Beauty

in depth
CREATING LIGHT-FILLED
INTERIORS WITH SOUL

HOW TO
DECORATE
WITH GREEN

SUMMER LIVING STAND-OUT

Our outdoor ST YLE
entertaining edit Murals inspired
The best in by nature
garden lighting Statement vanities
Ideas for Divine dressing
alfresco kitchens rooms

July 2025
 July 2025

46 84

11 O B J EC T S O F D E S I R E Designs to inspire, 52 GA R D E N PA R T Y The brands that bring you

from furniture to lighting all you need to elevate alfresco gatherings
58 A R T F O R A L L Willow Kemp on why everyone
The Edit should embrace art collecting
17 T H E J U LY E D I T Discover this month’s debuts 60 D R E S S TO I M P R E S S Creative ways to
and decorative trends maximise the potential of your dressing room
25 A F I N E L I N E Look sharp with the latest trend 68 P L AY I N G W I T H PAT T E R N Joy Moyler is
26 I N D E TA I L : A L F R E S CO L I G H T I N G The getting brave with mixing motifs
latest illuminating designs for outdoor spaces
30 D I S H O F T H E DAY Hand-painted plates Homes
33 M OV E R S & S H A K E R S Meet ceramicist and 74 H E A R T & S O U L Bold Brooklyn character
The Great Pottery Throwdown judge Rich Miller moves to the suburbs in this family’s eclectic,
34 M E E T I N G O F M I N DS The very latest and personality-packed new home
creative tile collaborations 84 E N G L I S H H E R I TAG E A modern home in
38 R I S I N G S TA RS Spotlighting three of Atlanta took inspiration from British interiors
our Next in Design 2025 winners to create layered schemes rich in personality
94 ‘ T H I S H O M E M A D E U S CO N S I D E R W H AT
Design & Decorating A R T I S’ Dramatic decorative elements and
43 CO LO U R O F T H E M O N T H Green has an easy unexpected touches bring a sense of joy and
charm that brings warmth and freshness cosiness to a city new build
46 N E W H O R I ZO N S The latest panoramic murals 104 G U I D I N G L I G H T This Melbourne home
tell beautiful tales, filling rooms with drama champions the relaxed, inside-outside lifestyle
and imaginative design that Australia is celebrated for

COV E R P H OTO G R A P H STACY Z A R I N G O L D B E RG

4
 126 158

Gardens
116 GA R D E N N OTE S The best ideas and buys 148 T H E VA N I T Y P ROJ EC T Striking washbasin
for your outdoor space units that make a style statement
118 A TA L E O F T WO H A LV E S Buying the house 153 D E S I G N E R BAT H RO O M Tiffany Duggan’s
next door enabled the creation of a new garden idea of a dream bathing space
126 E AT I N G OUT Outdoor kitchen and dining
areas that are perfect for summer entertaining Lifestyle
132 S U N S H I N E R E A DY How to create the ideal 157 A LOVE L E T T E R TO … Tolù Adẹ̀ kọ́ explains
outdoor entertaining space why London has a hold on his heart
135 GA R D E N V I E W S Ian Trought, head gardener 158 Z E S T F O R L I F E Mediterranean-inspired
at Overbeck’s in Devon, on subtropical planting, recipes that celebrate the joy of the lemon
sustainability and gardening near the coast 165 A G R E AT E S CA P E Hôtel du Couvent in Nice
on the Côte d’Azur
Kitchens & Bathrooms 170 M Y L I F E I N 1 0 Claire German, CEO of
138 P ROJ EC T N OT E S The latest luxurious Design Centre, Chelsea Harbour, shares
launches to elevate your scheme some of her favourite things
140 D I S T I N C T I V E FE ATURE Imaginative ideas
for standout splashbacks Regulars
147 D E S I G N E R K I TC H E N The design duo from 9 E D I TO R’S L E T T E R
Child Studio craft a characterful scheme 112 S U B S C R I B E TO H &G Six issues for £6

TO S U B S C R I B E
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Global Brand Director and Group Editor in Chief Sarah Spiteri
Editor (Print) Jo Bailey
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UK Content Editor Sophia Pouget
Content Editors, Interiors Charlotte Olby and Molly Malsom
News Writer, Interiors Eleanor Richardson

Head of Living Katrina Harper-Lewis

Wellness Editor Emilia Hitching
Entertaining Editor Lydia Hayman

Head of Celebrity Style Megan Slack

News Writers, Celebrity Style Hannah Ziegler and Sophie Edwards

Head of Gardens Rachel Bull

Content Editors, Gardens Drew Swainston and Thom Rutter
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 uly brings longer days and a golden light that lingers –
making it the perfect time to talk about beauty in depth. In
this issue, we explore interiors that don’t just look good but
feel soulful too – spaces filled with light, personality and that
indefinable something that makes a house a home. Our cover
story (page 74) showcases the work of Zoë Feldman Design
and features a compact pantry drenched in Yves Klein blue,
proving small rooms can deliver impact. Equally compelling
is the project Victoria Sass of Prospect Refuge Studio headed
up (page 94). She reminds us that depth in design often begins
with a leap of faith. ‘Be brave and move in a direction that
makes you feel uncomfortable,’ she says. The warmth and
character she brought to the new build is impressive – a
highlight is the mural by artist Ginny Sims. It’s a quiet moment
of storytelling in a modern space. Of course, it’s fair to say that
dressing rooms are a luxury - but they are a beautiful addition.
The ones featured in this issue (page 60) are decorated in the
most exquisite way – think fabric-panelled walls and jewel-
like lighting – and strike the perfect balance between function
and fantasy. And because great design doesn’t stop at the
back door, we’ve rounded up the best spots for sourcing
garden-party essentials, along with some seriously stylish
ideas for outdoor kitchens. Here’s to beautiful spaces – inside
E D I TO R’S P I C K and out – that delight, reflect who we are and maybe even push
A dazzling showcase of design us just a little out of our comfort zones.
talent, WOW!house 2025
opens its doors on 3 June. It Jo Bailey, Editor
runs until 3 July and delivers
pure inspiration at every turn
– one for the diary.

NEWSLETTER S U B S C R I B E TO DAY F O L LOW U S O N

FA B R I C I N B A C K G R O U N D T U L I P S I N T E R R A , O T T O L I N E
PHOTOGR APHS (E DITOR’S PICK) SIMON WILLIAMS

Scan this QR Don’t miss our I N S TAG R A M @homesandgardensofficial

code to enjoy introductory X @homesandgardens
Homes & subscription FAC E B O O K @homesandgardens
Gardens in offer – 6 issues P I N T E R E S T @homesgardensuk
your inbox for £6. Turn to T I K TO K @homesandgardensofficial
with our email page 112 W H AT SA P P Homes & Gardens
newsletter for details.

9
 2.

1.

3.

5.

4.

6.

OBJECTS OF

Pretty pieces that have caught our editor’s eye

1. Vibrant Geometries II by Kanica, £850 (includes frame), available at Partnership Editions
2. Elburg pendant, £115, Cox & Cox
F E AT U R E J O B A I L E Y

3. Floral hand-embroidered cotton cushion, £450, Rosemary Milner at Abask

4. Jorge wall panel in Pétrole/Garance, £831.60, Casamance
5. Concertina dining table, £4,400, Galvin Brothers
6. Large octagonal tray, £495, Miles Redd for The Lacquer Company →

11
 1.

3.
2.

4.

5.

7.

6.

1. Conservatory chair upholstered in Sunbrella Buttercup canvas, £1,668, Yaniv Chen for Lemon
2. Charm candle sconce, £225, Alfred Newall
3. Handmade fine bone china champagne bucket, £258, Feldspar
4. Cornelia table lamp, €417, Edin and Lina Kjellvertz for Dusty Deco
5. L’Orangerie mural, £296, Manuel Canovas at Colefax and Fowler
6. Fayoum table, £449.74, Anūt Cairo
7. Queenie sofa in Fairground Fudge clever velvet, £1,195, Loaf →

12
 1.

2.

3.

4.

5.

6.
7.

1. Tulips fabric in Terra, £188m, Ottoline

2. The Kudu chair in Black Oak upholstered in Shearling, from £3,000, Sister by Studio Ashby
3. Marcia Zébrano lamp, €680, Romie
4. Pink/Burgundy Dash platter, £72, Rosie Gore
5. Osis Pila low table, €2,650, Llot Llov
6. Sola salt pig in Terracotta, £35, Ferm Living
7. Thorn mirror, price on request, Peascod &

14
 The July Edit
A C U R AT I O N O F T H E B E S T D E S I G N A N D H O M E I D E A S

RUSTIC CHARM
F E AT U R E L A U R A V I N D E N P H O T O G R A P H D E A N H E A R N E

Alfred Newall introduces the five-piece

Caravan collection, inspired by the
decorative details of bow-top wagons.
Having recently restored one, he
became drawn to the aesthetic of the
travelling home. Handcrafted from
solid oak, each piece marries artisan
craftsmanship with playful, folk-
inspired detailing. Contrasting finishes
highlight chamfered edges and
carved cutaways, nodding to heritage
woodworking techniques. Shown is
the Tavern dining table, £8,250. →

All the latest news, including a look at

lighting for evenings in the garden, the
appeal of the zigzag motif, ceramics full of
character and creative tile collaborations

17
 & The Edit

What a frill
Mimmo Studios, founded by fashion
insiders Lil Gardiner and Katie Brown,
champions sustainable design and
independent craftsmanship. In
collaboration with Casa De Folklore, they
present a Romanian folk art bowl, £40,
hand-painted with natural glazes and
finished with a distinctive frilled edge.
ived beauty
A born aesthete, Armando Cabral brings his unique vision,
shaped by a life between Guinea-Bissau, Lisbon and the
global fashion stage, to a new collaboration with Swiss
modular furniture icon USM. Best known for his eponymous
luxury lifestyle brand, Armando now turns his attention to
the home. Nkyinkyim, named after a West African symbol of
progress and resilience, is a modular collection comprising a
bookshelf, asymmetrical platform bed, lounge chair set, side
table and valet wardrobe stand, available in 14 standard USM
colours. Priced from £1,796 for the side table, the collaboration
blends craftsmanship with a refined, contemporary aesthetic.

To the table
Willow Crossley is a self-
confessed rattan obsessive,
having dreamed of creating a
range since opening her first
shop. Years in the making, the RIGHT LINES
six-piece collection offers a The latest addition to Isabella Worsley’s
choice of vases (shown is one fabric collection, Ionic Strip, £270m, is a
of the Palm vases, £99 for set of silk and linen blend in nine colourways,
two). Handcrafted in Colombia, including Raspberry and Copper shown
the pieces are designed to be here. Inspired by the rich palette and
used, not just admired, with textures of Venice, the design captures
each vase featuring a the spirit of Italy’s artistic heritage while
removable glass insert. embracing a vibrant, modern sensibility. →

19
& The Edit

Meet the designers

Moro Dabron’s first collection of furniture, cloth and
lighting arrives fully formed and quietly assured. We
speak to its founders – Austin Moro and Eliza Dabron.
Tell us about your journey to founding Moro Dabron.
Moro Dabron was born from a shared aesthetic sensibility and
a desire to create beautiful things anchored in historical form
and craft. Our journey began with an apothecary collection of
candles and fragrances, each crafted to capture and transport
people to ephemeral moments in time.
Where do you turn for creative inspiration – people,
places or periods? The collection began with a study of the
emotional and material depth in British artist Sir Howard
Hodgkin’s practice, with particular emphasis on the
atmosphere of his Bloomsbury studio – a former dairy that
retains the beauty and weight of its history but feels entirely
contemporary. We also return often to the V&A and the British
Museum, where the strength, simplicity and proportion of
ancient Roman and Greek forms informs our long-standing
appreciation for the restraint of the Georgian period and the
utility of the arts and crafts movement.
How do your designs take shape and how do you go
about choosing the materials you work with? Drawing
on those historic periods, we combine shapes and materials,
editing with the goal of restraint and elegance, so that the
nduring design result feels resonant and right for today. Whether mouth-
Following the success of the reissued Daumiller blown glass, raw linen, turned wood or cast brass, we seek
armchair, Gubi reunites with German-born designer out natural materials that develop enduring character with
Rainer Daumiller to introduce the Daumiller side age. How an object feels in the hand matters as much as
chair. Priced at £699, it is crafted from FSC- how it appears to the eye. →
certified pine with a handwoven rush seat,
combining rustic style with a gently tilting backrest
for ergonomic comfort. Available in golden pine
or a darker stained finish, this sturdy yet graceful
design honours Rainer’s lifelong belief in nature,
simplicity and furniture built to last.

CO O L A S I C E
A playful nod to vintage
barware, MG&Co’s Pear
ice bucket turns a classic
PH OTOG R A PH S (M EE T TH E D E SI G N ER S) HARRY CROWD ER

shape into a hard-working

party piece. Finished in
brushed silver, its double-
walled stainless steel
design keeps ice
perfectly chilled
while adding a
whimsical accent to
any drinks trolley or
bar. At £165, it pairs
beautifully with the
matching Apple bowl.

20
 & The Edit
FO R T HE F I N EST C O N SER VAT O R I ES,
O RA N G ERI ES AN D R OO FLIG HTS

PA S S I O N F O R PAT T E R N
Rug collaborations
Two’s company this season, as the latest
collections invite guest designers to bring
fresh perspectives to the loom.
(From top, left to right)
Confetti 1, Playing with Tradition collection,
£1,455sq m, Richard Hutten x Jaipur Rugs;
Tessera Overlay, €3,802, Yabu Pushelberg x cc-tapis;
Murano, £2,379, Shrimps x Pelican House;
Arwen Moss, £2,050sq m,
ENH A N C E Y O U R HOME AN D LIFEST YLE Kelly Wearstler x The Rug Company;
Pointe, from £345, Studio MRS x Nordic Knots;
Subiksha, from £1,750sq m,
Alicia Gimeno x Knots Rugs

For our inspirational brochure call +44 (0)1476 564433

or visit valegardenhouses.com
 reen shoots
The team behind Sol’s, Bayswater’s popular wine
bar and delicatessen, announces the opening of
Sol’s Sister, a floral studio and event space designed
by multidisciplinary studio Wendover. Led by
florist Sophie Shephard, the atelier offers curated
seasonal bouquets from £45, individual stems
and bespoke arrangements alongside artisan
accessories, including Niwaki garden shears and
exclusive Mathilde Martin ceramics.

A P L AC E F O R E V E RY T H I N G
French Bedroom introduces the Clair de Lune chest
of drawers, £1,095, a hand-carved piece inspired by
Debussy’s masterpiece. Crafted from solid wood, it
features tassel carvings, beaded trims and floral
metal handles. Just the thing for a beautiful bedroom. &
 & The Edit

A fine line
Zigzags are delivering a lively edge to schemes

(Clockwise, from top left) Chair in

Akari in Pine/Azul, £102m;
background in Kasuri collection
fabrics, from £66m, and wallpaper,
£95 a roll, all Harlequin. Handcast
Zig Zag handle in Unlacquered Brass,
P H O T O G R A P H S ( G E O R G I E W Y K E H A M ) TO M S T A U B Y N

from £42, Bias Editions. Spiralling

plate, £150, Selby Hurst Inglefield at
Selby HI. Arlo velvet border in
Sapphire, £104m, Samuel & Sons.
Zigzag 13 glass vase in Gold and
White, €800, Johanna Wichelhaus at
F E AT U R E H O L LY R A N S O M E

Moonarij. Zig Zag side table in Raith,

from £1,175, Georgie Wykeham.
The Glass Chevron mirror in Green,
from £5,220, Rupert Bevan. Sawtooth
coffee table, £3,000, Loose Fit &

25
& The Edit

In detail: alfresco lighting

Beautiful offerings to illuminate your outdoor space

Celestial grace
Heathfield & Co has collaborated
with garden designer Pollyanna
Wilkinson to create the new Selene
collection, a group of portable
outdoor table lights named after
Greek goddesses. Designed by an
all-female team, the five IP44-rated
lamps are simple yet sculptural and
celebrate the cycle of the moon with
their orb-shaped glass shades. The
materials and colours have been
chosen for their richness and ability
to harmoniously tie in with natural
shades and patinas, and will age
beautifully. Shown here, the Carme,
£750, is made from an emperador
marble base and waxed brass stem
and offers three levels of brightness
adjusted by a touch switch.

& P E N DA N T P O RC H L I G H T S 3 of the best

1. Harbour pendant in
Polished Nickel, £174,
David Hunt Lighting
2. Crail hanging
lantern in Bronze,
F E AT U R E H O L LY R A N S O M E

£280.50, Pooky
3. Point pendant
in Weathered Brass
and Opal, £669,
Original BTC

26
 reamscape
As a novel way to create an ambient glow for alfresco
dining, you might want to consider maximising your
vertical space. For mealtimes in particular, it’s useful
to have some illumination on the table for practical
purposes, but a harsh light will feel even starker
against a night sky. This line of festoon lights from
Vincent Sheppard, which can be clamped and
suspended above any compatibly sized table, is an
elegant and effective solution, providing good light
levels from above while maintaining a softly diffused
radiance. Light My Table, £450, comprises a 3m string
of nine lights and a pair of 1.46m-tall black powder-
coated steel poles and fasteners to secure them. →
& The Edit
SCULPTURAL LOOK
Portable lanterns are a great
addition to a layered lighting
scheme as they can be easily
moved between tables, walls
and posts to switch up the
mood. For a simple but
sophisticated option with a
striking silhouette, take note of
the Myrtle weathered teak
solar lantern from Bridgman.
Dimmable, waterproof and
USB rechargeable, it comes
in three sizes, from £459.

S O U RC E B O O K
Other suppliers of stylish outdoor lighting

CORSTON
■

A relative newcomer to the outdoor lighting scene,

this architectural details specialist offers several smart,
well-made spot, bollard and wall light designs.
corston.com
■COX & COX
This is a particularly good source of rechargeable
utdoor snug table lights and also offers an especially lovely zinc
To fashion a lounging area in your garden that feels swan-necked wall light at an affordable price.
relaxing and cocooning – be it with a sofa set or a comfy coxandcox.co.uk
armchair – pepper in some lighting that evokes indoor
living-room style, such as this table light and floor light DÄR LIGHTING GROUP
■

from Gloster’s newly launched Ambient Mesh range, Here you’ll find a solid offering of timeless designs
designed by Henrik Pedersen. The shape of the shades that are suitable for outdoor use, including pretty
replicates mid-century style, while the wicker material ribbed glass shades from Laura Ashley.
adds a relaxed, textural appeal and a hardiness that’s darlighting.co.uk
fit for outdoor use. The base comes in White or Black
and the lights are solar powered, with eight light level HOLLOWAYS OF LUDLOW
■

settings accessed by a remote. Prices from €1,500. Wonderfully well-trained specialists can help you
choose from the huge range of outdoor lights.
hollowaysofludlow.com

COOL AND POLISHED SCP ■

For lighting pathways, adding Iconic pieces from Flos and Hay are among the
interest to a container or fabulous collection of modern designs here.
drawing focus to a garden scp.co.uk
feature, spike lighting is a TWENTYTWENTYONE
■

must, and we’re rather taken One of the best places to browse outdoor lighting
with the new marine-grade from design greats such as Foscarini and Marset.
steel finish available on Soho twentytwentyone.com
Lighting’s Chelsea range. The
Chelsea spike light, £201, is VAUGHAN
■

IP68-rated, casts a directional For beautifully made wall and pendant lighting
glow and features a smart inspired by heritage styles, this is the place to go.
vintage-style tightening knob. vaughandesigns.com &

28
& The Edit

Dish of the day

Hand-painted plates for the table or your walls

1. 2. 3.

4. 5. 6.

7. 8. 9.

