Helix Board 18 FireWire

18-Input 2-Subgroup FireWire Mixer

ENGLISH User's Manual

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 IMPORTANT SAFETY INSTRUCTIONS

The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall
be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall remain
readily operable.

Warning: the user shall not place this apparatus in the confined area during the operation so that the mains switch can
be easily accessible.

1. Read these instructions before operating this

apparatus.
2. Keep these instructions for future reference.

3. Heed all warnings to ensure safe operation.

4. Follow all instructions provided in this document. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
5. Do not use this apparatus near water or in locations NO USER SERVICEABLE PARTS INSIDE
where condensation may occur. REFER SERVICING TO QUALIFIED PERSONNEL

6. Clean only with dry cloth. Do not use aerosol or liquid

cleaners. Unplug this apparatus before cleaning. The lightning flash with arrowhead symbol, within an equi-
lateral triangle, is intended to alert the user to the presence
7. Do not block any of the ventilation openings. Install in
of uninsulated “dangerous voltage” within the product’s
accordance with the manufacturer’s instructions.
enclosure that may be of sufficient
8. Do not install near any heat sources such as radiators, magnitude to constitute a risk of electric shock to per-
heat registers, stoves, or other apparatus (including sons.
amplifiers) that produce heat.
The exclamation point within an equilateral triangle is
9. Do not defeat the safety purpose of the polarized or intended to alert the user to the presence of important
grounding-type plug. A polarized plug has two blades operating and maintenance (servicing) instructions in the
with one wider than the other. A grounding type plug literature accompanying the appliance.
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If WARNING: To reduce the risk of fire or electric shock, do
the provided plug does not fit into your outlet, consult not expose this apparatus to rain or moisture.
an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or CAUTION: Use of controls or adjustments or performance
pinched particularly at plug, convenience receptacles, of procedures other than those specified may result in
and the point where they exit from the apparatus. hazardous radiation exposure.
11. Only use attachments/accessories specified by the
manufacturer.

12. Use only with a cart, stand, tripod, bracket, or table

specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when
moving the cart/apparatus combination
to avoid injury from tip-over.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.

14. Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally,
or has been dropped.

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 Helix Board 18 FireWire
18-Input 2-Subgroup FireWire Mixer

page

Introduction ........................................................................................4
Getting Started ..................................................................................5
Channel Setup ...................................................................................5
Making Connections ..........................................................................6
Inputs and Outputs .........................................................................6
Rear Panel ....................................................................................7
Controls and Settings ........................................................................7
Rear Panel ....................................................................................7
Channel Controls ...........................................................................7
Digital Effect Engine .......................................................................9
Master Section ..............................................................................9
FireWire Interface ............................................................................12
System Requirements ..............................................................................12
Driver Installation ......................................................................................12
Channel Assignment.................................................................................16
Cubase LE ................................................................................................16
Helix Board Control Panel ........................................................................17
Digital Effects Table .........................................................................19
Application .......................................................................................20
Specifications ..................................................................................22
Dimensions ......................................................................................24
Block Diagram .................................................................................25

Phonic reserves the right to improve or alter any information supplied within this document without prior notice.
V1.0 7/1, 2005

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 Introduction Features
Thank you for choosing one of Phonic's many quality • 18-input small-format analog mixer with extremely
compact mixers. The Helix Board 18 FireWire mixing low noise circuitry
console - designed by the talented engineers that • 96 kHz FireWire interface for streaming 16
have created a variety of mixers fantastic in style and independent channels of audio to computer with
performance in the past - displays similar proficiency near-zero latency
that previous Phonic products have shown; with the • Compatible with Mac OS X and Windows XP
addition of such innovative features as FireWire • Steinberg Cubase LE workstation software included
interface. The Helix Board 18 FireWire features full • Two channels of monitoring from computer via
gain ranges, amazingly low distortion levels, and FireWire interface, can be assigned to control
incredibly wide dynamic ranges - just showing the room monitors, main mix and AUX 1
dominance these small machines will have in the • DFX, our 24-bit digital multi-effect processor with
mixing World. 16 programs plus one main parameter control, tap
control and foot switch jack
The FireWire interface of the Helix Board 18 FireWire • Six Mic/Line channels with inserts
allows users to stream up to 16 individual channels • 8 Mic preamps
to any PC or Mac, allowing for recording, editing, • Four stereo Line channels
tweaking and removal of all tracks at will. Then when • 3-band EQ with swept mid-range
all your adjustments are made, your final product can • 75 Hz low-cut filter on mono channels
be burnt onto CD. • Three AUX sends, one with Pre/Post switch
• Two stereo AUX returns with effect to monitor level
Also included with the Helix Board 18 FireWire mixer is control
Steinberg Cubase LE software, giving users a taste of • Mini Stereo I/O and stereo RCA I/O each with trim
the operation of professional Digital Audio Workstation control
software by allowing users to record up to 4 tracks • +48V phantom power on Mic channels
simultaneously. Other high performance Digital Audio • Solo feature on each input and output
Workstation software will allow upto 16 channels to be • Stereo 10-band graphic EQ, assignable to main
simultaneously streamed and recorded. All-in-all, the mix or AUX 1 send
Helix Board 18 FireWire will no doubt prove itself to • Two true subgroups with main L and R routing
have been a valuable investment. switches
• Rec out with trim control for recording level
We know how eager you are to get started - wanting matching
to get the mixer out and hook it all up is probably your • Built-in switching power supply with universal
number one priority right now - but before you do, we connector, 100-240 VAC, 50/60 Hz
strongly urge you to take a look through this manual. • Rack-mounting kit included
Inside, you will find important facts and figures on the
set up, use and applications of your brand new mixer.
If you do happen to be one of the many people who
flatly refuse to read user manuals, then we just urge
you to at least glance at the Instant Setup section.
After glancing at or reading through the manual (we
applaud you if you do read the entire manual), please
store it in a place that is easy for you to find, because
chances are there is something you missed the first
time around.

