(Forensic Psychotherapy Monograph Series) Ronald Doctor - Murder - A Psychotherapeutic Investigation-Karnac Books (2008)
(Forensic Psychotherapy Monograph Series) Ronald Doctor - Murder - A Psychotherapeutic Investigation-Karnac Books (2008)
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Other titles in the
Forensic Psychotherapy Monograph Series
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A Psychotherapeutic
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1 Foreword by
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1 Forensic Psychotherapy Monograph Series
2 Series Editor Honorary Consultant
3 Brett Kahr Estela Welldon
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First published in 2008 by
Karnac Books Ltd.
118 Finchley Road
London NW3 5HT
ISBN13: 978–1–85575–572–7
www.karnacbooks.com
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122 CONTENTS
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20111 ACKNOWLEDGEMENTS vii
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7 Tony Maden
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Introduction 1
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Ronald Doctor
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CHAPTER ONE
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4 Life after death: a group for people who have killed 9
5 Gwen Adshead, Sarita Bose and Julia Cartwright
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7 CHAPTER TWO
8 Murder: persecuted by jealousy 35
922 Peter Aylward and Gerald Wooster
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CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
REFERENCES 117
INDEX 123
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20111 would like to thank Karen-Anne Quatermass for her contribution
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20111 hroughout most of human history, our ancestors have done
1 rather poorly when dealing with acts of violence. To cite but
2 one of many shocking examples, let us perhaps recall a case
3 from 1801, of an English boy aged only 13, who was executed by
4 hanging on the gallows at Tyburn. What was his crime? It seems that
5 he had been condemned to die for having stolen a spoon (Westwick,
6 1940).
7 In most cases, our predecessors have either ignored murderous-
8 ness and aggression, as in the case of Graeco-Roman infanticide,
9 which occurred so regularly in the ancient world that it acquired an
30 almost normative status (deMause, 1974; Kahr, 1994); or they have
1 punished murderousness and destruction with retaliatory sadism, a
2 form of unconscious identification with the aggressor. Any history of
3 criminology will readily reveal the cruel punishments inflicted upon
4 prisoners throughout the ages, ranging from beatings and stockades,
5 to more severe forms of torture, culminating in eviscerations, behead-
6 ings, or lynchings.
7 Only during the last one hundred years have we begun to develop
8 the capacity to respond more intelligently and more humanely to acts
922 of dangerousness and destruction. Since the advent of psychoanalysis
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xiv EDITOR AND CONTRIBUTORS
Sarita Bose has worked in high security services for eleven years,
and is currently a nurse therapist in the Centralised Group Work
service in Broadmoor Hospital. She has a Masters’ degree in
Psychodynamics of Human Development from Birkbeck College and
a Diploma in Forensic Studies from the Portman Clinic.
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20111 abhor violence. The real thing—as opposed to the glossy
1 Hollywood version—has a unique power to disturb, so the
2 witnessing of even a single punch thrown in anger lingers in the
3 mind for years. So I can still recall vivid images of occasional violence
4 witnessed at school, when many other memories of that time have
5 been lost in the neurological soup. And I was at a good school, where
6 violence was a rare event and mild by any standard. Murder is at
7 the opposite end of the spectrum, so it is understandable that we are
8 tempted to shy away from the almost overwhelming horror it evokes.
9 The temptation takes many forms. In forensic mental health we
30 may assume that because a homicide arises from illness it must be
1 totally irrational and therefore impossible to understand. There is
2 no point wasting time and energy on impossible tasks, so we get
3 on with the business of treating the illness with chemicals. In busy
4 clinics, the pressures to treat and to fill in all the forms leave little
5 time for consideration of the patient’s internal world in anything but
6 broad-brush terms. The pressures are real, but we sell ourselves and
7 our patients short if we fool ourselves into thinking there is no more
8 to observe than whether delusions or hallucinations are present or
922 absent.
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122 INTRODUCTION
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20111 his book is a sequel to the edited book Dangerous Patients: A
1 Psychodynamic Approach to Risk Assessment and Management. It
2 brings together clinicians who specialise in various aspects of
3 forensic psychiatry and psychotherapy in order to consider the
4 difficult and problematic issues of dangerousness and murder.
5 This particular volume places the emphasis on working in
6 psychodynamic psychotherapy with patients who have killed, in
7 order to gain a greater understanding of their internal world and
8 object relationships. I am proposing that entering into the intensity
9 of the clinical experience itself, meeting and facing the feelings
30 as they emerge within the microcosm of the transference and
1 countertransference, provides an “experience-based” opportunity for
2 therapist and patient to discover and explore the violence, both
3 conscious and unconscious, within a safe environment. The phrase
4 “evidence-based” has spread from medicine to psychiatry and now
5 to psychotherapy, but as a phrase, and in forensic psychotherapy in
6 particular, it resonates with the lawyer and the tribunal in us more
7 than the doctor or the therapist. The claim “evidence-based” seems
8 to brook no argument and dismisses all those activities, clinical
922 opinions and theoretical ideas which are not easily demonstrated or
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2 RONALD DOCTOR
for which there is not yet sufficient evidence. This makes them seem
unreasonable, if not reprehensible. It is a phrase which supplies
a sense of authority in situations where uncertainty is a daily
companion, anxiety is high and needs are pressing (Britton, 2003).
The other aid to “experience-based” and personal knowledge in such
difficult situations is that a number of these chapters have arisen in
the context of workshops and supervisions, and it is the authority
of experience that is relied on.
When viewed from a psychoanalytical standpoint, even the most
apparently insane violence has a meaning in the mind of the person
who commits it. There is a need to be aware of this meaning and to
learn from it in an attempt to prevent further violence. One of the
objectives of this publication is to provide professionals working in
this field with a means of approaching the subject of extreme
dangerousness and murder with enriched understanding, in the hope
that the risks of violence in their patients may be reduced. However,
this is a demanding option which involves risk on various levels,
both physical and emotional. Being in the presence of a violent
patient induces enormous anxiety, and our thinking may become
impaired. There is a danger that our own emotional violence, when
faced with a violent patient, may threaten to undermine our self-
esteem and our sense of professional identity (Doctor, 2003).
The Oedipus complex has been recognised as the central conflict
in the human psyche—the essential group of conflicting impulses,
phantasies, anxieties and defences. If we consider the Oedipus myth
from the angle of the role played by the gods, we can follow this
process. The god Apollo has ordained that Oedipus would kill his
father Laius and marry his mother Jocasta. Laius’ only hope was that
Oedipus would not survive; Oedipus was delivered to a shepherd
with orders to abandon him on a mountain, but human compas-
sion—the antidote to cruelty—intervened and entrusted the child to
a Corinthian shepherd. After killing his father and marrying his
mother, Oedipus had to root out his father’s murderer, and pursued
this course with persistent vigour. The tragic revelation led to his
plucking out his eyes and his abandonment to cruel exile.
Thus the violence relates to a core phantasy that involves both
the primary relationship with the mother and phantasies about the
primal scene, i.e. the original act which created the individual. The
violence has the function of allowing the perpetrator to believe that
2
INTRODUCTION 3
122 he can create a space in which he can survive in the face of an object
2 which is experienced as terrifying. Violence is thus a communication
3 about these patients’ belief systems about themselves, about their
4 relationships with others, and about their origins. The violent act or
5 phantasy tells a story which represents the patient’s personal myth
6 of creation, and contains both pre-oedipal and distorted oedipal
7222 theories. The function of the analytic process is to follow the chains
8 of associations as manifested and enacted in the transference and
9 countertransference, and to reconstruct the narrative of their origins.
10 What is needed is a structure or setting which can take the
1 patient to the crossroads of their beginning and to explore how, when
2 he is exiled from the family, the family is in turn exiled from the
3 past, the present and, until their tragic relationship is resolved, the
4 future. The analytic work is about discovering not the trauma of a
5222 singular catastrophe that can be overcome and healed, but a trauma
6 that involves the destruction of life itself. This creates a void, an
7 overwhelming emptiness in which the continuity of life and history
8 is so brutally disrupted that the structure of life is forever torqued
9 and transformed. The patient lives in a world where there is only
20111 darkness and nothingness, and fills this crack with sado-masochism
1 and psychosis in order to encapsulate his or her murderous rage.
2 With the help of psychotherapy there is the painful awareness of
3 the loss and the hope that the patient might begin to mourn his or
4 her loss.
5 The chapters in this book are concerned with the primitive forms
6 of the Oedipus complex, the combined parental figure, the role of
7 projective identification and primitive psychotic forms of the Oedipus
8 complex, and represent an enriched understanding of violence and
9 murder.
30 The first chapter by Gwen Adshead et al is set in a special
1 hospital and is concerned with group therapy for patients who have
2 murdered. Adshead argues that all homicides occur within the con-
3 text of a group (i.e. more than two people), be it the family, the gang,
4 the community, or society. As such, an understanding of the group
5 dynamics surrounding acts of homicide may help to answer the
6 question of why some people kill.
7 She describes how the process of group psychotherapy provides
8 an intense arena in which the forensic patient can be observed, as
922 well as one in which psychodynamic change may occur. We might
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INTRODUCTION 5
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INTRODUCTION 7
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20111 “No one interrupts when the murderers talk.”
1 Paul Celan, Wolfsbuhne (1959)
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A
5 significant proportion of patients in forensic psychiatric
6 hospitals are admitted because they have killed someone.
7 Homicide is a rare event in the UK, with only 600 on average
8 recorded each year in England and Wales. This figure has remained
9 relatively constant over the last 30 years, since the abolition of capital
30 punishment, implying that of the 60 million people who live together
1 in the UK, fewer than 1000 will die each year as a result of murder
2 by another.
3 Such rare events are inevitably complex and multi-determined.
4 If we accept the psychoanalytic position that all of us (consciously
5 and unconsciously) have murderous impulses that we can sometimes
6 struggle to contain, then the question becomes: why is homicide so
7 rare? Most of us will never kill anyone even though we have these
8 murderous thoughts, so what made these people cross the line from
922 fantasy to reality? There is an urgent need to find an answer to this
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10 GWEN ADSHEAD, SARITA BOSE AND JULIA CARTWRIGHT
question: for the therapist, the public, the perpetrator, and the
victim’s family.
There is equally an urgent existential problem for the perpetrator:
how do I live now that I have done this? How do I think about myself
in relation to others? What identity can I let myself have? In this
chapter we discuss how members of a psychodynamic group for
people who have killed approach these questions. This group has
been running for a year in a high security psychiatric hospital, as
part of a centralized group work programme offering a range of
different psychological group interventions for patients in the
hospital.
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LIFE AFTER DEATH: A GROUP FOR PEOPLE WHO HAVE KILLED 13
122 develop. Similarly, Hillbrand and Young (2004) have described how,
2 in a psychodynamic group intervention for psychiatric patients who
3 had killed their parents, members of the group benefited from the
4 therapeutic effects of universality and the instillation of hope, and
5 did experience meaningful group-mediated change, especially a
6 reduction in feelings of alienation.
7222 Garland (2003) has written about the impairment of fantasy and
8 symbol formation in traumatized individuals. Fantasy and symbol
9 formation are crucial steps in the regulation and modulation of
10 negative feelings, because they are part of the unconscious cognitive
1 processes whereby emotions (which are largely unconscious) are
2 transformed into conscious feelings (Damasio, 2000). This transfor-
3 mation takes place at the boundary between the internal reality of
4 the individual and the external reality of the group(s) to which he
5222 or she belongs. Thus symbolic capacity is an essential feature of the
6 total capacity both to monitor reality and to manage negative
7 emotions by transforming them from the unspeakable into something
8 that can be communicated in the external world. If, as Garland
9 suggests, trauma impairs symbolic capacity, then this should result
20111 in trauma survivors experiencing memory problems and communi-
1 cation problems; this is in fact the case. Trauma survivors do
2 experience real problems in putting their experiences into words,
3 and do struggle with unregulated memories and emotions, especially
4 fear and anger. These are the symptoms which are therefore likely
5 to be present in any traumatized group of people and may make the
6 group process more complicated to manage. In such patients, failure
7 of symbolization and an inability to express their feelings in words
8 leads to the acting out of violent impulses and the enacting “on an
9 external stage what takes place internally in the mind of everyone”
30 (Foulkes, 1990).
1 Klein and Schermer (2000) have written about the countertrans-
2 ference responses of therapists working with groups of traumatized
3 people. He described such countertransference as being on a
4 continuum between primarily irrational personal conflict in the
5 analyst and a sense of disruption and turmoil that would be
6 normative and expected, particularly as the therapist becomes a
7 “witness” of recollected and re-enacted catastrophic events, and
8 experiences “vicarious traumatization” and vicarious grief. Ideally,
922 the therapist should be able to “work with” rather than “detach from”
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122 to real emotions which, once contained and expressed in the reflective
2 language of feelings, can be understood and resolved (Ormont,
3 1984).
