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Methods for the
Summation of Series
Discrete Mathematics and Its Applications
Series editors:
Miklos Bona, Donald L. Kreher, Douglas B. West
Analytic Combinatorics
A Multidimensional Approach
Marni Mishna
https://www.routledge.com/Discrete-Mathematics-and-Its-Applications/book-series/
CHDISMTHAPP
Methods for the
Summation of Series
Tian-Xiao He
MATLAB® is a trademark of The MathWorks, Inc. and is used with permission. The MathWorks
does not warrant the accuracy of the text or exercises in this book. This book’s use or discussion of
MATLAB® software or related products does not constitute endorsement or sponsorship by The
MathWorks of a particular pedagogical approach or a particular use of the MATLAB® software.
Reasonable efforts have been made to publish reliable data and information, but the author and
publisher cannot assume responsibility for the validity of all materials or the consequences of their use.
The authors and publishers have attempted to trace the copyright holders of all material reproduced
in this publication and apologize to copyright holders if permission to publish in this form has not
been obtained. If any copyright material has not been acknowledged, please write and let us know so
we may rectify it in any future reprint.
Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced,
transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or
hereafter invented, including photocopying, microfilming, and recording, or in any information
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Trademark notice: Product or corporate names may be trademarks or registered trademarks and are
used only for identification and explanation without intent to infringe.
DOI: 10.1201/9781003051305
Publisher’s note: This book has been prepared from camera-ready copy provided by the authors
Contents
Foreword xi
Testimonial xiii
Preface xv
Biography xix
Symbols xxi
2 Symbolic Methods 67
2.1 Symbolic Approach to Summation Formulas of Power Series 68
2.1.1 Wellknown symbolic expressions . . . . . . . . . . . . 69
2.1.2 Summation formulas related to the operator
(1 − xE)−1 . . . . . . . . . . . . . . . . . . . . . . . . 74
2.1.3 Consequences and examples . . . . . . . . . . . . . . . 77
2.1.4 Remainders of summation formulas . . . . . . . . . . . 82
2.1.5 Q-analog of symbolic operators . . . . . . . . . . . . . 86
2.2 Series Transformation . . . . . . . . . . . . . . . . . . . . . . 96
2.2.1 An extension of Eulerian fractions . . . . . . . . . . . 98
2.2.2 Series-transformation formulas . . . . . . . . . . . . . 99
2.2.3 Illustrative examples . . . . . . . . . . . . . . . . . . . 105
2.3 Summation of Operators . . . . . . . . . . . . . . . . . . . . 112
v
vi Contents
Bibliography 417
Index 433
To Yulan
To Calvin and Viola
Foreword
You are about to encounter a very special book. Summing series has been of
interest for centuries, and, in an age of powerful computers, the interest has
greatly intensified. Keopf’s Hypergeometric Summations, The Concrete Tetra-
hedron by Kauers and Paule, and A=B by Petkovsek, Wilf, and Zeilberger
are all impressive works devoted to this topic.
So why do we need, Methods for the Summation of Series, ostensibly de-
voted to the same subject? Let us begin by noting the background that the
author Tian-Xiao He (Earl and Marian A. Beling Professor of Natural Sci-
ences and Professor of Mathematics, Illinois Wesleyan University) brings to
this effort. He has done important work in numerical analysis, wavelet analy-
sis, approximation theory, and splines. These interests have led him naturally
into enumerative combinatorics and the emerging field of Riordan Arrays. This
diversity of interests is on full display in this book. It would be fair to say that
this volume combines the charm of an ancient book like I. J. Schwatt’s, An
Introduction to the Operations with Series (1924), with a keen awareness of
the many aspects of the most recent methods developed for the summation of
series. The advantage of this mixture is that insight and context are provided
for many applications.
The five chapters of this book provide a clear view of the depth of vision.
The first chapter is devoted to classical methods, which, while they date back
to the 19th century and before, are nonetheless effective and always timely.
Symbolic methods occupy the next two chapters. This, too, is a venerable
subject dating back to invariant theory; its modern combinatorial manifesta-
tions were pioneered by Gian-Carlo Rota. This is a compelling way to place
the classic theory of finite differences in a modern and substantially more
powerful setting.
Chapter 4 moves to the world of special functions. Of particular interest
is the extensive use of Riordan Arrays, a topic in which Professor He is one of
the world leaders. This is, indeed, one of the highlights of this book. The final
chapter continues to build on Riordan Arrays and concludes with an account
of some of the algorithms that have been so successful in doing summations
via computer algebra.
xi
xii Foreword
In the past three months, I really enjoyed reading through the book. It is a
very good monograph and text and offering an overview of several valuable
techniques, and readers will find it to be a very fine reference book as well as
one from which to study. I certainly give it my highest recommendation. The
author presented very impressive publications and research activities.
Henry Wadsworth Gould
Professor Emeritus of Mathematics
West Virginia University, Morgantown
Fellow of the American Association for the Advancement of Science
Honorary Fellow of the Institute of Combinatorics and its Applications
July 11, 2021
xiii
Preface
This book presents methods for the summation of infinite and finite series and
the related identities and inversion relations. The summation includes the col-
umn sums and row sums of lower triangular matrices. The convergence of the
summation of infinite series is considered. We focus on symbolic methods and
the Riordan array approach for the summation. Much of the materials in this
book have never appeared before in textbook form. This book can be used as
a suitable textbook for advanced courses for higher-level undergraduate and
lower level graduate students. It is also an introductory self-study book for
researchers interested in this field, while some materials of the book can be
used as a portal for further research. In addition, this book contains hundreds
of summation formulas and identities, which can be used as a handbook for
people working in computer science, applied mathematics, and computational
mathematics, particularly, combinatorics, computational discrete mathemat-
ics, and computational number theory. The exercises at the end of each chapter
help deepen understanding.
Since the methods discussed in this book are related to the classical sum-
mation methods, we present the main classical methods in Chapter 1 with the
example oriented way. This chapter provides useful supplementary materials
for the people who study advanced Calculus, and training materials for the
people who study applied and computational mathematics.
The infinitesimal calculus or differential and integral calculus is a field to
treat functions of continuous independent variables. The methods to find sum-
mation of series by using infinitesimal calculus shall be surveyed Chapter 1.
We will introduce one by one the following five simple and common methods:
(1) Substitution method; (2) Telescoping method; (3) Method of the sum-
mation of trigonometric series; (4) Differentiation and integration method for
uniformly convergent series; and (5) Abel’s summation.