1. Tilapia dinner plate, £130 set of two, Anūt Cairo

2. Flor dinner plate in Rust Red, £65, CasaLatina
3. Flower dinner plate in Brown and White, £70, Studio Alice Johnson for Mimmo Studios
4. Sweet Ribbon dinner plate in Blue/Rose, £55, Willemien
F E AT U R E H O L LY R A N S O M E

5. The Verde Sim dinner plate, £40, Ivo Angel

6. Two Swans Swimming side plate, £95, Laura Winstone
7. Rooster Gozo dinner plate, £48, Villa Bologna Pottery
8. Olive Branch plate, from £50, Minnie-Mae Studio
9. La Pêche plate, from £75, Harlie Brown &

30
 & The Edit

Movers & Shakers

Ceramicist Rich Miller has been honing his passion for all things
clay for over 25 years and his work has deep meaning

(Above, from left) Rich at his studio; his designs often reference themes of
British colonialism; Sugar Cone lights by Rich for The New Craftmaker

‘AS A second-generation immigrant born in the UK, my took over Guildford-based Froyle Tiles, rescuing the ailing
sense of identity was continually questioned due to the business from closure. ‘I’ve always been a magpie, so I
colour of my skin and much of my inspiration comes initially went to see if there was any equipment available,
from my experiences growing up, and British colonial then I fell in love with the product,’ he recalls. ‘The first year
history,’ says ceramicist Rich Miller. ‘As a result, my work was tough and I was lucky to be young and enthusiastic,
always starts a conversation and I’ve connected with but over the next 20 years our projects included 11,000
F E AT U R E C L A U D I A B A I L L I E P H O T O G R A P H S ( P O R T R A I T A N D S U G A R C O N E L I G H T S )

and learnt from a great many people because of it.’ tiles that were used to clad a new build on Savile Row,
Over the past decade, those connections have stretched the pavilion at Tate St Ives and the floor in the V&A gift
even further thanks to his role as a judge on The Great shop, as well as product for retailers such as Fired Earth.’
Pottery Throwdown. Having initially been scouted as a Now, working from a studio in his garden, Rich still
technician, in 2018 Rich was asked to take a place on makes tiles as well as a range of sculptural pieces, mugs
the panel alongside Keith Brymer Jones. ‘I grabbed the and vases and has collaborated on lighting with The
G A R E T H H A C K E R ; ( B E A K E R S A N D VA S E ) S Y LVA I N D E L E U

opportunity with both hands and there are so many things I New Craftmaker. Next up is a big tile order for a property
love about it,’ he says. ‘Staying in Stoke is fabulous as it really in Provence and Art in Clay Farnham – a ceramics festival
is the ancestral home of the ceramics industry. And the that he runs with his wife – in November. ‘I’d also love
production crew have become like family. But the best part to work with a chef to create tableware. It would be
is watching the potters making the most extraordinary amazing to design ceramics with specific food in mind.’ &
things. Twelve people with the same materials produce richmiller.co.uk
completely different outcomes. I find that so inspiring.’
A student at the Surrey Institute of Art and Design in “Staying in Stoke is fabulous as
Farnham in the late 90s and early noughties, in 2003
Rich completed an MA, quit his job at Sainsbury’s and
it really is the ancestral home
immersed himself in all things clay. Two years later, he of the ceramics industry”

33
& The Edit

(Clockwise, from
far left) Cochin
in Blue; Rivage in
Ochre, Ivory and
Olive; Udaipur
in Blue; Cochin
in Green; Goa in
Indigo/Chocolate,
all Nina Campbell
for Fired Earth

Meeting of minds
Artists, textile specialists and interior designers are
turning their attention to the humble ceramic tile,
F E AT U R E E M M A J PA G E

working with brands on creative collaborations

34
 Aventuras Palma
Terracotta porcelain.
(Below, from left)
Malla Olive; Porto
Blue; Ziggy Corner
Terracotta, all
F I R E D E A RT H X Aventuras collection,
NINA CAMPBELL Zoe Glencross for
Ca’ Pietra
This latest tile collection marks the second collaboration
between Fired Earth and the renowned British interior
designer. Inspired by Nina’s rich textile archives as well as
her travels to Portugal and India, the handful of new
designs sit comfortably at the pinch point of classic and
contemporary: retro-graphic cartouches, foliage and petals
in a palette of knocked-back sage, umber, powder blue
and rust recall the traditional motifs of Lisbon, coupled with
the heritage of Indian cities such as Kochi and Udaipur.
Meanwhile plain slimline Rivage tiles in mustard or sage are
contemporising. ‘Simply laying five of those horizontally
then vertically to create a chequerboard, either in a single
colour or multicolour, is such a fun approach,’ says Nina.
A handcrafted finish, synonymous with Fired Earth’s
ethos, lends the collection a beautifully mellow feel. Each
design has been painted using watercolour techniques,
reminiscent of the artisanal glazes of Portuguese tiles. ‘The
colours needed to work well on the tone of the clay,’ Nina
explains. ‘I think blue is quite an obvious colour for a tile,
but I wanted to make the collection more sophisticated
and usable with the inclusion of a rich red-brown, an C A’ P I E T R A X
edge of sage green or the warmth of umber.’ When it ZO E G L E N C ROSS
comes to use, the key is in creative application, whether Reimagining four of the textile designer’s signature fabric
incorporating a bath panel for cohesion or tiling a whole prints, these porcelain tiles for walls and floors recall her
kitchen wall rather than just the splashback. ‘I also love travels to Seville, Lisbon, Porto and Palma. Embracing
the idea of using smaller tiles to frame a gloomy fireplace,’ terracotta, rich ochre, soft pink, olive and coastal blue, there
says Nina, whose own plans include tiling her kitchen is a timelessness to these gentle patterns, which can
with the new pieces. An enviable perk of the job. be used alone or paired with Zoe’s matching fabrics.
‘I think if you’re lucky enough to travel to a place to see
Cochin tiles in Green; ancient architecture, it gives you an appreciation that
Rivage tiles in Olive, you can’t get purely from photos,’ says Zoe. ‘I wanted to
all Nina Campbell for channel that sensibility into the printed fabrics and, in
Fired Earth turn, into the tile designs, to try to recall the look of the
older, slightly worn tiles on less well-kept buildings.’
According to Zoe, printing on flat matt porcelain creates
more muted colour tones, which work well in British
homes where we often decorate with less vibrant colours
due to flatter light. ‘But these pieces work abroad too,
particularly in coastal or Mediterranean homes,’ says
the designer, who chose to collaborate with British brand
Ca’ Pietra because of its fluency in both British and
European styles. ‘Equally, the terracotta colourway for
example, complements contemporary wood panelling or
adds interest to modern new builds.’ Given that much
of Zoe’s original design influence for her fabrics came from
the ornate Moorish Mudéjar patterns seen on the sides
of buildings in Spain and the intricate tiles on buildings
in Portugal, this collection feels serendipitous. ‘Translating
my fabric patterns into tiles has brought many of the
designs full circle,’ she says. ‘That feels very satisfying.’ →

35
& The Edit

Stars in Midnight Blue.

(Right, from top)
Molly’s Kitchen in
Turmeric; Cherry
Cake in Rose Pink;
Luna Stripes in
Aqua; Luna Stripes
in Dahlia, all
Molly Mahon for
Mosaic Factory

M OS A I C FACTO RY X M O L LY M A H O N
The queen of relaxed British textiles, known for her painterly and innovative use,’ believes Molly. ‘I like using them in
block-printed designs, has joined forces with this practical spaces – whether the kitchen, bathroom or
bespoke tile producer, resulting in four playful options larder floor. They can also be used in unexpected ways,
combining a sense of British whimsy with artisanal for instance as a decorative feature around a doorway,
production that harnesses traditional Moroccan where they will deliver a rather striking framework
techniques. Designs include Molly’s Kitchen, which that can enhance and highlight architectural details
replicates the pattern Molly hand-painted on plywood and add a happy touch of colour and character.’
to give the impression of tiles in her own kitchen; Stars, As for her collaboration with Mosaic Factory, whose
an enchanting star and dot pattern that remains a offering now includes granito, zellige, terrazzo
perennial favourite since its inception as a fabric; Cherry and terracotta tiles, the designer emphasises a synergy
Cake, originally designed by Molly as a gift wrap; and with block printing. ‘It’s that idea of a rhythmic, repeated
Luna, a captivating graphic featuring half-moons. pattern that both tiles and block-printed designs
‘Just like block printing, tiles can transform a variety of create,’ she reflects. ‘It feels very much as though
surfaces, offering endless possibilities for creative the two mediums go hand in hand.’

36
 Adagio in Red
and Green, Ronan
Bouroullec for
Mutina at Domus
B E RT & M AY X
G ROW H O U S E G ROW
Inspired by symbolism, nature and her Cuban heritage,
Katie Deedy of Brooklyn-based wallpaper and tile brand
Grow House Grow brings her love of storytelling to Lee
Thornley’s artisan tile brand. The intent behind her three
designs – Jardín de Luna, Montauk Daisy and Fresa – is,
according to Katie, simply an appreciation for joy and
whimsy. ‘I consider them a silver lining of sorts, to a
cloudy world that isn’t always joyful or whimsical,’ she
says. ‘In the darkest New York winter, Fresa is a bright
reminder that spring is just around the corner. When life
feels a little overwhelming, Montauk Daisy is a symbol of
hearty survival in rugged conditions. And when reality
presses in, Jardín de Luna is a playful nod to the magic
of the human imagination. The fact that each pattern
begins with a curious thought or feeling and ends up
as a three-dimensional physical item still excites me.’
In the US, cement tiles are often called Cuban tiles due to
their popularity across the island nation. ‘Since I was young,
spying them in our family photos from Cuba always
interested me and I couldn’t understand why every home in
my American neighbourhood didn’t have them too. Their MUTINA X
classic look and the way they enliven their environment
without overpowering it, is, to me, enchanting.’ Katie’s designs
RO N A N B O U RO U L L EC
are therefore a homage to her heritage. ‘They are certainly With Ronan’s pieces featured in the Centre Pompidou in
influenced by traditional manufacture: hand-poured, Paris, the Art Institute of Chicago and London’s Design
pressed and cured just as each cement tile was made on Museum, it’s little surprise that the long-standing
the island where my family is from.’ The result is a collection collaboration between the French designer and Italian
of highly personal designs with a warmly retro feel. brand Mutina has spanned vases, objets and – most
recently – tiles, each playing with light, space and scale.
His two latest tile collections intentionally blur the
boundaries between decoration and sculpture. Osso
& Bottone features shapes that give life to a suggestive
play of positive and negative space. ‘The collection
consists of modules of rectangular tiles carved with
perimeter cuts that create ample voids, revealing patterns
through the joints,’ explains the designer. ‘The result is an
optical vibration capable of distorting original geometries
and initiating a dialogue with the natural world.’
With its reputation of treating ceramics like
Fresa White Hexagonal contemporary art, Mutina is a natural partner for
Porcelain. (Below, from left)
Ronan, whose latest concepts push the boundaries
Montauk Daisy in Mineral
Blue; Fresa Blue; Jardín de of tile design. The other collection, Adagio, consists
Luna Rabbit, all Grow House of a series of ceramic modules designed to be
Grow for Bert & May assembled to generate scenic wall sculptures. Together
they resemble a fabric weave in which the overlapping
elements highlight the three-dimensionality of the
pieces. ‘The name refers to musical tempos and the
slowness of gestures,’ explains Ronan. ‘Adagio requires the
application of one piece at a time, like a sophisticated
interlocking game.’ The result is a new kind of tile,
conceived to inspire awe as much as to delight. &

37
 NEXT IN
DESIGN
25
Rising
stars
In the coming months, we’ll
be spotlighting the winners
of our Next in Design initiative
which champions fresh talent
and diverse perspectives – all of
these exciting creatives will
share how they got here and The living room of
Anu’s project in
where they see design going St John’s Wood, London

Adura Design
‘I gravitate towards brass and rust colours,’ says Anu
Akinyemi, founder of Adura Design. ‘I like interiors to
make you feel something as you enter them.’ Hers is a
rich take on decor, one that has seen Anu turn a plain
five-bedroom house in St John’s Wood, London, into a
trove of deep colours, sumptuous textures and vividly
patterned textiles. ‘I was given four weeks to do that
project, but instead of worrying about how I just got
on with it,’ Anu says. ‘It felt like my big break.’
A career in design wasn’t always going to be Anu’s F E AT U R E P I P R I C H P H O T O G R A P H S ( A D U R A D E S I G N ) V I G O J A N S 0 N S ;

path. Growing up in Nigeria, local culture perceived

creative careers as hobbies, something that wouldn’t
make you any money. ‘But I loved reading floor plans
even at a young age, working out how rooms could
be improved.’ She moved to Bournemouth to study
architecture and interior design, and has since found
( A M B E R YA R D P O R T R A I T ) D A R R E N C H U N G

ways to fuse her Nigerian and Cameroonian heritage

with what she’s learned in the UK. ‘Africa is all about
colours and how they can be layered sumptuously, while
British design exposed me to materials like ceramics
and how to curate them to create personality.’ With two
more London-based projects about to complete, Anu’s
goal is to bring African craftsmanship to the global stage.
‘I want to show people how beautiful it can be,’ she says.
aduradesign.com

38
 & The Edit

Amber Yard
Tess MacGeachy didn’t take the most obvious route
into interior design - instead her first job was in
construction, followed by a role at a design and build
firm. But both experiences have put her in very good
stead to run Amber Yard, the studio she founded in
2021. ‘I did everything,’ she says of those early roles.
‘I learned a lot about architectural elements, spatial
planning, lighting design and joinery, and it has all
worked in my favour as it means I can take control of
every aspect of my projects now, from the floor plans
and flow right through to the finishing touches.’
Growing up in Scotland, Tess now lives in London
and has worked on projects up and down the UK.
‘London homes tend to be quite narrow, but outside
Tess brings a holistic of the capital it’s fun to work on more interestingly
approach to her interiors shaped spaces, to open them up and bring the views
and likes to emphasise in,’ she says. Her style is characterised by blending
tranquillity and warm tones with what Tess calls ‘flamboyant antique
timelessness in schemes pieces,’ and her innovative approach finds her sourcing
materials such as the radiator grill-like metal that now
flanks the terracotta-coloured cabinets in a recent
project (left). ‘I wanted to create a space where guests
would want to spend time. Those grills brought the
extra bit of warmth we needed.’
amberyard.co.uk →

39
& The Edit
NEXT IN
DESIGN
25

Amy’s Bow House project

Amy Stoddart Studio
has a ‘soft, atmospheric A highlight for Amy Stoddart, since founding her studio
quality’ thanks to the five years ago, was securing her largest commission to
use of limewash date – an 18,000 square foot home in the Hertfordshire
countryside, a place she could really flex her creative
muscles. ‘I like to balance heritage influences with
a modern way of living, and I’m drawn to rich textures
and modern materials,’ she says. ‘The aim is always to
create spaces that feel grounded and lived-in, designs
that are quietly elevated but never overly polished.’
That sensibility is on display in a recent project
called Bow House. ‘We used a limewash across several
rooms, applied by a brilliant artisan whose work brought
so much texture and depth to the walls,’ Amy says. ‘It
created a soft, atmospheric quality – it’s those subtle,
imperfect finishes that really bring a room to life.’
With a background in furniture design, Amy’s
understanding of how to piece rooms together meets
her knowledge of bespoke joinery and spatial planning
to become a very covetable skill set, and clients get
to work very closely with her. ‘It’s currently just me at
PHOTOGR APHS CHRIS SNOOK

the helm,’ Amy says. ‘I deliberately keep the practice

small so I can stay close to the detail and ensure a
thoughtful, hands-on design process from start to
finish. There’s something incredibly fulfilling about
■Want to learn more about Next in Design? Visit creating spaces that feel lasting and meaningful.’
nextindesign.co.uk and subscribe to our newsletter amystoddartstudio.com &

40
 Design & Decorating
MAKING BEAUTIFUL SPACES FOR JOYFUL LIVING

COLOUR OF THE MONTH

‘Green is a brilliant colour to live with, at
all times of day and year. The walls here
are in Chelsea Green II from Paint & Paper
Library; it’s a classic Adam green from
the 18th century and works well in this
Georgian home. The rug features this green,
too, but in a geometric pattern, enabling
us to introduce blues and pinks,’ says Nicola
Harding, founder, Nicola Harding & Co.
Walls in Chelsea Green II pure flat emulsion,
P H O T O G R A P H PA U L M A S S E Y
F E AT U R E P I P PA B L E N K I N S O P

£62 for 2.5ltr, Paint & Paper Library →

The rise of glorious green continues,

scenic murals are showing up in the
most stylish schemes, dressing rooms
are the height of fashion, plus where to
shop for garden parties and more

43
Design & Decorating

3. 4.
2.

1.
5.

6.
7.

8.
9.

CO LO U R O F T H E M O N T H

M ATC H A G R EEN
1. Veneto Kelly fabric in Green, £235m, Serena Dugan at The Fabric Collective
2. Saisons Tassel tieback in Leaf, £342, Samuel & Sons
P H OTO G R A P H S ( I N T H E BA L A N C E A N D

3. Zellige tiles in 1089, 10x10cm, £124sq m, Mosaic Factory

4. Garden absolute matt emulsion, £57.50 for 2.5ltr, Little Greene
N AT U R E ST U DY ) M I K E GA R L I C K

5. Venetian blind fabric in Green, £158m, Sibyl Colefax & John Fowler
6. Sap Green estate emulsion, £57.50 for 2.5ltr, Farrow & Ball
7. Pinball wallpaper in Parrot, £187 a roll, Linwood
8. Ric Rac Fig Two tile, 20x20cm, £225.54sq m, Bert & May
9. Fiorella embroidered braid in Prato, 60mm, £59.40m, Houlès

44
 I N T H E BA L A N C E
‘We chose Apple Smiles from Paint & Paper Library
for this library nook as it is a well-balanced tone that
combines warmth and freshness. This shade creates
a calm and inviting atmosphere, which is ideal for a
space made for reading and relaxation.’
Rosanna Bossom, founder,
Rosanna Bossom interior design studio

N AT U R E S T U DY
‘This bedroom looks out onto water meadows and we
wanted to reflect the natural view within the house. We
use a lot of green in our schemes because it brings a
sense of wellbeing. Green lifts the mood when skies are
grey, and, as in nature, it works with almost any colour.’
Sarah Vanrenen, founder,
Sarah Vanrenen interior design studio

P E R F ECT M ATC H
‘We love a green kitchen here at deVOL, and this fresh
take on a classic colour is so stylish and confirms it’s
here to stay. It’s a bean green with just the right amount
of zest to feel fun and unique. The touches of pale pink
paired with that green made for a winning combination.’
Helen Parker, creative director,
deVOL &

45
 D ECO R AT I N G

New
Scenic murals create spaces immersed in wonder
and these magical vistas, ranging from lush and
tropical to pastoral, truly fire the imagination

PHOTOGR APHS (ROOM WITH A VIEW) ALEX ANDR A SHAMIS

Room with a view

A feast for the senses, de Gournay’s Sicilia mural depicts
a lush Mediterranean landscape of sculptural yuccas,
F E AT U R E P I P PA B L E N K I N S O P

cacti, fan palms, aloes and Roman pines, framed by a

conservatory encased in sweet jasmine. Inspired by the
frescoed Summer Room at Villa Malfitano in Palermo, the
exquisite hand-painted design exudes luxury and serenity.
Sicilia hand-painted wallcovering, from £1,873 for a
variable-height, W91.5cm panel, de Gournay
 Design & Decorating

Tropical beauty
(Top) Make a statement in a vast living space with this
boundless vista featuring soaring palms and monkeys.
Bornéo wallpaper in Printemps, H330xW420cm (six panels),
£580 for a full scene, Manuel Canovas

Artistic vision
(Right) Elevate a home study or dining room with a botanical
panorama reminiscent of works by 20th-century painters.
L’Eden et Après wallcovering, H320xW600cm (six panels)
or custom-made, £438 a panel; £2,630 for a full scene, Élitis

(Above) Lost Lands wallpaper in Mineral,

£438 a roll, Zoffany →

47
Design & Decorating

Pastoral harmony
(Left) Capture the elegance of an 18th-century country
house with an Arcadian scene taken from an antique
tapestry at Frampton Court, Gloucestershire.
Frampton Verdure Panorama wallcovering in Classic, from
£412.73 for a H275xW135cm panel, Zardi & Zardi

(Above) La Forêt wallcovering in Spring Green, H488x

W412cm (three panels), £1,824 for a full scene,
Johnson Hartig for Schumacher

PHOTOGR APHS (Z ARDI & Z ARDI) MIKE GARLICK

Voyage of discovery
(Right) Bring a playful touch to a practical space with an
exuberant Amazonian scene. A journey through time and
across continents, the design pays homage to the work of
Benjamin Mary, the Belgian diplomat and artist (1792-1846).
Amazonia scenic decor in Multicolor, from £415.25
for a H225xW90cm panel, Iksel

(Above) Azure mural wallpaper, H300xW156cm,

£219 for a full scene (three rolls), MindTheGap

48
 Eastern promise
Transport dinner guests to a magical paradise by
wrapping dining room walls in an exuberant chinoiserie
mural bursting with birds, butterflies and blossoms. New
from Fromental’s Papier Chinois printed wallpaper
collection, Millefleurs has been carefully designed to
capture the finesse and artistry of the hand-painted
original. Contrast the elaborate print with sculptural
furnishings in light oak to let the design shine.
Millefleurs wallpaper in Bright Green,
£195 for a H325xW70cm panel; £390 a roll
(two panels a roll), Fromental →
Design & Decorating