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7222 Nitsun (1996) formulated the concept of the “anti-group” to describe
8 the destructive aspect of groups which threatens the integrity of
9 the group and its therapeutic development. The anti-group may be
10 located within a particular group member who may, for example,
1 drop out of the group, having been unconsciously selected by the
2 group to enact the group’s rage. Alternatively, the anti-group may
3 be located in the wider institution, and may be expressed as attempts
4 to sabotage the running of the group.
5222 Nitsun saw the anti-group as being constructed of the fantasies
6 and projections of its members. The early group, because it is not
7 yet an integrated unit, is seen as a weak or dangerous container,
8 which provokes anxiety and attack. This attack further weakens and
9 fragments the group, which invites attack, and so a vicious circle
20111 begins. The ultimate expression of the anti-group is to destroy the
1 group, but this rarely happens as there is often sufficient good
2 projected onto the group to counteract the destructive forces.
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Killing by the group
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6 Outside war, killing by groups occurs most often in the context of
7 the gang. Williams (1998) describes the dynamics of gang structure
8 as authoritarian, strictly stratified into a pecking order, and based
9 on power principles. Gangs are often made up of individuals who
30 feel mistreated by others and have little sense of responsibility or
1 connection to wider society. The gang thus constitutes an “in-group”
2 which views society as the “out-group”, which is both adversarial
3 and persecutory. The humanity of members of the “out-group” is
4 denied, allowing brutality to take place. Gangs regulate negative
5 feelings almost entirely by projecting them into an “other” (“out-
6 groups”, rival gangs or victims), and then destroying them. Any
7 expressed feelings of compassion, conscience or a tendency to
8 compromise with others are regarded as a threat to the security of
922 the gang, and are dealt with harshly and often violently. In a study
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122 Thus a common focus of group work for both the perpetrator and
2 the traumatized victim would be to prevent any further damage to
3 the symbolic capacity, and perhaps to try and facilitate the
4 regeneration of symbolic functioning by the provision of reflective
5 space in which to name and reflect on emotion. Secondly, in both
6 groups there is evidence of the importance of “ordinary” group
7222 therapeutic factors such as universality, instillation of hope and cohe-
8 siveness. Thirdly, for both groups the importance of attention to
9 countertransference and the need for supervision cannot be over-
10 emphasized.
1 By highlighting these common themes, the polarized split
2 between perpetrator and traumatized victim becomes less marked,
3 and the possibility of working with and bringing together both
4 aspects of these individuals is created. As with the restorative justice
5222 movement which aims to bring together the victim and perpetrator
6 to create an understanding of the crime in the context of the lives
7 of the individuals, so the bringing together of the “victim” and
8 “perpetrator” parts of those who have killed, in the context of each
9 as a whole individual, may help to create a sense of coherence from
20111 an otherwise incoherent story. We now want to describe another
1 aspect of incoherence, which relates to the relationship between the
2 group and the institution.
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The larger group: forensic institutions and
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organizational acting out
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7 Institutional and wider social factors can have a significant impact
8 upon trauma groups, and it is impossible to consider group psycho-
9 therapy as an isolated therapeutic exercise (Cox, 1976). Benson (2005)
30 has described how trauma within the social context of the group can
1 impact upon group processes, with parallel processes being played
2 out in the group, highlighting the need for the therapist to take into
3 account the social realities of the wider setting. Traumatic experiences
4 are often a reality of life within the high security hospital in which
5 the group takes place. In reality, all groups for perpetrators of serious
6 violence are likely to take place within some kind of secure
7 institution, so therapists need to understand how the dynamics of
8 their therapeutic work interact with the dynamics of personal
922 relationships within the institution.
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Context
All the patients in the group are detained in a high security hospital
for offenders with a diagnosis of mental illness, personality disorder,
or both. For many patients, their current psychological distur-
bance can be understood as the long-term sequelae of trauma and
childhood adversity, to a degree rarely experienced outside in the
community. They have commonly experienced a combination of
neglect, emotional, physical or sexual abuse, loss or abandonment,
and inconsistency of care. Hearing from the patients themselves
or reading about their histories is very distressing; it is sometimes
difficult to comprehend how one human being/infant/child
enduring so much pain and suffering could actually survive.
As a consequence of their traumatic experiences, the patients’
emotional and personality development has been severely impaired.
Patients’ internal worlds are fragmented and/or un-integrated, and
they utilize very primitive defence mechanisms to manage their
feelings. These patients appear to be emotionally and psychologically
stuck, functioning at pre-verbal or very young levels of psychic
human development. The role of the staff of forensic institutions is
to both physically and psychologically contain the patients’ capacity
for destructiveness, without becoming destructive themselves.
What is perhaps most alarming about this patient group is their
capacity to act out so that cruel or murderous fantasies do not
stay simply in their internal world. Managing this risk is the primary
task that unites approximately 1200 employees. However, the
nursing staff and other therapists also have to attend to the patients’
therapeutic needs and care for them in the traditional role of health
professionals. Nurses especially may then find themselves caught
between the conflicting demands of containing the patients and
caring for them (Aiyegbusi, 2003).
Most therapy takes place off the wards. The homicide group
described here is a new venture for the centralised group work
programme (CGP), which provides a wide range of group therapies
in the hospital. All patients can be referred to the unit for treatment.
The Consultant Psychiatrist (RMO) of each ward makes referrals for
any of their patients, in collaboration with their clinical team. The
unit has been open for two years, and is managed jointly by a Clinical
Nurse Manager (CNM) and a Lead Psychologist. The facilitators or
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eyes and sighing with relief. I took the phone, now feeling
slightly anxious.
Claire: “What I want to know is what happened in last week’s
group . . . You do know what happened here, don’t you?”
I felt her to be slightly intrusive and demanding.
SB: “Yes, Jenny just informed me.”
Claire: “Yes, well, he self-harmed last week in the afternoon.
He said that it was because of the homicide group that
morning. What I want to know is what you talked about
. . . [she did not give me time to answer] . . . I mean I
presume you talked about ground rules, did introductions
and talked about what the group was about.”
SB: “Yes, that’s correct.”
Claire: “Well, I don’t think he should go to this group. It’s too
much for him. I did say so, and really he shouldn’t have
gone last week. He already attends two groups on our
ward and is struggling with them. Your group on top is
too much for him.”
I felt this was said in an apparently caring and non-angry way,
which also felt patronizing.
SB: “I was wondering what Bill thought of all this?”
Claire: “Oh, he wants to attend your group, but I think it’s
too much for him.”
I then attempted to voice my opinions on why he should
continue to attend the group. However, she continued to
counter my thoughts with “I still think it’s too much for him”
or “It’s a wider issue”.
We finished this conversation with her suggestion that she
would talk to Bill again before the group started this morning.
At this point my co-facilitators appeared and I relayed my
telephone conversation to them. They thought of more reasons
for him to attend. I initially asked my co-therapist GA, who
is a consultant psychotherapist, to ring Claire back, but after
some discussion we agreed that I would ring her back as I
had spoken to her earlier and the discussion should remain
within the same professional group. GA decided to ring Bill’s
RMO (a fellow doctor), knowing he was in support of his
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122 could not act to contain it. Bill’s father and mother could not connect
2 over his need for treatment and containment, just as the RMO, Claire
3 and the therapists could not connect.
4 An individual re-enactment for Bill was mirrored and amplified
5 in the relationship between the group and the clinical team. Bill’s
6 anxiety about (and enjoyment of) his own cruelty was projected
7222 into the team and split between members of that work group. We
8 then, in the therapy group, mirrored the split in the clinical team.
9 What was apparently a specific work anxiety to nurses (and other
10 professionals) was also an expression of the patient’s anxiety. Bill
1 seems to have projected split off parts of himself into the immediate
2 ward nursing staff. This generated a split in the staff, who now divide
3 into those who can’t bear to think about Bill’s murderous rage
4 (mother) and those who can (father). It appears that this process
5222 culminated in the team refusing to send Bill to the group when a
6 week earlier they had agreed to send him. This indicates a real
7 incoherence in the family of the team.
8 These unconscious projections of work-specific anxieties are
9 then acted out between the ward team and the therapy team. This
20111 work anxiety mirrored our own anxieties about being ignored and
1 belittled, and our fears that our newly-born group was under threat.
2 We found ourselves feeling angry and contemptuous, experiencing
3 an omnipotent attitude that we can provide effective treatment,
4 but “they” (less competent others) are preventing it. After reflection
5 and supervision, we could hear Claire’s concerns about Bill’s
6 vulnerability, and then work together with the clinical team to
7 ensure that both his vulnerability and his risk to others are as well
8 contained as possible by the group.
9 We also became aware that at a wider organizational level there
30 were plans from senior management to close Claire’s ward down.
1 The ward team was literally facing being “killed off” in its current
2 form. Historically, this ward had enjoyed high praise and recognition
3 for their full in-house group work programme, which was run as
4 part of the patient’s daily routine. One could understand Claire’s
5 difficulty in letting Bill attend a group off the ward in terms of her
6 unconscious anxieties of helplessness, envy and rage that another
7 group was taking away her “work life”. These anxieties were then
8 manifested in an attack on the unit’s group work by preventing her
922 patient from attending.
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122 feelings and as a “witnessing third party” (Aylward & Wooster, this
2 volume).
3 All these different perspectives can be generated in the under-
4 standing of just one telephone conversation. This suggests that it is
5 vital to pay attention to the language used in the therapy of offender
6 patients. In the next section, we describe how incoherence of thought
7222 is expressed in the language of the group.
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9 Crossing the line: the language of the group
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1 One of the intriguing technical questions for group therapists
2 working with “special” groups is to what extent the material of the
3 group could be found in any psychodynamic group (anxieties about
4 deprivation, competition, basic assumptions, resistance), and how
5222 much seems specific to the psychological task. In this homicide
group, there is a real danger that the therapists will be so preoccupied
6
with the murderous material that they will miss the ordinary stuff
7
of group discourse that needs to be reflected on. If they fail to
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interpret ordinary group process, then there may not be sufficient
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group matrix to hold the group together, and something or someone
20111
will be missed or lost to the group. This in turn may be experienced
1
as a type of “killing off”.
2
After each group, we keep process notes that serve as the basis
3
for this discussion. We have concentrated on the metaphors and
4
process, not the individuals; however, in general terms it may be
5
helpful to know that the group consisted at the start of seven men:
6
Brian, Bill, Sam, David, Patrick, Robin and Charles. Brian, Robin and
7
Patrick all killed a partner; the other members all killed parents or
8
step-parents. The men range in age from 26 to 65.
9
Two group members, Patrick and Robin, are still actively
30 psychotic, whereas Sam and Bill are not. Patrick is virtually silent;
1 attempts to explore this with him and in supervision have so far
2 proved inconclusive. Robin has been unwell since the group began.
3 Bill is a frequent absentee compared to the others, although he seems
4 to have made a good engagement with the group in other ways. He
5 is still the focus of a certain amount of institutional acting out. Two
6 people have left the group: Charles, who said that the group was no
7 help to him, and left after six months, and David, who had a planned
8 departure from the group at nine months, when he was transferred
922 to another hospital.
25
26 GWEN ADSHEAD, SARITA BOSE AND JULIA CARTWRIGHT
In the beginning . . .
There was a great deal of tension and fear at the start of the group,
as expressed by the acting out in terms of attendance. Brian never
came back to the group after the first session, and there was another
man (Isaac), who was meant to join when he recovered from a back
problem, but never did. Bill would often just not come, sending a
message that he “could not be bothered to get out of bed”. We
interpreted this as partly a reflection of the enormous anxiety about
what might happen in the group, and what the group members
thought we might expect of them.
The material in the early stages indicated a great deal of paranoid
anxiety. In any new group, anxiety is both expected and under-
standable, but in this group, the anxiety was connected with death
and destruction. The first time one of the three facilitators was away,
Robin said: “I wonder how we’d all feel if, because of what we’d
done, something happened to the therapist.”
One session was dominated by discussion of the “Big Brother”
TV programme. The links with the group were all too clear: a group
of people trapped together in a situation, being observed all the time
by unseen critical forces who set them impossible tasks. There were
references to “sadistic producers winding people up”, and to the
therapists putting thoughts into the heads of the members. We made
the link with ourselves, but also linked the material with the
experience of group members that being “made” to think horrible
things (for instance by illness or by drugs) had led to fatal violence.
We also responded to the view often expressed at the start that
no-one could understand their experience, that we were too young
or inexperienced, that it was too traumatic, that we would patronize
them or use what they said against them. We sometimes struggled
to separate out what was neurotic anxiety, and ordinary resistance
to the analytic process, from the reality that we had not been through
what they went through, and it might be the case that there were
some things in their minds that could not be understood.
