TRANSFIGURATION

Synthesizer (ossia Piano) Part

Serban Nichifor

  
 = 65
        
             
   
3 3 3 3 3 3 3 3
3 3 3 3

   
        
4

 3
 3 3 3 3 3 3 3
3 3
3 3

7       

          
3 3
 3 3 3 3
3 3 3
3 3
3

  
          
3
10
                
   
3 3 3 3 3 3 3 3
3 3 3

       
13
           
     
 
3 3 3 3
 3 3 3 3
3 3 3
3

16
             
              
   
3 3 3 3 3 3
3 3 3 3
3 3

          

19              
  
3 3 3 3 3 3 3 3
3
3 3 3
Copyright (c) 2025 by Serban Nichifor (SABAM)
2
    
22
           
        
3 3 3 3
 3
 3
3 3 3 3
3 3

    
             
25
       
3 3 3 3 3 3 3
3 3 3 3 3

      
28
              
 
 3 3 3
3 3
3 3
3

   
30
    
  
3 3

3
3


          3 3
  
            
31
   
3 3 3 3 3

3 3 3 3 3

            
    
34
      
  
3 3
 3 3 3 3 3
3 3 3 3
3

            
37
         
3 3 3 3 3 3 3 3 3 3
3 3

 3 3
   
40
        
        
    
3 3
 3
 3 3 3 3
3 3
3
   
            3
        
43

   
3 3 3 3 3 3 3
3 3
3 3 3

     
      
 

46
        
   
3 3 3 3 3 3
3 3
3 3 3 3

     
       
49
    
  
3 3 3 3 3 3 3
3 3 3 3 3

         3
 
52
                  
 3
 3
 3 3 3 3 3
3 3

    
 
3 3
55
       
        
   
3 3 3 3 3 3
3 3 3 3
3 3

  3
  
58
                 
  
3 3 3 3 3 3 3
3 3 3 3

     
61
                      
  
3 3 3 3 3 3 3 3 3
3
3 3

        
64
         
 
3 3
3 3
 Transfiguration
Atmosphere Chillout Serban Nichifor
65 BPM July 5, 2025

44
C C/B Am Am/G

& / /
1a 1 Acoustic Piano
/ / / / / / / / / / / / / /

F C/E D7 F/G G7
/ / / / / / / / / / / / / / / /

C2 C7/Bb F/A Fm6/Ab Bb9sus

/ / / / / / / / / / / / / / / /

C/G G7sus G7 C2 CMaj7 Ab9 G9sus

/ / / / / / / / / / / / / / / /

C C/B Am Am/G
/ / / / / / / / / / / / / / / /
17b

F C/E Dm7 F/G G7

/ / / / / / / / / / / / / / / /

C C7/Bb F/A Fm6/Ab Bb9sus

/ / / / / / / / / / / / / / / /

C/G Am Dm7 G7 C F C6 C7 Gb7

/ / / / / / / / / / / / / / / /

F6 Fm7 Fm6 C/E C A7b9 A7

/ / / / / / / / / / / / / / / /
33a

Copyright (c) 2025 by Serban Nichifor (SABAM)

 D9 D9/F# D9sus/A D F/G FMaj7/G G7 C9+

& / / / / / / / / / / / / / / / /

F6 Fm7 Bb9 C/G Am Bb7 A7

/ / / / / / / / / / / / / / / /
41b

D7 D7/A D9 D7 G7sus Ab7sus G7

/ / / / / / / / / / / / / / / /

C2 C/B Am Am/G
/ / / / / / / / / / / / / / / /
49a

F C/E D7 F/G G7
/ / / / / / / / / / / / / / / /

C C7/Bb F/A Fm7 Bb9

/ / / / / / / / / / / / / / / /

C/G Am Dm7 G9 C6 Fm6 C2

/ / / / / / / / / / / / / / / /
61a

Transfiguration - Page 2