A little lustre
(Left) Inspired by the picturesque Cumbrian countryside,
this mural features trees and plants captured in gentle
watercolour. Layers of delicate paintwork on a pearlescent
ground create a soft, hazy feel, ideal for transforming
a bedroom into a soothing refuge.
Cumbria mural in Pale Blue and Green on Pearl,
H274xW274cm (two panels), £600, Anna French by Thibaut

(Above) Paradiso wallpaper in Tranquillo, variable height,

W91.44cm (six panels for a full scene), from £68.50m,
Aux Abris at George Spencer Designs

Majestic landscape
(Right) Immerse yourself in a bucolic scene of rolling hills,
flora, fauna and mythical beasts. Painted by renowned artist
Melissa White, the design draws from the tapestries in the
Great Hall of Hampton Court Palace, as well as its gardens.
Royal Park Panel wallpaper in Royal Green, H325xW70cm
a panel, £450 a roll (three panels on one roll), GP & J Baker

(Above) Koraku panoramic wallpaper in Bronze/Doré,

H300xW560cm, £1,335.60 for a full scene, Casamance &

50
 D ECO R ATO R’S A D D R ESS BO O K

GA R D EN PA RT Y
A selection of places to shop for
sublime outdoor gatherings

F E AT U R E A M Y M O O R E A W O N G P H O T O G R A P H S ( A A R V E N ) J O E L A N G

Brût Homeware
has a wonderful
range of pastel-
coloured glass

52
 Design & Decorating

A AARVEN
Named after a word meaning
‘friend of the people’, Aarven in
Aarven in
Margate is filled
with craft finds
Margate is dedicated to bringing the
from around
best of global creativity together. It the world
has forged relationships with more
than 30 small-scale artisan groups
across six countries who produce its
in-house designed pieces, including
woven place mats in a kaleidoscope
of colours from Kenya, tablecloths
and napkins block-printed in India
by hand and sculptural hand-cast
Ghanaian brass candlesticks.
aarven.com

B BANG & OLUFSEN

Combining sleek Scandinavian
style with advanced technology,
this 100-year-old Danish company’s
stereo systems are sculptural as
well as functional. New to its range
of portable speakers, the Beosound
A5 (below), from £1,200 – designed
in collaboration with Danish-Italian
BRÛT HOMEWARE
Bringing practical playfulness to the
table, Amsterdam’s Brût Homeware
C CARAVANE
Blending eclecticism with a
touch of je ne sais quoi, this Parisian
duo GamFratesi – has a smart aims to make the everyday more brand collaborates with makers
woven front and oak handle, while beautiful. Its small-scale collections worldwide to blend a global
its IP65 rating means it will deliver of kitchen and home accessories aesthetic and timeless craft skills
powerful sound even in the rain. are designed in-house and batch with classic French sophistication.
bang-olufsen.com produced by carefully selected From handwoven rattan to rich
artisans in Asia and Bosnia who linens in sun-washed shades, its
BONADEA use skills passed down through outdoor collection is rooted in
A purveyor of luxury tableware, generations. There’s a large selection natural textures and a laid-back
accessories and more, London’s of glassware in soft pastel tones attitude – somehow evoking a
Bonadea elevates the acts of eating, and architectural forms to bring a sense of wanderlust while also
drinking and graciously gathering. dazzling note to alfresco dining. making you want to bed down
Inspired by ‘a love for l’art de vivre brut.nl and never leave home again.
and l’art de la table’, its party pieces caravane.com →
are diverse and distinctive, with BY HOPE
everything from plates, glasses, Dousing mealtimes in delicate local
cutlery and coffee pots to ice flowers is Bristol’s By Hope, which
buckets, barware, candlesticks makes beautiful tablecloths, runners,
and linens created in-house or place mats and napkins. Each piece
by lauded international names. reflects what’s growing seasonally:
bonadea.com there are daffodils, violas, lily of the
valley, peonies, sweet peas and
nasturtiums as well as posies of
mixed blooms – and the occasional
leaf, tomato, grapefruit, pear or
shell. The elegant hand-painted
compositions are printed onto
stonewashed linen made from fine Earthenware
European flax. You’ll also find framed and handwoven
compositions of pressed flowers rattan from
for further floral decoration. Caravane
byhope.co.uk

53
 garden. Designed so that the most
inexperienced beginner will be able
to make professional-grade pizza in
minutes, the Bournemouth brand’s
ovens are striking, durable and
outdoor-proof – add accessories and
you can also roast, steam and bake.
gozney.com

M MAISON BALZAC
Starting as a scented candle
maker and blossoming into an
imaginative homeware collection,
Australian brand Maison Balzac
approaches setting the table as
‘dressing up a mini theatre’. For
Furniture and
accessories from this it offers colourful hand-blown
the vast outdoor borosilicate glassware, serveware
living collection illustrated with snails, hands or fish,
at Cox & Cox and cocktail-ware adorned with
dashes of brightness or with glass
cherries, limes or olives within.
COX & COX table textiles in stripes, gingham and maisonbalzac.com
Get your garden party started here, ruffles. You’ll also find decorative
where you’ll find everything you hand-painted plates, pastel-toned
need to raise your summer hosting splatterware, textural white ceramics, Garden textiles at
game. From ornamental water vibrant Falcon enamelware, classic Domestic Science
features, mirrors, plant pots and striped Cornishware, gurgling fish
troughs to chef-quality barbecues jugs, Tam Tam stools and more.
and kitchen units, striking parasols, domesticsciencehome.co.uk
textural rugs and cushions and
why-not-stay-a-little-longer firepits, DRAGONFLY
the Somerset-based brand’s large Covering all open-air heating
collection truly turns the garden and cooking bases, Exeter brand
into an extension of the home. Dragonfly will ensure you’re cosy
coxandcox.co.uk and fed in style. Its barbecues
aren’t simply barbecues – some

D DOMESTIC SCIENCE
Hailing from the Cotswolds,
this company features a thoughtfully
double as luxury outdoor wood
burners, some transform into
firepits, some are designed to
fused mix of vintage items and sit on tabletops, some have
contemporary brands. Its offerings integrated log storage… and all
include soft furnishings for the have optional attachments such MORSØ
garden – patterned chair cushions as grill or plancha plates, hob rings Founded in 1853, this Danish
and mattresses for elegant outdoor or oak surfaces to eat at, sleekly stalwart is centred on organic forms,
reclining – as well as colourful extending their function further. simplicity and functionality. Each
yourdragonfly.com outdoor design, from cast-iron
ovens and fireplaces to firepits,

G GOZNEY
Pizza-oven innovator Gozney
started out by word of mouth,
grills and pizza ovens (including, far
left, Forno Spin, from £749), follows
a rounded, blackened style and is
quickly supplying its appliances built for ease of use (think rotating
to restaurants such as London pizza stones) as well as easiness on
favourites Franco Manca and the eye. A wide range of cooking
Pizza Pilgrims before bringing its accessories is also available.
expertise into the home and morsoe.com

54
 Design & Decorating

POOKY
The fabulous portable lighting from
Pooky – known for its expansive
R REBECCA UDALL
If you’d like to add an artisanal
rustic edge to garden gatherings, the
collection of lamps and lampshades rattan items from Yorkshire’s Rebecca
– brings personality to the party. Udall will do the trick. From trays,
The Gloucestershire brand’s cordless place mats and cutlery to condiment
designs are ready to roam the carriers and ice buckets, the designs
garden (as long as it’s not raining) are updated with pared-back forms
with up to 15 hours of brightness and a tonal palette of white, natural,
per charge. Choose from bases in taupe or chocolate brown. Each piece
marble, bronze, stone, antique brass, is handwoven from the fast-growing,
resin and more, with shades in sustainable raw material.
patterns and colours galore. rebeccaudall.com
pooky.com

PRINTWORKS
For games fans, this Swedish brand
S SABRE PARIS
Adding vivid flashes to place
settings since 1993, Sabre Paris
elevates the likes of dominoes, combines French elegance with
MRS. ALICE backgammon, ludo, pick-up sticks wit, joy and pigment. Its extensive
Launched in 2019 as ‘the world’s and noughts and crosses into pieces cutlery design options come in
first tablescape brand’, Mrs. Alice of contemporary design. In order to sets and standalone pieces (above
led the way with its Tablescape ‘inspire people to unplug and spend far left, from £7 each), in multiple
In A Box and has been creating joyful moments together’, they are colours and plains and patterns to
wonderful and whimsical dining enticingly eye-catching, luring all match or mix. Plus, you can now
set-ups since. The London-based players to rise to the challenge. customise the iconic Bistrot range.
company’s aesthetic fuses Alice printworksmarket.com sabre-paris.co.uk →
In Wonderland with pretty English
country house style in its individual
pieces and inspiring table themes.
mrsalice.com

N NKUKU
Creating products from a mix
of reclaimed and recycled materials
– T-shirt cotton, glass and metal –
and natural elements such as jute,
timber and rattan, Devon’s Nkuku
lets the inherent character and
texture of each piece tell a story.
Its tableware, outdoor lighting and
garden accessories home in on
handcrafting and historic skills.
nkuku.com

P PLIA PARASOLS
This company partners with
makers around the world for its
elegant London-designed parasols
in chic shapes, patterns and tones.
The canopies, expertly sewn in
Cornwall, are made from resilient
luxury yacht upholstery fabrics,
while the frames are crafted in China Alex Sudron,
by a factory that has specialised in founder of
umbrella-making for 25 years. Plia Parasols
pliaparasols.com

55
Design & Decorating

brand’s offerings include wooden

accessories (below, acacia serving
platters, from £16.50 each),
tableware hand-pressed in South
Africa, stonewashed stainless steel
cutlery from Italy, recycled glassware
hand-blown in the last glass factory
in Morocco, raffia place mats dyed
and crocheted in Madagascar and
ceramics hand-thrown from
earthenware in southern France,
all in an organic palette and superb
choices for outdoor entertaining.
toa.st

W WEAVER GREEN
Despite – really – feeling
like soft wool, Devon-based Weaver
Green’s blankets, throws, cushions
and rugs are made entirely from
recycled plastic bottles (the company
has recycled more that 280 million
‘Perfectly
so far). Having taken seven years
imperfect’
hand-painted to develop, the hand-loomed
pieces from material is machine washable,
Where There’s stain resistant and suitable for
Mud Ceramics both indoor and outdoor use. The
palette ranges from muted pastels
to richer tones, and patterns span
SARAH K THE LACQUER COMPANY the subtle and simple to timeless
Founded from a passion for vintage This company’s trays will steal motifs and bolder modern designs.
textiles, this London brand’s tableware attention away from even the most weavergreen.com
celebrates traditional handcrafts of decadent aperitif, canapé or petit
block printing, embroidery and four. Made using the Vietnamese WHERE THERE’S
weaving. The table linen comes in a son mai process, the designs MUD CERAMICS
huge choice of patterns, from suzani and colours bring the Formed, painted and
stripes to ditzy florals and gingham. ancient art up to date while glazed by hand, each
Napkin rings are hand-painted honouring the skill of stoneware plate, platter,
papier-mâché with letters to denote layering ultra-thin lacquer bowl, mug and
guests’ seats and the company also on timber. Designers candlestick by Kent-
monograms and takes commissions. include Rita Konig, based Where There’s
sarahk.co.uk Luke Edward Hall Mud Ceramics is
and Campbell-Rey. crafted from local clay

T
P H O T O G R A P H S ( W H E R E T H E R E ' S M U D C E R A M I C S ) S A LT W I C K

TBCO thelacquer and decorated with

For a nice dose of nostalgia, company.co.uk vibrant designs from
stock up on picnic blankets from the natural world such
this brand, which gives classic design TOAST as courgettes, carrots
a modern makeover with recycled If you're dreaming and clementines in a
fabrics, leather and brass carry straps of a ‘slower, more romantic, painterly
and fresh colours and patterns. thoughtful way of life’, style. They’re made
Blending natural wool with fibres Toast’s homeware to evoke joy, rejecting
saved from landfill, the blankets are brings beauty in the perfection in favour of
soft and durable with a dense twill simple and functional character, with each piece
weave, have a waterproof backing and rejoices in texture embracing its individuality
and are machine washable. and craft. Based in and artisanal flavour.
tbco.com London and Wales, the wheretheresmud.com &

56
 IN THE FRAME

A RT FO R A LL
Our columnist Willow Kemp on why acquiring
art is something everyone can embrace

As design director for Kit Kemp Design Studio and art Screen prints and lino prints are more artisanal and
ambassador for Firmdale Hotels, and having studied handmade processes, while a giclée print is a method
architecture at Cambridge and sculpture in Germany, of producing detailed printed artwork often employed
Willow is well versed in anything art-related. by professional galleries. Giclée printing allows for

“
incredible levels of detail and depth of colour,
Collecting art is a passion that takes investment in delivering a degree of quality almost indistinguishable
time and money. However, it is absolutely one worth from original artworks. Don’t discount digital printing
making and your favourite artworks can move with either, with techniques continuing to improve in
you for life. Of course, the word ‘affordable’ is entirely quality and detail.
subjective, but great art doesn’t have to cost the earth For a truly accessible route to adding art to
and by thinking outside the box you can find original your space, get creative and frame or display the
pieces that give back to you every day for a lifetime. unexpected. We love to frame beautiful textiles and
Art is valuable not because of its cost, but due to interesting objects, from suzani designs to tea towels.
how it makes us feel. A painting that reminds you of Framing and displaying an intriguing object can
home, a print by an artist whose original work feels transform it into a work of art. Displaying collections,
unattainable, a sculpture maquette that inspires a however ordinary they are, can create significant
larger masterpiece; all of these are priceless in their and evocative statements. One watering can on a
own way. As the art market can be unpredictable, mantelpiece will look unintended, but three painted
with only certain works standing the test of time, watering cans in a row takes them from ordinary
the most important thing is to buy what you love; objects to a sculptural installation.
passion first and an investment second. There’s power in numbers. Collections of objects
Art is everywhere: prints, sketches, photography, can be very effective; framed assortments of silk
handmade crafts and collections of objects embroidery threads, beaded bags or antique keys
displayed as art can all be as impactful as a high- presented against colourful backgrounds. Frame them
priced painting. They can transform a space, giving it in Perspex boxes, allowing the artwork to speak for
a new perspective. If you’re wondering where to start, itself while juxtaposing with an antique or vintage
visit local art fairs, markets and student exhibitions, item. We used this technique to display a collection
where art is for sale at reasonable prices. Don’t be of large charger plates sourced from flea markets in
afraid to negotiate on prices, especially if you are the restaurant at The Whitby Hotel in New York.
buying multiple pieces. Explore digital art platforms Then there’s the humble postcard. You can frame
too. You can even buy digital downloads to print and your own collection or buy original works at Art on a
frame yourself. Discover and follow artists on social Postcard auctions. I’m donating an artwork to the
media. Don’t forget – for a really authentic personal Secret Artist Sale at Shrewsbury’s Soden Collection.
touch, you can make your own art. Artists from all over, celebrated and unknown, donate
Prints in particular enable artists to share their an A5 original artwork. The identity of the artist is only
work with people at a more affordable price. My go-to revealed when a piece of art is purchased. Each piece
PH OTOG R A PH S SI M O N B ROWN

gallery specialising in prints is Cristea Roberts Gallery, is £50 and every penny raised goes directly to charity.
where we have bought fabulous prints by Jim Dine, The art in your home can be whatever you make
Howard Hodgkin and Joe Tilson – all some of my it. It isn’t just for museums, collectors or critics, it’s for
favourite artworks, prints or no prints. all of us. Art connects us, challenges us and inspires
Prints are not all created equally – look for us and you really don’t need to spend a fortune to
numbered and signed editions, which will hold their experience it in your own home. It just takes an

”
value. Pay attention to the printing technique, too. open mind and a willingness to explore. &

58
 Design & Decorating

Willow reminds us that Carol Wainwright’s

there are many types of wondrous and eclectic
art to collect, including ceramics displayed in
ceramics, objets, collage abundance at Warren
and other craft forms Street Hotel, New York

Jo Waterhouse’s
characterful collages
bring intrigue to the walls Framed cricket bats at
of this dining space by Dorset Square Hotel by
Kit Kemp Design Studio Kit Kemp Design Studio

T H R E E A RT I STS TO K N OW
CAROL WAINWRIGHT JO WATERHOUSE KATE JENKINS
Yorkshire-based artist potter Carol Artist Jo Waterhouse masterfully layers Pop-art crochet, knit and embroidery
Wainwright makes the most amazing unique illustrations and mediums to tell artist Kate Jenkins produces witty,
wonky pots, wheel thrown and worked compelling and playful stories through the exquisitely stitched artworks that
on with a range of techniques while art of collage. Jo aims to keep her works never fail to make me smile. I recently
the clay is still soft. Each piece is unique, affordable, ranging from £200-£3,000, enjoyed Kate’s fish counter created
showcasing a range of expressive strokes believing art ownership should not be entirely from knit, crochet and
and abstract marks created with glazing, the preserve of the wealthy, and offers embroidered sequins at the Air
stencilling and brushwork techniques. payment plans to make purchasing easier. Contemporary gallery at Ham Yard.

59
 D ES I G N I D E A S

D R E S S TO I M P R E S S
F E AT U R E A R A B E L L A YO U E N S P H OTO G R A P H M A LCO L M M E N Z I ES 8 2 M M P H OTO G R A P H Y
Well-designed dressing rooms strike the
right balance between practical storage
and stunning decorative details

M A K E S PAC E
Unlike in America, British houses rarely come with walk-in wardrobes – there just often isn’t the
footprint. This is especially true of the Victorian terraces found in towns and cities up and down the
country. One solution is to sacrifice a bedroom, creating a walk-through wardrobe and en suite
bathroom in the process – and that is what interior designer Polly Ashman did here. ‘We didn’t want the
dressing space to feel too cold with lots of painted joinery, so we added simple grasscloth wallpaper to
the front of the doors,’ she explains. ‘This helped to soften the space and add another layer of texture.’

60
 Design & Decorating

S E T T H E TO N E
A his-and-hers dressing room needs to strike the
right tone decoratively – neither overly feminine nor
masculine. In this example by Elicyon, it’s the mix of
materials that establishes equanimity. Using textured
glass introduces a sense of lightness, preventing the
cabinetry from feeling too imposing [there is no
natural light], while the timber elements ground the
design. ‘The result is inviting, sophisticated and
versatile,’ says Elicyon founder Charu Gandhi.