As is well known, the closed form representation of series has been studied
extensively. It is also known that the symbolic calculus with operators ∆ (dif-
ference), E (shift or displacement), and D (derivative) plays an important role
in the Calculus of Finite Differences, which is often employed by statisticians
and numerical analysts. The object of Chapter 2 is to make use of the classical
operators ∆, E, and D to develop closed forms for the summation of power se-
ries that appear to have a certain wide scope of applications. Throughout this
chapter the theory of formal power series and of differential operators will be
utilized, while the convergence of the infinite series is discussed. In this chap-
ter, we focus on the summation and identities arising from the interrelations
xv
xvi Preface
analogs, Sheffer-type polynomial sequences and the Sheffer group. Some iden-
tities and inversion relations are constructed by using dual sequences with the
Riordan array representation named pseudo-Riordan involutions. Finally, an
extension of W-Z algorithm and Zeilberger’s creative telescoping algorithm
is represented and used to construct and prove the identities for Bernoulli
polynomials and numbers.
I am grateful to Professor Leetsch C. Hsu (Xu Lizhi) for guiding me into
the field of enumeration combinatorics. This book is dedicated to the mem-
ory of him. The author would like to thank Professor George Andrews for
his foreword and Professor Henry Gould for his testimonial and both of them
for their comments and encouragements. I would like to thank all the col-
laborators who have published joint papers with me in the fields of symbolic
methods and/or Riordan arrays over the past decades, especially Leetsch C.
Hsu, Louis W. Shapiro, Renzo Sprugnoli, Henry W. Gould, and Peter J.-S.
Shiue for the pleasant cooperation with them and everything I have learned
from them. I would like to thank the Editors of the Discrete Mathematics and
Its Applications Series, CRC Press/Taylor & Francis Group, LLC, and KGL,
specially Miklos Bona, Robert Ross, Vaishali Singh, and Manisha Singh for
their help and patience in the process. The author is thankful for the support
given by the Earl and Marian A. Beling Professor’s Fund.
Tian-Xiao He
Illinois Wesleyan University
Bloomington, IL
Biography
xix
Symbols
Symbol Description
xxi
1
Classical Methods from Infinitesimal
Calculus
CONTENTS
1.1 Use of Infinitesimal Calculus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
1.1.1 Convergence of series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
1.1.2 Limits of sequences and series . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
1.2 Abel’s Summation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
1.2.1 Abel’s theorem and Tauber theorem . . . . . . . . . . . . . . . . . . . . 20
1.2.2 Abel’s summation method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
1.3 Series Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
1.3.1 Use of the calculus of finite difference . . . . . . . . . . . . . . . . . . . 36
1.3.2 Application of Euler-Maclaurin formula and the
Bernoulli polynomials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Since the methods discussed in this book are related to the classical summation
methods, we start this book from main classical methods for summation of
series described in an example-oriented way.
The infinitesimal calculus or differential and integral calculus is a field to
treat functions of continuous independent variables, i.e., the variables may take
every possible value in a given interval. The methods to find the summation
of series by using infinitesimal calculus shall be surveyed in this chapter in the
example-oriented way. P
The summation of a series n≥1 an is defined by
X n
X
an = lim sn ≡ lim ak ,
n→∞ n→∞
n≥1 k=1
Pn
where sn = k=1 ak is the partial sum of the series. On the summation of
infinite series, there are following five simple and common methods.
P
(1) Substitution method. To get the sum ofP n≥0 un , we may substitute
un = anP k n that brings the sum f (k) = n≥0 un if a known function
f (x) = n≥0 an xn can be determined.
P
(2) Telescoping method. In a given series n≥0 un , if we have Pun = vn −
vn+1 (n = 0, 1, . . .) and limn→∞ vn = v∞ < ∞, then n≥0 un =
DOI: 10.1201/9781003051305-1 1
2 Methods for the Summation of Series
v0 − v∞ . In particular, if
1
un = ,
an an+1 · · · an+m
where ak = c + kd (k = 1, 2, . . .), c, d ∈ R, d 6= 0, then
1 1
vn = .
md an an+1 · · · an+m−1
(3) Trigonometric series summation. In order to evaluate the sums of
X X
an cos(nx) and an sin(nx),
n≥0 n≥0
we consider them as the real part and the imaginary part of power
series X
an z n ,
n≥0
−ix
where z = e , which can be summarized. In many cases, summa-
tion X1 1
z n = log (|z| < 1)
n 1−z
n≥0
we immediately have
X (−1)n−1 X X (−1)n−1
n−1 1 1
= (−1) − =2 − 1 = 2 ln 2 − 1.
n(n + 1) n n+1 n
n≥1 n≥1 n≥1
Classical Methods from Infinitesimal Calculus 3
A few examples for the second method dealing with the so-called telescop-
ing series are shown below.
Example 1.1.2 Since
1 1 1 1
= − ,
n(n + 1)(n + 2) 2 n(n + 1) (n + 1)(n + 2)
we obtain X 1 1
= .
n(n + 1)(n + 2) 4
n≥1
For m ∈ N, we have
1 1 1 1
= − .
n(n + m) m n n+m
Thus,
X 1 1 1 1
= 1 + + ...+ .
n(n + m) m 2 m
n≥1
Similarly,
X Xℓ
2n + 1 1 1
= lim − = 1.
n2 (n + 1)2 ℓ→∞
n=1
n2 (n + 1)2
n≥1
Telescoping method can also be used for the following triangular function
series.
X 1 π
tan−1 = .
n2 + n + 1 4
n≥1
In fact,
X ℓ
X
−1 1
tan 2
= lim [tan−1 (n + 1) − tan−1 n]
n +n+1 ℓ→∞
n=1
n≥1
−1 −1 π
= lim [tan (ℓ + 1) − tan 1] = .
ℓ→∞ 4
Similarly,
X 2n + 1 π
−1
tan = .
n (n + 1)2
2 4
n≥1
Example 1.1.3
X 1 X1 1
2
= −
n2 (n + 1)2 n n+1
n≥1 n≥1
X 1 2 1
= − +
n2 n(n + 1) (n + 1)2
n≥1
π2
= − 3,
3
P P
where we use n≥1 1/n2 = π 2 /6, and the telescoping series n≥1 1/n (n +
1) = 1.
Similarly,
X n
(n + 1)(n + 2)(n + 3)
n≥1
X 1 X 1
= −
(n + 2)(n + 3) (n + 1)(n + 2)(n + 3)
n≥1 n≥1
1 1 1
= − = .
3 12 4
Example 1.1.4 Using the method of differentiation term by term to the fol-
lowing series in their uniform convergence intervals, |x| < 1, we obtain
′′ ′
X X X
n2 xn−1 = xn+1 − xn
n≥1 n≥1 n≥1
′′ ′
1 1 1+x
= −1−x − −1 = .
