The Irish Press Fianna Fail And The Decline Of
The Free State Illustrated Brendan Clifford
download
https://ebookbell.com/product/the-irish-press-fianna-fail-and-
the-decline-of-the-free-state-illustrated-brendan-
clifford-42163666
Explore and download more ebooks at ebookbell.com
Here are some recommended products that we believe you will be
interested in. You can click the link to download.
Na Fianna Ireann And The Irish Revolution 190923 Scouting For Rebels
1st Edition Marnie Hay
https://ebookbell.com/product/na-fianna-ireann-and-the-irish-
revolution-190923-scouting-for-rebels-1st-edition-marnie-hay-51654678
Na Fianna Ireann And The Irish Revolution 190923 Scouting For Rebels
Marnie Hay
https://ebookbell.com/product/na-fianna-ireann-and-the-irish-
revolution-190923-scouting-for-rebels-marnie-hay-43174948
Politics Culture And The Irish American Press Debra Reddin Van Tuyll
https://ebookbell.com/product/politics-culture-and-the-irish-american-
press-debra-reddin-van-tuyll-22843402
The Irish Revolution And Its Aftermath 19161923 Years Of Revolt
Francis Costello
https://ebookbell.com/product/the-irish-revolution-and-its-
aftermath-19161923-years-of-revolt-francis-costello-24034384
The Irish Civil War Law Execution And Atrocity Sen Enright
https://ebookbell.com/product/the-irish-civil-war-law-execution-and-
atrocity-sen-enright-49163866
A Bloody Dawn The Irish At Dday Dan Harvey
https://ebookbell.com/product/a-bloody-dawn-the-irish-at-dday-dan-
harvey-47214258
Unintended Consequences The Story Of Irish Immigration To The Us And
How Americas Door Was Closed To The Irish 1st Edition Ray Ohanlon
https://ebookbell.com/product/unintended-consequences-the-story-of-
irish-immigration-to-the-us-and-how-americas-door-was-closed-to-the-
irish-1st-edition-ray-ohanlon-36375612
Without A Dogs Chance The Nationalists Of Northern Ireland And The
Irish Boundary Commission 192025 James A Cousins
https://ebookbell.com/product/without-a-dogs-chance-the-nationalists-
of-northern-ireland-and-the-irish-boundary-commission-192025-james-a-
cousins-11694156
The Edinburgh History Of The British And Irish Press The Edinburgh
History Of The British And Irish Press Volume 1 Beginnings And
Consolidation 16401800 Nicholas Brownlees Editor
https://ebookbell.com/product/the-edinburgh-history-of-the-british-
and-irish-press-the-edinburgh-history-of-the-british-and-irish-press-
volume-1-beginnings-and-consolidation-16401800-nicholas-brownlees-
editor-51444612
Peenna Fail
%
> | BY
Os Brendan
e Clifford
%yey
%,
o-
%es
Aubane *,
Historical &
Society ©
e
TOCK
EROM SARIE
ua paki C LIBR S
DUBLIN CITY PUBLI
Fianna Fail
'The Irish Press'
And The Deciine Of The Free State
by |
Brendan Clifford
Aubane Historical Society
www.aubane.org
S TOCK
DRAWN FROC MLIBRARIES
De ounCITY PUBLIC
Fianna Fail
'The Irish Press'
And The Decline Of The Free State
by
Brendan Clifford
Aubane Historical Society
www.aubane.org
Books On Related Themes
The Catholic Bulletin And Republican Ireland
With Special Reference To J.J. Kelly (‘Sceilg')
by Dr. Brian P. Murphy osb
The Rise And Fall Of Imperial Ireland
by Dr. Pat Walsh
The Crime Against Europe
by Roger Gasement
Thomas Davis
by Charles Gavan Duffy
Conversations With Carlyle
by Charles Gavan Duffy
The Life And Poems Of Thomas Moore
by Brendan Clifford
Thomas Moore: Political And Historical Writings
edited by Brendan Clifford
(see also page 4)
Fianna Fail, 'The Irish Press’,
And The Decline Of The Free State
by
Brendan Clifford
a _ ¢ ISBN: 978 1 903497 33 3
.shhariann na Cabral 2007
_iprary
Aubane Historical Society
aQ1414
Aubane Historical Society
Aubane
Millstreet
Co. Cork
Orders: [email protected]
Contents
Foreword by Jack Lane
The Birth Of The /rish Press
Building A Democracy?
