(eBook PDF) College Writing Skills with

Readings, 9th Edition install download

https://ebookluna.com/product/ebook-pdf-college-writing-skills-
with-readings-9th-edition/

Download more ebook from https://ebookluna.com

 Instant digital products (PDF, ePub, MOBI) ready for you
Download now and discover formats that fit your needs...

(eBook PDF) College Writing Skills with Readings 10th

Edition

https://ebookluna.com/product/ebook-pdf-college-writing-skills-with-
readings-10th-edition/

ebookluna.com

College Writing Skills with Readings, 11th Edition Zoe

Albright - eBook PDF

https://ebookluna.com/download/college-writing-skills-with-
readings-11th-edition-ebook-pdf/

ebookluna.com

(eBook PDF) English Skills with Readings 9th Edition

https://ebookluna.com/product/ebook-pdf-english-skills-with-
readings-9th-edition/

ebookluna.com

(eBook PDF) English Skills with Readings 10th Edition

https://ebookluna.com/product/ebook-pdf-english-skills-with-
readings-10th-edition/

ebookluna.com
(eBook PDF) Academic Writing with Readings: Concepts and
Connections

https://ebookluna.com/product/ebook-pdf-academic-writing-with-
readings-concepts-and-connections/

ebookluna.com

(eBook PDF) Academic Writing with Readings: Concepts and

Connections

https://ebookluna.com/product/ebook-pdf-academic-writing-with-
readings-concepts-and-connections-2/

ebookluna.com

(eBook PDF) Choices: A Writing Guide with Readings 6th

Edition

https://ebookluna.com/product/ebook-pdf-choices-a-writing-guide-with-
readings-6th-edition/

ebookluna.com

(eBook PDF) Writing Arguments: A Rhetoric with Readings

11th Edition

https://ebookluna.com/product/ebook-pdf-writing-arguments-a-rhetoric-
with-readings-11th-edition/

ebookluna.com

(eBook PDF) The Norton Field Guide to Writing with

Readings 4th

https://ebookluna.com/product/ebook-pdf-the-norton-field-guide-to-
writing-with-readings-4th/

ebookluna.com
 Brief Contents vii

PART 4 Handbook of Sentence Skills 439

SECTION I Grammar 440

23. Subjects and Verbs 441
24. Fragments 447
25. Run-Ons 460
26. Regular and Irregular Verbs 473
27. Subject-Verb Agreement 484
28. Additional Information about Verbs 490
29. Pronoun Agreement and Reference 494
30. Pronoun Types 500
31. Adjectives and Adverbs 507
32. Misplaced Modifiers 513
33. Dangling Modifiers 517

SECTION II Mechanics 522

34. Manuscript Form 523
35. Capital Letters 526
36. Numbers and Abbreviations 534

SECTION III Punctuation 538

37. Apostrophe 539
38. Quotation Marks 546
39. Comma 554
40. Other Punctuation Marks 564

SECTION IV Word Use 569

41. Spelling Improvement 570
42. Commonly Confused Words 575
43. Effective Word Choice 585
44. Editing Tests 592
45. ESL Pointers 605

lan36275_fm_i-xxx.indd vii 08/12/12 4:40 AM

 viii Brief Contents

PART 5 Readings for Writers 621

INTRODUCTION TO THE READINGS 622

LOOKING INWARD 627

OBSERVING OTHERS 674

CONFRONTING PROBLEMS 707

Credits 764

Index 766

lan36275_fm_i-xxx.indd viii 08/12/12 4:40 AM

 CONTENTS

About the Author v

Preface xxii

PART 1 Essay Writing 1

1. An Introduction to Writing 2
Point and Support 3
Structure of the Traditional Essay 6
Benefits of Writing the Traditional Essay 11
Writing as a Skill 11
Writing as a Process of Discovery 12
Writing as a Way to Communicate with Others 13
Keeping a Journal 14
Tips on Using a Computer 15
Review Activities 17
Using This Text 20

2. The Writing Process 22

Prewriting 23
Writing a First Draft 31
Revising 33
Editing 35
Review Activities 38

3. The First and Second Steps in Essay Writing 50

Step 1: Begin with a Point, or Thesis 51
Step 2: Support the Thesis with Specific Evidence 60
Practice in Advancing and Supporting a Thesis 67

4. The Third Step in Essay Writing 83

Step 3: Organize and Connect the Specific Evidence 84
Introductions, Conclusions, and Titles 94
Practice in Organizing and Connecting
Specific Evidence 102
ix

lan36275_fm_i-xxx.indd ix 08/12/12 4:40 AM

 x Contents

5. The Fourth Step in Essay Writing 110

Revising Sentences 111
Editing Sentences 130
Practice in Revising Sentences 133

6. Four Bases for Revising Essays 144

Base 1: Unity 145
Base 2: Support 148
Base 3: Coherence 152
Base 4: Sentence Skills 155
Practice in Using the Four Bases 159

PART 2 Patterns of Essay Development 173

7. Introduction to Essay Development 174

Important Considerations in Essay
Development 175
Patterns of Essay Development 180

8. Description 182
READING Lou’s Place by Beth Johnson 192

9. Narration 203
READING The Yellow Ribbon by Pete Hamill 214

10. Exemplification 222

READING Dad by Andrew H. Malcolm 233

11. Process 242

READING How to Do Well on a Job Interview by Glenda Davis 251

12. Cause and/or Effect 260

READING Taming the Anger Monster by Anne Davidson 269

lan36275_fm_i-xxx.indd x 08/12/12 4:40 AM

 Contents xi

13. Comparison and/or Contrast 281

READING Born to Be Different?
by Camille Lewis 293

14. Definition 304

READING Television Addiction
by Marie Winn 313

15. Division-Classification 325

READING Wait Divisions
by Tom Bodett 334

16. Argument 343

READING Ban the Things. Ban Them All.
by Molly Ivins 356

PART 3 Special Skills 365

17. Taking Essay Exams 366

18. Writing a Summary 375

How to Summarize an Article 376
How to Summarize a Book 385

19. Writing a Report 387

A Model Report 389

20. Writing a Résumé and Cover

Letter 392
Résumé 392
Cover Letter 396

lan36275_fm_i-xxx.indd xi 08/12/12 4:40 AM

 xii Contents

21. Using the Library and the Internet 399

Using the Library 400
Using the Internet 407
Practice in Using the Library and the Internet 411

22. Writing a Research Paper 413

A Model Paper 427

PART 4 Handbook of Sentence Skills 439

SECTION I Grammar 440

CONNECTWRITINGPLUS PERSONALLEARNING
PLANCORRELATIONGUIDE
UNIT TOPICINPERSONALLEARNINGPLAN

Writing Clear Sentences Subjects and Verbs

Fixing Common Problems Fragments
Run-Ons
Regular and Irregular Verbs
Subject-Verb Agreement
Additional Information about Verbs
Pronoun Agreement and Reference
Pronoun Types
Adjectives and Adverbs
Misplaced Modifiers
Dangling Modifiers

23. Subjects and Verbs 441

A Simple Way to Find a Subject 442
A Simple Way to Find a Verb 442
More about Subjects and Verbs 443

24. Fragments 447

Dependent-Word Fragments 447
-ing and to Fragments 451
Added-Detail Fragments 453
Missing-Subject Fragments 455

lan36275_fm_i-xxx.indd xii 08/12/12 4:40 AM

 Contents xiii

25. Run-Ons 460

What Are Run-Ons? 460
Three Ways to Correct Run-Ons 461

26. Regular and Irregular Verbs 473

Regular Verbs 473
Irregular Verbs 476

27. Subject-Verb Agreement 484

Words between Subject and Verb 485
Verb before Subject 485
Compound Subjects 486
Indefinite Pronouns 487