26
LIFE AFTER DEATH: A GROUP FOR PEOPLE WHO HAVE KILLED 27
27
28 GWEN ADSHEAD, SARITA BOSE AND JULIA CARTWRIGHT
28
LIFE AFTER DEATH: A GROUP FOR PEOPLE WHO HAVE KILLED 29
29
30 GWEN ADSHEAD, SARITA BOSE AND JULIA CARTWRIGHT
At which point it was time to stop. The issue of the identity of being
a murderer is a recurrent theme: can they be something else apart
from their offence (or “my index”, as it is often referred to)? Several
members have described the feeling of unreality that they had at the
time of the killing and subsequently; and also sometimes finding it
hard to believe that the person is dead. At least one person in the
group has indicated that he experiences his victim as still alive.
Anniversaries of the homicide, visits to the grave and Christmas have
been potent reminders for people of what they have done, and how
impossible it will be to forget it.
Metaphors of courts, trials and juries have been useful for
exploring not only their experience but also unconscious anxieties
about the group process and the facilitators. Bill came with a dream
about a jury, and the difficulty of explaining what had happened
both in the dream and in reality. Two of the therapists were absent
due to court work during the group, and we disclosed this in order
to bring the reality of the larger group process of justice to life in the
group. We think this has facilitated discussion of the anxieties that
relate to the group, as evinced perhaps by this:
30
LIFE AFTER DEATH: A GROUP FOR PEOPLE WHO HAVE KILLED 31
122 “In other places, I would get the death penalty for what I’ve
2 done . . . I had a mad thought that I should give a life for a
3 life.”
4 “Are you judging us?”
5
6 At time of writing, we are planning to bring new members into the
7222 group. This is a deeply unpopular idea with the existing group
8 members, two of whom have announced that they want to leave.
9 We think there must be a fundamental anxiety that the arrival of new
10 members means the annihilation of some sort of current existence,
1 and a hopeless future. We also wonder to what extent it makes sense
2 to think of the parricidal patients as having committed their homicide
3 as an attack not just on their parents but on their siblings and their
4 family structures.
5222 Some of the distress at new members may be because the
6 members have begun to function as a group. Recently, Robin said
7 that whenever he heard the word “group”, he thought of a band of
8 singers. Somewhat manically, we asked each man what role he
9 thought he played in the band. Robin said he was the bass guitar,
20111 Bill said he was the man who drove the van for the band, and Patrick
1 said he was the piano player. We commented on a lack of vocalists,
2 at which Robin said to one of the therapists: “You aren’t doing so
3 badly!”
4 This moment of play is a reminder of how far we have come in
5 terms of trust. We have no doubt that ordinary group dynamics
6 operate and need to be attended to by the therapists and in super-
7 vision. But we do think there are some increased anxieties about
8 existence, absence and non-existence that are more pronounced in
9 this group than in non-forensic psychotherapy settings.
30
1
Supervision
2
3 This group would not have been possible to run without supervision.
4 We have already alluded to the need for the therapists to have a
5 reflective space in which their countertransferential feelings towards
6 the group, and each other, could be contained. More specifically, the
7 supervision space creates a third position alongside the patients and
8 therapists to aid reflection on that which remains unconscious to them.
922
31
32 GWEN ADSHEAD, SARITA BOSE AND JULIA CARTWRIGHT
This movement from the inner world of the dyad to the outer
triadic world can seem like a “bridge too far” for both therapists and
patients. We are familiar with the usual range of resistances and
defences to psychological pain that any patient can bring to a thera-
peutic encounter. These defences and resistances are echoed in the
parallel process of supervision, which is therefore well placed to see
what cannot be seen by the therapists, who are caught up in the
process. This is particularly so in groups where there are multiple
different types of resistance occurring simultaneously. One key issue
for the supervision of this group is the extent to which both the
patients and the therapists defend against psychological pain and
distress by “killing off” the reflective space.
In the introduction to our paper, we commented that there is
an urgent need to find out why some people cross the line from
homicidal fantasy to murderous reality. Aylward and Wooster (this
volume) suggest that
32
LIFE AFTER DEATH: A GROUP FOR PEOPLE WHO HAVE KILLED 33
122 discourse between the murderer and the victim, and is thus in a
2 position not only to express his own voice, but to record and report
3 on the voices of the other two. In this context, it is interesting to note
4 the mirroring with the traumatic stress literature, where “witness
5 testimony” becomes an important part of the process of recovery
6 from trauma.
7222
8
Conclusion
9
10 The group is now a year old, and has begun to be more sure-footed
1 psychologically. We are planning to bring in new members, which
2 has caused anxiety in the group and further institutional acting
3 out from one clinical team, very similar to what we experienced
4 with Bill. We have learnt an enormous amount from our work in
5222 this group, and while it can be draining and distressing, it is also
6 enormously stimulating. For example, we did not imagine that in a
7 group of such disturbed men we would have a fascinating discussion
8 about the meaning of the word “existentialism”, or about the nature
9 of trials and evidence. We have also been tested technically: what is
20111 the proper response of a therapist when a group member drops
1 to his knees and picks up a tiny shard of glass to offer to them?
2 We hope that the group can continue to survive and grow, and
3 demonstrate that there is some kind of life after death.
4
5
6
7
8
9
30
1
2
3
4
5
6
7
8
922
33
34
122 CHAPTER TWO
2
3
4
5
6
7222 Murder: persecuted by jealousy
8
9
10
Peter Aylward and Gerald Wooster
1
2
3
4
5222
6
7
8
9
20111 “Full fathom five thy father lies;
1 Of his bones are coral made:
2 Those are pearls that were his eyes:
3 Nothing of him that doth fade
4 But doth suffer a sea-change
5 Into something rich and strange.
6 Sea-nymphs hourly ring his knell:
7 Burthen Ding-Dong
8 Hark! Now I hear them,—ding-dong, bell.”
9 Shakespeare, The Tempest
30
1
O
2 ur aim in this chapter, which is a development from a
3 paper entitled “Perverse Triangulation”, presented at the
4 International Association of Forensic Psychotherapy (IAFP)
5 Conference at Arnhem in April 2003, is to explore the dynamics
6 surrounding the crime of murder. We believe that murder represents
7 the “solution” to feeling persecuted (feeling impotent while under
8 attack through being harassed, tormented and pursued) by a
922 threesome experience, i.e. in a three-person jealousy, in the delusional
35
36 PETER AYLWARD AND GERALD WOOSTER
belief that the resulting twosome will eliminate any further feelings
of persecution. The persecution is an intrinsic part of an internal
configuration, so that any external act of murder only represents a
momentary, perverse and ultimately ineffective solution. It is our
view that three-person jealousy is a critical feature in all murder, in
that it represents externally the internal experience of being killed
off in a relationship that the perpetrator had with another by the
arrival of the third. By extension we postulate that the persistent
persecution resulting from having to accommodate the third into a
two-person relationship, particularly when the subject has not yet
digested the dynamics involved in the two-person relationship,
creates the environment for murderousness to be triggered when
external circumstances mirror or approximate to such an internal
configuration.
In symmetry with this, whilst we are presenting a clinical picture
of a man who murdered his girlfriend, and whose start in life meant
that he immediately had to accommodate a third into the relationship
between himself and his mother (like a twin), at the start of this
chapter we also want to introduce into the mind of the reader (into
the relationship between yourself and the patient we are presenting)
another person: the recently convicted murderer Ian Huntley. We
intend to discuss his case briefly at the end of this presentation, as
we feel it has distinct parallels with our primary subject.
We have asked you to hold in mind the fact that we will be
discussing the Huntley case, and given its press and media coverage
and that it is a more recent example than the patient we will be
discussing, it may be that the Huntley issue holds more interest for
you and therefore your affective attachment to it is greater; this
creates circumstances in which our patient, Mr G, struggles to
compete. We are aware that this puts the reader in the position of
holding two in mind where there can be a tendency to eliminate
one for the other. Moreover, in writing this chapter, I also have to
hold a twinning in mind, in that it will also be the subject of a
presentation at the IAFP Conference in Edinburgh in April 2004 on
“Understanding Persecution”. I therefore need to relate to the
twinship of “book” and “conference” by identifying their similarities
and differences and having a relationship with both that is linked
and yet separate. Should I merge the two, then I would be murdering
the benefits of a threesome for the sake of a twosome, and whilst
36
MURDER: PERSECUTED BY JEALOUSY 37
122 this would be easier for me (less thinking and work), I would merely
2 be repeating the same crime I want to understand and think about.
3 Indeed, this is so often our experience: when the press and media
4 report a murder, they commit the very crime they are so drawn to
5 reporting in that the threesomeness represented by reflective thinking
6 concerning the complexity of the situation is so ubiquitously
7222 eliminated in favour of the dyadic twosomeness of the good/bad
8 scenario to which much crime reporting succumbs.
9 To begin with our patient Mr G, we feel there were two significant
10 areas of trauma in his early infancy. The first was the loss of his father
1 five months prior to his birth. This was a trauma for his mother, who
2 was unable to come to terms with this loss and mourn appropriately.
3 Research work, particularly by Lewis and Bourne (1984, 1992), has
4 shown how difficult it is for normal mourning processes to take place
5222 approaching or around the time of birth. The denial and confusion
6 involved in accepting minus one at the time of creating plus one has
7 been further highlighted by the same researchers’ important work
8 on stillbirths, which demonstrates the hidden resistances which
9 appear to occur both to mourning and to its subsequent remembering
20111 and recording in history. Their research work illustrates how difficult
1 it is to sort out the emotional complexities of situations where births
2 and deaths are found in close proximity. When Mr G was born, not
3 only was he given part of his father’s name, but we believe that in
4 fantasy he became identified with his biological father by his mother
5 through projective identification. Effectively he had forced on him
6 the third dead other as a compound image in the relationship
7 between his mother and himself. He therefore had to embrace
8 another into himself, whereby a part of his own self was killed off:
9 he was related to by his mother as if he were the dead husband/
30 father who was now still alive, causing a part of his own newly alive
1 self to be killed off. We are suggesting that Mr G’s mother became
2 traumatized by the loss of her husband, who represented one point
3 of the triangle (the points of the triangle being mother, father, son),
4 and being unable to deal with this loss and thereby unable to hold
5 her part in the triangle, she projected the loss of the father into her
6 foetus/son. This gave rise to Mr G having to embrace that which
7 represented his father, and he has consequently lived his life being
8 persecuted by any tendency towards a threesomeness, which always
922 tends to carry the seeds of threats leading to eruptions of murderous
37
38 PETER AYLWARD AND GERALD WOOSTER
38
MURDER: PERSECUTED BY JEALOUSY 39
122 In this opening session it was as if I were being put in the same
2 affective field as he had been postnatally, in having something
3 historically interfere with the initial attachment, forcing him to
4 accommodate its presence. I believe my response to him, which was
5 in support of the real relationship between the two of us not being
6 affected by the relationship he had with the “deadness” of the
7222 written word, at the same time not denying the importance of it,
8 provided him with something good.
9 An alternative solution would have been that the therapy or his
10 library trips would have been lost (a potential of three being reduced
1 to two), and as soon as he introduced the dilemma, this momentarily
2 became a real option, as if a form of murderousness featured. It is
3 this unexpected intrusion into the dyad that Mr G was originally
4 faced with postnatally, and this was a critical feature in his index
5222 offence. Just prior to his index offence he learnt that his girlfriend
6 was meeting with a male work colleague socially, apparently because
7 she was helping him with a problem. They returned to the
8 accommodation where Mr G and his girlfriend were living, and spent
9 a while in the late evening talking together, during which time Mr
20111 G recalls feeling enraged and livid with jealousy. After this man left,
1 they retired to their separate beds (they were living in his girlfriend’s
2 father’s house), and in the early morning Mr G strangled his
3 girlfriend, after which he had the impulse to have intercourse with
4 her, but was physically unable to do so. We believe his murder was
5 a “solution” whereby he brought to an end the feelings of jealousy
6 which were persecuting him. In exploring the identifications and
7 symmetries at the time of the offence, it is important to consider that
8 at the time he believed his girlfriend was a few days pregnant with
9 his child, so that effectively he believed he was killing a mother who
30 was pregnant with child. Here we believe that at the moment of
1 strangulation he was killing his girlfriend (representing his mother)
2 with a child (representing himself). This would place him as
3 identifying perversely with his father. In essence he was killing off
4 his own self whilst at the same time surviving (akin to his mother’s
5 experience, where a death was survived when her husband was
6 recreated in her son, Mr G). That a pregnant mother was killed off
7 reverses the original scenario where the pregnant mother survived
8 the death of the father. The trigger for this murder was the jealousy
922 he felt creating the potential for the loss of his girlfriend to somebody
39
40 PETER AYLWARD AND GERALD WOOSTER
40
MURDER: PERSECUTED BY JEALOUSY 41
41
42 PETER AYLWARD AND GERALD WOOSTER
42
MURDER: PERSECUTED BY JEALOUSY 43
43
44 PETER AYLWARD AND GERALD WOOSTER
44
MURDER: PERSECUTED BY JEALOUSY 45
45
46 PETER AYLWARD AND GERALD WOOSTER
46
MURDER: PERSECUTED BY JEALOUSY 47
47
48 PETER AYLWARD AND GERALD WOOSTER
48
MURDER: PERSECUTED BY JEALOUSY 49
49
50
122 CHAPTER THREE
2
3
4
5
6
7222 Women who kill: when fantasy
8
9
becomes reality
10
1 Anna Motz
2
3
4
5222
6
7
8
9
W
20111 e are all guilty of the wish to murder, all subject to
1 thoughts of killing, and all capable of extreme violence
2 in fantasy. But to translate such feelings into action
3 requires some other, qualitative shift from ordinary fantasy to
4 extraordinary behaviour. What happens when murderous wishes,
5 either unconscious or indeed conscious, are actualised? Why can’t
6 thoughts be kept in the mind rather than acted out? In this chapter
7 I will address the specific dynamics of mothers who kill, at moments
8 of disastrous identification both with their infants and with their own
9 depriving/killing mothers.