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 Getting Started Channel Setup
1. Ensure all power is turned off on your mixer. To 1. To ensure the correct audio level of the input
totally ensure this, the AC cable should not be channel is selected, each of the Mixer’s
connected to the unit. Channel’s ON buttons should be disengaged
(which should turn the corresponding LED
2. All faders and level controls should be set at indicator off), as well as the SOLO buttons on
the lowest level and all channels switched off to each channel and 2T RTN “To Ctrl Rm”.
ensure no sound is inadvertently sent through
the outputs when the device is switched on. 2. Ensure the channel you wish to set has a
All levels can be altered to acceptable degrees signal sent to it similar to the signal that will be
after the device is turned on. sent when in common use. For example, if the
channel has a microphone connected to it, then
3. Plug all necessary instruments and equipment you should speak or sing at the same level the
into the device’s various inputs as required. performer normally would during a performance;
This may include line signal devices, such as if a guitar is plugged into the channel, then the
keyboards and drum machines, as well as guitar should also be strummed as it normally
microphones and/or guitars, keyboards, etc. would be (and so on). This ensures levels are
completely accurate and avoids having to reset
4. Plug any necessary equipment into the device’s them later.
various outputs. This could include amplifiers
and speakers, monitors, signal processors, and/ 3. Move the Channel fader and Maser fader to
or recording devices. around the 0 dB mark.

5. Plug the supplied AC cable into the AC inlet on 4. Turn the Channel ON.
the back of the device and a power outlet of a
suitable voltage. 5. Pushing the channel’s SOLO button and
releasing the Pre/Post button on the CTRL RM
6. Turn the power switch on. section will send the pre-fader signal of the
activated channel to the Control Room / Phones
7. Consult the FireWire section of this manual for mixing bus and the Level Meter will display the
more information on its setup and usage. Control Room’s signal properties.

6. Set the gain so the level meter indicates the

audio level is around 0 dB (it is advisable to
never let the level exceed 7 dB).

7. This channel is now ready to be used; you can

stop making the audio signal.

8. You can now repeat the same process for other

channels if you wish.

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 Making Connections 5. AUX Sends
These 1/4" TRS outputs may be used to
Inputs and Outputs connect to an external signal processor,
or even to an amplifier and speakers
1. XLR Microphone Jacks (depending on your desired settings)
These jacks accept typical 3- 1 from the mixer. The signal from the AUX
pin XLR inputs for balanced and 5
Sends is controlled by the AUX master
unbalanced signals. They can be 2 controls (on the face of the mixer), which obtain their
used in conjunction with microphones signal from the AUX controls located on each channel
– such as professional condenser, dynamic or ribbon strip. The Helix Board 18 FireWire features a total of 3
microphones – with standard XLR male connectors, AUX Sends. When using the FireWire interface, AUX
and feature low noise preamplifiers, serving for crystal Send 1 can be elected to receive the audio signal
clear sound replication. The Helix Board 18 FireWire sent from the Computer, for monitoring or recording
features a total of eight Microphone inputs. purposes.
NB. When these inputs are used with condenser microphones, the
Phantom Power should be activated. However, when Phantom Power
6. Foot Switch Jacks
is engaged, single ended (unbalanced) microphones and instruments These ports are for the inclusion of an
should not be used on the Mic inputs. unlatched foot switch, used to remotely
2. Line Inputs adjust properties of the built-in Digital
This input accepts typical 1/4" TRS (balanced) or Effect processor. The uppermost jack is
TS (unbalanced) inputs, for balanced or unbalanced used to turn the Digital Effects on and off,
signals. They can be used in conjunction with a wide where the lower jack is used for adjusting
tap delay properties. 6
range of line level devices, such as keyboards, drum
machines, electric guitars, and a variety of other 7. Phones
electric instruments. This stereo output port is suited for use with
3. Stereo Channels headphones, allowing monitoring of the mix. The
The Helix Board 18 FireWire also audio level of this output is controlled using the Control
features a few stereo channels, Room / Phones control.
thrown in for maximum flexibility. Each 8. Record Out
of these stereo channels features two These outputs will accommodate 10
1/4" phone jacks, for the addition of RCA cables, able to be fed to a
various line level input devices, such as electronic variety of recording devices. Also 8
keyboards, guitars and external signal processors or included is a mini stereo jack for 9
mixers, as well as XLR Microphone jacks on channels the addition of recording devices
7/8 and 9/10, allowing users to option of using the such as MD players, and even 7
channel as a microphone input channel. If you wish laptop computers. The Trim
to use a monaural device on a stereo input, simply Control allows you to adjust the output level of the
plug the device’s 1/4" phone jack into the left (mono) record out and the Main Left and Right mix sent to the
input and leave the right input bare. The signal will FireWire interface, between –10 to +10 dB, making
be duplicated to the right due to the miracle of jack level matching in recording much easier.
normalizing.
9. 2T Return
4. AUX Returns These RCA inputs are used to connect the mixer with
These 1/4" TS inputs are for the return parallel external devices, such as sub mixers or CD,
of audio to the Helix Board 18 FireWire Tape and Cassette Players. Also included are mini
mixer, processed by an external signal stereo jacks, for receiving signals from audio devices
processor. If really needed, they can like portable CD, MD and MP3 players.
also be used as additional inputs. The
4 10. Main Out
feed from these inputs can be adjusted
These two balanced 1/4" TRS phone jacks will output
using the AUX Return controls on the face of the
the final stereo line level signal sent from the main
mixer. When connecting a monaural device to the AUX
mixing bus. The primary purpose of these jacks is
Return 1 and 2 inputs, simply plug a 1/4" phone jack
to send the main output to external devices, which
into the left (mono) input, and the signal will appear in
may include power amplifiers (and in-turn, a pair of
the right as well.
speakers), other mixers, as well as a wide range
NB. When any device is plugged into the mixer’s AUX Return 2, the
of other possible signal processors (Equalizers,
mixer’s internal digital effect engine is then disabled.
Crossovers, etcetera).