SHINE ON
Lacquer paint has both practical and decorative
P H O T O G R A P H S ( S E T T H E TO N E ) N I C K R O C H O W S K I ; ( S H I N E O N ) A S T R I D T E M P L I E R ;

benefits. It adds a touch of glamour, setting the right

tone during preparations for going out, and also
helps brighten the room. Interior designer Rebecca
Hughes used it here to great effect. ‘The glossy look
reflects light, creates an illusion of spaciousness
and adds a sense of sophistication, transforming an
ordinary surface into a luxurious detail,’ she explains.
( P R E T T Y A S A P I C T U R E ) K E N S I N G TO N L E V E R N E

PRETTY AS A PICTURE
A wall of wardrobe doors is the perfect canvas for
creativity, as shown by this scheme by Dalrymple
Studio. Artist Claire Coles custom-made the linen
panels that are set in the wardrobe doors with layers
of hand-cut faux suedes and hand-painted foliage
mirroring the rural scenes outside. ‘We wanted it to
feel feminine and reflect the stunning views over the
grounds,’ says Amy Dalrymple, the studio’s co-founder. →

61
 DESIGNING DRESSING ROOMS
Lighting, materials and organisational tips for your dream space

D OW N TO D E TA I L S Good light and well- they like their clothes stored (for example, if men’s
positioned mirrors are essential for getting dressed shirts are hung, more rail space is required).
with confidence for the day ahead or a night out.
Mirrors play a decorative part, too. Set onto the back M AT E R I A L M AT T E R S Historically, the
panels of the wardrobe along with LEDs, they are a best timber to use for clothes storage was cedar,
good way to bounce light around the wardrobe and lift particularly cedar of Lebanon, which has fantastic
the space, especially in dressing rooms with no natural antifungal and pesticide qualities, notes Oliver
light. ‘When designing dressing areas, we always try to Deadman, head of design at Clive Christian. ‘This
include an illuminated, integrated dressing table as means you can safely store your winter cashmere
part of the joinery,’ explain Ali Johnson and Alex Keith, without the threat of moths.’ More often, materials
co-founders of London-based interior design studio used in a dressing room are a combination of wood,
Otta Design. ‘When space is tight, a single swan-neck glass, fabric and mirrored glass, says Philipp. ‘Whatever
fitting above a mirror provides adequate light, however is chosen, it must be sympathetic to the room and its
slim vertical lights on either side of a mirror would be immediate environment.’ Don’t forget the impact of
preferable as this casts the most flattering light.’ In good-looking hardware in a dressing room. ‘It can
addition, consider the appliances used on a daily basis upgrade even the most basic of joinery,’ adds the
and factor these into the joinery designs. ‘For example, team at Otta Design. ‘Our favourite suppliers are
ensure that the dressing table drawer is deep enough Beata Heuman, Armac Martin and Matilda Goad.’
to house a particular hairdryer and any other styling
tools that are needed. Fit sockets within this drawer to CO L L ECT TO G E T H E R Simon Tcherniak, senior
hide unsightly cables.’ designer at Neville Johnson, notes the use of glass
on wardrobes and dressing room joinery will help to
O P E N A N D C LOS E D When designing a walk-in showcase items set on shelves or within an island,
dressing room, consider the width of the wardrobe such as a collection of watches or handbags. These are
and, if organised across multiple walls, split the design sometimes backlit for added drama. The result raises
so at least one wall can include a reduced-depth unit the dressing room to something akin to a display in a
throughout, with the remaining walls using standard boutique. ‘We are seeing a lot more focus on highly
depth which is ideal for hanging items, recommends detailed organisation of shoes, handbags and jewellery,’
Philipp Nagel, director of Neatsmith. Wardrobes don’t agrees Philipp. “Before a simple drawer with some
need to be very deep; hanging for suits requires generic dividers was the norm – not so these days
600mm deep and 1m high, recommends the team at where we document each item and find it a home.’
Tom Howley. Even in the smallest of spaces, bespoke
wardrobes can be designed to work effectively. When “We are seeing a lot more focus
allocating space, Philipp suggests that ideally, two-
on highly detailed organisation of
thirds should go to hanging with the balance split
across shelving and drawers, although these needs will shoes, handbags and jewellery”
ultimately depend on who is using the space and how PHILIPP NAGEL, director of Neatsmith

The sourcebook
T H E H E R I TAG E OKA C RO F T THE SOHO
WA R D RO B E CO M PA N Y Off-the-shelf clothes storage A RC H I T ECT U R A L L I G H T I N G CO
Family-run brand specialising furniture and shelving units H A R DWA R E A sustainability-conscious
in bespoke wardrobes, walk-in including upholstered trunks, Established in 1868, the British interiors company
wardrobes and dressing wardrobes and chests of brand’s range of ironmongery handcrafting a range of
rooms, including custom drawers in designs and is available in over 25 luxury wall lights, pendants and
details such as shoe racks, tie materials inspired globally but finishes and patinas to suit all downlights as well as elegant
racks and jewellery organisers. in particular by the Far East. styles of dressing rooms. switches and sockets.

62
 Design & Decorating

P E R F EC T M ATC H
P H O T O G R A P H T I M VA N D E V E L D E

When a dressing room is seamlessly connected to the bedroom – with no doors of separation – it’s a
natural progression to continue the same carpet, joinery and finishes, linking the two spaces together.
This is the design approach that interior designer Stephanie Barba Mendoza took in a house in
Antwerp. The success lies in the composition of the room and how everything harmoniously sits
together. ‘We covered the walls with the same fabric-backed wallpaper, and this works because the
whole room was intentionally designed as a matchy-matchy chintz dream,’ says Stephanie. ‘The fabric
of the blinds features the same pattern as the wallpaper as well.’ →

63
 D ECO R AT I V E D O O R S
A combination of bespoke joinery and hand-painted
wallpaper panels creates a relaxing environment. ‘We
believe that true craftsmanship lies in the details,’ say
Alessia Mosci and Matthew Woodthorpe, co-founders
of architecture and interior design firm MWAI. ‘The
inspiration for this dressing room came from one of
our trips to the Milan Design Show where we saw the
beautiful landscape wallpapers of Ananbô.’

CO LO U R CO N F I D E N C E
The ideal joinery contains a blend of closed and open
storage with hanging space and drawers. In this room in
a Georgian townhouse designed by Annabel Grimshaw,
there is also a set of shelves which are helpful for
handbags or accessories. ‘The Penny Morrison floral
wallpaper was the inspiration,’ says Annabel. ‘We pulled
out the deep pinky tone [with Edward Bulmer’s
P H O T O G R A P H S ( D E C O R AT I V E D O O R S ) A L E X A N D E R J A M E S ;

Pompadour] to give the joinery impact.’ A billiard-style

pleated pendant strikes a strong traditional note.

H E I G H T O F E L EGA N C E
( C O LO U R C O N F I D E N C E ) R A C H A E L S M I T H

Elegant, inviting and functional are the three ground

rules for modern dressing room designs. This space
was designed by Banda with limewashed walls, soft
neutrals and textures, and a mix of open and closed
storage. ‘The dressing room is the one place we always
install as part of a main suite – and we recommend
making it as large and comfortable as a space allows,’
says Edo Mapelli Mozzi, founder of Banda.

64
 Design & Decorating
P H O T O G R A P H D AV I D C L E V E L A N D

SHAPE SHIFTER
Where space permits, an island is becoming an increasingly common element in a dressing room.
Instead of the usual boxy shape, consider using a more sculptural silhouette. At the centre of this scheme
by Peter Mikic is a leather-clad island in a soft blush tone designed by Bill Amberg. It features suede-
lined drawers and pull-out shoe trays in pink calfskin with padded and stitched borders. ‘This project was
an incredible opportunity to push the boundaries of leatherwork, combining traditional techniques with
innovative design,’ explains Bill Amberg, founder of Bill Amberg Studio. →

65
 PHOTOGR APH MICHAEL SINCL AIR

S O F T TO U C H
A dressing area set within the bathroom is a clever solution in many townhouses where space can be more
limited. Fabric panelled doors are a lovely way to introduce pattern and soften the many hard surfaces in
these spaces. Every centimetre here was planned for maximum wardrobe space by Golden founder Ellen
Cumber. The wall of built-in wardrobes was upholstered in a green silk twill covered with horses – a fabric
designed by the owner, a fashion designer. ‘It’s a subtle take on a colour drench with variations of the green
tone,’ says Ellen. ‘The final touches were the two pouffes in a slightly paler version of the green.’

66
 Design & Decorating

FIT IT ALL
Maximising storage is all about using every available
inch. The main advantage of fitted wardrobes over
free-standing is their ability to make the most of the
full height and width of a room. ‘Bespoke designs
allow us to create seamless storage solutions that feel
integrated into the architecture of the room while
offering a place for everything,’ explains Tom Howley,
creative design director of his eponymous company,
who designed this room using the Devine collection.

L E A R N I N G C U RV E
When designing a dressing room that stands in a
passing space between the bedroom and a bathroom,
PH OTOG R A PH S (LE ARN I N G CU RVE) DARREN CH U N G FO R O N E M ENAG ER I E;

take a leaf out of this design by using curved edges

on the joinery rather than sharp corners. This room
was created by the design-and-build company OWN
London with the walls, woodwork and ceiling painted
in a sea green called Glass V by Paint & Paper Library.

N AT U R A L S E L ECT I O N
Soft natural hues and textures such as sisal carpet
( N AT U R A L S E L E C T I O N ) R I C H A R D O X F O R D

and grasscloth wallpaper are excellent for establishing

a serene dressing area. When the team at Maddux
Creative designed this one they included a vintage
glass haberdashery case from antiques dealer D & A “Bespoke designs allow us to create
Binder. To break up the lengths of wood joinery, the
seamless storage solutions that feel
doors also feature grasscloth panels. ‘It’s the ultimate
escape – because no one needs stress when getting integrated into the room’s architecture”
dressed!’ say founders Scott Maddux and Jo leGleud. & TOM HOWLEY, creative design director of Tom Howley

67
Design & Decorating
T H E J OY O F...

P L AY I N G W I T H PAT T ER N
Designer Joy Moyler discusses the beauty of a space that
makes a statement through a fearless mix of motifs
Joy is a US-based designer but her work takes her using men’s haberdashery grey chalk stripes with
all over the world. Now running her own studio – colour. There’s something about the crispness of the
Joy Moyler Interiors – she has over 25 years of two together. Recently, for a client I did a grey plaid
experience and a degree in architecture. She is wool sofa with a beautiful robin’s egg fabric on lounge
celebrated for her use of colour and pattern. chairs. It quickly reminded him of his favourite YSL suit

“
and Turnbull & Asser shirt combination, so imagine
When we were very young, my sister Stephanie, one how good he’ll feel every time he walks into that room.
year older, and I were dressed in similar outfits. Not To that point, when meeting a client for the first time,
exactly matching. If I wore blue, she’d wear red – but I often ask them to bring their favourite dress or
the ensemble style was the same. My mother was a jewellery. It says so much about how they want to feel
twin and was ‘way over’ the perfectly matched routine. and reveals far more about them than a questionnaire.
She wanted us to be seen as individuals. So, when decorating a space, don’t be afraid to mix
Then, when I was around five or six, my mother and match. Set your artistry free! And if anyone says

”
gave in to my constant nagging to select my own ‘Wowza’, you’ll know you’re on to something great. &
clothes for school. I recall the excitement on my very
first effort as I pulled on a green skirt, orange blouse,
plaid suspenders, blue socks and a pink patterned
“I flat lay the pattern I love most and lay
scarf with bunnies. I strutted into the living room and a ‘like-minded’ one beside it, then close
my mom yelled ‘Wowza’. It was at that very moment my eyes and imagine them in a room”
that I knew I was an artist. Her expression could very
well have been traumatising, scarring me for life, but
I was invigorated, even after being escorted to my
Varying scale is
room for a few ‘necessary’ edits. And my fashion style
key to a successful
continues. Now it’s my husband who exclaims ‘Wowza’. pattern scheme
My beloved mother has passed away but I believe
this dressing ritual of mixing patterns is my daily
way of holding on to her. It clearly translates into my
work as an interior designer.
I love mixing patterns. I think the thing that brings
it together, without looking too forced, is scale and
colour. This approach helps my clients get over their
fear of pattern mixing, too. As a starting point, I flat lay
P H OTO G R A P H S I M O N B EVA N S T Y L I N G C L AU D I A B RYA N T

the pattern I love most, then lay ‘like-minded’ pattern

beside it. Next, I close my eyes and imagine them in
a room. I place the larger pattern on a sofa or biggest
pieces of furniture with the smaller pattern on smaller
furniture or cushions. My approach is a drapery pattern
size falling somewhere in the middle for balance.
With that, I expand on colour pulling from the pattern
design. Note, all of this can change depending on the
room’s architecture but it is a good place to begin.
I love a good stripe. If a client is afraid of stripes,
my go-to is ticking: it’s small in scale and a great base.
I graduate scale and patterns from there. I also love

68
 Homes
INSPIRATIONAL INTERIORS FROM TOWN TO COUNTRY

This hall was conceived

as a gallery-like space
and includes seating
to admire the art. The
French Louis XIII-style
banquette dates from
1880. Tour the rest of
this home on page 84.
Watercolours by Isabelle
Melchior, Tew Galleries.
Other artwork by Kate
Friend, Lyndsey Ingram

All of the houses featured here have an

allure that draws you in, whether from a
freshness that makes you instantly relaxed
or a richness that feels luxurious

73
 Heart & soul
Every room in this house has a beautiful warmth and
a style that is at once classic and modern – it’s a look
that feels as if it’s been lovingly curated over time

WO R DS V I V I E N N E AY E R S P H OTO G R A P H Y STACY Z A R I N G O L D B E RG

74
 & Homes

S I T T I N G RO O M
Bespoke walnut joinery
creates a rich backdrop.
Sofa, Frédéric Pellenq.
Coffee table, Casamidy.
Ottoman (right), Martin &
Brockett at 1stDibs; in fabric
by Pierre Frey. Ottoman
(left), custom Dagmar at
1stDibs. Floor lamp; chairs;
console, all 1stDibs. Wall
light, Soho Home. Rug,
Patterson Flynn. Curtains in
fabric by de Le Cuona.
Large pedestal, Broyt.
Smaller pedestal, Audo
Copenhagen. Pendant (seen
on front cover), Trans-Luxe

75
 PA N T RY
A punch of saturated
bold blue evokes a
jewel-box feel. ‘It
instantly made this
space feel fun and
fearless,’ says Zoë.
Cabinetry in Yves Klein,
Ressource. Handles,
Sun Valley Bronze

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hen does a house become a home? says Zoë. ‘It’s all about intentional contrast. In the
When it truly reflects the owner’s personality. And pantry, it was a chance to surprise and delight. That
the extensive transformation of this large property in blue is so saturated and full of energy – it became a
the suburbs of Washington, DC, by interior designer jewel box in the middle of a more subdued palette.’
Zoë Feldman, is a masterclass in how to do that. Bold wallpapers inject whimsy and depth. In
Something of an ugly duckling originally, the house the daughter’s bedroom, for instance, a fresh, hand-
offered many challenges, not least what to do about painted chinoiserie mural introduces sophistication
the unattractive dry walls, tray ceilings and Lucite with playfulness, while in the guest room/study, a
staircase. ‘While it had good bones and plenty of space, wallpaper featuring recumbent coquettes adds edgy
the layout and design choices were outdated and humour. In the cloakroom, Flavor Paper’s quirky
awkward,’ says Zoë. ‘I wanted to soften the rigid architecture Brooklyn Toile pays tribute to the family’s former
and bring in warmth, texture and character. My approach daily life in the New York City borough.
was to modernise the classic elements, lean into The scale of the property was also a consideration.
craftsmanship and create moments of visual delight.’ ‘The house pushed us to go bigger with the furniture
The clients and their school-age children had and details,’ explains Zoë. ‘In larger spaces, you need
moved here from a small apartment in Brooklyn. ‘They showstoppers, such as the curvy plaster coffee table
needed the space but didn’t want to lose the urban in the family room. I also kept everything low-slung
edge and style they loved. They wanted something to modernise the proportions and keep things cosy.’
eclectic and fun – a home that celebrated their The inspiration for the schemes was provided by
creative personalities and global travels.’ the clients themselves - their travels, love of art and
The metamorphosis began with reconfiguring the desire to hold on to Brooklyn coolness while settling
layout to enhance flow and function. The staircase was in the suburbs. The couple had met when travelling
replaced with a wooden design with iron railings and and wanted to incorporate some of the art and objects
neat ball feet. The tray ceilings and harsh dry walls were from their globetrotting without it feeling themed. The
tackled through thoughtful architectural interventions, main bedroom showcases a wall of walnut panelling,
from adding panelling and millwork to using decorative against which pops a vintage Korhogo cloth from the
plaster and wallpaper. ‘Visually, we softened the space Ivory Coast teamed with a headboard upholstered
with organic materials and textures,’ Zoë explains. in a Tibetan tiger-patterned fabric that references
Describing her signature style as modernised East Asia, where the husband had spent time.
classicism, Zoë focuses on balancing timeless Natural materials such as walnut, which was used
architectural details with modern forms, unexpected extensively on panelling, furniture and built-ins, bring
palettes and vintage charm. ‘It’s curated but never warmth and help to ground the schemes, balancing
precious,’ she says. Because the clients love pieces the more whimsical elements. Additional texture, from
with a history and soul, vintage items were sourced Roman clay, tadelakt and zellige tiles, as well as velvet
from 1stDibs and custom work commissioned from and sheepskin fabrics, was deftly woven through to
local makers ‘to create something layered and lasting’. ensure the interior felt rich and lived-in. Now infused
Hero pieces with shape, colour or provenance that with soul and style, this is a house that sings. &
spark curiosity – such as the Giraffe chairs upholstered
in different hues of vegan leather in the dining room – ■ zoefeldmandesign.com
were selected to help tell the clients’ story.
A considered decision was made to keep the walls “The focus was on balancing timeless
and large surfaces neutral to allow art and objects to
shine. ‘When we used colour, we made it count - like architectural details with modern forms,
the wallpapers and the Yves Klein blue in the pantry,’ unexpected palettes and vintage charm”

77
78
 & Homes

D I N I N G RO O M
Eye-catching vintage
chairs in different colours
give this space a unique
and dynamic personality.
Giraffe chairs by Juliana
Lima Vasconcellos, 1stDibs;
in vegan ultraleather
fabric, Ultrafabrics.
Custom table, Nikolai
Lafuge. Primitive
sculpture, 1stDibs.
Curtains in Glacis, Rose
Tarlow. Light, Orange
Lighting. Walls in Roman
clay, Portola Paints.
Console, Chairish

79
K I TC H E N
The beautiful glazed wall
units add another layer
of decorative interest.
Synapse pendant light,
Apparatus. Zellige tiles,
Zia Tile. Bar stools,
1stDibs. Henry tap,
Waterworks. Handles,
Sun Valley Bronze
 & Homes

DINING NOOK
In the box bay window,
an informal seating
space has been created
with a custom bench. The
table with hefty column
legs pairs perfectly with
the pendant light.
El Templo table, Pfeifer
Studio. Copenhagen
pendant light, &Tradition.
Chairs, Casamidy

81
 M A I N BAT H RO O M
This standout bath makes
a wonderful focal point
and is offset by the
striking mosaic floor.
Bath, Waterworks. Chair,
1stDibs. Zellige and Nana’s
Lipstick wall tiles, both
Zia Tile. Floor tiles,
Country Floors

Q&A Zoë Feldman M A I N B E D RO O M

The designer shares her style inspiration An elegantly curved
chaise brings texture and
GREATEST INDULGENCE The bathroom floor tiles.
softness. ‘Texture is what
We used an intricate layout of mosaics made in makes a space feel rich
Tunisia from Country Floors. This was by far the and lived-in,’ Zoë says.
biggest splurge in the project, but it made the space. Chaise, Chairish.
Mirror, 1stDibs
SMALL CHANGE, BIG IMPACT A last-minute
decision was made to use Roman clay in the sitting
room and dining room instead of paint. We thought
that the spaces were feeling a little too modern and
needed texture on the walls to warm them up.
GO-TO COLOUR We used a lot of earthy shades
in this house. Saffron or earthy yellows have been
incorporated into almost every space in some way.
STYLE INSPIRATION I find design influences in
architecture, art and fashion. I grew up in a family
of art and design collectors.
DESIGN HERO Albert Hadley.

FAVOURITE INSTAGRAM ACCOUNT

@parisiensinparis – it’s a reminder that good style
is timeless, sophisticated and comfortable.
HOME MAKES ME FEEL… Cosy, safe and inspired.