28. Additional Information about Verbs 490

Verb Tense 490
Helping Verbs 491
Verbals 492

29. Pronoun Agreement and Reference 494

Pronoun Agreement 495
Pronoun Reference 497

30. Pronoun Types 500

Subject and Object Pronouns 500
Possessive Pronouns 504
Demonstrative Pronouns 505

31. Adjectives and Adverbs 507

Adjectives 507
Adverbs 509

32. Misplaced Modifiers 513

33. Dangling Modifiers 517

lan36275_fm_i-xxx.indd xiii 08/12/12 4:40 AM

 xiv Contents

SECTION II Mechanics 522

CONNECTWRITINGPLUS PERSONALLEARNING
PLANCORRELATIONGUIDE
UNIT TOPICINPERSONALLEARNINGPLAN

Addressing Mechanics Manuscript Form

Capital Letters
Numbers and Abbreviations

34. Manuscript Form 523

35. Capital Letters 526

Main Uses of Capital Letters 526
Other Uses of Capital Letters 529
Unnecessary Use of Capitals 532

36. Numbers and Abbreviations 534

Numbers 535
Abbreviations 536

SECTION III Punctuation 538

CONNECTWRITINGPLUS PERSONALLEARNING
PLANCORRELATIONGUIDE
UNIT TOPICINPERSONALLEARNINGPLAN

Punctuating Correctly Commas

Apostrophe
Quotation Marks
Comma
Other Punctuation Marks

37. Apostrophe 539

Apostrophe in Contractions 540
Apostrophe to Show Ownership or Possession 541

lan36275_fm_i-xxx.indd xiv 08/12/12 4:40 AM

 Contents xv

38. Quotation Marks 546

Quotation Marks to Set Off the Words of
a Speaker or Writer 546
Quotation Marks to Set Off Titles of
Short Works 550
Other Uses of Quotation Marks 552

39. Comma 554

Six Main Uses of the Comma 554

40. Other Punctuation Marks 564

Colon (:) 564
Semicolon (;) 565
Dash (—) 565
Parentheses ( ) 566
Hyphen (-) 567

SECTION IV Word Use 569

CONNECTWRITINGPLUS PERSONALLEARNING
PLANCORRELATIONGUIDE
UNIT TOPICINPERSONALLEARNINGPLAN

Using Words Effectively Spelling Improvement

Commonly Confused Words
Effective Word Choice
Editing Tests
ESL Pointers

41. Spelling Improvement 570

42. Commonly Confused Words 575

Homonyms 575
Other Words Frequently Confused 580

lan36275_fm_i-xxx.indd xv 08/12/12 4:40 AM

 xvi Contents

43. Effective Word Choice 585

Slang 585
Clichés 587
Pretentious Words 589

44. Editing Tests 592

45. ESL Pointers 605

Articles with Count and Noncount Nouns 606
Subjects and Verbs 610
Adjectives 615
Prepositions Used for Time and Place 617
Correction Symbols 620

PART 5 Readings for Writers 621

INTRODUCTION TO THE READINGS 622

The Format of Each Selection 622

How to Read Well: Four General Steps 623
How to Answer the Comprehension Questions: Specific Hints 625

LOOKING INWARD 627

from Self-Reliance
Ralph Waldo Emerson 627
Three Passions
Bertrand Russell 632
Shame
Dick Gregory 636
I Became Her Target
Roger Wilkins 643
Stepping into the Light
Tanya Savory 650

lan36275_fm_i-xxx.indd xvi 08/12/12 4:40 AM

 Contents xvii

A Hanging
George Orwell 658
What Your Closet Reveals about You
Amy Tan 667

OBSERVING OTHERS 674

The Professor Is a Dropout

Beth Johnson 674
The Certainty of Fear
Audra Kendall 684
What’s Wrong with Schools? Teacher Plays Student,
Learns to Lie and Cheat
Casey Banas 691
Propaganda Techniques in Today’s Advertising
Ann McClintock 697

CONFRONTING PROBLEMS 707

Chief Seattle’s Speech of 1854

Chief Seattle 707
Single-Sex Schools: An Old Idea Whose Time
Has Come
Diane Urbina 715
Here’s to Your Health
Joan Dunayer 722
Mayor of Rust
Sue Halpern 728
How to Make It in College, Now That You’re Here
Brian O’Keeney 740
College Lectures: Is Anybody Listening?
David Daniels 749
Is Sex All That Matters?
Joyce Garity 756

lan36275_fm_i-xxx.indd xvii 08/12/12 4:40 AM

 xviii Contents

Reading Comprehension Chart 763

Credits 764

Index 766

lan36275_fm_i-xxx.indd xviii 08/12/12 4:40 AM

 Listed by Rhetorical Mode

Note: Some selections are cross-listed because they illustrate more than one
rhetorical method of development.

DESCRIPTION
Lou’s Place Beth Johnson 192
A Hanging George Orwell 658
Stepping into the Light Tanya Savory 650
What Your Closet Reveals about You Amy Tan 667
The Certainty of Fear Audra Kendall 684
Is Sex All That Matters? Joyce Garity 756

NARRATION
Lou’s Place Beth Johnson 192
The Yellow Ribbon Pete Hamill 214
Shame Dick Gregory 636
I Became Her Target Roger Wilkins 643
A Hanging George Orwell 658
What Your Closet Reveals about You Amy Tan 667
Chief Seattle’s Speech of 1854 Chief Seattle 707
Mayor of Rust Sue Halpern 728

EXEMPLIFICATION
Dad Andrew H. Malcolm 233
How to Do Well on a Job Interview Glenda Davis 251
Taming the Anger Monster Anne Davidson 269
Born to Be Different? Camille Lewis 293
Television Addiction Marie Winn 313
Wait Divisions Tom Bodett 334
Ban the Things. Ban Them All. Molly Ivins 356
Three Passions Bertrand Russell 632
xix

lan36275_fm_i-xxx.indd xix 08/12/12 4:40 AM

 xx Readings

The Professor Is a Dropout Beth Johnson 674

Propaganda Techniques in Today’s Advertising Ann McClintock 697
Here’s to Your Health Joan Dunayer 722
Mayor of Rust Sue Halpern 728
Is Sex All That Matters? Joyce Garity 756

PROCESS
How to Do Well on a Job Interview Glenda Davis 251
Taming the Anger Monster Anne Davidson 269
from Self-Reliance Ralph Waldo Emerson 627
Mayor of Rust Sue Halpern 728
How to Make It in College, Now That You’re Here Brian O’Keeney 740

CAUSE AND/OR EFFECT

How to Do Well on a Job Interview Glenda Davis 251
Taming the Anger Monster Anne Davidson 269
Born to Be Different? Camille Lewis 293
Television Addiction Marie Winn 313
Three Passions Bertrand Russell 632
Shame Dick Gregory 636
Stepping into the Light Tanya Savory 650
The Professor Is a Dropout Beth Johnson 674
What’s Wrong with Schools? Teacher Plays Student, Learns to Lie and
Cheat Casey Banas 691
Propaganda Techniques in Today’s Advertising Ann McClintock 697
Is Sex All That Matters? Joyce Garity 756

COMPARISON AND/OR CONTRAST

Born to Be Different? Camille Lewis 293
Ban the Things. Ban Them All. Molly Ivins 356
A Hanging George Orwell 658
Chief Seattle’s Speech of 1854 Chief Seattle 707

xx

lan36275_fm_i-xxx.indd xx 08/12/12 4:40 AM

 Readings xxi

Here’s to Your Health Joan Dunayer 722

Mayor of Rust Sue Halpern 728
Is Sex All That Matters? Joyce Garity 756

DEFINITION
Television Addiction Marie Winn 313
Shame Dick Gregory 636
Propaganda Techniques in Today’s Advertising Ann McClintock 697

DIVISION-CLASSIFICATION
Wait Divisions Tom Bodett 334
What Your Closet Reveals about You Amy Tan 667
Propaganda Techniques in Today’s Advertising Ann McClintock 697