The First 1927 Election
Fianna Fail Signs Up To Avert Civil War
Second 1927 Election
The Grand Design. .
The Irish Press Before The Military Tribunal
. . .And Its Destruction! 101
Irish Press On The 1932 Election, 105
Post-Election Editorials, 110
A Fianna Fail Retrospect, 1932 127
Selections From The Irish Press, 1931-1932 132
Index 171
Illustrations
Why Is The Oath Retained? page 27
President Cosgrave "congratulates the “Irish Times” on its _
enterprise” page 86
Sanity Or Suicide? page 104
Treaty Signatures page 126
Other publications from the Aubane Historical Society:
A North Cork Anthology, by J. Lane and B. Clifford
Spotlights On Irish History, by Brendan Clifford
The 'Cork Free Press', by Brendan Clifford
Piarais Feiritéir: Danta/Poems,
with translations by Pat Muldowney
Elizabeth Bowen: "Notes On Eire".
Espionage Reports to Winston Churchill,
Kilmichael: the false surrender. A discussion
Thomas Davis, by Charles Gavan Duffy
Extracts from ‘The Nation’, 1842-44
Na h-Aislingi - vision poems of Eoghan Ruadh O'Suilleabhain
translated by Pat Muldowney
Aubane versus Oxford: a response to Professor Roy Foster
and Bernard O'Donoghue
D. D. Sheehan: Why he left Cork in 1918..
The burning of Cork; an eyewitness account by Alan J. Ellis
With Michael Collins in the fight for Irish Independence
by Batt O’Connor TD
Michael Collins: some documents in his own hand.
Introduced by Brian P. Murphy
An Answer to Revisionists Eamon O Cuiv and others
A Narrative History of Ireland/Stair Sheanchas Eireann
by Micheal O Siochfhradha
James Connolly Re-Assessed: the Irish and European
Dimension by Manus O'Riordan
Six days of the Irish Republic (1916) and other items
by L. G. Redmond-Howard
Envoi - taking leave of Roy Foster by Julianne Herlihy,
’ Brendan Clifford, David Alvey ,Brian P. Murphy
The Origins and Organisation of British Propaganda in
Ireland 1920 by Brian P Murphy OSB
Was 1916 A Crime: A debate from Village magazine
The Pearson Executions in Co. Offaly by Pat Muldowney
Sean O'Hegarty, O/C 1* Cork Brigade IRA by Kevin Girvin
Orders:
[email protected] Or write to: Aubane Historical Society, Aubane, Millstreet, Co. Cork
Preface
This book looks at the anti-Treaty origins of the Fianna Fail
Party, how and why it came into being and how it laid the basis
for becoming and remaining the dominant party in the State
since shortly after its foundation. Why this is the case despite the
fact it was the party that lost the war over the Treaty needs some
explanation.
Moreover, those who founded the Party never intended to be
politicians, and were once correctly described as ‘politicians by
accident’, and would have considered their description as
politicians to be an insult.
Yet in their first decade in power they coped successfully with
every sort of threat and crisis by successfully countering, among
other things, the economic consequences of the Great Depression,
the threat of fascism, involvement in Britain’s Second World
War on Germany as well as eliminating the humiliating elements
of the Treaty.
If one were dependent on the present day media or the current
crop of academic historians this would remain a complete
mystery and the only impression one would be left with is that
all this was done for one ulterior motive or another by people
with suspect motives.
Indeed, if one were dependent on those within Fianna Fail
itself, who are now promoted as its historians, one would be left
with very mixed feelings about the party’s very legitimacy in
Irish history.
This book helps set the record straight on the origins of Fianna
Fail.
Jack Lane
Aubane Historical Society
April 2007
5
To
Jack Roche
Chapter One
The Birth Of The Irish Press
The founding of the Jrish Press in 1931 was a watershed event in the
life of the Irish state. It gave coherence to the movement of resistance
against the settlement imposed by Britain in 1921-2, and made that
resistance articulate in the daily life of the society.
