Bondade de Deus

Isaias Saad

 
        
                
D D(sus4) D D(sus4)

             
  1.Te a mo Deus,
    
                   
5 D9 G D A /C♯ A /C♯

tu a gra ça nun ca fa lha. To dos os di

 
que me gui aem mei ao fo go naes cu ri dão

                
   
Bm7 G9 A(sus4) A Bm7 G

     
8

as eu es tou em tu as mãos. Des de quan do me le van to a té eu me dei


tua pre sen ça me con for ta. eu sei que és meu Pai, que a mi

        
         
             
D A /C♯ Bm7 G A D G


11

tar eu can ta rei da bon da de de Deus. És Fi el em to doo tem

      
go és Eeu vi vo na

      
            
         
          
   
D G D9 A G

    
15


po. Emto doo tem po Tú És tão tão Bom! Com to doo fo le go que te


1. 2.

        
 
          
Bm7 G A D D(sus4) D9

              
19

  

         
       
nho, eu can ta rei da Bon da de de Deus 2.Tua do ce voz

                         


  
G D G D9 A

   
23



         
És Fi el em to doo tern po. Em to doo tem po Tú És tão tão Bom!

         
 
 
  
                           
27 G Bm7 G A D

       
Com to doo fo le go que te nho, eu can ta rei da Bon da de de Deus.

            
           
D D D D(sus4) D/F♯ G A D


31

Tua Bon da de me se gui rá me se gui rá Se nhor!

                         
2

         
 
D/F♯ G A D D /F♯ G


36

                       
Tua Bon da de me se gui rá me se gui rá Se nhor! Me ren doa Ti, te dou meu ser. En tre

    
A Bm7 D/F♯ G A D


39

                        
go tu do a Ti. Tua Bon da de me se gui rá me se gui rá Se nhor!

         
 
D/F♯ G A D D/F♯ G


42

                         
Tua Bon da de me se gui rá me se gui rá Se nhor! Me ren doa Ti, te dou meu ser. En tre

   
A Bm7 D /F♯ G A D D


45

         
       
go tu do a Ti. Tua Bod da de me se gui rá me se gui rá Se nhor!

                        


     
G D G D9 A

   
49


         
És Fi el em to doo tem po. Em to doo tem po Tú És tão tão Bom!

               
          
           
G Bm7 G A D

 
53

 

         
       
Com to doo fo le go que te nho, eu can ta rei da Bon da de de Deus

                        


     
G D G D9 A

   
57


         
És Fi el em to doo tem po. Em to doo tem po Tú És tão tão Bom!

               
                  
G Bm7 G A D

 
61

 
Com to doo fo le go que te nho, eu can ta rei da Bon da de de Deus
 Wildest Dreams-Love Story Mashup
Taylor Swift

   
Arr: Bruna Anfruns


               
 
   
Violí 1

               
                

Violí 2

          
    
                  
   
8

 
  
1

    
 
 
  
 
 
  
   
  
 

2

           
 
  
 
   
 

   
14


           
1

  
     


2

      
                       
      
   
18

                     
   
1

   
  
2

   
                      
       
23 pizz.

   

    
1

     


2

        

                 
 
  
  
      
         
29 arco

  
     
      
  

    
 
2
  

                
            
   
2

       
34

    
    
    
    
    
   
      
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    
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  
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2
        
     

      
          
39

           
     
                   
                    
     
2
 
            
         
       

          
44

 
      
          
                
2

              
 
   

 
50


        
              
      
arco

               

2

              

 
54

   
  
          
         
         
  
                 
         
2
     
                
  
   
 
58

     
           
         
2
  
        
  
                            
 
63

               
   
     
arco


2
Piano Wildest Dreams

 
 = 135

        
C Em D Bm C Em D Bm

       
 
Simile

   
                  
9
   
   
A C Em D Bm C

        
B


             
Em D Bm C

 
14

       

         Bm
            
 
Em D C Em
18

Simile

         
C

                
D G D Am


23

  
                       
28 C G D Am C

               
   
G D Am C G D
33

   
D

     
Am C D.S. C Em D Bm

 
39


   
C Em D D


45
 More Than Able
Maverick City Music

  
                      
    


=Verse
155 1 B♭ Trumpet

    
                         
    
6


     
  
                       
12 Chorus


       
                     
20

     
 
                    
  
29
Verse 2

       
          
              
  
38

           
                  
44 Chorus

           
                           
     
56
Bridge 1

     
                        
      
62

     
                       
        
67

          
                            


    
72
      
2

                   
        
     
77

       
                   
        


    
82 Bridge 2


    
 
           
               
87
1. 2.