1−x 1−x (1 − x)3
Similarly,
X x(3 − x)
n(n + 2)xn = (|x| < 1) and
(1 − x)3
n≥1
X 2n + 1 2
x2n = (1 + 2x2 )ex ,
n!
n≥1
1 X ((n − 1)!)2
(2x)2n = (sin−1 x)2
2 (2n)!
n≥1
for all |x| < 1. Denote y ≡ y(x) = (sin−1 x)2 . it is easy to find y satisfies
differential equation (1 − x2 )y ′′ − xy ′ − 2 = 0 and one of its power series
solution is
1 X ((n − 1)!)2
y= (2x)2n .
2 (2n)!
n≥1
Readers can check the correction by evaluating the first few terms of Taylor’s
expansion of (sin−1 (x))2 and compare with the series shown above. Another
power series solution of the differential equation can be obtained using coeffi-
cient comparison method.
Making use of the complex function properties, one may obtain more
summation formulas. Denote by w = u + iv a complex number. Then
log w = log |w| + i(arg w + kπ), where arg w = tan−1 (v/u) is an argument
of w, and k is an arbitrary integer. Let Re(w) be the real part of w. Then
Re(log w) = log |w|. Denote z = eix . We have
X cos nx X zn
= Re = −Re(log(1 − z))
n n
n≥1 n≥1
Thus, X cos nx x
= − log 2 sin (1.2)
n 2
n≥1
Using formula sin na sin nx = 12 [cos n(a − x) − cos n(a + x)] and summation
(1.2) yields
X sin na sin nx 1 sin 12 (x + a)
= log .
n≥1
n 2 sin 12 (x − a)
Similarly, formula
1
sin2 na sin nx = (sin n(2a − x) − sin n(2a + x) + 2 sin nx)
4
and the first summation in Example 1.1.5 yields
X sin2 na sin nx π
= (1.3)
n 4
n≥1
for all 0 < x < 2a < π. By taking limit a → π/2 on the both sides of (1.3),
we obtain
X sin(2n − 1)x π
= sgnx, (|x| ≤ π). (1.4)
2n − 1 4
n≥1
where the last step is from (1.4). The antiderivative of the above equation
generates Z
π π
F (x) = − sgnxdx = C − |x|,
4 4
where the constant C is determined by
X 1 π2
C = F (0) = = ,
(2n − 1)2 8
n≥1
Hence, to prove the convergence of series of (1.6), we only need to show the
infinite product tends to zero as n → ∞.
Since x > 0, we have
X x X 1
= ,
ak + x bk + 1
k≥2 k≥2
P
where bk = ak /x (k = 2, 3, . . .). The divergence of k≥1 1/ak implies the
P
divergence of k≥1 1/bk . If lim bk < ∞, then limk→∞ 1/(bk + 1) 6= 0, which
P k→∞
implies that k≥2 1/(bk + 1) diverges to infinite. If lim bk = ∞, then 1/(bk +
P k→∞
1) ∼ 1/bk as k → ∞. Hence, k≥1 1/(bk + 1) = ∞. We have shown in any
case,
n+1
a1 Y x
Rn = 1− →0
x ak + x
k=2
Example 1.1.6
1! 2! 3!
+ + ···
x + 1 (x + 1)(x + 2) (x + 1)(x + 2)(x + 3)
1
= , (x > 1)
x−1
x x2 x4
+ + + ···
1 − x2 1 − x4 1 − x8
(
x/(1 − x), if |x| < 1
=
1/(1 − x), if |x| > 1.
Proof. (i) Write sn = ℓ + un . Thus for and ǫ > 0, there exists N ≡ N (ǫ) such
that n ≥ N implies |un | < ǫ/3. Thus, for n ≥ N , we have
N n N
1X 1 X 1X N
tn = sk + (ℓ + vk ) = sk + ℓ − ℓ + rn ,
n n n n
k=1 k=N +1 k=1
where
n
1 X n−N ǫ ǫ
|rn | ≡ uk ≤ · ≤ .
n n 3 3
k=N +1
Therefore,
1 1 1
|tn − ℓ| < ǫ+ ǫ+ ǫ=ǫ
3 3 3
when n ≥ n0 , i.e., tn → ℓ as n → ∞.
Classical Methods from Infinitesimal Calculus 9
Since
1
τn = [−(s1 + s2 + · · · sn−1 ) + nsn ]
n
n−1
= − tn−1 + sn → −ℓ + ℓ = 0
n
when n → ∞.
(ii) We have shown that
1
tn + τn = (sn + nsn ),
n
or equivalently,
n
(tn + τn ).
sn =
n+1
Hence, from (i), τn → 0 and lim sn = lim tn = ℓ.
n→∞ n→∞
Proof. For any ǫ > 0 (ǫ < 1), there exists N such that An = A + Rn and
Bn = B + Sn with |Rn |, |Sn | < ǫ whenever n ≥ N . Hence, for all p, q ≥ N , we
have
Ap Bq = AB + ASq + BRp + Rp Sq ,
|Ap Bq − AB| < ǫ(|A| + |B| + 1).
Let n ≥ 2N . Then
n
1X
Ak Bn−k+1
n
k=1
N
X −1 n−N +1 n
1 1 X 1 X
= Ak Bn−k+1 + Ak Bn−k+1 + Ak Bn−k+1 .
n n n
k=1 k=N k=n−N +2
Since Am , Bn are bounded, the first and the third sums on the right-hand
side of above equation tend to zero as n → ∞. In addition,
n−N +1
1 X 2(N − 1)
Ak Bn−k+1 = AB − AB + H,
n n
k=N
where |H| < ǫ(|A| + |B| + 1). Therefore, there exists n0 such that n ≥ n0 (ǫ)
implies
n
1X
Ak Bn−k+1 − AB < ǫ[1 + 1 + (|A| + |B| + 1) + 1],
n
k=1
satisfies
ǫ
|tn − s| < (N + 1)(2M )
4(N + 1)M
n
ǫ X
+ pnk < ǫ
2
k=N +1
′
whenever n > N . This implies tn → s as n → ∞ and completes the proof for
the sufficiency.