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M A I N B E D RO O M
‘The clients appreciate
natural materials and
wood brings so much
warmth,’ says Zoë of
this walnut panelling.
It tones beautifully
with the headboard
in an Asian-inspired
fabric reminiscent
of the couple’s travels.
Pendant, Allied Maker.
Curtains in Crepe 11
Mustard, James Malone.
Bedding, Brooklinen

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 ENGLISH HERITAGE
This modern home in Atlanta adopted the richly layered look you
often see on our shores, resulting in interiors full of personality

WO R DS R AC H E L L E E D H A M S T Y L I N G B E N JA M I N R EY N A E RT P H OTO G R A P H Y A DA M M ACC H I A

S I T T I N G RO O M
Contemporary art rubs
shoulders with more
traditional works on
the gallery wall.
Madagascar wallcovering,
Gregorius Pineo. Sofa,
Travis and Company;
covered in Haiku in Pond,
de Le Cuona. Bombay
Button table (circular),
Howe London. Cylindre
Moderne lamp; Archie
bench, both Rose Tarlow.
Bespoke Jaipur rug,
Eve and Staron Studio

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D I N I N G RO O M
‘I like that collected-over-
time approach while my
clients lean more minimal
– this space is a meeting
point between the two,’
says designer Sally.
Paloma chairs, Gregorius
Pineo; slipcovers in Rust
linen, Cloth House.
Regency table, Rose Tarlow.
Antique Georgian-style
copper lantern, Skelton
Culver. Cupboard doors in
Bella Blue, Benjamin Moore

85
B R E A K FA S T RO O M
When entertaining, the
table is moved into
the centre of the space,
turning the bench into
a relaxed lounge area.
Vintage chairs, The
Nicholson Gallery. Bamboo
Chik blinds, Opium.
Pendant light, Holland
MacRae. Wall lantern,
Howe London
 & Homes

K I TC H E N
Ceiling beams lend
a time-worn quality,
while flourishes like the
curtain and lamp add a
further decorative layer.
Bespoke cabinets in Bone,
Farrow & Ball. Antique
bobbin shelves, Bungalow
Classic. Green table lamp,
Christopher Spitzmiller

87
S TA I RCA S E
A fussy balustrade was
replaced with a more
clean-lined design that
offers understated
elegance. The original
pine floor couldn’t be
salvaged, so timeless
stone flags were put in.
Lattice globe lantern,
Jamb. Primitive painted
chair, A. Tyner Antiques
 & Homes

hen American interior designer raffia walls add depth and warmth, offering a textural
Sally Wilkinson relocated to the UK backdrop to art and ceramics. ‘I factored in benches
several years ago, she already had a and stools that would double as seating,’ says Sally.
strong foundation in classical design Sally was intentional in selecting antiques that
principles. However, it has been her would anchor the schemes. ‘The owners wanted to start
time working in London – first with afresh here, so antiques were essential in bringing a
Salvesen Graham, then at the helm of her own US sense of history and soul,’ she says. The resulting choice
studio – that truly shaped her aesthetic. ‘There can be spans continents and eras: a 19th-century French
a tendency in the US to favour schematic, structured enfilade in the snug provides storage for games; a Dutch
schemes,’ she says. ‘Here, I learnt that embracing a slight vitrine cabinet in the sitting room displays family objects
sense of imbalance makes for more interesting, dynamic and Italian and English pieces lend patina throughout,
design. There’s no fun in everything looking perfect.’ suggesting a home that has evolved naturally over time.
That philosophy shaped her transformation of this Equally important to the schemes is the art, which
home in Atlanta, a 1990s property close to one of the serves as a defining feature of the interiors. In the
city’s parks. The house was a study in contrasts: ‘There entrance hall, a series of botanical prints by Kate Friend
was heavy stone, brick and various types of wooden set the tone for the colours used in the adjacent rooms.
beams, as well as an intricate iron staircase,’ says Sally. ‘Art was a starting point rather than an afterthought,’
Her clients, a retired couple, sought a home that would says Sally, who also helped source pieces for the
function effortlessly, both as an elegant yet intimate bathrooms and kitchen, where a bold oil painting subtly
space for their daily lives and an expansive retreat for elevates an otherwise relaxed, organic aesthetic. ‘I like
their family and guests. ‘It was vital that every room had the balance of the vibrancy of the painting and earthiness
a clear purpose so the entire house was used. We wanted of the etagere we hung on the other side of the window.’
it to feel cohesive rather than cavernous,’ she explains. Landscape designer Alec Michaelides beautifully
Sally began by softening the architectural features interpreted the clients’ vision for the garden, while
to improve the sense of flow. The pine floors were Sally’s interiors echo the surroundings with touches
stripped to achieve a paler, more natural finish, while in such as vintage botanical fabrics, antique Turkish rugs
the kitchen and breakfast room, a white slurry wash and richly tactile finishes. Her instinct for contrast is
helped to harmonise previously discordant stone and evident throughout: in the dining room, teal-hued doors
brickwork. In the adjoining sitting room, new iron- form a striking dialogue with toffee linen slipcovered
framed glass doors flood the space with light and chairs, while in a bedroom, canary yellow corduroy
create a seamless connection with the pool and garden. headboards sing against slightly acidic green walls.
Sally and her clients took a forensic approach to For Sally, the greatest reward has been experiencing
defining each room’s purpose. A pantry was turned into the home as her clients intended. ‘They are incredibly
an elegant study for the wife, while one of the reception generous, gracious hosts,’ she says. ‘Being invited to
rooms became a snug designed as the couple’s private their gatherings and seeing the house full of life is the
retreat. While the sitting room adjoining the kitchen was best testament to the design – it’s being used, enjoyed
envisioned for breezy, alfresco-inspired entertaining, the and lived in, exactly as we envisioned.’ &
front-facing sitting room has a richer, cosier feel that
lends itself to the cooler months. Here, tobacco-hued ■ sallywilkinson.com

“Embracing a slight sense of imbalance makes for more interesting,

dynamic design – there’s no fun in everything looking perfect”

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& Homes

S T U DY
The floral pinboard pops
against the raffia walls,
which in turn help ground
the lacquered green
finish of the built-in desk.
Madagascar wallcovering,
Gregorius Pineo. Pinboard
in Ete Moscovite, Décors
Barbares. Desk in Bancha,
Farrow & Ball. Parsons desk
lamp, Studio Atkinson

90
 M A I N B E D RO O M
Lively florals reinforce
the link with the garden.
Cushions in White
MB0809, Holland & Sherry.
Cove chairs, Nickey Kehoe;
covered in Coromandel
Tulip, Soane Britain.
Artwork by Kathryn Maple

C LOA K RO O M
A floral stripe forms a
charming backdrop to
an antique mirror.
Dolly wallpaper in Lettuce
Green, Sister Parish. English
faux bamboo lattice
mirror, A. Tyner Antiques.
Plates, Casa De Folklore

B E D RO O M
Designed with the couple’s
grandchild in mind, this
space has a playful spirit.
Walls in Ball Green, Farrow
& Ball. Headboards in
Needle Corduroy in Canary,
Rose Uniacke. Cushions in
Seine Port in Mordore, Le
Manach at Pierre Frey
 BACK SITTING ROOM
Pieces in muted colours
PORCH
Framed by new glazed
5 rules of H A N G I N G A RT
Designer Sally Wilkinson shares her advice for
and organic textures – metal and wood doors
from a vintage rug to a painted a soft blue-grey, creating striking displays

1.
corded chair – forge a a pair of vintage chairs Plan with intention. I like to consider art placement
strong connection with creates an inviting
early in a project, sketching elevations to get a sense
the landscaped garden. seating area.
Sofa and armchairs, Chairs, Holland MacRae of scale and using them as a guide when sourcing pieces.

2.
O. Henry House. Sofa in Embrace imperfection. Don’t be afraid to put holes
Haiku linen, de Le Cuona. in walls – many people hesitate for fear of getting it
Chair in Hopsack
wrong, but committing is always worth it. Art brings depth
ticking, Ian Mankin. Table,
Rose Tarlow. Vintage and personality to a space.

3.
Scandinavian corded chair, Mix high and low. Not everything has to be fine art.
Bungalow Classic. Oushak
I love incorporating personal or unexpected pieces,
rug, Art Rugs Inc
whether it’s a child’s drawing or a flea-market find. These
often become the best conversation starters.

4. Add character with beautiful antique frames. I keep

an eye out for them at markets or on online
platforms like eBay and Etsy.

5. Think beyond canvas. Hanging a collection of

antique or vintage plates is an elegant yet
budget-friendly way to introduce visual interest.

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EX TERIOR
A proper dining and
seating space make this
the place to be during the
long days of summer.
Sofa and armchairs,
Sutherland Furniture.
Rupa Tan square cushions,
Les Indiennes

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& Homes

THIS HOME
MADE US
CONSIDER WHAT
ART IS – IT CAN
BE A HANDMADE
SINK OR TABLE
JUST AS MUCH
AS A PAINTING
Creativity abounds in this one-of-a-kind house – where
the artistic use of colours, materials and design flourishes
means there is something stunning to take in at every turn

WO R DS E M M A J PAG E S T Y L I S T T ESS A WATSO N P H OTO G R A P H Y C H R I S M OT TA L I N I

94
S I T T I N G RO O M
The home’s designer –
Victoria Sass – sits on
the Kim bench by De La
Espada. Behind her hangs
a piece, Nou Te Gen Yon
Paradi Pou Antere, 2022,
by artist Laurena Finéus
102
 & Homes

S I T T I N G RO O M
An overscaled artwork
and a pair of flame-stitch
armchairs bring colour
and verve to this space.
Brandt sofa, Vanguard
Furniture; covered in Taiga,
Casamance. Coffee table
(round), Fernando Laposse.
Custom curvy coffee table,
Prospect Refuge Studio in
collaboration with Rovan
Furniture. Rug, Stark

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& Homes

K I TC H E N
A mix of painted and ash
units lends a relaxed feel.
Cabinetry in Tiki Hut,
Sherwin-Williams. Puck
pendants (over sink), In
Common With. Brass and
opaline counterbalance
lamp (over island), Obsolete.
Rey chairs, Hay. Oak
flooring, Belrose & Co

5 rules for
I N T RO D U C I N G D E F I N I T I O N
AND DIMENSION
Victoria Sass on adding drama and scale

1. I love playing with scale, but you have to learn

the rules before you can break them. Immerse
yourself in classical architecture and study
anthropometric dimensions, learn everything you
can about industry standard sizes.

2. Then think, how would the energy of this piece

change if it was larger or smaller?

3. Everything is emotion. If you can identify the

emotion you want to feel, then you can make
design decisions that evoke it.

D I N I N G RO O M
4. Drama comes from feeling challenged. Be
brave and move in a direction that makes
you a little uncomfortable.
A bespoke wall mural
is an unexpectedly
playful touch.
Custom mural art
5. Balance is key – for every dense object you
need to lend a feeling of space.

installation by Ginny Sims

98
D I N I N G RO O M
The space is defined by
a statement light and a
dining table with turned
wood columns.
El Templo dining table,
Pfeifer Studio. Mullit dining
chairs, Sancal. Shape
Up 5-Piece chandelier,
The Future Perfect
OFFICE
A palette of warm woods
and interesting shapes
deliver depth and texture.
Theodore armchair, Soho
Home. Custom desk,
Prospect Refuge Studio and
Rovan Furniture. Tripod
table lamp, &Tradition.
How Do I Say Goodbye,
2014 artwork by Aaron
Spangler. Cabinetry,
Braaten Creative Woods
 & Homes

ow do you make a new house feel old? returned to pick up the reins, they wanted to inject
That’s a question interior designer Victoria Sass some colour and joie de vivre,’ continues Victoria.
debated many times over when creating this classic ‘Their time in Spain had altered their perspective;
American white brick house for a family of five in the family’s energy had changed. I realised that we
a leafy neighbourhood close to Minneapolis in had to add jewellery to that shirt if we were to create
Minnesota. The family had spotted the plot’s potential a home to truly reflect their passions.’
in 2019, drawn to its tranquil waterside setting, and That meant going back to the drawing board,
gained permission to demolish the existing neglected focusing on furniture, fabrics, hardware and lighting
home, replacing it with a sympathetic build. to inject something a little unexpected. In the living
‘It’s much harder than it looks,’ concedes Victoria. room, a mosaic table made from corn husks is the
‘New builds can feel a bit too perfect. In this case, we work of a Spanish artist that the family came across
asked architecture firm Murphy & Co to loosen things while abroad. One of the powder rooms features a
up a little. Older houses don’t always make sense; vanity covered in beautifully mismatching tiles,
sometimes the flow is a little off; a small room inspired by Mediterranean design (‘Each one feels like
might be sequestered off a bigger space; shapes are a painting; I could get lost in them,’ says Victoria) while
asymmetrical. We knew we had to undo things a little the dining room has been given edge thanks to highly
because if it was too sensible it wouldn’t feel old.’ personal wall art by Ginny Sims, whose visual narrative
Not that this house is a pastiche of other heritage contains subtle nods to the family’s story. The snug
homes in the area – instead it has an evolved, lived-in features a chimney breast finished in hand-fired tiles,
feel that’s hard to date and that’s what its owners wanted. perhaps a sub-conscious reference, says Victoria, to
‘Relaxed, unpretentious and not remotely grandiose,’ is a sense of Scandinavian cosiness inspired by her
how Victoria describes the home, which features wooden husband’s Danish heritage. There’s an emphasis on
balconies, floor-to-ceiling windows, screened verandas, texture that has an almost 3D feel, whether large-scale
a classic all-American porch and a wooden dock in the photographic prints, custom-designed wall sculpture
garden leading straight onto Minnehaha Creek. or the tactile marbleised wallpaper that brings
A traditional palette of off-whites, rusts and movement to the smaller study, with its utilitarian but
caramels set against oak flooring and timber windows warm oak desk that stretches between two walls.
provides a grounding backdrop across three storeys, ‘There are a lot of decorative influences but a
with the main living spaces sited on the middle floor. cohesive colour palette and an eye for scale balances
Yet there are a host of left-field decorative choices too, them all out,’ explains the interior designer. ‘Everything
from the flame-stitch armchairs in the sitting room to is a dance. If you turn one dial up you have to turn
the sculptural Moon light in the hallway, part light another down. For example, sculptural shaping only
fitting, part art installation. That contrast has come out sings when you allow it space.’ The result is a home
of this home’s surprising design journey, which gently that easily pairs classic elements with experimental;
changed course from inception to completion. graphic silhouettes with undulating shapes. It all adds
The family had commissioned Prospect Refuge to up to something that Victoria describes as ‘perfectly
build their home just as the pandemic struck. ‘The wife imperfect’ – perhaps the very definition of a new house
mentioned that she loved the casual but tailored look gently made old. &
of a white button down shirt,’ recalls Victoria. ‘That
comment stayed with me and we drew up plans for a ■ prospectrefugestudio.com; murphycodesign.com
house that reflected that sensibility. I knew they
wanted something understated, as opposed to the ‘We chose minimal or zero window
decorative equivalent of a ball gown.’
A little later, the family decamped to Barcelona
treatments, the better to bring the
and the build was put on ice. ‘When they eventually views of the creek into the house’

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D R E S S I N G RO O M DRESSING AREA C LOA K RO O M C LOA K RO O M

Joinery makes an ‘We saw soft furnishings ‘I wanted to add an ‘In this space, we could
artwork of shoe storage. as a chance to add a element that evoked a really experiment with
Shelving, Braaten Creative little edge,’ says Victoria. sense of Spanish tile pattern,’ says Victoria.
Woods. Island top in Anders ceiling light, Pinch. work,’ says Victoria. Counter in marble,
leather by Keleen Leathers. Stool in Silkbird, Dedar. Custom tiles, Kristen Minnesota Tile & Stone. Geo
Blind in Anni Stripe, Budnick sconces, Hudson Falkirk Tileworks. wallpaper, Porter Teleo.
Imogen Heath. Motive Valley Lighting. Tourmaline Chintamani wallpaper Mirror, Vaughan. Lights,
pendant, Atelier Areti wallpaper, Jennifer Shorto in Cream, Ottoline Marie Burgos Collection

102
M A I N B E D RO O M
Oversized drawer pulls
are a playful touch, while
the textured fabric
wallcovering feels cosy
but also sophisticated.
Wallcovering, Phillip
Jeffries. Atlas sconce,
Coil + Drift. Curtains
in Lyre, Kelly Wearstler
for Lee Jofa
 GUIDING LIGHT
The coastal location of this Melbourne home influenced its fresh,
easy-on-the-eye palette and relaxed inside-outside aesthetic

WO R DS K AT E JACO B S P H OTO G R A P H Y L I S A CO H E N

104
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KITCHEN
The soft blue on the
window and French doors
enhances the lightness of
this pared-back yet still
characterful space.
Custom oak kitchen,
Samantha Eisen Interiors.
Spatula Bianco splashback
tiles, Tiento. Arabescato
Rosso worktop, Signorino.
Tre Mezzo stools, Biasol
Studio. Grande Limoges
pendant, Visual Comfort
& Co. Bianca Carrara
and Bardaglio floor tiles,
Aeria Country Floors

105
& Homes

reating a house for her sister’s family living area, set within soft blue frames that balance the
gave interior designer Samantha Eisen earthy russet and terracotta tones of the dining
the invaluable opportunity to be banquette and the kitchen island’s marble worktop.
involved in the project from the start, ‘Colour can be used to highlight architectural features
accompanying Bianca and her husband and add layers of interest to a space,’ says Samantha.
David on countless house-hunting The sisters share much common ground in their
trips around their native Melbourne. ‘I’ve helped her interiors taste, including a love of Spanish elements,
before with their previous homes in a more sisterly, seen in the arched doorways, exposed beams and fresh
less professional way. When it came to looking for their white palette. ‘We both love European influences but
dream family home, they wanted my input from the used in the context of this urban, coastal Australian
outset,’ recalls Samantha. Eventually, this house, in the location, it’s a sensitive process,’ explains Samantha.
historic bayside suburb of Brighton and dating from the Bianca, though, leans more towards bohemian and
early 1900s with charming verandas and pleasingly historic styles. ‘As they’re family, I had extra insight into
proportioned rooms, came up. Samantha immediately their taste and how they live their lives and could be
told her sister: ‘It could be magical. This is the one.’ brutally honest, with their best interests at heart. I had
The house was well preserved but tired, with a 90s to persuade Bianca to include some contemporary
kitchen and bathrooms – ‘lots of granite!’ summarises pieces with cleaner lines, such as the living room sofa.
Samantha. The couple wanted comfort and relaxation ‘Luckily David was my ally in these discussions and,
with a warm, friendly atmosphere and a light, fresh feel because we’re family, the trust was there from the start.
to reflect the coastal setting. Where the previous Working with family can go a lot of ways, we were
owners had built a tennis court butting up against the fortunate that it was quite a joyous experience,’ says
house, Samantha created a generous extension that Samantha. Both David and Bianca love thrifting for
gave the family – the couple have three older children, interesting objects and Samantha designed the home
Autumn, Isaiah and Astrid – an open-plan kitchen- around this passion, creating a neutral backdrop of
dining-living area, along with a pantry and laundry, both warm white in the main spaces and making room for
supremely useful but no less beautiful than the rest of their collections to grow and evolve, while getting more
the house. Upstairs they gained a new principal suite, playful with colour and pattern in the less important
with its own balcony, and an office for David. rooms. ‘The colours are there, but we wanted them to
Back downstairs, Bianca too has her own elegant be liveable and easy on the eye, whether it’s the soft
grey-blue office as the couple both work from home, blues or even the dark grey of the pantry, they all have a
and there’s a snug and more formal sitting and dining neutral quality,’ explains Samantha.
rooms, as well as outside living, dining and cooking Thanks to that sisterly bond, Samantha is now able
areas looking out onto the garden and pool. The family to enjoy this space as a regular guest. ‘There’s that
love cooking and hosting so Samantha has provided all inside-outside, cooking-on-the-barbecue lifestyle that
the space and functionality they need for that. As the we love in Australia. I feel privileged to be able to see
house is south-facing – not so desirable in the southern the family enjoying each space and living the life they
hemisphere – Samantha worked hard to let as much imagined here. It’s a house that gives back.’ &
light in as possible, with a new pair of double French
doors in the sitting room and a full wall of glazing in the ■ samanthaeiseninteriors.com.au

“The neutral colours allow the architecture – from the arched

doors and fireplaces to the ceiling panels – do the talking”

106
DINING ROOM
The club-style chairs
have been custom-
covered to match the
colours in the painting.
Bespoke table, Graham
Geddes Antiques. Lyam
chairs, Coco Republic. Two
Tier, Eight Lamp pendant,
Anna Charlesworth. Akari
13A floor lamp, Vitra.
Colorfield Light Blue rug,
Halcyon Lake. Desert
artwork by Sylvie Kettle
SITTING ROOM
The vintage sofa was
reupholstered in a
botanical print, linking to
the garden beyond.
Sofa in Japura Amazonite
velvet, Romo. Eden chair
by Michael Gittings.
Chromatic Marshmallow
rug, Halcyon Lake.
Piece o’ the Pi coffee table
by Jonathan Zawada. Pink
Single Tier Ruffle side table
by Bari Ziperstein. Wrapped
Top table by Ben Mazey.
Hampton pendant, Aerin.
Lamp, Didi and Dora
 & Homes

DAVID’S OFFICE
Adjoining the couple’s
bedroom, this doubles as
a cosy private lounge
they can retreat to.
Similar vintage sofa,
Vinterior. Triple Tier Hex side
table, Bzippy. Vertu marble
desk, Coco Republic.
Mid-century Italian Sputnik
ceiling light, Etsy. Petal table
lamp by Leisa Wharington.
Dancing Ledge artwork
by Therese Strauss

CLOAKROOM
MAIN BEDROOM ‘I like to create riskier,
Ceiling panelling and a more daring schemes for
passementerie-inspired these areas, because you
paper feel characterful. can have fun with small
Lafayette wallpaper, spaces,’ says Samantha.
Materialised. Luella Good Fortune Sapphire
bedhead, Heatherly wallpaper, Ferrick Mason.
Design; in Roman Natural Walls in Foam, Murobond.
fabric, Altamira. Bedside Hexagon mosaic floor tiles,
table; lamp, both En Gold. TeraNova Tiles. Soho basin
Similar Venetian glass and frame, The Water
wall lights, 1stDibs. Monopoly. Olde English
Artwork, clients’ own tapware, Astra Walker

109
& Homes

Q&A Samantha Eisen TERRACE

The custom-designed
LOGGIA
The tiles have been
The designer shares her style inspiration barbecue area includes configured as a ‘rug’
BIGGEST SUCCESS On this project, the extension storage space for tools to zone this shady
and platters, while an seating area.
and the additional indoor-outdoor areas as they
arch of Portuguese Custom-made sofa set,
have had an enormous impact on family life. tiles brings a pretty Lincoln Brooks. Custom
SMALL CHANGE, BIG IMPACT Paint colours. Mediterranean influence. floor inlay in tumbled
The right colours can define the interior architecture Stone benchtop in Pietra Di marble mosaic floor tiles,
Luna, Neolith. Hand-painted TeraNova Tiles. Fairweather
and have a psychological impact as well, creating
Portuguese wall tiles, Etsy. coffee table, Eco Outdoor.
warmth, calm, personality. Middy Up Down LED lights, Vintage heron sculptures,
GO-TO COLOUR Blues, greens and a pop of Fat Shack Vintage. Chairs, Castorina. Carlo bar
Coco Republic trolley, Sika-Design
warm terracotta to juxtapose the cooler tones.
INSPIRATION Nature and travel.

