On Naive and Sentimental Poetry by Friedrich Schiller: Detailed Step-by-Step
Summary and Analysis
I. Introduction: The Essence and Function of Poetry
Schiller classifies poets into naive and sentimental types, based on how they relate to nature and
society. This distinction is rooted in psychology and history, not style.
II. Naive Poetry (Naturdichtung)
- Natural, spontaneous, and unreflective.
- Close to nature and truth, objective in tone.
- Examples: Homer, Ancient Greeks, Goethe (in parts).
- Reflects early, unified human consciousness.
III. Sentimental Poetry (Empfindsame Dichtung)
- Reflective, self-aware, and subjective.
- Expresses alienation from nature and yearning for harmony.
- Examples: Schiller, Rousseau, Romantic poets.
- Arises from modern, divided consciousness.
IV. Psychological and Historical Perspective
- Naive = childhood of humanity (being)
- Sentimental = modern, divided man (becoming)
- Poetic forms reflect the state of human consciousness.
V. Four Types of Sentimental Poetry
1. The Simple: Humble imitation of nature (e.g. Rousseau)
2. The Pathetic: Emotional struggle or inner conflict
3. The Sublime: Moral greatness in the face of suffering
4. The Satirical: Irony and criticism of societal flaws
VI. Artistic Evaluation and Synthesis
- Naive = natural beauty; Sentimental = moral insight
- Ideal poet unites both modes: harmony through reflection.
VII. Conclusion: The Role of the Poet in Modern Times
- Poetry heals the split between man and nature.
- Naive is a gift of nature; Sentimental is a triumph of spirit.
- Both are vital: one reminds us of our origins, the other of our ideals.