DISCOGRAPHY

Voices 5
Track Titel / Title Time N° EMR N° EMR
N° (Komponist / Composer) Blasorchester Brass Band
Concert Band

1 Alexandrie, Alexandra (François / Bourtayre) 3’49 EMR 10093 EMR 3671

2 Cielito Lindo (Arr.: Naulais) 2’29 EMR 10389 EMR 3676
3 Money
Money,, Money
Money,, Money (Andersson / Ulvaeus) 2’45 EMR 10081 EMR 2991
4 We Have A Dream (Bohlen) 3’38 EMR 10057 EMR 2867
5 La Bamba (Traditional) 2’59 EMR 10405 EMR 3677
6 La Mer (Trenet / Lasry) 3’04 EMR 10331C EMR 2737C
7 Oh Happy Day (Traditional) 2’35 EMR 10041 EMR 2758
8 Vivo Per Lei (Panceri / Mengali / Zelli) 4’20 EMR 10379 EMR 3545
9 Qu’est-ce qu’on attend... (Hornez / Misraki) 1’43 EMR 1826 EMR 3678
10 O Sole Mio (Traditional) 2’22 EMR 10390 EMR 3679
11 New Y ork, New Y
York, ork (Kander / Ebb)
York 2’44 EMR 10580 EMR 3680
12 Take Me Home, Country Roads (Danoff) 3’06 EMR 10387 EMR 3516C

Zu bestellen bei • A commander chez • To be ordered from:

Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch
 Recorded on CD - Auf CD aufgenommen - Enregistré sur CD Chorus 2

CHORUS
O Sole Mio 50

      
Traditional                

q = 76 mf Arr.: Jérôme Naulais
 
   
so - le se ne scen - ne me ve - ne qua - se ’na ma - lin - cu - ni - a;
                
                      
| 

Che bel - la co - sa ’na jur -na - ta_’e so - le, n’a - ria se -
   
Photocopying
      
         
is illegal!


mf

  3
56

     
                 
18
  
            
   
       
  
 sot - to_’a fe - ne - sta to ia re -star - ri - a quan no fa not - te_e_’o so - le se ne scen - ne.

- re - na dop po ’na tem - pe - sta! Pe’ ll’a -ria fre - sca pa - re già ’na fe - sta, che bel - la                          

           
                

3

64 f  a tempo
            
        
f
        
a tempo
    
26

          
3

            
Ma n’a - tu so - le cchiu’ bel - lo_oi - nè, ’o so - le mi - o sta ’nfron - te_a
        
           
co - sa ’na jur - na - ta_’e so - le. Ma n’a - tu so - le cchiu’ bel lo_oi - nè,
        
       

       

 f
3 f

           
33 71

                 


     
        
       


  
 

’o so - le mi - o sta ’nfron- te_a te, ’o so le,_’o so - le mi - o te, ’o so le,_’o so - le mi - o sta ’nfron - te_a te

                
  
               
  
     
 
     


 
a tempo  
mf
 
a tempo
    
     
41 78

           
                               
sta ’nfron- te_a te, sta ’nfron -te_a te. Quan - no fa not - te_e_’o sta ’nfron - te_a te, sta ’nfron - te_a te, sta ’nfron - te_a te.
  
         
       
           
                
  
mf
EMR 10390 www.reift.ch www.reift.ch
© COPYRIGHT BY EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND)
ALL RIGHTS RESERVED EMR 10390
 
Recorded on CD - Auf CD aufgenommen - Enregistré sur CD 4
10 11 12 13 14 15 16 17 18 19
| Traditional
Photocopying
is illegal!
O Sole Mio Arr.: Jérôme Naulais

     
mf



                     


q = 76 2 3 4 5 6 7 8 9

            
Ch. Che bel - la co - sa ’na jur - na - ta_’e so - le, n’a - ria se - re - na dop po ’na tem -

                        
       
        
Chorus
  mf

          
           Picc.           
        
Piccolo              mf
  
     
mf
              
     
3
  
6 6 6 6 6 6 Fl.
        
    
f

     mf mf
  
     
mf

           
Flute
6 6 6 6 6 6 3 Ob.
     
            
        
f

     
mf
       
mf mf
                  
      
Oboe
6 Bsn. 

6 6 6 6 6 3
     
f
        
  
mf mf
Bassoon
                
   
   
Eb Cl.
f
           mf mf
Clarinet in Eb        
                              
 
3
f 6

6 6 Cl. 1
 
6

        

6 6
   
        
mf mf
   
                              
1st Bb Clarinet
6 3
Cl. 2
6 6 6 6 6
f mf mf

                                           

 6    6    6                      
2nd Bb Clarinet Cl. 3
6 6 mf
 
6 mf
   
f
                    
   
                                        
 6   6     
3rd Bb Clarinet B. Cl.