ARGUMENT
Ban the Things. Ban Them All. Molly Ivins 356
from Self-Reliance Ralph Waldo Emerson 627
Chief Seattle’s Speech of 1854 Chief Seattle 707
Single-Sex Schools: An Old Idea Whose Time Has Come Diane Urbina 715
Here’s to Your Health Joan Dunayer 722
College Lectures: Is Anybody Listening? David Daniels 749
Is Sex All That Matters? Joyce Garity 756

xxi

lan36275_fm_i-xxx.indd xxi 08/12/12 4:40 AM

 Preface
Personalized Learning
College Writing Skills with Readings 9/e emphasizes per-
sonalized learning. Powered by Connect Writing Plus 2.0,
students gain access to our groundbreaking personal learn-
ing plan, which helps students become aware of what they
already know and what they need to practice. A self-study
tool, its cutting-edge, continually adaptive technology, and
exclusive time-management features make students more
productive, keep them on track, and give them the writing
skills needed for all their college courses.
With a baseline adaptive diagnostic that assesses student proficiencies in five core areas
of grammar and mechanics, students can generate a unique learning plan tailored to address
their specific needs and help them determine what they want to study. Students receive a
personalized program of lessons, videos, animations, and interactive exercises to improve
their skills, as well as immediate feedback on their work. With an engine that incorporates
metacognitive learning theory and provides ongoing diagnosis for each learning objective, the
personal learning plan continually adapts with each student interaction, while built-in time
management tools ensure that students work on pace to master all required learning objectives
by the end of the course. This personalized, constantly adapting online environment increases
student readiness, motivation, and confidence and allows classroom instruction to focus on
thoughtful and critical writing processes.
Personalized learning icons, like the one above, are integrated throughout the chapters.
The detailed Table of Contents also contains a Connect Writing Plus 2.0 Personal Learning
Plan Correlation Guide. It lists related individual learning topics in the Connect personal
learning plan.

Personal, Academic, and Workplace Writing

College Writing Skills with Readings 9/e is flexible. Students are exposed to exam-
ples of writing that reflect the three key realms of their lives—personal, academic, and
workplace. They will find models, activities, and examples for any writing situation.
This variety provides great flexibility in the kinds of assignments you prefer to give.
Icons identifying personal, academic, and workplace writing are integrated throughout
the chapters.

xxii

lan36275_fm_i-xxx.indd xxii 08/12/12 4:40 AM

 Mastering the Four Bases: Unity, Support,
Coherence, Sentence Skills
College Writing Skills with Readings 9/e emphasizes writing skills and process. By referring to a
set of four skills for effective writing, College Writing Skills with Readings 9/e encourages new
writers to see writing as a skill that can be learned and a process that must be explored. The four
skills, or bases, for effective writing are as follows:
• Unity: Discover a clearly stated point, or topic sentence, and make sure that all other
information in the paragraph or essay supports that point.
• Support: Support the points with specific evidence, and plenty of it.
• Coherence: Organize and connect supporting evidence so that paragraphs and essays
transition smoothly from one bit of supporting information to the next.
• Sentence skills: Revise and edit so that sentences are error-free for clearer and more
effective communication.
The four bases are essential to effective writing, whether it be a narrative paragraph, a cover letter
for a job application, or an essay assignment.

UNITY SUPPORT
Discover a clearly stated point, or topic Support the points with specific evidence,
sentence, and make sure that all other and plenty of it.
information in the paragraph or essay
supports that point.

COHERENCE SENTENCE SKILLS

Organize and connect supporting Revise and edit so that sentences are
evidence so that paragraphs and essays error-free for clearer and more effective
transition smoothly from one bit of communication.
supporting information to the next.

xxiii

lan36275_fm_i-xxx.indd xxiii 08/12/12 4:40 AM

 In addition to incorporating the personal learning plan, maintaining the four bases
framework, and continuing to build in many familiar personal writing examples,
College Writing Skills with Readings 9/e includes the following chapter-by-
chapter changes:

Part 1: Essay Writing

• New sample paragraphs that reflect academic and workplace writing
• Revised writing samples to eliminate use of second-person
• Revised presentation of the term “essay,” including fuller explanation of
“thesis” and coverage of essays with more than three supporting paragraphs
• Greater emphasis on the role of mixed modes in essay writing
• Revised full-length essay with focus on adding details
• Revised treatment of the use of questions in essay structuring
• Inclusion of multiple across-chapter cross-references to related topics

Part 2: Patterns of Essay Development

• New sample paragraphs and Writing Assignments that reflect academic and
workplace writing
• Updated personal writing examples
• New explanation about limited use of second-person in writing
• Revised writing samples to eliminate use of second-person
• Greater coverage of essays with more than three supporting paragraphs
• Inclusion of multiple across-chapter cross-references to related topics
• Revised introductory text for each pattern with explanation of how multiple
modes function together in one essay

