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My First Project

The document is a compilation of works cited related to the social impact of cinema, particularly in the context of Indian society and masculinity. It includes various articles, journals, and reviews that explore themes of hegemonic masculinity, the effects of films on culture, and specific movie analyses. The citations reflect a range of perspectives and research on the intersection of gender roles and cinematic representation.

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Seethalakshmi S
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0% found this document useful (0 votes)
25 views4 pages

My First Project

The document is a compilation of works cited related to the social impact of cinema, particularly in the context of Indian society and masculinity. It includes various articles, journals, and reviews that explore themes of hegemonic masculinity, the effects of films on culture, and specific movie analyses. The citations reflect a range of perspectives and research on the intersection of gender roles and cinematic representation.

Uploaded by

Seethalakshmi S
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as RTF, PDF, TXT or read online on Scribd
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Works Cited

Chandra, Geetanjali, and Sudha Bhatia. “Social Impact of Indian Cinema-an Odyssey from Reel

to Real.” Global Media Journal, 2019, amityuniversity.ae/gmj-ae/journals/Sudha-Bhatia-

Geetanjali.pdf. Accessed 27 Dec. 2024.

Connell, R. W., and James W. Messerschmidt. “Hegemonic Masculinity: Rethinking the

Concept.” Gender & Society, vol. 19, no. 6, Dec. 2005, pp. 829–59,

journals.sagepub.com/doi/10.1177/0891243205278639. Accessed 30 Dec. 2024.

Eghosa, Eguaogie. “What Are the Impacts of Cinema on Indian Society?” What Are the Impacts

of Cinema on Indian Society?, 28 Oct. 2021, www.filmdistrictindia.com/blogs/what-are-

the-impacts-of-cinema-on-indian-society. Accessed 27 Dec. 2024.

Gurkan, Hasan, and Aybike Serttas. The Representation of Masculinity in Cinema and on

Television: An Analysis of Fictional Male Characters . European Journal of

Multidisciplinary Studies , 2002.

Hada, Yashvardhan. “Impact of Movies on Society.” Career Point International Journal of

Research (CPIJR) ©2022 CPIJR |, vol. 3, no. 2, 2023, pp. 2583–1895,

https://doi.org/10.5281/zenodo.10252040. Accessed 27 Dec. 2024.

karentovar77. “The Male Representation in Film.” Writing and Digital Media @ Georgia

Gwinnett College, 11 Oct. 2021, engl3880ggc.wordpress.com/2021/10/11/the-male-

representation-in-film/. Accessed 27 Dec. 2024.

Lilia Venbeveren. “Hegemonic Masculinity : Between Deconstruction and a Resurgence -

Institut Du Genre En Géopolitique.” Institut Du Genre En Géopolitique, 8 July 2022, igg-

geo.org/en/2022/07/08/hegemonic-masculinity-between-deconstruction-and-a-

resurgence/. Accessed 30 Dec. 2024.


Manuel, Peter. “Living in the Past, ’96: A Movie Review.” The Pensive Reverie, 12 Jan. 2020,

thepensivereverie.com/2020/01/12/living-in-the-past-96-a-movie-review/. Accessed 11

Jan. 2025.

Mohan, Parvati. “’96: A Delicately Nuanced Portrayal of Intimacy.” Filmcompanion.in, 22 July

2021, www.filmcompanion.in/readers-articles/96s-delicate-portrayal-of-intimacy-makes-

it-my-favourite-tamil-film-in-recent-times. Accessed 15 Jan. 2025.

Moore, TM, et al. Domains of Masculine Gender Role Stress and Intimate Partner Violence in a

Clinical Sample of Violent Men. 2008, pp. 82–89.

National Institute of Mental Health. “The Teen Brain: 7 Things to Know.” National Institute of

Mental Health, 2023, www.nimh.nih.gov/health/publications/the-teen-brain-7-things-to-

know. Accessed 17 Jan. 2025.

