.
Group Challenge
❖ Practice lunges: forward, side, and back with slow controlled movements.
❖ Introduce balancing on one foot, two feet, hands and feet (e.g., crab pose), or
hands and knees.
❖ Try slow transitions between these poses.
❖ Learners work in small groups to create and rehearse a short dance (16
counts) that includes:
❖ 1 symmetrical pose, 1 parallel or geometric shape
❖ 1 light and 1 heavy movement, 1 balance and 1 lunge
❖ Use space (e.g., distance between dancers) intentionally
Class Discussion:
CONTENT COVERAGE
TOPIC EXPECTED ACTUAL
Warm up 0.2%
Warm-Up
❖ Jump on the spot → land with knees bent and arms out.
❖ Jump forward → land in lunge → hold balance.
Create a Phrase
In small groups (3–4), learners create a final performance sequence (16 counts)
including:
Group discussion:
Checklist
Criteria: Yes No
Did the learner participate in;
Warm up activity
✓ Physical warm up for co-ordination and control (including floor work
and knee bends and rises)
✓ Spatial awareness games (including lunges, arm swings, transfers of
weight, etc.)
Improvise and create:
✓ Movement sequences using different kinds of jumps (with safe
landings) and lunges and balances
✓ Combinations of two or more movements with a partner using
extreme energy changes and elements of force: smooth and jerky
and strong and light
Read, interpret and perform:
✓ Dance sequence exploring the movement range of each body part
and geometric concepts such as parallel, symmetry, distance,
volume and mass
Content coverage
Vocal Warm-Up
Sensory Games
❖ In pairs: one learner leads with slow movements, the other mirrors.
❖ Switch roles after and minute.
Mime Practice
❖ Prompt: Imagine you are in a storm, then find something soft and comforting.
❖ Focus on weight, shape, texture, emotional reaction.
Criteria: Yes No
Did the learner participate in;
Warm up activity
CONTENT COVERAGE
Total covered 2%