xxiv

lan36275_fm_i-xxx.indd xxiv 08/12/12 4:40 AM

Other documents randomly have
different content
 Credits: Director, Charley Chase; story and screenplay by Al
Giebler, Elwood Ullman.
© Columbia Pictures Corp. of California, Ltd.; 13Apr38; LP7953.
THE HALL OF INJUSTICE. SEE John T. Murray and Vivien Oakland
in The Hall of Injustice.
THE HALL ROOM GIRLS. 1917. 1 reel.
Credits: Tom Bret, Frank Lawrence; director, George D. Baker.
© Broadway Star Feature Co., Inc.; 27Jan17; LP10076.
THE HALL ROOM RIVALS. 1914. 1 reel.
Credits: Director, Tefft Johnson; story, May A. Brown.
© Vitagraph Co. of America (May A. Brown, author); 11Mar14;
LP2328.
HALLELUJAH. 1929. 12 reels.
Credits: Production, direction, and story, King Vidor; scenario,
Wanda Tuchock; dialogue, Ransom Rideout; film editor, Hugh
Wynn.
© Metro-Goldwyn-Mayer Distributing Corp.; 3Sep29; LP652.
HALLELUJAH, I'M A BUM. United Artists. Presented by Joseph M.
Schenck. 1933. 9 reels, sd.
Credits: Director, Lewis Milestone; original story, Ben Hecht;
screenplay, S. N. Behrman; music and lyrics, Richard Rodgers
and Lorenz Hart.
© Feature Productions, Inc. (Joseph M. Schenck, author);
6Feb33; LP3665.
HALLOWEEN. (Toby the Pup) 1931. 1 reel.
Credits: Dick Huemor, Sid Marcus.
© RKO Radio Pictures, Inc.; 1May31; LP2285.
HALL'S HOLIDAY. Presented by Adolph Zukor. 1938. 1 reel, sd.
 Credits: Director, Leslie Roush; continuity, Justin Herman.
© Paramount Pictures, Inc.; 8Apr38; MP8305.
A HALTED CAREER. 1914. 1 reel.
Credits: Producer, Mack Sennett.
© The Keystone Film Co. (Mack Sennett, author); 26Nov14;
LP3851.
THE HALTING HAND. Special Big U. 1916. 1 reel.
© Universal Film Mfg. Co., Inc.; 27Sep16; LP9193.
THE HAM ACTORS. 1915. Split reel.
© Universal Film Mfg. Co., Inc.; 15Sep15; MP419.
HAM AND EGGS. 1927. 7 reels.
Credits: Director, Roy Del Ruth; story, Darryl Francis Zanuck;
scenario, Robert Dillon, James A. Starr.
© Warner Bros. Pictures, Inc.; 14Nov27; LP24662.
HAM AND EGGS. (Oswald Cartoon) Snappy. 1933. 1 reel.
Credits: Direction and animation, Walter Lantz, William Nolan.
© Universal Pictures Corp.; 20Jun33; MP4123.
THE HAM WHAT AM. SEE Jay C. Flippin in The Ham What Am.
THE HAM WHAT WAS. Black Cat. 1917. 29 min.
Credits: J. P. McEvoy; director, Richard Foster Baker; adaptation,
Charles J. McGuirk.
© Essanay Film Mfg. Co.; 5Apr17; LP10532.
HAMATEUR NIGHT. (Merrie Melodies) 1938. 7 min., sd., color.
Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
story, Jack Miller; animation, Paul Smith; music director, Carl W.
Stalling.
© The Vitaphone Corp.; 12Dec38; MP9147.
HAMLET. 1913. 5 reels. Based on the play by William Shakespeare.
© Gaumont Co., Ltd. (Hepworth Mfg. Co., Ltd.); 22Sep13;
LP1539.
HAMLET. © 1921. Founded upon the old historical tale discovered
by Professor Vining.
© Asta Films, Inc. (Erwin Gepard, author); title, descr. & 259
prints, 2Nov21; LU17148.
HAMLET AND EGGS. 1937. 2 reels, sd.
Credits: Director, William Watson; story, Tim Ryan.
© Educational Films Corp. of America; 18Jun37; LP7215.
HAMLET MADE OVER. 1916. 1,000 ft.
Credits: Director, Earl Metcalfe.
© Lubin Mfg. Co. (Mark Swan, author); 26Feb16; LP7717.
HAMMERS BY STANLEY. 1936. For the Stanley Rule and Level
Plant. 1 reel, sd.
© AudiVision, Inc.; 20Jun36; MP6676.
THE HAND BEAUTIFUL. © 1925.
© Marinello Co. (Emily Lloyd, author); title, descr. & 2 prints,
5Feb25; MU2890.
THE HAND INVISIBLE. © 1919.
Credits: Director, Harry O. Hoyt; story, Wallace C. Clifton;
scenario, Clara S. Beranger.
© World Film Corp. (Wallace C. Clifton, author); title, descr. &
199 prints, 24Mar19; LU13530.
THE HAND OF DESTINY. © 1914.
© Eclectic Film Co. (F. Wolff, author); title, descr. & 81 prints,
17Jun14; LU2872.
THE HAND OF FATE. © 1913. 3 reels.
 © Monarch Feature Film Co. (Eagle Film Co., author); title &
descr., 15Oct13; 23 prints, 7Oct13; LU1399.
THE HAND OF FATE. 1920. For Liberty Mutual Insurance Co. of
Boston. 2 reels.
Credits: Director, Bert Anzeles; scenario and photoplay, David S.
Beyer.
© David S. Beyer; 1Oct20; LP15626.
THE HAND OF GOD. 1915. 2 reels.
Credits: Director, Harry Lambart.
© The Vitagraph Co. of America (Frank Dazey, author); 2Jun15;
LP5462.
THE HAND OF HORROR. 1914. 2 reels.
Credits: W. H. Durham.
© Thomas A. Edison, Inc.; 29May14; LP2772.
THE HAND OF IRON. 1914. 1 reel.
Credits: Sumner Williams; director, Langdon West.
© Thomas A. Edison, Inc.; 10Oct14; LP3513.
THE HAND OF JUSTICE. Heimdafilm Co., Copenhagen. © 1914. 4
reels.
© Appolo Feature Film Co. (Heimdafilm Co., author); title & 31
prints, 20Jul14; descr., 27Jul14; LU3157.
THE HAND OF MAHAWEE. 1915. 1 reel.
Credits: Producer, Giles R. Warren; story, J. A. Lacy.
© Selig Polyscope Co. (J. A. Lacy, author); 20Apr15; LP5094.
THE HAND OF PERIL. Paragon. © 1916.
Credits: Adapted, produced and picturized by Maurice Tourneur.
 © World Film Corp. (Arthur Stringer, author); title, descr. & 215
prints, 27Mar16; LU7913.
THE HAND OF THE LAW. 1915. 3,000 ft.
Credits: Charles R. Angell; director, Edward C. Taylor.
© Thomas A. Edison, Inc.; 8Dec15; LP7182.
THE HAND OF VENGEANCE. 1918. 2 reels each. © The Gaumont
Co.
1. The Sign of the Scar. © 14Aug18; LP13110.
2. Scheming for Millions. © 21Aug18; LP13111.
3. The Ambassador's Diamond. © 21Aug18; LP13112.
4. The Grey Lady. © 14Aug18; LP13113.
5. The League of Silence. © 14Aug18; LP13114.
6. The Mysterious Manor. © 14Aug18; LP13115.
7. The Secret of the Night. © 14Aug18; LP13116.
8. The Kidnapped Statesman. © 14Aug18; LP13117.
9. The Girl in the Hotel. © 14Aug18; LP13118.
10. A Girl's Aid. © 14Aug18; LP13119.
THE HAND THAT ROCKS THE CRADLE. Universal Special. 1917. 6
reels.
Credits: Lois Weber, Phillips Smalley.
© Universal Film Mfg. Co., Inc.; 10May17; LP10746.
HANDCUFFS OR KISSES. Presented by Lewis J. Selznick. 1921. 6
reels.
Credits: Thomas Edgelow; director, George Archainbaud;
scenario, Lewis Allen Browne.
© Selznick Pictures Corp.; 10Sep21; LP16953.
HANDICAPPED. (A Laemmle Novelty) 1928. 1 reel. Original idea by
Sam B. Jacobson.
Credits: Director, Jacques Rollens.
© Universal Pictures Corp.; 25Jun28; LP25425.
HANDLE WITH CARE. © 1921.