Classical Methods from Infinitesimal Calculus 11
s0 pn + s1 pn−1 + s2 pn−2 + · · · + sn p0
lim = s. (1.12)
n→∞ p0 + p1 + · · · + pn
P∞ Pn
Let pn > 0, k=1 pk = ∞, and let k=1 pk = Pn with pn /Pn → 0 as
n → ∞. Then
p1 P1−1 + p2 P2−1 + · · · + pn Pn−1
lim = 1. (1.13)
n→∞ log Pn
In fact, from (1.11) the left-hand limit of (1.13) can be written as
which yields
Pn Pn
k=1 kpk qk k=1 kpk qk Pn Qn ab
= → ,
n2 pn qn Pn Qn n2 pn qn a+b
as n → ∞.
Corollary 1.1.13 Suppose two positive sequences (pn ) and (qn ) satisfy
pn qn
lim = 0, lim = 0.
n→∞ p0 + p1 + · · · + pn n→∞ q0 + q1 + · · · + qn
P
And denote rn = nk=0 pk qn−k (n = 0, 1, . . .). Then
rn
lim = 0. (1.15)
n→∞ r0 + r1 + · · · + rn
Proof. Denote
n
X n
X n
X
Pn = pk , Qn = qk , Rn = rk .
k=0 k=0 k=0
Then
rn p0 qn + p1 qn−1 + · · · + pn q0
=
Rn p0 Qn + p1 Qn−1 + · · · + pn Q0
q0 q1 qn
= pn0 + pn1 + · · · + pnn ,
Q0 Q1 Qn
where
pn−j Qj pn−j
pnj = ≤ →0
p0 Qn + p1 Qn−1 + · · · pn Q0 p0 + p1 + · · · + pn−j
Example 1.1.14 Suppose that sequences (pn ) and (qn ) are defined as Corol-
lary 1.1.13. Let (sn ) be any sequence. Then the existence of limits
s0 pn + s1 pn−1 + · · · + sn p0
lim = p̄
n→∞ p0 + p1 + · · · pn
and
s0 qn + s1 qn−1 + · · · + sn q0
lim = q̄
n→∞ q0 + q1 + · · · qn
implies p̄ = q̄. Indeed, let (rn ) be the sequence defined in Corollary 1.1.13, and
let
s0 rn + s1 rn−1 + · · · + sn r0
τn := .
r0 + r1 + · · · rn
14 Methods for the Summation of Series
Denote
s0 pn + s1 pn−1 + · · · + sn p0 s0 qn + s1 qn−1 + · · · + sn q0
p̄n := , and q̄n := .
p0 + p1 + · · · pn q0 + q1 + · · · qn
From Corollary 1.1.13 we have
pn Q0 q̄0 + pn−1 Q1 q̄1 + · · · + p0 Qn q̄n
τn =
p0 Qn + p1 Qn−1 + · · · pn Q0
qn P0 p̄0 + qn−1 P1 p̄1 + · · · + q0 Pn p̄n
= .
q0 Pn + q1 Pn−1 + · · · qn P0
Thus, the same argument in the proof of Corollary 1.1.13 yields lim τn =
n→∞
lim p̄n = lim q̄n . Consequently, p̄ = q̄. It is interesting to see that this
n→∞ n→∞
conclusion holds even lim sn does not exist.
n→∞
implies
(a1 + a2 + · · · + an )n−σ → 0
as n → ∞.
Proof. Denote
tn = (a1 + a2 + · · · + an )n−σ ,
sn = a1 1−σ + a2 2−σ + · · · + an n−σ .
Then
Hence, from Theorem 1.1.9, we obtain the right-hand side of the above equa-
tion tends to zero as n → ∞, which implies tn → 0 (n → ∞).
is called the transformation matrix with respect to K. In this case, the conse-
quence of Theorem 1.1.9 is changed to be that lim tn = Ks when lim sn = s.
n→∞ n→∞
Furthermore, if a lower triangular matrix [pnk ]n≥k≥0 has entries satisfying
n
X
pnk = Pn → 1
k=0
as n → ∞ and pnk ≥ 0, then this lower triangular matrix can be used to con-
struct a sequence transformation. Theorem 1.1.9 still holds for those transfor-
mation matrices. We leave the proof of those claims as Exercise 1.8.
Definition 1.1.17 A sequence (sn ) is termed a null sequence if for any given
ǫ > 0, there exists an integer N ≡ N (ǫ) such that n > N implies |sn | < ǫ.
From Theorem 1.1.9 and Remark 1.1.16, we immediately have
Theorem 1.1.18 Let (sn ) be a null sequence, and let (tn ) the transformed
sequence of (sn ) using a transformation matrix with respect to constant K > 0.
Then (tn ) is also a null sequence if for every fixed m
lim pnm = 0.
n→∞
Proof. For any given ǫ > 0, there exists N ≡ N (ǫ) such that for every n > N ,
|sn | < ǫ/(2K). Then for that n,
N
X ǫ
|tn | < pnk sk + .
2
k=0
N
X ǫ
pnk sk < .
2
k=0
Therefore, we have shown that |tn | < ǫ for these n′ s, which completes the
proof of the theorem.
f (n) (α)
a0 + a1 + · · · + an = sn , = bn ,
n!
b0 + b1 (1 − α) + b2 (1 − α) + · · · + bn (1 − α)n = tn .
2
b0 + b1 y + b2 y 2 + · · · + bn y n + · · ·
= a0 + a1 (α + y) + · · · + an (α + y)n + · · · .
Consequently,
X X (1 − α)n+1 X
(1 − α)n−k y k bj y j = aj (α + y)j
1 − (α + y)
k≥0 j≥1 j≥0
X
= (1 − α)n+1 sj (α + y)j .
j≥0
n
Comparing the coefficients of y on the leftmost and rightmost sides of the
above equation yields
X n + k
n+1
tn = (1 − α) αk sn+k .
k
k≥0
Noting that the sum of the coefficients of the series is 1, from Theorem 1.1.19,
we obtain
lim tn = lim sn = f (1).
n→∞ n→∞
Classical Methods from Infinitesimal Calculus 17
Similarly,
n
X n π
lim = ,
n→∞ n2 + k 2 4
k=1
Xn
1 kπ 2
lim sin = ,
n→∞ n n π
k=1
Xn
1 kπ 4
lim sec2 = ,
n→∞ n 4n π
k=0
Xn
kα 1
lim = (α > −1).
n→∞ nα+1 α+1
k=1
Since !
n
1√n 1X k
n! = exp log ,
n n n
k=1
Thus,
n h n i Z 1 2
1X 2n 1
lim −2 = −2 dx. (1.18)
n→∞ n k k 0+ x x
k=1
18 Methods for the Summation of Series
The third limit belongs to Dirichlet and the proof is left as Exercise 1.5.
We now discuss the limit of series. First, we establish the following propo-
sition.