DESIGN HERO Kelly Wearstler because of her

incredible style, attention to detail and the inimitable,
eclectic way she pulls rooms together.
FAVOURITE BUILDING The Sydney Opera House
– the form itself is joyous to behold and it is unique
to Australia. It’s also a special place for me, where I
have spent a lot of my adult life.
HOME MAKES ME FEEL… Safe and at ease.

110
EXTERIOR
David researched the
German Schmear render
technique to soften down
the red brick without
covering it completely.
‘It’s so beautiful and
made the most enormous
difference to the house,’
says Samantha.
Woodwork in White
Exchange, Dulux Australia.
Tumbled limestone pavers,
Granite Works
112
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113
 H&G Advertisement Feature

Sage-green frames
ensure the RHS
Wisley collection
blends beautifully
with natural settings

SUMMER SOCIALS
Set the scene for the season with a new collection of timeless
outdoor furniture – perfect for enjoying lazy summer days

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WITH longer days and warmer RHS by Bramblecrest collection of sunshine trap, each of these
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living once again. Few things are beloved RHS locations: RHS Wisley, reclining, helping you to enjoy and
more enjoyable than spending RHS Rosemoor and RHS Bridgewater. make the most of every moment
quality time outside with friends Available in beautiful soft mocha this summer. The RHS by Bramblecrest
and family, soaking up the sunshine. and sage tones, Wisley’s aluminium collection is available to purchase
This year marks 25 years of frame and deep-filled cushions are at selected garden centres and
Bramblecrest setting the scene for designed to blend seamlessly with retailers nationwide. &
these good times: bank holiday the surrounding foliage and flowers.
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THE DETAILS
breakfasts alone in the morning cast-aluminium detailing pays
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in the warmth of a late summer’s style, ideal for courtyards and walled
for garden ideas and inspiration.
evening. To celebrate this milestone, gardens. Meanwhile, the Rosemoor’s
the Bramblecrest team has designed open-weave rattan and warm, neutral
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leading gardening charity – the Royal Whether you have a perfectly-
Horticultural Society (RHS). The new proportioned patio or a sprawling

114
 Gardens
OUTSIDE INTERESTS IN ALL FORMS

The wildflowers in
this meadow are
resown each year
to guarantee a
good show. Find out
more on page 118

Take inspiration from one family’s

enchanting garden complete with
meadow, wooded area and birch walk
and our stories on alfresco kitchens and
easy summer entertaining

115
 Garden notes
Inspired ideas and buys for the great outdoors

F E AT U R E H O L LY R A N S O M E P H O T O G R A P H S ( AWAY D AY ) S A LT W I C K M E D I A ; ( N E W A D D R E S S ) A L I S T E R T H O R P E
Away day
This summer, Nicola Talbot, custodian of
Falconhurst in Kent, is hosting Stone, an
exhibition of striking outdoor sculptures made
from stone by renowned British sculptors, such
as Luke Dickinson whose work Rising and
Falling is pictured here. Built in the 19th century,
the Falconhurst Estate is today managed by the
fifth generation of the Talbot family including a
working farm and beautiful garden. The garden
features a series of outdoor rooms, tree-lined
walks, architectural enclaves, plus cut-flower and
vegetable gardens. The exhibition takes place
from 29 June - 26 July with tickets priced at
£11.50. Prices for the sculptures start at £2,000.

116
 & Gardens

M AT E R I A L GA I N S
Furniture-maker Tom Faulkner has joined forces
with the online garden gallery Them Outdoors
to create outdoor planters. The sculptural Lily
planters are available in satin-polished steel or
corten, both durable materials that develop a
beautiful surface finish over time. A third option
of a made-to-order powder-coated finish is
available in a range of colours. The planters
Sustainable success come in two sizes with prices from £3,440.
Outdoor furniture specialists Gaze Burvill has a
new collection designed in collaboration with
the National Trust to highlight the importance of
manufacturing with native wood harvested in an
environmentally conscious way. The timeless garden
pieces are made with sustainably sourced oak grown
in the Yattendon and West Dean forests. Part of the
proceeds from sales will fund the National Trust’s
sustainable forestry projects. Pictured are the
two-seater bench, £2,460, and coffee table, £888.

CA F E CO R N E R New address
Seeking an outdoor dining area refresh? Take Landscape design and build practice Rosebank has
announced the opening of a second studio based in
a look at Oka’s new Colette range – the dining
the Cotswolds near Cirencester. Founded in 2016
table, priced at £995, is crafted from hand-painted with its first studio in Chiswick in London, Rosebank
aluminium designed to look like traditional creates sophisticated gardens and outdoor spaces that
bentwood, with a top woven in a seagrass-like balance refined architectural elements with naturalistic
material. It seats up to six, is weather-resistant, planting. The studio is unusual in that it takes care
of both design and build in-house for a seamless
and perfect for a French-bistro-inspired look,
process. For the first time, it will also offer construction
especially when paired with the matching chairs. services to a handful of chosen designers. &

117
 A tale of
TWO HALVES
Buying the property next door to their home
allowed a couple to create a new garden
filled with a mosaic of flower borders, lush
lawns and tranquil woodland walks

WO R DS Z I A A L L AWAY P H OTO G R A P H Y M A R I A N N E M A J E RU S

118
 & Gardens

The birch walk, with its

frill of campanulas,
Bistorta affinis ‘Superba’,
ornamental grasses and
ferns, creates a transition
between the original
garden surrounding the
main house and the new
garden at Longwood

119
The vista from the back
of the house directs the
eye through an allée
of tabletop-pruned
liquidambar, with
Deschampsia cespitosa
‘Goldtau’ planted
beneath, to a similar
feature on the far
side of the lawn
 & Gardens

THE STORY
behind the tranquil garden at Longwood is a tale of filix-mas) forming a transition between the two distinct
two halves and began when owners Mandy and Andy landscapes. From here, you can step down to the front
Summers bought the property next door to their main door of the house or make a left along a path leading
residence, with the idea of making the mid-century to the paved terrace at the back.
house into an annex, where they could swim, exercise ‘We included four liquidambar trees pruned to form
and accommodate visitors in style and comfort. a tabletop design to greet visitors who arrive at the
‘We live in a new house, which we built on the plot front of the house by car, which mirror an avenue
next to Longwood about 13 years ago,’ explains Mandy. of trees clipped in the same way in the back garden
‘Then, in 2015, our neighbour’s property came on the that can be glimpsed through the large windows of
market and we decided to buy it, with a plan to the house,’ explains Gavin. The back garden is cradled
renovate the house, add an indoor swimming pool between the house and the pool extension and
extension and create a new garden to complement our comprises two lawns, each featuring sets of tabletop
existing one, but with a style and character of its own.’ trees. ‘To accommodate the level changes, the lawn
The couple called in landscape architects Gavin closest to the house gently slopes up on the south and
McWilliam and Andrew Wilson who had so expertly east sides, allowing us to retain the existing maples
designed their first garden, with its dew pond, flower and hazel coppice which were on the higher ground,’
borders and dry gravel garden. ‘We were so happy says Gavin. The lawn is flanked by borders punctuated
with our existing garden and knew that Gavin and with Mandy’s favourite brightly coloured perennials,
Andrew would come up with something equally such as Monarda ‘Mahogany’, Helenium ‘Moerheim
special for Longwood,’ she adds. Beauty’ and Betonica officinalis ‘Hummelo’.
When the designers first arrived on site, the A meadow spangled with more colourful blooms
garden was mostly laid to lawn, with tired borders, edges the farthest lawn. Sown with a Pictorial
an overgrown hazel coppice, and a few old fruit trees Meadows mix, the flowers and grasses wrap around
and acers. ‘The previous owners obviously loved the specimen hydrangeas. ‘We love the meadow flowers
garden, but it had seen better days,’ says Gavin. ‘The and our wonderful gardener James Robbins re-sows
family asked us for a relaxed design, with lawns for the them each year to guarantee a good show,’ says Mandy.
children to run around and a sun terrace from which Beyond the meadow is a woodland area, featuring a
they could enjoy the garden after a swim or session collection of hydrangeas that deliver flower interest
in the gym. Mandy also wanted lots of colour and more from midsummer to autumn. Wide lawn paths navigate
privacy, since the garden was overlooked on the west the area, creating a circular journey that brings you
side by the neighbours.’ Gavin and Andrew’s design back to the birch walk. ‘We’ve also included slabs of
was inspired by the clean lines of the mid-century Portuguese laurel hedging throughout to punctuate the
house and, in places, the flora of the local common garden with subtle architectural divisions,’ adds Gavin.
land close to the property, with its heathers, broom The garden was completed just before the Covid
and meadow grasses. lockdown in 2020 and provided the perfect hideaway,
The family approach Longwood garden from their where the family could relax, immersed in nature.
house via a birch walk, the trees and underplanting ‘Five years on, I still walk through it almost every day,’
of grasses and shade-loving perennials such as says Mandy, ‘enjoying the seasons and all the different
epimediums, hardy geraniums and ferns (Dryopteris plants as they come and go.’ &

“When the designers first arrived on site, the garden was

mainly laid to lawn and more privacy was needed”

121
& Gardens

Mandy loves bright

colours in borders –
here red Monarda
‘Mahogany’ jostles with
purple Salvia nemorosa
‘Caradonna’ and blue
Geranium ‘Rozanne’

The sun terrace, A wide grass pathway

paved with Schellevis meanders under a
concrete slabs, intersects mature Acer palmatum
with a dark basalt ‘Sango-kaku’, retained
gravel pathway from the original garden

122
 GARDEN GUIDE
Location Hertfordshire.
Orientation and size The lawns of the
1.5-acre garden face south, while the
planting behind the pool faces west and
the birch walk is to the east.
Soil type Deep, slightly acid, loamy clay.
The lines of the tabletop Special features Treetop liquidambar
allée and striped lawn avenue; pictorial meadow; ornamental
echo the angles of the
perennial and grass borders; birch walkway;
mid-century house as
you look through the hydrangea beds.
mixed borders across the Garden designers Gavin McWilliam of
main lawn towards the McWilliam Studio and Andrew Wilson;
sun terrace mcwilliamstudio.com
Meadow flowers
and grasses are sown
annually using a seed mix
from Pictorial Meadows,
while hydrangeas add
structure to the design
 & Gardens

Packed perennial borders

greet the family as they
step down from the birch
walk to the front of
Longwood house

GAVIN’S TIPS FOR CREATING

WOW PERENNIAL BORDERS
■ Choose a palette of plants in six or seven key
colours that you like and repeat them through the
border to create continuity.
■ Select plants that peak at different times of the

year, starting in spring with bulbs such as tulips and

alliums, followed by summer-flowering perennials
and grasses, then evergreens such as Libertia
grandiflora and hellebores for winter interest.
■ Include plants with seed heads that stand through

the winter, such as Veronicastrum virginicum,

Phlomis russeliana and Miscanthus sinensis.
■ Think about the structure of each plant and

combine contrasting shapes and textures, such as

the spikes of Salvia nemorosa ‘Caradonna’, tufty
flowerheads of monarda and low, leafy mounds
of Geranium sanguineum.
■ Give brightly coloured plants space to breathe,

with cooler greens and blues between them, so

The vibrant colours of that they don’t fight each other.
Monarda ‘Mahogany’ ■ Set out your plants in their pots and look at how
and Betonica officinalis
the sun catches them, then arrange them so that
‘Hummelo’ catch the eye
in the mixed borders the light and shade create contrast and interest.

125
 Eating out
What makes a great outdoor kitchen
and dining space? These fine examples
would receive a five-star rating

1.
Immersive experience
SB Design House collaborated with award-winning
landscape design firm Garden Studio Design and Häti
Home to bring this Californian summer kitchen to
life. ‘We aimed for an outdoor kitchen that merges
effortlessly with its lush surroundings, offering both
style and function,’ says Shayna Brickman of SB
Design House. Materials for the built-in grill,
porcelain countertop and teak cabinetry are echoed
in the adjacent bar and seating area for a cohesive
look. ‘The soft scape, featuring mature olive trees and
other drought-tolerant plant selections, amplifies the
modern Mediterranean feel while fostering a relaxed,
refined atmosphere,’ adds Mikayla Gierut, Garden
Studio Design marketing director.

126
 & Gardens

2. Rain or shine
This walled-garden-style kitchen by designer Mark Gregory,
Landform Consultants, features an elegant Victorian-inspired
glass veranda from The Traditional Verandah Company, which
protects the outdoor cooking area from the elements. Mark
acknowledges, ‘in real life, it rains a lot in England’. The large,
part-reclaimed brick kitchen space melts into the backdrop
wall (the oven is hidden behind doors) absorbing, ‘the built-in
grill, gas hobs and DeliVita wood-fired oven. Food can be
served directly, undercover, to the sunken dining room, via a
secret internal staircase behind the chimney stack.’ The
F E AT U R E J A C K Y H O B B S P H O T O G R A P H S ( 1 ) K AY L A A D A M S ; (2) JAC KY H O B B S ,
R H S C H E L S E A F LOW E R S H OW; ( 3) C L I V E N I C H O L S , R H S C H E L S E A F LOW E R S H OW

garden itself provides an on-hand feast of edimentals.

3. Raising the bar

More casual, space-saving outdoor bars are right on trend.
This open-corner design affords a place to perch, enjoy a
drink and interact with the ‘master mixer’. Charlie Dedman,
head of design, Gaze Burvill, reveals: ‘This bespoke bar
extension can be added to Gaze Burvill’s outdoor kitchens.
Crafted at our Hampshire workshop, it’s made from durable
weathered oak and topped with a Dekton work surface. The
bar extension is particularly suited to tighter urban situations,
creating a dedicated, high-spec entertaining area with space
for a micro kitchen garden, pot-grown herbs and shading
climbers, as designed by garden designer Ross Allan.’ →

127
& Gardens

4. City hospitality
Interior designer and garden enthusiast Tolù Adẹ̀ kọ́’s own
London garden ‘feels like a serene escape amidst the city bustle,’
he says. ‘For the dining area, I envisioned a low-maintenance,
evergreen courtyard, featuring planted trees and potted plants
– beautiful, timeless and easy to maintain. At its heart is the
outdoor kitchen, complete with a charcoal barbecue, freezer
and durable, porcelain marble worktop. I’ve planted herbs like
thyme and rosemary right by the kitchen, allowing me to
enjoy fresh, fragrant flavours with every meal.’ Even in this
relatively small city plot, Tolù has created a space in which to
relax and unwind as well as to dine with family and friends.

5. Next level
P H O T O G R A P H S (4) D A R R E N C H U N G ; ( 5 ) N ATA L I E H U N FA LVAY

This minimalist, bespoke design accommodates outdoor

cooking, dining and relaxing in a small city garden. Landscape
designer Trystan Graham of Outdoor Establishments explains:
‘The changes in levels provide opportunities to incorporate
and separate ovens, grills and log piles, whilst maintaining
strong design in bold natural materials; concrete, stone, steel,
brick and wood. Slick, built-in seating and raised planting
beds follow the geometry of the design whilst creating an
immersive, intimate experience.’ The space is enhanced by an
equally bold, all-green plant palette, designed for city shade.
Contractor GD Building & Carpentry helped realise the design.

128
 6.
Inside out
‘This Mediterranean-style garden is an outdoor
extension of the house,’ explains designer Filippo
P H OTO G R A P H JAC K Y H O B B S , R H S C H E L S E A F LOW E R S H OW

Dester, ‘a series of welcoming, independent but

interlinked rooms: kitchen, dining and relaxing
spaces, which you want to experience and not just
look at’. Subtle changes in level help delineate the
zones, warm earthy plaster walls further divide and
shelter the dining space and soft-seating areas
create intimate spaces to relax in. Stone from
Artisans of Devizes was used to clad raised borders,
creating a clean, stylish backdrop to the aromatic,
drought-tolerant planting, ‘reminiscent of a Tuscan
garden, equally relevant to southern England’. The
linear kitchen, engulfed by herbs and edibles, is
shaded by a pergola clad with scented climbers. →

129
 7.
Chic and sleek
This modern design by landscape architect Nathan
Burkett achieves a neat, seamless transition with the
feel of indoors moving out. Nathan explains: ‘The
burnished concrete benchtop with timber-panelled,
handleless cabinetry echoing the wall cladding
creates a minimalist linear aesthetic. The inclusion of
a sink and built-in barbecue completes a purposeful
outdoor kitchen which is softened by climbing
Parthenocissus quinquefolia (Virginia creeper) on a
wall-mounted living pergola and complemented with
surrounding leafy plantings of Ligularia reniformis
(tractor seat), Gardenia jasminoides (gardenia) and a
pleached Ficus microcarpa var. hillii (Hill’s weeping
fig) hedge. Crazy paving adds texture and interest to
the space. The overall sense is a light, airy outdoor
kitchen for entertaining during the warmer months.’

P H O T O G R A P H D AV E K U L E S Z A

130
 & Gardens

8. Green canopy
A dining terrace and kitchen by Charlotte Rowe Garden
Design has a natural shade canopy created by four flat-topped
Platanus x hispanica (London plane) trees. ‘Our client was
P H O T O G R A P H S ( 8 ) C H A R LOT T E R O W E G A R D E N D E S I G N ; ( 9) F L E E C H AVA S S E , PA R K A A N D B O OT S P H OTO G R A P H Y

unhappy with the former, awkward L-shaped outdoor kitchen

and exposed dining space,’ explains design director Tomoko
Kawauchi. ‘Integral to an over-arching new design, the kitchen’s
linear layout (including a barbecue, hob, pizza oven, log store,
fridge and sink) optimises space and maximises access to a
more intimate, central dining space. Rendered to complement
the brick facade of the house and the terrace’s limestone paving,
the kitchen nestles neatly into the surrounding hedging.

9. Dining destination
This luxurious retreat, designed by Karen McClure, in the
grounds of a country house, ‘blends elegance and functionality
for year-round entertaining. At its heart is a WWOO outdoor
concrete kitchen, a patented design with comprehensive
accessories which require little maintenance,’ says Karen.
‘The covered kitchen/dining area features a ceramic Big Green
Egg barbecue and generous seating. Integrated lighting and
heating extend its use from day to night, while a Hartley
Botanic glasshouse provides home-grown produce. Porcelain
paving, decking and a brick path are softened by planting,
creating an immersive dining experience in the garden.’ &

131
 Sunshine ready
As sunny days are here again, we asked garden designer
Pollyanna Wilkinson to share how she preps for the social season

ENTERTAINING outside is such a mood lifter. It has smaller gardens, I like a coffee table that doubles as
an informality and fun that you can’t match indoors. And a firepit when you take the lid off. It is very versatile.
there’s the delight on all your senses, from the sun on
your skin, the scent of plants and being among friends. ■ Music can be key to entertaining. Integrating speakers

by hiding them in the planting can be a very chic and

■ The first thing to think about is what entertaining in fun way to bring great sounds to your party.
the garden looks like for you. Do you want to have big
family meals at a table or see yourself sitting around a ■ If you’re a keen cook, plant lots of herbs. Rosemary

firepit drinking wine with a few friends in the evening? is good because it provides structure. Ideally, you’ll
Will you regularly host 30 people or a family of four? have them near the kitchen and outdoor kitchen, but
they usually need the most sun. I also like to integrate
■ Consider the space. You’ll naturally gravitate towards ornamental edibles into the main planting, such
the sun, so figuring out the best place for your table or as fennel with its attractive fluffy foliage or purple
lounge area is essential. I used to have a north-facing sprouting broccoli, which looks beautiful. Think about
garden and it was sunniest at the end, so that’s where scent, too: jasmine pumping out in May is gorgeous.
we put big squishy sofas, rather than near the house,
where it was dark and shady. The exception is where ■ If you have play equipment, screen it with planting.

you place the dining table - you won’t want to eat under Ornamental grasses are lovely around a sunken
full midsummer sun, so you have to find a balance. trampoline, for example, because you can see through
to watch the kids, but they break it up. If you have a
■Figure out the views: work out where you feel lawn, add depth with planting between the grass and
overlooked and where feels more private. paving, so you don’t look onto two spaces of flatness.

