A Short Philosophical Guide To The Fallacies Of
Love Andrea Iacona download
https://ebookbell.com/product/a-short-philosophical-guide-to-the-
fallacies-of-love-andrea-iacona-33367792
Explore and download more ebooks at ebookbell.com
Here are some recommended products that we believe you will be
interested in. You can click the link to download.
Philosophical Method A Very Short Introduction Timothy Williamson
https://ebookbell.com/product/philosophical-method-a-very-short-
introduction-timothy-williamson-54517094
Simulation Theory A Psychological And Philosophical Consideration Tim
Short
https://ebookbell.com/product/simulation-theory-a-psychological-and-
philosophical-consideration-tim-short-5219096
Sport A Biological Philosophical And Cultural Perspective Jay Schulkin
https://ebookbell.com/product/sport-a-biological-philosophical-and-
cultural-perspective-jay-schulkin-51903544
Philosophiae Moralis Institutio Compendiaria With A Short Introduction
To Moral Philosophy Francis Hutcheson
https://ebookbell.com/product/philosophiae-moralis-institutio-
compendiaria-with-a-short-introduction-to-moral-philosophy-francis-
hutcheson-33720680
A Short History Of Quebec 4th Edition John A Dickinson Brian Young
https://ebookbell.com/product/a-short-history-of-quebec-4th-edition-
john-a-dickinson-brian-young-44861542
A Short History Of The Movies 11th Edition Gerald Mast Bruce F Kawin
https://ebookbell.com/product/a-short-history-of-the-movies-11th-
edition-gerald-mast-bruce-f-kawin-46110762
A Short History Of Tractors In Ukrainian Marina Lewycka
https://ebookbell.com/product/a-short-history-of-tractors-in-
ukrainian-marina-lewycka-46126534
A Short Course In Differential Geometry And Topology Anatoly T Fomenko
https://ebookbell.com/product/a-short-course-in-differential-geometry-
and-topology-anatoly-t-fomenko-46180492
A Short History Of Breast Cancer D De Moulin
https://ebookbell.com/product/a-short-history-of-breast-cancer-d-de-
moulin-46233512
i
A SHORT
PHILOSOPHICAL
GUIDE TO THE
FALLACIES OF LOVE
ii
ALSO AVAILABLE FROM BLOOMSBURY
Epistemology: The Key Thinkers, edited by Stephen Hetherington
Expertise: A Philosophical Intro duction, by Jamie Carlin Watson
Knowledge and Reality in Nine Questions, by Matthew Davidson
Problems in Epistemology and Metaphysics, edited by
Steven B. Cowan
The Myth of Luck, by Steven D. Hales
iii
A SHORT
PHILOSOPHICAL
GUIDE TO THE
FALLACIES OF LOVE
JOSÉ A. DÍEZ
and
ANDREA IACONA
iv
BLOOMSBURY ACADEMIC
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP, UK
1385 Broadway, New York, NY 10018, USA
BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of
Bloomsbury Publishing Plc
First published in Great Britain 2021
Copyright © José A. Díez and Andrea Iacona, 2021
José A. Díez and Andrea Iacona have asserted their right under the Copyright,
Designs and Patents Act, 1988, to be identified as Authors of this work.
For legal purposes the Acknowledgements on p. xi constitute an extension
of this copyright page.
Cover design by Louise Dugdale
Cover image: Castello di Masino (Turin, Italy).
Photograph by Karla Camila Harada.
All rights reserved. No part of this publication may be reproduced
or transmitted in any form or by any means, electronic or mechanical, including
photocopying, recording or any information storage or retrieval system, without
prior permission in writing from the publishers.
Bloomsbury Publishing Plc does not have any control over, or responsibility for, any
third-party websites referred to or in this book. All internet addresses given in this
book were correct at the time of going to press. The author and publisher regret any
inconvenience caused if addresses have changed or sites have ceased to exist, but
can accept no responsibility for any such changes.
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Names: Díez, José A., 1961– author. | Iacona, Andrea, author.
Title: A short philosophical guide to the fallacies of love /
José A. Díez and Andrea Iacona.
Description: London ; New York : Bloomsbury Academic, 2020. |
Includes bibliographical references and index.