Proposition 1.1.22 Let f (x) beR a positive decreasing function defined on
∞
[0, ∞), and let improper integral 0 f (x)dx exist. Then
X Z ∞
lim+ h f (kh) = f (x)dx. (1.19)
h→0 0
k≥1
Thus, as n → ∞ we obtain
Z ∞ X Z ∞
f (x)dx ≤ h f (kh) ≤ f (x)dx.
h k≥1 0
lim φn (t) = 0.
t→1−
The proof of Theorem 1.2.1 is similar as those of Theorems 1.1.9 and 1.1.19
and is left for an exercise (cf. Exercise 1.11).
Corollary 1.2.2 Let (aPn ) and (bn ) be two sequences with bn > 0 and
k
lim an /bn = s, where k≥0 bk t converges for every |t| < 1 and diverges
n→∞ P
when t = 1. Then, (i) k≥0 ak tk converges as well for every |t| < 1, and (ii)
P
k≥0 a k tk
lim P k
= s. (1.24)
t→1− k≥0 bk t
Classical Methods from Infinitesimal Calculus 21
b j tj
φj (t) <
b 0 + b 1 t + b 2 t2 + · · · + b n tn
there holds lim φj (t) < ǫ; i.e., φj (t) → 0 as t → 1− . Limit (1.24) is thus
t→1−
proved as a corollary of Theorem 1.2.1.
a0 + a1 + · · · an
= lim = s.
n→∞ 1
P tn
P
Example 1.2.7 Let g(t) = n≥0 an n! and assume n≥0 an = s. Then
R ∞ −t
0 e g(t)dt = s. Indeed, denote s n = a 0 + a 1 + · · · + a n and s−1 = 0 so
that
Z t X sk − sk−1 Z t
−x
e g(x)dx = e−x xk dx
0 k! 0
k≥0
X Z t xk xk+1
X tk+1 −t
= sk − e−x dx = sk e ,
0 k! (k + 1)! (k + 1)!
k≥0 k≥0
which implies the desired result from the view of Corollary 1.2.6.
We now give the inverse theorem of Abel’s theorem, which is also called
the little o Tauber theorem.
P n
Theorem 1.2.8 (Little O Tauber theorem) Denote f (x) = n≥0 an x ,
P
where an = o n1 . Then limx→1− f (x) = s implies n≥0 an = s.
Classical Methods from Infinitesimal Calculus 23
h i
1
Proof. Denote N := 1−x (x < 1). Then N → ∞ as x → 1− . Hence to show
the theorem is true, we only need to prove
∞
X N
X
lim− an xn − an = 0,
x→1
n=0 n=0
i.e., !
N
X ∞
X
n n
lim an (x − 1) + an x = 0.
x→1−
n=0 n=N +1
P
We denote
P the first and the second summations in the above equation by 1
and 2 , respectively. Thus, we have estimates
X N
X
≤ an (1 − x)(1 + x + x2 + · · · + xn−1 )
1 n=0
N
X PN
nan
≤ (1 − x) nan ≤ hn=0 i → 0
1
n=0 1−x
−
has x i → 1 . Here the last step is from Proposition 1.1.8, P
where N =
1
1−x , Aν = νa ν , B ν = 1, A = 0. In addition, for summation 2 , we have
X ∞
X ∞
X xn
= an xn = (nan )
2
n
n=N +1 n=N +1
∞
X
ǫ ǫ
< xn ≤ < ǫ,
N +1 (N + 1)(1 − x)
n=N +1
where ǫ > 0 is arbitrarily fixed and |nan | < ǫ (n > N ), which completes the
proof.
Proof. Let g(x) be a continuous function defined on [0, 1], and let ǫ > 0 be
arbitrarily given. From the Weierstrass polynomial approximation theorem,
there exist polynomial lower approximation p(x) and upper approximation
P (x) such that p(x) ≥ g(x) ≥ P (x) and
Z 1 Z 1
(g(x) − p(x))dx < ǫ, (P (x) − g(x))dx < ǫ.
0 0
In fact, even g(x) is discontinuous at finite points and the left-hand limits and
right-hand limits at those points exist (but different), the above conclusion still
holds. Without loose of generality, we may assume that g(x) is only discon-
tinuous at point c with g(c− ) < g(c+ ). We now define φ(x) = g(x) + 21 ǫ when
x < c − δ and x > c for a sufficient small δ, and φ(x) = M ax{ℓ(x), g(x) + 14 ǫ}
when c − δ ≤ x ≤ c for the same δ, where ℓ(x) is a linear function with values
at end points as
1 1
ℓ(c − δ) = g(c − δ) + ǫ, ℓ(c) = g(c+ ) + ǫ.
2 2
Therefore, φ(x) is continuous and φ(x) > g(x). We can use Weierstrass theo-
rem to obtain the function P (x) that approximates function φ(x) sufficiently,
which also gives an upper approximation to g(x). Similarly, we can construct
lower approximation p(x) to g(x).
To prove the lemma, we first show
X Z 1
lim− (1 − x) an xn P (xn ) = P (t)dt.
x→1 0
n≥0
It is sufficient to prove the above equation for P (x) = xk . Indeed, the left-hand
side of the above equation can be written as
X 1 − x X
(1 − x) an xn+kn = (1 − xk+1 ) an (xk+1 )n
1 − xk+1
n≥0 n≥0
Z 1
1
→ = xk dx
k+1 0
Therefore, ǫ → 0 yields
X Z 1
limx→1− (1 − x) an xn g(xn ) ≤ g(t)dt.
n≥0 0
Then Z Z
1 1
dt
g(t)dt = = 1.
0 1/e t
−1/N
Let x = e with a positive integer N . Then
X X N
X
an xn g(xn ) = an xn g(xn ) = an = sN .
n≥0 e−1 ≤xn ≤1 n=0
1
f (x′ ) = f (x) + δ(1 − x)f ′ (x) + δ 2 (1 − x)2 f ′′ (ξ),
2
26 Methods for the Summation of Series
f (x′ ) − f (x) 1
(1 − x)f ′ (x) = + δ(1 − x)2 f ′′ (ξ)
δ 2
f (x′ ) − f (x)
= + O(δ).
δ
The rightmost term can be as small as we wish provided δ is small enough.
Let x′ and x be close enough to 1. Then, we have (1 − x)f ′ (x) = o(1).
Theorem 1.2.11 (Big O Tauber theorem)
P P Let an = O n1 , f (x) =
n −
n≥0 an x → s as x → 1 . Then series n≥0 an converges to s.
1
when x → 1− . Since an = O n ,
X X
f ′′ (x) = n(n − 1)an xn−2 = O (n − 1)xn−2
n≥2 n≥2
1
= O .