30 The question I pose in this paper is how best to understand, from
1 an analytic perspective, women who move from murderous thoughts
2 to murderous behaviour. I will illustrate the discussion with the
3 clinical case of a woman who killed her four-year-old daughter.
4 In this case reason is clouded by the fact of psychosis. Nonetheless,
5 the murderous rage which underpins the act is neither rational
6 nor irrational; it is more primitive, an expression of unconscious
7 phantasy.
8 For those women who have experienced cruelty in their own
922 childhood, becoming a mother, while apparently providing an
51
52 ANNA MOTZ
52
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 53
53
54 ANNA MOTZ
54
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 55
122 for women with these early experiences of deprivation, neglect and
2 cruelty, and therefore also become objects to be used as receptacles
3 for violent impulses. De Mause’s notion of children as poison
4 containers is highly relevant here, in his conceptualisation of infants
5 as universal receptacles of unwanted impulses, as the carriers of toxic
6 human feeling. I will illustrate these complex dynamics with the
7222 following (disguised) clinical material, which contains distressing and
8 disturbing details about a mother who killed her child.
9
10
1 Clinical illustration
2
3 The offence
4 Dolores, a single mother of Eastern European origin in her late
5222 twenties, had been living alone with her two young daughters, one
6 aged four (Angel) and one aged seven, when she had attempted to
7
kill both of them and herself. She had become convinced that the
8
girls were in danger of abduction by a paedophile gang who would
9
use them in “snuff movies”, i.e. pornographic films in which an actual
20111
murder is filmed. She had planned the homicides and own suicide
1
in some detail, but the decision to carry them out seemed to have
2
been made on the day of the offence. She had taken the children to
3
school as usual and then prepared the materials for their deaths,
4
hanging three nooses in her home as well as mashing barbiturates
5
6 into the children’s pudding; she had hoped that this would sedate
7 them so that she could gently suffocate them before hanging them
8 and then herself. She was convinced that the house was being
9 observed by the ringleaders of the paedophile gang and that the
30 people she encountered on the way home were spies for this gang,
1 using their mobile phones to alert one another about her movements.
2 She had attacked Angel’s head with an ice pick prior to drowning
3 her. During this frenzied and violent attack, one that she said she
4 had never intended to be painful for the child, her older daughter
5 escaped, although she had also suffered head injuries. The older
6 child ran for help, but by the time the police arrived and managed
7 to gain entry to the house, they found the younger girl dead in the
8 bath and Dolores in a frenzied state, searching for her older daughter,
922 claiming she needed to “save” her as she had “saved” Angel.
55
56 ANNA MOTZ
Mental state
Dolores was transferred very shortly after being imprisoned and
subsequently detained under sections 37 and 41 of the Mental Health
Act, having pleaded guilty to manslaughter by virtue of diminished
responsibility. She was considered to be suffering from a psychotic
disorder at the time of the offence and was to receive treatment at a
medium secure unit. I saw her for weekly psychotherapy from the
time of her admission into hospital until after her discharge into
the community: a total of four years.
Despite the horror of her own history in childhood and recently
as the killer of an apparently beloved child, Dolores managed to
present a superficial veneer of calmness, rationality and charm. As
a kind of “false self” personality she was always polite and friendly
to me, beautifully dressed with make up, fashionable clothes and
freshly washed and styled hair. Her sense of herself as located in her
physical body was highly evident, and she seemed to attempt control
over inner chaos through rigid control over her appearance, and a
mask-like made up face. She appeared in many ways like a doll, with
a steady, impermeable gaze and artificial, but delicate and precise
gestures.
When I asked about her feelings of guilt at our first meeting,
she replied that she felt terribly guilty, not because she had killed
the younger child but because she had not succeeded in “saving”
(i.e. killing) the surviving child. She revealed an underlying and
pervasive belief in the delusion which had guided her—that she
needed to kill to save.
Often she would begin sessions by relating details about her
wardrobe or her plans to return to her previous employment as a
beautician. While this revealed something about how she had
covered up her illness and hidden the facts of abuse in her own
life from her adoptive parents, disguising the fact of her paranoid
delusions from those around her, including her daughters’ father, it
also conveyed the quality of distant communication and avoidance
in our sessions. Everything bad or frightening, violent or destructive
was covered up and made safe. Dolores was fascinated by fake-ness,
and delighted in her false nails, which struck me as symbolic of
weapons that couldn’t actually harm, as well as providing her with
a sense of glamour and grooming.
56
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 57
122 Background
2
Dolores’s mother already had three older daughters before she had
3
been conceived as a result of a relationship with a foreign sailor.
4
She decided to give Dolores up for adoption at 10 days old. Dolores
5
was four when she learned that she had been adopted (the same
6
age as her murdered child). She had felt totally devastated and
7222
betrayed by this revelation, and saw its disclosure as an act of
8
cruelty by her mother. Her adoptive father had lavished attention
9
on her, but she felt that her mother resented this and had told her
10
she was not really “theirs” as punishment. She had been sexually
1
abused in childhood, and felt that her mother had always disliked
2
her, treating her with a degree of distance and harsh discipline just
3
falling short of physical abuse.
4
She had a history of anorexia/bulimia, shoplifting and self-harm,
5222
displaying what may be considered a typical constellation of female
6
expressions of disturbance, and of violence, largely directed towards
7
the self. In adolescence she became promiscuous and formed many
8
short-term sexual relationships with men. An attractive and vivacious
9
girl, she had tended to prefer the company of men to women, but
20111
remained very close to one older woman. At age 17 she had become
1
desperate to meet her natural mother, and had traced her, only to
2
discover that she had moved to Central Europe with her third
3
husband. She had travelled to meet her, and described feeling a
4 strong bond with her and with her sisters, denying feelings of envy
5 or rejection.
6
7
8 Progress in therapy
9 At initial presentation Dolores was clearly psychotic, believing the
30 hospital was a factory for experimentation and that various patients
1 had special connections with the CIA and other secret groups.
2 She attributed special significance to simple statements, ascribing
3 meaning to commonplace phrases which indicated that she was in
4 a unique and privileged relationship to the speaker. Her florid
5 delusions abated within the first six weeks, and nursing staff became
6 concerned that with her increasing insight into the horror of her
7 actions, a strong suicidal tendency would emerge. It was at this point
8 that she was referred to me for “supportive psychotherapy” and
922 psychodynamic evaluation.
57
58 ANNA MOTZ
58
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 59
122 The unbearable irony of her killing Angel to save her from
2 imagined suffering and eventual murder was also too much for
3 Dolores even to contemplate. It was equally impossible for her to
4 consider the sense in which she, in identification with a cruel mother
5 and envious of a loved child, might wish to inflict suffering on another.
6 At some level she was in touch with a sense of real guilt, and never
7222 fully accepted that responsibility lay in her loss of the distinction
8 between fantasy and reality and the power of her delusional beliefs.
9 It is possible that this guilt seemed somehow misplaced, as she had
10 so clearly been psychotic at the time. I wondered if her guilt feelings
1 stemmed from awareness of actual neglect or some inklings of
2 her unconscious hostility, as she seemed to have discounted the fact
3 of her apparently psychotic breakdown, seeing herself as wholly
4 responsible for Angel’s death. In this case the therapeutic task
5222 involved helping her to relinquish a sense of guilt, whereas in so many
6 cases in forensic work the aim is precisely the opposite, to encourage
7 guilt and remorse.
8 Through getting to know Dolores and hearing about her tremen-
9 dous rage at the adoptive mother who betrayed her and her natural
20111 mother who gave her up, I formed a hypothesis about the meaning
1 of her offence. I would suggest that in an important sense this
2 murder had been directed at someone else, at the mothers who had
3 abandoned her. This homicidal motivation can also be seen in her
4 own attempted suicide: she herself was a mother who had failed.
5 Although danger apparently lay in the nameless, faceless “gang
6 of men” who lived to torture her and her children and to immortalise
7 their pain and humiliation in film, this gang could be understood as
8 the family unit of the strangers who had raised her and exposed her
9 to abuse. Her deceptive adoptive mother and abandoning natural
30 mother could be seen as the unconscious targets of her murderous
1 rage, who were out of reach. Symbolically the murder also stood for
2 suicide, as Angel also represented Dolores herself, the four-year-old
3 child who had learned that her apparent mother was a fraud, that
4 she had been given away, killed off. From very early on, Dolores
5 had felt she could trust no-one.
6 Welldon has shown how women who kill or harm their children
7 behave towards them as narcissistic extensions of themselves,
8 treating them as they themselves were by treated by their own
922 mothers. Linking this notion with the deep tie between homicidal
59
60 ANNA MOTZ
60
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 61
61
62 ANNA MOTZ
me when I was pregnant, and at times I felt that I could not subject
her to such a cruel situation. The similarities between us, as women
of similar ages, became as undeniable as the differences once my
pregnancy was obvious and I informed her that I would be going
on maternity leave. She reacted with extreme concern and solicitude.
62
WOMEN WHO KILL: WHEN FANTASY BECOMES REALITY 63
122 and of childbearing age, and are even more intense when the
2 therapist is herself actually and visibly pregnant.
3 A personal example of this which I can share, in relation to the
4 clinical material just presented, comes from my own pregnancy,
5 when I became convinced in a session with Dolores that my unborn
6 baby had actually died inside me. I felt as though paralysed with
7222 fear and could hardly think, let alone respond to the patient. I
8 became somewhat suspicious, wondering whether the patient had
9 willed this apparent death. I became so focused on this fear that it
10 developed a quasi-delusional quality, and it was almost impossible
1 to retain an awareness of the patient as she sat with me in this state.
2 There are, of course, various hypotheses about why my fear should
3 have reached such intensity during this session, probably related to
4 an unconscious communication of her tremendous envy and
5222 hostility. I wondered if through projective identification I had become
6 the murderous mother, or even the dead object that I imagined I was
7 holding. I considered it most likely that Dolores had projected into
8 me her own envy and murderousness, and her desire to attack the
9 living creature whose growth I could sustain, in stark contrast to her.
20111 Perhaps through surviving this unconscious attack I was able to help
1 her to understand that sometimes her destructive fantasies could
2 be managed and defused.
3 Pregnancy in the therapist is a direct challenge to the neutrality
4 and anonymity usually aimed for in relation to the transferential
5 situation, as there is concrete and undeniable evidence not only of
6 sexual intimacy but of physical interconnection with another living
7 creature, the unborn baby. The mind as well as the body of the
8 therapist may become an unreliable, untrustworthy and otherwise
9 occupied object. There may be sense of triumph in the therapist as
30 she faces her bereft or barren patient with the fullness of her own
1 successful intercourse, or a sense of shame as she becomes known
2 in some basic, human and very vulnerable sense. How can a thera-
3 peutic alliance be preserved without direct acknowledgement of
4 the tremendous changes that the presence of this third party brings
5 to the therapy situation? It is essential that the therapist can allow
6 such thoughts to be developed, articulated and addressed, but the
7 fears of filling the room with anger or envy may still make direct
8 communication difficult. Working with women who have killed their
922 babies creates situations of great complexity and sensitivity, as well
63
64 ANNA MOTZ
64
122 CHAPTER FOUR
2
3
4
5
6
7222 Killing off the shadow: the role
8
9
of projective identification in
10 murderous acts
1
2
3
Maggie McAlister
4
5222
6
7
8
9
20111 “You have to get close to stab. You can’t be stand-offish when
1 you stab.”
2 Helen Zahavi, Dirty Weekend
3
4
5 “When they entered they found, hanging on the wall, a
6 splendid portrait of their master as they had last seen him,
7 in all the wonder of his exquisite youth and beauty. Lying
8 on the floor was a dead man, in evening dress, with a knife
9 in his heart. He was withered, wrinkled and loathsome of
30 visage. It was not till they had examined the rings that they
1 recognised who it was.”
