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Punjabi Syllabus

The document outlines various literary works and authors across different genres, including poetry, drama, novels, short stories, and essays in languages such as Punjabi and Sanskrit. It details the structure and characteristics of the Punjabi language, its dialects, and the evolution of its literature. Additionally, it emphasizes the importance of gender balance in the workforce and encourages women candidates to apply.

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0% found this document useful (0 votes)
42 views3 pages

Punjabi Syllabus

The document outlines various literary works and authors across different genres, including poetry, drama, novels, short stories, and essays in languages such as Punjabi and Sanskrit. It details the structure and characteristics of the Punjabi language, its dialects, and the evolution of its literature. Additionally, it emphasizes the importance of gender balance in the workforce and encourages women candidates to apply.

Uploaded by

normiebuntea
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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106

2. Jaganãth Dãs—Bhãgabata, XI Skadhã—Jadu Avadhuta Sambãda.


(Medieval)
3. Dinakrushna Dãs—Raskallola—(Chhãndas—16 & 34)
4. Upendra Bhanja—Lãvanyabati (Chhãndas—1 & 2).
(Modern)
5. Rãdhãnath Rãy—Chandrabhãgã.
6. Mãyãdhar Mänasinha—Jeevan—Chitã.
7. Sãtchidananda Routray—Kabitã—1962.
8. Ramãkãnta Ratha—Saptama Ritu.
Section B
Drama :
9. Manoranjan Dãs—Kätha-Ghoda.
10. Bijay Mishra—Tata Niranjanä.
Novel :
11. Fakir Mohan Senãpati—Chhamãna Ãthaguntha.
12. Gopinãth Mohãnty—Dãnãpani.
Short Story :

13. Surendra Mohãnty—Marãlara Mrityu.

14. Manoj Dãs—Laxmira Abhisãra.

Essay :

15. Chittaranjan Dãs—Tranga O Tadit (First Five essays).

16. Chandra Sekhar Rath — Mun Satyadharmã Kahuchhi (First five essays).

PUNJABI

PAPER-I

Answers must be written in Punjabi in Gurumukhi script

Section A

(a) Origin of Punjabi Language; different stages of development and recent development in Punjabi
Language; characteristics of Punjabi phonology and the study of its tones; classification of vowels and
consonants.

(b) Punjabi morphology; the number-gender system (animate and inanimate), prefixes, affixes and
different categories of Post positions; Punjabi word formation; Tatsam. Tad Bhav. forms; Sentence
structure, the notion of subject and object in Punjabi; Noun and verb phrases.

(c) Language and dialect : the notions of dialect and idiolect: major dialects of Punjabi : Pothohari, Majhi,
Doabi, Malwai, Paudhi; the validity of speech variation on the basis of social stratification, the distinctive
features of various dialects with special reference to tones Language and script; origin and development of
Gurumukhi; Suitability of Gurumukhi for Punjabi.

(d) Classical background : Nath Jogi Sahit.

Medieval Literature : Gurmat, Suti, Kissa and Var : janamsakhis.


Government strives to have a workforce which reflects gender balance and women candidates are encouraged to apply.
107

Section B

(a) Modern trends Mystic, romantic, progressive and neomystic (Vir Singh, Puran Singh, Mohan Singh,
Amrita Pritam, Bawa Balwant, Pritam Singh Safeer, J. S. Neki).

Experimentalist (Jasbir Singh Ahluwalia, Ravinder Ravi, Ajaib Kamal).

Aesthetes (Harbhajan Singh, Tara Singh). Neo-progressive (Pash, Jagtar, Patar).

(b) Folk Literature Folk songs, Folk tales, Riddles, Proverbs.

Epic (Vir Singh, Avtar Singh Azad, Mohan Singh).

Lyric (Gurus, Sufis and Modern Lyricists-Mohan Singh, Amrita Pritam, Shiv Kumar,
Harbhajan Singh).

(c) Drama (I.C. Nanda, Harcharan Singh, Balwant Gargi, S.S. Sekhon, Charan Das Sidhu).

Novel (Vir Singh, Nanak Singh, Jaswant Singh Kanwal, K.S. Duggal, Sukhbir, Gurdial
Singh, Dalip Kaur Tiwana, Swaran Chandan).

Short Story (Sujan Singh, K. S. Virk, Prem Parkash, Waryam Sandhu).

(d) Socio-cultural Sanskrit, Persian and Western.

Literary influences;

Essay (Puran Singh, Teja Singh, Gurbaksh Singh).

Literary Criticism (S.S. Sekhon, Attar Singh, Kishan Singh, Harbhajan Singh, Najam Hussain Sayyad).

PAPER-II

Answers must be written in Punjabi in Gurumukhi script

This paper will require first-hand reading of the texts prescribed and will be designed to test the candidate’s
critical ability.

Section A
(a) Sheikh Farid The complete Bani as includedin the Adi Granth.
(b) Guru Nanak Japu Ji. Baramah. Asa di Var.
(c) Bulleh Shah Kafian
(d) Waris Shah Heer
Section B
(a) Shah Mohammad Jangnama (Jang Singhante Firangian)
Dhani Ram Chatrik Chandan Vari
(Poet) Sufi Khana
Nawan Jahan
(b) Nanak Singh Chitta Lahu
(Novelist) Pavittar Papi
Ek Mian Do Talwaran
Government strives to have a workforce which reflects gender balance and women candidates are encouraged to apply.
108

(c) Gurbaksh Singh Zindagi-di-Ras


(Essayist) Nawan Shivala
Merian Abhul Yadaan.
Balraj Sahni Mera Roosi Safarnama
(Travelogue) Mera Pakistani Safarnama
(d) Balwant Gargi Loha Kutt
(Dramatist) Dhuni-di-Agg
Sultan Razia
Sant Singh Sekhon Sahityarth
(Critic) Parsidh Punjabi Kavi
Punjabi Kav Shiromani.

SANSKRIT
PAPER-I
There will be three questions as indicated in the Question Paper which must be answered in Sanskrit. The
Remaining questions must be answered either in Sanskrit or in the medium of examination opted by the
candidate.
Section A
1. Significant features of the grammar, with particular stress on Sanjna, Sandhi, Karaka, Samasa, Kartari
and Karmani vacyas (voice usages) (to be answered in Sanskrit).
2. (a) Main characteristics of Vedic Sanskrit language
(b) Prominent feature of classical Sanskrit language
(c) Contribution of Sanskrit to linguistic studies
3. General Knowledge of :—
(a) Literary history of Sanskrit
(b) Principal trends of literary criticism
(c) Ramayana
(d) Mahabharata
(e) The origin and development of literary geners of :
Mahakavya
Rupaka (drama)
Katha
Akhyayika
Campu
Khandakavya
Muktaka Kavya.

Government strives to have a workforce which reflects gender balance and women candidates are encouraged to apply.

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