(1 − x)2
Thus,
n
X
wn := kak = o(n), w0 := 0.
k=1
Classical Methods from Infinitesimal Calculus 27
Furthermore,
X wn − wn−1 X
xn xn+1
f (x) − a0 = xn = wn −
n n n+1
n≥1 n≥1
X n n+1 n
x −x x
= wn +
n+1 n(n + 1)
n≥1
X wn X wn
= (1 − x) xn + xn
n+1 n(n + 1)
n≥1 n≥1
X wn
= o(1) + xn ,
n(n + 1)
n≥1
where we use wn = o(n) in the last step. Noting the condition f (x) → 0 as
x → 1− , we have X wn
= −a0 .
n(n + 1)
n≥1
A large tent had been pitched in an open space among the ruins of
the ancient city. Before it stood Oriel Porphyry leaning on a gun, with
Zabra at his side, resting on his harp. At the distance of a few feet
Fortyfolios and Tourniquet were seated on a fallen pillar, disputing
about the character of a building, the remains of which lay before
them. The captain and the midshipman were conversing together by
the side of the tent, and grouped about were twenty or thirty sailors
well armed—some reclining on the ground, others leaning against a
column, and the rest congregated into little parties, engaged in
talking over the adventures of the day, or in passing their opinions
upon the neighbouring ruins.
On one side of the tent stood a great portion of a very elegant
structure, of considerable dimensions, and of a classical style of
architecture; on the other side stood the ruins of a building of about
the same size, with a handsome portico supported by several
beautiful pillars, upon which might be observed a female draperied
figure much mutilated. A short distance from between them there
arose a tall column with a bronze statue of a warrior, broken and
disfigured, lying at its base. Beyond the column was a flight of
broken steps that led to an open space overgrown with wild shrubs
and weeds; and beyond these, and around in every direction,
nothing met the eye but confused heaps of stone and brickwork,
overgrown with rank herbage; and pillars, and walls, and glassless
windows.
“I am tired of this continual ruin,” exclaimed Oriel Porphyry. “We
have travelled all the day and met nothing but broken pedestals, and
prostrate capitals; porches without pillars, and pillars without
porches; trembling porticoes, tottering walls, and roofless dwellings.
I never witnessed such a perfect desolation. The only living thing I
have seen was a wolf, who stared at me as if quite unused to a
human countenance, and never attempted to move till I sent the
contents of my gun at his head. Then, immediately I had fired, there
flew around me such flights of bats, ravens, vultures, and owls, and
they created such a din of screaming and hooting, that I was
absolutely startled.”
“See how the ivy clings to the wall, Oriel!” said Zabra to his
patron, as he pointed to a ruin beside them; “how it twines round
the fluted pillar, and hides the ornaments of the richly decorated
capital. There is poetry astir in those leaves—there is a music
breathing in the breeze that shakes them. There! see you the bird
moving out its head from their friendly shelter to notice our
movements? She has her nest there, Oriel: in that little circle are all
her pleasures concentrated. She has made her happiness in the very
desolation of which you complain. It is impossible to look around
and say all is barren. There is not a weed that grows but what is full
of enjoyment for myriads of creatures of which we take no note. Is
there nothing in these stones which does not awaken in you
associations that ought to people them with the countless multitudes
that once found pleasure in this wilderness? I see not the ruin. I
notice not the silence. Memory looks through the vista of departed
time, and lo! all is splendour and beauty—and the deserted porticoes
echo with the voice of gladness. Let me sing to you, Oriel; this is a
glorious place for sweet sounds and antique memories, and I will
see to what use I can apply them.”
The young musician, after a short, touching prelude, then sung,
with the deep expression that characterised all his attempts at
minstrelsy, the following words:—
“To the home of the brave ones, the true and the kind,
With a heart filled with hope I have been;
And I thought of the gladness and peace I should find,
And the smiles of delight I had seen.
“But the dwelling was homeless, and roofless, and bare,
’Twas a ruin that threatened to fall;
And my sorrowing heart seemed to cling to despair,
Like the ivy that clung to the wall.
“Oh! where are the roses that clustered and spread
Round the porch where my wishes were told?
Alas! from the porch all the roses have fled,
And the hands that once plucked them are cold.
“Oh! where are the friends, the young, thoughtless, and gay,
Who gave life to the garden and hall?
All, all have departed—all, all passed away,
Save the ivy that clings to the wall.
“Be glad, my fond heart—there is hope for you yet,
For these leaves have a comfort convey’d;
There are moments and pleasures I ne’er can forget,
Though both roses and friends have decayed.
“Though this breast be a ruin where sorrow hath cast
Desolations she cannot recal;
Still mem’ry shall cling to the joys that are past,
Like the ivy that clings to the wall.”
“I tell you, Dr. Tourniquet, you’re completely in error,” exclaimed
Fortyfolios. “The meaning of the word United Service is evident, and
admits of no dispute. In old authors we frequently read of people
‘going to service,’ and as often of a union of offices in the same
person, such as butler and steward, valet and footman, gardener
and groom; and there cannot be a doubt that this is what was called
united service, and that this building was dedicated to the purpose
of finding situations for such people.”
“Dedicated to a fiddle-stick. Don’t you see?” replied the doctor. “I
tell you it was a club that met there to play at cards, and that was
the reason that they had a king of clubs, and a queen of clubs, and
a knave of clubs, and ever so many other clubs; and as a
qualification, all the members were obliged to be club-footed, and
they were governed by what they called club law.”
“’T was no such thing, Dr. Tourniquet, depend upon it,” said the
professor. “I’m sure ’t was the united service, because I have a book
in my library that mentions it as the United Service.”
“And I’m sure it was a club, because I’ve got a book in my library
that mentions it as a club,” responded the other.
“Then the building opposite was devoted to very different
purposes,” continued Fortyfolios. “It was called the Athenæum, the
derivation of which word I have never been able to discover. Perhaps
it had its origin in the Modern Athens, a place of some importance in
the neighbourhood of Blackwood’s Magazine—once a famous depôt
for combustibles, that blew up occasionally with great damage.
However, it was erected for the purpose of bringing together all the
intelligence of the country.
‘Together let us range the fields,
Impearled with the morning dew,’
says an ancient poet, and there is no doubt that the lines were
addressed by one member of the Athenæum to another.”
“And what good did they ever do by being brought together?”
inquired Tourniquet.
“That has never been ascertained,” replied the other.
“For what purpose was this column erected?” asked the young
merchant.