© Associated Exhibitors, Inc. (Charles Belmont Davis, author);
title, descr. & 80 prints, 31Dec21; LU17415.
HANDLE WITH CARE. 1932. 9 reels.
Credits: Story and direction, David Butler; screenplay, Frank
Craven, Sam Mintz.
© Fox Film Corp.; 13Dec32; LP3496.
HANDLE WITH PRIDE. © 1938.
© Chevrolet Motor Division, General Motors Sales Corp.; title,
descr. & 132 prints, 20Aug38; LU8209.
HANDLEBARS. (An Oddity) 1933. 887 ft., sd., b&w.
Credits: Director, Jules White; explanatory remarks by Pete
Smith.
© Metro-Goldwyn-Mayer Corp.; 26Aug33; MP4275.
HANDLING FIRST INTERVIEWS. Audivision, Inc. 1936. For the
Plymouth Division of Chrysler Corporation. 1 reel, sd.
© Chrysler Corp. (Business Training Corp., author); 31Jan36;
MP6225.
HANDS ACROSS THE BORDER. 1926. 6 reels.
Credits: Frank M. Clifton; director, David Kirkland; scenario,
William E. Wing.
© R-C Pictures Corp.; 30Apr26; LP22669.
HANDS ACROSS THE TABLE. Presented by Adolph Zukor. 1935. 8
reels, sd.
 Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen;
story, Viña Delmar; screenplay, Norman Krasna, Vincent
Lawrence, Herbert Fields; film editor, William Shea; music and
lyrics, Sam Coslow.
© Paramount Productions, Inc.; 22Oct35; LP5885.
HANDS DOWN. 1918. 5 reels.
Credits: Elliott J. Clawson; director, Rupert Julian.
© Bluebird Photoplays, Inc.; 28Jan18; LP12002.
HANDS IN THE DARK. (Star Featurette) 1917. 2 reels.
Credits: Director, Henry McRae; story, E. M. McCall; scenario,
William Parker.
© Universal Film Mfg. Co., Inc.; 20Aug17; LP11275.
THE HANDS OF NARA. 1922. 7 reels. Founded on the novel by
Richard Washburn Child.
Credits: Director, Harry Garson.
© Samuel Zierler Photoplay Corp.; 15Sep22; LP18387.
HANDS OFF. 1920. 5 reels.
Credits: Director, George E. Marshall; story, William McLeod
Raine; scenario, Frank Howard Clark.
© William Fox (Fox Film Corp., author); 3Apr20; LP16390.
HANDS OFF. (Blue Streak Western) 1927. 5 reels.
Credits: Director, Ernst Laemmle; story, J. Allan Dunn.
© Universal Pictures Corp.; 17May27; LP23993.
HANDS UP. Astra Film Corp. © 1918. 2 reels each, except no. 1
which is 3 reels. © Pathe Exchange, Inc. (Gilson Willets, author).
1. The Sun Bride. © title, descr. & 80 prints, 4Sep18; LU12812.
2. The Missing Prince. © title, descr. & 42 prints, 4Sep18;
LU12813.
 3. The Phantom and the Girl. © title, descr. & 40 prints, 4Sep18;
LU12814.
4. The Phantom's Trail. © title, descr. & 22 prints, 4Sep18;
LU12815.
5. The Runaway Bride. © title, descr. & 42 prints, 13Sep18;
LU12838.
6. Flames of Vengeance. © title, descr. & 34 prints, 13Sep18;
LU12839.
7. Tossed into the Torrent. © title, descr. & 30 prints, 13Sep18;
LU12840.
8. The Fatal Jewels. © title, descr. & 32 prints, 13Sep18;
LU12841.
9. A Leap Through Space. © title, descr. & 43 prints, 13Sep18;
LU12842.
10. The Sun Message. © title, descr. & 36 prints, 27Sep18;
LU12900.
11. The Stranger from the Sea. © title, descr. & 45 prints,
27Sep18; LU12901.
12. The Silver Book. © title, descr. & 30 prints, 15Nov18;
LU13032.
13. The Last Warning. © title, descr. & 30 prints, 15Nov18;
LU13033.
14. The Oracle's Decree. © title, descr. & 27 prints, 15Nov18;
LU13034.
15. The Celestial Messenger. © title, descr. & 33 prints,
15Nov18; LU13035.
HANDS UP! (Mirthquake Comedy) 1922. 2 reels.
Credits: Director, Eugene DeRue; scenario, Vincent Bryan.
© Arrow Film Corp.; 4May22; LP17829.
HANDS UP! Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1926. 5,883 ft.
Credits: Director, Clarence Badger; story, Reginald Morris;
adaptation, Monty Brice, Lloyd Corrigan.
© Famous Players-Lasky Corp.; 11Jan26; LP22253.
THE HANDSOME BRUTE. 1926. 5 reels.
Credits: Story, Lillian Taft Maize.
© Columbia Pictures Corp.; 11Jan26; LP22256.
HANDSOME IS AND HANDSOME DOES. 1930. 1 reel.
© Willys-Overland, Inc. (Raymond J. Faller, author); 15Feb30;
MP1252.
HANDY ANDY. 1934. 7,396 ft., sd. Based on the play "Merry
Andrew" by Lewis Beach.
Credits: Director, David Butler; screenplay, William Conselman,
Henry Johnson; adaptation, Kubec Glasmon; music director,
Samuel Kaylin.
© Fox Film Corp.; 17Jul34; LP4836.
HANDY HENRY. Metro-Drew. 1917. 1 reel.
Credits: S. M. Gardenshire, Jr.; producer, Sidney Drew.
© Metro Pictures Corp.; 2Mar17; LP10286.
THE HANDY MAN. Distributed by Metro Pictures Corp. 1923. 2
reels.
Credits: Director, Bob Kerr; story, Bob Munson.
© Quality Productions, Inc.; 29Jun23; LP19260.
HANGING FIRE. (Cameo Comedy) 1926. 1 reel.
Credits: Director, Stephen Roberts.
© Educational Film Exchanges, Inc.; 17Nov26; LP23351.
HANGMAN'S HOUSE. 1928. 7 reels, b&w. From the story by Donn
Byrne.
Credits: Director, John Ford; scenario, Marion Orth; adaptation,
Philip Klein.
© Fox Film Corp.; 13May28; LP25248.
THE HANGOVER. 1931. 1 reel. © The Vitaphone Corp.; 5Feb31;
MP2287.
HANGOVER MURDERS. SEE Remember Last Night?
HANS AND HIS BOSS. 1915. 1 reel.
Credits: Beatrice Cassell.
© Thomas A. Edison, Inc.; 11Mar15; LP4690.
HANSEL AND GRETEL. Century. 1923. 2 reels.
© Universal Pictures Corp.; 28Aug23; LP19360.
HANSEL AND GRETEL. (Paul Terry-Toons) 1933. 6 min.
Credits: Frank Moser, Paul Terry.
© Moser & Terry; 5Feb33; MP3971.
HANSEL AND GRETEL. 1934. 1 reel.
© James Cones and Nancy Ford Cones; 27Dec34; LP5290.
THE HANSOM CAB MYSTERY. (Bringing Up Father) © 1917.
© International Film Service, Inc.; title, descr. & 16 prints,
9Jun17; LU10922.
THE HANSOM CABMAN. © 1924.
© Pathe Exchange, Inc. (Mack Sennett, author); title, descr. &
40 prints, 2Aug24; LU20466.
THE HAPPIER MAN. © 1915.
© American Film Mfg. Co. (W. J. Webb, author); title, descr. & 35
prints, 4Feb15; LU4368.
HAPPILY BURIED. Presented by Metro-Goldwyn-Mayer. 1939. 2
reels, sd., b&w.
Credits: Director, Felix E. Feist; original story and screenplay,
Jack Woodford, Felix E. Feist, Richard Goldstone; music and
lyrics, Bob Wright, Chet Forrest; music score, David Snell.
© Loew's, Inc.; 14Apr39; LP8919.
HAPPILY EVER AFTER. © 1938. Sd., b&w., 35 mm.
Credits: Director, J. Cullen Landis; film editor, U. L. Herman;
music director, Samuel Benavie.
© Household Finance Corp. (Jam Handy Picture Service,
author); title & descr., 26Oct38; 132 prints, 27Oct38; LU8371.