    
    
                   
92

  
     
             
              
98 Chorus

              
         
   
110
 Little Things
for beginner piano

Arr, Miguel Ribeiro ANBR - Adrián Berenguer

                    
             
Allegro

             
2 4

        
2 4 2 1 3 2

                 
  

    
    
To Coda

                    
   
10 1. 2. 3 3͡4
1͡3 2 4 1 1 3

    
 
 
 
     
  
 
         
 
 
 
  
       

 
           
         
          
    

5

 
20 5 3 3 4
2 3 1 1 2 4 1 1 1 3 1

            
  
 
 
 
                  
 
 
 

         


       

D.C. al Coda 


31
4 2

        
  
    
rit.



Adrián Berenguer
 Tu És + Águas Purificadoras
flop music

  
 = 70
           
          
Bm7 A/C♯ Gmaj7 Bm7 A/C♯ Gmaj7 Bm7 A/C♯ Gmaj7

        

   
     
    
  
7 Bm7 A/C♯ Gmaj7 Bm7 A/C♯ Gmaj7 Em7


              
Dá me de

                       
  
D/F♯ Gmaj7 D/F♯ Em7 D/F♯


12


  
                       
          
   
17 G A D D Gmaj7 Gmaj7

          
      
Tu És

   
D.C. al Coda

      
Em7 Em7 G A To Coda Bm7 A/C♯ Gmaj7 Em7(9)


23


 
          
                         
todos

  
D D Gmaj7 Gmaj7 Em7 Em7


          
                                   
G A Em7 D/F♯ Gmaj7


7

       
Dá me de

              
1.

              

12 D/F♯ Em7 D/F♯ G A

  
                
                   
2.

    
17 A D D Gmaj7 Gmaj7 Em7



                               
Tu És
1. 2.

          
Em7 G A A D


23

                        
    
Quero beber

         
F♯m

    
G


29 G D/F♯ Em7 A Bm A Bm

JAB
2

                       
   
1. 2.

  
      
G

 
34 A4 A D D C9

      
                          

Tu És

       
41 C G G B♭ A4 A


Tu És

JAB
 MISSÃO IMPOSSIVEL

 = 90     Gm
TRANCRIÇÃO: MARCELO VALENTIM

    

    
            
                       
Fm F♯m Gm Fm F♯m Gm Fm F♯m Gm Fm F♯m

                                     
         

F♯m F♯m


6 Gm Fm Gm Fm F♯m Gm Fm Gm Fm F♯m Gm
Fm F♯m

         
                

11 Gm Fm F♯m Gm Fm F♯m Gm Fm F♯m Dm Cm C♯m Dm Cm C♯m Dm Cm C♯m

             
             
Dm Cm C♯m Fm E♭m Em Fm E♭m Em Fm E♭m Em Fm E♭m Em Cm B♭m Bm Cm B♭m Bm

 
17

         
   
24 Cm B♭m Bm Cm Fm Gm

YORGOS CERIMONIAIS @ 2019

 Photograph
Ed Sheeran

                                     
Intro
 = 120
             
E C♯m Bsus4

  comp
 
 


    
Verse

     
   
                
     
AΔ7 E C♯m


7

Lovingcanhurt Lovingcanhurt sometimes Butit'stheon

Lovingcanheal Lovingcanmend your soul and is theon

     
              
Bsus4 AΔ7 E

              
13


lything thatI know Andwhenit getshard Youknowitcanget hard
lything thatI know Iswear it willget eas i er re memberthat with ev er y piece

   
      
   
                          
19 C♯m Bsus4 AΔ7

    
sometimes It is theon lything thatmakesus feel a live
of ya m m andit'stheon ly thing wetake with us whenwe die

    
Pre-Chorus

                         
C♯m A E B C♯m

      
25

Wekeepthislovein a pho tograph Wemadethesememoriesfor our selves Whereour eyesareneverclosing


              
Chorus

                        
     
A E B E

      
30

heartsarenever bro ken andtime'sforever fro zen still 1,2.Soyoucan keep me in sidethe pock et of your
hurt me, that'so k ba by on ly

 
                        
 

            
B C♯m A


35


ripped jeans holdding me close er till our eyes meet Youwon't ev er be a lone oh
words bleed in sidethesepag es youjust hold me I won't ev er letyougo
 
                              
D.S. al Coda

   
B

                    
1. E A

       
40
2.