■ Situating your outdoor kitchen - whether that’s a big ■ The wrong furniture can ruin even the most beautiful

feature with a fridge and storage or a small barbecue garden. I veer towards timber sofas and dining sets (as
- doesn’t need to be near the table where you serve but long as you look after them in winter) as they bring a
it should be in a practical place so you’re not traipsing softness that can’t be beaten. Zinc also looks lovely in

F E AT U R E J E S S I C A S A LT E R P H O T O G R A P H D O R L I N G K I N D E R S L E Y/ R A C H E L WA R N E
back and forth to your indoor kitchen. It might be a nice more traditional gardens. I avoid plastic and rattan.
idea to have it at the bottom of the garden, but if you You can dress up garden furniture with cushions. &
forget salad tongs and have to walk all the way back,
it can be inconvenient. Often we position the kitchen Pollyanna Wilkinson’s new book, How to Design a
area just outside the house, to make it most useful. Garden (£22, Dorling Kindersley), is out now

■ You want to keep the cooking sociable – you don’t

want to be on your own – so we often integrate a bar Stockists

near the outdoor kitchen. With that people can perch For garden furniture I go to Harrod Horticultural for lovely zinc
nearby and it becomes a communal space. pieces, Gloster for beautiful contemporary timber and Vincent
Sheppard for modern designs, and RH is a dream to shop at.
■ There are different ways of socialising in the day and We source plants from trade suppliers, but Sarah Raven and
Crocus are great online retailers, as are Beth Chatto and
the evening. A firepit is fun for evenings and allows you
Claire Austin. For trees, I love Deepdale, Majestic and Form
to use the garden outdoors at different times of year, if
Plants. Solus and Torc Pots do stunning custom-made fire
you wrap up warm. In a big space, positioning a firepit bowls. For garden kitchens, I love Huckleberry, which does
a little way away from the house can draw people down amazing wooden kitchens; for more contemporary designs
the garden and provide a different experience. For try Grillo, or WWOO which has really cool concrete ones.

132
 & Gardens

The ideal space will

include areas in sun
and shade for dining,
drinking and relaxing
day and night

133
 & Gardens

Garden views
Ian Trought, National Trust head gardener at Overbeck’s in Devon, tells us
about this spectacular place which has its own subtropical microclimate

“
Overbeck’s is perched on steep slopes above
the coast at Sharpitor in Salcombe, with views down the
estuary. In the past, it was a family home and a Red Cross
hospital – the garden has evolved without much formal
planning but with the enthusiasm of various custodians. We’re
in a microclimate, protected from westerly winds by the cliff
and woodlands, with little frost due to the sea air, allowing us
to grow an eclectic mix of plants, many from warmer climes.
We grow magnolias, including M. campbellii ‘Overbecks’,
Euonymus lucidus and subtropical plants, such as banana
plants and the iconic Trachycarpus fortunei (Chusan palm),
many over 100 years old. There’s a Statue Garden, now full of
colour with herbaceous and tender perennial plants spilling
onto the paths, soundtracked by birdsong and crashing
waves. If we get enough summer rain, the Banana Garden
will feel like a tropical rainforest by the end of the month.
I took over as head gardener at the beginning of the
year, having been at RHS Wisley for six years. Although I’m
The garden
from Nottingham, my wife is from Devon so it’s always felt
sits above the
like a second home. The location is one of my favourite
Salcombe estuary
things about Overbeck’s, but it is a challenge. We can’t
get much machinery onto the site due to the slopes, so we
rely on people power. It can be physically demanding,
especially with our small team of four.
We’re always thinking about sustainability and how
we can reduce our need for compost, water, fuel and
even plants. We’re chemical- and peat-free, our waste is
composted and reused and we collect and recycle rainwater,
( G A R D E N ) N AT I O N A L T R U S T I M A G E S /J A S O N I N G R A M . N AT I O N A LT R U S T. O R G . U K
F E AT U R E H O L LY R A N S O M E P H O T O G R A P H S ( P O R T R A I T ) A N D R E W N O R T H R O P ;

using it only on newly established and container plants. It

shouldn’t be necessary to water established plants rooted
in the ground - in my experience, it’s much better to under
water to encourage them to develop a good root system.
I’m also looking into buying plants bare-root, meaning less
transportation emissions and less packaging, plus they
establish better, require less water in the first year and
reduce the chance of transmitting soil-borne diseases.
At the moment, we’re mostly maintaining the garden,
as even in rainy Devon it’s too dry to plant at this time of
year. We’re also busy with visitors, so we spend a bit of
Mediterranean
time talking to people, which is one of my favourite parts planting
of my job. To stay inspired and keep learning, I visit other includes
gardens and talk to gardeners. If you haven’t been, you Trachycarpus
must visit Great Dixter, best in midsummer when it’s fortunei

”
surrounded by meadows humming with insect life. &

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 Kitchens &
Bathrooms
SMART SOLUTIONS FOR THE BUSIEST SPACES

In this kitchen by
Blakes London a
Patagonia quartzite
worktop with naturally
ingrained marble
inclusions continues
up the wall for a seamless
look. ‘The continuity
of the material creates
serious impact,’ says lead
designer Magnus Nilsson

Top designers talk about their dream

schemes, the decorative power of the
M A LC O M M E N Z I E S

kitchen splashback, centerpiece

PHOTOG R APH

bathroom vanities and more

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 P ROJ ECT N OT ES
The latest launches and smart buys bringing
luxury to kitchens and bathrooms

ECO U PG R A D E F E AT U R E L I N D A C L AY TO N P H O T O G R A P H S ( A R T D E C O A E S T H E T I C ) A N N A B ATC H E LO R

If you were impressed by Wall&decò’s original

waterproof wallpaper, prepare to be truly
captivated. Building on the success of its award-
winning Wet System, the brand’s latest innovation,
Aquabout Wet System, takes both performance
and sustainability to the next level. Using advanced
water-based resins, this new-generation surface
stands up to daily wear, resisting scratches and even
harsh detergents. A sophisticated alternative to tiling,
it’s a breakthrough in eco-friendly surface design
with plenty of personality. Wall&decò Aquabout
Wet System wallpaper in Thanks To by Enrico
Beccari, from £214sq m, West One Bathrooms.

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 Kitchens & Bathrooms

A R T D ECO A E S T H E T I C
If you want a heads-up on the biggest bathroom
trend this summer, then look no further than
Lefroy Brooks’ Mackintosh range. Sure, you might
not need a heated towel rail right now, but those
deco details are seriously on point. MK 3212
Mackintosh narrow floor-standing towel warmer
in Polished Brass, from £3,754, Lefroy Brooks.

HEAD-TURNING
A highlight of this year’s Kitchen & Bath
Industry Show (KBIS), Kallista’s new Bandeau
showering collection features what might
just be the most exquisite showerhead
we’ve ever seen. Inspired by neoclassical
architectural columns, it combines matte
metallic finishes with ridged marble cuffs,
hand-carved from single slabs of Italian
marble – specifically, White Carrara or
Nero Marquina. Also available in an equally
desirable wall-mounted version. Bandeau
rain showerhead, £15,380, Kallista.

Grand illusions
Conjuring the whimsical charms of Regency painted
furniture, this Benedict wastepaper bin, £395, is one
of many triumphs from Luke Edward Hall’s accessories
collection for The Lacquer Company. Featuring
trompe-l’oeil decoration in a choice of four riotous
colour combinations – this is Dark Red/Pale Pink – its
high-gloss lacquered finish is easy to clean and is
perfect for pepping up any quiet bathroom corner. &

PA R T Y P I EC E
For the discerning host, a kitchen bar is the hallmark
of stylish entertaining. Neatsmith’s Cordona home bar
in Highland Green, from £9,960, seamlessly blends
refined design with practical functionality. Adorned with
elegant fluted detailing and striking decorative glass,
it is softly illuminated to help set the mood. Stemmed
glass hanging racks and ample counter space for
cocktail crafting will ensure the drinks keep flowing.

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 D I ST I N CT I V E F E AT U R E
The power of a splashback is often overlooked, yet it is the
detail that can dramatically enhance a cook space

1.
O N D I S P L AY
Topping your splashback with a shelf crafted from the same stone is a fluid design flex with added
functionality for avid cooks. It also elegantly addresses the conundrum of how to finish the top of a
splashback when there are no wall cabinets to provide a natural stopping point. In this example, the
linear pale-washed oak of Martin Moore’s Legacy Collection is paired with a rich, earthy palette of
F E AT U R E L I N D A C L AY TO N

green and terracotta, setting a warm, inviting tone. ‘The striking green granite used for the worktop,
splashback and shelf has been honed to emphasise the beautiful veining and retain its muted
colour,’ says Richard Moore, creative director, Martin Moore. ‘To further enhance this statement
material, we finished the stone with a bullnose edge, which has a softly curved radius that’s so tactile.’
The Legacy Collection in oak and Oliva Italia honed granite, from £45,000, Martin Moore

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 Kitchens & Bathrooms

2. 3.
C H A R ACT E R R E F E R E N C E U T I L I TA R I A N C H I C
If you want timeless and on-trend, look no further For Andrew Griffiths, director of A New Day interior
than terrazzo – not just for its mid-century appeal and design studio, a stainless-steel splashback feels both
easy upkeep but also for its eco-credentials. Made utilitarian and chic. ‘Look to any commercial kitchen
from recycled materials, it’s a sustainable option with and you’ll see the material in abundance, so it’s more
both character and conscience. In this kitchen, Pluck’s than capable of handling the demands of a busy
Brockwell Moss cabinets are paired with a terrazzo home life,’ he says. For this project, Andrew also chose
alternative crafted from waste wood from felled British stainless steel because it was such an integral part of
trees. ‘Stone-based terrazzo is also made from recycled the apartment design – steel specialist GEC Anderson
materials, but for a seriously eco-friendly splashback, installed the original worktops when the home was
this timber terrazzo by Foresso is impressive,’ says Pluck built in the 1960s. By introducing wood and textured
co-founder George Glasier. ‘Here, it’s used for the glass, the steel gains softness and warmth, balancing
worktop, splashback and first shelf to create a seamless the brutalist architecture. ‘For me, stainless steel works
look.’ Whether opting for classic marble terrazzo or best as part of a collage of textures with softer materials
this wood-based alternative, terrazzo’s raw edges can and colours that stop it feeling clinical,’ adds Andrew.
be tricky. ‘Topping splashbacks with a shelf, utensil rail Bespoke kitchen designed by A New Day.
or tile trim ensures a neat finish,’ advises George. Stainless-steel worktops and splashbacks,
Pluck kitchens start at £25,000 from £657sq m, GEC Anderson →
P H O T O G R A P H S ( 2 ) M A LC O L M M E N Z I E S ; ( 3 ) A N N A S TAT H A K I S T Y L I N G ( 3 ) PA U L A M AY E VA N S

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 4. 5.
B LO C K PA RT Y H I T T H E T I L ES
Colour blocking never ceases to impress, as is evident Never underestimate the power of well-appointed tiles
in this space, where splashbacks, extraction, walls and to infuse your kitchen with character. With a touch of
ceilings are united in one minty shade. The brainchild creativity, thoughtful design choices and innovative
of Maddux Creative, this stainless-steel kitchen overlooks configurations, a tiled splashback can emerge as the
a park – a factor that influenced the nature-inspired room’s most captivating focus. ‘The first thing that strikes
palette. ‘A defining feature is the seamless splashback you as you walk into this kitchen are the beautiful Rose
extending over the cooker hood, a deliberate choice Lace Market tiles along the splashback; the texture and
that eliminates visual breaks and enhances material reflections completely steal the show,’ says Helen Parker,
cohesion,’ says interior designer Scott Maddux. ‘The creative director, deVOL. Crafted with vintage tile
vertical wall tiles introduce a rhythmic architectural presses, these tiles feature a rich, textural lace effect
element. Their linearity and texture contrasts with the that, when used as a border, enhances the delicate
sleek-stainless steel surfaces, which capture and diffuse patterning to even greater effect. The combination
the shifting light from the adjacent park.’ of metro and square formats further enlivens this
Bespoke kitchen made by Andrew Penny. Natural splashback, adding dynamic visual interest.
cork flooring, from £66.95sq m, Granorte. Rose Lace Market tiles, from £528sq m;
Vintage wooden vessels and boards, from £65 The Real Shaker Kitchen in Refectory Red,
each, Nick Jones. Project by Maddux Creative from £12,000, deVOL

P H O T O G R A P H S (4) R I C A R D O L A B O U G L E

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 Kitchens & Bathrooms

6. 7.
R E F L ECT T H E L I G H T CURVE APPEAL
A mirrored splashback brings both beauty and Carving sculptural curves into your splashback is the
practicality to the kitchen, enhancing light, depth new way to inject craftsmanship into utilitarian sink
and elegance. Here in Charles Yorke’s Englemere spaces. In this galley kitchen by Guild Anderson, the
painted kitchen, mirrored glass is neatly framed in Roma Blue quartzite splashback captivates with its
stone, adding a decorative touch that complements naturally striking veining, but it’s the generous curved
the fine detailing of the cabinetry. ‘Mirrored detailing along the sides that truly energises the stone.
splashbacks, whether plain, tinted or decoratively This dynamic twist, reminiscent of antique marble
antiqued, are a beautiful way to introduce a focal washstands, transforms the sink area into a jewel box
point into your kitchen while also improving the of precious stone. ‘Introducing carved details on your
light in the space,’ says Jack Butterworth, creative splashbacks can be particularly effective in small
manager, Charles Yorke. ‘When specifying a kitchens, where there’s less space to impress,’ says
mirrored splashback, it’s important to consider the design director, Nick Anderson, who worked on this
heat source in front of it and opt for heat-proof kitchen alongside interior design studio, Lara et al. ‘It
or heat-resistant materials to ensure a flawless not only infuses the room with a sense of luxury and
and long-lasting feature,’ adds Jack. originality but also softens the overall spatial dynamics.’
Bespoke Englemere Framed kitchen, from Bespoke kitchens start at £60,000, Guild
£40,000, Charles Yorke Anderson. Interior design by Lara et al →
P H O T O G R A P H S ( 6) D A R R E N C H U N G ; ( 7 ) A S T R I D T E M P L I E R

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Kitchens & Bathrooms

8.
WO R K O F A RT
Painted tiles can turn a practical feature into a conversation piece. In this apartment, interior
P H O T O G R A P H K E N S I N G TO N L E V E R N E

designer Sophie Ashby teamed up with surface designer Anna Glover and Balineum to create
a tile installation inspired by a Japanese vintage screen. ‘I wanted to treat the walls as art, not
just another piece of chinoiserie, but a fresher look – like a meadowy, floral wrap, as if you’re in a
garden,’ says Sophie. The Breccia Capraia marble worktops echo the organic feel of the tile design,
while the lower units, in Guatemala by Argile, and pendant light echo colours from the splashback.
Bespoke kitchen designed by Studio Ashby. Snowdrop rise and fall light, £2,640, Beata
Heuman. Bespoke Pinstripe table by Sister by Studio Ashby. Custom tiles by Anna
Glover, from £63 per tile, Balineum &

144
 Kitchens & Bathrooms

D ES I G N E R K I TC H E N
Interior designers Alexy Kos and Che Huang of Child Studio
are well-versed in crafting characterful spaces

3.

1.

5.
2.
4.

G R E AT D E PT H S
Alexy Kos and Che Huang, the
founders of London-based Child
Studio, are known for their ability
to create inviting contemporary
6.
interiors influenced by modernism.
‘The kitchen is often called the 7.
heart of the home,’ says Alexy. ‘Our
approach centres on crafting a
cosy, lived-in atmosphere, with a
focus on quality and comfort.’
Their starting point is to establish
a palette of materials on to which
they layer decorative objects from
different eras, such as silverware, 9.
pottery and antiques, often with a 8.
focus on mid-century modern design.
‘We tend to use a pared-back
selection of natural materials: solid
wood to add warmth, combined
with natural stone and tactile 1. Moon vase by Emile Gallé, 1940s, €2,500, Danke Galerie
ceramics,’ explains Che. The result? 2. Batsford dish light, from £3,360, Jamb
‘An inviting, relaxing space with 3. Haberdasher’s wall cupboard, from £2,120, deVOL
F E AT U R E A M E L I A T H O R P E

personality and depth,’ he adds. 4. Cannon table, from £21,600, Collier Webb
5. OE Fiddle cutlery with Cream handle knives, £113 (seven-piece setting), Glazebrook & Co
6. Charlieu range cooker in Burgundy Red with Nickel trim, £9,830, Lacanche
7. 699 Superleggera chair in Black ash, £2,266, Viaduct
8. Linea Mini coffee machine, from £4,554, La Marzocco
9. Ursula rug by Märta Måås-Fjetterström for MMF Sweden, 1935, £12,400, Modernity &

147
 T H E VA N I T Y P ROJ ECT
Express your personal style with a wow
washbasin area that’s uniquely yours

D R E N C H I N CO LO U R
It may be compact in size, but this artfully
designed vanity unit has been meticulously
orchestrated to utilise every inch of its confined
alcove setting. According to the design team at
Hutley & Humm, the secret to maximising impact
F E AT U R E L I N D A C L AY T O N P H O T O G R A P H B O Z G A G O V S K I

lies in colour drenching. Co-founder Melissa Hutley

explains, ‘While overcrowding a small space with
too many details may dilute its impact, drenching
the alcove in a singular, striking colour transforms
it into a veritable jewel box.’ The uplifting yellow
here – Gamboge by Paint & Paper Library –
cascades down the walls and encompasses the
vanity cabinetry. ‘A marble splashback subtly
infuses theatre into the space,’ adds Melissa.
Bamboo-effect wall mirror, £150, John Lewis.
WL 1212 Classic wall-mounted mixer taps,
£857, Lefroy Brooks. Project by Hutley & Humm

148
 Kitchens & Bathrooms

S K I RT A RO U N D I T
A statement vanity doesn’t always have to be a grand
affair. Sometimes, the most charming solutions are
the simplest. In the compact shower room of this
Oxford townhouse, storage was at a premium. To
create a practical yet interesting solution, the team
at Sarah Vanrenen had simple shelves built around
the base of the pedestal basin and concealed them
with a fabric skirt. ‘A basin skirt is a wonderful way
to soften a bathroom while adding discreet storage,
without the visual bulk of a solid vanity unit,
which can make a smaller space feel cluttered,’
says director Laura Hanbury. ‘For a traditional
feel, we like a gathered heading, but for a more
contemporary look, a flat-fronted skirt or tailored
pinch pleats can work beautifully,’ Laura adds.
Basin skirt in Aquitaine linen in Aqua, £118m;
Roman blind in Star linen in Paprika Cream,
£114m, both Borderline Fabrics. Jagged Stripe
wallpaper in Powder Tan, £128 a roll, Långelid
von Brömssen. Project by Sarah Vanrenen

L I K E B R A N D N EW
Reimagining vintage furniture instead of buying new
not only preserves craftsmanship but also takes a
more sustainable approach, decreasing demand for
P H O T O G R A P H S ( S K I R T A R O U N D I T ) M I K E G A R L I C K ; ( L I K E B R A N D N E W ) C H R I S TO P H E R H O R W O O D

new materials and ultimately lessening the strain

on landfill. ‘Repurposing an antique piece, like this
19th-century French mahogany commode, into a
vanity unit is also a clever way to add character to
a space that can often seem clinical,’ adds Gemma
Holsgrove, design director, Sims Hilditch. ‘Reinforcing
the piece to support a sink and sealing the wood to
withstand moisture are both important for securing
longevity,’ says Gemma. It can be a little more effort
than buying ready-made, but you’ll be rewarded with
a unique, functional vanity with generous storage.
Toile de Joie wallpaper in Sea Green, £163
a roll, Chelsea Textiles. The Swan basin mixer
taps, £1,020, Catchpole & Rye. Single Saunton
wall lights, from £157.20, Jim Lawrence.
Project by Sims Hilditch →

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Kitchens & Bathrooms

P R EC I O U S STO N E
Crafting a vanity unit in fluted stone brings a
dynamic quality to a bathroom, transforming what
is often seen as a rigid material into something far
more expressive. ‘I think a lot of people assume
stone is an inflexible material. We like to push the
limits on what stone can do and how it can make
you feel,’ says interior designer Bradley Odom. By
incorporating fluting, the stone takes on a new
dimension, adding warmth and depth. ‘We had
previously done introverted fluting on another
project, so here we wanted to do the opposite,’
Bradley explains, referring to the deep convex
fluting, which emphasises the marble veining.
‘Designed for a 1920s home with intricate trim-
work, the vanity reinterprets traditional adornment
in a contemporary way, seamlessly blending past
and present for a striking focal point,’ he adds.
Sea Collage vinyl wallpaper in Slate, £820 for
a 1.2x8m roll, Christopher Farr. Custom fluted
vanity in Orobico marble, Bradley Odom Interiors