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 Rear Panel 16. Power Connector
This port is for the addition of a power cable, 16
11. Channel Inserts
allowing power to be supplied to the mixer.
Located on the rear of the Helix Board 18 FireWire,
Please use the power cable that is included
the primary use for these TRS phone jacks is for
with this mixer only. The Helix Board 18
the addition of external devices, such as dynamic
processors or equalizers, to mono input channels 1 FireWire features a switching power supply,
through to 6. This will require a Y cord that can send suitable for all zones.
(pre-fader and pre-EQ) and receive signals to and
from an external processor. The tip of the TRS plug Controls and Settings
is for sending of the signal to the external device, the
ring is for return of the Rear Panel
signal to the Helix Board
18 FireWire, and the 17. Phantom Power Switch 18 17
11 Sleeve is the grounding. When this switch is in the on position, it
activates +48V of phantom power for all
12. Control Room Outputs microphone inputs, allowing condenser
These two 1/4" phone jack outputs feed the signal
microphones (well, the ones that don’t
altered by the Control Room / Phones level control on
use batteries) to be used on these channels. Activating
the face of the mixer. This output has extensive use,
Phantom Power will be accompanied by an illuminated
as it can be used to feed the signal from the mixer to
LED above the left channel Level Meter. Before
an active monitor, for the monitoring of the audio signal
turning Phantom Power on, turn all level controls to a
from within a booth, or, alternatively, for the addition of
external signal processing devices or mixers, as well as minimum to avoid the possibility of a ghastly popping
acting as a “side fill” output, supplying audio to indoor sound from the speakers.
areas that the main speakers do not reach. When NB. Phantom Power should be used in conjunction with balanced
using the FireWire interface, this microphones. When Phantom Power is engaged, single ended
(unbalanced) microphones and instruments should not be used
output can be elected to be fed the
on the Mic inputs. Phantom Power will not cause damage to most
audio signal from the Computer, dynamic microphones, however if unsure, the microphone’s user
for monitoring of recording audio. 13 12 manual should be consulted.

13. Group Out 18. Power Switch

These balanced 1/4" TRS phone jacks output the final This switch is used to turn the mixer on and off. Ensure
feed from the Group 1 and 2 Faders on the main mixer. you turn all level controls down before activating.
These outputs can be used to feed a wide range of
devices, such as mixers, signal processors, and even Channel Controls
to connect an amplifier and speakers to be used along
with the Main Speakers, for a more rounded audio 19. Low Cult Filter (75 Hz)
experience. This button will activate a high-pass 19
filter that reduces all frequencies
14. Main Out 15 14 below 75 Hz at 18 dB per Octave, 20
These two XLR ports will output
helping to remove any unwanted
the final stereo line level signal
ground noise or stage rumble. On stereo channels
sent from the main mixing bus.
7/8 and 9/10, the low cut filter affects only the XLR
The primary purpose of these
jacks is to send the main output to external devices, Microphone inputs (and not the line inputs).
which may include power amplifiers (and in-turn, 20. Line/Mic Gain Control
a pair of speakers), other mixers, as well as a wide This controls the sensitivity of the input signal of the
range of other possible signal processors (equalizers, Line/Microphone input. The gain should be adjusted
crossovers, etcetera). to a level that allows the maximum use of the audio,
15. FireWire Connections while still maintaining the quality of the feed. This can
The two FireWire connectors are for linking the Helix be accomplished by adjusting it to a level that will
Board 18 FireWire to a PC or Macintosh computer. It allow the peak indicator occasionally illuminate.
will allow 16 channels to be streamed to the computer
21. High Frequency Control
(the amount of channels you are able to record
This control is used to give a shelving
simultaneously depends on the DAW software used), 21
boost or cut of ±15
�������������������������
dB to high frequency
and 2 audio channels of the computer to be returned
(12 kHz) sounds. This will adjust the amount of treble
to the mixer. Please observe the FireWire section of
this manual for more information. included in the audio of the channel, adding strength
and crispness to sounds such as guitars, cymbals,
and synthesizers.

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 22. Middle Frequency Control 26. Pan / Balance Controls
This control is used to provide a This alternates the degree or level of audio that the
peaking style of boost and cut 21 left and right side of the main mix should receive. On
to the level of middle frequency mono channels, the PAN control will adjust the level
sounds at a range of ±15 ��������
dB. 22 that the left and right should receive (pan), where as
These mixers also provide a on a stereo channel, adjusting the BAL control will
sweep control, allowing you to 23 attenuate the left or right audio signals accordingly
select a center frequency between (balance).
100 Hz and 8 kHz. Changing
24 27. On Button and Indicator
middle frequencies of an audio
This turns the channel on, allowing the user to use the
feed can be rather difficult when
feed from the channel’s inputs to supply the MAIN L/R,
used in a professional audio mix, 25
GROUP 1/2, AUX and EFX buses. The corresponding
as it is usually more desirable
26 indicator will be illuminated when turned on.
to cut middle frequency sounds
rather than boost them, soothing 27 28. 1-2 and L-R Buttons
overly harsh vocal and instrument These handy buttons allow you to decide the audio
sounds in the audio. path of the corresponding channel. Pushing the “1/2”
Stereo channels 11/12 and 13/14 of the Helix Board button allows the signal to be sent to the Group 1/2
18 FireWire feature a High-Mid and Low-Mid control mix, where the “L-R” allows it to be sent to the Main
instead of the typical controls described above. They L/R mix.
provide a peaking style of boost and cut to middle 29. Peak Indicator
frequencies, where the frequencies are set at 3 kHz This LED indicator will illuminate
and 800 Hz (High-Mid is set at 3 kHz and Low-Mid is when the channel hits high peaks,
set at 800 Hz). Stereo channels 9/10 and 11/12 have 6 dB before overload occurs. It is
a single Middle Frequency control, with the center best to adjust the channel level 28
frequency set at 2.5 KHz. control so as to allow the PEAK
23. Low Frequency Control indicator to light up on regular 31
This control is used to give a shelving boost or cut intervals only. This will ensure a 29
of ��������������������������������������������������
±15 dB to low frequency (80 Hz) sounds. This will greater dynamic range of audio. 30
adjust the amount of bass included in the audio of the This indicator also doubles as a
channel, and bring more warmth and punch to drums Solo indicator, when the SOLO
and bass guitars. button is engaged.

