TO GOD BE THE GLORY

FOR STRINGS
UNKNOWN COMPOSER

 
ORCH; Harrison Likezo Mulemwa

             
      
2025.



 = 108


     
Violin I

             
             
     
                 
Violin II

                     
     
Viola

          
Violoncello             
              
                   

Contrabass


4        
        

     

Vln. I

                  
       
                 
Vln. II

            
                   
 
Vla.

                
    
               
Vc.

                
Cb.
          
    
8               
     

Vln. I

              
     
       


                   
cresc. 

Vln. II

     
               






cresc.

Vla.
      
 
                            


     
 cresc.

  
Vc.

    
                        
 

            
cresc.

Cb.

 cresc. 

GV
      
2

 
13           
Vln. I 

                             
 

Vln. II
       
                            
         
 

                  
Vla.


      
 

Vc.
   
                   
       
 flowing

Cb.
         
 

18                     
  
Vln. I   

              
     


   
   
        
Vln. II

                   
           

Vla.

   
           


             
Vc.

          
Cb.
          



22                             
Vln. I       


                         


      
       
Vln. II

                     
               


                    
Vla.

   
Vc.

            
             


Cb.
            


GV
       
 
3

     
 
26

           
Vln. I

                        
 
                       
Vln. II

                    
                 

Vla.

      

       
Vc.

            
Cb.
                

30    
               

pizz.


Vln. I

                
     pizz.
          
Vln. II

                      
     
        
     
Vla.

         
   
pizz.


            
Vc.

                  
           
pizz.

Cb.

   
  
             
    
34


arco


     
Vln. I


                       
arco 

Vln. II
      
                
                        
arco 

Vla.
      
    
                
        


      
arco

      
Vc.

            
            


    
arco

Cb.

GV
                 
4

38              
Vln. I 

   
          



            

                   
Vln. II

  
         

  
            
Vla.

    
     

Vc.

            
      
Cb.
         

42                         
             
     
Vln. I

             
  
      
     
Vln. II

  
                 
     
     
Vla.

            
                 
  
Vc.

                        
Cb.
            

   
         
             
 
46

      
Vln. I

    

                     
      
                 
Vln. II

      
               

           
Vla.

            
   
Vc.
     
                        
   
Cb.
      

GV
Violin I TO GOD BE THE GLORY
FOR STRINGS
UNKNOWN COMPOSER

     
ORCH; Harrison Likezo Mulemwa

     
  
2025.

         
 = 108


                   
          
   
5




                
         
10


              
                     
cresc.

 
16

     
 

        
                      

21

    
     


   


  
 
26

  
                      
 
    
31

 
pizz. arco


   
             


   

37

                              
                  
41

GV
     
   
2

        
      

46

GV
Violin II TO GOD BE THE GLORY
FOR STRINGS
UNKNOWN COMPOSER
ORCH; Harrison Likezo Mulemwa
2025.

                     
                              

 = 108

                          
                           

7

 cresc. 

                                           
13


 

                 
                             
20

           





              
           
26

     

       
    
        
            
32 arco

 

 


                         
               
37

               

                         
43

     


           
        
48

GV
Viola TO GOD BE THE GLORY
FOR STRINGS
UNKNOWN COMPOSER
ORCH; Harrison Likezo Mulemwa
2025.

                                  
                                       
 = 108

      
                                
        
7

                                
 cresc.

 
      
14

 
 

                  
       

                     
21

                   pizz.
 
           
28

    

                         
                                  
arco


35

      


          

                                 
41



               
         

48

GV
Violoncello TO GOD BE THE GLORY
FOR STRINGS
UNKNOWN COMPOSER
ORCH; Harrison Likezo Mulemwa
2025.

                                  

 = 108

            

     
     

                                
7

         
 cresc. 

                          
           
14

   

                 
 flowing

           
        

22

                              pizz.


          
  
28

                               

         
      
34 arco

         


                 
                 
41

  

            
   
48

GV
Contrabass TO GOD BE THE GLORY
FOR STRINGS
UNKNOWN COMPOSER
ORCH; Harrison Likezo Mulemwa
2025.

                       
    
 
 = 108


       

                          
     

                       
7

 cresc. 

                     

     
 
14

     

 

                                    
                       
21




                                          
28

       

pizz.

                   
 
  
           
35

   
arco

                   
           

                 
42



          
49

GV