TA K E A B OW
The striking wallpaper undeniably steals the show in
this bathroom by interior designer Laura Stephens,
but the vanity below it is far from overshadowed.
With its fluid bow-front design, beautifully cut
marble top and shapely upstands, it holds its own
against the bold backdrop. The bow front detail
brings essential curvature to the room, helping to
balance out all the straight lines and angles, as well
as maximising storage inside. ‘Bow-fronted vanities
tend to be deep so make sure you have plenty of
space to accommodate this in your bathroom,’
advises Laura. Given that ‘bending’ material into a
curved shape is a time-consuming process and
tends to be expensive, Laura recommends
achieving the look for less by constructing a bow
front with narrow panels of flat wood or MDF.
Dali’s Mermaid wallpaper in Blush, £175 a roll,
Print Sisters Archive. Bespoke vanity unit by
Laura Stephens

150
 SEEING DOUBLE
There’s something undeniably decadent about
having your own personal vanity space, and in a
shared en suite, a double vanity can deliver. Studio
Duggan also likes to take the opportunity to create
a beautifully balanced vanity vignette. ‘When
designing a his and hers vanity unit we always like
to align the mirrors, taps and basins for symmetry,’
explains founder Tiffany Duggan. ‘On a practical
note, it’s good to allow some shared worktop space
in the middle of the sinks to place hand soap, etc,’
she adds. For extra storage, Tiffany recommends
repurposing wall mirrors to create two recessed
cabinets above a double vanity, as she has done
here with bamboo-inspired designs. ‘Lighting is also
key. We like to use wall lights either side of mirrors.’
Bespoke reeded cabinets in Little Greene’s
Windmill Lane by Studio Duggan. Cheltenham
wall lights, from £220, Jim Lawrence. Baloo
mirrors in Ebony, £171.50 each, Pooky

I N TO T H E WO O DS
In this beautifully proportioned cloakroom, the
vanity unit combines craftsmanship and timeless
design. Handmade from solid oak with elegantly
P H O T O G R A P H S ( P R E C I O U S S TO N E ) M A L I A Z I M A ; ( TA K E A B O W ) B OZ G A G O V S K I ; ( S E E I N G D O U B L E )

turned legs and topped with striking Violetta marble,

it was designed to feel as though it had always
belonged. ‘It was commissioned by HollandGreen
Interiors, and the designers wanted the vanity to
appear free-standing yet seamlessly integrated
into the space,’ recalls Lucy Hillier, senior creative
designer at bespoke cabinetmakers, Langstaff. ‘Every
detail was carefully considered, from the precise
K E N S I N G TO N L E V E R N E ; ( I N TO T H E W O O D S ) A S T R I D T E M P L I E R

patina of the oak base to the delicate shaping of the

legs, ensuring it complemented the room’s classic
elegance.’ This combination of thoughtful design
and expert craftsmanship has produced a vanity
that exudes quiet luxury without sacrificing storage.
Bespoke vanity unit in solid oak and Violetta
marble, Langstaff. Papyrus wallpaper in
Topaz, £94m, Lewis & Wood. Project by
HollandGreen Interiors →

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 HIDDEN TREASURE
‘Salvaged stone sinks have always captivated me
with their unique patina, historical significance and
ability to enhance spaces with depth and character.
With careful retrofitting or updating, these
treasures can function perfectly in modern systems
while retaining their historical appeal,’ says Kara
Childress, principal of Kara Childress Interior
Atelier. Solid antique stone sinks are notoriously
heavy, so ensure your bathroom floor can support
the load before purchasing. When hunting through
antique shops and salvage yards, Kara says it’s
important not to limit your search to traditional
sinks. ‘Keep an open mind, antique stone troughs
can also be transformed into statement sinks.’
Project by Kara Childress Interior Atelier.
Try the Cotswold Reclamation Company
for similar stone trough sinks &

PHOTOGR APH JULIE SOEFER

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 Kitchens & Bathrooms

D ES I G N E R B AT H RO O M
A scheme filled with texture, pattern and warmth is designer
Tiffany Duggan’s idea of a dream bathing space

3.
1.

2.

4.

L A P O F LU X U RY 5.
‘I love bathrooms that feel cohesive
with the rest of a home and embrace 6. 7.
texture, colour and soft furnishings to
avoid a clinical, cold feel,’ says Tiffany
Duggan, director of Studio Duggan.
‘This is particularly important for
en-suite bathrooms which should 8.
flow seamlessly from the bedroom,
creating a large suite-like feel.’
When space permits, generous
double doors help to open up the
flow between bedroom and
bathroom, and free-standing furniture
F E AT U R E A M E L I A T H O R P E P H O T O G R A P H S ( P O R T R A I T ) W I L L S L AT E R

adds character. ‘I like to include a

9.
glazed-fronted antique cupboard for
towels or a cute ceramic table next
to the bath for a candle and bath 10.
oils,’ she says, ‘and an armchair is
the ultimate luxury.’ Wall tiles are
1. Bread & Butter true matt emulsion, £60 for 2.5ltr, Atelier Ellis
often used only in the shower area, 2. Tiger mirror, small, £950, Trove by Studio Duggan
with stone splashbacks for baths and 3. Vine Flower linen, £222m, Penny Morrison
basins. ‘We also use a lot of tadelakt, 4. Arundel heated towel rail in Antique Brass, £3,132, Rutland London
which is so calming and I love its 5. Calacatta Viola marble, from £900sq m, Cullifords
seamless quality,’ she notes, ‘while 6. Aged metal auxiliary table, from £69.99, Zara Home
7. Henry basin mixer with two-tone Nickel/Dark Nickel lever handles, £2,014, Waterworks
cement tiles are wonderfully tactile
8. Kodiak Stripes terry towel, from £33 for a hand towel, Tekla
underfoot, as is honed marble.’ 9. Terra Original Octagon zellige with Ruby Red infill, £156sq m, Terra Bella Interiors
10. Rockwell bath with feet in Blue, from £6,784, The Water Monopoly &

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 Lifestyle
FOOD, TRAVEL AND OTHER WONDERFUL THINGS

The alfresco dining

experience at Hôtel
du Couvent in Nice
is as relaxing as
the Roman spa-
style baths found
inside. See more
on page 165

This month we check into a sunny

Côte d’Azur hotel, serve up delicious
Mediterranean recipes, take a designer
tour of London and speak to the
host of the WOW!house event

155
 & Lifestyle

A LOV E L E T T E R TO. . .
Designer Tolù Adẹ̀ kọ́ explains why London
has a particular hold on his heart

I T feels like just yesterday that I makers. I admire the work of Wei an incredibly beautiful space, and
boarded a plane from Nigeria to the Chen at Paper Moon – she creates the service is always impeccable.
UK with my family, though it was hand-cut Chinese paper art and I
in fact 30 years ago. The thought am fascinated by her extraordinary ■ A favourite spot to eat is José on
of a new life was both thrilling precision. I like to take a peaceful Bermondsey Street. It’s a vibrant and
and daunting, especially with the walk in the neighbourhood too, along friendly restaurant serving a daily
bittersweet feeling of leaving my the Thames Path or taking in the changing menu of delicious tapas.
dear grandmother behind. We views from Greenwich Park.
settled in Bermondsey, just a stone’s ■ I enjoy Blackheath for its
K WA K U D E S M O N D ; ( R OYA L O B S E R VATO R Y ) © N AT I O N A L M A R I T I M E M U S E U M , LO N D O N
F E AT U R E E M M A J PA G E P H O T O G R A P H S ( LO B B Y B A R ) N I C K R O C H O W S K I ; ( P O R T R A I T )

throw from Tower Bridge. South-east ■ Dulwich’s artistic sensibility is also remarkable sense of space and its
London’s green spaces and tranquil close to my heart. The Dulwich Georgian and Victorian architecture.
charm quickly became my grounding Picture Gallery, with its collection For special occasions, I head to Ellis
force and now my own family’s of Old Masters, continues to inspire Butchers. Its pioneering approach
history continues to unfold here. me, just as it did when I was a to whole carcass butchery, ethical
child. Dulwich Village, with its sourcing and minimal waste speaks
■ Greenwich is a special place independent boutiques and cafes, to the future of mindful consumption.
for me. Standing at the Royal feels like a storybook setting.
Observatory (far right) on the Prime ■ For a quiet retreat, the Lobby Bar at
Meridian, looking across the city’s ■ In town, I like to head to the One Aldwych in Covent Garden (far
rooftops, I feel a connection to both Red Room at The Connaught, a left) is a personal favourite. It’s not
the history and modernity of the city. stunning bar hidden behind a velvet- just a great spot for coffee, it’s also
The symmetry of the Old Royal Naval curtained doorway, accessed via where I proposed to my wife, Blessing,
College and the beauty of the Queen’s the hotel’s Champagne Room. It’s making it all the more special. &
House never fails to leave me in awe.

■ I enjoy browsing Greenwich Market,

“I enjoy Blackheath for its remarkable sense of
especially for its independent space and its Georgian and Victorian architecture”

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 ZEST FOR LIFE
Mediterranean-inspired recipes that
celebrate the joy of the lemon

P H O T O G R A P H Y C H A R LOT T E B L A N D

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■ Toast the pumpkin seeds in a dry frying pan over a

low heat for a few minutes until they pop and brown
slightly. Skin the melon, deseed and cut into slices.
Peel the cucumbers and cut into thick discs, along
with the courgettes.

■ Place the vegetables and salad leaves, if using, in a

bowl and toss with plenty of lemon juice and olive oil
and a few pinches of salt. Taste and adjust the seasoning.

■ Stir the mint through the salad leaves, then place

on a platter or in a serving bowl and scatter over the
pumpkin seeds. Crumble over the feta, add another
drizzle of oil and the lemon squiggles and serve. →

F E TA , L E M O N &
M E LO N S A L A D
S E RV E S 2 A S A M A I N O R 4 A S A S TA R T E R
O R S I D E SA L A D
50g pumpkin seeds
1 small ripe melon (cantaloupe is good, as is a
large wedge of watermelon)
2 cucumbers
2 courgettes
A handful of lamb’s lettuce or rocket (optional)
Juice of 1 lemon
Extra virgin olive oil
Sea salt
A few sprigs of mint, leaves chopped
1 block of feta (roughly 80g)
Lemon zest squiggles, to serve

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 S E RV E S 4-6
2 tbsp olive oil
1 tbsp butter
6 chicken thighs or 1 whole chicken, jointed into 6 pieces
Sea salt
2 white onions, thinly sliced
2 garlic cloves, thinly sliced
1 scant tsp ground turmeric
2 cinnamon sticks
1 tsp ground ginger
A good pinch of saffron threads
A large bunch of coriander
A handful of green olives, stone in
1 preserved lemon, flesh removed and discarded,
rind cut into strips
250ml chicken stock or water
Juice of 1 lemon
3 tsp runny honey

■Heat the oil and butter in a deep flameproof casserole

dish. Season the chicken pieces with salt, add to the
casserole dish skin side down and begin to brown them
over a medium heat (do this in batches to avoid
overcrowding the dish). Once you have got a good colour
CHICKEN, HONEY & all over each piece, remove from the dish and set aside.

P R E S E RV E D L E M O N TAG I N E ■ Add a splosh more oil or a knob of butter if necessary,

then add the onions to the dish. Cook them slowly,
covered, until completely soft and translucent (at least
15-20 minutes). Add the garlic and spices and keep
cooking for a few more minutes. Separate the coriander
leaves from the stems, roughly chop the leaves, and
reserve for later.

■ Finely chop the stems and add to the dish, stirring for
a few minutes until they release their fragrance. Now,
add the chicken pieces back into the dish along with
the olives, preserved lemon and chicken stock or
water. Bring to the boil, then lower the heat to a steady
simmer and cook, covered, for about 35 minutes
until the chicken is done (the juices should run clear
when the thickest part is pierced with a sharp knife).

■ Taste for seasoning, add salt if necessary, reduce

the sauce a little if you like, then squeeze in the lemon
juice and stir in the honey. Taste again, adding
more lemon, salt or honey to taste. Finally, stir in the
chopped coriander leaves and serve. Soft flatbreads
or couscous and salad are welcome additions.

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S E RV E S 2
500g raw prawns in their shells, heads on
4-5 tbsp extra virgin olive oil, plus extra to serve
2 garlic cloves, bashed
2 small glasses dry white wine
200g linguine
A pinch of dried chilli flakes
A handful of small sweet tomatoes, chopped/halved (optional)
A handful of chopped parsley leaves
Zest and juice of ½ lemon
Sea salt

■ First, prepare the prawns. Off with their heads! Set the

heads aside on a plate along with the shells. Remove

and discard the tails from the prawns. Cut a little slit
down the backs of the prawns and remove the black
vein (if you’re not squeamish you can skip this step and
eat the whole prawn).

■ To make the stock, pour 1-2 tablespoons of the olive oil

into a small saucepan set over a medium-low heat. Add
one of the garlic cloves to the pan. Throw in the prawn
shells and heads and roast for a few minutes, stirring
occasionally. Once they are all pink and slightly roasty,
P R AW N , C H I L L I & add the wine and allow to simmer as your pasta water
comes to the boil.
LE MON ZEST LINGUINE
■ Cook the pasta in a large saucepan of well salted
boiling water until al dente. Meanwhile, heat the
remaining olive oil with the remaining garlic clove and
the chilli flakes in a sauté pan over a medium heat. Add
the prawns and fry for a minute or two on each side,
then add the tomatoes, cook for a minute, then set aside.

■ Once the pasta is al dente, drain it and add it the pan

with the prawns along with the strained prawn stock.
Toss over the heat for a minute or two until it all comes
together, then add the chopped parsley, lemon zest and
juice. Taste for seasoning, adding salt and more lemon
if necessary, add another drizzle of oil and serve. →

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 ■ Preheat the oven to 140°C fan and place a deep

baking dish filled with hot water (to make a bain-marie)

inside. Whisk the egg yolks with the sugar with a hand
whisk. Warm the cream in a saucepan with the
cinnamon stick and strip of lemon zest until just
beginning to boil, then whisk it into the egg yolk mixture.

■ Remove the lemon and cinnamon and decant into

your chosen ramekins. Place them in the bain-marie

in the oven and cook for 40-50 minutes, until just set.
Remove from the bain-marie and allow to cool
completely, before topping each ramekin with a
teaspoon of demerara sugar. Place under a hot grill
until desired colour or caramelise with a blowtorch.

LE MON, PEAR & LE MON

VE RBE NA SORBET
S E RV E S 8
150g caster sugar
280ml water
6-7 good ripe pears (around 800g)

L E M O N -S C E N T E D 8-9 fresh lemon verbena leaves

Juice of 2 large lemons
C R E M A C ATA L A N A
■ Make a syrup by placing the sugar and water in a
S E RV E S 6 saucepan, bringing to a gentle simmer (swirling the pan
4 egg yolks from time to time) and leaving for a minute or two until
100g caster sugar shiny and clear. Peel the pears and core them, then cut
500ml double cream into rough pieces (if they begin to go brown, squeeze
1 cinnamon stick over some lemon juice).
1 strip of lemon zest
6 tsp demerara sugar ■ Drop them immediately into the syrup and cover with
a piece of baking parchment (this prevents them from
discolouring). Poach over a gentle heat for 2-3 minutes.
Remove from the heat and add half the lemon verbena
leaves. Leave to infuse at room temperature for at least
15 minutes.

■ Remove the lemon verbena leaves and discard

them. Blitz the pears and their syrup along with the
lemon juice and the remaining verbena leaves until
you have a pulp. Strain through a sieve, then churn
Extracted from
in an ice-cream maker according to the manufacturer’s
F O R T H E LOV E
OF LEMONS instructions. Decant into a sealable container and
by Letitia Clark cover. Freeze until ready to serve, then remove from
(£28, Quadrille) the freezer a few minutes before serving. &

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A G R E AT E SCA PE
A former convent, beautifully restored for 21st-century living, is
inviting a new type of traveller to the glamorous French Riviera

I F you want to feel a touch of mindful escapism, Nice

remains an unparalleled option on the Côte d’Azur. The
opening of Hôtel du Couvent, hotelier Valéry Grégo’s
holistic hideaway, commands a huge swathe of the
Old Town and draws a sophisticated crowd.
With ample gardens, landscaped by designer Tom
Stuart-Smith, a thoughtfully restored structure and
desirable Old Town Nice location, Hôtel du Couvent has
none of the excess of the French Riviera. The message
here is community, mindfulness and connection.
Abandoned since the 1980s, the structure was
restored by Valéry Grégo and India’s renowned Studio
Mumbai. The 88 rooms are all distinct and are divided
across four buildings. Each room has been elegantly
decorated with antiques, Italian marble bathrooms
and colossal clouds of gypsophila from a local florist.
There are two main restaurants – Le Restaurant,
which is in the hotel’s inner courtyard and the informal
La Guinguette, located in the garden. Both are helmed
by celebrated chef Thomas Vételé, whose local plates
are brought to life with the produce from nearby Nôtre
Dame farm. The menu is simple, seasonal and delicious.
Think pea tarts, grilled sea bass and some of the best
artichokes you’ll ever taste. You are in good hands
with the sommeliers, who will guide you through the list
of regional wines. Next door, Le Bistrot, a traditional
French eatery, is a firm favourite with the locals.
A visit to the on-site herbalist is a must. Led by
Gregory Unrein and Lilly Minniti, the duo provide
guests with personalised advice and custom-made
remedies, as well as teas, tisanes and tinctures using
herbs from the property’s botanical garden.
As a tribute to the remains of the Roman baths on
the hill in Cimiez, the hotel houses an underground bath
circuit. There are ample wellness spaces where therapists
give massages using local herbs and essential oils.
This is the place in which to listen, meditate and relax.
If you do wish to leave the solitude of the hotel, you
are never too far from the glorious tenements, churches
and cobbled squares that adorn this historic city. &

“There are ample wellness spaces

F E AT U R E J E N E B E R T

where therapists give massages –

this is the place in which to listen,
meditate and relax”

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M Y L I F E I N 10
Claire German, CEO of Design Centre, Chelsea Harbour and
host of this month’s WOW!house event, reveals her loves

1. I have an obsession with collecting china. I’m

fortunate to have lots of antique family china, which
I pair with contemporary pieces. My latest find from
Source at Personal Shopping at the Design Centre is
the Vannerie Gold collection from Alberto Pinto, which
I discovered at Déco Off in Paris this year.
2. I love buying skincare and make-up and discovering
new brands. I’ve recently started using Jones Road,
which is very nourishing and works well with my
favourite skincare brand Augustinus Bader.
3. I’m a dedicated walker and enjoy walking from my
home in Wandsworth to work and back every day.
During my walk I listen to audiobooks, the latest one
was Precipice by Robert Harris.
4. I adore collecting cookery books and the latest,
Brutto: A (Simple) Florentine Cookbook, was a gift
from my husband. I love that the recipes are rigorously
simple using the finest ingredients and perfect not only
for entertaining but also for day-to-day cooking.
5. I love eating out and enjoying the ‘theatre’ of a
restaurant. My number one is the River Cafe, it’s a firm
family favourite as the food is always delicious and the
atmosphere fabulous.
6. I always like to have a rough plan at the beginning of
the year about the trips I would like to go on. Last year
I stayed in two hotels that were at the top of my bucket
list: Il Pellicano in Italy and Amangiri in Utah.
7. I collect antique copper pans and I love to use
them as serving dishes for a casual mid-week supper
or weekend lunch. I buy them from a wonderful store
called E. Dehillerin, which is a Parisian institution.
8. My favourite day of the week is Sunday. I love
F E ATU RE J E S S I C A S A LT E R P H O T O G R A P H S ( P O R T R A I T ) M I LO B R O W N

pottering around at home, arranging flowers in my

tulipiere from Astier de Villatte, which is a weekly
ritual, reading books and planning a late family lunch.
9. Fabric houses constantly use their archives for
reference – I love being able to see a historic document
in a contemporary setting, it’s still relevant for how we
live today. Jean Monro is a firm favourite and is brilliant
at reproducing traditional English chintzes, prints and
hand-blocks from archive material.
10. I love historical novels, period dramas and history
books. My particular interest lies with Thomas Cromwell.
His portrait in The Frick Collection in New York is a From top, clockwise Claire German’s favourite things include Hotel Il
favourite. I can stare at it for ages hoping to solve the Pellicano, the Vannerie Gold collection by Alberto Pinto; Brutto: A (Simple)
question of whether he was a marvel or a monster. & Florentine Cookbook by Russell Norman and The Frick Collection

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