Waitformetocomehome Lovingcanheal waitfor me tocomehome

andlif you

 B 
                            
      
C♯m A E

       
45

 
Waitfor me tocomehome Waitfor me tocomehome Waitfor me tocomehome oh

      
                               
  
               
52 E B

Oh,youcan fit meinsidethe necklaceyougot whenyouwere six teen nextto your heartbeatwhere I
hurt me wellthat's ok ay ba by on ly wordsbleed in sdethesepa ges youjust

Ending :D

                      
       
1. 2.

      
C♯m A E

   
57 Slowly, freely


shouldbe keepit deepwithinyou soul Andifyou AndwhenI'm a way
hold me Iwon't ev er let you go

 
  
               
      
B C♯m A


63

Iwillre memberhowyou kissedme underthelamppostbackon sixthstreethearingyouwhisperthroughthephone


     

E

      
69

Wait for me to come home

2
 IF I AIN'T GOT YOU
Alicia Keys

   
       
Gmaj7 Em7 Am7

        

3 3 3

 
Some peo ple live forthe for tune Somepeo ple live just forthe
Some peo ple search for a foun tain Thatprom is es for ev er

  
             
D7 Gmaj7 G♯dim7 Am7

        
7

 
3 3

fame Somepeo ple live for the po wer, yeah Somepeo ple
young Somepeo ple need doz en ros es and that'sthe

 
       
D7 Gmaj7 Am7 Bm7 Am7

   
14

        
3 3

live just to play the game Some peo ple think thatthe vi i ble things de
only waytoproveyou lovethem Hand methe world on a sil ver plat ter and


    
Gmaj7 Am7 Bm7 Cmaj7 Bm7 Am7 Gmaj7 Am7 Bm7

       
21

      
3 3


fine what's with in and I've been therebe fore, but that life's a

 
what good wouldit be with no one to share, with no one who

 
         


Am7 Gmaj7 Am7 Bm7 Cmaj7

 
28

     
3


bore, so full of the su per fi cial. Somepeo ple wantit all but I don't want
tru ly cares for me?

  
                    
Bm7

  
Am7 Gmaj7 Am7 Bm7

 
35 3

no thin'at all If it ain't you ba by if I ain'tgot you ba by Some peo plewant

          
          
Bm7

    
Cmaj7 B♭m7 Am7 To Coda 

41 3

dia mondrings Somejust want ev er y thing but ev 'ry thingmeans not hin' If I ain't got


   
2.

  
1.

             
Gmaj7 Gmaj7 D.S. al Coda Gmaj7


47 3
3

you, yeah you, you, you. Some peo ple you,

   
  
           
Cmaj Bm7 Am7

  
52 3


3 3 3 3

yeah. If I ain'tgot youwithme ba by

      
        
   
      
Gmaj7 Am7 Bm7 Cmaj7 Bm7


58
3 3

Said, noth in' inthis whole wideworld don'tmean a thing_ If

 
               
64 B♭m7 Am7 Gmaj7

   
3

I ain't got you with me ba by. __

2
 If I Ain't Got You
Alicia Keys

                       
    

  
= 100

 
Violin


          
3


         
    

 
Violin

              
                
 
10


Vln.

   
  
3

   
          
          
Vln.



       
    
             
20


Vln.

           
           
          
Vln.


 
    
             
2.
   
         
31 1.


Vln.

  
       
  
           
  

Vln.


 

D.C. al Fine

   

41

Vln.