HAPPINESS. 1924. 8 reels. From the play and continuity of J.
Hartley Manners.
Credits: Director, King Vidor; story and scenario, J. Hartley
Manners.
© Metro Pictures Corp.; 5Mar24; LP20031.
HAPPINESS À LA MODE. 1919. 5 reels.
Credits: Director, Walter Edwards; story, Edwina Levin [pseud. of
Edwina Le Vin Dickerson MacDonald]; scenario, Alice Eyton.
© Select Pictures Corp.; 5Jun19; LP13803.
HAPPINESS AHEAD. Presented by John McCormick. 1928. 8 reels.
Credits: Director, William A. Seiter; story, Edmund Goulding;
scenario, Benjamin Glazer.
© First National Pictures, Inc.; 12Jun28; LP25360.
HAPPINESS AHEAD. Presented by First National Productions Corp.
and The Vitaphone Corp. 1934. 9 reels, sd.
Credits: Director, Mervyn LeRoy; original story, Harry Sauber;
screenplay, Harry Sauber, Brian Marlow.
 © First National Pictures, Inc.; 10Oct34; LP5015.
THE HAPPINESS BOYS. 1929. 1 reel.
© Metro-Goldwyn-Mayer Dist. Corp.; 27Jun29; MP360.
THE HAPPINESS BOYS, BILLY JONES AND ERNEST HARE [OFFER]
A. HOW DO YOU DO, EVERYBODY [and others]. 1927. 1 reel
each.
© Vitaphone Corp.; 29Jun27; MP4125, MP4126.
HAPPINESS C. O. D. 1935. 7 reels, sd.
Credits: Director, Charles Lamont; story and screenplay, Robert
Ellis, Helen Logan.
© Chesterfield Motion Pictures Corp.; 9Aug35; LP5710.
HAPPINESS INSURANCE. SEE Cock o' the Walk.
THE HAPPINESS OF THREE WOMEN. 1916. 5 reels.
Credits: Producer and director, William D. Taylor; story, Albert
Payson Terhune; scenario, Adele Harris.
© Oliver Morosco Photoplay Co.; 26Dec16; LP9857.
THE HAPPINESS REMEDY. 1931. 1 reel, sd.
Credits: Director, Ray Cozine; story, Walton Butterfield.
© Paramount Publix Corp.; 13Feb31; LP1976.
HAPPY AND LUCKY. (Terry Toons) Presented by E. W. Hammons.
1938. 579 ft., sd.
Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.
© Terrytoons, Inc.; 18Mar38; MP8251.
HAPPY BIRTHDAY. 1929. 3 reels, b&w.
Credits: Director, James Parrott; story and scenario, Ben Holmes.
© Fox Film Corp.; 19Feb29; LP131.
HAPPY BIRTHDAY. (Scrappy) Presented by Columbia Pictures Corp.
1938. 1 reel, sd.
Credits: Producer, Charles Mintz; story, Allen Rose; animation,
Harry Love, Louie Litly; music, Joe DeNat.
© Screen Gems, Inc.; 15Nov38; MP8912.
THE HAPPY BUTTERFLY. (A Scrappy Cartoon) Presented by
Columbia Pictures Corp. 1934. 1 reel, sd.
Credits: Producer, Charles Mintz; story, Sid Marcus; animation,
Art Davis; music, Joe de Nat.
© Screen Gems, Inc.; 21Dec34; MP5224.
A HAPPY COERCION. © 1914.
© American Film Mfg. Co. (Theodosia Harris, author); title,
descr. & 40 prints, 2Apr14; LU2427.
HAPPY DAYS. Century. 1924. 2 reels.
Credits: Written and directed by Al Herman.
© Universal Pictures Corp.; 29Apr24; LP20130.
HAPPY DAYS. 1928. 1 reel.
Credits: Paul Terry and John Foster.
© Pathe Exchange, Inc.; 9May28; MP4986.
HAPPY DAYS. 1929. 7,526 ft.
Credits: Director, Benjamin Stoloff; story and dialogue, Sidney
Lanfield, Edwin Burke; editor, Clyde Carruth.
© Fox Film Corp.; 23Dec29; LP1009.
HAPPY DAZE. Century. 1920. 2 reels.
Credits: Director, Chuck Reisner.
© Universal Film Mfg. Co., Inc.; 28Dec20; LP15972.
A HAPPY FAMILY. (Krazy Cat Cartoon, no. 75) 1935. 1 reel.
 Credits: Story, Ben Harrison; animation, Manny Gould, Harry
Love, Al Rose.
© Screen Gems, Inc.; 24Sep35; MP5873.
HAPPY GO LUCKIES. © 1923.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 18
prints, 9Nov23; MU2351.
HAPPY-GO-LUCKY. 1914. 1 reel.
Credits: Director, James Young.
© Vitagraph Co. of America (Carol Cartwright, author); 15Jun14;
LP2863.
HAPPY GO LUCKY. Bluebird. 1925. 1 reel.
Credits: Director, George S. Summerville.
© Universal Pictures Corp.; 4Dec25; LP22089.
HAPPY GO LUCKY. 1936. 8 reels.
Credits: Producer, Nat Levine; director, Aubrey Scotto; original
story, Eric Taylor, Wellyn Totman, Endre Bohem; screenplay,
Raymond Schrock, Olive Cooper.
© Republic Pictures Corp.; 14Dec36; LP6775.
HAPPY GOLF. (A Grantland Rice Sound Sportlight) 1930. 1 reel, sd.
Credits: Jack Eaton.
© Pathe Exchange, Inc.; 4Jan30; MP1057.
HAPPY HEELS. (Paramount-Christie Comedy) 1929. 2 reels.
Credits: Norman McLeod; director, William Holland; story, Sig
Herzig.
© Paramount Famous Lasky Corp.; 18Jan29; LP31.
HAPPY HEELS. (An Educational Top Notch Comedy) Presented by
E. W. Hammons. 1936. 1,625 ft., sd.
 Credits: Producer, Al Christie; story, William Watson, Arthur
Jarrett.
© Educational Productions, Inc.; 1Aug36; LP6502.
HAPPY HOBOS. (Tom and Jerry Cartoons) 1933. 7 min.
Credits: George Stallings, George Rufle.
© RKO Radio Pictures, Inc. (The Van Beuren Corp., author);
3Mar33; MP4036.
HAPPY HOOLDINI [and] LAMPOONS. (Goldwyn-Bray Comic) 1920.
1 reel.
© Bray Pictures Corp.; 11Sep20; MP1711.
HAPPY HOOLIGAN AT THE CIRCUS. (Happy Hooligan) © 1917.
© International Film Service, Inc.; title, descr. & 32 prints,
8Dec17; LU11792.
HAPPY HOOLIGAN GETS THE RAZOO. (Happy Hooligan) © 1917.
© International Film Service, Inc.; title, descr. & 20 prints,
12Sep17; LU11376.
HAPPY HOOLIGAN IN A CLOSE SHAVE. 1921. 1 reel.
© Goldwyn Pictures Corp.; 29Apr21; LP16462.
HAPPY HOOLIGAN IN A ROMANCE OF '76. 1920. 1 reel.
© International Film Service Co., Inc.; 22Nov20; MP1762.
HAPPY HOOLIGAN IN DR. JEKYL AND MR. ZIP. 1920. 1 reel.
© International Film Service Co., Inc.; 8Dec20; MP1775.
HAPPY HOOLIGAN IN FATHERLY LOVE. 1921. 1 reel.
Credits: Director, William C. Nolan.
© International Film Service Co., Inc.; 3Jan21; MP1839.
HAPPY HOOLIGAN IN OIL. 1920. 1 reel.
Credits: Director, William C Nolan.
 © International Film Service Co., Inc.; 23Dec20; MP1828.
HAPPY HOOLIGAN IN ROLL YOUR OWN. 1921. 1 reel.
© International Film Service Co., Inc.; 3Jan21; MP1846.
HAPPY HOOLIGAN IN SOFT. (Happy Hooligan) © 1917.
© International Film Service, Inc.; title, descr. & 14 prints,
16Oct17; LU11568.
HAPPY HOOLIGAN IN THE BOOTBLACK. 1920. 1 reel.
Credits: Director, Ben Sharpsteen.
© International Film Service Co., Inc.; 3Nov20; MP1744.
HAPPY HOOLIGAN IN THE TALE OF A FISH. © 1917.
© International Film Service, Inc.; title, descr. & 25 prints,
16Oct17; LU11569.
HAPPY HOOLIGAN IN THE VILLAGE BLACKSMITH. 1920. 1 reel.
© International Film Service Co., Inc.; 27Oct20; MP1743.