Identifiers: LCCN 2020033586 (print) | LCCN 2020033587 (ebook) |
ISBN 9781350140905 (hb) | ISBN 9781350140899 (pb) |
ISBN 9781350140882 (epdf) | ISBN 9781350140875 (ebook)
Subjects: LCSH: Love. Classification: LCC BD436 .D485 2020 (print) |
LCC BD436 (ebook) | DDC 128/.46–dc23
LC record available at https://lccn.loc.gov/2020033586
LC ebook record available at https://lccn.loc.gov/2020033587
ISBN: HB: 978-1-3501-4090-5
PB: 978-1-3501-4089-9
ePDF: 978-1-3501-4088-2
eBook: 978-1-3501-4087-5
Typeset by Newgen KnowledgeWorks Pvt. Ltd., Chennai, India
To find out more about our authors and books visit www.bloomsbury.com
and sign up for our newsletters.
v
To those who deceive themselves
(That is, to everybody)
To Camila
vi
vi
vii
CONTENTS
Preface ix
Acknowledgements xi
Introduction 1
1. Basic notions 3
1.1 What we talk about when we talk about love 3
1.2 Some fundamental properties of love 9
1.3 Truth, justification and knowledge 12
1.4 The fallacies of love 15
1.5 Sex, gender and stereotypes 19
1.6 Some final remarks 21
2. The invention of reasons 25
2.1 Rationalization 25
2.2 The you–you fallacy 27
2.3 The virtue fallacy 31
2.4 Purported sour grapes 37
2.5 Lost love’s labours 40
2.6 Inference to the worst explanation 42
viii
viii Contents
3. The power of desire over belief 47
3.1 The glasses of love 47
3.2 Belief without evidence 49
3.3 Evidence without belief 53
3.4 Love is blind 57
3.5 The diamond fallacy 60
4. Wanting it all 65
4.1 Complex cases of cognitive mistakes 65
4.2 The Divided Lover 67
4.3 The Princess 71
4.4 The Don Juan 77
4.5 The emotional terrorizer 83
5. When love goes away 95
5.1 The end of love 95
5.2 The sunk costs fallacy 98
5.3 The sweet lemons fallacy 101
5.4 Inertia and uncertainty 104
5.5 Desamor 106
6. FAQ 113
Notes 125
Bibliography 131
Index 133
ix
PREFACE
This book was initially conceived as an English version of Del
amor y otros engaños (Alphadecay, 2016), which in turn is a free
Spanish translation of Amore e altri inganni (Indiana, 2104).
But we have changed the Spanish text substantially, rewriting
entire parts of it and adding new material. So we no longer know
whether the final result may still be regarded as an extremely free
translation of Amore e altri inganni or is simply another book.
No matter how you want to call it, however, we hope that we
have made some progress in improving the original.
Since we have been thinking about the issues discussed in this
book for a long time, we owe thanks to lots of people for helping
us think through them and shape our ideas. These people include
friends, colleagues, anonymous referees or simply persons who
decided to spend a couple of hours listening to us. If you are
one of them, please forgive us for not knowing or remembering
your name.
We would like to thank Darlhen Louis, Vikram Mukhija and
Zsofia Zvolenszky for their thoughtful reading of a previous
version of the text. Their comments were really helpful. We are
also grateful to Bernardino Sassoli for facilitating the process of
x
x Preface
publishing in English. Finally, we owe much to Kevin Mulligan
and Richard Davies for their interest in our project, for their
invaluable support and for the innumerable corrections and
suggestions they provided. From them we have learned a lot
about English, literature and philosophy.
xi
ACKNOWLEDGEMENTS
The translations from Italian and Spanish provided in the
endnotes are by Richard Davies, José Díez and Andrea Iacona.
Every effort has been made to trace copyright holders and to
obtain their permission for the use of copyright material. We
apologize for any errors or omissions and would be grateful if
notified of any corrections that should be incorporated in future
reprints or editions of this book.
xii
xii
1
Introduction
This book originates in a series of playful conversations that we
never took very seriously. Over about ten years, we have often
discussed about the illusions of love, commenting on our own
amatory ups and downs as well as those of our friends. At the
beginning it was almost a joke. But the more we discussed, the
more we agreed on some points that seemed interesting. This
was rather surprising, since usually we disagree on almost
everything. So we thought it might be a good idea to give a more
theoretical form to our views. It quickly became clear that what
we were doing was epistemology of love.
Epistemology is the branch of philosophy that studies the
nature and limits of knowledge. The questions it addresses are
those that arise when one reflects about the grounds of one’s
beliefs. We know that the Earth moves. But how do we know it?