 
   

Vln.
 Santo Pra Sempre

Gabriel Guedes

            
 = 72
        
G♭ B♭/m A♭ D♭/F B♭m A♭ D♭

           
  As mui tas ge ra ções ren

             
  
                    
G♭/D♭ D♭ B♭m A♭ G♭ D♭

     
7
3

di das em lou vor can tan do ao Cor dei ro'u ma can cão os que em Ti se fo ram e

         
  
                   
11 G♭/D♭ D♭ B♭m A♭ G♭ G♭ B♭m

       
3

os que hão de crer can tan do ao Cor dei ro'u ma can ção Teu no me éo mai sal to, Teu

             
     
A♭ B♭m G♭ G♭ B♭m

       
15

            
no me éo mai or Teu no me e so bre to dos Os tro nos e do mí nios go

  
Refrão:

        
                
A♭ B♭m E♭m G♭ B♭m

     
19

     
ver nos e=po de res, Teu no me e so bre to e o san jos cla mam San

       
                  
A♭ D♭/F B♭m E♭m B♭m A♭ D♭ D♭sus4

         
23


        

to, to da cri a ção San to E xal ta do és San to, San to pra sem pre

  
Estrofe:

            
                       
D♭ D♭ G♭/D♭ D♭ B♭m A♭ G♭


29
3

Quem foi per do a do e re di mi do foi Can te ao Cor dei ro ma can cão a

           
                   
D♭ G♭/D♭ D♭ B♭m A♭ G♭

 
34
3

que le que é Ii vre e le va o seu no me Can te ao Cor dei ro ma can cão can ta
2

  
Refrão:

 
                      
B♭m A♭ G♭ G♭ B♭m A♭ D♭/F

        
38

       
re mos pa ra sem pre a mém e os an jos cla mam San to, to da cri a ção San

        
                         
B♭m E♭m A♭ D♭ D♭sus4 D♭ G♭ B♭m

        
43

  
to E xal ta do és San to, San to pra sem pre o teu po vo cla ma San

      
                      
A♭ D♭/F B♭m E♭m A♭ D♭ D♭sus4

          
49

    



to, siim ao Rei dos reis San to Tu sem pre se rás San to, San to pra sem pre

                  
  
D♭ G♭ B♭m A♭ B♭m G♭

        
55

                 
Teu no me omaisal to, Teu no me éo mai or Teu no me e so bre to dos Os

             
 
G♭ B♭m A♭ B♭m G♭

           
60

               
tro nos e do mí nios go ver nos e po de res, Teu no me e so bre to dos Teu

             
 
G♭ B♭m A♭ B♭m G♭

        
64

                
no me éo mais al to, Teu no me éo mai or Teu no me e so breo t dos Os

             
  
G♭ B♭m A♭ B♭m E♭m

              
68

               
tro nos e do mí nios go ver nos e=po de res, Teu no me e so bre to e os an jos cla

  
Refrão:

                  
G♭ B♭m A♭ Fm7 B♭m E♭m A♭

               
72

     
mam San to, to da cri a ção San to E xal ta do és San to, San to pra sem

      
          
D♭ D♭sus4 D♭ E G♭ B♭m A♭/C Fm7

                    
78

  
pre o teu po vo cla mam San to, sim, ao Rei dos reis San
   
3

  
                             
B♭m E♭m A♭ D♭ D♭sus4 E♭m

  
83

to Tu sem pre se ra's San to, San to pra sem pre Tu sem pre se ra's San

   
         
A♭ D♭ D♭sus4 D♭

 
89


to, San to pra sem pre   
 Santo Pra Sempre

Gabriel Guedes

     
            
E

         
D F♯/m A/C♯ F♯m E A


= 72
     

 
                      
As mui tas ge ra ções ren

            
7 D /A A 3
F♯m E D A

  
di das em lou vor can tan do ao Cor dei ro'u ma can cão os que em Ti se fo ram e

                     
             
11 D /A A 3
F♯m E D D F♯m

   
os que hão de crer can tan do ao Cor dei ro'u ma can ção Teu no me éo mai sal to, Teu

 
 
      
           
       
15 E F♯m D D F♯m

no me éo mai or Teu no me e so bre to dos Os tro nos e do mí nios go

  
Refrão:

   
                            
   
E F♯m Bm D F♯m


19

  
ver nos e=po de res, Teu no me e so bre to e o san jos cla mam San

                  
          
23 E A/C♯ F♯m Bm F♯m E

to, to da cri a ção San to E xal ta do és San to, San to pra sem


       
Estrofe:

                        

