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English Literature (Class 12)

The document discusses various literary works, including 'Lost Spring' by Anees Jung, which highlights poverty and child labor in India, and 'Deep Water' by William Douglas, emphasizing overcoming fear through perseverance. It also covers 'The Tiger King' by Kalki, a satirical tale about the folly of power and fate, and 'Keeping Quiet' by Pablo Neruda, advocating for introspection and peace. Lastly, it examines John Keats's 'A Thing of Beauty,' celebrating the enduring and healing power of beauty in nature.

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0% found this document useful (0 votes)
44 views4 pages

English Literature (Class 12)

The document discusses various literary works, including 'Lost Spring' by Anees Jung, which highlights poverty and child labor in India, and 'Deep Water' by William Douglas, emphasizing overcoming fear through perseverance. It also covers 'The Tiger King' by Kalki, a satirical tale about the folly of power and fate, and 'Keeping Quiet' by Pablo Neruda, advocating for introspection and peace. Lastly, it examines John Keats's 'A Thing of Beauty,' celebrating the enduring and healing power of beauty in nature.

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sasmaludito602
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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ENGLISH LITERATURE

I. Lost Spring – Anees Jung

Core Idea: Explores extreme poverty, child labour, and lost childhoods in India's slums.

Saheb-e-Alam: A barefoot ragpicker in Seemapuri. His name (Lord of the Universe) is ironic. He loses his
freedom when he works at a tea stall for money, preferring his old, free life.

Mukesh: From Firozabad's bangle-making community, trapped in a hazardous, inherited trade. Dreams of
being a motor mechanic, showing a rare defiance against family's resignation ("karma").

Key Themes: Poverty, exploitation, child labour, lost innocence, dreams vs. harsh reality, vicious cycle of
debt/tradition, lack of initiative by elders.

Symbolism:

•Garbage/Ragpicking: Means of survival, but also a symbol of exploitation and endless struggle.

•Shoes/Uniform: Symbols of desire, normalcy, education, and a better life.

•Bangles: Symbol of tradition, beauty, auspiciousness (for married women), but also a heavy burden of
poverty and generational entrapment for the makers.

•Motor mechanic: Mukesh's symbol of hope, breaking free, and self-determination.

Author's Tone: Empathetic, critical of societal apathy.

II. Deep Water – William Douglas

Core Idea & Author:

Author: William O. Douglas (American jurist, Justice of Supreme Court).

Type of Text: Autobiographical excerpt, part of his essay "Of Men and Mountains."

Central Theme: The triumph of human perseverance and willpower over crippling fear.

Origin of Fear:

Early childhood: Overpowered by waves at California beach.

Main incident: Thrown into the deep end of YMCA pool by a 'bruiser' (a strong, older boy of 18 years old,
who is a bully), leading to a terrifying near-drowning experience.

Impact: The fear paralyzed him, ruining his joy of water activities like swimming, fishing, and canoeing.

Conquest Strategy: Hired an instructor for systematic, piece-by-piece training over six months.

Practiced intensely alone in lakes to ensure residual fears were gone.

Key Themes:

•Overcoming Fear: The central message of courage and determination.

•Willpower & Perseverance: Emphasizes consistent effort to achieve a goal.

•Psychological Impact: Shows how fear can limit and control one's life.
•Triumph of Human Spirit: The ability to conquer personal challenges and adversities.

Central Message: "All we have to fear is fear itself." - Douglas proves this by conquering his own terror.

III. The Tiger King – Kalki

Author & Core idea: Written by Kalki (R. Krishnamurthy), a satirical story highlighting the folly of those in
power and the arrogance of humans against nature.

Protagonist: Maharaja Jilani Jung Jung Bahadur, known as the 'Tiger King' of Pratibandapuram.

The Prophecy: Astrologers predict his death by a tiger. He challenges this, resolving to kill 100 tigers.

Hunting Spree: Begins killing tigers relentlessly, banning tiger hunting by others.

Faces challenge from a high-ranking British officer who wants to hunt a tiger (Maharaja refuses, sends
diamond rings as bribe to save his kingdom).

Marries a princess from a state with a large tiger population to continue his hunt.

The 100th Tiger: Unable to find the last tiger, the Dewan arranges an old, ill tiger from Madras zoo. The
Maharaja shoots it, but it survives (only faints from shock). His guards actually kill it later.

Ironic Death: The Maharaja dies from an infection caused by a splinter from a wooden toy tiger gifted to his
son.

Key Themes:

•Irony/Satire: The main theme; the absurdity of human actions, challenging fate, and the king's ultimate
ironic death.