It ceased publication in 1995, partly because of poor management and
partly because the older daily papers collaborated against it. That was
regrettable. But, during its sixty years, it helped to bring about a great
change in political life—a change which is irreversible.
The Jrish Press was the only daily paper founded after the establishment
of the state, and the only one for which the existence of an independent
Irish state was an unquestionable necessity. The other papers began as
Unionist or Home Rule papers and adapted in various ways to changing
circumstance. The /rish Press was from first to last a paper dedicated to
the independence of the Irish state.
The significance of the foundation, as stated in the editorial of the first
issue of the paper, is not overstated:
"Our Purpose
Until to-day the Irish people have had no daily paper in which
Irish interests were made predominant. There has been nothing
comparable in Ireland to the great English, French, and American
dailies, which look naturally out upon the world from their own
national territories and speak authoritatively for their peoples. Until
to-day there was no Irish newspaper which could be quoted abroad
as expressing the distinctive outlook of this nation on international
affairs and on the problems of industry and economics which beset
the world. The absence of such a journal has been a grievous loss to
this country. The Jrish Press makes good that deficiency. Henceforth
other nations will have a means of knowing that Irish opinion is not
merely an indistinct echo of the opinions of a section of the British
Press.
We cannot give ourselves a higher purpose than to make this
Leabharlanna Poibli Chathair Bhaile AtlaCliath
Dublin City Public Libraries J
paper what those who have so long waited for it desire it to be. The
ten thousand Irishmen and women, here at home and beyond the
seas, who have made this great enterprise possible, were inspired by
no hope of gain. Their aim was that Ireland should have a newspaper
technically efficient in all departments, assured of material success,
yet seeking above all things the freedom and well-being of the
nation."
[Irish Press. No. 1, Saturday, September 5, 1931]
The funding and organising of the Jrish Press was a remarkable
practical achievement. It was not a commercial venture launched on a
great flood of private capital, as newspapers generally are. Neither was it
the propaganda organ of a Government, funded by public money to serve
the purpose of the Government.
It was an anti-Government paper, and in a sense an anti-State, paper.
The Government in 1931 was the party which had established itself in
power by military means nine years earlier. That party identified itself
with the state, claiming that it was all that stood between public order and
lawless anarchy. Believing this to be the case, the Government set itself
against the actual democracy of the country, in which it saw nothing but
chaos. By 1931 it was reduced to defending its own vision of democracy
by military methods.
A few months after the launch of the Jrish Press, its Editor was brought
before a Military Tribunal on a charge of "seditious libel". That was the
kind of charge that used to be brought by the British administration when,
alienated from the society, it was at its wit's end. But the British did not
usually bring the charge before a Military Tribunal.
The money with which the /rish Press was launched was contributed by
thousands of small subscribers. They were not investors. They did not put
up the money with a view to drawing dividends from it. It would have been
avery foolish investor who put money into the venture with profit in mind.
The launching of a daily newspaper is a risky business, even when it is
backed by large-scale capital.
The reasonable expectation of the people who put up the money for the
Irish Press must have been that the purpose for which it was subscribed
would probably not be achieved. The odds against achievement were very
great. But many thousands of people felt so strongly that there ought to
be a daily newspaper which spoke for the defeated party in the Civil War
that they put up money for the venture regardless of the odds. Their
subscriptions were basically a political gesture which made it possible for
the thing to be attempted.
Newspapers
There were three daily newspapers in existence in August 1931.
The Irish Times, a Protestant Ascendancy and Unionist paper, had been
entirely opposed to Irish Home Rule in 1912-14. In May 1916, while the
executions were in full swing, it demanded that they should not stop until
the cancer of rebellion had been burned out of the body politic. In 1920
it supported the Black-And-Tan campaign against the electorate which
had voted wrong in 1918. But, by December 1921, it was driven to
supporting the Treaty and the Free State as the lesser evil.
The Irish Independent was founded by William Martin Murphy, the
Home Rule capitalist who had locked out his workers in 1913. In 1916 it
was angered by the delay in executing James Connolly, who had defied it
in 1913, and it urged General Maxwell to get on with it.