 
A

 
A Asus4 A A D /A F♯m E
 
28 3

    
pre Quem foi per do a do e re di mi do foi Can te ao Cor dei ro ma can cão


                    
33 D A D /A A F♯m E 3

a que le que é Ii vre e le va o seu no me Can te ao Cor dei ro ma can cão


Refrão:

                                
37 D F♯m E D D F♯m

can ta re mos pa ra sem pre a mém e os an jos cla mam San

   
2

                         
     
41 E A/C♯ F♯m Bm E

    
to, to da cri a ção San to E xal ta do és San to, San to pra sem

     
               
        
46 A Asus4 A D F♯m E A/C♯

pre o teu po vo cla ma San to, siim ao Rei dos reis San

                    
         
51 F♯m Bm E A Asus4 A

  

 
to Tu sem pre se rás San to, San to pra sem pre Teu

   
    
                     
    
56 D F♯m E F♯m D

   
no me omaisal to, Teu no me éo mai or Teu no me e so bre to dos Os

 
     
                           
60 D F♯m E F♯m D

 
tro nos e do mí nios go ver nos e po de res, Teu no me e so bre to dos Teu

   
 
                              
64 D F♯m E F♯m D

   
no me éo mais al to, Teu no me éo mai or Teu no me e so breo t dos Os

                                
     
68 D F♯m E F♯m Bm

tro nos e do mí nios go ver nos e=po de res, Teu no me e so bre to e os an jos cla


Refrão:

                         
      
D F♯m E C♯m7 F♯m Bm

 
72

          
mam San to, to da cri a ção San to E xal ta do és San

            
         

77 E A Asus4 A B♯ D F♯m E/G♯


  
to, San to pra sem pre o teu po vo cla mam San to, sim, ao Rei dos reis

              
               
C♯m7 F♯m Bm E A


82

  
San to Tu sem pre se ra's San to, San to pra sem pre

         
           

87 Asus4 Bm E A Asus4 A

  
Tu sem pre se ra's San to, San to pra sem pre
Piano Bittersweet Symphony
Richard Ashcroft
Mick Jagger
Keith Richards

        
 
Andante (q = 84)

               

   

 
mf
   
  
   
 





   
                   
   
7
       
               

    

 

 

 

 


  
                 
    
12
     
        

    

f
       
  
   
 

 
       
       
16
     
   
         



              
       

20
         
     
                    

     

  
  
   
 




  
 


              
24
   
             

  



    
  


 
  

V.S.
2 Piano

     
28
              
               

  
  
    
 



   
 


       
32

                   
      

     

  



  
 

 


  
 


                       
36

               



            
       

             
 1.2.  
40
     
             

  



      
     
           

      
     
44

                  
3.

       

   
 





 
   
  

         
          

    
47 repeat ad lib. to fade
      
         


   
 


  
  


 



 

 Clocks
Coldplay

                                  
  = 80
         
4 2 3 2 1 4 2 1 5 3

   
        
1

                   
       
D.C.

    
6


4 2 3 2 1 1 5 4 3 2


1

   
   
4

      
3

   
2

  

                            
        
12
4 2 3 2 1 4 2 1

      

1

   

         

   
16 5 4
1.

  
1

   

        


                    
      
20 2. rit . . . . . . . . . . . . . .


  
   

 Marry you

   
moull

             

        
 = 145
                 
        
                       
       
                          
  

           
       
          
6

                                       
              

          

           
11

                                               
                     

              

      
17


 
 
 
 
 
 
 

                                         
       
       
       
     

            
         
 
23


 
 
 
 
 
 
 

                               
                  
       
    
          
            
29

                    
                                
           
           
        
           
35

                  

                                       
           

               
 
      
2

             

               
41

    
 
  
 
                                    
                 

                        

               
48

 
                               
                

          
 
 
 
            
                 
54

   
                                    
                 

                        

       
61

  
                 
             
                    
                
      

               
             
 
      
68

              

   
   
       
                                    
           
                   
             
    
74

              
  
       
      
           
           
         
                


                    
     
80

   
                                  
                               


  
                       
3


                 
87


 
  

                                
        

              
 
 
 
          

             
93

   
                                    
                  

     
 
 
 
   
 

                     
         

100

               

                       
                   
         
 
 
 
 
        
       
           
 
107

        
                                     
              

           
          
           
 
114

 
                                    
                  

                

        
121


      
        

                    
        
128


   
     
    
  
4

  
135


   