24. AUX Control 30. Solo Button

This control alters the signal level that is being sent The Solo button is pushed to allow the signal of a
to the auxiliary 1 mixing bus, the signal of which is corresponding channel to be sent to the Control Room
suitable for connecting stage monitors, allowing / Phones control (pre or post fader, depending on the
artists to listen to the music that is being played. Also properties selected by the pre / post button, located
included is a Pre/Post button, which alternates the by the Control Room / Phones control), for use with
feed to the AUX 2 mixing bus between a post and pre- either headphones or studio monitors. This also allows
fader feed. easier setting of the input gain and tracking of audio by
sound engineers. The Peak indicator above the Solo
25. EFX Control
button also doubles as a Peak Indicator, illuminating
This control alters the signal level that is sent to the
when the signal reaches high peaks.
EFX send (AUX 3) output and the built-in digital
effect processor. The EFX send signal can be used in 31. Channel Level Control (Fader)
conjunction with external signal processors (this signal This control will alter the signal level that is sent from
of which can be returned to mixer via the AUX return the corresponding channel to the appropriate mixing
input), or simply as an additional auxiliary output. buses (whether they are the MAIN L/R or AUX).

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 32. +4 / -10 Buttons 37. Parameter Control
These buttons, located on each stereo This will adjust the one main parameter of the digital
input channel, are used adjust the input effect program that is applied to the audio feed. Please
sensitivity of the corresponding channel, refer to the Digital Effects Table for more information
which will adapt the mixer to external on Effect parameters.
devices which may use different operating
32
NB. The digital effect engine has a “memory” function, which allows
levels. If the input source is -10 dBV (consumer audio you to adjust the parameters of a program, then, if you change the
standard), it is best to engage the switch, allowing parameters of another program and return to the original one, your
parameter setting will be kept until the Parameter Control is turned
the signal to be heard. If the input source is +4 dBu
once again, at which time it will be altered according to the control.
(professional audio standard) the corresponding input
channel’s button should be disengaged to ensure the 38. Tap Delay Button and Indicator
integrity of the Mixer’s circuitry. If you are unsure of When the tap delay program is selected, this button
the source’s operating level, we suggest leaving the is used to determine the delay time. By pushing the
switch disengaged until you test the source’s signal. button several times, the effect engine interprets the
You can then engage if necessary (if the level of input time between last two pushes and remembers this as
is obviously too low). the delay time until the button is pushed again. When
the tap delay effect is selected, the corresponding
Digital Effect Engine LED will flash at the intervals selected.

33. Digital Effect Display

This panel displays the titles of
Master Section
different effects that can be added to
audio. When you select the effect, the 39. AUX Return Control
name will illuminate, and the alteration This control adjusts the signal level of
be applied automatically. For a list of audio fed through to the stereo AUX 1
available effects, please observe the Return input. Each AUX return control
Digital Effect Table. also features a SOLO button, which sends
33
the signal to the Control Room / Phones
34. Program Control
mixing bus, most commonly for monitoring
This control is used to scroll through the various
purposes. The accompanying “To AUX 1”
effects shown on the Digital Effect Display. Turning the
control allows users to adjust the volume of
control will automatically change the effect and apply 39
that particular signal that is sent to the AUX
it to the mix. To see the list of available programs,
1 send mixing bus.
please check the Digital Effect Table.
40. EFX Return Control
35. Peak Indicator
This 60mm fader adjusts the signal level of
This LED indicator will illuminate when the device hits
audio fed through to stereo AUX Return 2
high peaks. It is best to adjust the EFX Send Controls
inputs. If no device is plugged into the AUX
(on all Input Channels and the Master Section) so as
Return 2 inputs, this control then acts as
to ensure the Peak indicator does not light up at all.
the final level control of the built-in Digital
This will ensure a greater dynamic range for audio.
Effect Engine. The EFX Return Control
36. Effect On Button and Indicator also features a SOLO button, which allows
This button is pushed to turn the corresponding effect users to send the signal to the Control
panel on or off. When the effect processor is turned Room / Phones mixing bus. There is also
on, the corresponding LED illuminates. a 1-2 button, which sends the signal to the
Group 1 and 2 mixing bus, as well as a
37 34 35 L-R button, which sends the signal to the 40
Main L-R mixing bus. The accompanying
36 “To AUX 1” control allows users to adjust the volume
of that particular signal that is sent to the AUX 1
38 send mixing bus. An on button and indicator also
accompanies this control, allowing users to mute and
activate the channel at will.