The belief that the Earth moves is justified; it is not like the belief
that there is a yeti in the Himalayas. But why? What exactly are
2
2 Philosophical Guide to the Fallacies of Love
belief, justification, and knowledge? These are deep questions
that have always been at the heart of philosophy.
Love is definitely one of the most intense human feelings,
although perhaps not the most durable. Its power is so pervasive
and widespread that it is almost impossible to imagine a loveless
world. Many things people do, such as writing letters, buying
rings or making long unnecessary phone calls, are the effects of
love. The same goes for many things people say, as when they use
the words ‘passionate’, ‘ mysterious’ or ‘ beautiful person’. This is
why it is natural to have love beliefs, that is, beliefs about our own
loves and those of others.
The epistemology of love, as we understand it, includes any
reflection on the grounds of love beliefs. Love beliefs are just like
other beliefs. Some of them are grounded, some are not. Our
work focuses on those of the second kind. Many love beliefs are
like the belief that the yeti exists, in that they are built on clues
that have roughly the same degree of reliability as a mark on snow
resembling a big footprint. Lovers provide unequivocal examples
of ungrounded beliefs, because love is an inexhaustible source
of misperceptions, misconceptions and misunderstandings. The
aim of this book is to identify and spell out some characteristic
ways in which ungrounded love beliefs arise, are maintained and
reinforced, and to illustrate some of the typical mistakes that
constitute the main fallacies of love.
Discovering Diverse Content Through
Random Scribd Documents
Editorial footnote to same, p. 62, 63
Observations, The Pamphlet.
Cited by Madison, p. 33, 34, 43, 46, 50, 62
Cited by Pinckney, p. 90
When written, p. 93, 130
Description of, p. 105
Madison interest in, p. 107
Extracts from, p. 111
The Observations, a speech never made, p. 122, 126, 139
Madison and Yates evidence, p. 122
Contradictions in it, p. 126
Significant error in date, p. 127
Considered as a speech, p. 131
Considered as evidence, p. 132
Confirm Articles III, V, VIII, p. 132, 135
Explanation of Pinckney's publication, p. 135
Why speech was not delivered, p. 137
Why published, p. 138
Why Observations were not cited in Madison's "Note," p. 140
The Observations fateful, p. 141
They sustain the copy in the State department, p. 139
Articles in the draught described in the Observations cannot be
questioned, p. 182, 189, 198, 253, 269, 270
Article 11 referred to by Randolph described in the Observations,
p. 198
Patents. See Copyright.
Paulding, James Kirke.
Memorandum for, p. 34, 42, 107
Letters to, p. 43, 108
Friend of Madison, p. 44, 45
Phenomenon, The, of Madison, p. 46, 53, 80
Pinckney, Charles.
His official life, p. 23
His age, p. 88
Why he presented the Observations, p. 135
His strategic purpose, p. 137
Why he published the Observations, p. 138, 142
Desired the supremacy of the national government, p. 181, 279
He alone formulated a constitution before the convention met, p.
189
His misplacement of the veto power, p. 183
The style of the Constitution, p. 243, 245
His draught the only one, p. 249
His method of construction, p. 250
His composite work, p. 250, 251, 252
His generality of treatment and expression, p. 253
A condemned and misrepresented man, p. 254
His training and preparation, p. 261, 264
What he did and failed to o, p. 261
His co-operation with Madison, p. 264, 265, 267
His family, position, etc., p. 278
His speech of June 25, p. 278
The extremist federalist in the convention, p. 279
Pierce's description and estimate of him, p. 281, 284
The destruction of everything which Pinckney possessed, p. 285
Pinckney, Charles Cotesworth,
Opposes election by the people, p. 88
Proposes that no salary be allowed to Senators, p. 176
Living in 1818, p. 24
The most esteemed citizen in S. C., p. 88
Pinckney's Letters
To Secretary of State, p. 8, 12, 26, 27
Contemporary declaration, p. 10
Letter to Madison, p. 62
Pierce, William.
His narrative of a lost paper in the convention, p. 230
His description of Randolph, King, Hamilton and Pinckney, p. 281
Preamble of the Constitution.
Suggested by the Articles of Confederation, p. 169.
Derived from Constitution of Massachusetts, p. 169
Randolph attempted draught of preamble, p. 162
Wilson attempted draught of preamble, p. 166
The preamble in the committee's draught, p. 168
It declared the source and supremacy of authority, p. 213
Ignored State governments, p. 213
The preamble unquestioned in the convention, p. 215
President, The.
See Election of.