6 6 6 6 mf
f
  
        
mf
                     
Bb Bass Clarinet
       
   
A. Sax.1


mf

mf
                    
f
                       
1st Eb Alto Saxophone   A. Sax.2 
mf mf

f
                             
2nd Eb Alto Saxophone    T. Sax.    
            
mf
     
f
    
mf
           

1st & 2nd
                                    
Bb Tenor Saxophone B. Sax.
        
 
f


mf
                  
        
Straight mute
Eb Baritone Saxophone
     Tpt./
   

Cnt. 1
f
                
      
mf
    
mf
                 
Straight mute

1st Bb Trumpet /

Tpt./
Cornet    
          
Cnt. 2
       
f

    
mf mf

                      
2nd Bb Trumpet / Straight mute
Cornet
Tpt./
 
  
          
Cnt. 3
       
f


   
mf mf
     
             
3rd Bb Trumpet /
    
 
Cornet Hn. 1
f

1st F Horn  
                    
        mf mf
          
 Hn. 2                     
 
f
           
                 mf mf
        
                    
2nd F Horn
Hn. 3    
             
  
f
        
 
mf
                    
mf

3rd F Horn
             
                   
 f Tbn. 1
    
mf
               
1st Trombone
                   

f Tbn. 2
 
  mf
  
 
       
2nd Trombone
          
 
f
               
Bass Trombone    

B. Tbn.

                  
mf
            
f
                   
Baritone   Bar.
mf mf
  
Tuba              
f

                                       
Tuba in C
                     
     

 
 
f mf
String Bass          
(optional)    
        
B. Gtr.                    
       
 
 
Timpani     
   
       
   
mf
Timp.    
           
 
f
f mf
         
Suspended Cymbal
                                  
       
1st Percussion Perc. 1
 Snare drum              
          
Glock.
mf

                
Xylo.

 
2nd Percussion



 


f Perc. 2

  
Suspended Cymbal (soft sticks)

3rd Percussion       
mf mf mf

        

f Tambourine
                               
Perc. 3 
mf

EMR 10390 www.reift.ch www.reift.ch

© COPYRIGHT BY EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND)
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  
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f a tempo
    
        

               
3
                              
          
Ch. - pe - sta! Pe’ ll’a - ria fre - sca pa - re già ’na fe - sta, che bel - la co - sa ’na jur - na - ta_’e so - le. Ma n’a - tu so - le cchiu’ bel - lo_oi - nè, ’o so - le mi - o sta ’nfron - te_a te, ’o
   
Ch.
   
                     
  
                      
 
 
3
f

  

        
    
                                  
    
Picc.   
Picc.
3

   
mf
 
3
      
3
       
 
f
                  
                     
   
Fl.
3 mf 3 Fl.
  
3
    
3

               
 
f
                              
  
Ob.
3 Ob.
mf

                            f

 
 
   
                  
    
Bsn.
  

Bsn.
 
3

              
3 f
                 
               
Eb Cl.
3 mf 3
Eb Cl.  
     
                    
3

   
         
f
                
          
Cl. 1
3 Cl. 1

        

         
                 
    
                     
Cl. 2
Cl. 2

         
    
Cl. 3
                                              
    
Cl. 3
              
       
                
    
B. Cl.                                         
  B. Cl.
         
    
     

    
            
3

          
f
         
      
     
A. Sax.1
A. Sax.1 
        
           
3

         
f
  
                  
A. Sax.2
A. Sax.2     
                   

f
                            
T. Sax.  T. Sax.       
     
3



f
                                  
B. Sax.                
B. Sax.
                    

  
        f
                                               
Open

Cnt. 1 
Tpt./
      
Tpt./
Cnt. 1
   Open f
mf

                         
                               
  Cnt. 2      
Tpt./

Tpt./
Cnt. 2
 Open f
mf
       

          
Cnt. 3 
Tpt./
                    
  
                   
Tpt./

   
Cnt. 3
 
mf
           f
    
                Hn. 1         

      
          

Hn. 1
f
  
mf
             
Hn. 2                     Hn. 2           

      
          
f
    
mf
       

     
 
       
Hn. 3          Hn. 3                          
 

 
                     
f
 
mf
            
                           
Tbn. 1               Tbn. 1

               
f
mf
 
mf
                                 
Tbn. 2
 
   
                Tbn. 2       
   f
               
 
mf mf
                                 
                          

B. Tbn.

 
B. Tbn.
                   
  
 
f
    
mf
 
            
mf
                 
Bar.   Bar.


f
        
                                   
3
         
   
                                  Tuba
       
Tuba
               
 
           f

f
    
    
     
B. Gtr.   
                
B. Gtr.          
       
  
 


 
f

     Timp.             
Timp.               

 
f
mf

mf
    
Perc. 1                                                                 
      
Perc. 1
       
  f
        
         
        
Glock. Glock.
    