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 41. AUX Send Master Control 45. FireWire Assign Buttons
This control adjusts the final level of the These three buttons allow users to select the
AUX mixing bus (as taken from the AUX destination of the audio signal received through the
level controls on each channel strip), the FireWire interface. They are pretty straight forward,
audio of which is sent to AUX Send 1 the “To Ctrl Rm” button allows the signal to be sent
output. The corresponding SOLO button to the Control Room mixing bus, the “Assign to Main”
allows you to send the AUX Send signal button allows users to send the signal to the Main L-R
to the Control Room / Phones mixing bus. mixing bus, and the “Assign to AUX 1” button allows
The Helix Board 18 FireWire has 2 AUX users to send the signal to the AUX 1 mixing bus. It
sends, where the first is in fact a 60mm couldn’t be simpler!
fader, rather than the typical rotary control.
46. 2T Return Controls
Also incorporated with the AUX 1 control is
Turning the 2T Return level control adjusts the signal
an ON button and indicator, allowing AUX
level of the feed from the 2T Return inputs. Pushing
1 to be activated and muted by the push of
either one of the buttons in the 2T Return Control
a button. Activation of the AUX 1 channel is 41 Section selects the destination of the 2T Return signal.
accompanied by an illuminated LED.
The uppermost button (“to Ctrl Rm”) sends the signal
42. EFX Send Master Control to the Control Room/Phones mixing bus, whereas the
This control adjusts the final level of the lower button (“to L/R”) sends the signal to the Main L-
EFX mixing bus (as taken from the EFX R mixing bus. These buttons can, of course, be used
level controls on each channel strip), the simultaneously, feeding the signal to both the Control
audio of which is sent to the AUX Send Room/Phones and Main L/R mixing bus. Please note,
42
3 outputs, as well as the built-in digital that when the "to L/R" button is pressed, there is no
effect engine. The corresponding SOLO button allows signal from the record output.
you to send the signal to the Control Room / Phones
47. +48V Indicator
mixing bus.
This indicator will illuminate when Phantom Power is
43. Control Room / Phones Controls activated.
This control is used to adjust the audio level of the
48. Power Indicator
Phones feed, as well as the signal sent to the Control
The Power Indicator will light up when the power of
Room output, for use in monitoring and tracking of
the mixer is on.
audio. Below is a table showing the priority of the
signals received by the Control Room / Phones mixing 49. Level Meter
bus. If the first priority signal is not available, the This dual 13 segment level meter
47 48
second priority signal will be used, and so forth. gives an accurate indication of
when audio levels of the Main
Priority Signal L/R output reach certain levels.
The 0 dB indicator illuminates is
1 st
From Solo
approximately equal to an output
2nd FireWire Interface Signal level of +4 dBu (balanced), and
3 rd
2T Return to Control Room the PEAK indicator illuminates
4 th
Main L/R about 1.5 dB before the signal
is dynamically clipped. It is
49
suggested for the maximum use
44. Pre / Post Control of audio to set the various levels controls so that it sits
This button alternates the Control Room / Phones steadily around 0 dB to make full use of audio, while
source signals between those of post-fader and pre- still maintaining fantastic clarity.
fader feeds. When the Solo indicator, located beside the Level
Meter, is illuminated, one or more Solo buttons has
been pushed. In that case, the Level meter will
43 display properties of the Solo signal, which is helpful
46 44 with setting of channel properties. If Solo indicator
illuminates green, this means the Solo feed is a pre-
fader signal. If the solo indicator illuminates red, the
feed is post-fader. If the no Solo buttons are activated,
45

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 the FireWire signal properties are displayed by the 53. Record Out Trim Control
Level Meter. Then, if no signal is received through The Trim Control allows you to adjust
the FireWire interface, the 2T return signal will be the output level of the record out and 53
displayed. If the 2T return signal is not present, the the Main Left and Right mix sent to
Main L/R signal is then displayed. the FireWire, between –���������������������������
10�������������������������
to +10 dB, making level
matching in recording much easier. Use this control
Priority Signal to ensure excessive levels are not sent to Digital
Recording or Editing devices, allowing the device to
1st From Solo be used efficiently without the possibility of error.
2nd FireWire Interface Signal
3rd 2T Return to Control Room
4th Main L/R

50. Group 1/2 Controls

These two faders are the final level control
for the Group 1 and 2 audio feeds, sent to
the Group 1 and 2 outputs. These faders
can be fed a signal from the various mono
and stereo channels, as well as EFX
Returns, depending on your selections.
When pushed all the way up, these faders
provide 10 dB of gain to the signal, and,
when set all the way down, effectively mute
the signal. 50
The Group Controls also feature Left, Right and Solo
buttons, which allow you to send the Group 1/2 signal
to the Main Left and Right, and the Control Room /
Phones mixing buses, respectively.
51. Main L/R Faders
These two faders are the final level control
for the Main Left and Right audio feeds,
sent to the Main L and R outputs. These
faders are possibly fed by the various mono
and stereo channels, as well as AUX and
EFX returns and 2T inputs, depending on
the your selections. When pushed all the
way up, these faders provide 10 dB of gain
to the signal, and, when set all the way 51
down, effectively mute the signal.
52. Graphic Equalizer
This stereo, 10 band graphic equalizer allows the user
to adjust the frequency response of a signal, with a
maximum of ±12������������������������������������������
dB of signal boost��������������������
or cut for each of
the frequencies. The AUX 1 / MAIN switch alternates
the use of the equalizer between the use of the AUX 1
bus and MAIN L/R bus signals, respectively. Pushing
the on button in activates the equalizer, which is
accompanied by an illuminated LED.

52

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 11

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 FireWire Interface
System Requirements
The following are the minimum required specifications for use with the Helix Board FireWire mixer. If your computer
does not meet these requirements, you will experience lagging of audio and possible freezing of your computer
when attempting to operate the mixer.

Windows
• Microsoft��
® ���������
Windows® ��������������
XP������������
SP1 and SP2
• Available FireWire port
• Intel Pentium��
® ����������������������������������������������
4 processor or equivalent AMD Athlon processor
• Motherboard with Intel or VIA chipset 5400 RPM or faster hard disk drive (7200 RPM or faster with 8 MB cache
recommended)
• 256 MB or more of RAM (512 MB recommended)

Macintosh
• OS X 10.3.5 or later with native FireWire support
• G4 or newer processor
• 256 MB or more of RAM

Driver Installation
To use the Helix Board FireWire mixer efficiently (or at all) on a PC, it is important to install all the necessary drivers
from the included CD (ASIO and WDM drivers). It is important that users read all instructions carefully before
continuing on to the each step of installation, as users will be required to unplug and plug in their FireWire device.
This is not necessary for Mac users.

Windows XP (with Service Pack 1 or 2)

1. It is recommended that you quit all applications before starting the installation process.
2. Ensure the Helix Board FireWire is not yet connected to your Computer’s FireWire input.
3. Insert the installation CD included with your Helix Board FireWire mixer into the CD-ROM drive of your
computer. If the CD does not automatically start the installation process within a few moments, then navigate
to "My Computer"  your CD-ROM drive  "Drivers and Control Panel"  double-click “setup.exe” to begin
the installation manually. The Helix Board FireWire Control Panel software also will be installed at this time.
4. Follow the installation instructions.

Make sure no other programs are running on your PC and that the Helix
Board 18 is not connected to your PC, then click "Next".

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 Read and accept the terms of the License Agreement and click "Yes" to continue.

Either select a new destination for the installation, or else click "Next" to accept the default directory.

Click "Next" to begin the installation.

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 13

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 Connect the Helix Board FireWire to the Computer and turn the power on.