The Independent was one of the two Home Rule dailies in what became
the Free State, the other being the Freeman's Journal. (There was a third
Home Rule daily in Belfast, the Jrish News, which survives.) It adapted
reluctantly to the fundamental nationalist reorientation towards Sinn Fein
in 1918-19, but was very happy with the regression towards Home Rule
under the terms of the Treaty.
When the Freeman'sJournalceasedpublicationin 1922, the Independent
became pretty well the official paper of the Free State. It carried a daily
Social And Personal column, which was a sort of Court Circular in which
the comings and goings of Royals and aristocrats were recorded. Here is
an example from 9th July 1927:
"Social And Personal
Yesterday King George held an investiture at Buckingham Palace
in connection with the Order of St. John of Jerusalem in England, of
which he is the sovereign head in the British realm...
Princess Mary and Viscount Lascelles, the Aga Khan, the Duke of
Alba, the Countess of Spencer [etc.etc.]... were among the guests of
the Hon. Mrs. Ronald Greville at dinner at her house in Charles
Street, Berkeley Square, on Thursday night. Lady Wyldbone Smith's
dance the same night, at 70 Ennismore Gardens, was attended by
Lady Clodagh Anson, ...the Earl and Countess of Donoughmore and
Lady Doreen Hely-Hutchinson ...and the Hon. Alicia Browne...
Countess Fitzwilliam gave a dance last night for her daughter.
The Dowager Countess of Aerlie... will leave London next week for
her place in Forfarshire, where she will spend a long holiday before
going again on duty of Lady of the Bedchamber to her Majesty...
Viscount Gort, who will be 41 tomorrow... served throughout the
Great War, and commanded a battalion of the Grenadier Guards. He
was wounded four times and received the M.C., D.S.O. with two
bars, and the V.C. The founder of the family, Brig.-Gen. Sir Thomas
Prendergast, M.P., was killed at Malplaquet 1709. His son died
before the patent creating him Viscount Clonmel had been completed,
and his estates passed to his nephew, Charles Smyth, M.P. for
Limerick, who was created Viscount Gort 1816, with remainder to
his nephew, Charles Vereker." [It was rare for the Court column to
have an Irish angle, as it did (of sorts) on this occasion: usually it
was concerned entirely with the doings of the British elite.]
The Cork Examiner (now the Irish Examiner) was a kind of Home Rule
paper verging on Unionism at one time, but in order to survive it had to
accommodate itself to a County in which there were not many residual
Home Rulers, and still fewer residual Unionists, though it never quite lost
a hankering for the world that had passed away. What I recall of it around
1950 is that it was a second paper that might be read by readers of either
the Irish Independent or the Irish Press. In 1931, however, it was a Free
State paper.
Investing In An Idea
Money does not make a successful newspaper. And money whichis not
driven by a capitalist master is less likely to do so than money that is. The
money subscribed in small sums by multitudes of individuals did lead to
the production of a successful newspaper. That must appear as a very
remarkable fact to anybody who knows about the history of newspapers.
The purpose of this book is to show the political situation in which the
Trish Press was brought into being, rather than to describe the mechanics
of its establishment. I make these remarks only for the purpose of
dissenting from criticisms of De Valera as a newspaper entrepreneur
which have been voiced in recent years by people who do not see the
extraordinary circumstances of the thing—and do not wish to see them.
The money was subscribed, and the project for which it was subscribed
was realised amidst great obstacles. In the light of that remarkable fact,
criticism of how it was done strikes me as mere carping by people with
corruption on the brain and an axe to grind.
I do not say that what is called corruption does not exist. I do not even
say that it is bad. I have for many years been working out the history of
Ireland, taking account of the fact that for a couple of centuries it was part
of the history of the British state and that it cannot be understood
effectively ifthe British state is not understood from an Irish vantage point.