         Perc. 2
Perc. 2

f
       

                               
                                 Perc. 3         
Perc. 3 f

www.reift.ch www.reift.ch
EMR 10390 EMR 10390
 
7
38 39 40 41 42 43 44 45 46 47
Bearbeitungen für Chor (SATB) und Blasorchester / Brass Band

a tempo
     
       Diese Bearbeitungen sind in erster Linie als Blasorchesterwerke mit fakultativer Mitwirkung eines Chors konzipiert.
       
                Die Instrumentenstimmen sind selbständig, so dass der Dirigent ohne weiteres den Chor streckenweise auslassen darf. Andererseits kann er auch gewisse
Ch. so le,_’o so - le mi - o sta ’nfron - te_a te, sta ’nfron - te_a te. Instrumentalverdopplung streichen, um eine grössere Transparenz zu erzielen. Schliesslich kann der Chor ganz oder teilweise durch eine Solostimme
            
 ersetzt werden.
             
 
Arrangements pour Choeur (SATB) et Harmonie / Brass Band
        
 
          
     
Il s’agit d’arrangements qui sont conçus au départ comme oeuvres instrumentales avec la participation facultative d’un choeur. L’écriture pour harmonie
Picc.   est ainsi complète en elle-même, ce qui permet au chef d’adapter la partition en supprimant le choeur à certains moments s’il le désire. Par contre, il

          pourrait aussi éliminer certaines doublures instrumentales pour alléger l’accompagnement. Le choeur peut être entièrement ou partiellement remplaçé par
         
  
         
   une voix solo.
Fl.

                 
Arrangements for Chorus (SATB) and Concert Band / Brass Band
Ob.         
These arrangements are conceived primarily as band works, with optional additional chorus. The band parts are self-sufficient, so the conductor should feel
          
   
 
Bsn.   free to adapt the score as he wishes by leaving the chorus out at certain moments, or on the contrary by reducing the band’s doubling of the choral parts
to lighten the texture. The chorus may also be entirely or partially remplaced by a solo voice.
        
   
    
Eb Cl.          Titel Composer Edition N° Edition N°
Concert Band (Price) Brass Band (Price)
 

                 
Cl. 1      1492 «Conquest of Paradise» VANGELIS EMR 1579 (Pa) EMR 1636 (Na)
 
Alexandrie, Alexandra FRANCOIS, Claude EMR 10093 (Na) -
        
Cl. 2            Amen from the «Messiah» HÄNDEL, Georg Fr. EMR 1342C (Gf) EMR 1343C (Ga)
Anvil Chorus VERDI, Giuseppe EMR 10137 (Ma) EMR 2970 (La)

              Auld Lang Syne ARMITAGE, Dennis EMR 1674 (Ma) EMR 2582 (La)
Cl. 3        Ave Maria païen PLAMONDON / COCCIANTE EMR 10094 (La) EMR 2973 (Ja)
  Bohemian Rhapsody QUEEN / MERCURY EMR 1573 (Sa) EMR 2560 (Qa)
B. Cl.   
   

   

 

     

   

 

 

     
 
 

  Chess (Anthem) ANDERSSON / ULVAEUS EMR 1578 (Oa) EMR 2547 (Na)
      Choral / Sinfonia + Gavotte BACH / HÄNDEL EMR 1358C (Gf) EMR 1359C (Ga)

mf
 
    Conquistador MORTIMER, J.G. EMR 10163 (Ua) EMR 2914 (Ta)
        
A. Sax.1   Dona Nobis Pacem BACH, Johann S. EMR 1344C (Gf) EMR 1345C (Ga)
Don’t cry for me, Argentina (+ Solo Voice) WEBBER, Andrew L. EMR 1545 (Pa) EMR 2546 (Oa)

                Egyptian March STRAUSS, Johann EMR 1951 (Na) EMR 2761 (Ma)
A. Sax.2  Gloryland (+ Solo Voice ) RICHARDS, Scott EMR 1547 (Ma) EMR 2583 (La)
     Gospel Train TAILOR, Norman EMR 1535 (Ta) EMR 2580 (Sa)
           
T. Sax.
 Greensleeves TRADITIONAL EMR 10317C (Oa) -
 Hark, The Herald Angels Sing TRADITIONAL EMR 1760C (Ma) EMR 2778C (La)

                Highlights from Carmen BIZET, Georges EMR 1581 (Ua) EMR 1685 (Qa)
B. Sax.         Hymn To Red October POLEDOURIS, Basil EMR 10240 (Na) -
 
mf
                                  
I Will Follow Him (Sister Act) POURCEL / MAURIAT EMR 10038 (Oa) EMR 2755 (Na)
Tpt./
Cnt. 1            Ihr Kinderlein kommet / Lasst uns TRADITIONAL EMR 1366C (Ma) EMR 2776C (La)
mf Il est né, le divin enfant TRADITIONAL EMR 1368C (Ma) EMR 2633C (La)
      