If a message is displayed indicating that the software has not passed Windows Logo test, click “Continue Anyway”.

After installation is complete, users are free to use the device as they wish.

page 14 Helix Board 18 FireWire User's Manual PHONIC CORPORATION

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 Macintosh OS X (10.3.5 or later)
The Helix Board 18 FireWire works with the primary audio drivers of Macintosh OS X 10.3.5 and later. First verify
that you are running Macintosh OS X 10.3.5 or above, then connect the Helix Board 18 FireWire to a FireWire port
to the computer. To ensure your Helix Board 18 FireWire is working, enter the Utilities folder and double-click the
Audio MIDI Setup icon.

Enter the Audio Device's section. From the "Properties for" pull-down tab, select Helix Board 18 FireWire.

At the bottom of the window, users can edit the setup of the Helix Board 18 FireWire. Properties such as sampling
rate and clock source can be altered. Users may also opt to make the Helix Board 18 FireWire their default input
and/or output device.

Mac users are able to use GarageBand Digital Audio Workstation Software, in conjunction with the Helix Board 18
FireWire.

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 15

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 Channel Assignment Cubase LE
When using a Digital Audio Workstation on a PC, Cubase LE is a fairly powerful program provided along
and within the included Phonic Helix Board FireWire with the Helix Board FireWire mixer that allows users
control panel software, the following names have to record, edit, delete, and alter their tracks. Please
been attributed to the input channels of the FireWire note that only 4 tracks can be recorded at once with
mixer. They can be altered through the control panel the version of Cubase included, and users must
software included with the mixer. upgrade or find other suitable DAW software if they
choose to record more tracks.
FireWire Input Channel Name Mixer Channel
Installation
Phonic HB 18 FireWire CH 1 Channel 1
Insert the Cubase LE installation CD that came with
Phonic HB 18 FireWire CH 2 Channel 2 your mixer into the CD drive of your computer. Run
Phonic HB 18 FireWire CH 3 Channel 3 the installer. The serial number will be automatically
entered in when installing.
Phonic HB 18 FireWire CH 4 Channel 4
Phonic HB 18 FireWire CH 5 Channel 5 Setup
Phonic HB 18 FireWire CH 6 Channel 6 After successfully completing the installation process,
the following process must be followed to work
Phonic HB 18 FireWire CH 7 Channel 7 (Stereo L)
efficiently with the Helix Board 18 FireWire mixer.
Phonic HB 18 FireWire CH 8 Channel 8 (Stereo R)
Phonic HB 18 FireWire CH 9 Channel 9 (Stereo L) 1. Open the Cubase LE program.
Phonic HB 18 FireWire CH 10 Channel 10 (Stereo R) 2. Go to the 'Devices' pull-down menu and
select 'Device Setup'. On the left, select 'VST
Phonic HB 18 FireWire CH 11 Channel 11 (Stereo L)
Multitrack'.
Phonic HB 18 FireWire CH 12 Channel 12 (Stereo R) 3. From the ASIO Driver drop-down list select the
Phonic HB 18 FireWire CH 13 Channel 13 (Stereo L) 'Phonic ASIO’ Driver. A pop-up box will ask you if
you want to switch the ASIO driver. Click 'Switch'.
Phonic HB 18 FireWire CH 14 Channel 14 (Stereo R)
This completes the basic installation and setup.
Phonic HB 18 FireWire Main L Main Left 4. Activating audio tracks received from the Helix
Phonic HB 18 FireWire Main R Main Right Board mixer.
a. Go to the “devices” pull-down menu and
To alter an input channel’s name on your computer, select ‘VST Inputs’. This will display the
open the Helix Board FireWire control panel software. various inputs (“Phonic HB 18 FireWire Ch
On the left hand side of the control panel, users will find 1”, “Phonic HB 18 FireWire Ch 2”, etc.)
the settings categories. By clicking “Input Channels”, b. Activate 4 of these channels by clicking the
the main window will display the titles input channels. “Active” button located next to each channel
You can then highlight the channel names and press name. Please note, only 4 input channels
the “Edit Channel Name” button on the bottom of the can be activated at any one time. This is a
control window. A new window will appear that will limitation of Cubase LE, and if more input
allow users to adjust the channel name. channels are needed, we suggest upgrading
to a higher version of Cubase, or use other
If you would like to use the Helix Board 18 FireWire DAW software.
as your default audio output device on you PC, simply 5. For further instructions on the operation of
go into the Windows control panel, and select "Sound Cubase, please consult the user manual by
and Audio Devices". Select the Audio tab, and use the pressing F1 while the program is open.
pull-down menu to select the Helix Board 18 FireWire
from the list of available output devices. The Helix If you wish to reset the Helix Board 18 FireWire ASIO
Board 18 FireWire can also be selected as the default driver, simply go to the ‘devices’ pull-down menu
output device for individual programs by editing said and select ‘device setup’. Simply click “reset” and
programs' settings / options. select the “Phonic FireWire Audio” driver. Click ‘ok’ to
continue and the Helix Board 18 FireWire should once
again become functional.

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 Helix Board Control Panel
The Helix Board FireWire control panel can be Output Channels
accessed at any time by entering choosing the By entering the Output Channels section, users can
shortcut from your Programs menu. This program will view and edit the names of the two output channels
not only allow users to alter their device and channel from the computer to the Helix Board 18 mixer.
names and properties, but will also let them correct for
latency issues, change sampling rates, and so forth.
When opening the software, a number of options will
be available for users to select from, allowing them to
adjust the available properties.

Devices
In the Devices section, users are able to view and edit
the name of the Phonic FireWire Devices connected
to their computer.

Synchronization
In the Synchronization section, users can adjust the
sampling rate and other synchronization properties.
Many of these adjustable properties, as they are, are
set for optimum performance and, unless you are sure
of what you need to change, are probably best left
alone.

Input Channels
The Input Channels section allows users to view and
edit the name of the various input channels received
from the FireWire input. For a list of default channel
names, please consult the table on page 16.

