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HC 193 Por Que Te Abates Oh Minha Alma

The document is a musical score adaptation of the piece 'HC 193 POR QUE TE ABATES OH MINHA ALMA' by Daniel Santos, featuring various instruments such as flutes, saxophones, trumpets, trombones, violins, and piano. It includes specific notations for each instrument and their respective parts. The score is structured for a performance ensemble, indicating tempo and musical notation throughout.

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Daniel Francisco
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0% found this document useful (0 votes)
39 views9 pages

HC 193 Por Que Te Abates Oh Minha Alma

The document is a musical score adaptation of the piece 'HC 193 POR QUE TE ABATES OH MINHA ALMA' by Daniel Santos, featuring various instruments such as flutes, saxophones, trumpets, trombones, violins, and piano. It includes specific notations for each instrument and their respective parts. The score is structured for a performance ensemble, indicating tempo and musical notation throughout.

Uploaded by

Daniel Francisco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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HC 193 POR QUE TE ABATES OH MINHA ALMA

Adaptação Daniel Santos


  = 60
          
   

Flauta Transversal    



Saxofone Soprano             
   



          
   
Saxofone Alto  



Saxofone Tenor                


       
Saxofone Barítono
 


 
Trompete em B♭

             



  
     
Trombone
 


   
Violino                



          
Viola      


               
Violoncelo
 

Gm Cm  Fm B

           
 


Piano

                              
Bateria
                     
       

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2

6              
Fl.  

Sax. Sop.               

           
A. Sax 

    
Sax. Tn.              

            
Bar. Sax



          
          
Tpt. em B♭
 
     
   
Tbn.
 

  
Vln.                 

            

Vla

             
Vc.
  
Em  E/B♭ F/A A♭m B♭m/E♭ A♭m/E♭

             


Pno

                              
Bat.               
         

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3
A
Se tu minha'lma
11            
       
Fl.

    
Sax. Sop.           
  
                
A. Sax     

          
Sax. Tn.           

    
Bar. Sax
          

           
Tpt. em B♭ 

       
Tbn.
      

         
      
Vln.
     
  
                   
Vla

               
Vc.
      

E♭ B♭ E♭M A♭M Gm Cm 

                     


Pno


                            
Bat.                  
       

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4

17             
Fl.  

    
Sax. Sop.         

A. Sax             

     
Sax. Tn.       

   
Bar. Sax
     

         
Tpt. em B♭ 

      
Tbn.
    

       
Vln.       

             
Vla

             
Vc.
  
Fm B♭ E♭ B♭ E♭M

                  


Pno


                       
Bat.           
         

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5

22       
Fl. 

     
Sax. Sop. 

A. Sax       

     
Sax. Tn.  

     
Bar. Sax


     
Tpt. em B♭  

      
Tbn.
 

       
Vln. 

Vla       

       
Vc.
 
A♭ Gm Cm  Fm B♭ E♭

               


Pno

                     


Bat.                     
           

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6
B
28        
Fl. 

     
Sax. Sop. 
     
A. Sax              

          
Sax. Tn.     

           
Bar. Sax


     
         
Tpt. em B♭
 
         
   
Tbn.
 

       
Vln. 
   
Vla   

 
     
Vc.
 
Cm  Fm B♭ E♭M Cm 

             


Pno

                               
Bat.                     
         

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7

33     
Fl.   

  
Sax. Sop.   

        
A. Sax           

     
Sax. Tn.          

            
Bar. Sax


    
Tpt. em B♭                
      
         
Tbn.
 

    
Vln.   

 
Vla      

  
    
Vc.
 
Fm B♭ E♭M E♭/G A♭M

            


Pno

                                
Bat.                          
         

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8

38     
Fl.    

  
Sax. Sop.   
       
    
A. Sax 

         
Sax. Tn.    

     
 
Bar. Sax


  
Tpt. em B♭         
 

      
     
Tbn.
 

   
Vln.     

     
Vla  

      
Vc.
 
B♭/A♭ Gm Cm  Fm B♭

             


Pno

                               
Bat.                          
         

[email protected]
1. 2. 9

 3X   
      
43
               
Fl.   
Ele......
  Terás.. 
Sax. Sop.                   
                 

A. Sax     

       
Sax. Tn.   
            

            
Bar. Sax
  

              
Tpt. em B♭          

        
     
Tbn.
  

                   
Vln.      

   
               
Vla

   
              
Vc.
   
E♭ B♭ E♭

B♭m/E♭ A♭m/E♭
         
B♭m/E♭ A♭m/E♭


       


Pno


                    
Bat.               
        

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