The liberal British state was accomplished by means of corruption. It
was established as a functional system by Walpole, its first Prime Minister,
who governed it for twenty years and shaped it by means of bribery,
patronage, and blackmail. A history of Walpole's party, published by one
of its members in the mid-19th century, recorded the fact that the leaders
of the party had concluded that the system was sufficiently secure to
continue without corruption, as a kind of meritocracy. (See The History
Of Party by George Wingrove Cooke (1838) which explains "the necessity
of corruption" under the first Prime Minister {Vol. 2} and how half a
century laterthe Whigs concludedthat"Corruptionwas no longernecessary
to their party, and they disclaimed it" {Vol. 3, p197}.)
lam far from denying that great achievements have been accomplished
with the aid of corruption. I just do not see what part corruption could
possibly have played in the creation of the Jrish Press.
11
Chapter Two
Building A Democracy?
The mission of the Jrish Press was to democratise the Irish state and
make it independent. It is often said by eminent academics that an
independent and democratic Irish state was established in 1922. 1922:
The Birth Of Irish Democracy is the title of a well-known book by a
Professor of History at the National University. But, if an independent
democracy was established in 1922, the task for which the Jrish Press was
launched had already been accomplished. So what was it all about?
In explanation, I will begin with the 1927 General Elections, and certain
events connected with it which have exerted a strong influence on Irish
political affairs ever since.
So that the reader can allow for bias, I should explain that I am not a
member of Fianna Fail and that I have never taken part in electoral politics
in the Republic. I lived into my twenties in Slieve Luacra on the Cork/
Kerry border. My family, which was neither in farming, nor business, nor
any of the professions, was remotely related to Sean Moylan, who
commanded the North Cork Brigade in the War of Independence, and was
a Minister in Fianna Fail Governments in the 1940s and 1950s, and it was
more remotely related to Michael Collins. But in Slieve Luacra everybody
was related to somebody. And so many people had done something in the
War of Independence that little prestige attached to it. It was normal.
Our house was what was called a Rambling House. People used to
gather there in the evenings—which were called nights—to play cards and
talk. And when I was young I even overheard some match-making.
Slieve Luacra was classless in a social sense. Some people were richer
than others, but they did not segregate on the basis of wealth. Farmers used
to gather at our house, and also labourers, and my father drove a lorry for
wages. Another Rambling House I knew was a labourer's cottage. And
I think that was a fair sample of the Ireland that enabled the Jrish Press to
be produced.
One of the farmers who used to play cards at our house had been a
Blueshirt. I did not know that at the time. I found it out decades later when
I read newspapers and magazines of the 1930s to get the feel of the period.
He was not a big farmer—only a big man. He had a fund of traditional
12
songs, some of which] believe were never collected. And he was in many
ways more lodged in tradition than other people whom I knew to be go-
ahead Fianna Failers.
Some time after I left Slieve Luacra I went to live in Belfast, and what
I tried to do in politics there caused some people who are now extreme
revisionists to denounce me as a Unionist.
My view of what happened in the 26 Counties from 1921 to the 1940s
does not seem to me to arise from any prior political bias. I have
approached it from many different angles, and this is the sense it makes
tome. Ifthe reader thinks it is a biassed view, then let him figure out how
this bias arose from living in Slieve Luacra into my twenties without
engagingin politics, and from being politically activein Belfastthroughout
the recent war in a way that was not Republican or even Constitutional
Nationalist.
A biographical profile of Sean Lemass published ina recent issue of the
revived Magill magazine, begins as follows:
"At the age of 17 he was fighting to break Ireland's connection to
the imperial throne... By 1922 he had graduated to opposing, by
force of arms, the authority of the democratically elected executive
of the new Irish Free State" (Sean Lemass by Gerry Gregg, Magill,
October 2006).
Ifthe Free State Executive, that started the Civil War in June 1922, was
democratically elected, then the Jrish Press and the political movement
it served were undemocratic. And vice versa. There's no way of escaping
that conclusion.
Democracy is a form of state. If the Free State Executive in June 1922
was the Government of a democratic state, then Sean Lemass was
engaged in armed resistance against democracy. And, if the movement
in which Lemass took part in 1922 was a movement for the establishment
of democracy, then the state was not a democracy.
There cannot be, in a democratic state, two antagonistic political
movements at war with each other. There cannot be a war between two
democratic bodies in a democratic state.