2 Oscar Wilde, The Picture of Dorian Gray
3
4
I
5 have chosen the above two quotes from fictional writing to
6 introduce the theme that is to be the subject of this chapter: the
7 use of projective identification in acts of murder. In Oscar Wilde’s
8 novel, the protagonist, Dorian Gray, is engaged in a supernatural,
922 symbiotic relationship with a painted portrait of himself, which
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66 MAGGIE MCALISTER
66
KILLING OFF THE SHADOW 67
67
68 MAGGIE MCALISTER
68
KILLING OFF THE SHADOW 69
122 and began to develop grandiose religious delusions about saving the
2 world from evil and being the Son of God. Alongside this, he also
3 wanted to have his tattoo removed. It was at this time that he
4 encountered two strangers and mistook them, via a hallucination,
5 for “emissaries from the devil”; he returned later with a knife and
6 stabbed them to death. He has been detained in secure hospitals
7222 ever since.
8 The reason for Mr D’s referral to the psychotherapy department
9 was that his consultant and the treatment team felt that he was able
10 to repeat, parrot fashion, terms and phrases he had learnt during his
1 contact with various psychologists in the past, and subsequently
2 there was some concern about his level of insight. It was thought a
3 psychotherapy assessment would help to clarify this matter. It was
4 also noted that Mr D was very eager to please and was willing to
5222 comply with anything that would ultimately facilitate his discharge,
6 and in this sense he was described as “the model patient”.
7 During our assessment, it quickly became apparent that Mr D
8 was keen to present himself as someone who was very calm and well.
9 He appeared to view the assessment as an opportunity to convince
20111 me that he had “insight into his offence”, and to this end he brought
1 along a portfolio of certificates from psychology courses he had
2 attended in the past, as proof that he had already engaged with
3 psychological work and gained “insight”. When I asked him what
4 he meant by this, he stated that he understood he had an illness
5 at the time of the offences and that what he was experiencing were
6 hallucinations and delusions. He also stated that he knew he needed
7 to be on medication for the rest of his life as it kept him tranquil-
8 lised and calm. He repeatedly stated that he had “coping strategies”
9 now, in the form of medication and what he had learned from his
30 psychological help. He did not feel that he needed to undergo
1 psychotherapy, but told me that he was happy to do anything that
2 would help the team see that he was safe. He dutifully recounted
3 the circumstances leading up to his offences, describing a series of
4 “stress triggers”, and his own attempts to ask for psychiatric help,
5 but this had fallen on “deaf ears” (which he first pronounced as
6 “death ears”). I made a link with his fear of things falling on deaf
7 ears with me now, especially as I was struck by his wish to impress
8 on me the work he feels he has done and also the level of insight he
922 has gained since the time of his admission. He agreed with this,
69
70 MAGGIE MCALISTER
indicating that the doctors and I had all the power, and it was up to
us whether he was discharged or not. When I indicated that this
might make him feel he has to prove something to us, he agreed,
but also spoke about taking responsibility for his crimes. He became
very tearful at this point, and stated that he felt remorse and would
never forget what he had done. This was the only moment when the
session came to life. The overall tone otherwise was highly controlled,
dead and lifeless. Afterwards I was left wondering if even this
emotional moment of contact had been real. The other important
theme that emerged during this first meeting was his father’s violence
to Mr D, his mother and his sister when he was growing up.
After our session, I was struck by the importance of his portfolio
as something external from himself that contained all his “insight”.
In fact, the certificates had been for his attendance at very brief
psychological courses, even including a short health and safety
course. My impression was that Mr D’s coping strategy was to keep
his insight superficial, because to really understand would be to bring
back inside himself something he has needed to project into his
victims. Furthermore, in the lead-up to his offences, it was when there
was an attempt to remove something “skin deep” that Mr D became
acutely dangerous. There was a question at the time, in my supervi-
sion, about how safe it would be to attempt psychotherapy with
Mr D, and how I too might quickly come to represent something
extremely dangerous and “diabolical” that may become too
threatening for him. It was decided that I should continue, but that
we would work in a room on the ward.
The following session proceeded in exactly the same manner as
the first. I commented on this by making an interpretation about his
portfolio and the tattoo, suggesting that in the same way that he
wanted to have his tattoo removed when he became ill, the idea of
coming to psychotherapy and having the portfolio of “insight”
removed might also leave him feeling anxious about being vulnerable
and dangerous. Mr D strongly disagreed with this. However, during
the session, he elaborated further on his father’s violence, very much
conveying how he had felt unable to protect his mother or his sister
from the father’s violent attacks. It was after this time that he began
to develop delusions about being chosen by God to kill the devil and
protect all the children in the world. I linked these later delusional
beliefs with his helplessness and inability to protect his mother, sister
70
KILLING OFF THE SHADOW 71
122 or himself from his father’s attacks. However, I was also mindful of
2 the transference communication, and wondered how much he was
3 experiencing me as trying to violently force things into him, i.e.
4 interpretations and insight. In fact, I was aware of a wish to somehow
5 penetrate through his defences, a feeling which has been a consistent
6 countertransference feature throughout the therapy. I understand this
7222 as a communication from him of the central mechanism of projective
8 identification employed in his offences. For example, an interpre-
9 tation I attempted at this time was to suggest that he might have had
10 murderous feelings towards his father at the time of his beatings.
1 This was unbearable to Mr D, and he heard me say that he had
2 murderous intentions towards his family. He repeated this later
3 in a ward round, stating that he did not want to do psychotherapy
4 with me any more. However, we recovered, with Mr D very much
5222 wanting to reassure me of his religious values and beliefs and how
6 these foster feelings of forgiveness and tolerance towards his father
7 and towards anyone who might be seen to provoke feelings of anger
8 within him.
9 A feature of the treatment is how we often reach these moments
20111 of deadlock or stalemate, where my attempts to wonder about links
1 and connections are met with very flat, concrete responses, which
2 have the effect of killing meaning. This puts me in mind of Bion’s
3 concept of –K, an idea which came as a later development of his
4 thoughts on the failure of maternal reverie to act as a container for
5 the infant’s projections of extreme anxiety and “nameless dread”
6 (1962a). Bion later conceived of –K as a factor in the infant which is
7 opposed to any form of maternal understanding and containment,
8 and which in psychotic thinking can be seen as a murderous attack
9 on meaning (1962b). In this sense there is an aspect of “death ears”
30 in the sessions, both in Mr D, but also perhaps in me, where I think
1 he experiences me as someone who kills off what he is trying to
2 communicate, perhaps leaving him with the belief that the only
3 way to get through is in an extremely violent, evacuative form of
4 projective identification, very much acted out in his index offence.
5 The only way we can get out of these deadlocks is for me to
6 metaphorically sit back and allow Mr D to relax and speak less
7 guardedly about his thoughts. In this way, material emerges which
8 has more space within it and the possibility of a third place from
922 which we can view his offences. During these times, Mr D often
71
72 MAGGIE MCALISTER
72
KILLING OFF THE SHADOW 73
73
74 MAGGIE MCALISTER
74
KILLING OFF THE SHADOW 75
75
76 MAGGIE MCALISTER
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KILLING OFF THE SHADOW 77
77
78
122 CHAPTER FIVE
2
3
4
5
6
7222 The history of murder
8
9
10
Ronald Doctor
1
2
3
4
5222
6
7
8
9
T
20111 he story of the crime of murder is nearly always a cover-up,
1 an attack on history and its meaning. Hyatt-Williams (1998)
2 gives us the concept of the “death constellation”—the many-
3 faceted situation from which murder is generated. This is like an
4 iceberg—only a small portion is visible.
5 In most cases murder occurs concretely only after it has been
6 committed many times previously in daydreams, nightmares, and
7 sometimes in unconscious fantasy that has never become conscious.
8 Before the deed, conscious efforts—sometimes unconscious ones too,
9 both sado-masochistic and psychotic—are designed and devoted to
30 keeping the impulse to murder encapsulated in order to prevent
1 action. Then a sudden reversal takes place internally which breaks
2 the murderousness loose from its cordoned-off status, and the
3 energies of the individual become devoted to enacting the murderous
4 deed. The death constellation always includes a psychically traumatic
5 and indigestible experience to do with loss and death.
6 In this chapter I shall use clinical material from two patients.
7 They are both adopted, and they thus carry the experience of severe
8 loss. They sought refuge respectively in a psychotic and a sado-
922 masochistic retreat, and this made it difficult for them to mourn the
79
80 RONALD DOCTOR
Psychotic retreat
In his paper “Attacks on Linking” (1959), Bion states that: “projective
identification makes it possible for the patient to investigate his own
feelings in a personality powerful enough to contain them” (p.106).
The use of this mechanism is denied to the infant, either by the refusal
of the mother to serve as a repository for her baby’s feelings, or by
the hatred and envy of the infant who cannot allow the mother
to exercise this function. This leads to the destruction of the link
between infant and breast and consequently to the destruction or
psychotic denial of the patient’s past, narrative and history. Further-
more, since the infant has rejected the main means of dealing with
his overwhelming emotions, the exigencies of emotional life can
become intolerable. Feelings of hatred are therefore directed against
all emotions and against the external reality that stimulates them. It
is a short step from hatred of the emotions to hatred of life itself, and
ultimately to murder. When persecutory and depressive feelings
become unbearable, therefore, the psychotic patient may project the
problem concretely into a stranger and then seek relief through
attacking and murdering him (Lucas, 1993).
Sado-masochistic retreat
Glasser (1979) suggests that the unconscious aim of sadism is the
preservation of the mother and the ensuring of a continuing viable
relationship with her. The primary intention to destroy is converted
into a wish to hurt and control. Sexualised aggression or sadism
therefore acts as a binding, organising force in this internal state of
affairs, enabling defensive measures to be effective and a certain
stability to come about. It is only when this process breaks down
that sadism may revert to aggression. Sadism can thus shade into
sexual crimes, which in turn shade into crimes of violence and
80
THE HISTORY OF MURDER 81
81
82 RONALD DOCTOR
can become devalued, and the meaning of the story, in his or her own
words rather than in psychiatric translation, is too often disregarded.
For the patient, the relative vividness of the psychotic experience
can stand out against a background of impoverishment; it can form
a powerful, collective historical continuum that subsumes the
individual history. At this point the ability of the individual to
maintain a view of himself which is distinct from the image offered
to him by the psychotic spectacle begins to fade. The risk for people
with psychosis is that the full complexity of their memories of
themselves is fractioned and distilled, leaving only the most potent
of images to represent them. Perhaps the act of murder is such an
image, the sudden flash of recognition which passes from the patient
to us in a moment of extreme conflict. However, this is also the
moment of its passing, unsustainable in the aggression which has
produced it (Prenelle, 2006).
History is revealed not by the momentous events but by the ones
that lie hidden in their shadows. This is what brings the past alive
in the present, shifting the lens from the subject of history to the
history of the subject. Telling stories can be an important source of
meaning for patients. Their exploration offers opportunities for
individuals with experiences of psychosis to reclaim a sense of their
own identity and biography, and to escape, at least to some extent,
the one-dimensional narratives of pathology. Thus psychotherapy
offers such a setting where stories can be told and heard, and
histories understood. The continuous construction of the meaning
of what goes on between patient and analyst reconstructs, in the
transference, something of the history of the patient’s relationship
to his objects, the anxieties involved, and the way the defences were
built up. The work of reconstruction in analysis is a continuous
interweaving of the threads of history as experienced in the analysis
with the threads of remembered history, and this combination
enriches his understanding of himself, thus providing him with a
new autobiography (Riesenberg-Malcolm, 1999).
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THE HISTORY OF MURDER 83
122 Mr A walked into the room. He complained that his memory was
2 poor, thus ensuring that his history would consist of an erratic,
3 unreliable and protracted psychiatric narrative. At the age of 12 or
4 13 he was seen by a psychiatrist after taking an overdose. At 14 he
5 took a second overdose after threatening to kill a child in a local park
6 with a knife, and there was a third suicide attempt at the age of 20,
7222 when he jumped from a bridge. Then followed a story of numerous
8 admissions to psychiatric hospitals and follow-up appointments
9 from the age of 30 until the index offence at the age of 44, when he
10 killed a man in a park by repeated stabbing.
1 On further encouragement, Mr A said that he felt people liked
2 to pick arguments with him, and his early memories were of the
3 constant arguing and fighting between his parents. During the
4 arguments he would say to his parents “you are not my father or
5222 mother”. He was adopted at the age of three months, but his parents
6 had one biological son who was five years older than Mr A. He also
7 had an adoptive sister. He remembered at the age of 12 going to
8 family therapy with his sister, his depressed mother and his police
9 officer father. His mother died of breast cancer when he was 20.