Rangan, Baradwaj. “96 Movie Review.” Filmcompanion.in, 4 Oct. 2018,

www.filmcompanion.in/reviews/96-movie-review. Accessed 15 Jan. 2025.

---. “Karthi and Arvind Swamy Star in c Prem Kumar’s ‘Meiyazhagan’, a Sweet, Leisurely,

Talky Story about Broken Family Ties – Galatta Plus.” Galattaplus.com, 27 Sept. 2024,

www.galattaplus.com/karthi-and-arvind-swamy-star-in-c-prem-kumars-meiyazhagan-a-

sweet-leisurely-talky-story-about-broken-family-ties/. Accessed 15 Jan. 2025.

Rangan, Bharadwaj. “C Prem Kumar and the Cinema of Therapy.” Baradwaj Rangan, 29 Sept.

2024, baradwajrangan.wordpress.com/2024/09/29/c-prem-kumar-and-the-cinema-of-

therapy/. Accessed 18 Jan. 2025.

Rangan, Bhardwaj. “Readers Write in #741: Some Thoughts about Meiyazhagan.” Baradwaj

Rangan, 7 Oct. 2024, baradwajrangan.wordpress.com/2024/10/08/readers-write-in-741-

some-thoughts-about-meiyazhagan/. Accessed 15 Jan. 2025.


Schwalbe, M. Male Supremacy and the Narrowing of the Moral Self. Journal of Sociology, 1992,

pp. 29–54.

Smith, Rachel M., et al. “Deconstructing Hegemonic Masculinity: The Roles of Antifemininity,

Subordination to Women, and Sexual Dominance in Men’s Perpetration of Sexual

Aggression.” Psychology of Men & Masculinity, vol. 16, no. 2, Apr. 2015, pp. 160–69,

https://doi.org/10.1037/a0035956. Accessed 30 Dec. 2024.

Tagare, Subodh, and S. Vejay Anand. “Throwback: Raymond’s Journey to ‘the Complete

Man.’” Www.storyboard18.com, 1 May 2023,

www.storyboard18.com/quantum-brief/throwback-raymonds-journey-to-the-complete-

man-7640.htm. Accessed 10 Jan. 2025.

Tulla, Mayuka. “Evolution of Indian Cinema and Its Impact on Indian Culture: Bollywood and

Tollywood as Cases in Point.” Journal of Student Research, vol. 12, no. 3, Aug. 2023,

https://doi.org/10.47611/jsrhs.v12i3.4266. Accessed 27 Dec. 2024.

wordaaddict_. Instagram.com, 5 Jan. 2025, www.instagram.com/p/DEaZLlQMJl9/.

wordaadiict_. “Saloni on Instagram: "in the Introduction Scene Shammi’s Character

(@Fahadhfaasil_universe )Is Revealed through His Appearance and Actions. Despite

Being Clean-Shaven, He Sports a Thick, Bushy Mustache, Reflecting His Attempt to

Embody a Conventional Masculine Image. As He Gazes into the Mirror, a Subtle

Moment Unfolds as He Removes a Bindi, Rejecting Any Association with Femininity

and Muttering to Himself about Being a ‘Complete Man’ like Raymond.

This Scene Sets the Tone for Shammi’s Desire to Assert His Dominance as the Man of

the Household. Despite Presenting Himself as Progressive, He Subtly Embraces Toxic


Masculinity, a Trait That Becomes More Evident as the Story Unfolds. In a Later Scene,

He Strategically Positions Himself as the Head of a Household Predominantly Run by

Three Females, Showcasing His Deep-Seated Insecurities An….” Instagram, 2020,

www.instagram.com/p/DEU5oF-yR_A/. Accessed 1 Feb. 2025.

Yadav, Sneha. “Brand Saga: The Era of ‘the Complete Man’ Ft Raymond.”

Www.socialsamosa.com, 11 Mar. 2021, www.socialsamosa.com/2021/03/brand-saga-

raymond-advertising-journey/. Accessed 10 Jan. 2025.

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