Printers—Copy.
Pinckney draught used as printers' copy. p. 188, 208, 237
Randolph, Edmund.
The Virginia resolutions cited as his, p. 68
Opens the main business of the convention, p. 130, 136
His draught of the Constitution, p. 158, 161
Read, George.
Letter to Dickinson on Pinckney's draught, p. 89
Ritchie, Thomas.
Madison's letter to, p. 63
Rutledge, John.
Present in the convention, May 29, p. 135
Seconds Pinckney motion to strike out the word people and insert
Legislatures, p. 95
Chairman of the Committee of Detail, p. 75
"Delivers in" the report of the committee, p. 70
His annotations on the other draughts, p. 162, 164, 182
He co-operates with Wilson and Randolph, p. 164
Used Pinckney draught when annotating, p. 182
His ruthless slashing of Wilson's, p. 161
His 43 amendments, p. 161, 204
Strongest man in the State, p. 88
Secrecy.
The resolution of the convention, p. 228
Secrecy to continue after the dissolution of the convention, p. 228
Silence of members from May 29 to September 17, p. 229
Washington recognition of the obligation, p. 229
The obligation required that the draught be not lost, p. 232
Pinckney draught used as printers' copy and scrupulously
destroyed, p. 237
Legal presumption that it was destroyed, p. 237
Secrecy of Committee of Detail, p. 75, 200, 237
Senate.
Pinckney's Senate, p. 91, 217
To appoint ambassadors and judges, p. 102
South Carolina.
The State postpones action in the convention, p. 175
South Carolina Gazette.
Draught republished in, p. 274
Sparks, Jared.
Writes to Madison, p. 42, 43, 144, 146, 147, 149
Madison to Sparks, p. 35, 42, 43, 110
His opinion of the draught, 148, 152
His correct analysis, p. 152
His most delicate test, p. 153
Story, Mr. Justice.
Ignores the Draught, p. 6, 8, 12
"Supreme Law of the Land."
History of the term. p. 179.
The case of Trevatt v. Weeden gives judicial significance to it, p.
182
Derived from resolution of Congress, p. 251
Thomson, Doctor William H.
Definition of mystery, p. 4
Time.
The second condition imposed on the committee, p. 232
Two of these days were Sundays, p. 233
Three days required for printing, p. 234
200 constitutional provisions framed and printed within the limited
time, p. 234
Treason.
The punishment of treason, p. 185
How defined, etc., in the three draughts, p. 186
Caution of Rutledge and Pinckney, p. 186
Their provisions combined in the Constitution, p. 187
The Treaty Making Power.
Lodged in the Senate exclusively, p. 210
Not authorized by the convention, p. 211
Committee of detail followed Pinckney erroneously, p. 211
Veto Power, The.
Taken from the constitution of New York, p. 47
Misplaced by Pinckney and by the committee, p. 183, 220
Correctly placed by Wilson, p. 183
Washington, General, The.
Madison's letters to, p. 33, 34
His copy of the committee's draught, p. 74
Letter to Congress, p. 54
His illness, and the illness of his mother, p. 128
His journey to Fredericksburg, p. 128
His arrival in Philadelphia, p. 129
President of the convention, p. 129
Letter to General Knox, p. 128
Made custodian of the records, p. 228, 239
His sense of the obligation of secrecy, p. 229
Extracts from his diary, p. 229
His admonition to the convention, p. 230
The convention's daily mark of respect, p. 230
Extracts from his diary of September 17, p. 239
Washington, City.
Capture of, 56
Burning of the Capitol, p. 56
Wilson, James.
His draughts of the Constitution, p. 158
Intelligent and wise, p. 159
Opposed the payment of representatives by the States, p. 175,
176
His proper treatment of the veto power, p. 183
His careful and logical work, p. 165, 187
Alien member of the convention, p. 199
A judge of the Supreme Court, p. 200
The hard-worker of the convention, p. 204
A signer of the Declaration, p. 171
He first suggests the Electoral Colleges, p. 77
Yates, Robert.
Entry in his minutes, p. 29, 122
Report of Pinckney's speech, p. 30
His age, position and experience, p. 124
Value of his minutes, p. 125
*** END OF THE PROJECT GUTENBERG EBOOK THE MYSTERY OF
THE PINCKNEY DRAUGHT ***
Updated editions will replace the previous one—the old editions will
be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived
from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for
the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,
the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
Section 2. Information about the Mission
of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where
we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About
Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
ebookbell.com