20111 Mr A told me that he had committed murder. He could not
1 remember much about it, but he felt that everywhere he went,
2 whether Brighton or Bedford, everyone knew him: “they knew all
3 about me or my history”. He remembered that he had obtained a
4 knife in Bedford, and had then walked around the city three or four
5 times, but he had amnesia for the actual crime. Mr A had apparently
6 stabbed a man whom he did not know numerous times in a park.
7 He said he knew that he was going to be attacked “because everyone
8 in London knew me”, and he was worried that he was going to be
9 killed. He also stated that that he wanted to kill someone as he
30 wanted help, i.e. admission to a hospital or home. When he thought
1 about what happened in the park, he felt that he was going to die,
2 and yet it was what he wanted. He said that he felt he was losing
3 his mind, and he was annoyed with a nurse who told him he would
4 “get better within a couple of years”. Mr A thought he would not
5 get better, and felt hopeless about his future. For him, the dread of
6 getting better concerned entering the depressive position and
7 becoming aware of his losses. He ensured by his act of murder that
8 no one would know him or his history, and he could return to
922 hospital with one more notch on his psychiatric record, safe in the
83
84 RONALD DOCTOR
knowledge that his story would be stripped of meaning and his alarm
and hopelessness would be left projected into me intact.
He was diagnosed initially as suffering from chronic paranoid
schizophrenia and, more recently, from a severe personality disorder
with polysubstance misuse and borderline learning disability. Mr A
had made strenuous efforts to keep the murder encapsulated from
action, by splitting off and denying his awareness of who he was,
who he had been, his origins and his profound sense of loss. He was
thus ensuring the destruction of the link to his history and life story
by means of a paranoid psychotic process.
When he projects into the stranger his belief that people knew
him, his history and his reality, and then kills him, a sudden flash of
recognition occurs, which passes from the patient to us at a moment
of extreme conflict. To quote Benjamin: “The true picture of the past
flits by. The past can be seized only as an image that flashes up at
the moment when it can be recognized and is never seen again.” A
hitherto unseen image of reality may become visible in the present,
emerging from the debris of history as a clash of a moment of the
past and a moment of the present. The disruptive synthesis involves
a process of surreal juxtaposition akin to photomontage, in which
apparently banal images can be combined to reveal a constructed
image of tremendous force and vividness, one which is historically
truthful only for one specific moment. In other words, the act of
murder brings a new reality, a new creation.
84
THE HISTORY OF MURDER 85
122 different from them. She said: “I didn’t feel judged by the people in
2 there. I didn’t have time to think of it, I was just trying to survive
3 every day.” She didn’t know why she had wanted to survive then or
4 why she wanted to survive now. She said the murder was a dramatic
5 high point in her life, akin to a “flash of recognition”; she had always
6 felt alone, different, never belonged to anyone or anywhere.
7222 Ms D had always felt bad and guilty. She was adopted at 18
8 months from an orphanage, and she said she could not understand
9 or forgive the abandonment by her mother. She said that her adop-
10 tive parents did not really want her either, and they were very distant
1 and undemonstrative of affection. She had worked out a long time
2 ago that being adopted was a really bad thing. The person who was
3 supposed to give her unconditional love did not want her, and to
4 make matters worse, her adoptive mother was “not a very mumsy
5222 sort of person”. It would seem that Ms D’s early experiences—of
6 feeling abandoned by her natural parents, of not being wanted by
7 her adoptive parents, and of her adoptive mother’s physical and
8 psychological unavailability—had led to the development of perva-
9 sive feelings of self-hatred and a profound sense of inner emptiness.
20111 She described a reasonably happy childhood, though she was bullied
1 at school for being the only child in her class who did not live on
2 the local council estate, and her adopted status was mocked and
3 denigrated. At the age of 14, she was sent to an approved school as
4 she was felt to be “in need of care and protection”. She seemed to
5 feel quite bitter about this and said she had been sent away because
6 her mother was not prepared to keep her at home. During her three
7 years there she frequently ran away. She described her father as kind,
8 but a worrier, and her adoptive mother as an unemotional woman
9 who punished disagreement by withdrawal and who liked to be the
30 centre of attention.
1 Ms D went on to say that abandonment had something to do with
2 the murder. The victim was her fourth husband, and she joked that
3 she had not killed the other three husbands but divorced them. The
4 relationship with her first husband, a jealous man, had been very
5 complicated in that they were both struggling to be grown up. They
6 used to fight a lot, “like kids”, but he was more of an adult than
7 she was, so he did more damage to her; she became an abused victim
8 and so she divorced him. She tried to kill herself by taking an
922 overdose, and was admitted to a psychiatric ward for 28 days. She
85
86 RONALD DOCTOR
had known her second husband for five years, but the marriage lasted
only three months. She then married for the third time, and this
lasted four weeks. A year later she met her fourth husband, and they
were together for seven years until she killed him. She says her
parents, “disappointed and horrified”, stood by her, although they
would never talk about any of it. She says she has progressively
withdrawn from people since, and cannot cry. She has difficulty now
in making friends because it means having to tell them about the
killing of her husband, and she never knows whether she can tell
them or not. As soon as she says she is a widow, they want to know
why, and she usually lies; then if they found out that she lies they
wouldn’t trust her.
She continued by saying that her fourth husband was very
popular with both men and women as he was intelligent and
charming. He was having affairs during their marriage, and she felt
like a battered wife. She said that it was both her husband’s and her
fourth marriage, and they had become dependent on each other.
They both started drinking and arguing a lot, and he was hoping
that Ms D would kill herself. He went on a hunting trip one day,
and before he left he hit her in the face and broke her nose. When
he returned he crept back, expecting something to happen. Ms D said
she was going crazy; one night she felt a gun pointing at her head
and heard him saying quietly, over and over again: “Don’t leave me”.
She had managed to turn the tables: he was now the unwanted
little child. In order to try and calm the situation down, she said
to him: “I won’t leave you”. A couple of weeks after that she asked
him if she could go back to the UK to see her mum and dad, but her
husband just ripped up her passport. He had become very
unpredictable, and finally she shot him with his gun, in self-defence,
because she thought he was going to kill her. She remembered him
telling her that she was as pitiful as his dog, which he had just shot
because the dog was killing ducks.
She told me that she overheard a conversation in the corridor:
she thought she heard the statement “the patient was crying and was
asking ‘why weren’t you there?’”, and both the staff were laughing.
She was concerned that her personal history would be a source of
amusement to others. She went on to say that she has not cried for
nine years and no one knows that she has depression. People have
only so much sympathy. She tries to keep her depression inside
86
THE HISTORY OF MURDER 87
122 herself. I made the comment to Ms D that she had no one to turn to
2 with her depression, nowhere to take her sad feelings, so her only
3 resort was to laugh and joke. She surprised me by saying that her
4 friends suddenly came out of the woodwork after the incident. Ms
5 D says that she has friends in the country where the murder took
6 place, who care for her. “They don’t know how I was before the
7222 killing, they treat me as a victim, and therefore this makes me feel
8 very manipulative.” I think she felt that she was able to manipulate
9 her history; she had killed and got rid of her past, and with it her
10 identity as the sad unwanted little girl.
1 The following is a clinical session I supervised with this patient,
2 who was seen for once weekly individual psychotherapy in a
3 Psychotherapy Out-Patient Department for twelve weeks. This was
4 her twelfth and last session, as she then dropped out of therapy. I
5222 reproduce the session to show her sado-masochistic defence to her
6 enormous feelings of loss and abandonment, and also something
7 more hopeful.
8
9 Ms D: “The guilt-loving part of me will never let it go, it was
20111 the high point of a screwed up life. I’m so self-destructive,
1 and I’m not good at taking responsibility for things. I’m
2 supposed to be going to the day hospital, now if they forget
3 and don’t phone, Dr A knows that there’s no way I’ll
4 phone them.” (Laughs.)
5 (Therapist: I felt very hopeless as Ms D was talking, as if
6 nothing would or could change this.)
7
Therapist: “What’s that about?”
8
9 Ms D: “That’s saying I told you so, I told you I don’t care. I
30 must be grown up sometimes.”
1 Therapist: “I think I’m hearing something about your feelings
2 towards people who are supposed to be looking after
3 you—the day hospital, who abandons you and then might
4 forget to phone; me, who leaves you all week; Dr A, who
5 has been away; your parents in the past. There are a lot of
6 people who are supposed to be there and aren’t. Maybe
7 the part of you that remembers being let down in the past
8 is still angry—the child in you that wants to be loved and
922 cared for all the time gets angry about it.”
87
88 RONALD DOCTOR
122 Ms D: “It did make me feel you weren’t going to respond well
2 to me being knocked unconscious, and coming round to
3 find myself tied to the shower installation, having my legs
4 burned with cigarettes.”
5 Silence.
6
(Therapist: I felt she meant to provoke me. It was a sort of
7222 further test to see how I would react. I was shocked and
8 uncertain what to say in case I failed her.
9
Supervisor: I commented that she also immediately goes into
10
a sado-masochistic mindset when the therapist tells her she
1
is sad and tries to push it back to the patient.)
2
3 Therapist: “I just feel shocked—I wonder if that was how you
4 felt, and disbelief that one human being can do that to
5222 another . . . can you tell me what it was like for you?”
6 Silence.
7 Ms D (head in hands): “Apparently not.”
8
(Therapist: I could see by her despairing attitude that she was
9
experiencing strong emotion, holding herself.)
20111
1 Therapist: “It must be really difficult for you to bring it all back.
2 If you are not ready to go there, that’s OK.”
3 Ms D: “It’s just so scary to be so powerless, to have no
4 control; you can’t do anything, say anything with duct tape
5 over your mouth. You’re sort of cut off from what’s
6 happening, frightened of killing yourself by choking on
7 your tears and snot and what not, trying not to asphyxiate
8 yourself, you get frightened that it’s going to stop, what’s
9 going to happen next, you wonder what he’ll do with the
30 body . . .”
1 Therapist: “Afraid of dying . . .”
2 Ms D: “No, more worried they wouldn’t find me, that Mum
3 and Dad wouldn’t know where you were . . . He left me
4 there for three days.”
5 Therapist: “Trapped in pain, terrified.”
6
(Therapist: this was wrong, jarring, supposing that I knew her
7
feelings, and she rightly became angry at my lack of
8
sensitivity. I gave in to my need to say something rather than
922
allowing her to come to it in her own time.)
89
90 RONALD DOCTOR
Conclusion
Though Ms D had projected her feeling of abandonment and shock
concretely into the therapist and then killed her off by not returning
to the therapy, there was a glimmer of anticipation, the beginning
of a link with her past. The totem pole tells a story about the family
and the rights and privileges it enjoys. Totem poles, elaborately
carved with images of animals and people, can be thought of as three-
dimensional family histories, histories that began in the time before
people lived on the earth, when animals spoke to each other, histories
that tell of journeys from distant places, marriages and births,
supernatural transformations and heroic deeds. Totem poles embody
the tribal clans, the family and inter-tribal identity, and serve as a
visible reminder of the past and present.
Unlike Mr A, who had placed one more notch on his totem pole
of psychiatric histories by his psychotic act of murder, ensuring that
he had found a hospital home forever, Ms D, after her act of murder,
returned to live at home with her parents, albeit “an elephant in
Canada”. She felt able to begin to construct a totem pole in her mind,
to get to know her history, even if in concrete terms, and there are
the beginnings of an awareness of her painful past.
In both patients there is an attack on their origins and their
histories, creating a void, an emptiness which they fill with their
psychotic debris of the psychiatric history and sado-masochistic
90
THE HISTORY OF MURDER 91
122 abuse in order to encapsulate their murderous rage. With the help
2 of psychotherapy comes the painful awareness of the loss and the
3 hope that the patients might begin to mourn their loss.
4
5
6
7222
8
9
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122 CHAPTER SIX
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7222 The dog that didn’t bark: a mild
8
9
man’s murderousness
10
1 Philip Lucas
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5222
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20111 Introduction
1
“
I
t still strikes me myself as strange that the case histories I write
2
should read like short stories and that, as one might say, they
3
lack the serious stamp of science.” So wrote Freud (1895,
4
5 p. 160) in his discussion of the case of Fräulein Elisabeth von R in
6 “Studies in Hysteria,” and the case I am writing about suffers from
7 a similar stamp of fiction. Freud then consoles himself for being
8 scientifically unconvincing by pointing to the fact that his case
9 histories drew out “an intimate connection between the story of the
30 patient’s sufferings and the symptoms of his illness”, something
1 unknown in the work of his psychiatric contemporaries. I hope to
2 demonstrate a similar close link between “the story of the patient’s
3 sufferings” and the serious offences he committed.