Tpt./
Cnt. 2      

                                 Irish Eyes TRADITIONAL EMR 10329 (Ma) -
Jingle Bells TRADITIONAL EMR 1758C (Ma) EMR 2757C (La)

mf
   
            
                             
Tpt./ Joy To The World TRADITIONAL EMR 1772C (Ma) EMR 2626C (La)

 
Cnt. 3 La Mer TRENET, Charles EMR 10331C (Na) -
     
mf

Hn. 1                  Les anges dans nos campagnes TRADITIONAL EMR 1759C (Ma) EMR 2763C (La)
Les Lacs du Connemara SARDOU / DELANOE / REVA EMR 10082 (Qa) -

  
mf

         
Les Trois Cloches (+ Solo Voice) GILLES EMR 10046 (Na) EMR 2768 (Ma)
Hn. 2             March Of The Three Kings TRADITIONAL EMR 1765C (Ma) EMR 2653C (La)
mf Merry Christmas SCHNEIDERS, Hardy EMR 1770C (Ma) EMR 2762C (La)
    
   
Hn. 3                  Money, Money, Money ABBA EMR 10081 (Oa) EMR 2991 (Ma)

   
Moscow Nights MORTIMER, J.G. EMR 1574 (Sa) EMR 2579 (Ra)
                  
mf
  Music MILES, John EMR 1576 (Ua) EMR 2538 (Ta)
                        
Tbn. 1 Non Nobis Domine (Henry V) DOYLE, Patrick EMR 10185 (Ja) EMR 2969 (La)
             O Come, All Ye Faithful TRADITIONAL EMR 1771C (Ma) EMR 2764C (La)
mf
                           
Tbn. 2        O Du Fröhliche TRADITIONAL EMR 1764C (Ma) EMR 2771C (La)
 mf O Holy Night TRADITIONAL EMR 1773C (Ma) EMR 2772C (La)
           
 
                          
B. Tbn.        O Tannebaum / In Dulci Jubilo TRADITIONAL EMR 1762C (Ma) EMR 2774C (La)

  
     
Ode To Joy BEETHOVEN, Ludwig van EMR 10156 (Ma) -
       
mf
        Oh Happy Day TRADITIONAL EMR 10041 (Ma) EMR 2758 (La)
Bar. 
One Moment in Time HAMMOND / BETTIS EMR 1575 (Oa) EMR 2518 (Na)
          
         Pie Jesu WEBBER, Andrew Lloyd EMR 10324C (Ma) -
Tuba
     
   

   

  
    

   
     

    Pomp And Circumstance Nr. 1 ELGAR, Edward EMR 10124 (Ua) EMR 2974 (Qa)
           Qu’est-ce qu’on attend pour être heureux HORNEZ / MISRAKI EMR 1826 (Ka) -
 
mf
        
 Requiem Aeternam TAILOR, Norman EMR 10085 (Pa) EMR 2880 (Na)
   
                
B. Gtr.      Samba Olé NORIS, Günter EMR 1843C (Ma) EMR 2542C (La)
   Stille Nacht / Kommet Ihr Hirten TRADITIONAL EMR 1757C (Ma) EMR 2777C (La)
      
mf

Timp.               Süsser die Glocken nie klingen TRADITIONAL EMR 1769C (Ma) EMR 2775C (La)
The First Nowell TRADITIONAL EMR 1761C (Ma) EMR 2652C (La)
 
f mf
    Time to say Goodbye / Con te partirò BOCELLI, Andrea EMR 1577 (Oa) EMR 2570 (Na)

                               
Perc. 1
      Triumphal Scene From Aida VERDI, Giuseppe EMR 10126 (Va) EMR 2972 (Ra)
  mf Troy HORNER, James EMR 10182 (Oa) EMR 2933 (Na)
Perc. 2                 Viva Verdi VERDI, Giuseppe EMR 1582 (Xd) EMR 1680 (Ua)

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Vom Himmel hoch / Leise rieselt TRADITIONAL EMR 1763C (Ma) EMR 2773C (La)
  

f
     
                         We are the Champions QUEEN / MERCURY EMR 1580 (Oa) EMR 2571 (Na)
    
Perc. 3
mf We Are The World JACKSON / RICHIE EMR 1865 (Na) EMR 2769 (Ma)
We Have A Dream BOHLEN, Dieter EMR 10057 (Na) EMR 2867 (La)
www.reift.ch We Wish You A Merry Christmas TRADITIONAL EMR 1767C (Ma) EMR 2770C (La)
EMR 10390
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