The situation in July 1922 was that three General Elections had been
held since the assertion of independence by the 1916 Rising. Two ofthose
General Elections—those of 1918 and 1921—had mandated the
establishment of an independent republic. The third, on 16th June 1922,
13
was held in circumstances of programmatic confusion, and the Parliament
which it elected had not met when the Provisional Government which
Britain established by the Treaty started the Civil War by shelling the Four
Courts.
The word democracy should not be thrown about loosely when referring
to situations of political upheaval in which there is no definite authority
clearly established by the predominant will of an electorate which is free
to declare its will.
Such an authority was established by the election of December 1918.
That was the first election in Ireland in which a majority of the adult
population was entitled to vote. At the previous Election, in 1910, the
electorate was a minority of the adult of the population. In 1918 all men
had the vote regardless of property, and a substantial body of women had
the vote on the basis of a property franchise.
Sinn Fein contested the election on a programme of establishing
independent government, and it won three-quarters of the seats.
It has been argued in recent years that the 1918 vote was not really a
mandate for independence because Sinn Fein did not gain a majority of the
votes cast. But the reason it did not get a majority of the votes cast was that
25 of the seats were not contested, and no votes at all were cast in them.
The Home Rule Party—Sinn Fein's main rival—was collapsing, and it
concentrated its efforts on seats which it had some chance of winning. And
the governing parties of the State, the Tories and the Liberals, had given
up contesting seats in most of Ireland long before 1918.
Sinn Fein gained 46.9% of the votes cast in the contested seats, the rest
being shared by Home Rulers and the Ulster Unionists. But the Home
Rulers (21.3%) and the Ulster Unionists (25.7%) did not constitute any
kind of anti-Sinn Fein Coalition. They were in profound disagreement
with each other, and they had come to the brink of war with each other in
1914, when the World War provided a diversion. Then, after the 1918
Election, much of the Home Rule vote moved across to Sinn Fein.
The 25 uncontested seats were in constituencies where the Home Rule
Party judged Sinn Fein's support to be overwhelming. If there had been
voting in those seats, the probability is that Sinn Fein would not only have
gained a majority of the votes cast—that is a certainty—but that it would
have gained a substantial majority of the electorate as a whole.
The candidates elected on an independence programme metas the Dail
in January 1919. The handful of Home Rulers and the Ulster Unionists
were invited, but chose not to attend. They went to Westminster instead.
Another Random Document on
Scribd Without Any Related Topics
Poor Charlemagne! he tore his grey hair and long beard, and
having ordered the bodies of the Count of Mans, Turpin, Oliver,
Miton, and Mitaine to be placed in coffins of black marble, he had
them borne back to France with every mark of honour.
As he approached Aix-la-Chapelle the Emperor saw a long, long
line of weeping women, all attired in black, coming out to meet him.
It was the fair Aude, supported by her widowed sister Mita, and
followed by a suite of three hundred ladies.
Charlemagne, deeply affected by the sight of such affliction,
dismounted, and pressed the fair Aude to his heart.
“My poor child!” said he, “you are a widow or ever you were a
bride.”
The fair Aude opened her lips to reply, but she had not the
strength to speak.
The Emperor felt her sink back in his arms, and, turning to the
attendants, he asked—
“Is there a place for her in the coffin by the side of Roland?”
Original Size -- Medium-Size
A few days later were celebrated with great pomp the obsequies
of the betrothed of the Count of Mans. At the same hour, draged on
a hurdle, between two of the executioner’s assistants, the disfigured
corpse of the traitor Ganelon was carried to the charnel.
“And Croquemitaine, won’t you tell us something about it?” you
would ask me.
Croquemitaine does not exist, my dears.
Original Size -- Medium-Size
THE END.
Original Size -- Medium-Size
*** END OF THE PROJECT GUTENBERG EBOOK THE DAYS OF
CHIVALRY; OR, THE LEGEND OF CROQUEMITAINE ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the
United States and most other parts of the world at no
cost and with almost no restrictions whatsoever. You
may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not
located in the United States, you will have to check the
laws of the country where you are located before using
this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived
from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for
the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,
the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission
of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where
we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About
Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
back
back
back
back
back
back
back
back
back
back
Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
ebookbell.com