4 I shall be focusing on the personality structure which sustained
5 an individual uneventfully into middle age but which then came
6 apart with dire and unexpected homicidal consequences. As I shall
7 discuss, his personality structure has much in common with the
8 “narcissistic exoskeleton” described by Cartwright (2002) in a series
922 of perpetrators of “rage-type” murders.
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94 PHILIP LUCAS
But it is not only the inner world that demands thought. Aspects
of the external response to the patient’s violence have been puzzling.
There has been a persistent tendency for the risk he posed to recede
into the background, with eventual fatal consequences. I hope to
illuminate the process by which the structure of the patient’s mind
distorted the perceptions of the professionals involved.
In a climate where a professional’s livelihood may be put in
jeopardy by a single mistaken judgement (Carvel, 2006), I need to
emphasise that the “message” of this chapter depends upon hind-
sight. In comparison with those who played a direct role in the
drama, the author is in the privileged position of the dispassionate
historian of a distant war. From such a vantage point, the play of
otherwise invisible forces, notably powerful projections from the
patient’s inner world, could be brought to the forefront of the stage.
The case of Mr N
Mr N appears mild-mannered and polite, eager to please, with
difficulty being assertive. There’s something slightly comic about
him: always well turned out, but outmoded, and he often tells
childish jokes. He looks the quintessence of harmlessness—but Mr
N killed his wife (let’s call her Maureen), who had been his girlfriend
in their early teens. There had been no violence in the previous
21 years of their marriage. He killed her in a frenzied attack. He
bludgeoned her head repeatedly with a hammer, and also left her
with severe injuries to her throat. He was then 42 years old. In
addition, and seemingly as an afterthought, he killed his female
general practitioner, who had come to see him at home, in the same
brutal manner and leaving similar injuries.
He was seen by a neighbour outside his house, holding a hammer,
shouting, “Help me, help me, I’ve killed Maureen!” He had blood
splashed on his clothes and glasses, and was frantically trying to
swallow a large quantity of pills. Between his arrest and being taken
to hospital, Mr N made the comments: “I told the doctor these tablets
were making me worse”, and: “My God what have I done? We just
rowed. She went on and on.” When seen before his trial, Mr N
described his wife as “marvellous” and his marriage as “very happy”.
He claimed complete amnesia for the violent act itself, and continues
to do so. His GP victim is not mentioned.
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THE DOG THAT DIDN’T BARK 95
122 Background
2
What of his family? He maintains that his parents wanted him to be
3
a girl, and called him by a girl’s name as a child. We have no clear
4
picture of his mother, but Mr N describes her as always loving and
5
6 caring. She had Alzheimer’s disease for some time before her recent
7222 death in her 90s. His father suffered from early onset Parkinson’s
8 disease, and Mr N describes him as weak. He died when Mr N was
9 21. Mr N has a brother seven years his senior.
10 Mr N was born with a hare-lip and cleft palate, and underwent
1 several surgical interventions in the first year of his life and further
2 facial surgery later. Reports describe a nervous, clinging child. At
3 secondary school he was bullied, which included being forced to
4 perform fellatio in the toilets. He told neither parent what was
5222 happening, but truanted from school. Eventually he moved to
6 another school, where things improved. In his teens he was found
7 to be depressed at the time of a hospital admission for a mastoid
8 operation. At 26, there was a further episode of depression after a
9 bout of flu, during which “aggressive feelings towards others” were
20111 noted. In his early and again in his late thirties, there were two further
1 episodes of depression, both treated as an out-patient. There was
2 some suggestion that the episodes were increasing in severity.
3 We have no clear picture of his wife, but it is known that she
4 suffered from frequent epileptic fits and that Mr N felt required to
5 look after her. He describes backing down from confrontations with
6 her for fear of triggering a fit. There were no children because of Mr
7 N’s low sperm count. He had various jobs, including several as a
8 hospital porter, in which he reported enjoying the chance to look after
9 others.
30
1
Homicide and after
2
3 An episode of depression began three weeks before the killing,
4 again following a bout of flu. This time Mr N experienced psychotic
5 symptoms. He believed he was being watched and talked about. He
6 described derogatory second person auditory hallucinations and
7 depersonalization. He became agitated, cried frequently, and felt he
8 could not cope with his wife. A few days before the offences, he was
922 prescribed an antidepressant by his GP, to whom he failed to reveal
95
96 PHILIP LUCAS
Review
The Home Office has a duty to review and comment on proposals
to Mental Health Review Tribunals for patients to be discharged from
“restricted” Hospital Orders (section 41 of the Mental Health Act).
There was clearly concern that the proposed discharge of Mr N was
inappropriate, and the matter was referred to the Advisory Board
for further consideration. The Board’s report states that “special
hospital treatment might have been expected in this case, but instead,
N was sent to a local hospital . . . told that he was not responsible
for the killings, and told that all he had to do to secure release back
into the community was to sit tight for two years.” The Board
concluded that the case had been mismanaged and that it was
premature and unsafe for Mr N to be conditionally discharged in
view of his “un-redressed personality problems, the stress of his
current relationship and his lack of insight into his condition”.
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THE DOG THAT DIDN’T BARK 97
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98 PHILIP LUCAS
Mr N: preliminary understanding
Mr N was admitted to hospital once more, this time to a medium
secure unit, having again been convicted of manslaughter on the
grounds of diminished responsibility. Again, psychotic depression
was held to have substantially diminished his responsibility for his
actions. Again, he was made subject to a Hospital Order under
sections 37 and 41 of the Mental Health Act 1983 and detained under
the category of “mental illness”. The question for the treating team
was whether, with the benefit of hindsight, it could build on Dr B’s
1991 assessment. The latter had proved both accurate and highly
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100 PHILIP LUCAS
Personality
Mr N developed into an unusually mild, good-hearted man who
could not bear confrontation. So the question arises as to what was
happening to the hostile, angry feelings which would appear with
a vengeance when he was in his fifth decade. By his twenties, Mr N
had become someone who needed to be seen as a good man and
who required the good opinion of others. He would not challenge
or confront. Few hints of aggression were allowed to emerge—apart
from when he was depressed.
An assessment of his personality during his second hospital
admission, when he was in his mid-twenties, suggested that he “has
always been a worrier, but [is] a cheerful man who usually makes
people laugh . . . He has been married for six years and is very
happy, although they have not yet been able to have the children
they want . . . During the course of his depression, he has often felt
extremely aggressive towards other people, but realises this feeling
is irrational.”
A “split” in his personality was evident to those looking after
him after the first homicidal episode. By now in his 40s, it was
reported with regard to Mr N that “a lot of energy has to go into
this ‘pleasing for others’ way of being in the world, while resentment,
anger, annoyances are not shown . . . [He has] a tightly controlled
personality that could tolerate little deviation from preconceived and
somewhat sterile interactions.”
Early in his admission to medium security after the second
homicidal episode, professionals involved in his care became aware
of strong pressure on them to forget, disregard or otherwise be
unaware of the nature of Mr N’s offences. And while there was a
quality of desperate urgency in Mr N’s demands for a close relation-
ship with a female carer, he remained oblivious of any reason why
this might be thought to require careful consideration. His disavowal
of such matters was tellingly illustrated by his ward round joke about
Henry VIII and his wives, without a hint of awareness of any link
with his own actions.
Narcissistic exoskeleton
In his book Psychoanalysis, Violence and Rage-Type Murder, Duncan
Cartwright discusses in considerable detail the cases of seven men
without a history of previous violence who killed in sudden outbursts
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THE DOG THAT DIDN’T BARK 101
122 of violence. While none of his cases had been diagnosed with a psy-
2 chiatric illness, his descriptions of them suggested that Cartwright’s
3 ideas might help in understanding Mr N.
4 Cartwright introduces the concept of the narcissistic exoskeleton to
5 describe the personality structure of his seven killers: “exoskeleton”
6 referring to both the rigidity and the defensive function of the
7222 “outer” personality, and “narcissistic” to the quality of object
8 relations. Mr N’s personality structure is strikingly similar, and is
9 “characterized by a rigid split between a constellation of idealized
10 object relations and internalized bad objects, where the former
1 assumes the position of an outer ‘holding’ personality” (2002, p. 113).
2 The “key defensive aim” of this personality structure for Mr N and
3 for Cartwright’s subjects is “to maintain an apparently all-good
4 compliant personality in order to deny and split off intolerable
5222 elements of the self that have become associated with badness,
6 weakness or aggression” (ibid., p. 117).
7 Cartwright describes how, by a particular use of projective
8 identification, the self identifies with idealized people who are
9 psychically held “outside” so as to keep them away from the buried
20111 badness inside. This is much less familiar than the experience,
1 particularly in borderline patients, of a split between good and bad,
2 between the idealised and the denigrated, in both the inner and the
external world. And it is less familiar than the projection outwards
3
of badness seen in paranoid patients.
4
What was distinctly unfamiliar about Mr N was the projection
5
of idealized goodness, with badness internalized and hidden. At the
6
heart of the concept of projective identification is the idea that the
7
unconscious phantasy of one person can, via verbal and non-verbal
8
behaviour, give rise to emotional states in the recipient of the
9
projection which correspond to the original phantasy of the first
30
person. Thus Mr N somehow contrived to induce in his treating team
1
the “belief” in his phantasy that he was not a killer, that he was
2
in fact a nice, reasonable man. And somehow the members of the
3
treating team found themselves reacting to him according to his
4 phantasy, as if he were in fact innocuous.
5
6 Depression
7
On the two occasions when Mr N killed, he was suffering from
8
psychotic depression, and the relationship between his mental illness
922
and his personality organisation requires elucidation. Cartwright’s
101
102 PHILIP LUCAS
cases were not diagnosed as psychiatrically ill, but some did suffer
affective symptoms in the build-up to murder, as the defensive
narcissistic exoskeleton gradually lost its protective function. In a
similar fashion, Mr N’s recurrent depressive states seemed to arise
as the rigidly maintained defensive structure started to break down.
Episodes of depression occurred in association with bodily illness
(flu) or imperfection (rash), which appear to have represented an
unwelcome change in a narcissistically idealised body state equated
with an idealised version of the self.
Freud characterised depression as the reaction to the loss of a real
or imaginary object: “a loved person, or [. . .] some abstraction which
has taken the place of one, such as one’s country, liberty, an ideal,
and so on” (1917, p. 243). Freud posited the depressive state as a
reaction because the essence of the depressive phenomenon resides
not in the loss itself, but in the way the mind deals with that loss: in
the unconscious fantasies and conscious thoughts which organise the
way that loss is experienced. For depression to appear, the loss of
the object must be accompanied by a persistence of the desire for
that object and by a representation of its unattainability. In other
words, the object must be psychically constructed as lost (Bleichmar,
1996, p. 935).
As the narcissistic exoskeleton structure rigidly separating
internalised encapsulated bad and externalised goodness became less
effective, Mr N became aware of aspects of himself that he could not
tolerate, such as neediness and rage, and so suffered the painful loss
of his idealized version of himself. As Bleichmar makes clear, such
a loss may represent a pathway to the state of extreme helplessness
and hopelessness familiar to us as “depression” (ibid., p. 944). And
because of the longstanding rigid splitting, Mr N has developed little
capacity to integrate these aspects of himself, so he experiences them
psychotically as coming from outside the self, as persecutory attacks.
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104 PHILIP LUCAS
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THE DOG THAT DIDN’T BARK 105
122 external carer such that the carer switches in Mr N’s mind from ideal
2 to hateful, a reversal of perspective brought about, of course, by a
3 complete about-turn in his projections. An important implication is
4 that in Mr N’s mind during the second homicidal episode the target
5 of the frenzied attack might have been Dr B as much as his actual
6 victim. And of course subsequently Dr B did suffer at Mr N’s hands,
7222 not least in having to face a Homicide Inquiry.
8
9
The lack of psychic change
10
1 For Mr N, time is not the great healer. The detailed replay of the
2 violent internal scenario suggests that nothing fundamentally
3 changed in the years between the first and second homicidal
4 episodes. The lack of change is manifested chillingly in the manner
5222 in which Mr N continued to talk about his wife and his girlfriend as
6 if they were still alive despite such errors frequently being brought
7 to his attention. It appeared that such a barrier separated his inner
8 world from the outer world that little of his destructive activity in
9 the external world was genuinely taken in. The consequence seemed
20111 to be that his inner world remained largely unmodified by the
1 violence he had perpetrated. He therefore did not truly know what
2 he had done, and so was, at an important level, unconvinced of his
3 losses. The result is that he cannot go through any real process of
4 mourning; he cannot experience authentic remorse or guilt. Thus,
5 after a relatively short period of horrendous turmoil, his rigid
6 defensive system rapidly re-establishes itself and he regains his
7 equilibrium essentially unchanged.