•Futility of Fate: Despite all efforts to defy it, fate catches up in an unexpected way.

•Arrogance of Power/Hubris: The king's boundless pride and belief he could control nature and destiny.

•Human Cruelty to Animals: Depicts ruthless exploitation and disregard for wildlife.

•Critique of Colonial Rule: Subtle jabs at British officials and their whims.

Literary Devices:

Irony: Throughout the story, especially the king's death by a toy tiger.

Satire: Mocks the vanity and foolishness of rulers.

IV. Keeping Quiet – Pablo Neruda

Poet & Message: Pablo Neruda advocates for a moment of silence and introspection for humanity.

The Call: The poet urges everyone to "count to twelve" and remain still and quiet for a moment, universally.

Purpose of Stillness:

•Introspection: To genuinely understand ourselves and our actions.

•Avoid Haste/Destruction: To stop destructive activities against others, nature (e.g., fishermen harming
whales), and even self (e.g., salt gatherer's 'hurt hands').
•Universal Brotherhood: To connect with each other in a moment of shared silence, breaking barriers.

•Realisation: To assess our direction and the consequences of our restless lives.

•Clarification: Neruda clarifies that this stillness is not total inactivity or death, but a profound pause for
active reflection.

•Earth as Teacher: The Earth teaches us that there can be life even in apparent inactivity, like winter leading
to spring.

Key Themes:

•Introspection & Self-awareness: Understanding one's true self and purpose.

•Peace & Universal Brotherhood: A global moment of quiet can foster unity and halt conflicts.

•Environmentalism: Harmony with nature, stopping exploitation.

•Critique of Haste/Restlessness: Humanity's constant activity often leads to harm.

**In the poem 'Keeping Quiet', the number "twelve" suggests:

1. A Unit of Time: It can refer to the twelve hours on a clock or the twelve months in a year, symbolizing a
complete, manageable duration. It implies a brief, yet significant, period for collective introspection.

2. A Universal Count: It's a simple, universal number that everyone can relate to, allowing for a global,
synchronized moment of stillness.

3. A Call for Pause: Essentially, it's a symbolic count for a moment of quiet, a universal signal to stop, reflect,
and connect with oneself and humanity.

V. A Thing of Beauty – John Keats

Background: "A Thing of Beauty" is the opening of John Keats's long poem, 'Endymion', based on a Greek
myth. It reflects Keats's core Romantic belief that beauty, primarily found in nature, is an eternal source of
joy and solace, offering comfort and never fading, despite life's sorrows.

•He wrote this poem during a period of considerable personal turmoil, including financial struggles and early
signs of the illness (tuberculosis) that would eventually lead to his death (at the age of 25). Despite these
hardships, he firmly believed that beauty in nature and art provides profound solace and joy that transcends
suffering.

Romantic Movement: As a prominent figure of the second generation of Romantic poets, Keats emphasized:

-The supremacy of nature as a source of inspiration and spiritual truth.

-The importance of emotion and imagination over strict reason.

-The idea that "Beauty is truth, truth beauty," which is a famous line from his 'Ode on a Grecian Urn' but
underlies his entire aesthetic philosophy.

Poet & Core Idea: John Keats, a Romantic poet, emphasizes that anything beautiful is a source of eternal joy
and inspiration, never fading.

What is a 'Thing of Beauty'?: It's a source of constant pleasure. Its loveliness only increases with time; it
never loses its value or "passes into nothingness."
Benefits of Beauty:

Provides a 'bower quiet': A peaceful, shady resting place for physical and mental solace.

Offers "sweet dreams, and health, and quiet breathing."

Drives away "the pall of despondence" (gloom, sadness, suffering).

Keeps us bound to Earth ("wreathing a flowery band") despite sorrows.

Examples of Beauty (Diverse Sources):

Natural: Sun, moon, trees (old and young), daffodils (in green world), clear rills (streams), forest brake with
musk-rose blooms.

Human/Legendary: "Mighty Dead" (valiant heroes, their noble deeds), and "all lovely tales" we've heard or
read.

Key Themes:

•Enduring Nature of Beauty: Its permanence and ability to provide lasting joy.

•Healing Power of Beauty: Its capacity to uplift the human spirit from suffering and despair.

•Connection to Nature: Nature as the primary source of profound beauty and solace.

•Humanity's Spiritual Bond with Earth: Beauty acts as an invisible thread connecting us to life.

Key Metaphor: "An endless fountain of immortal drink" - Beauty is compared to a divine, inexhaustible
source of spiritual nectar, providing eternal joy.

Tone: Optimistic, contemplative, worshipful towards beauty.

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