First off, the synch mode can be altered, though making

this alteration is not recommended for novice users.
The synch mode is basically the way the computer
determines what the 'clock source' (ie. device that
your computer will use to determine the timing of all
digital signals received) will be. The default setting
for this feature is "CSP", meaning the Helix Board 18
FireWire is the "master" clock source of the device.
The other options allow users to make the Helix Board
18 FireWire follow the "timing" of whichever device is
the clock source. Having two clock sources has the
potential to create very undesireable audio, so it is
best avoided. If the Helix Board 18 FireWire is the
only piece of digital audio equipment attached to the
computer, there is no reason this option should be
changed.

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 17

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 Users are also able to change between automatic and Streams
manual sampling rate settings. When the sampling In the Streams section, the Helix Board 18 FireWire
rate is manually set, users can select between device properties can be viewed. Each input and
sampling rates of 44.1, 48.0, 88.2 and 96.0 kHz per output stream can be scrutinized, and the isochronous
second. Many devices have sampling rates that do stream number and its supported sampling rates can
not surpass 44.1 kHz per second, therefore, when be viewed.
using multiple digital devices, users are advised not to
exceed this level unless they are sure the secondary
device's sampling rate can .

Settings
Users are able to adjust various buffer times in the
Settings section.
The Stream Buffer Depth is adjustable between 0.5
and 20 milliseconds. It adjusts the buffer used when
streaming a signal from the Helix Board 18 FireWire.
If the depth is set too high, an obvious latency will
become evident. If the depth is too low, various clicks
and pops may become obvious. It is best to set the
Stream Buffer Depth to a level that allows users to get
the lowest latency, while still maintaining an optimal
performance. The default settings are ideal for most
computers.

The ASIO Buffer Depth is adjustable between 4 and 40

milliseconds. This allows users to adjust the latency
of the stream received by ASIO driver-based software
(including Steinberg Cubase LE).

The WDM (Windows Driver Model) Sound Buffer

Depth is adjustable between 4 and 40 milliseconds.
This allows users to adjust the latency of the stream
received by WDM based programs.

Also in this section, users are able to view their "drop

out statistics", where the number of times the FireWire
connection has been interupted can be viewed.

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 Digital Effects Table

Parameter Controllability
Program Name Program Description Variable
Parameter
Range
This reverb simulates a large, expanse
HALL Reverb Time 0.3 – 10.0 sec
setting, such as a concert hall
Creates acoustics similar to those of a
ROOM Reverb Time 0.3 – 3.2 sec
small room
Simulates a Plate Reverb device,
PLATE Reverb Time 0.3 – 10.0 sec
creating hard sounding Reverberation

VOCAL 1 Ideal for Reverb of vocals Reverb Time 0.3 – 10.0 sec

VOCAL 2 Ideal for Reverb of vocals Reverb Time 0.3 – 10.0 sec

ECHO 1 Ideal for Echoing vocals Delay Time 0 – 800 ms

ECHO 2 Ideal for Echoing vocals Delay Time 0 – 800 ms

DELAY 1 Delays the audio signal Delay Time 0 – 800 ms

DELAY 2 Delays the audio signal Delay Time 0 – 800 ms

Modifies early reflections, creating a

EARLY REF. Room Size 0.1 – 10.0
deeper sound or an echo-like effect

GATE REVERB Produces effect by cutting the reverberation Room Size 0.01 – 5.0

DOUBLER Creates an effect simulating 2 vocalists Pitch Fine 0 – 50

SYMPHONIC Adds richly layered depth to the sound Depth 0 – 100%

Modulation
FLANGE Adds a sense of pitch to the sound 0.05 – 4.00 Hz
Frequency

DISTORTION Used to distort the sound Drive 0 – 99%

Allows you to select the delay time by

clicking a button twice or by use of a Feedback Gain 0 – 99%
TAP DELAY footswitch. The amount of feedback
is adjusted using the PARAMETER 100 ms (600bpm) –
Delay Time
control. 2690 ms (22.3bpm)

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 19

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 Application

Live Band 8-Track Recording and Monitoring

FOH SPEAKERS

NOTEBOOK AMPLIFIER
ACTIVE MONITORS
COMPRESSOR
16 Channels In
2 Channels Out
EQUALIZER

AMPLIFIER
RECORDING DEVICE

MICROPHONES
FLOOR MONITORS

GUITAR GUITAR
EFFECTS KEYBOARDS OR
SYNTHESIZERS HEADPHONES
DRUM MACHINE

ST GUITAR
EFFECTS

ELECTRIC GUITAR

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 Studio Recording and Monitoring

NOTEBOOK ACTIVE STUDIO

MONITORS
16 Channels In COMPRESSORS
2 Channels Out

DIGITAL DELAY
MICROPHONES

HEADPHONE
AMPLIFIER

GUITAR
EFFECTS

KEYBOARD OR
SYNTHESIZER

ELECTRIC GUITAR
HEADPHONES

DRUM KIT

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 21

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 Specifications

Inputs
Total Channels 10
Balanced Mono Mic / Line channel 6
Balanced Mic / Stereo Line channel 2
Balanced Stereo Line Channel 2
Aux Return 2
2T Input Mini stereo and stereo RCA
Outputs
Main L/R Stereo 2 x 1/4” TRS, Bal. & 2 x XLR
Rec Out with Trim Control Mini stereo and stereo RCA
CTRL RM L/R 2 x 1/4” TS
Phones 1
Firewire Interface 16 out & 2 in, 24-bit / 96 kHz
Channel Strips 10
Aux Sends 3
Pan/Balance Control Yes
Volume Controls 60mm fader
Master Section
Aux Send Masters 3
Master Aux Send Solo 3
Stereo Aux Returns 2
Aux Return Assign to Subgroup 1
Effects Return to Monitor 2
Global AFL/PFL Solo Mode Yes
Phones Level Control Yes
Faders Aux return 2, Aux 1, 2 subgroups, Main L & R
Metering
Number of Channels 2
Segments 13
Phantom Power Supply +48V DC
Switches Master
Effect Processor 16 effects with one main parameter control, tap delay
control, foot switch (effect on/off, tap)
Built-in Graphic EQ Stereo 10-band
Center Frequency 40, 80, 160, 315, 630, 1.25k, 2.5k, 5k, 10k, 16kHz
Range ±12 dB
Frequency Response (Mic input to any output)
20Hz ~ 60KHz +0/-1 dB
20Hz ~ 100KHz +0/-3 dB
Crosstalk (1KHz @ 0dBu, 20Hz to 20KHz band-
width, channel in to main L/R outputs)
Channel fader down, other channels at unity <-90 dB