HAPPY HOOLIGAN IN THE ZOO. (Happy Hooligan) © 1917.
© International Film Service, Inc.; title, descr. & 13 prints,
12Sep17; LU11375.
HAPPY HOOLIGAN, THE TANK. (Happy Hooligan) © 1917.
© International Film Service, Inc.; title, descr. & 23 prints,
12Sep17; LU11377.
THE HAPPY HOUSE. 1915. 1 reel.
Credits: Audrie Alspaugh.
© Essanay Film Mfg. Co.; 5Aug15; LP6058.
HAPPY HUNTING GROUNDS. (A Grantland Rice Sportlight) ©
1926.
Credits: Producer, John L. Hawkinson.
 © Pathe Exchange, Inc. (John L. Hawkinson, author); title,
descr. & 20 prints, 6Mar26; MU3358.
THE HAPPY JESTER. SEE Ed Lowry in The Happy Jester.
HAPPY LANDING. 1934. 7 reels, sd.
Credits: Producer, Paul Malvern; director, R. N. Bradbury; story,
Stuart Anthony; screenplay, Gordon Rigby; dialogue, Frances
Hyland.
© Monogram Pictures Corp.; 24Jul34; LP4853.
HAPPY LANDING. 1938. 9,200 ft., sd.
Credits: Director, Roy Del Ruth; original screenplay, Milton
Sperling, Boris Ingster; music, Louis Silvers.
© Twentieth Century-Fox Film Corp.; 28Jan38; LP7867.
A HAPPY LITTLE HONEYMOON. (Educational's Comedies) (Vanity
Comedies) 1931. 21 min., sd.
Credits: Producer, Al Christie; director, Harold Beaudine; story,
Leon Berry.
© Educational Film Exchanges, Inc.; 15Feb31; LP2100.
A HAPPY OMEN. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.
Credits: Edited and titled by Edward Bowes.
© Metro-Goldwyn-Mayer Distributing Corp.; 14Jul28; MP5176.
A HAPPY PAIR. Rex. 1915. 1 reel.
Credits: Adapted and produced by Ben Wilson.
© Universal Film Mfg. Co., Inc.; 13Jul15; LP5821.
THE HAPPY PEST. 1921. 2 reels.
Credits: Director, Ferris Hartman.
© William Fox (Fox Film Corp., author); 6Nov21; LP17256.
YE HAPPY PILGRIMS. (An Oswald Cartoon) Snappy. 1934. 1 reel.
 Credits: Walter Lantz.
© Universal Pictures Corp.; 3Sep34; MP4951.
HAPPY POLO. (Aesop's Sound Fable) 1932. 6 min.
© The Van Beuren Corp.; 16May32; MP3337.
HAPPY RETURNS. (Star Comedy) 1919. 1 reel.
Credits: Director, Jack Dillon; story, Robert S. Hill; scenario, Karl
Coolidge.
© Universal Film Mfg. Co., Inc.; 20Jun19; LP13874.
HAPPY SCOUTS. (Oswald the Rabbit) 1938. 1 reel, sd.
Credits: Producer, Walter Lantz; director, Fred Kopietz; story,
Victor McLeod, James Miele; animation, Merle Gilson, Dick
Marion.
© Universal Pictures Co., Inc.; 9Jun38; MP8518.
HAPPY THO' MARRIED. 1935. 2 reels, sd.
Credits: Director, Arthur Ripley; story, Joe Cunningham; film
editor, Edward Mann.
© RKO Radio Pictures, Inc.; 1Nov35; LP5909.
HAPPY THOUGH MARRIED. 1918. 5 reels.
Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story,
Lois Zellner, Arthur Zellner; adaptation, C. Gardner Sullivan.
© Thos. H. Ince Corp.; 31Dec18; LP13272.
THE HAPPY TOTS. (A Color Rhapsody) (Scrappy) Released by
Columbia Pictures Corp. 1939. 600 ft., sd., color.
Credits: Producer, Charles Mintz; director, Ben Harrison;
animation, Manny Gould; music, Joe De Nat.
© Screen Gems, Inc.; 6Mar39; MP9196.
THE HAPPY TRIO. (Standard Fat Men Comedies, no. 7) Larry
Darmour Productions. 1928. 2 reels.
 Credits: Director, Earl T. Montgomery; story, E. V. Durling, St.
Elmo Boyce.
© Standard Cinema Corp.; 2Mar28; LP25025.
THE HAPPY WARRIOR. Presented by Albert E. Smith. 1925. 8
reels. From the novel by A. S. M. Hutchinson.
Credits: Producer, J. Stuart Blackton; screenplay, Marian
Constance.
© Vitagraph Co. of America; 15Jul25; LP21654.
HAPPY WARRIORS. (An Oddity) 1933. 818 ft., sd., b&w.
Credits: Director, Jules White; explanatory remarks by Pete
Smith.
© Metro-Goldwyn-Mayer Corp.; 21Aug33; MP4242.
THE HAPPY YEARS. (A Grantland Rice Sportlight) © 1924.
Credits: Producer, John L. Hawkinson.
© Pathe Exchange, Inc. (John L. Hawkinson, author); title,
descr. & 16 prints, 31Jul24; MU2630.
HAPPY YOU AND MERRY ME. 1936. 1 reel, sd.
Credits: Director, Dave Fleischer; animation, Willard Bowsky,
George Germanetti.
© Paramount Pictures, Inc.; 21Aug36; MP6757.
HARAKIRI. © 1913.
© Apex Film Co. (Eiko Film Co., author); title, descr. & 49 prints,
1Dec13; LU1685.
THE HARBOR. SEE Society Doctor.
THE HARBOR BAR. SEE Loving Lies.
HARBOR LIGHTS. © 1923.
© Associated Exhibitors, Inc. (Eliot Stannard, author); title,
descr. & 100 prints, 2Aug23; LU19274.
HARBOR LIGHTS. (E. M. Newman's Our Own United States) 1936.
1 reel, sd.
Credits: Dialogue, Ira Genet; editor, Bert Frank.
© The Vitaphone Corp.; 20Apr36; MP6361.
THE HARBOR OF HAPPINESS. 1916. 3 reels.
Credits: Producer, Van Dyke Brooke; picturized by Joseph F.
Poland.
© Vitagraph Company of America (Edgar Gove, author); 4Oct16;
LP9245.
THE HARBOR OF LOVE. 1914. 1,000 ft.
Credits: Producer, Norval MacGregor.
© Selig Polyscope Co. (Nellie Browne Duff, author); 4Aug14;
LP3142.
HARBOUR LIGHTS. © 1914. 3 reels.
Credits: Producer, Percy Nash.
© Neptune Film Co. (George R. Sims and Henry Pettitt, authors);
title & descr., 11Nov14; 41 prints, 28Nov14; LU3867.
HARD BOILED. 1918. 5 reels.
Credits: Supervision, Thomas H. Ince; director, Victor
Schertzinger; story, John Lynch; picturized by R. Cecil Smith.
© Thos. H. Ince Corp.; 23Dec18; LP13213.
HARD BOILED. © 1925.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 40
prints, 2Apr25; LU21310.
HARD BOILED. 1926. 6 reels, b&w, tinted sequences.
Credits: Director, J. G. Blystone; story, Shannon Fife; scenario,
Charles Darnton, John Stone.
© William Fox (Fox Film Corp., author); 29May26; LP22794.
HARDBOILED. 1929. 7 reels.
Credits: Director, Ralph Ince; story, Arthur Somers Roche;
screenplay, Enid Hibbard.
© F. B. O. Productions, Inc.; 3Jan29; LP17.
THE HARD-BOILED EGG. (Philo Gubb Series, no. 1) © 1916.
Credits: Picturized and directed by Pierce Kingsley.
© Serial Film Co., Inc. (Ellis Parker Butler, author); title, descr. &
143 prints, 10Oct16; LU9270.
HARD-BOILED HAGGERTY. 1927. 8 reels. Adapted from "Belated
Evidence" by Elliott White Spring.
Credits: Producers, Charles Brabin, Wid Gunning; scenario, Carey
Wilson.
© First National Pictures, Inc.; 13Aug27; LP24285.
HARDBOILED HAMPTON. 1929. 2 reels.
Credits: Produced and directed by George LeMaire; story, Harry
Holman; film editor, E. Pfitzenmeier.
© Pathe Exchange, Inc.; 16Jun29; LP473.
HARDBOILED ROSE. 1929. 6 reels.