8
9
The inquiry and the “third position”
30
1 There was, of course, a Homicide Inquiry. Perhaps unusually, its
2 reflections helped in furthering understanding of Mr N and the
3 effects he had on those around him. The Inquiry had three main
4 points: firstly, that Mr N’s apparent compliance with his medication
5 and co-operation with his supervisor was wrongly taken as a sign
6 that he had insight into his situation. The Inquiry’s second main point
7 was that somehow the focus on the couple of which Mr N was a part
8 was lost. The Inquiry members found this particularly difficult to
922 understand given that the risk posed by Mr N was so clearly located
105
106 PHILIP LUCAS
If the link between the parents perceived in love and hate can
be tolerated in the child’s mind, it provides the child with a
prototype for an object relationship of a third kind in which
he or she is a witness and not a participant. A third position
then comes into existence from which object relationships can
be observed. Given this, we can also envisage being observed.
This provides us with a capacity for seeing ourselves in
interaction with others and entertaining another point of view
while retaining our own—for observing ourselves while being
ourselves. [1998, pp. 41–42]
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THE DOG THAT DIDN’T BARK 107
122 The Homicide Inquiry’s three main points can thus be understood
2 in terms of powerful projective processes originating in Mr N’s inner
3 world. The overestimation of his insight when he was in fact
4 incapable of taking an objective view of himself, the shift of focus
5 from the couple of which he was a part, and the lack of a supervising
6 couple: all three seem to have occurred as a consequence of a
7222 mechanism related to Mr N’s inability to allow the different parts of
8 his mind to come together.
9
10
Act III
1
2 Returning once more to the lack of fundamental change in Mr N’s
3 inner world, there has been considerable emphasis in the present
4 article on the fact that the two homicidal episodes, years apart, both
5222 followed appeals by Mr N to health professionals for help, appeals
6 which were met with (in Mr N’s view) inadequate responses. In this
7 context, it seems significant that in a discussion with Mr N of how
8 a future relapse of illness would be dealt with if he had moved on
9 to a hostel as he hoped, Mr N became uncharacteristically indignant
20111 and heated when it was suggested that there might well be a delay
1 in obtaining a bed in hospital. It was clear that in Mr N’s view, the
2 hostel staff and other professionals, not he, would be responsible for
3 any consequences that ensued.
4 Recently, the junior doctor involved in Mr N’s care found himself
5 struggling to express something of his frustration with Mr N. The
6 doctor mentioned the fact that Mr N had done terrible things but
7 took no responsibility whatsoever. He found himself indignant at
8 Mr N’s assertion that others, not Mr N, had pushed for the absolute
9 discharge a decade after the first episode. He found himself reacting
30 similarly to Mr N’s complaint that Dr B had failed to see how ill he
1 was, and also to Mr N’s sense of entitlement to move on to a hostel
2 only three years after the last killing.
3 Reflecting later on the sense of outrage the junior doctor was
4 conveying, it became clearer that he had been filled with frustration
5 by the shamelessness, the brazen effrontery of Mr N’s responses. This
6 seemed to lead to further illumination of the defensive structure. The
7 powerful and profound sense of shame was being completely dis-
8 avowed by his surface persona, a process which left him “shameless”;
922 whereas at his core there was a sense of a terrible narcissistic
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108 PHILIP LUCAS
Discussion
Mr N, an elderly man, killed his longstanding girlfriend nearly two
decades after killing his GP and his wife in a single episode. Amnesic
for the first killings, his fate was to personify Santayana’s celebrated
saying: Those who cannot remember the past are condemned to
repeat it. And his story illustrates very precisely the truth of Freud’s
observation on the power of unconscious urges:
108
THE DOG THAT DIDN’T BARK 109
122 the hydraulic drive theory of aggression with a more object relational
2 approach, asks us to
3
4 think about aggression, like sexuality, not as a push from
5 within, but as a response to others, biologically mediated and
6 pre-wired, within a relational context . . . Then the question
7222 of whether there is an aggressive drive or not is replaced by
8 questions concerning the conditions that tend to elicit
9 aggressive responses and the nature and variation of those
10 responses. Viewing aggression in this way preserves, in a
1 different manner than drive theory, an emphasis on the
2 importance of what the individual brings to the interpersonal
3 field . . . Thus aggression can be considered an extremely
4 powerful, universally wired (although individually varied),
5222 biological response to the subjective experience of endanger-
6 ment and being treated cruelly, without an assumption of
7 actual and/or intentional mistreatment (although many
8 children are actually and/or intentionally mistreated). [1998,
9 pp. 25–27]
20111
1
Ideal types of violence
2
3 Mervin Glasser (1998) distinguishes two “ideal types” of violence,
4 “self-preservative” and “sado-masochistic”, at extremes on a spec-
5 trum. Self-preservative violence can be thought of as related to the
6 primitive “fight or flight” instinctual response to the presence of
7 danger. The individual feels in mortal danger and, in a rage, reacts
8 furiously to eliminate the danger, mobilizing the biologically pre-
9 wired potential present in each of us. There is no concern for the
30 source of the danger, the victim, while the violence erupts, merely
1 that the danger should be eliminated. Sado-masochistic violence is
2 much more controlled, and the aim (which may not be conscious)
3 is to make the victim suffer, not to obliterate the source of danger.
4 Because of the salience of exerting power and causing suffering, it
5 has been called sado-masochistic violence. The perpetrator obtains
6 gratification from inflicting violence, and so the fate of the victim,
7 the suffering of the victim, matters.
8 Mr N’s acts of violence seem to exemplify “self-preservative”
922 violence, as desperate responses to perceived threats to his
109
110 PHILIP LUCAS
Projective processes
Throughout the course of Mr N’s involvement with psychiatric
services there is evidence of powerful projective processes affecting
the responses of professionals. Repeatedly, those who viewed the
case from a distance estimated the risk posed by Mr N higher than
those personally involved with him. Mr N seemed to convince those
around him that he was innocuous, indeed that he was a helpful
and kindly soul. He thereby avoided the secure hospital and was
considered for discharge from the ordinary psychiatric hospital
remarkably quickly. By projective identification, Mr N succeeded in
inducing professionals to accept his idealised phantasy of himself as
a good, concerned carer. At the same time, he managed to get those
professionals to act as if that version of him represented the whole
story, while somehow Mr N’s murderous past slipped from the
forefront of consciousness.
110
THE DOG THAT DIDN’T BARK 111
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112 PHILIP LUCAS
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THE DOG THAT DIDN’T BARK 113
113
114 PHILIP LUCAS
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THE DOG THAT DIDN’T BARK 115
122 developed was an inner world in which what should have been
2 symbolised as thoughts is experienced as concrete and hostile. And
3 twice in Mr N’s history the concrete monstrous thing-in-itself was
4 subject to evacuation and frenzied retaliatory attack.
5
6
“Absent” father
7222
8 And what of Mr N’s father? All of Mr N’s accounts of his father
9 suggest weakness and ineffectiveness, and there is some historical
10 evidence for the picture. Consistent with the thinking of Fonagy and
1 Target, Mr N’s father did not appear able, and certainly was not
2 internalized as able “to present the child with a reflection of his
3 place in relationships” (1999, p. 67). Unfortunately, after the failure
4 of maternal containment and separation, Mr N was not given the
5222 second chance provided by some fathers to gain access to “triangular
6 space” and the perspective provided by oedipal resolution.
7
8
Conclusion
9
20111 In conclusion, I have presented the case of a mild-mannered man
1 whose murderousness emerged only in his fifth decade, when he
2 killed his wife and GP during an episode of psychotic depression.
3 Despite psychiatric involvement, he killed again at the beginning of
4 his seventh decade. By detailed consideration of the similarities
5 between the two homicidal episodes and of the patient’s personality
6 structure, I have attempted a psychodynamic formulation of the
7 patient’s developmental trajectory and also of the way powerful
8 projective forces originating in the patient’s inner world affected
9 those in the external world involved in his care. The case is one in
30 which a purely medical model focusing on “mental illness” and the
1 avoidance of relapse of depression proved inadequate. Similarly,
2 actuarial and clinical risk assessment instruments were of strikingly
3 little help.
4 My discussion of the case of Mr N has largely followed a
5 contemporary Kleinian approach. Many of the key conceptual
6 constructs derived from that perspective are particularly helpful in
7 making sense of the case, but I am of course aware that other
8 traditions have claims on some of these concepts and also contribute
922 significantly to the understanding of the case of Mr N: see Fonagy
115
116 PHILIP LUCAS
116
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3
4
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8
9
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2
3
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8 Engel, G. (1975). The Death of a Twin: Mourning and Annivrsary
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Use of the Body and the Role of the Father. In: R.J. Perelberg (Ed.),
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Psychoanalytic Understanding of Violence and Suicide. London:
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Fonagy, P. (2003). Towards a Developmental Understanding of Violence.
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Foulkes, S.H. (1990). Selected Papers: Psychoanalysis and Group Analysis.
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30 Freud, S. (1919). The Uncanny. SE 17.
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120
REFERENCES 121
121
122 REFERENCES
122
122 INDEX
2
3
4
5
6
7222
8
9
10
1
2
3
4
5222
6
7
8
9 abuse in childhood 18, 51–60, 68, 81 child as extension of the mother 54
acting out 13, 18, 29, 33, 42, 51, 108 core phantasy 2, 81
20111 by the group 16, 26, 29 coupling 106
1 by the institution 17–25, 33 Cox, M. 10, 28
2 adoption 56–7, 58, 79, 83, 85 countertransference 13–14, 16, 17, 31,
3 aggression 22, 24, 72, 80, 82, 100, 101, 38, 40, 46, 62–4, 71, 77, 81
103, 109
4
amnesia 83, 94, 96, 97, 108 death constellation 79
5 anxieties 26 Decker, S.H. and Curry, G.D. 16
6 leaders’ 24 delusions 69
7 projected 24 depression 12, 95, 97, 98, 100, 101–2
unconscious 30 depressive position 111–12, 114
8
work-specific 22–4 dreams 27, 30, 58, 79
9 Aylward, P. and Wooster, G. 32
30 ego 66, 72, 111, 113
1 bad object 101, 103, 104, 108, 114 Engel, G. 49
2 Benjamin, W. 81, 84
Benson, J.F. 17 false self 56
3 bereavement 11, 12 fantasy 9, 13, 51, 59, 79
4 Bion, W.R. 44, 66, 71, 80, 114 fathers 2, 23, 37–40, 42, 44–7, 57, 68,
5 Britton, R. 106, 113–14 70, 71, 75–6, 85, 95, 99, 115–16
6 Brunning, J. 12 feeling of deadness 43
bullying 95 films 26–9 see also television
7
Fonagy, P. and Target, M. 54, 111,
8 carers 52, 95, 99, 108 115
922 Cartwright, D. 93, 100–3 Freud, S. 44, 93, 102, 108, 116
123
124 INDEX
internal object 53, 68, 111 remorse 43, 70, 97, 105
institutions 17–25 responsibility of perpetrator 28, 107
as a home forever 90 restorative justice 16–17
revenge 52, 64
jealousy 35–49 Rynearson, E. 12
Jung, C.G. 66, 72
sadism 80
-K 71 Segal, H. 112
Klein, M. 44, 66, 72 the self 38, 44, 55, 66, 73, 76
Klein, R.H. and Schermer, V. 11 self harm 20, 53, 54, 57
the shadow 66, 72
Lewis, E. and Bourne, S. 37 sibling rivalry 14, 42, 46
linguistic capability 27, 106 see also splitting off 22, 23, 44, 62, 66, 72–6,
symbolic capacity 84, 100–2, 110, 113
Stein, E. and Brown, J.D. 10
Matte Blanco, I. 40–1 stress triggers 69, 103
de Mause, L. 55 precipitating stress 98
medication 28, 58, 60, 69, 95–6, 97, 98, supervision 31–3
104, 105 symbolic capacity 13, 16, 111–12
Menzies Lyth, I. 22 symmetrization 40–2
metaphors 26–9, 30
Mitchell, S. 108–9 tangential thinking 29
mothers 2, 4–6, 19, 22–3, 36–40, 42, television 42, 74 see also films
44–8, 51–64, 68, 70, 80–1, 83, 85, therapist’s feelings 2, 16
95, 99, 114, 116 three person jealousy 35–49
murder as a solution 35, 76 transference 38, 47, 61, 62–4, 71,
murderous rage 22–4, 51, 59, 61–2, 91 81, 82
murderous thoughts 9, 51 trauma 3, 17, 18, 64, 81
in childhood 11, 37, 57, 68, 79, 99
narcissistic exoskeleton 93, 100–3, 113, trigger for murder 9, 32, 36, 39,
114 108–9
Nitsun, M. 15 twinning 36, 40, 45–7
types of violence 109–10
Oedipus Complex 3, 111, 113, 116
organisational dynamics 21–2 Warner, M. 52
Welldon, E. 52–5, 59, 64
paranoid schizophrenia 67, 68, 73, 84 Williams, A.H. 10, 15
Perelberg, R.J. 81 women murderers 51–64
124