“It was erected to commemorate the victories of a certain Duke of
York,” said the professor. “He distinguished himself greatly during the
wars of the rival houses of York and Lancaster. Besides being a great
general, his piety was so great that he became a bishop, and there
are a series of moral discourses extant, that took place between the
Bishop and the Bishop’s Clarke, a person who was also very
celebrated. It may be said that this Duke of York enjoyed more
credit in his day than any of his predecessors; indeed he was in such
general requisition that the constant inquiries after him, gave rise to
the saying, ‘York, you’re wanted;’ and it was to him that the people,
after a disturbance which he had pacified, said,—
‘Now is the winter of our discontent
Made glorious summer by the son of York.’”
“I certainly feel the charm of association as much as any one,”
observed Oriel to his companion; “but the gratification I find in
treading shores so celebrated by historic recollections is changed to
a painful feeling at beholding the wreck to which has been reduced
the greatness I have honoured. I should suppose, from what I have
seen, that the whole land is in a similar state as that portion of it
which has come under my observation. I can imagine nothing so
deplorable. There appear to be no living things in the island but wild
animals. I can only account for their being here, from my knowledge
that, in former times, the natives kept several large collections of
them for show, and that these having escaped, they spread
themselves over the country.”
At this moment Oriel’s quick ear caught the sound of a low sharp
growl at no great distance from him, and turning round, beheld a
large lion crouching behind a heap of stones near the two
philosophers, who were disputing so vehemently that they had not
the slightest idea of their danger. The young merchant had just time
to get his gun in readiness and give the alarm to the sailors, when,
with a fierce roar that came like a peal of thunder upon the terrified
disputants, the lion sprung upon them, and knocked them both
down. He stood majestically with one paw upon the prostrate
philosophers, looking defiance on Oriel and his companions, as they
cautiously approached him from all sides with their muskets in their
hands.
“Now, my friends,” exclaimed the young merchant, “don’t fire till
you come within good aiming distance—don’t more than half fire at
a time—let the others reserve their fire, in case he makes a spring—
be steady, and aim at his head.”
“Ay, ay, sir,” was murmured by the captain; and every man held his
breath, cocked his gun, picked his way carefully over the stones, and
prepared himself for a struggle with his dangerous enemy. The lion
saw them advancing—shook his mane, lashed his tail, and, bending
his head to the ground, uttered a long and deafening roar.
“Now then, mind your aim,” said the young merchant. About a
dozen discharged their pieces; and, with a piercing howl, the lion
dashed among his foes, knocking down some half-a-dozen of them,
and scattering the rest in all directions. Luckily, he had been too
severely wounded to do any more serious mischief. His roar was
terrible; but the men having again approached him, poured in a
more deadly fire, and with a vain attempt to reach them, he gave a
savage growl, and fell covered with wounds. Scarcely had this been
done, before a distant roar was heard by the victors.
“Make haste and reload, for, if I mistake not, we shall have the
lioness upon us in a few seconds,” said Oriel Porphyry earnestly; and
all quickened their preparations, to be in readiness for another
contest. “Take up a position behind that ruin, for the lioness will first
make to the dead lion, and then she will attempt to turn her rage
upon us. We shall have her within gun range as soon as she comes
to the lion, and shall be in some sort of shelter when she begins her
attack.”
Scarcely had the position been taken and the arrangements made,
when the roar became more distinct; and, soon afterwards, the
lioness was seen rapidly approaching, with a series of prodigious
leaps that quickly brought her into the immediate neighbourhood of
the party in ambush. She instantly proceeded to the lion. At first,
she patted him with her paw. Finding he took no notice of that, she
fawned upon him, and licked him with her tongue, playfully bit his
ear, and played with his mane. Observing that he was still inattentive
to her movements, she gently turned him over; and then, noticing
the wounds in his head and body, and his incapability of replying to
her caresses, she uttered a roar so loud and piercing, that it made
the old walls about her echo again. This was replied to by a peal of
musketry from the neighbouring ruin. In a moment, with another
deafening howl, she rushed towards the place whence came the
reports, and with one desperate bound, leaped to the window
behind which Oriel and his companions lay concealed upon a heap of
stones and rubbish. She had got her fore paws and head upon the
ledge of the window, when another shower of balls sent her reeling
back. Howling with rage she made the leap again; when a blow on
the head from the butt end of a gun, held by a stout seaman, made
her loosen her hold, and, with a savage growl, she fell to the
ground. From there she next crawled to the body of the lion, licking
the upper part of his body, and uttering the most wild and
melancholy howls. She was evidently much wounded; but she
managed to crawl round him several times, drawing her long tongue
over his mane, and moving a paw, or his head, in hopes of noticing
some sign of recognition. At last, finding all her efforts ineffectual,
she emitted a roar that rivalled the loudest thunder, lashed her body
furiously with her tail, began tearing up the stones and soil around
her, and then, as if putting forth her strength for a last effort, she
made two or three prodigious leaps towards the adjoining building.
The bullets that met her in her way did not stop her progress, for
with one enormous bound she cleared the window, and came down
in the midst of the voyagers, dashing them about with a violence
that gave several of the men very severe contusions, and grasping
one by the neck so furiously that he would have inevitably been
killed, had not Loop stabbed her to the heart with a short sword he
carried, while Hearty gave her a desperate blow on the head with an
immense fragment of stone. Letting go the man she had got so
firmly in her grasp, she turned upon her assailants a look of the
most savage ferocity, and then, with a short howl of agony, fell back
dead at their feet.
They had dragged the lioness out of the building, and several of
the men were busily engaged taking off the skins of the two
animals, and the rest were talking over the dangers they had
escaped, when Zabra pointed out to his patron the figures of an old
man and a young female, who were advancing up the broken steps
that led to the base of the column. The sight of human beings was
so novel, that every one paid particular attention to the individuals
they now beheld. The man appeared to have reached extreme old
age, for his hair was white and long, and hung down upon his neck
and shoulders. His complexion was ruddy, but although the face was
covered with wrinkles and deeply marked furrows, there was an
animation in his eyes that showed that the fire of life was still
brilliantly burning. He was tall, and walked firmly, supporting himself
by a long staff. The skin of a lion hung from his neck over his manly
shoulders. The rest of his dress was composed of skins fastened by
thongs round his body and legs. A long sword was suspended at his
side, which, with a knife or dagger at his waist, seemed all the
weapons he possessed.
He was accompanied by a young girl, whose complexion had
evidently been browned by exposure to the sun, the effect of which
gave a warmer character to the quiet beauty of her features. Her
eyes were of a soft, deep, blue, beaming with tenderness and
benevolence; and her hair, which was silken in its texture, and very
light in colour, fell in clustering curls from her forehead to her neck.