Credits: Melville Crosman; director, F. Harmon Weight;
adaptation, Robert Lord.
© Warner Bros. Pictures, Inc.; 23Mar29; LP231.
HARDBOILED ROSE. Trailer. 1929. 1 reel, sd.
© Vitaphone Corp.; 16Mar29; MP5971.
A HARD-BOILED TENDERFOOT. © 1924.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 35
prints, 30Jun24; LU20350.
HARD BOILED YEGGS. 1925. 2 reels.
 Credits: Written and directed by Perc Penbroke.
© Arrow Pictures Corp.; 14Dec25; LP22117.
HARD BOILED YEGGS. 1930. 1 reel, sd.
Credits: Written and directed by Eddie Buzzell.
© Columbia Pictures Corp.; 15Oct30; LP1691.
HARD CASH. 1913. 2 reels. Adapted from the novel by Charles
Reade.
© Thomas A. Edison, Inc.; 15Sep13; LP1252.
HARD CIDER. © 1927.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20
prints, 12May27; MU4027.
HARD FISTS. (Blue Streak Western) 1927. 5 reels. From the story
"The Grappler" by Charles A. Logue.
Credits: Director, William Wyler; adaptation and continuity,
William Lester, George Plympton.
© Universal Pictures Corp.; 10Mar27; LP23758.
HARD HEARTED HUSBANDS. 1925. 2 reels.
Credits: Director, Ward Hayes.
© Arrow Pictures Corp.; 9Feb25; LP21171.
HARD HITTIN' HAMILTON. (Buffalo Bill, Jr. Series, no. 3) Action
Pictures Corp. Presented by W. T. Lackey and Lester F. Scott, Jr.
Credits: Director, Richard Thorpe.
© Artclass Pictures Corp.; title, descr. & 335 prints, 23Oct24;
LU20685.
A HARD JOB. 1916. 1 reel.
Credits: Producer, Frank Currier.
 © The Vitagraph Co. of America (James Stiles, author); 24Jul16;
LP8788.
HARD KNOCKS. © 1924.
© Pathe Exchange, Inc. (Hal E. Roach, author); title, descr. & 26
prints, 20Mar24; LU20014.
HARD KNOCKS AND LOVE TAPS. Associated Producers Production.
1921. 2 reels.
Credits: Supervision and photoplay, Mack Sennett; director, Roy
Del Ruth.
© Mack Sennett; 21Jul21; LP16784.
HARD LUCK. Released through General Film. 1917. 1 reel.
Credits: Arranged and directed by Arthur D. Hotaling.
© Essanay Film Mfg. Co.; 20Nov17; LP11746.
HARDLUCK. 1918. 1 reel.
Credits: Director, Murdock J. McQuarrie; story and scenario,
Maurice Salzman.
© Maurice Salzman; 18Dec18; LP13227.
HARD LUCK. 1921. 2 reels.
Credits: Written and directed by Buster Keaton and Eddie Cline.
© Metro Pictures Corp.; 14Mar21; LP16274.
HARD LUCK JACK. 1923. 2 reels.
Credits: Director, Jay Marchant; story and scenario, Ben Cohen.
© Universal Pictures Corp.; 6Sep23; LP19383.
HARD ROCK. SEE The Galloping Ace.
HARD ROCK HARRIGAN. Lesser-Zanft Production. 1935. 7 reels,
sd.
 Credits: Director, David Howard; story, Charles Furthman;
screenplay, Raymond L. Schrock, Dan Jarrett.
© Atherton Productions, Inc.; 19Jul35; LP5881.
HARD TO BEAT. (Tales of the Old West) 1923. 2 reels.
© Universal Pictures Corp.; 16Apr23; LP18877.
HARD TO GET. First National-Vitaphone. 1929. 82 min., sd.
Credits: Director, William Beaudine; story, Edna Ferber.
© First National Pictures, Inc.; 16Sep29; LP700.
HARD TO GET. Trailer. First National. 1929. 1 reel, sd.
© The Vitaphone Corp.; 31Jul29; MP492.
HARD TO GET. 1938. 8 reels, sd. Suggested by a story by Stephen
Morehouse Avery.
Credits: Director, Ray Enright; original story, Wally Klein, Joseph
Schrank; screenplay, Jerry Wald, Maurice Leo, Richard Macaulay;
music and lyrics, Harry Warren, Johnny Mercer.
© Warner Bros. Pictures, Inc.; 8Oct38; LP8382.
HARD TO HANDLE. Presented by Warner Brothers Pictures, Inc.
and The Vitaphone Corp. 1933. 9 reels, sd.
Credits: Director, Mervyn LeRoy; original story, Houston Branch;
screenplay, Wilson Mizner, Robert Lord; film editor, Bill Holmes.
© Warner Brothers Pictures, Inc.; 3Feb33; LP3622.
THE HARD WAY. 1916. 3 reels.
Credits: Director, T. N. Heffron.
© Selig Polyscope Co. (Russell E. Smith, author); 29Apr16;
LP8213.
HARD WORK. (Cameo Comedy) 1928. 1 reel.
Credits: Director, Jules White.
 © Educational Film Exchanges, Inc.; 16Jul28; LP25463.
HARDING'S HERITAGE. © 1913.
© Pathé Frères (Compagnie Générale des Établissements Pathé
Frères, Phonographes & Cinématographes, author); title, descr.
& 59 prints, 25Oct13; LU1455.
HARDWICK OF HAMBONE. SEE Bulldog Pluck.
THE HARDYS RIDE HIGH. Presented by Metro-Goldwyn-Mayer.
1939. 8 reels, sd., b&w. Based upon characters created by
Aurania Rouverol.
Credits: Director, George B. Seitz; screenplay, Agnes Christine
Johnson, Kay Van Riper, William Ludwig; film editor, Ben Lewis;
music score, David Snell.
© Loew's Inc.; 17Apr39; LP8790.
THE HARE AND FROGS. © 1921.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 42
prints, 13May21; LU16519.
THE HARE AND THE TORTOISE. 1916. 3 reels.
Credits: Director, William Robert Daly.
© Selig Polyscope Co. (Wm. Anthony McGuire, author);
13May16; LP8273.
THE HARE AND TORTOISE. © 1921.
© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 42
prints, 13May21; LU16522.
THE HARE MAIL. (Oswald Cartoon) Snappy. 1931. 1 reel.
Credits: Animated and directed by Walter Lantz, William Nolan.
© Universal Pictures Corp.; 20Nov31; MP2912.
HARE SHOOTING IN THE BALTIC ARCHIPELAGO. 1915. 1 reel.
 © Vitagraph Co. of America (A. Morgenstern, author); 6Feb15;
MP289.
HAREM FOLLIES. Century. 1924. 2 reels.
Credits: Written and directed by Edward I. Luddy.
© Universal Pictures Corp.; 20Oct24; LP20680.
A HAREM KNIGHT. © 1926.
© Pathe Exchange, Inc. (Mack Sennett, author); title, descr. &
40 prints, 17Sep26; LU23127.
HAREM SCAREM. (An Oswald Cartoon) Snappy. 1927. 1 reel.
Credits: Walt Disney.
© Universal Pictures Corp.; 20Dec27; LP24785.
HAREM SCAREM. 1932. 2 reels, sd.
Credits: Director, Albert Ray; story, Andrew Bennison.
© Paramount Publix Corp.; 9Jun32; LP3088.
THE HAREM SCAREM DEACON. Joker. 1916. 1 reel.
Credits: Eugene B. Lewis; producer, Allen Curtis.
© Universal Film Mfg. Co., Inc.; 6Jul16; LP8640.
HAREM SECRETS. (Romantic Journeys) Educational Film
Exchanges, Inc. 1931. 10 min.
Credits: Producers, Howard C. Brown, Curtis F. Nagel.
© Brown-Nagel Productions; 2Aug31; LP2530.
HAREM SKAREM. Century. 1921. 2 reels.
Credits: Written and directed by William Watson.
© Universal Film Mfg. Co., Inc.; 1Apr21; LP16347.
HAREMS AND HOKUM. 1919. 2 reels.
Credits: Director, Gilbert Pratt; story, Montgomery and Rock.