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 Noise (20Hz~20KHz; measured at main output,
Channels 1-4 unit gain; EQ flat; all channels on main
mix; channels 1/3 as far left as possible, channels
2/4 as far right as possible. Reference=+6dBu)
Master @ unity, channel fader down -86.5 dBu
Master @ unity, channel fader @ unity -84 dBu
S/N ratio, ref to +4 >90 dB
Microphone Preamp E.I.N. (150 ohms terminated, <-129.5 dBm
max gain)
THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, <0.005%
channel inputs)
CMRR (1 KHz @ -60dBu, Gain at maximum) 80dB
Maximum Level
Mic Preamp Input +10 dBu
All Other Input +22 dBu
Balanced Output +28 dBu
Impedance
Mic Preamp Input 2 K ohms
All Other Input (except insert) 10 K ohms
RCA 2T Output 1.1 K ohms
All other outputs 200 ohms
Equalization 3-band, +/-15 dB
Low EQ 80 Hz
Mid EQ (mono channel) 100-8k Hz, sweepable
LMid EQ (stereo channel) 800 Hz
HMid EQ (stereo channel) 3 kHz
Hi EQ 12 kHz
Low cut filter 75 Hz (-18 dB/oct)
Built-in Power Supply 100-240 VAC, 50/60 Hz
Weight 11.2 lbs (5.1 kg)
Dimensions (WxHxD) 16” x 3.5” x 14” (407 x 89 x 357 mm)

PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 23

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 Dimensions

88/3.5
407/16

357/14

89/3.5

104.5/4.1
measurements are shown in cm / inches

page 24 Helix Board 18 FireWire User's Manual PHONIC CORPORATION

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 SND_FW1~6

PRE_SET AF1~6
HelixBoard18 Firewire BLOCK DIAGRAM
CHIP 0603 JUMPER

PRE L
PRE R
LOGIC
EFX IN

GP1
GP2
AUX1
AUX2
AUX3 EFX

MAIN L
MAIN R
POST L
POST R
INSERT
+48V AUX3 SEND
PEAK(SOLO)
GAIN L/R
PAN AUX3 SEND
ON

2
MIC IN 1 FADER
(AUX2 SEND IDENTICAL,ONLY AUX3 TO EFX)
EQ
HI MID LO SOLO
75Hz

3
HPF 12K 8K 100 80 GP1/2
ON ON
LOW CUT AUX1 FADER
LINE IN

AUX SEND1
MID FREQ
+48V MONO CHANNEL (1OF6) SOLO
SOLO

2
AUX 1
MIC IN 1 LOW CUT
75Hz
AUX 2

3
HPF
PEAK(SOLO)
Block Diagram

ON AUX3/EFX

PHONIC CORPORATION
EQ FADER

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HI LMID LO BAL. L/R
L(MONO) MAIN L OUT
12K 2.5K 80 L FADER
40 80 160 315 630 1.25K 2.5K 5K 10K 16K
3 2
GAIN GP1/2 ON
1

MAIN MIX
MAIN/AUX1 MAIN R OUT
40 80 160 315 630 1.25K 2.5K 5K 10K 16K
HI LMID LO
R 3 2
12K 2.5K 80
ON
1

R FADER
SOLO
STEREO CHANNEL7~10
REC OUT L
PRE_SET
CHIP 0603
AF7/9

SND_FW7/9 JUMPER
AUX1 TRIM MINI REC OUT
GP1 FADER
PRE_SET
AF8/10
CHIP 0603 JUMPER
AUX2 REC OUT R
SND_FW8/10
PRE/POST AU3/EFX SOLO GP1 OUT SND_FW_L
PEAK(SOLO)
ON
(GP2 OUT IDENTICAL) SND_FW_R
EQ FADER L/R LEFT
L(MONO) HI HMID LMID LO BAL.
12K 3K 800 80

RIGHT
+4/-10 GP1/2

HI HMID LMID LO
R
12K 3K 800 80 2T RTN L
ON TO CTRL RM
STEREO CHANNEL11~14 SOLO 2T RTN
TO MAIN L/R MINI ST RTN
PRE_SET
CHIP 0603
AF11/13

SND_FW11/13 JUMPER
AUX1
2T RTN R
PRE_SET
AF12/14 PRE(GRN)
CHIP 0603 JUMPER PRE AUX2 POST(RED)
SND_FW12/14
SOLO_CTRL
POST AU3/EFX
CTRL RM L
TO AUX1 CTRL RM/ 0dBu=0.775V
PHONES PEAK
PHONES +10
+7
L(MONO) PRE/POST +4
+2
0
-2
CTRL RM R -4
-7
-10
RTN1 SOLO -20
AUX RTN1 -30
-40

Helix Board 18 FireWire User's Manual

R

ON TO AUX1
L(MONO) GP1/2
2
1 4
TO CTRL RM 3 6
5
AUX RTN2 SND_FW1~6
SND_FW7/9
SND_FW8/10
RTN2 FADER SND_FW11/13
FIREWIRE MOD.
SND_FW12/14
TO COMPUTER
SND_FW_L
1394FIREWIRE JACK
L/R SND_FW_R
R
2
1 4
3 6
ASSIGN TO MAIN 5

SOLO
TAP DELAY ON

ASSIGN TO AUX1
HDA 24BI T DSP

PEAK
EFFECT ON/OFF PARAMETER

PROGRAM

page 25
TAP DELAY PHONIC CORP.

Title
MU1822X BLOCK DIAGRAM

Size Document Number Rev

BLOCK.SCH A
Custom
Date: Tuesday, July 05, 2005 Sheet 1 of 1
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 PHONIC CORPORATION Helix Board 18 FireWire User's Manual page 27

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