A sort of cape, made of feathers, covered her shoulders; beneath
which was a long garment reaching below the knees, made of
different skins neatly sewed together, and bound round the waist
with a belt of the same. Her arms and legs were bare, and they
were of the most exquisite symmetry, delicately and beautifully
formed. In one hand she carried a light spear, and the other she
rested upon the shoulder of her companion.
As soon as the young girl observed the voyagers, she started back
with an exclamation of fear, and clung to the arm of her elder
companion, who, noticing the cause of her alarm, immediately let
fall his staff and drew his sword. There was something remarkably
imposing in the attitude of the old man. He drew up his stately form
to its full height; and as he stood upon the defensive with his
weapon firmly grasped in his right hand, while with his left arm he
clasped the young girl by the waist and drew her behind him, there
seemed a vigour in his silvery hairs, and a fire in his sunken eyes,
that neither youth or manhood could have rivalled.
Oriel Porphyry, who looked upon them with peculiar interest, laid
down his arms and advanced towards them, accompanied only by
Zabra, who was also unarmed. Their approaches were closely
regarded by the man, and watched with curiosity by the female.
“Fear us not, old man, we will do you no harm,” said the young
merchant.
“Fear!” exclaimed the old man proudly, “I know it not.”
“We are voyagers from a distant land, who have been induced to
visit your shores, from a desire to do honour to a country once so
famous.”
The old man, without making any reply, hastily returned his sword
to its scabbard, and then, with a countenance in which fearlessness
and kindness were blended, held out his right hand. The hand of
Oriel Porphyry was soon in its cordial and friendly grasp, and a
compact of sociality seemed immediately agreed to between both
parties. “And you, fair maid, need not be alarmed,” said Zabra,
approaching the maiden with a look that might have inspired a
savage with confidence. “You will meet amongst us none but friends
anxious to do you honour and service.” She shrunk back from his
advances with a strong feeling of timidity expressed in her features;
yet continued to gaze on the handsome face and graceful person of
the speaker, as if they had for her an attraction impossible to be
resisted.
“The child is unused to strangers,” observed her companion, as he
noticed the shy and wondering manner with which she regarded
Zabra. “It is long since she has seen a human being except myself.
Be not afraid, Lilya,” he exclaimed, as he drew her towards him.
“These are not enemies. They are wanderers, like ourselves; but
they have a home and kindred—we have neither.”
The cheerful countenance of the old man now became clouded
with melancholy, and he sighed as if there was a heaviness upon his
heart that could not be removed; but the timid Lilya still gazed upon
the features of the young musician, as if she found it impossible to
remove her eyes from their beauty. There was an extraordinary
contrast between her and her companion. She seemed just in the
dawn of womanhood, with delicate limbs, and looks all bashfulness
and pleased surprise; while he appeared on the extreme verge of old
age—all bone and sinews, hard and rough with exposure to the
severities of time and climate. She was evidently too young to be his
daughter; but that there was some relationship between them was
evident, for even in the gentle loveliness that distinguished her
youthful face might be discerned faint traces of resemblance to the
ancient but noble example of manhood that stood by her side.
“Your appearance has much interested me,” said the young
merchant, gazing on the stranger’s venerable appearance with
affectionate respect; “and I hope it will not be deemed intrusive or
impertinent if I inquire who it is I behold.”
“You see before you the last of the Englishmen,” said the old man,
looking proudly upon the inquirer.
“Is it possible?” exclaimed Oriel, regarding him with increased
admiration and a voluntary feeling of homage.
“The last of that powerful and illustrious race is now before you,”
he added, “and this is the child of my child’s child. We are all that
remain of the great people who filled this island with their multitudes
and the world with their fame. Kindred and countrymen—all are
gone; their homes are the habitations of the wild cat and the
vulture, and even their very graves have been made desolate by the
jackal and the hyena.”
“You appear to have attained a great age,” remarked Zabra.
“Alas! I have outlived my country,” replied the Englishman. “A
hundred and twenty years have passed since my existence
commenced. Time has forgotten me. I have been where the sword
was ploughing deep furrows around me far and near.—I have seen
Death busy at his work amid the youthful, the old, the innocent and
the guilty.—I have noticed the young trees grow up, put forth their
bravery, and die.—I have beheld mighty buildings crumble into dust.
—I have known all things perish before my eyes: yet I have
remained untouched in the midst of the desolation.—Three
generations have passed away, and have left me to gather
consolation from their tombs.”
“If the relation of what you have known and endured be not too
painful, I should much like to hear it,” said the young merchant.
“If you have the patience to listen, all shall be told to you,” replied
the old man. Then taking up his staff, he walked on to some
fragments of building that lay at a short distance, on which he sat
with Lilya at his feet. Oriel Porphyry, Zabra, Loop, the captain,
Fortyfolios, and the doctor sat or reclined in a circle round him, and
beyond the circle, the sailors stood leaning on their guns.
CHAP. V.
“My life is drawing rapidly to its close,” faltered the old man; “my
weary pilgrimage is nearly over. Farewell, ye solitary halls and
voiceless palaces! Farewell, ye grassy streets and ivied porticoes!
The eyes that have gazed upon ye in your splendour, and watched
ye gradually passing into ruin, will soon be darkened and closed. The
heart that hath drawn so many pleasures from your unfading
braveries is fast sinking into that state of nothingness to which you
all hasten. City of the silent! he who worshipped your prosperity, and
loved your decay, must now pass from amidst your ruined dwellings.
Like your time-honoured walls, I totter and tremble, and am ready to
fall upon the earth that supports me—the ivy seems twining up my
unsteady limbs, and the moss is spreading over my ancient heart.
Farewell, ye untasted pastures, ye uncultivated fields, ye gardens of
weeds and orchards of brambles—the wildness of your looks shall
welcome me no more. Farewell, ye hoary mountains and savage
rocks, ye untrodden forests and unhonored streams—the same iron
hand that hath visited ye so heavily, as heavily must fall on me. I
pass from among ye, oh land of my fathers! Your earth shall receive
me to her breast!”
The old man lay on a green bank overgrown with wild flowers,
while Oriel and Zabra supported his head. Lilya was reclining at his
side, with one of his hands at her lips, and her face hid on his
breast, and she spoke only in convulsive sobs. Tourniquet stood near
him feeling his pulse, and the professor was close beside
endeavouring to administer consolation. At a short distance stood
the captain and midshipman, with part of the crew of the Albatross,
apparently taking a deep interest in the scene. They were
congregated together near a shelving hillock in the neighbourhood
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